That was the year that was – the road to nowhere

Well we know where we’re going
But we don’t know where we’ve been
And we know what we’re knowing
But we can’t say what we’ve seen
And we’re not little children
And we know what we want
And the future is certain
Give us time to work it out
The Talking Heads

To borrow from Boz, these were the worst of times, these were the strangest of times. So disillusioned were we with our politics and our politicians, so dispirited by the sad state of the plant, so fissured and fractured as a society, with our intractable culture wars, we retreated into own private Idahos, pulled up the drawbridge and settled in with our iPads and iPhones and our Foxtel with the vino collapso and watched all the fun of the fair.

The mellifluous but perennially entertaining Donald Trump had a bad year, and a resolute Theresa May likewise. Confounding critics, she endeavours to persevere as she steers her foundering shipm of State towards Brexit and China’s Uighur Muslims. Barbaric Da’ish had a bad year (which was rather a good thing) , as did the unfortunate Rohinga of Myanmar, and the long-suffering people of Gaza.. Resilient Bashar Assad had a good year, with a little help from his Russian, Iranian and Hezbollah friends, but the wars of the Ottoman succession grind on. Vladimir Putin and the fat conductor Kim Jong Un had an excellent year, courtesy of POTUS. Angela Merkel lost her sparkle but royal Markle sparkled, and the luminous Taylor Swift, all legs and lipstick, emerged from her apolitical closet to swing the vote against the Donald in the US midterms. Her trim gluteus maximus starredin a court case that typified a year that saw women stand up strongly against years of aberrant male behaviour.

The Australian parliament devolved into a circus of tantrums and turncoats as the Liberal and National coalition devoured its own in a year book-ended by smutty sexual scandals, whilst canny Labor kept its powder dry for what bodes to be an whopping electoral victory in 2019. We wished that our rulers and representatives would stop behaving like children and start running the country and governing it for all of us.and then the children walked out of school en mass and told us that when they grew up they’d do a better job. The circus clowns huffed and puffed and denigrated the young ones – which only served to embarrass them more for their paucity of vision and partisan division.

And so, to the year in review:

During what was to many observers a dispiriting year of division and destruction, In That Howling Infinite maintained its  watch  with an eclectic mix of commentary, commemoration, culture and comedy. It was a big year – some forty posts in all. So many indeed that decided to reposted my favourite top five – those that I most enjoyed writing – on In That Howling Infinite’s Facebook page. See these at the conclusion of this review.

In a December post, Free Speech, One Each, we expressed disappointment with the ignorance, naivety, and self-absorption of electorates, left and right: their lack of historical knowledge and of curiosity, an unhealthy and self-defeating habit of accepting facts, narratives and theories based upon their preconceptions and prejudices. Nowadays, it often seems as if the reasonable middle has been excised from political discourse, drained out by the shrill voices of the extremes with their identity politics, virtue signalling, and vested interests. Social media has exacerbated the situation as folk lock themselves into their own echo chambers, listening only to those with whom they agree, ignoring or even avoiding contrary opinions and perspectives. It is a self-defeating, delusional, zero-sum form of groupthink that erodes trust and goodwill and prevents the development of consensus and cooperation. Meanwhile, opportunistic politicians and commentators build their constituencies by appealing to the particularistic, even atavistic wants and fears of their followers. Too often this reduces things down to atavistic lowest common denominators. They literally seize the low moral ground. Peoples problems and fears are real enough, and do need to be solved or allayed, but too often they are gulled, manipulated and recruited by modern-day snake-oil salesmen and show-tent shysters.

It was with this in mind that we caste a weary and cynical eye over Australian politics and society, particularly the ongoing history and culture wars, beginning in January with the self-explanatory We’ve Got The Australia Day Blues , and continuing with Conservatism in CrisisMilo Downunder, an alt-right love story, and the ongoing angst about the Ramsay Centre and its proposed university course on western civilization. Never in recent memory have so many words been printed about so little – at least not until the right’s last holy war. And so, there is The long, dark teatime of The Australian’s soul and its sequel The Oz’s lonely crusade. By year’s end, both sides appear to have run out of puff and the course will most likely end up in small regional campuses rather than the prestigious halls of Sydney and Melbourne.

Southern Discomfort.

The year’s leitmotif was the ongoing fiftieth anniversary of 1968, a tumultuous year for the world, and a formative one for myself personally. Stories of the events of that year are interspersed my own recollections – what I was doing at at the time, and what was going through my youthful head.  In Encounters with Enoch, I revisit English politician Enoch Powell’s controversial ‘Rivers of Blood’ speech. Then it’s Springtime in Paris as I recall les Évènements de Mai. And thence to Prague and the Soviet invasion of Czechoslovakia with Tanks for the memory – how Brezhnev changed my life. Finally, there was the year in review with Things fall apart, the centre cannot hold – 1968 revisited.

2018 was also the centenary of the armistice that ended The Great War. November 1918 – the counterfeit peace discussed how for many countries and peoples in Europe and beyond, the conflict and the bloodshed continued. We also shared a poignant, fitting tribute by Gerry Condon  to all the “doomed youth” of all wars with Dulce et ducorem est – the death of war poet Wilfred Owen

There were other anniversaries. The Wild Wood and the Wide World revisited Kenneth Grahame’s riverbank pastorale The Wind in the Willows 110 years after it’s publication. Ghosts of the Gulag, which followed on from an earlier discussion of film The Death of Stalin released earlier in the year, looked at the contribution of Alexander Solzhenitsyn on the fiftieth anniversary of The Gulag Archipelago. The Russian theme continued with Whoar! And Peace – a light look at the BBC’s recent racey adaptation of Tolstoy’s celebrated house-brick.

The fiftieth anniversary of the death of John Steinbeck inspired The last rains came gently – Steinbeck’s dustbowl Blues. This featured the complete first chapter of The Grapes of Wrath, describing the unfolding of an environmental disaster. Two other posts also covered ecological bad news stories: The return of the forest wars in Australia, and Losing Earth – the decade we almost stopped climate change.

As always, the politics and people of the Middle East feature prominently in In That Howling Infinite. January kicked off with Ahed Tamimi – A Family Affair, a discussion about the young Palestinian activist and the first family of the resistance. Out of season, we visited the birthplace of the Christ child with O Little Town of Bethlehem, how still we see thee lie and tell the story of a border town that has existed since the beginning of recorded history. We considered whether an Israeli-Palestinian confederation was possible, and republished Israel author David Grossman’s A Fortess But Not Yet a Homeand a review of author Amos Oz’ Dear Zealots – letters from a divided land. Sadly, Oz passed on 28th December, his death and that of the indomitable Uri Avnery (see last September’s Seeing through the eyes of “the other’) in August saw the passing of two of the most forthright intellectual proponents of the receding ‘two state solution’. We also reviewed  the intimations, imperfections and implications of Donald Trump’s “ultimate deal”, an ostensible end to the intractable Arab-Israeli conflict but which is effectively Throwing Abbas under the bus. The wider Arab and Islamic world features in Islam’s house of many mansions, and, in the wake of the murder of journalist Jamal Khashoggi and the Yemen war, we consider the possibility of Sanctioning Saudi -1973 revisited.

Our history posts were as eclectic as ever. We continued our series of Small Stories with a profile of The Monarch of the Sea, Prince Roy of Sealand, the smallest country in the world, and The Odyssey of Assid Corban from a tiny village in Lebanon to a wine dynasty in Auckland, New Zealand. A video of University College Dublin’s celebrated Choral Scholars inspired a look at an old Jacobite song  Mo Ghile Mear, whilst the anniversary of the Irish rebellion of 1798 recalled another song and a host of personal memories: The Boys of Wexford – memory and memoir. We reviewed two historical novels. In Cuddling up to Caligula, we discovered a soft side to the controversial Roman Emperor; whilst melancholy Martin Sparrow’s Blues shone fresh light on the travails of Australia’s early white settlers. And a review of Ulrich Raulff’s Farewell to the Horse, a history of man’s long relationship with our four-legged friend, galloped away from me as we sang the song of the horse with The Twilight of the Equine Gods  – part history, part memoir, part prose-poem.

And that was the year that was.

And the top five?

Number five was that slap that resounded around the world – the story of young Ahed Tamimi and her family. Four, the tale of melancholy Martin SparrowThree, the Jacobite love song Mo Ghile Mear – Irish myth and melody. Two, the reverie of 1968. And, number one, my very, very favourite and indeed, a labour of love, The Twilight of the Equine Gods

Happy New Year. See you on the other side.

Our reviews of previous years: 20172016 2015

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Small stories – the odyssey of Assid Corban

Dhour  al Choueir ( ضهور الشوير ), or Shweir, is a small town on the flanks of Mount Lebanon, looking down on Lebanon’s capital Beirut and the Mediterranean Sea, some thirty kilometres to the west. ‘Dhour’ means ‘summit, or top of a mountain. Illustrative of Lebanon’s diverse demography, half of it’s inhabitants are Eastern Orthodox and the other half Melkite and Maronite. It lay on the front line of during Lebanon’s long and bloody civil war (see Pity the Nation).

Today, it is one of Mount Lebanon’s favoured summer resorts where well-off Beirutis keep apartments and enjoy the cool fresh air during the hot summer months. It is called the city of skyscrapers, due to its many tall buildings and also because up there on the mountainside, these literally touch the sky. But in the last century, people from al Choueir migrated throughout the world – and they and their descendants have retained close ties with their hometown through family contacts and visits home. The town is now famous for its annual August carnival, honouring Lebanon’s emigrants.

Assid Abraham Corban was born in Choueir, then but a village, on 25 August 1864, the son of Abraham Hannah Corban, a vigneron from a family of stone masons and wine-growers, and Helene Hannah Bousader. In those days, there was no Lebanon. Predominantly Christian Mount Lebanon was  a Mutasarrifat or governorate of the Vilayet of Beirut, a province of the Ottoman Empire. The empire had another fifty four years to run after which the mutasarrifat and the four others that were to become the Republic of Lebanon in 1943 became part of the French mandate of Syria. Young Assid worked principally as a stonemason, but he also pruned and ploughed the family vineyard. On 22 October 1887, he married Najibie Tanyus Ataia, the daughter of another respected local family. They had two children Khalil (1889-1975) and Wadiye (1891-1982).

In the winter of 1890 both of Assid’s parents died. Inspired by the tales of Lebanese emigrants of fortunes to be made in the New World, he set out on his own in 1891 for Australia, leaving his young family behind in Choueir. After waltzing through the outback as a pedlar, he crossed the Tasman Sea to New Zealand in 1892 where, still toting his pedlar’s pack, he travelled around the mining towns of the Coromandel Peninsula, Waikato and the Bay of Plenty. After working for a time as a haberdasher in Waihi, and later in Thames, in 1895, he opened a shop in Queen Street, Auckland, advertising himself as an ‘Eastern Importer of Fancy Goods, Jewellery, Drapery, etc.’ In the same year he became a naturalized British subject, and in 1897 sent for Najibie and the boys to join him.

Aetearoa – New Zealand, on the far side of the world, became the new home of the Lebanese stonemason turned haberdasher. Three further three children were born whilst the family lived in Queen Street. They named their first childborn in New Zealand, Zealandia (1898-1993) to celebrate their new home, then came Corban (1900-1974), Zarefy (1901-1978), and Annis (who died in infancy in 1903).

 In western Auckland,  at at the foot of the North Island’s scenic Waitakere Range, lies the suburb of Henderson. The land once belonged to the Te Kawerau ā Maki, the mana whenua (people of the land) of West Auckland, a distinct tribal entity since the early seventeenth century  when their ancestor Maki conquered and settled the Auckland isthmus and the land as far north as the Kaipara harbour. They sold much of their land of European settlers during the last decades of the Nineteenth Century.

And in 1902 Assid bought a scrubby ten acres of this land for £320 and planted a vineyard beside the O Panuku stream, on what is today the Great North Road. He named it Mount Lebanon Vineyards after the mountains of his birth. This became the celebrated Corbans Winery, one of New Zealand’s oldest. The property had a two-roomed cottage, an orchard and vines of the native American variety Isabella. Assid’s first 3½-acre vineyard was planted in a mix of wine grapes which included the classic red varieties Syrah, Meunier and Cabernet Sauvignon, and dual-purpose table grapes such as Black Hamburgh. It’s reputation was established swiftly. Romeo Bragato, government viticulturist from 1902 to 1909, was very impressed with Mt Lebanon Vineyards, praising it as ‘the model vineyard of New Zealand, and an object lesson to vine-growers’.

Assid, or AA as he was now known in the area, and his growing family first lived the cottage.  work on a three-level wine cellar started in 1903 and was completed in 1907. The first grapes were crushed by hand with a wooden club, and an open hogshead was used as the fermenting vat. By 1908 Assid had a simple crusher and two small presses for his first commercial vintage. Wine-making, however, was an extremely precarious pursuit in early twentieth-century New Zealand. In those early days, the family supplement wine-making with other forms of income: vegetable crops and tobacco were planted between the vines. A produce stall sold from the front gate and a handcart went out to sell fresh goods around Henderson. The industry’s most formidable foe was the temperance movement. Henderson became ‘dry’ in 1909, possibly due to alcohol-related problems at the local Falls Hotel. Assid built a small brick building outside the railway lines bordering his land which formed the dry boundary, and he was able to sell his wine legally from the small whitewashed building that still stands today.

 

The Corbin Winery’s first recorded sale, in September 1909, was to James Cottle of Taupaki who purchased two gallons of wine in his own jar at 10 shillings per gallon. Recognition of the quality of Corban’s wines came swiftly. The company won first prize for unsweetened red grape wine at the 1910 Henderson show. At the 1913–14 Auckland Exhibition, competing against wines from other countries in the British Empire, it won gold medals for its sherry and port and silver medals for its claret and red wine.

The Corban holdings steadily expanded. In 1909 Assid bought a neighbouring 20-acre property, planting the first five acres in vines in 1912. Eight years later he opened a wine depot in Auckland city and in 1923 built a two-storeyed, 17-room family homestead on the Great North Road. By the 1920s the firm was called A. A. Corban and Company.  In 1925 the Department of Agriculture’s vine and wine instructor, J. C. Woodfin, wrote that in the previous year ‘only twenty acres of vines were planted and one brave man was responsible for eight of these’. Corban’s had clearly become the largest winery in the country. It was also very much a family concern and in the 1930s became known as A. A. Corban and Sons Limited.

And there were indeed many sons. Four other children were born in Henderson: Annis (1905-1974), Annisie (1907-2002), Najib (1909) and Helena (1911). Other than Zealandia, all the Corban children lived in Henderson throughout their lives. The size of the family grew progressively as each of the children married and brought their spouses time to live in the homestead. Eventually some family members moved to other houses around the Henderson area. But they still maintained daily contact with the family, and the homestead remained a busy center for the family as well as for the wine business. The cooking of meals and other chores was shared, and all income was pooled. As the families grew, a system developed to fairly manage income and expenses. The costs were allocated with each adult counting as one unit, and with two children as one unit.

Although the arrival of a rotary hoe in 1934, and a caterpillar tractor soon after, greatly eased the vineyard toil, Assid Corban remained a patriarch in the Old Testament mould and a strong believer in the virtues of hard work. His work ethic inextinguishable, he never retired – every day of the year was a working day – except Sundays. His son Corban later described him as ‘well versed in the Scriptures and a staunch adherent of the Greek Orthodox Church’. He used to ‘bring out his treasured Bible and read to the family in Arabic’.

The end of an era came on December 2 1941when Assid suffered a stroke on his way home after a day working on a newly acquired property in Henderson Valley Road. He was in a coma for 12 days before finally passing away. His embalmed body lay in state in the homestead for a week whilst visitors filed past to pay their respects. In January 1943 work was completed on a classical tomb that had been erected in Waikumerte cemetery. And so, in a second funeral ceremony Assid Abraham Corban, villager, traveller, wanderer, immigrant, and pioneer was finally laid to rest. The respect this man commanded was evident in the large numbers who attended ceremonies in New Zealand and his hometown of Choueir where he still retained firm links.

Najibie became the head of the family, and just as her husband had been a powerful patriarch, she become the family’s powerful matriarch, leading it through some difficult times. The company continued to grow as the Corban family pioneered many new wine-making techniques. For much of the first half of the twentieth century the winery Corban founded dominated the New Zealand wine scene. When she passed away in 1957, the family had grown to include 32 grandchildren and 26 great-grandchildren. As a mark of respect, on the day of Madame Corban’s funeral, the shops in Henderson closed for half a day.

The growth of the winery continued as the Corban family pioneered many new wine-making techniques. With the ongoing expansion of the family owned winery, other companies began to buy shares during the 1960’s and 70’s. The business became a public company in 1963 and passed out of the family’s hands in the 1970s.y 1978, the Rothmans Corporation owned 78% of the company and took the company over. It remains one of New Zealand’s wine-making giants. The sturdy figure of Assid Abraham Corban, with his magnificent walrus moustache and trademark waistcoat and chains, gazes sternly down from a wall in the entrance to the head office of Corbans Wines Limited.

The Corban Winery continues to play a vibrant role in the cultural life of Henderson. Many of the extended Corban family became key figures in the local community. Most notable is Assid Abraham’s grandson, Assid Corban (Junior), who became the Mayor of Henderson Borough from 1974 to 1989, and the first Mayor of Waitakere City in 1989. When the Corban Estate site was sold in 1992, it was purchased by the Waitakere City Council and by the end of 2001, the Waitakere Arts and Cultural Development Trust had taken on the lease for much of the estate and established the Corban Estate Arts Centre. The land and winery buildings have been converted into a large multi-disciplinary arts centre that is visited by thousands of Aucklanders each year. The homestead is currently home to the galleries and reception area. Members of the Corban family contributed to the formation and development of the arts centre, and Brian Corban remains the Chair of the Trust Board.

References:

Assid Abraham Corban, Michael Cooper, Dictionary of New Zealand Biography. Te Ara – the Encyclopedia of New Zealand
Corban Estate Arts Centre (CEAC) 2004. A Brief History of the Corban Winery 

Photographs are sourced from the Corbans Wines website.

Adele and Elly amidst the wine vats at the Corban Estate Arts Centre

For other posts in our Small Stories series of ordinary folk doing extraordinary things, see:  A Tale of Twin Pines  , the story of a Lebanese migrant to New Zealand, and The Monarch of the Sea, the rollicking tale of an unlikely “pirate king”.

On a dry note:

Whilst New Zealand’s iconic band Split Enz once sung “history never repeats”, an official Auckland strategy to minimize alcohol related harm saw predominantly working class “Hindersin” once again designated a “dry zone” in August 2016. The public consumption of alcohol is banned. Only the Waitakere Licensing Trust can operate pubs and bottle shops, whilst supermarkets sell no alcohol. The trusts, administered by publically-elected trustees, return surplus profits to the community through grants, rebates to clubs, sponsorships and other support for community activities. One of the West Auckland-based Waitakere and Portage Licensing Trust’s most significant investments in the “The Trusts Stadium”. It attracts events from fashion shows to rock concerts, community gatherings to local sporting competitions. The venue has hosted several million visitors since opening in September 2004, attracting 600,000 visitors a year, thus making it one of the most accessible stadiums in New Zealand.