Red and white terror – the Russian revolution and civil war

… as a policeman, I would say, get hold of a man’s brother and you’re halfway home. Nor was it admiration for a better man than me. I did admire him, but I didn’t think he was a better man. Besides, I’ve executed better men than me with a small pistol. 

She’d come to Moscow to look for her child. I helped her as best I could, but I knew it was hopeless. I think I was a little in love with her. One day she went away and didn’t come back. She died or vanished somewhere, in one of the labor camps. A nameless number on a list that was afterwards mislaid. That was quite common in those days.

Yevgraf Zhivargo, in David Lean’s Doctor Zhivago (1965)

Some books can be unrelentingly bleak and brutal, so grim and graphic in fact that you have to push yourself to finish them. Cormac McCarthy’s odyssey tale The Road is one such. But one doesn’t often say that about history books. Usually it is time, ennui or both that cry “enough, already!” You set it aside, promising to return to your bookmark – but you never do. I persevered with English author and historian Anthony Beevor’s latest foray into Russian and Soviet history, a veritable catalogue of the horrors that men can inflict upon their fellow humans (and yes, the perpetrators are apparently exclusively male and the victims are males and females of many ethnicities). His previous, highly acclaimed books Stalingrad and Berlin 1945 are chilling, but Russia – Revolution and Civil War 1917-1921 takes top prize. And finish it I did …

The following is not a review of Beavor’s grim opus as such, but rather a thematic compendium of thoughts and observations derived from or inspired by the book.

Most academic accounts and university courses focus on the ideological and geopolitical dimensions of the origins, rise and consolidation of the Soviet Union, and its ultimate disintegration seventy years later. General public knowledge of the Russian Revolution and the civil war which followed it is relatively limited and cursory, often derived and books like Mikail Sholokhov’s saga of the Don Cossacks, Quiet Flows the Don and The Don Flows Home To The Sea, and Boris Pasternak’s Doctor Zhivago. Indeed, it was these novels and David Lean’s powerful adaptation of Doctor Zhivago that first attracted my interest in Russia as a school student in Birmingham. I majored in Politics at the University of Reading in the United Kingdom, and Soviet history and politics were an important part of my studies. Between those days and today, I’ve read widely about Russia’s history, past and present, and I am familiar with the events, ideas and personalities, their role in the broader and longer tableau of history, and the reverberations that are still felt today.

I have written often in In That Howling Infinite on Russian and Ukrainian history. Although I am no expert, and profess an amateur interest only, I do possess a short and humble pedigree. My tutor in Soviet Studies at Reading was exiled Hungarian academic and historian Tibor SzamuelyLike many refugees from Communism, he was descended from both perpetrators and victims. An uncle of the same name served in the Hungarian Soviet Republic that took power for six months under Béla Kun in 1919 and died violently that year when the revolution failed. He was among that government’s most bloodthirsty ministers and was called “Butcher Szamuely”. Szamuely’s family wound up in Moscow, where Tibor was born, and where his father was executed in Stalin’s purges. Young Tibor served in the Red Army, and he too was arrested and sent to a labour camp. Rehabilitated, he served as Chancellor of Budapest University. In 1964, then nearing 40, he was teaching in the “ideological institute” of Ghana’s Marxist president Kwame Nkrumah when he defected to England.

Back then, I was a political ingenue and a naïve communist sympathizer and fellow traveler, although my evolving perspectives were transforming and expanding. As my tutor, he advised me to study with an open mind and to put off juvenile thinking. He hadn’t been well when I knew him, and he died a year after I graduated. Under his tuition, I’d resolved to specialize in Soviet Studies – but events intervened, and I ended up in the Middle East (and that is another story. see: Tanks for the Memory – how Brezhnev changed my life). I nevertheless retained an active interest in the history and politics of Eastern Europe.

He would always impress upon me the historical and political continuity of what he called The Russian Tradition – the title of his one and only book, The Russian Tradition, published shortly before his death, and now, regrettably, out of print. I purchased a first edition when it was published and it is on my bookshelf still.

Szamuely believed that the bloodstained drama of the revolutions of 1917 – there were two, the social democratic one in the February, the Bolshevik one in November – and the years that followed, including civil war, the establishment of the USSR and Stalinism largely obscured the underlying consistency of Russian history. He did not live to see the decline and fall of the Soviet Union, and the advent of Putin and Russia Redux, but the basic pattern persists, circular and repetitive. The frequent turmoils that have overtaken this vast continent have in their various ways made changes that were essentially superficial, leading in the end to the intensification, under new forms, of the old authoritarian structure.

You – Bolshevik recruiting poster 1918


Contemplating civil wars

A civil war can emerge from the ashes of a wider, ongoing conflagration when factions or parties dispute the nature and terms of the post-bellum status quo and fracture along political and ideological lines. Many civil wars have arisen from the ashes of a prior war when there are what are perceived as existential issues unresolved and the availability of weapons and materièl and experienced and discontented men to use them.

There is a view that civil war can retrospectively be seen as a crucible of nation, a fiery furnace through which the righteous must walk – an ex post facto rationalization of the Nietzschean paradox of “that which does not kill us makes us strong”. Abraham Lincoln verbalized this in his Gettysburg Address in 1863 on a battlefield where the fallen had been only recently interred. Franco made a similar play as he laid claim to the wreckage that was Spain in the wake of three years of carnage, but then petrified his riven, country in autocratic stone until his death many decades later. The Russian Civil War was not accorded such a nation-building ethos as it was viewed by the Bolshevik victors as the crushing of a counter-revolution against a new world already being born.

Given Russia’s vast expanse, long history of restive regions, and large non-Russian ethnicities – all a result of centuries of imperial conquests – there is always the potential for the disintegration of centralized control and fragmentation. There is a rich history of state collapse following wars, revolutions, system breakdowns, economic crises, and other epochal events. Napoleon’s empire collapsed after his disastrous march on Moscow and subsequent defeat at the Battle of Leipzig. In 1918, the Ottoman, Austro-Hungarian, German, and Russian empires all collapsed in military defeat. Of course, people, decisions, and policies played a role, but ultimately it was war and the attendant economic and social crises that pushed these states over the edge into political chaos and often violence.

Once thing for sure, civil war, the Hobbesian “war if all against all” (Hobbes was thinking England’s) is undoubtedly the saddest, bloodiest and most visceral of all conflicts. I leave the last words to WB Yeats:

Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

See: In that Howling Infinite, A House Divided – the Nature of Civil War

All fall down 

Revolutions are unpredictable. They never run in straight lines. They reverberate, the shockwaves expanding and impacting on their vicinity, and way beyond. The shots ricochet, like drive-by shootings and crossfires, and you never know who will be hit, where the bullets will come to rest, and who will be damaged or destroyed. Many people will be liberated, and many enslaved. Many peoples will prosper, and many, many will perish. As TS Elliot wrote, “between the idea and the reality falls the shadow”.”

When the Tsarist Russian empire collapsed halfway through the First World War, it was the first of four great empires to disintegrate. By war’s end, the conflict had destroyed the German, Hapsburg and Ottoman empires. But unlike these three, though the imperial house perished, the empire it ruled did not disintegrate. A handful of national movements, Finnish, Polish, Estonian, Latvian, and Lithuanian succeeded in breaking free, but most of murdered Tsar’s realm emerged from the convulsions of world war, revolution and civil war within a new Soviet empire, one that still ruled millions of square miles and a multitude of peoples.

The Russian Revolutions – the two in 1917, and a failed rising in 1905 in the wake of the disastrous (for Russia) of Russo-Japanese War – and the civil war that followed can be said to have defined the contours of modern European geopolitics, setting the stage for the Cold War and also, the current Ukraine war. The 20th Century was not kind to the countries of Central and Eastern Europe. Historian Timothy Snyder called them “the blood lands”.

The USSR was officially declared in the Bolshoi Theatre on 30th December 1922. Most people find this slightly surprising, because we assume that the Soviet Union must have been proclaimed immediately after The Bolshevik Revolution in November 1917. In fact, it only came into existence after a horrendous civil war that killed an estimated 10 million people, in which the deep national and ethnic tensions inside the old Russian Empire had been laid bare for all to see.

Historian Orlando Figes says in his seminal book about the Bolshevik revolution, A People’s Tragedy, that the failure of democracy in 1917 was deeply rooted in Russian culture and social history and what had started as a people’s revolution contained the seeds of its degeneration into violence and dictatorship.

In Russia, the revolution of February 1917 did not provoke a counterrevolution. The initial absence of any attempt to fight back was illustrative not so much apathy, as a feeling that there was very little of the ancien regime left that was worth defending. The overthrow of the czarist regime prompted a variety of reactions amongst the former ruling class: a resignation to events, bitterness at the incompetence and obstinacy of the Imperial Court, yet also an initial optimism among its more liberal and idealistic members. Most of the nobility and bourgeoisie supported the Provisional Government in the hope that it would at least restrain the worst excesses and keep the country together.

Soon after the November 1917 revolution, Lenin made it clear to the Bolsheviks that civil war was necessary to cleanse Russia of reactionary forces and old ways and to rebuild as a communist state and society. Moreover, he was confident that the Bolsheviks’ example would ignite revolution in the countries of Western Europe. German and Hungarian communists obliged, establishing people’s republics, which in turn invited counter revolution, the ousting of the revolutionaries, and reactionary military and police exacting bloody revenge on any leftists that could find.

The determination to resist only crystallized when the Bolshevik programme in the wake of the Bolshevik Revolution of October 1917 polarized opinion. The question is important when it comes to the origins of the Civil War itself, which led to the deaths of up to 12,000,000 people, the impoverishment of the whole country, and suffering on an unimaginable scale.

In June 1918 the Bolshevik regime was enjoying a brief respite from the rigors of revolution and civil war. Although surrounded on all sides by hostile forces, the Bolsheviks were in no immediate military danger. This welcome hiatus, lasting from the Treaty of Brest-Litovsk (March 1918) to the collapse of the Central Powers at the end of the year, allowed the Bolsheviks to consolidate their political and military strength.

In an uneasy alliance with the Bolsheviks were leftwing Socialist Revolutionaries who still dreamed of a constituent assembly and the anarchists who regarded Brest-Litovsk represented the watershed of the Revolution. In coming to terms with the Central Powers, the Bolsheviks had paid a staggering price in territory and resources. But, more importantly, they had preferred to make a pact with the imperialists rather than attempt to propagate the Revolution through popular initiatives, in particular, by partisan warfare.

Shortly after Brest-Litovsk the Bolsheviks turned against their erstwhile allies. The Cheka (the successor to the Czar’s Okrana secret police and the precursor to the NKVD, the KGB and the FSB) ostensibly created to suppress counterrevolutionaries, was unleashed on the Bolsheviks’ critics on the left. There were fierce battles between Chekists and anarchists in Petrograd and many other Russian cities.

It was game on.

It is difficult to comprehend to scale of the civil war that broke out in Russia in terms of its territorial extent, the numbers of nations and would-be states engaged in the conflict, and the destruction and carnage it wrought to soldier and civilian alike. Nor the ongoing relentlessness. Western European invaders had been defeated in the past (and indeed, the future) by what Mikhail Kutuzov, the Russian general who defeated Napoleon, called General Winter, but within the empire and its Soviet successor, weather did not stop play. Certainly, it complicated military operations, played havoc with logistics and supply-chains, and inflicted indescribable suffering upon soldiers and civilians. And the war went on …

The last of the Romanovs – Tsar Nicholas and his family, murdered by the Bolsheviks in July 1918

Revolution and reaction

If Lenin was politically flexible with foreign powers, he was ruthless with his own people, including rival parties on the left. He grabbed power when the hapless provisional government lost its way in setting up a constituent assembly that was intended to be a democratic representation of all Russians. Lenin initially paid lip service to the assembly, while calling for power to go the “soviets” – people’s councils. In reality he had no intention of allowing any diminishment or oversight of his control of the Bolshevik party and, through its Council of People’s Commissars, the battered Russian state.

But no sooner had the Bolsheviks cemented their rule than they were fighting a civil war on multiple fronts against a mind-boggling array of enemies, stretching from revolutionary socialists  and anarchists to unreconstructed “White Russian” tsarists, nostalgic for a corrupt and flagrantly unjust regime and in between the Reds and Whites were the Greens or Partisans, mainly deserters from all sides who hated both Reds and Whites and attacked both, increasingly so as the war continued. And a range of foreign powers dealt themselves into the game to further their own strategic and ideological interests. [the featured picture of this piece is an idealized manga depiction of charismatic Ukrainian anarchist and Green Nestor Makhno, a larger-than-life figure who miraculous survived the civil way and died in his bed in exile]

The Whites were a confused, fractured and often dysfunctional coalition with rapid changes of command occasioned by personal ambitions and fluctuating military fortunes. White generals were committed to restoring the integrity of the Russian Empire, a self-defeating handicap that alienated potential allies on the fringes, like Finland, the Baltic states and Poland. Churchill underestimated this imperial obsession which prevented the alliances he wanted to defeat the Bolsheviks. The Greater Russia obsession also hampered efforts in the Caucasus where Georgians stirred regions like Ingushetia, Chechnya and Dagestan, giving Britain nightmares of Bolshevism spreading through Central Asia towards India, an obsession that continued through the twenties as described in Peter Hopkirk’s Setting the East Ablaze – Lenin’s Dream of an Empire in Asia.

Out on the edge of the old empire, White warlords endeavoured to carve out kingdoms for themselves. Many commanders spent more time terrorizing locals than fighting the Red partisans who were operating behind enemy lines across the war zone, creating a legacy and tradition the persist to this day.

The diffusion of opponents played into the Bolsheviks’ hands, as their differences were so extreme that a unified opposition fighting force was never a viable option. But if the battle lines were often blurred, the hatred felt by the combatants for each other was nightmarishly vivid.

The White’s defeat in the civil war wasn’t for lack of outside moral and materiel support. It was due largely to their inflexibility, including their refusal to contemplate land reform until it was far too late, and their refusal to grant any autonomy to nationalities of the Czarist Empire. Their administration was so useless that it’s barely existed. Paradoxically, they lost for reasons very similar to the way the Republicans lost the Spanish Civil War two decades later. In Spain, the antifascist alliance of the Republic could not prevail against Generalissimo Franciso Franco‘s disciplined and militarized regime. In Russia, the utterly incompatible alliance of socialist revolutionaries and reactionary monarchists didn’t stand a chance against the single-minded Communist dictatorship.

A leftist libertarian with St. George’s Cross, and a Sister of Mercy nurse, 1916.

World War 1.2

It in many ways it became World War 1.2. The idea of a purely Russian Civil War is misleading simplification, prompting one historian recently to describe it instead as ‘a world war condensed’.

It was waged across European and Asian Russia, including present day Belarus and Ukraine and the successor states of the Soviet Union in the Baltic, the Caucasus, and Central Asia – from Warsaw and Eastern Europe to the Urals and eastwards through the vastness of Siberia’s forests, deserts and tundra to Vladivostok in the Far East, from the arctic north to Crimea and the Black Sea, the Caspian Sea and the borders of what in 1918 ceased to be the Ottoman Empire. Fronts stretched for thousands of miles and advances and retreats likewise. The Trans-Siberian Railway, stretching the length of the former empire from Moscow to Vladivostok, was almost six thousand miles long, and it’s tributary lines served as strategic and logistical thoroughfares for all protagonists who weren’t mounted like the innumerable Cossacks tribes and the nascent Red Cavalry, bringing to prominence the armoured trains that became a symbol of the revolution.

It drew in most of Russia’s contemporary neighbours and more far-flung nations, including The USA, Britain, France, Germany Italy and Japan – the latter providing the largest contingent, estimated by British Intelligence as some 85,000 soldiers, more than many of the various White armies. Combatants included soldiers from these countries, the British dominions of Canada, Australia, South Africa, and India, and Chinese and Mongolian troops. And a multitude of ethnicities fought for their own warlords, their national place in the sun or else their very survival. Caught up in the transcontinental maelstrom were Slavs, Cossacks, Tartars, Turkmen, Arabs, Azeris, Persians, Turks, Armenians, Chechens, Kazakhs, Buryat Mongols, Kalmyks (Europe’s only Buddhist nation) and Jews. White divisions were augmented in Siberia by Mongolian, Chinese, Uighur and Kirghiz mercenaries.

Various nationalist movements arose, successfully and unsuccessfully in all parts of the former Russian Empire. The aftermath of the First World War and the collapse of the Russian Empire saw Polish, German, Italian, Hungarian, Romanian, Czech, and myriad other nationalities fighting for disparate sides, and Beevor skillfully frames the bizarre impact of this on the ethnic nationalist dimensions of the conflict.

The scale of military manoeuvres was unprecedented, as were the physical and supply difficulties over vast distances, and the extremities in climate, particularly the bitter Russian winter. The conflict became very much a cavalry war and indeed, a “railway war” notable for its armoured trains and the logistical lifeline of the Trans-Siberian Railway, protected for much if the conflict by the Czechoslovak Legion, a force of Czech and Slovak nationalists who having fought in the Czarist army, joined the Whites who controlled many towns in Siberia.

In addition to the Czechs, there was also a Polish Legion operating in the Far East. The commanders of both forces became increasingly disenchanted with the White officers who refused to countenance the independence of the border states and who shocked many with their brutality towards prisoners and civilians, and though thousands of miles from Europe, demanded repatriation – ostensibly by sea from Vladivostok.

Western Allies’ ideological perspective of the civil war was ambivalent. Though many, politicians and military alike, were viscerally opposed to Bolshevism and what it stood for, and feared a Red contagion infecting their own countries, a fear that was not unfounded. In the wake of the Revolution, a concatenation of revolts detonated across the globe. Bolshevism spread westwards, from Vienna through Budapest and Sofia to Kiel. The Bavarian Soviet Republic was briefly established in April 1919, before the far-Right Freikorps did it in. Britain wasn’t immune to the ferment. Between the February and October Revolutions, the Leeds Soviet did indeed appear to be the beginning of something, whilst strikes and demonstrations proliferated to be violently put down by the police and army. Winston Churchill alone of his cabinet colleagues wanted a full-on allied intervention and dreamed – some believed he was indeed dreaming but others claimed that he fantasized – of creating an effective White army and a borderlands alliance to defeat the Bolsheviks. But his aspirations were foiled by the imperialism of the White leadership and of White officers and the various national movements’ fear that that if the Whites prevailed, they would restore Russian rule. Britain’s rulers were reticent about shoring up and providing financial, material support and also, soldiers sailors and airmen to brutal to demonstrably homicidal Cossack brigades and revanchist and reactionary royalist autocrats.

British regiments were nevertheless deployed in Siberia and in the Far East as well as the Arctic and Caspian Sea. Royal Navy flotillas blockaded Petrograd in the Baltic, floated up the Volga in the south and down the Dvina in the arctic north, and controlled the Caspian Sea and the waters around the Crimean Peninsula. The Royal Air Force deployed Sopwith Camels and sea planes in surveillance and surveillance missions against the Red forces, who British officers called the “Bolos”. And artillery units and armoured car squadrons were attached to the various White armies.

Wider imperial concerns were in play too. Churchill rang alarm bells as the Reds pushed the Whites back in Siberia and Central Asia, alarming even his reticent cabinet colleagues with prospect of Reds on the borders of the Raj. The Great Game still had over a quarter of century to run before the final whistle blew. In the Far East, Britain and the US, and Reds and Whites alike, were nervous about the designs imperial Japanese was revealing with regard to the resources and the empty lands of eastern Siberia, the island of Sakhalin, the pacific littoral and Manchuria. Intelligence reports revealed that Japanese forces in the region exceeded all others involved, including the warring Russians.

Pogrom

Fratricidal wars are bound to be cruel because of the lack of definable front lines, because of their instant extension into civilian life, and because of the terrible hatreds and suspicions which they engender. The fighting ranged right across the Eurasian landmass was violent beyond belief, especially the unspeakable cruelty of the Cossack atamans in Siberia. Even that archconservative politician VV Shukgin believed that one of the major reasons for the failure of the whites what is a “moral collapse” – that they behaved as badly as their enemy.

There was nevertheless one subtle yet important difference. All too often, whites represented the worst examples of inhumanity, yet on that score, the Bolsheviks were unbeatable. It has been said that their ruthlessness has few parallels in recorded European history up until that time – believing that history was on their side, and that a new world was being created. The almost religious zeal with which they brutalized and killed combatants and innocents alike could be likened to the Albigensian Crusade in the early thirteenth century. [The Crusaders were accompanied by an official representative of the Pope, a French Cistercian monk named Arnaud Amalric. According to accounts written decades later, as the attack began, a soldier asked Amalric how they would be able to tell which Beziers townspeople were Catholics and which were Cathars. Some sources give the alleged quote as “Kill them all, for the Lord knows his own” or as “Kill them all. The Lord knows his own.”]

The focus on ordinary people also means their suffering is brought to the fore. And Beevor is unsparing in showing the chaotic violence of the conflict, and unrelenting in showing the sheer violence of both sides. Reds and Whites are both revealed as more than comfortable burning villages, shooting traitors, suspected or real, and torturing and massacring prisoners, and men women and children caught in the crossfire.

There were many instances of racist violence mainly on the White side – particularly towards Jews. The Whites’ antipathy towards Jews was to some degree due to their perception that most senior Bolshevik were Jewish, but mostly it was that old devil that never went away, antisemitism. The fall of the Romanovs and the ancien regime and the anti-Semitic pogroms they perpetuated continued. Retreat from the major cities brought out the worse in the Whites, with terrible massacres of Jews – although they were not the only perpetrators. Playwright And author Isaac Babel, attached as a correspondent and propagandist to the Red Cavalry on the Polish Soviet front in late 2020 posed the question: “what sort of person is our (Red) Cossack? Many layered: looting, reckless daring, professionalism, revolutionary spirit, bestial cruelty. The population await their saviors. The Jews look for liberation – and in ride the Kuban Cossacks”.

It is estimated that there were some 1300 anti-Semitic pogroms in the Ukraine during the civil war, with some 50000 to 60000 killed by both sides. There were pogroms in Belarus also, but these were not nearly as murderous as in Ukraine. A Soviet report of 1920 mentions 150,000 dead and as many again badly injured.

Churchill was well aware of the effect of the pogroms on public opinion in the West and sought in vain to exert pressure on white leaders to restrain their forces.,

Terror begat terror, leading to greater acts of conspicuous cruelty. After a particularly hard-fought battle in early 1919, a young White horse artillery officer recalled “for the first time since the start of the civil war, prisoners were not shot. There were too many of them”. This did not happen often – and such was the brutality meted out to captives on both sides, shooting was actually a blessing. An Odesa women witness after the fall of the city to the Whites, “Urrrraaa! Four and a half months under these five-pointed star oppressors”. Two days later, Beevor notes, she noted that all the Jews were in hiding. When a city held by the Reds fell to the Cossacks, a a female surgeon observed that fearing a program, two Jewish doctors in her hospital wisely ran to hide in the attic.

Bolshevik leaders and commanders on the field eventually realized that brutality did not endear their cause to the general populace and moderated their behaviour. Some Whites too came to that conclusion, and sought to prevent it at least limit atrocities, but reactionary officers and uncontrollable Cossacks persisted in burning, looting, torturing and murdering, inflicting irreparable damage to the anti-Bolshevik cause. Beevor reports instances when allied forces actually fired on Cossack perpetrators.

The End

As the whites retreated, support for the red army amongst the populace grew, as did its numbers as deserters returned to its ranks encouraged by the announcement of an amnesty and as defections from the White forces grew. Peasants grew less reluctant to serve in the Red Army Fear that with white advances and victory, old landlords would reclaim their land. Success bred success. The Whites’ ranks thinned with desertions defections and the need to transfer troops to defend its rear from attacks by partisans and freelance militias units. The Cossacks, disappointed and tired of war, turned about and headed home to their stanitsas laden with loot. The size of the frontline Red Army was eventually twice that of the Whites, as it eliminated the White armies in the north and east and closed in on the last remaining area under White control, Crimea, where rearguards held out long enough to ensure the evacuation of 150,000 soldiers and civilians by sea protected by the British and French navies.

In the aftermath of total Soviet victory, starvation struck the towns and cities across the land. Food requisitioning detachments scoured the countryside for supplies, their rapaciousness and brutality igniting peasant rebellions from Belarus to Siberia; tens of thousands of peasants rose in revolt, dealing brutally with any Bolshevik that came into their hands. The Red Army and Cheka reciprocated in spades with burning and looting, rape and torture, execution and exile to the emergent Gulag. Workers went on strike in the starving cities, and with the Whites vanquished and the civil war won, the call for democratization of Soviet rule grew louder.

And then, the sailors of the Baltic Fleet at the Kronstadt naval base, who’s guns had heralded the fall of the Romanovs, and whom Trotsky had called “the pride and glory of the Russian Revolution”, rebelled. The regime responded with lies – that the sailors had been suborned and were now Whites – and that White forces in Finland would be crossing the ice to help them. When this didn’t work, I resolved to crush them without mercy, dispatching trustworthy forces against them.

At the end, of 16000 sailors and their families, most were able to cross that ice to final and. But some 3000 fought a last stand and died by assault or firing squad. One of the last cries of protest by the Kronstadt sailors was “All of Soviet Russia has been turned into a Russian penal colony”.

Thus ended the Russian Civil War in November 1920.

… all wars come to an end. And that’s where history restarts.
British war and foreign correspondent Robert Fisk

Evacuees board ship in a Crimean portEpilogue

Epilogue … history repeats

Whilst there were many active fronts during the civil war, often simultaneously, extending for thousands of kilometers, around Archangelsk and Murmansk in the arctic, along the great rivers the Volga, the Don and the Dniester in the south, in the Baltic provinces, and in Belarus, and along the length of the Trans-Siberian Railway. And as during WW2 and the present-day Ukraine war, opposing armies advanced and retreated across Ukraine. Kiev was occupied, often several occasions, by Reds, Whites and Greens, and finally, the Polish Army which invaded Russia and Ukraine in 1920 to reclaim and defend the independence of the onetime Polish state, long divided between the now destroyed Russian, German and Austro-Hungarian empires. The names of the war-torn cities are today tragically familiar. Mariupol and Melitopol, Karchiv and Kherson. Kiev, Odessa and Lvov are now Kyiv, Odesa and Lviv.

© Paul Hemphill 2023 All rights reserved

Posts in In That Howling Infinite, about Eastern Europe:

The dark nights of a restless soul – a Sri Lankan ghost story

Hear the cry in the tropic night
Should be the cry of love but it’s a cry of fright
Some people never see the light
‘Til it shines through bullet holes
Bruce Cockburn, Tropic Moon

Ceylon  was a beautiful country until it filled up with savages.
Shehan Karunatilaka

You forget what you want to remember and you remember what you want to forget.
Cormac McCarthy, The Road

Reading The Seven Moons of Maali Almeida, the 2022 Booker Prize winning second novel by Sri Lankan author Shehan Karunatilaka, one can appreciate why thousands of his compatriots have taken to the sea in small boats and braved the Indian Ocean to reach Australia. It is the story of a dissolute war photographer and gambler set in the early years of the civil war which raged across the island of Sri Lanka from 1983 to 2009 claiming up to 100,000 lives with untold missing and injured, most of them ethic Tamils like those desperate seafarers who head our way only to be turned back or else incarcerated in offshore detention camps.

The war in Sri Lanka in which the Sri Lankan  government, dominated by the Buddhist Sinhalese , aided by India “peacekeepers” fought brutal Marxist insurgents and ethnic Tamil Hindu separatists, lasted for 26 years, ending in 2009 with the defeat and lasting bitterness of the separatist Tamil Tigers.

The book is set in 1989, which Karunatilaka has described as “the darkest year in my memory, when there was an ethnic war, a Marxist uprising, a foreign military presence and state counter-terror squads”.

Only a few years earlier there had been a wave of state sponsored pogroms of Tamils in the north and east of the island, but terror took many forms. The character of Maali was inspired by Richard de Zoysa, a gay middle-class activist whose murder in 1990 has never been solved. Many journalists also went missing; one editor was gunned down in the street.

The Seven Moons is a war-story told with a mordant humour reminiscent of Joseph Heller’s Catch 22 and Kurt Vonnegut’s Slaughterhouse Five and in many ways, Thomas Pynchon’s Gravity’s Rainbow. Others have likened it to the writing if Gabriell Garcia Marquez and Salman Rushdie, whilst Karunatilaka indeed acknowledges an “uncle Kurt”, and Kurt Vonnegut’s MO, the methodical chaos, is a constant.

But it is more than a war story. It is in fact a ghost story, yet, it is just as much a political satire, a love story and a steamy wallow in the slums and fleshpots of Sri Lanka’s capital Colombo: the fetid streets of the city, where the death squads roam … a stinking city, where deeds go unpunished and ghosts walk unseen. And all is framed within a murder mystery. And to my mind, an idiosyncratic treatise about reincarnation. I don’t want to go back. Don’t want to be reborn. Don’t want to be anything. Can I just be nothing?

Sinhalese Maali Almeida, beautiful, smart, gay and arrogant, and an incorrigible libertine, suddenly wakes up dead, presumed murdered – one of thousands who perished at the hands of others during those years – and is not too clear about the circumstances. He finds himself in a kind half world populated by the ghosts of the departed, ghouls and demons, and has seven “moons” or nights to decide whether he wishes to enter “into the light “, a peaceful and memory-free afterlife, or remain earthbound for eternity as a ghost who is “blown on the winds” or a sentient ghoul who rides them. Accompanied by a mentor who resembles a grotesque disneyesque guide, all street wisdom and wisecracks, he resolves to guide the two people he loves, his boyfriend and his platonic girlfriend, to the secrets that will unmask his killers and exact revenge for the carnage that they have wreaked upon their country.

The novel is simultaneously harrowing and mordantly humorous, written with such lyrical panache that I couldn’t resist writing down a swag of memorable lines. Apart from those quoted above, here are others. 

Some are are philosophical and existential:

Do animals get an afterlife. Or is their punishment to be reborn as human

Every soul is allowed seven moons to wander the In Between. To recall past lives. And then to forget. They want you to forget. Because, when you forget, nothing changes …

Nothing is forgotten. We just don’t know where we put it.

Why are we born, why do we die, why anything has to be.and all the universe has to say in reply is: I don’t know, asshole, stop asking.

You have one response for those who believe Colombo to be overcrowded: wait till you see it with ghosts

You know the trouble with karma, boss? The assumption is that everything is in its right place. So we do nothing abd let karma takes its course. It’s as pointless as saying “Inshallah”

You believed that no harm would reach you , because you were protected, not by angels, but by the law’s of probability, which states that really bad things happened not very often, except when they did.

Others could be described as socio-political:

Evil is not what we should fear, Creatures with power in their own interest: that is what should make a us shudder. How else to explain the worlds madness?

Everyone is proud and greedy and no one can decide things without money changing hands or fists being raised.

The World will not correct itself. Revenge is your right.

Even do-gooders have their agendas.

I make what most of the world’s millionaires do not … Enough.

Why is Sri Lanka number one in suicides? … Are we that much more sadder or violent than the rest of the world? It’s because we have just the right amount of education to understand that the world is cruel. And just enough corruption in equality, to feel powerless against it.

You look up at the giant chimney, spewing black smog towards the heavens, where the stars look away and the gods refuse to hear.

… dismissed as yet another lost cause that began with good intentions.

… you … wonder if one day they will invent a bomb that knew whom to spare. The one good thing you can say about a bomb is that it isn’t racist or sexist or concerned about class.

© Paul Hemphill 2023 All rights reserved

See also in In That Howling Infinite, Better Read Than Dead – books and reading

It’s obvious why this novel won the Booker Prize

What if the Afterlife were a bureaucracy? What if you had to stand in line with all those other ghosts, aka The Dead, and had to fill in forms and have various checks on your body – assuming you have an intact body – before you can move on to the Eternal Light.

Shehan Karunatilaka sets his 2022 Booker-winning The Seven Moons of Maali Almeida exactly here. He said recently that Sri Lankans are used to living in a bureaucracy that extends into most details of their lives so why not in the Afterlife as well? The witty Ministry of The Afterlife both carries and demonstrates the humour of the entire novel.

Not that there is anything novelistically new about this holding pen; George Saunders’ Lincoln in the Bardo, Steve Toltz’s Here Goes Nothing and, my choice, Elif Shafik’s Ten Minutes, Thirty Eight Seconds in this Strange World, laid some groundwork. “Bardo” is the most useable, less-cliched version of this world. It is the Tibetan word for an interim, provisional world where the dead must wait before rebirth, so there’s a bit of movement between worlds possible. Karunatilaka has acknowledged Saunders’ brilliant novel as an influence, but his bureaucracy is his own brilliant invention. Karunatilaka also acknowledges an “uncle Kurt”, and Kurt Vonnegut’s MO, the methodical chaos, is a constant.

There is a plot: it is 1989, the height of the complex and brutal civil war in Sri Lanka and Maali, beautiful, smart, arrogant finds himself dead, in line with other recent dead, waiting to be moved on. He is only 34. In life, he is a photojournalist, well-connected and keen to report to the world everything he knows and how he has seen it. He is not an idealist, but he is open to new ideas and often “in the wrong place holding a camera”. He is also gay and closeted at the height of the HIV-AIDS epidemic.

At first, he doesn’t believe he’s dead, he has taken too many “silly” drugs and just has to let them wear off, and besides, he cannot remember dying. If he can’t remember that in this gruesome dream then his death can’t be true. The purgatorial scenes alone would win Karunatilaka the Booker.

When Maali understands that this pandemonium is not a dream he decides he has to find out what happened to him and the novel becomes a murder mystery fully lined with political and social comment/satire. His main thought is that he has a box of photographs under a bed that political people on every side would want. Was he murdered for these images? He has one week to find out.

He also has other reasons to return to the upper world: “You listen to the wind and think of all the things you never understood. ‘My friends. My mother. I have to see them’.” He particularly needs to tell the young man who loves him “that he is sorry”. Sorry for what turns out to be a terrible thread. It is this poignancy, the ability Maali has to reflect on the beauty of life, that elevates the writing.

“Over a short and useless existence, you examined evidence and drew conclusions. We are a flicker of light between two long sleeps. Forget the fairy tales of gods and hells and previous births. Believe in odds and in fairness and in stacking decks that are already stacked, in playing your hand as best you can for as long as you can. You were led to believe that death was sweet oblivion and you were wrong on both counts.”

This is Karunatilaka’s second novel, although it was previously published under a different title and in a different form in India. During the pandemic he has been working on this re-titled version with his wider audience in mind. These alterations and insertions mean that the chaos and bastardy of the times that were esoterically Sri Lankan are explained in moments of drawing breath between the hurtling story. It is told entirely in the second person, a difficult stylistic device.

It has the bleak power of Solzhenitsyn’s The Gulag Archipelago. And unlike that great book it is relentlessly, shockingly funny. Apparently, Sri Lankans are renowned for their magnificent grim humour. This novel explains why they need it. The dead are speaking here and there is nothing they cannot say

Life after death in Sri Lanka

Tomiwa Owolade, The Guardian 9 Aug 2022

Shehan Karunatilaka made a splash a decade ago with his debut novel Chinaman. Winner of the 2012 Commonwealth book prize and hailed as one of the great Sri Lankan novels, it recounts the alcohol-soaked life of a retired sports journalist who sets out on a zany quest to track down a great cricketer of the 1980s who has mysteriously gone missing.

His Booker-longlisted state-of-the-nation satire, The Seven Moons of Maali Almeida, returns to 1980s Sri Lanka, and similarly has a debauched protagonist. Maali, the son of a Sinhalese father and a burgher mother, is an itinerant photographer who loves his trusted Nikon camera; a gambler in high-stakes poker; a gay man and an atheist. And at the start of the novel, he wakes up dead.

He thinks he has swallowed “silly pills” given to him by a friend and is hallucinating. But no: he really is dead, and seemingly locked in an underworld. It’s no Miltonian pandemonium; for him, “the afterlife is a tax office and everyone wants their rebate”. Other souls surround him, with dismembered limbs and blood-stained clothes; and they are incapable of forming an orderly queue to get their forms filled in. Many of the people he meets in this bleakly quotidian landscape are victims of the violence that plagued Sri Lanka in the 80s, including a Tamil university lecturer who was gunned down for criticising militant separatist group the Tamil Tigers. The novel also depicts the victims of Marxist group the Janatha Vimukthi Peramuna , or People’s Liberation party, who similarly waged an insurrection against the Sri Lankan government, and killed many leftwing and working-class civilians who got in their way.

Maali is a witness to the brutality of the insurrections in Sri Lanka. Working for newspapers and magazines, his ambition is to take photographs “that will bring down governments. Photos that could stop wars.” He has shot “the government minister who looked on while the savages of ’83 torched Tamil homes and slaughtered the occupants”, and taken “portraits of disappeared journalists and vanished activists, bound and gagged and dead in custody”.

Those photos are stored underneath a bed in his family home. Now, stuck in the underworld, he has only seven moons – one week – to get in contact with his friend Jaki and her cousin, persuade them to retrieve the stash of photos, and share them throughout Colombo, Sri Lanka’s largest city, in order to expose the profoundly violent nature of the conflict. It’s explained to Maali that “every soul is allowed seven moons to wander the In Between. To recall past lives. And then, to forget. They want you to forget. Because, when you forget, nothing changes.” Maali doesn’t want his contribution as a witness to be consigned to oblivion. His own death has viscerally exposed to him the fragility of life, and the photos constitute his legacy for his country and a defence against collective amnesia.

The Seven Moons of Maali Almeida is written in the second person, which gives the narrative a slightly distancing effect, but it’s compensated for by the sardonic humour. In one passage, the narrator muses: “You have one response for those who believe Colombo to be overcrowded: wait till you see it with ghosts.” Another asks: “Do animals get an afterlife? Or is their punishment to be reborn as human?” Another compelling feature is the vivid use of similes: one man’s battered body is described as having ribs caved in “like a broken coconut”.

The obvious literary comparisons are with the magical realism of Salman Rushdie and Gabriel García Márquez. But the novel also recalls the mordant wit and surrealism of Nikolai Gogol’s Dead Souls or Mikhail Bulgakov’s The Master and Margarita. The scenarios are often absurd – dead bodies bicker with each other – but executed with a humour and pathos that ground the reader. Beneath the literary flourishes is a true and terrifying reality: the carnage of Sri Lanka’s civil wars. Karunatilaka has done artistic justice to a terrible period in his country’s history.