Allende’s Desk and Osama’s Pyjamas

To rephrase Euripides, those whom the state wishes to destroy, it first demonizes.

When the president of Chile was killed in the military coup d’état that brought Augusto Pinochet to power on 9th September 1973 (yes, that first, forgotten 9/11), ex post facto justification for the bloody coup and its equally bloody aftermath was provided by the content of the drawers in the dead presidents desk. Though never corroborated, there were alleged to contain proof of an imminent communist takeover, and evidence of drug taking and black magic.

image

Cut to Panama in December 1989, and the US invasion of Panama, ostensibly to take out strongman and erstwhile ally Emmanuel Noriega. There, in the ruins of the city, was Allende’s desk. The same communist literature, the drugs, the voodoo.

Cut to Mogadishu, Somalia, December 1992. US marines led a doomed UN intervention to take out the warlord. Mohamed Farah Aideed. Enjoy the folly in widescreen in Ridley Scott’s masterful Black Hawk Down. And although the villain decamped unscathed, guess what he left behind? Yes, Allende’s desk, contents intact. Actually, the desk had transformed into a bedside table, but the contents now included, shock horror, red silk pyjamas!

Communism. Drug taking. Black magic. And the sheer, un-American decadence of red silk pyjamas. The State Department pressed the hot buttons of white, Christian US morality to garner domestic support for its military adventures. The desk never came to light after the fall of Slobodan Milosevic in 2000. No doubt the Serbian authorities kept is existence hidden.

And it was never found at Waco because it was no doubt destroyed in the fire of state retribution. But David Koresh, self-proclaimed millenarian prophet, with his apparently indoctrinated and deluded followers, his harem, and his guns, was singled out for treatment very different to that meted out to scores of likeminded and heavily armed fringe dwellers scattered across the USA. To paraphrase Colin Powell, they were demonized, they were isolated, and they were destroyed. And on prime time television too. In that land of paradoxes, few eyebrows were raised when gun-toting members of the KKK offered to assist the DFDA and FBI in their assault on the besieged compound.

When Navy SEALS swooped on Abbottabad in Pakistan to take out long-sought-after Big Bad Osama bin Laden, they took careful notes of the contents of his bookshelves. An eclectic collection of reading matter – and pornography. No kindles, no iPads, so no eBooks or ePorn, which just went to show what a tired, old, out-of-date codger he was at the end of his days. The Pentagon has yet to reveal what they found on Osama’s bedside table. Maybe that voodoo and witchcraft stuff? And Osama’s pyjamas?

Though they both bequeathed sumptuous palaces to their conquerors, Saddam Hussein and Muammar Gaddafi were both spared the indignity of their cupboards being laid bare. But they were both caught hiding in drainpipes, which may show that the restless ghost of Allende’s Desk may have be laid at last.

Rumours of the inevitable demise of current bogeymen Bashar al Assad, Vlad Putin and Abu Bakr al Baghdadi are exaggerated. And the Fat Controller of Korea is still entertaining the world with his eccentricities and imaginative executions. So what will it be? Desks or drainage. And the long arm of the law has yet to reach inside another famous public enemy’s Knightsbridge hideaway. Yet, being the on-line, wired chap that Julian is, we may be disappointed.

And so it goes, as Vonnegut’s Kilgore Trout often declaimed when mad things happened. The American way of preparing the nation and its friends for a military adventure. First select your enemy. Give him horns and a tail. The latter day manifestation of the Judeo-Christian personification of the evil Other, the Dark Side of us all, and the public swallows and follows…Because it supports their own value system, their own perception of self, their own identity, and thereby, they’re own interpretation of what is and what is not appropriate behaviour. Then, hang on for a bumpy ride!

Over to Jackson Brown:

demons

Rebel Yell

I didn’t surrender, but they took my horse and made him surrender. They have him pulling a wagon up in Kansas I bet.
Chief Dan George, as Lone Watie in The Outlaw Josie Wales

In the winter of ’65
We were hungry, just barely alive
By May the 10th, Richmond had fell
It’s a time I remember, oh so well,
The night they drove old Dixie down.
Robbie Robertson and The Band

The Band, from The Last Waltz

I do not profess to be an expert on the subject, and being an outsider, I do not presume to preach. Nor am I a civil war tragic like some of our politicians here in Australia – they can tell you precisely who said what at what o’clock on such and such a location on this battlefield or that.

Mind you, a civil war that claimed more than seven hundred thousand American lives, tore a young nation apart, and the echoes of which reverberate still one hundred and fifty years later, is bound to exert a degree of fascination on an inquiring mind.

Recently, the dead hand of the American Civil War reached out and touched the hearts of Americans and their friends throughout the world in the wake of yet another mass shooting. This time, a young man gunned down worshippers at prayer. That the victims were folk of colour, and the shooter, a young white extremist, reopened wounds that have never really healed.

What made this massacre different from all the other massacres was the prominence of the Confederate flag in the iconography of the fresh-faced killer. The battle flag of Dixie has never gone away. It flies inThe Dukes of Hazzard, True Blood, and even The Walking Dead, and is a favoured accessory above government buildings and at right wing rallies in The South, those former secessionists states that lay south of the Mason-Dixon line

But what also makes this slaughter different from all those other slaughters is that something is actually being done about it.

Not, however a tightening of gun laws. The Second Amendment is safe and still well kept. The President mourns with the grieving relatives and congregation and breaks into song. POTUS’ rendering of Amazing Grace goes viral on You Tube. But as ever, nothing can be done. No God or mortal can stymy the U.S’ long-time love affair with the gun, nor challenge the NRA choke-hold on the American polity – particularly with the next presidential race in the starting blocks.

No, not the right to bear arms. But the rather, the right to flaunt the Stars and Bars, an enduring symbol of the lost Confederate cause, and a rallying point for those who still believe the rebel cause to be just, those who take solace from an heroic defeat, and those who believed that “the South will rise again”, and indeed those who KNOW that the South has indeed risen again. For have not the white, right wing, God fearing, Clinton-baiting, and Obama-hating ‘Red’ states of the South conquered and colonized the American political system?

Flags can unite nations. And also divide them. And none more so, it seems, than this one.  Professor Colin Tatz once said People will forget what you said. People will forget what you did. But people will never forget how you made them feel. This flag is potent symbol that spans both sides of the great divide. It is seen by many a a symbol of racism, and in the wake of the killings, there has been a loud call to remove it from public places and events. Others see it as part of their identity, of who they and their families are. They refuse to surrender it and to trade it in for Old Glory. The call has been met with with, well, dare I say it, defiance and rebellion. If you’ve got one, flaunt it – on houses, on cars, on roadsides, on Facebook posts, blogs and websites. Here are few of th m, all worth reading to place the battle flag in its social and political context:

http://www.thedailybeast.com/articles/2016/09/21/for-the-virginia-flaggers-it-s-hate-not-heritage.html

http://www.vox.com/first-person/2016/9/30/13090100/confederacy-myths-lost-cause

http://www.historynet.com/embattled-banner-the-convoluted-history-of-the-confederate-flag.htm

I do not want to editorialize here. Rather, I would like to share the following piece in the Washington Post. It is symptomatic of the intellectual and cultural reaction to tragic events. If your cannot do something positive and practical about a problem. Advocate something symbolic, politically correct, a placebo even. Like banning the film Gone with the Wind.

http://www.washingtonpost.com/news/act-four/wp/2015/07/01/why-we-should-keep-reading-gone-with-the-wind/

The past is another country. They thought things differently there: The iconic film opened with “There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind…”

So, as students of history, do we call for the suppression of an artistic rendering of the past because we feel uncomfortable with the ideas, opinions and sentiments expressed therein? If this sprawling Southern soap opera, this pseudo Shakespearean tale of love lost and found and lost again, against a backdrop of great events, is to be consigned to the oublier of history, why cease there? Why not Lawrence of Arabia? The Outlaw Josie Wales? The Searchers? Showboat?

Let’s not go there. The South will always be with us, in our thoughts, in our historical memory, in our art and literature, our books and films. It is forever on the border of our consciousness. Even when listening to our favourite music.

Take the Flag, but leave the songs alone.

Here is what the Rebel Yell sounded like:

Alison Krauss and Union Station

Paul Robeson, from Show Boat

Chet Atkins

http://www.deathandtaxesmag.com/254760/hero-rushes-through-traffic-to-rip-confederate-flag-off-truck/

.