Milo Down Under

Is it only six months since the cream of Australia’s intelligentsia, including those famous insider outsiders Mark Latham and Ross Cameron, News Corp flunkies Andrew Bolt and Janet Albrechtson, Alan Jones (of course), the entire Whine Nation cabal, including the irritating dwarf Malcolm Roberts (now consigned to that limbo where lame ex-pollies languish), and that gruesome twosome Cory Bernadi and George Christiansen rocked up to salute confused libertarian and Alt-Right poster-boy Milo Yiannopoulos?

[Author’s note: this piece was penned (don’t we miss that anachronism!) in a fit of frolic and nostalgia. I found Milo’s adventures in Australia quite entertaining and informative. May he come back soon! Many of the places and personages mentioned herein may be unknown to readers who are unacquainted with the politics of our great southern land. I beg your indulgence.]

That giant can of ‘Milo’ ?  ‘Milo’ is a chocolate powder, often served in hot milk, and commonly given to kiddies as a dinkum night-cap (thus guaranteed to keep them up all night long). It is one of many Aussie icons – alongside meat pies, lamington cakes, kangaroos, the late Steve Irwin, and the ABC (our national broadcaster, which many on the right would like to see abolished).  And we have many such BIG Things in Australia. Like the Big Merino in Goulburn, the Big Prawn in Ballina, and the Big Banana in my own regional centre, Coffs Harbour]

Did Milo REALLY make such a big impression DownUnder when he was out here last December? At the time, I thought that it was just shock jocks, insider “outsiders” (or is it outsider “insiders”?), a One Nation coven, and a mob of journos who view politics as entertainment, who fawned at the feet of this strange muppet.

I guess we will never really know because the media, forever breathlessly covering our antipodean political blood-sport, generally loses all sense of objectivity and proportion. And in vicariously entertaining and picturesque way, the carnival was quite newsworthy.

There was wide media coverage as demonstrators of all stripes flocked to Milo’s clandestine but well-publicized-Melbourne gig in their tens and proceeded to get stuck into each other, and the police turned out in force to break up the very telegenic brawl. Milo’s myrmidons were sighted sporting Trump flags and red “Make America Great Again” caps (which goes to show what an unoriginal lot we Aussies are). Guy Rundle of e-zine Crikey sent an entertaining dispatch from the Flemington front-line on 4th December 2018 (it is republished below). Damian Costas, the organizer of the event, who also happens to be the publisher of Australian Penthouse, Was billed A$50,000 for the services of the boys in blues, but he has yet to pay up. A case of “free speech, one each”?

 

it was a gift that kept on giving. Soon afterwards, celebrity sex therapist, Milo-fangirl and occasional News Corp mouthpiece Bettina Arndt spent quality time with Milo (our featured image), and joined the opinionistas of the House of Rupert by writing to a News Corp and Institute of Public Affairs template in an opinion piece in The Australian which echoed a Janet Albrechtsonesque angst about left-wing university group-think into a contrived diatribe against the preponderance of young women in said left-wing ranks. Universities, she says, are brainwashing our damsels and transforming them into latter-day Mesdames Defarge.

And yet, Betty, maybe girls were already left-wing before they enrolled in Uni. And one really can understand why they veer to the left given the example set by the conservative right-wing males who dominate our politics, business, churches and media. Sisters are doing it for themselves, and “the powers that be” do not like it.

They do not like very much, it seems. It is becoming quite predictable that “culture war” opinionistas coopt any contrarian who comes along as a crusader for their conservative cause. Late militant atheist Brit Christopher Hitchens; dissenting Danish environmentalist Bjorn Lomberg; Canadian psychologist Jordan Petersen. Even eccentric and useless climate-change denialist Viscount Christopher Walter Monckton. So it was not unusual that Milo got a guernsey from the News Corp chattercrats. As did Milo’s mate, photogenic Canadian Alt Right poster girl Lauren Southern who dropped in on us last month. Laurie canceled her New Zealand speaking tour, however, after the Mayor of Auckland banned her from speaking in his burgh. Yet another example of how the Kiwis are doing things better than its neighbour across the Tasman these days.

Southern Discomfort

The whole Milo mythos is founded upon a world of make-belief, a political world overly determined by rhetoric, fear and loathing, fireworks and fictions. It is driven by false narratives that envelop false hopes and expectations. But, like that big can of chocolate powder, we like big things in Australia, and if they are not as huge as we like them, in the immortal word of Captain Jean-Luc Picard, we make it so …

And so, whenever the likes of Milo and his ilk land on our fatuous shore, they are feted by the right and vilified by the left whilst the affronted at every hand huff and puff in self-righteous indignation, posture and pontificate, vigorously virtue-signaling energetically to their minuscule covens. The chucks cluck, the dogs bark, and the circus leaves town.

As Led Zeppelin once crooned, “Oh, it makes you wonder!”. But, as John Lennon sang: “Strange days indeed! Most peculiar, Mama!”

[I’ve just remembered what Milo’s martial get-up reminds me of – Michael Jackson. As the Donald would say, “Sad”]

Peter Fitzsimmons wrote a highly amusing piece in the SMH recently. Read it here, or in full at the end of this post, he also reveals that Brexit bon-viveur Nigel Farge will grace our shores shortly. be still my beating heart!

For more in In That Howling Infinite on Australia’s politics, see Outside Looking in;  Western Civilization and the long, dark tea-time of The Australian’s Souland Conservatism in Crisis

Guy Rundle reminisces in Crikey ,4th December 2018:

Night had fallen on Flemington when your correspondent rocked up to the Milo extravaganza. The houso flats across the road, sheer cliffs of lights, the Citylink overpass glowing green on the other side.

Racecourse Road was blocked off either side of the Milo venue, Melbourne Pavilion, an old art deco hall with a concrete box attached to one end of it. “Weddings Events Functions” reads the sign on the side. All that, and, inevitably, boxing too.

Big cop trucks at each end of the area, flashing red and blue, cop helicopter thrumming overhead.

Cops and cops and cops around. Cops in yellow hi-viz; cops in blue; black-clad ninja-turtle riot squad. Rings and rings of them. Cops in number absurd.

“No place for fascists no place for fascists” or something, shout coming from the grounds beneath the flats. “We live here, fuck off.” The remnant left protesters, hardy anarchists mostly, had been joined by locals, young mainly, African mainly, from the flats.

The Milo late-show crowd were arriving on the other side of the street. They gleamed white in the fluoro and arc lights. A few Mediterranean types, of martial arts/UFC styling, top-crop hair and T-shirted, hard-body man tits. But mostly Anglo, boiled-potato pale.

“They don’t even know what they’re protesting,” they laughed, at the protesters.

“It was easy to get a park, because protestors don’t own cars.” That got a big laugh.

And:

“How can Milo be a racist? He’s married to a black man!”

“I know! I know!”

Heard that exchange six times if once. A sort of alt-right ring tone.

I’d missed the early session argy-bargy, because I’d been to — what else? — a book launch in Fitzroy. The first show crowd were just coming out, the cops directing them down a corridor between temporary barriers, running down a side street.

“Go go go go this way this way this way” — the cops treated it like they were getting the Kurds out of Iraq. The protesters were half a kilometre away.

“Lot of cops to protect one paedophilia advocate,” I said loudly, and one cop on the end of the line winced, visibly. I made a mental note.

The place was in lockdown, yet I was drifting easily back and forth between the lines, threading through the riot cops, my press card in a lanyard. Admirable respect for free activity of the press I thought.

Then I looked at the stage door, where bouncers and tour officials were gathered. Fat men in dark suits and lanyards, they — ah.

The cops thought I was with the tour.

There were 600 in the early show, took a while to get them out. They clutched copies of Dangerous, Milo’s self-published book, and copies of Australian Penthouse, sponsors of the tour, and my sometime publishers (hello, fellows! You still owe me author’s copies of the September and October issues by the way. Send them to the Crikey office, please).

“The show was great,” Trisha told me, without much prompting. Trump-style red baseball cap, bottle-blonde, fake-leather jacket, two copies of Dangerous, two copies of Penthouse. “I just love him, he’s so funny.”

“What do you like in what he’s saying?”

She thought for a long time.

“Ohhhhhhhhhhhhhh … well, I mean immigration. Not that we don’t like Muslims! Just not the wrong ones!”

“There anyone in Australia who inspires you like he does?”

“No one! No one!”

“Andrew Bolt?”

“He’s pretty boring.”

‘What about the pro-paedophilia stuff? ‘Thirteen year old boys can consent meaningfully’ …”

Trisha squirmed.

Ponytail man came up. There were a lot of ponytails in this crowd. Long, short, ’80s adman, postmodern architect, vegan grindcore maleorexic, Milo’s little ponies.

“I’ve seen Milo four times.” Ponytail man was soft-faced, soft-bodied. Milo men are either hard-body keto warriors, living off bullet coffee enemas and T-gel patches, or they appear to be carved from a giant bar of soap. Ponytail man wore a red tie, and a white cotton suit, over hips that wobbled like an offal tray.

“How was he tonight?”

“Top form, top form.” As if speaking of an employee.

“What’s the most important issue facing Australia today?”

“Oh corporate control. Banks, globalisation …”

“Who do you like politically here-“

“Oh the Citizens Electoral Council make … sense.” (A LaRouchite! I’d found a LaRouchite!)

“We need a state-owned bank, public ownership,” he said.

“But that’s exactly what most of the protesters would say!”

“Well, yes, we’ve got to build bridges …”

“And Milo, well, as far as he has any position at all, he’s sort of a gay Thatcherite.”

Ponytail’s eyes peeped out his puffy face, imploringly: don’t spoil this for me.

“What do you do?”

“I’m a music producer.”

“You make a living from that?”

“Well no,” he laughed, like George Martin between Beatles LPs. “I’m living off savings. And,” voice lowered, “getting some payments from the government.” (“Ah, Mr Ponytail,” the voice said on the phone at midnight, “you are too dangerous not to have on our side. Your fee will be dispatched fortnightly disguised as a Centrelink payment.”)

The helicopter thrummed, the protesters got louder. People were coming out of the flats now, it was getting big. Couple of smoke bombs went off near the tram stop, and the riot squad formed up in a phalanx. This was all piss-weak, yet they looked skittish. The more suited up cops are, the more scared they get.

Late-show arrivals, early-show departures commingled. Ross Cameron, the show MC, was walking around, looking at his notes, like anyone gave a damn what he said.

“You’re going to miss the late show Ross,” I said.

He looked up.

“Oh you’re right, yes, thanks very much,” and scurried in through the stage door. He thought I was security, too. Jesus, six Trots in Target suits and lanyards could have taken this place. It was Stupidolooza.

“Do you want to know what I think?” A large blonde swayed towards me, in big blue comedy shades, Jimmy Buffett fan sans margarita, and said, and I will sign an affidavit to this conversation, “they don’t like us cos we support Trump! Yahhhhhh,” she yelled towards the protestors “we’re lefties”.

“Lefties?”

“Oh hang on, no, I get those two mixed up.”

Her equally imposing friend turned up. “Stop talking to him.”

“This is my friend Tziporah,” Lefty said. “She knows a lot of stuff.”

Tziporah! Tziporah Malkah! Kate Fischer as was! Last time I’d seen her, I was writing lines for her for an awards night performance. A torturous joke that included the name “Wittgenstein”. It took a long time.

Tziporah had been casting herself as a Milo fan, or Milo-curious, hours earlier, posting a pic of herself kissing his pic on her “access all areas” pass. Now they wouldn’t let her in. Malkah and Lefty tottered back and forth between the entrances, but they’d been barred.

“You want to talk, call my agent,” Malkah said.

“But I don’t want to talk.”

“Call my agent.”

They tottered off.

The crowd was herded in, the old one herded off, the protesters got louder, plastic bottles started flying across the road.

Suddenly there was loud shouting, and a megaphone “back back, leave them alone …” and the riot squad, having demobbed, formed up again, and started coming across Racecourse Road to the flats.

I walked across with a few others. Malkah and Leftie, passes still dangling, had walked across to talk to the protesters, locals now, nearly all African, and appeared to have asked a question about Muslim extremism, and the organisers were having a bit of trouble restraining some of the more rambunctious.

“Back, back … OK OK look,” the organiser glanced around. No TV still around. “Leave the women alone! Leave the women alone!” Yeah. That would not have looked good on the news.

“Why are they holding this here –” one of the kids asked me, “to insult us?”

“It’s a boxing venue. They-“

The last anarchist charged over, white as the moon. “Don’t talk to the media! Don’t talk to the media.”

Big mistake. The kids, seeing his pale face and black hoodie thought he was a Milo-ister and laid into him. The organisers had to wade in and rescue him. It was all sorted out.

At which point, of course, the riot squad began to move, the Behan principle taking over (“no situation so bad, a policeman cannot make it worse,” Brendan Behan said).

Banging on their shields, they came into the flats gardens in a flank that even I could see was far too long. The kids got behind them. There was pelting with empty mineral-water bottles, the equivalent of a stern letter to The Flemington Leader. The squad narrowed their line and charged deep into the gardens. The kids legged it easily.

Piqued, the squad set up camp, holding a corden inside the gardens for 45 minutes, an empty Fanta can from the windows bouncing off a helmet now and again.

I tried the line again.

“Four hundred cops on night shift to defend a paedophile sympathiser. You must feel really proud of your work.” Tried it about half a dozen times. Pretty sure it got a few wobbles. Tease the cops about being agents of the banks, etc, no response. But, overtime aside, I don’t think anyone signed on to defend a Hitler Youth tribute act.

The gardens quietened.

‘Bout 11.30pm a cop car pulled up. A senior cop got out, took a look at the pointless vigil, and said something sharpish to the field commander. The riot squad moved backward slowly, and in 10 minutes they were gone.

Across the road, somewhere inside, a gay man likely to faint at the sight of a visible panty line was adjudicating on which women were and weren’t fuckable. Today, he’s addressing the right at Parliament House. Australian conservatism in our time.


Peter  Fitzsimmons, Sydney Morning Herald, 7th August 2018

It remains one of my favourite bits of rugby writing.

In the late 1980s, after a Wallaby of modest repute changed national rugby camps to turn out for the Irish team instead, a writer for the Irish Timescommented: “Why is Ireland importing bad rugby five-eighths? Don’t we have enough bad rugby five-eighths of our own?”

Might I ask a different version of the same question for Australia in 2018?

Why on earth are we importing so many “alt-right” political nutters to Australia on speaking tours? Seriously, don’t we have enough alt-right – whatever that is – nutters of our own?

The most recent visitor to our shores was a 23-year-old Canadian, Lauren Southern, whose schtick seems to be warning about the dangers of Islam, multiculturalism, immigration, political correctness and the left side of politics in general, while also trying to right the many wrongs done to white people just because they are white. I repeat: she is just 23-years-old. From the fine, peaceful, happy country of Canada.

I ask you: how likely is it that this young woman, as fine as she might be, will have some wisdom, some insight into Australian affairs, something she can tell us, warn us about, that our own people of her ilk haven’t been saying around the clock, on the radio, in reams of columns, in parliament, on the street, for years?

Police assemble at Broadmeadows train station to manage people protesting against Lauren Southern who is in Australia on a speaking tour.Photo: Darrian Traynor

Hasn’t Pauline Hanson been doing all of the above for a quarter of a century? Wasn’t our very own Malcolm Roberts a seer on these very issues? And isn’t he planning a comeback? (Where are you, Mr Roberts, by the way? A nation turns its lonely, bemused eyes to you.)

As for paying up to $750 to see Ms Southern, close-up, and speak? Please.

Save your money, my friends. Turn on Sky News After Dark any day of the week. You can watch hours of that kind of stuff, from the comfort of your own home. You can call Bronwyn Bishop “Butter,” ’cos she’s always on a roll, on those very subjects. And don’t forget Ross Cameron. And that other fellow, someone-or-other Hargraves.  On Sunday night, and I am not making this up, they even provided a platform for Blair Cottrell – previously notable for his criminality, and for advocating that every Australian classroom should have a portrait of Hitler on the walls – to give his views on immigration. I am not making that up, I said! And tell us, Blair, given your boast about using “violence and terror”, to get what you want from women, your views on feminism?

Yes, Sky News costs a bit, but if you divide the cost of subscribing by the number of cans of Pissed-Off they serve up, it is, seriously, as cheap as chips.

The Brit, Nigel Farage, will also be here shortly, I gather. He, you’ll recall, rose to fame by running the campaign which saw Britain commit to the economic suicide of Brexit and then turned his back on the whole mess, waltzing away on something of a world speaking tour. What, pray tell, can he see, that our own nutters haven’t spotted? In the first place, we don’t have a Brexit situation and in the second place, he’s never lived here, never shared our experience, never had much to do with us at all. So what would he know that, say, Alan Jones doesn’t?

Alan’s great on that kind of thing generally. When he speaks on the radio, there is never a pause, never a nuance to be examined, never a grey area which he is not sure about – he delivers outraged certainty, for a good 15 hours a week. Everything is either right or wrong, it is mostly wrong, and he is the only man who can right the wrongs. All your prejudices will be fed, all the bleak angels in your nature can gorge themselves and you can hit the day roundly pissed off at about 15 things at once. Yes, Alan is, as Paul Keating once described him, a “middle-of-the-road fascist” but he’s our middle-of-the-road fascist and that has to count for something, dammit.

For the Fascist 1500 metre race, our Alan would lap Farage. Not only that, he has endurance. I first heard Alan ranting like that in the Manly rugby dressing sheds, in 1983, and he is still going strong.

Milo Yiannopoulos? I frankly can’t remember what he was all about when he visited earlier in the year – I think it was most of the above, bar ganging up on gays – and only recall that our own Mark Latham delighted in displaying a photo of himself kissing him on the cheek. That would be a fair indication that Latham believes in his views, so if that is the stuff you want, my fellow Australians, if the Yiannopoulos brand of outrage is your thing, buy home-grown, buy Latham. He is producing so much of that highly refined bile – the really good Aussie stuff, not that imported rot – he is giving it away.

I am serious about this.

A consistent theme of the whole alt-Right thing, is to defend Australia, stop the bastards at our borders, say no to foreigners of all descriptions, make Australia great again by putting Australia first, etc.

Can’t the people who espouse all this then, and who want to consume that kind of stuff, start with our own nutters and set a good example?

Support Alan. Support Mark. Support Bronwyn and Pauline. And bring back Malcolm Roberts, the real star of the whole show.

But Blair Cottrell? Actually, no. Even we, have to draw the line somewhere.

An earlier version of this comment was briefly published online last month .

 

 

 

 

 

 

 

 

 

 

Martin Sparrow’s Blues

You cannot stop the birds of sadness from passing overhead, but you can sure as hell stop them nesting in your hair. 

It is late summer in 1806, in the colony of New South Wales. After he loses everything he owns in a disastrous flood, former convict, failed farmer, and all-round no-hoper and ne’er-do-well Martin Sparrow heads into the wilderness that is now the Wollemi National Park in the unlikely company of an outlaw gypsy girl and a young wolfhound.

The Making of Martin Sparrow, Historian Peter Cochrane’s tale of adventure and more often than not, misadventure, is set on the middle reaches of the Hawkesbury River, north of Windsor, and the treacherous terrain of the picturesque Colo Gorge.

But first, some background history …

Between 1788 and 1868, about 162,000 convicts were transported by the British government to various penal colonies in Australia. It had began transporting convicts to the American colonies in the early 17th century, but the American Revolution had put an end to this. An alternative was required to relieve the overcrowding of British prisons and on the decommissioned warships, the hulks, that were used to house the overflow. In 1770, navigator Captain James Cook had claimed possession of the east coast of Australia for Britain, and pre-empting French designs on Terra Australis, the Great Southern Land was selected as the site of a penal colony. In 1787, the First Fleet of eleven convict ships set sail for Botany Bay, arriving on 20 January 1788 to establish the first European settlement on the continent. Botany Bay, named by Cook for its abundant and unique flora and fauna, was deemed unsuited, and six days later, the fleet hove to in the natural harbour to its north and established Sydney, named for the fleet’s commander.

Other penal colonies were later established in Tasmania – Van Diemen’s Land – in 1803 and Queensland In 1824, whilst Western Australia, founded in 1829 as a free colony, received convicts from 1850. Penal transportation to Australia peaked in the 1830s and reduced significantly in succeeding decades. The last convict ship arrived in Western Australia in 1868.

Convicts were transported primarily for petty crimes – serious crimes, like rape and murder, were punishable by death. But many were political  prisoners, exiled for their participation in the Irish Rebellion of 1798 and the nascent trade union movement. Their terms served, most ex-convicts remained in Australia, and joining the free settlers, many rose to prominent positions in Australian society and commerce. Yet they and their heirs bore a social stigma – convict origins were for a long time a source of shame: “the convict stain”. Nowadays, more confident of our identity and our national story, many Australians regard a convict lineage as a cause for pride. A fifth of today’s Australians are believed to be descended from transported convicts.

A wise man doesn’t burn his bridges until he knows he can part the waters

In the young colony, for free and unfree, men and women alike, life  could be nasty, brutish and short, beset by hard labour, hard living and for many, hard liquor, cursed with casual violence, and kept in order by a draconian regime of civil and military justice. Particularly so for the felons, formerly of the convict transports, and only moderately less for free settlers and the expirees, former convicts endeavouring to make a living on hard-scrabble blocks on the outer fringes of the Sydney Basin, far from  young and barely civilized Sydney Town.

Sydney Society 1800

Cochrane’s history credentials are evident in his feel for the time and the place, the lifestyle and its accoutrements. And it’s a good pitch for a motion picture. A colonial “western” indeed, for the book echoes those fine films that portray the sordid and seedy side of the pioneer story, like Altman’s chilly McCabe and Mrs Miller, and latterly, the magnificently decadent Deadwood, with less brutal elements of Alexandra Iñárritu’s The Revenant. I noted at least two lines borrowed from classic westerns – Clint Eastwood’s avenger tale The Outlaw Josie Wales, and Arthur Penn’s  frontier drama The Missouri Breaks – and there are probably more.

Cochrane has assembled a cast that is as representative and as colourful of the transplanted populace as it undoubtedly was, although some may come across to readers as a tad stereotypical and over-the-top. Loyal and honest servants of the crown like dour, Scottish Chief Constable Alister Mackie and his erudite sidekick American Thaddeus Cuff, who is never lost for bon mots and folk wisdom; whores that would not be out of place in Deadwood’s seedy Gem; cruel; corrupt soldiers who are a law unto themselves; and veterans of the Indian wars (waged by the East India Company, that is). Some are soberly righteous and others less so, given to either producing or consuming in excess a hooch named for its after effects: “bang-head”); unscrupulous and violent sealers, hunters, bushmen, and escaped convicts; and a wise and inquisitive doctor and an eccentric and obsessively peregrinating botanist intent on determining how the platypus produces its young. And, that unlikely trio at the commencement of this piece.

For many of the characters, and particularly the melancholy Martin Sparrow, it is a tale of hope and renewal, survival  and redemption – again like those iconic westerns. There is something about “the frontier”, on the lawless and dangerous edges of civilization, that tries and proves a man or woman’s soul. Cuff declares that “all life turns on a pitiless wheel”, but, he adds, “we ain’t stuck in brutishness. We got a choice”.

Damnation and redemption walk hand in hand. It is perhaps no coincidence one of the river’s most righteous settlers, the former Redcoat Joe Franks, has a passion for seventeenth century Puritan preacher John Bunyans A Pilgrim’s Progress, that allegorical saga of faith in adversity written whilst the author was doing a twelve year stretch for his religious beliefs. Hope springs eternal on the Hobbesian frontier, and we are constantly reminded of this by the sardonic constables: “hope is the poor mans bread”, but he who lives on hope dies fasting.  Whilst hope might be “the mainspring of faith, it is also “physician to misery” and “grief’s music”. And yet, to the irrepressible Romany girl, who has seen and suffered much, it might also be the “little songbird in the well of our troubled soul”.

… the search for happiness can be like the search for your spectacles when they’re sittin’ on your nose. 

The country into which most of the cast venture is not, as we now acknowledge, an empty land. It was a peopled landscape, a much revered, well-loved, and worked terrain, its inhabitants possessed of deep knowledge, wisdom and respect for “country”. Cochrane acknowledges the traditional owners as they roam the fringes of his story and often venture into it, mostly as a benign presence, aiding and advising the protagonists in the mysterious ways of the wilderness.

Whilst many colonists, particularly the soldiery, regard the native peoples as savages and inflict savage reprisals upon them for their resistance to white encroachment, others, in the spirit of the contemporary ‘Enlightenment’ push back against the enveloping, genocidal tide with empathy and understanding. “It’s the first settlers do the brutal work. Them that come later, they get to sport about in polished boots and frock-coats … revel in polite conversation, deplore the folly of ill-manners, forget the past, invent some bullshit fable. Same as what happened in America. You want to see men at their worst, you follow the frontier”. “They don’t reckon we’re the Christians, Marty … We’re the Romans. We march in, seize the land, crucify them, stringing ‘em up in trees, mutilate their parts”.

But they know in their hearts that this ancient people and its ancient ways are helpless against the relentless tide of the white man’s mission civilatrice. “It might be that the bolters have the ripest imagination, but sooner or later, an official party will get across the mountains and find useful country, and the folk and the flag will follow, that’s the way of the world. It’s a creeping flood tide and there’s no ebb, and there’s no stopping it. No amount of … goodwill”. To paraphrase Henry Reynolds, acclaimed chronicler of the frontier wars, they can hear that uneasy whispering in their hearts.

It is Cochrane’s description of the landscape that makes an otherwise entertaining but derivative “quest” narrative soar to literally panoramic heights:

“They heard the sound of frogmouths and boobooks and night birds unknown to them, and heard the whoosh and splash and smack of fish jumping in the shallows and the constant sound of the tide chafing the banks and far off a dingo howling, and they saw the river rats scurrying for cover and myriad shapes in the dark recesses of the forest, and higher up they saw great bands of ancient sandstone, moonlit, cracked and fissured by the chisel work of ages”.

“They stood atop a cliff wall that ran north to the dense green line that marked the horizon, above a point where the valley was lost in the braided folds of mountain spurs and  patches stone and a wash of the darkest forest green … The far cliffs were fractured by heavily forested gullies and slot canyons carved deep through stone. To the north he could see open patches of grassland on the valley floor, the lumpy shapes of marsupials grazing, smaller things foraging, clustered together, wood ducks and a flock of black cockatoos in full flight following the line of the far wall, the stone there fissured and scarred like the hide of a dragon”.

“Soon they were there, standing four in a line atop the stone cliffs, a sheer drop to the thickly  timbered slopes that flattened to a valley floor perhaps a mile away, the river there flanked by irregular patches of forest and grass meadow and game feeding on the grasses – emu and wallaby, a wild dog loping along, and wildfowl breaking from the reeds. They saw a flock of parrots skimming the canopy, their colours coursing down like windswept rain. They saw a wedge-tailed eagle, those ragged wings, wheeling, slow, hypnotic, in the heavens above”.

Landscapes such as these are familiar to me. I view them from high places and walk the forests, and I have seen and heard the myriad birds and animals that inhabit the lands east of our Great Dividing Range. Indeed, many of them I view from my home in the forest. I felt the thrill of recognition as Cochrane’s adventurers ventured forth.

Breathtakingly beautiful it might be, but, then and now, it’s a hard and dangerous land. “… deadly cruel if you’re lost in there. I tell you both this: the wilderness in the west begs a certain reverence and demands a certain humility”.

The weather swings from searing heat to devastating floods – it is such a deluge that propels Martin Sparrow on his odyssey. The terrain in treacherous – one careless misstep and a fall can be deadly. The flora and the fauna might be exotic and magical to behold, but not everything is benign. There are snakes, funnel webs, wild dogs, eels, and bull sharks, and a particularly unpleasant wild pig. The travelers are constantly checking for mosquitoes, leeches and ticks. And the deadliest of all, the humans.

Well, these days it seems all the wilderness does is abet a multitude of crimes and occasionally a smidgen of restitution I suppose. Small mercies. 

A perilous place the bush may have been, but that did not deter those who sought to venture there and indeed, find a path through the Great Dividing Range. In ensuing decades, many explorers would weave their way westwards to view that “vision splendid of the western plains extended”, as our national bard described it. But in convict days, the vision splendid was one of freedom, from slavery’s metaphorical chains -actual irons were not required in the colony because the dense and impenetrable forests that covered the lowlands and the slopes of the ranges were as “iron bars all the way to the sky” and the nomadic “savages”, de facto guards, so to speak, and for freedmen, from backbreaking toil of the their meagre farmsteads. “… it’s the misery of this mercantile tyranny … or the sovereignty of the commonweal, fire of the brutish parties that govern us here”.

Tales of an inland haven, a sanctuary from the military despotism and the rigours of pioneering  were part of the convict “dreaming”.  Some say this was a rhetorical ploy to throw the Law off the scent as the real escape route was by boat along the coast. The authorities dismissed it as a fantasy, a fable, or, to quote Robbie Robertson, “a drunkard’s dream if ever I did see one”. All that lay out yonder was trial and tribulation and death by a thousand stings, bites, or spears.

And yet, the magical thinking of a happy land far, far away is part of our human storytelling. “Somewhere over the rainbow, skies are blue, and the dreams that you dream of really do come true”. Even Westworlds androids, who yearn, like Pinocchio, to be human, roam relentlessly towards the freedom of “the valley beyond”.

The notion of becoming a “bolter”is the primary theme of the story, and indeed the “making” of the luckless, lovelorn, indebted and hence perennially, melancholy Martin Sparrow who was ever wont to “stagger from one calamity to another”. A paradisaical village of free folk beyond the mountain fastness and the long arm of the constabulary, on the banks of “a river of the first magnitude” that winds its way to a mighty, whale-splashed ocean far to the west of the unknown continent, as they note, the celebrated  Mr Flinders himself had surmised, their wants satisfied by bevies of copper-coloured women:

“And there it is, the most beautiful grassy woodlands that you are ever to see, and way below, a small village, embosomed in a grove of tall trees, by a most majestic river, flowing west, as far as the eye can see, and small boats gliding the channels between little islands, and women, knee-deep in the  shallows, casting their nets … Olive-skinned, well-favored by nature and most pliable and yielding in all regards”.

Give a man his wish, you take away his dreams. 

And so, amidst Cochrane’s historical and political exposition – and he wears his historian heart on his sleeve – and remarkable scenic descriptions, a mob of folk of widely disparate authority, status, means, temperament and ability head off in twos and threes into the wild. Some are driven by duty; for others, it’s a living; and for our unlikely duo and dog, it’s a quixotic leap in the dark. Some perish, others sicken, and several arrive at their own epiphanies and apotheoses. I recall Paul Simon: “Some have died, some have fled from themselves, or struggled from here to get there”; and also, Robert Lewis Stevenson’s observation that often, “to travel hopefully is a better thing than to arrive, and the true success is to labour”.

Till a voice, as bad as Conscience, rang interminable changes
On one everlasting Whisper day and night repeated—so:
“Something hidden. Go and find it. Go and look behind the Ranges—
“Something lost behind the Ranges. Lost and waiting for you. Go!
Rudyard Kipling, The Explorer (1898)

Orphan Girl

This beautiful song was written by Brendan Graham for the Annual Great Famine Commemoration at Sydney’s Hyde Park Barracks in 2012 to commemorate the immigration to Australia of over four thousand female orphans who, between 1848 and 1850, were brought from Ireland during the Great Hunger. It is performed by the celebrated Choral Scholars of University College of Dublin, featuring soloist Abby Molloy


For wider reading about Australian history, I highly recommend William Lines’ challenging Taming of the Great South Land, the late Robert Hughes’ magisterial The Fatal Shore, and David Day’s Claiming a Continent Posts in In That Howling  Infinite include We got them Australia Day Blues and Outside Looking In.

As part of its marketing strategy, publisher Penguin Books, has seen fit to share extracts from the opening chapter of The Making of Martin Sparrow.  I have republished them below.

1.

Sparrow woke on wet sand somewhere downriver with a terrible stink in his nostrils, the smell of death and decay, rot and ruin all about. At first he did not stir, there in the pre-dawn, pale light to the east beyond the river, the tide on the turn, ebbing now, the flow yet a faint murmur in his ears.

Confusion held him still, as did the formidable lassitude in his bones and the damp cold on his skin. The sound of his breathing con­firmed the likelihood that he was alive. He raised his head and looked about, sucked up a wad of gritty phlegm and spat onto the sand. He wondered if perhaps his deliverance was the work of a kindly fate, a chance to make good his miserable existence. Hard to know.

The sand was strewn with muck and wreckage. The hen coop was there, his hens dead, in company with tangles of lumber and thatch, fence posts and scoured saplings, a big, raggedy cut of wagon can­vas and a lidless coffin, the muddied panelling infested with yellow mould that glowed bright in the soft dawn light.

He sat up and brushed himself off, noticed a long cut on the inside of his forearm, but it wasn’t bad. If it was bad, deep, he might have bled to death while he lay there in the dark, half drowned. But it wasn’t and he didn’t. That was lucky.

He studied the coffin; reckoned sooner or later he’d have to take a look, in all probability stare rotting death in the face. A crow alighted on the rim, shuffled one way then the other, then hopped in, keen to join its companions. Sparrow saw a flurry of black wings as the disputatious gathering settled to its work.

There was a blood-soaked tear in his britches and a hungry leech on his thigh, like a small, fat velvet purse. He flicked the greedy little sucker onto the ground, took a twig and pierced it, watching his own blood spill out and colour the sand to russet.

In the shallows he scooped up a fragment of the Sydney Gazette, but the newspaper dissolved in his fingers as he tried to unfold the sodden sheet.

Sparrow surveyed the farms beyond the river, the flooded fields; wildfowl feeding on the flattened corn, flood-wrack washing seawards on the flow. He dropped to his knees and laved water onto the little puncture wound on his thigh and the cut on his arm. Quite why he did that he did not know for he was otherwise layered in muck all over.

Memories washed about inside his head dispelling some of the confusion – the lightning storm, the torrents of rain, the hen coop caught in the violent flow; wheat stacks coursing the river; the unremitting fury of the waters, crops awash, the bottoms gone; the exodus of reptiles; the dismal cries from distant quarters, the sound of muskets dangerously charged.

He got up and turned about, scanned the lowlands to the west, the mountains far off, full of mystery and foreboding, and full of promise too.

The sound: the ebbing tide, the pecking crows.

Sparrow stepped quietly from the water. Stood. Listened some more. He crossed the sand, took hold of the wagon sheet, heavy with wet, and edged towards the coffin until he could see the beaks spear­ing into that shrunken face riddled with wounds, a fledgling on the old man’s chest, pecking at his coffin suit. He did not hesitate, for their pleasure had filled him with an unfamiliar wrath and rendered him vengeful. He hurled the wagon sheet across the coffin. The cap­tive birds panicked and leapt into the cloth and flapped and squawked and leapt again, like hearts beating in some hideous thing.

Sparrow took hold of a heavy stick and began to beat the cloth with all his might. A wing appeared askew the panelling and he smashed at it and heard the creature scream. And he kept on just so, until the canvas lay sunken in the coffin and the birds were all but still, dead or dying, their frames faintly visible. He leant on the stick, suck­ing for breath, awaiting further movement in the coffin, watching as blood seeped into the cloth. The birds made a few pitiful sounds, now and then a ripple or a shudder or the flap of a wing.

Sparrow stood over the coffin until the cloth stopped moving. He looked west to the mountains. Tiredness took hold. ‘Maybe it’s true, maybe I don’t got the mettle,’ he said.

He crossed the sand, stood over his coop, dropped to his knees. His hens in death, his good, sweet, giving birds, were naught but a lumpy pile of dirty feathers and claws.

He reached into the coop and gently palmed his birds apart, set­tling his hand upon a muddied wing; recalled the signs: the lightning storm in that inky blackness over the mountains, the discolouration of the flow and the rapid rise of the river.

But the waters had receded, briefly – a most deceptive interval that filled Sparrow with a false notion of security and he had not then seized his opportunity. He had not got in his crop, not one ear of corn; nor had he got his scarce possessions off the floor of his hut, nor moved the coop to higher ground, thus condemning the hens to a most frightful expiration, such an end as filled Sparrow with dread for reasons he did not care to contemplate. For all that, he was truly sorry.

More than once Mortimer Craggs had told him to stop being sorry. ‘Sorry for this, sorry for that,’ said Mort. ‘You got to stop being sorry, Marty, you gotta stop forthwith and seize the dream, for therein lies our path to an unfettered liberty, y’foller me?’

Sparrow did not quite follow, but he’d said yes anyway for he did not want further badgering from Mort, who was a fierce badgerer and a most indiscriminately violent man once roused. Mort might well whack a man; or he might take a filleting knife and slit his nose. You never did know what Mort might do.

Sparrow felt the sun on his back at last. Once more he looked west across the water-logged lowlands to the foothills and thence the mountains. He recalled his last conversation with Mort Craggs, before Mort took off with Shug McCafferty, before they bolted for freedom.

‘I just ain’t ready to go,’ he’d said. He was uncertain as to why Mort had invited him to join the bolt, for they were not friends, just acquaintances, a lethal acquaintance dating back to the years of his youth in the village of Blackley on the river Irk.

‘I think you don’t got the mettle, Martin,’ said Mort, fingering the ridge of proud flesh on his cropped ear.

‘I have things to say to Biddie first,’ said Sparrow.

‘Forget the whore, there’s women on the other side, there’s a big river, there’s a village, women aplenty, copper-coloured beauties, the diligence of their affections something to behold.’

‘How do you know that?’

‘Can’t say, not till you commit to the venture, swear a binding oath.’

‘I cannot swear an oath, binding or otherwise, not yet.’

The very idea of copper-coloured women on the other side of the mountains puzzled Sparrow, deeply. He was somewhat lost for a per­spective on this startling infomation. ‘Like the Otahetians?’ he said.

‘No, nothin’ like them and I can say no more Marty, not another word.’

And that was the last conversation he’d had with Mort Craggs.

Sparrow had to wonder if perhaps his yearning for Biddie Happ was a foolish dream. If it was not a foolish dream before the flood it most likely was now. His thirty-acre patch was swamped, his corn crib gone, his corn crop flat in the mud, the wildfowl, the borers and the mould most likely hard at work this very day. His hut might well be gone too, lost to the flood. His hens were dead, he was deep in hock, mostly to Alister Mackie, and would have to beg for seed for another crop and that meant more hock, regardless of the weather to come. In short, it was now most unlikely that Biddie would see any chance of elevat­ing her prospects by joining with him, Martin Sparrow, former felon, time-expired convict, failed farmer on the flood-prone bottoms of the Hawkesbury River. Fool of a man.

He sat on the sand, bowed his head and ran his fingers down his forehead, over the faint indentations that continued onto his eyelids and cheeks, the all but faded scars that folk took to be the remnants of small pox.

He tried to sort his pictorial thoughts. That wasn’t easy with Biddie presenting herself in one instant and the copper-coloured beauties in the next. ‘I should have gone with Mort,’ he said aloud. He thought about the birthmark on Biddie’s face, the mark she tried to hide with that lovely sweep of hair, pinned just so. He wondered if copper-coloured women ever got birthmarks. As to that, he just didn’t know. The mysteries, numberless.

2

Alister Mackie sipped his Hai Seng tea, treading the porch boards by the tavern door, treading to waken his bones as the pale grey light of dawn brought the distant mountains into view and the mass of hud­dled humanity on the village square came to life, the refugees from the flood stirring from makeshift tents on rickety frames, tattered paniers lumpy with tools and keepsakes, waifs bedded in carts and barrows, piglets trussed and tumbled in the mud, game dogs on tethers and crated fowls crooning their disquiet.

He held the mug in his two hands, sniffed at the steam com­ing off the brew, searching the scene: the double guard on the stone granary and the commissariat store; soldiers by the barracks door in various measures of infantry undress; washerwomen in and out of the washhouse; the butcher, busy on his scaffold, a hundred pounds of pork on the hook; the little church, the smithy, the stone gaol. The village they called Prominence.

The drudge called Fish joined Mackie on the porch. He wiped his hands on his apron. ‘You want I take the mug?’ he said.

Mackie handed him the mug.

‘They’re hammered, like castaways, every last one of them,’ said Fish.

‘They are, yes.’

‘I seen floods, but I never seen a flood like this one.’

‘Nor I.’

‘Here and there the tops of trees, otherwise an ocean.’

‘Yes.’

Mackie stepped off the porch. He weaved his way through the bivouac to the commissariat store on the far side of the square and from there he followed the ridgeline past the granary to the top of the switchback path, where he paused by the doctor’s cabin to scrutinise the work of the floodwaters below. The government garden, gone, an acre of greens torn from the slope as if scythed away by some pale rider’s mighty blade; the cottages on the terrace, squat and sodden, the weatherboard swollen and warped. Felons in the shallows, gathering up the ruins of the wharf, the guards perched on their haunches.

Mackie joined his constables, Thaddeus Cuff and Dan Sprodd, at the foot of the switchback path and together they stepped from spongy duckboards into the shallows and clambered aboard the government sloop. Packing away the mooring lines, they drifted into the current and settled at their ease. A light westerly, a port tack, the wind and the tide obliging.

Cuff patted the planking beneath the rowlock, looking up into the big gaff rig as the sail took the wind. ‘This tub reminds me of Betty Pepper,’ he said. ‘Deceptive quickness in stout disguise, charms you’d never guess first off.’

He glanced back at the cottages on the terrace and there she was, Bet, watching them go; her porch strewn with soaked possessions, the high-water mark like a dirty wainscot on the cottage wall. The young strumpet Biddie Happ was there too, squaring a muddied rug on a makeshift line. Cuff raised his hat and Bet responded with a curt swish of her hand and took a broom and set to sweeping the mud off her porch. Biddie patted at the swathe of red hair that covered the birthmark on her face.

‘They’ll miss me,’ said Cuff, ‘they cannot help themselves.’ He grabbed the wicker handles on a gallon glass demijohn, upended it, took a swig, then another, and then he passed the receptacle to Dan Sprodd.

Sprodd took a swig and passed it back to Cuff who took another swig, knowing it would aggravate the chief constable.

‘Hardly underway, you set a fine example, Thaddeus,’ said Mackie.

‘Thank you!’ said Cuff.

‘You should ration that.’ Mackie wagged a finger at him.

‘I don’t go with the shoulds, the shoulds are a tyranny. I see no joy in rationing bang-head, or anything else for that matter,’ said Cuff.

‘Americans take their liberties very seriously,’ said Sprodd, as if Mackie was sorely in need of the information.

‘Indeed, we do!’ said Cuff.

‘As do I,’ said Mackie.

‘I’ll tell you now, spirits put clout and vigour in a man. You’ll get honest toil from a pint of bang-head, miracles of effort from a quart.’

‘That or the fatal dysenteries!’

Cuff quite liked the sound of the chief ’s lowland brogue but it was too early to argue with any persistence. Sleepiness, briefly, had the better of his contrarian temperament. ‘Hear that Dan?’ he said, ‘We are not to be trusted with the drink; we, the meritorious constabulary.’

Western civilization and the long, dark tea-time of The Australian’s soul

Take the question of whether the Australian National University should have accepted money from a private body to establish a course in Western civilization aimed at educating a new generation of potential movers and shakers in the cultural foundations of our society. This argument has swept the pages of the conservative media like a wildfire with, it must be said, more heat than light. In the outrage industry it is hard to recall an episode that has generated, well, more outrage.

Cultural commentator Peter Craven writes: “It’s hard to imagine the heat of the Western civilization/Ramsay Cen­tre debate being generated in the way it has been anywhere but in this country”. And it is indeed a peculiar penchant of our own predominantly white, middle aged, Anglo-Celtic cultural warriors. Nothing, it seems, stirs their blood more than an argument about academic license or press freedom if this is not favourably disposed to their side. One is tempted to ask what would these champions of “political incorrectness” do without academia and the ABC to rail against; although it might be observed that one person’s political correctness is another person’s political incorrectness.

Now, many of us share reservations about sources of university funding that may or may not have a particular political purpose, such as those directed at establishing Confucius institutes and such like, supported by Chinese government front organisations, and cash provided to the likes of the ANU’s Centre for Arabic and Islamic Studies by Middle East autocracies like Saudi Arabia and the UAE. Somehow, soft power exercised through football stadiums and other bread and circuses are preferable to surreptitiously propagating favourable opinion, research, and influence in our institutions of higher learning.

In a university like the ANU, recognized globally as one of Australia’s top three universities (with Sydney and Melbourne), a course in the great foundational texts of Western civilization would seem to be desirable. It would have been modeled on the Great Books courses offered as core curricula at American institutions like Columbia and Chicago. None of these courses are branded as disciplines in “Western civilization’’, this is the basis for the works studied,  representing the canon of Western literature and thought.

Given the challenges facing us in an era disrupted by a rank populism that owes little to the Enlightenment – rather a return to the Dark Ages – it would seem all the more desirable for a great Australian institution like the ANU to focus on texts that have contributed to Western civilization.

And there is indeed nothing wrong with a university course dedicated to western civilization provided it included the bad bits as well as the “hope and glorious”, like the dark side of Empire, Ireland, Australia, and the MidEast, the Wars Of Religion, and such. And if it endeavoured to avoid bias and prejudice, and control by the Centre for Independent Studies. One would hope that the Centre for Arab and Islamic Studies would do likewise and resist the atavistic urging of its autocratic and anachronistic donors (we are assured that all is indeed above board). But it’s hard to dismiss the logic of that old German idiom Wes Brot ich ess, des Lied ich sing – His song I sing who gives me bread.

Much of the opposition to the proposed course by left-wing academics, students and commentators is inspired by its sponsors. Those old culture war-horses, former Liberal prime ministers  John Howard and Tony Abbot get people thinking the course will be an Anglo-Christian, Rule Britannia whitewash, and a mirror of the old Oxbridge PPE that has spawned much of Britain’s Tory elite. To many, these two and those who think like them, are in thrall to our English heritage as a conquering Anglo-Celtic tribe and wish we were back in the 1950s when the Christian God was in his heaven, women were in the kitchen, blacks were in their place, and our White Australia Policy kept out all the rest.
The Abbott and Howard vision would no doubt be an Anglo-centric one. They seek a panegyric of Imperial nostalgia and a narrative that reflects their world view. I can’t quite see these old culture warriors and many Young Liberals for that matter (an incongruous, anachronistic cabal of reactionaries if ever there was one) getting off on Greek and Roman poetry and philosophy (Socrates and Sappho would not pass moral muster), Charles Darwin and Karl Marx, and the Russian and French literary canon. There’s much more to Western Civilization than Shakespeare, Milton and the King James Bible. Recall what Old Mahatma Gandhi said when asked about western civilization. He thought it might be a good idea, and worth giving it a try.
Much of the commentary concerning the Ramsay Centre has been secreted behind News Limited’s pay-wall, Which, by default,  preaches to the conservatism converted. So I have taken the liberty to republish below some of the more intriguing coverage.  I begin, however, an amusing overview from Crikey, followed by commentaries by journalist and academic Peter van Onselen, whom many on the right would probably regards as a communist mole and class traitor like Malcolm Fraser, and The Australian’s resident aynrandista and the counter-revolution’s Madame Defarge, Janet Albrechtsen. I present more cogent opinion pieces by sociologist John Carrroll, and the ever-readable and reasonable Peter Craven, whilst American pundit Daniel Pipes provides an international perspective on the wider “war of civilization” to ground the puny polemics of our parochial partisans. Western civilization is indeed under threat at the moment, and it certainly needs defending – from enemies far more dogmatic, determined and dangerous than the reds under our Murdoch myrmidons’ beds.
I’m with Craven when he writes: “It’s all been a bit mad, the suggestion that any reverence for Western civilization implies an ­endorsement of all the crimes done in its name, or the opposite notion, that it requires blatant boosting and barracking in a world of dangerous futile left-wing loons who do nothing but repudiate our heritage and deprive our children. None of which is to deny elements of truth in both bits of cartoon invective”. And I’m still with him when he concludes “We’re all better for reading these things. They civilise us. Take the Ramsay money and run”.
Read on…
See also in In That Howling Infinte: Outside Looking In; Conservatism in Crisis. 

How the Oz’s Ramsay Centre Holy War will play out

Emily Watkins, Crikey, June 7th 2018

This story has all the makings of a classic Australian culture war campaign. But what are those exactly?

There’s no outlet in the country that’s dedicated quite as much energy to the latest culture war battle than The Australian. Last week, Australian National University announced it was dropping a controversial degree in Western civilisation, funded by the Ramsay Centre. The Oz has been closely following developments, especially since Ramsay Centre director and former PM Tony Abbott wrote about the centre being “not merely about Western civilisation but in favour of it” in Quadrant in April.

The story has all the makings of a classic Australian culture war campaign. Some of the coverage already shows signs of being a full Holy War. If it does, here’s what we can expect over the coming weeks:

News ‘exclusives‘
There has already been a small flurry of “exclusive” news stories from national education correspondent Rebecca Urban over the past few days, with headlines including “Uni blasted for double standards”, “ANU reaps mid-east millions”, and “Fury as uni dumps study of the West“.

If past campaigns are anything to go by, you can expect more stories up the front of the paper about the decision to close the centre, the people involved, and reactions from the their usual rent-a-quote sources. The IPA’s Bella d’Abrera has been quoted today, and Liberal MP Craig Kelly’s comments to Sky News have also made the cut. Abbott was quoted yesterday. In fact, Liberal politicians are always a good source for quotes — they’ve provided content for one of the news stories in today’s paper.

Urban has taken the lead on the “news” coverage (as she did with the Holy War on Roz Ward and Safe Schools), but other reporters will also be on the case. Today, Andrew Clennell, Samantha Hutchinson and Rachel Baxendale all have bylines on stories.

Bombardment
A key feature of any Australian Holy War is quantity. Today, for example, there are five full pieces in the print edition, including two comment articles. Expect this to continue, with roughly daily news stories, entries in Cut and Paste, commentary pieces from staff and external writers, editorials, and letters to the editor. As the “story” develops, expect increasingly trivial updates — the goal is to keep the story alive.

Vigilance
In order to keep the content coming, any social media posts, speeches and public appearances of anyone remotely relevant will be monitored, and their histories examined. Those under the radar will include Vice Chancellor Brian Schmidt, who announced the decision to drop the course. No target is ever too qualified or too well-respected to be above attack, so don’t expect his Nobel Prize or academic pedigree to be off limits. ANU’s history department head Frank Bongiorno, quoted in yesterday’s story by Rebecca Urban, could also be under suveillance, as could officials from the National Tertiary Education Union, especially branch president Matt King. His letter to ANU about the course after Abbott’s article was published was quoted in Urban’s piece about the uni withdrawing from the deal, and was cited by Ramsay Centre chairman John Howard as a reason for the deal falling through.

Call in the opinion attack dogs
Since June 2, when the paper printed news of the degree being dumped, there’s already been one editorial, two “Last Post” letters columns, and op-eds from foreign editor Greg Sheridan, Swinburne University of Technology’s John Fitzgerald, and higher education editor Tim Dodd. And before that, they had Janet Albrechtsen, Jennifer Oriel, former deputy PM John Anderson, and education minister Simon Birmingham writing about the degree. Sheridan is back today, and political editor Dennis Shanahan also had a piece on it.

Keep an eye out for more on this topic from Chris Kenny, Gerard Henderson, Henry Ergas and Terry McCrann.

How many words do you think The Australian will dedicate to this Holy War? Email boss@crikey.com.au to let us know


There’s an ugly side but it does not diminish Western civilisation

Peter Craven, The Australian, June’s 16th 2018

             The Western civilisation that brought us Adolf Hitler also brought us Gustave Mahler

It’s hard to imagine the heat of the Western civilisation/Ramsay Cen­tre debate being generated in the way it has been anywhere but in this country. Someone wants to leave a lot of money to establish courses at the Australian National University that trace the glories of what we have inherited from, say, Homer and Herodotus, Plato and the Psalms to wherever you want to stop: Wittgenstein and Proust, perhaps. The Ramsay Centre ­appointed a board that included John Howard and Kim Beazley.

Yes, but it also includes Tony Abbott, who writes an article in Quadrant suggesting the course must be for Western civilisation and the people who teach it should be selected to further this bias. And, lo and behold, this scares the horses, or rather the academics who are fearful of being Eurocentric, who want to interrogate the horrors of postcolonialism and generally back away from cultural triumphalism.

This, in turn, affects the Nobel prize-winning vice-chancellor of ANU, Brian Schmidt, the physicist, and he has to back off, so the pot of gold falls from the hands of the university. Sydney University is also chary but no doubt there will be negotiations with others.

It’s all been a bit mad, the suggestion that any reverence for Western civilization implies an ­endorsement of all the crimes done in its name, or the opposite notion, that it requires blatant boosting and barracking in a world of dangerous futile left-wing loons who do nothing but repudiate our heritage and deprive our children.

None of which is to deny elements of truth in both bits of cartoon invective. But, look, an investment of money in teaching the history and substance of our art and thought and literature can only be a good thing, even if we all know what Gandhi meant when he said of Western civilisation that he thought it was worth a try. Just as we all know the deep truth of what that great German Jewish critic Walter Benjamin meant when he said that the history of civilisation is always at the same time the history of barbarism.

We should never forget that Greece executed Socrates and Rome executed Christ. That our own English language civilisation that produced Shakespeare was also, during the reigns of Elizabeth I and James I, a period when people burned each other at the stake for their religious opinions. A monarchist like Abbott would not fail to recall, in the lead-up to the English Civil War that followed, how Oliver Cromwell, said of Charles I: “I will cut off his head with the crown on it.” And did.

That great epic poem, John Milton’s Paradise Lost, came from that period of horror and so did what is probably the most formidable work of political philosophy in our language, Thomas Hobbes’s Leviathan: Hobbes said life was nasty, brutish and short, and ­argued that violence should be the prerogative of the state.

The regicide and the absolutist would each have their place in a Western civilisation course. And why not? It was Guy Rundle ­recently in The Saturday Paper who said that literature courses these days were likely to exclude Milton even though all the writers on them would have read him.

So perhaps we need to push our own tradition a bit. None of which is to deny the argument that we ­already have courses on Western civilisation: they’re taught — sometimes badly, sometimes well, but abidingly — by the arts faculties of our universities.

But bear in mind that one of the competing orthodoxies in the teaching of literature when I was growing up — and one that caused a civil war in the Sydney Univer­sity English department — derived from FR Leavis of Cambridge, and consisted of saying that much of the canon was not up to scratch. And years later when Harold Bloom — in reaction against relativism and deconstruction — wrote The Western Canon, he was not disputing the right to discriminate. He once said of that great flawed poet Ezra Pound —— who had referred to the Old Testament as “black evil” — “Call that a Western mind!”

We all have Western minds, alas, black, white and wishy washy. And there is nothing wrong with celebrating it, even though this is something that has traditionally been done rather more in America because the Americans are not afraid of a delicatessen approach to this subject. Think of the Great Books course of the University of Chicago, or the comparable course at Columbia. The latter was undertaken, in later middle age, by David Denby, then New Yorker film critic, and he wrote a book about what it was actually like to encounter such figures as Plato or Machiavelli who may be only known even to educated people by surmise and reputation or as archaic memories from adolescence.

One difficulty with Great Book courses, however, is that they ­require the teaching of people from different disciplines who, by necessity, see the world from different angles. If the lectures on Plato, say, were given by Raimond Gaita (whose own philosophical work is in the Platonist tradition) this would be very different from the way Jane Montgomery-­Griffiths, the Monash classicist who now teaches drama, would teach the Electra of Sophocles.

Still, these problems would be surmountable, nor would it be impossible to teach a course like this while admitting that the Western civilisation that brought us Mozart and Mahler also brought us the Holocaust and Hiroshima.

Our Greco-Judeo-Christian tradition has a very strong emphasis on self-scrutiny: “Know thyself” (gnothi seauton), as Socrates said. And this, inevitably, in the Hebraic and Christian traditions involves self-reproach. Think of the self-massacring majesty of the Psalms. Think of those plangent words of the Anglican confession that can stir any believing or unbelieving soul: “We have left undone those things which we ought to have done; And we have done those things which we ought not to have done; And there is no health in us.”

What is great in our civilisation went along with plenty of frailty, plenty of fault. And, as someone who is wheeled out to talk about how much the great moments of the Christian calendar underlie our culture, I have always tried to emphasise the high and mighty parallels in Eastern religion and the way a work like the Bhagavad Gita enriches our sense of our own scripture — as TS Eliot knew. A reverence for our tradition will hardly diminish our sense of the great T’ang poets Pound trans­lated or the classical art of China so beloved of Pierre Ryckmans. Just as we might as well acknowledge that the combination of totalitarianism and capitalism that characterises contemporary China is something we gave them, like the Opium Wars.

We should not be afraid of being cultural conservatives, though I remember the sorrow on the face of Bloom, the one time I met him, when I got him to admit that this is what we were. But that kind of conservatism has nothing to do with political boosterism.

It’s also worth remembering that some fraction of people I fought with during the theory wars could recognise a good writer — a Gerald Murnane or a Helen Garner — when they saw them.

But we are too afraid of words. I wonder if that conservative John Howard is haunted at times like these by the time when, as opposition leader, he was given a copy of War and Peace by Barry Jones. “Why, Barry?” “Because, John, if you ever become PM you’ll be better for having read it.”

We’re all better for reading these things. They civilise us. Take the Ramsay money and run.


Ramsay Centre has Tony Abbott to blame for ANU’s rejection

Peter van Onselen, The Australian, 9th June 018

The first rule of trying to seal a deal is to give the other party an excuse to say yes, not an excuse to say no. Which brings us to the Australian National University’s decision to reject the Ramsay Centre-sponsored course on Western civilisation.

The excuse to say yes was the money, plain and simple. The centre was offering millions of dollars and, yes, there was internal opposition at ANU — which, according to the latest world university ­rankings released this week, has maintained its status as Australia’s No 1 university.

But the excuse for vice-chancellor Brian Schmidt to say yes was compelling — in an era when funding for higher education isn’t what it once was, here was a chance to lock in long-term funding for a course Schmidt had some sympathy for. As do I. When the Ramsay Centre was announced I contacted its chairman, John Howard, to voice my support. I’ve spent my working lifetime as an academic promoting democratic principles derived from Western civilisation. Many of my writings on this page have done the same, just as I equally have condemned dictatorships and totalitarian ­regimes that don’t ascribe to Western democratic values.

Then, as if on cue, entered Tony Abbott, who couldn’t help but write an opinion piece for Quadrant magazine. In the piece he cited the Ramsay Centre’s unofficial design principle to not lose its philosophical direction: “Every organisation that’s not explicitly right-wing, over time ­becomes left-wing.” As though Western civilisation is owned by one side of this crude ideological divide. He went on to claim the centre would have a say over curriculum design and academic ­appointments when ­giving money to univer­sities, which infuriated some academics (who still believe in academic independence) and many left-wing ideologues within the student and staff unions on campus at ANU.

Yes, they already were working behind the scenes to scuttle a deal between Australia’s best univer­sity — which also houses our only world top 10 humanities division — and the Ramsay Centre. But, courtesy of Abbott, the thing you never want to inject into the deal-making moment happened.

ANU had an excuse to say no.

There is no escaping the reality that, by design or by accident, ­Abbott became a martyr rather than a rational conservative seeking to lock down a deal to bring new ideas and potential cultural change to an important institution. He handed left-wing critics the ammunition they needed.

It’s not conservative to storm a defensive line you cannot defeat in one blaze of glory. True conservatives know that Western civilisation was built across thousands of years. Its incremental advance is why it has been so successful. Equally, any conservative with a modicum of strategic sense knows that getting a foot in the door from which incremental cultural and political change can happen is far more effective than blowing up a deal simply to get a few cheap headlines; headlines that preach only to the converted anyway.

I’ve worked in the Australian university sector for nearly 20 years, from PhD student to professor, across five institutions. I can tell you that the CV tag line of having once worked for Abbott is no asset.

The broad point that the so-called left (the labelling is a little crude) is dominant in the sector is absolutely true, although there are many other moving parts that don’t fit that crude classification in big universities. And, yes, at a superficial level there appears to be hypocrisy — universities tolerate taking money from non-­democracies to fund centres yet the ANU unions kicked up a fuss about the Ramsay partnership.

But Abbott was wrong — strategically and intellectually — to seek to challenge academic independence, to claim his board could wield influence beyond the mandate formally discussed in the ­negotiations. It took the goodwill out of the discussions to get the deal done that the unions weren’t even part of. By gloating too early about the influence Abbott hoped his board would have, he gave his enemies the excuse they ­needed to thwart the deal. It was dumb. Of course there’s soft power handing out money but ­nobody wants that unsaid power to be explicitly ­detailed in a way that violates academic rules.

I don’t like Australian univer­sities taking money from non-­democracies, especially anyone tied to tyrannical non-democracies (which is most of them). And while I can see the failures of elements of Western civilisation, there is absolutely no doubt in my mind that it is an ­overwhelming success story in the ­annals of time, valuable to be taught over and above other histories.

In fact, a core ingredient of Western civilisation, robustly built organically from the 1700s on, is academic independence. Listening to critics of ANU’s decision not to go ahead with the partnership citing other worrying funding streams to higher institutions is as lowbrow as it is weak. Two wrongs don’t make a right. Fix such failures rather than build on them by letting what, according to the Quadrant article, is essentially a think tank violate academic standards and indepen­dence. That is no solution to existing failures. And even if that’s your clandestine ideological goal, keep it clandestine, don’t put it in a polemic publication before the deal has been inked.

The reason the left has the ­influence it does within some universities is because it plays by the rules, using the system to its ­advantage. That is what it has done by jumping on Abbott’s article — more fool him for giving it the ­ammunition. Conservatives are supposed to be better at using the rules to their advantage. A degree on the history of Western civilisation would show how they generally have been.

The idea that some other lesser institution may pick up the deal is no substitute. They haven’t a vice-chancellor such as Nobel laureate Schmidt, who can walk into any room (even at our best uni) and ­command the cultural discussion. He was a supporter until the deal was wrecked. It took the strategic genius of a prime minister who managed to blast himself out of office less than two years after winning a thumping victory, and six months after a partyroom warning, to unintentionally disempower Australia’s most formidable and awarded VC.

The loud critics of ANU’s decision completely miss the point. Bemoan the outcome by all means, but reflect on the process failures that led to the Pyrrhic victory (note the classical reference) of martyrdom over getting this centre established at ANU.

I see the suggestion floating around now is that the Ramsay money instead could go to a new liberal arts college because Australia’s public universities are too far gone. How ridiculous.

First up, only a fraction of the money businessman Paul Ramsay bequeathed is specifically allocated for this venture. There is nowhere near ­adequate funding to properly set up such an institution.

Second, it likely would lack credibility anyway and attract only students who already believe in the virtues of Western civilisation, when surely a key goal is to teach others about such things.

Finally, giving up on our university sector is the kind of defeatism I don’t ­associate with Western civilisation or conservatism.

Peter van Onselen is a professor at the University of Western Australia and Griffith University.


Disdain for the best of the west

John Carroll, The Australian, June 9th 2018

The Australian National Univer­sity has just backed off hosting a course on Western civilisation on the grounds of it being somehow in conflict with what the university stands for. What does it stand for, we might ask.

One further step in the demoral­isation of the academy has just taken place, care of ANU senior management caving in to a minority of noisy radical students, one which, while small in itself, can count on background support from most of the academic staff in the humanities. There is a long history behind how we, as a society, have let this come to pass. At issue is what has transpired in the ­humanities and social sciences, not in the rest of the university.

The Western university as we know it today was founded in the Middle Ages as a Christian ­institution. It was predicated on ­unquestioned and unifying faith. Within the faith, its central task was theological, to explain the works of God to man and to train minds for that interpretative work. The university was transformed by the Renaissance, and later the ­Enlightenment, into a humanist institution. In this, its second phase, culture replaced God as the transcendental force that welded the unifying vision. We are now well into a third phase in which the university has a confused idea of ­itself, and inasmuch as it has ­direction, it is to be found in ­pockets still under the influence of the ghosts of the old beliefs.

This history is best clarified by a closer look at the humanist era. The humanist university drew its lifeblood from three related ­ideals. One was aristocratic, that of the gentleman, a character ideal. The assumption was that the good society depends on a social hierarchy led by a cultivated elite, one with a strong sense of civic duty. That elite was defined by the character of its individuals.

The second ideal was that of “civilisation”, which was ­imag­ined as the pinnacle of human achievement. It depends on the most intellectually and ­imaginatively gifted, in trained ­application, producing great works. Civilisation has created the gothic cathedral and the steam engine, Hamlet and the Sistine ceiling, Newton’s laws of ­motion, graceful town planning, hygiene, democracy and codified law. The works of civilisation show humans at their highest, trans­cending mundane everyday life; making of themselves something immortal and godlike; and creating both powerful tools for the conquest of necessity and objects of supreme and edifying beauty.

A fresco featuring Plato, Arisotle and The School of Athens in the Vatican.

The third ideal was a utilitarian one, that culture and knowledge are useful. In Matthew Arnold’s formulation, deriving from ­Socrates, knowledge will make a person better and happier. Ignorance is the source of misery and evil. Humans who have knowledge will find it more difficult — in the extreme version, impossible — to do ill. They will be more rational about their lives and therefore make them more pleasurable and fulfilling. These qualities applied to society will result in it, too, being reformed and improved.

This humanist optimism had gone by the end of World War I, as German sociologist Max Weber reflected in a 1918 lecture ­titled “Knowledge as a Vocation”. Weber’s question was whether the university is possible in a godless and prophetless time, a time in which the traditional ultimate values had lapsed and no new ones had appeared. Weber observed that many were looking to the university to provide the meaning that had gone out of a dis­enchanted world. However, knowledge cannot provide meaning in the ultimate sense of answering Tolstoy’s questions: “What should we do and how shall we live?” Nor, according to Weber, should it try. Prophecy does not belong in the lecture halls.

What then remains? Weber finds three functions for the university: the advancement of knowledge, the teaching of methods of thinking, and the imposing on ­students of a clarity and consistency of thought within the framework of already given ultimate values. At this point, Weber’s ­defence of the university collapses in unacknowledged contradiction. The one function that preoccupies him is the third, but it depends on already given ultimate values, the lack of which is the problem that stimulated his lecture in the first place.

Weber concludes by defending the virtue of intellectual integrity, founded on the individual teacher’s own conscience. The implication is that rigorously dis­­ciplined scholars dedicated to their own branches of knowledge will communicate enough moral authority to their students to fill the metaphysical void.

Behind this flattering absurdity, Weber has ­described the modern university: where there is authority, it is in ­individuals obeying their own consciences, usually in isolation, an odd dispersion of one-person sects to be found sprinkled thinly through an ever-expanding ­bureaucracy.

In the US, there were examples of the survival of the old education, especially in the liberal arts coll­eges, often centring on courses teaching the great books of Western culture. Chicago and Columbia were notable. The Ramsay initiative at the ANU sought to ­revive this noble tradition.

In the 20th-century wake of the humanist university, there was one quite different strategy: to create a politically active institution. In the ashes of the last “idea” grew the university as training camp for political and social reformers. Here the university again followed the church, in compensating for a lack of belief in itself with political activism. Weber knew the phe­nomenon in the German univer­sities of the 1890s. It reappeared in the 1930s with the sacking of Jewish professors, the burning of books and Heidegger’s rectorial address at Freiburg in which the eminent philosopher urged commitment to Hitler.

In the 30s it also appeared in other countries, England for ­instance, where a Marxist socialism became the fashion among ­intellectuals. The political motivation returned in the 60s and has continued ever since, this time pioneered by leftist students ­demanding that radical social ­reform replace learning as the main activity of the university.

Activism was energised by a displacement of religious zeal into politics. With the death of God and the marginalisation of the churches, salvation came to be sought in social crusades and ­highly charged moral causes, loosely guided by Marxist ideology. One might have imagined that the main historical lesson of the 20th century would provide a cautionary tale, that redemptive politics — whether communist or fascist — leads not to utopia but to a human wasteland strewn with a hundred million corpses. The universities, free from any constraining reality principle, were blind to this lesson.

The politicisation of the university continues unabated. For ­instance, until a decade or so ago, courses teaching Shakespeare and Jane Austen remained common. Today, if the creator of the classic novel is to be found in any English literature department, it will probably be because of her picture of colonialism — in reality, so ­trivial amid the magnificence of her work as needing a microscope to find.

The demoralisation of the ­humanist university was compounded by a profound attack launched by Friedrich Nietzsche in the 1880s, in a castigation of ­intellectuals, and indeed of the ­entire Western ascetic tradition of scholars and priests. Sorel, Spengler, Benda, Rieff, Allan Bloom and other later critics of intellect­uals have been much under his ­influence, although their work is pale by comparison. Weber’s 1918 lecture is troubled precisely because it accepts Nietzsche’s case and cannot get around it.

Nietzsche’s argument contrasts instinct and knowledge. The history of civilisation is the history of increasing repression, of steadily proliferating checks on the ­instincts. This development is against nature. Healthy, strong, admirable human individuals are decisive, they see things clearly and can act on what they see — their instincts are good, and they obey them.

The high level of ­repression concomitant with civilisation produces people, by contrast, whose passions are tepid, who dither, who are ineffectual and who take to moralising in compensation for their inability to decide and to act. Hamlet is the literary exemplar. He lost the ­instinctive sense of what is good and bad, what is worth doing and what is not, and lived under the delusion that he could reason himself into action. It follows that the celebration of knowledge, epitomised in the phil­osopher and the university, is not a mark of progress, not the banner under which human life will be made better and happier.

In effect, Nietzsche makes two points. One is about the human types who pursue knowledge; the other about the function of knowledge itself. The first point is that it is the worst people who become ­intellectuals, types who are devious, inhibited and rancorous. Not only is repressed emotion sublimated into thinking but the overcharged intellectual faculty is then commandeered to manufacture tortuous justifications of bad ­motives as good ones, of bad acts as reasonable ones.

The recent politicisation of language in the universities exemplifies this. In diametric opposition to the principle of free speech, ­students are discouraged from saying what they think lest they transgress ­approved usage and risk being damned as a “racist” or whatever the current target for righteous ­indignation. It is as if they are being trained in political inhibition.

Nietzsche’s second point is that knowledge has helped us become more comfortable, not better or happier. The best societies have strong cultures. Culture is rooted in myth, not knowledge. Indeed, the pursuit of knowledge is a sure sign that the sacred myths have lost their authority. In particular, academic history is an abstract ­endeavour and only appears once real ties to the past have withered — family ties, tribal ties and communal ties. Our own Anzac Day illustrates this in its revitalised mythic force.

The last part of the argument is that the increasing repression of the active individual, combined with the canonisation of knowledge, has killed God. There are no transcendental powers left in a ­rational world. Where comfort is the highest value, it is the stomach, not the sacred, that rules. However, without belief in a ­higher order of some kind, human life becomes meaningless, losing purpose and direction.

Weber’s defence of the university is against modern culture as interpreted by Nietzsche. The task of the university is not to restore the spirit or revive the heart. In any case, Weber is too pessimistic to believe in that possibility. His modest claim is that the university allows specialist disciplines and that they have a virtue as long as their practitioners obey their ethos, that of intellectual integrity.

We know, early in the 21st century, that Weber’s uncertain defence of the university does not work — as a conglomerate of specialist disciplines vaguely unified at the individual level by an ethic of intellectual integrity.

Nor is a polytechnic a univer­sity, and, in any case, it only suits the natural sciences and perhaps such in-between studies as business and the various professions. A university draws its sustenance from the ultimate questions about the human condition, and therefore it centres on the humanities (including the social sciences). It always has.

The university requires a unifying and guiding vision. Experience in the past century proves that, without such a vision, it becomes demoralised, and those teachers who are not completely listless in their vocations tend to become rancorous, teaching against the authorities and truths of the inherited culture in what they themselves often celebrate as a “critical” or “radical” manner. This is not criticism in the sense of open-minded scrutiny of a text in order to gain access to some truth.

A university depends on collective belief in universals of goodness, beauty and truth — and that they carry with them some kind of transcendental value. When that belief fails, all that remains is to tear down and to shock — what the contemporary academy has unselfconsciously legitimised as “deconstruction”. The high priest of modernism, Marcel Duchamp, entered a urinal in an art exhibition in New York in 1917. His intention was to shock but also, more seriously, to challenge that there are no standards left by which to say that my porcelain urinal is less beautiful, good or true than any of the works of the old masters. Duchamp has carried the day, both in contemporary art and in university arts faculties.

A further cost of the collapse of confident belief in the university has been the failure of academics in the past two decades to resist ­bureaucratisation, to their own further detriment. Fifty-five per cent of those employed in Australian universities today are administrators. This is not the place to go into what they all do, or don’t do, in an institution devoted to teaching and research. Academics have joked, borrowing from Yes Minister, that the perfect university for the new order of management is one in which there are no academics and no students. Indeed, there is little chance that these vast structures of senior and middle management, with rare exceptions, will have any sense of the higher purpose of the institution they run. Recent events at the ANU are, given this context, ­unsurprising.

The humanist university has run down. The Christian univer­sity, founded in medieval form, is too culturally alien to the contemporary West to be revived. The church, the one institution that could replace the university as the master teacher of eternal truths, is in a state of hopeless disrepair. Yet the university is here to stay, for a bureaucratically organised society will, of its nature, maintain an educational hierarchy, with the universities at the pinnacle.

Nietzsche saw that cultural demolition will start with ascetic individuals, ones subject to high levels of instinctual repression, complexity of psychological disposition, given to thinking, those very individuals to fill the ranks of the priesthood, the academy and the caste of artists, writers and ­musicians. When they begin to lose their faith, they turn on the gods that have failed them.

It is commonplace that the most virulent critics of the pope and the Church of Rome are priests with faltering belief or laity in the process of defection. There is a sense of betrayal, a rage against the ­sacred walls that have crumbled, against the past authorities that still roam around uneasily in the individual unconscious but no longer command.

And “rage” is not an overstatement. George Orwell lamented ­towards the end of World War II that the whole left ­intelligentsia in Britain had been secretly pleased whenever the Germans won a battle. Orwell called himself a socialist at the time, and while he no doubt exaggerated, the visceral intensity and irrationality of national self-­hatred is exemplified here — ­preferring Hitler to your own people. There is very little left at any level in the universities with the spine to resist this kind of cultural self-loathing.

The rage against a culture that has lost authority has percolated more and more widely through left-green political culture, if usually in more mellow tones. Generations of students in schools and universities have now been subjected to Marxist ideology, teaching them about the West’s cap­italist exploitation of other peoples, of its own minorities and of the disadvantaged in general. That the West is evil has become the default reading for much of the tertiary-educated upper middle class. Yet only a small, noisy minority are rancorous. For most, a vague reflex view of the world has come to prevail, ignorantly held and often naive, while occasionally grounded in genuine empathy for those who are less well-off.

It is, of course, true that Western history has its negative episodes, but which society or civilisation hasn’t? Realist comparisons show the modern West, especially since 1945, in a very favourable light in terms of quality of life, fairness and respect for universal human rights.

The hatred of Western civilisation that has arisen in the cultural elites draws on one further motivational strand: power envy.

The very success of the West, in creating the most prosperous, the most powerful and the most just society the world has ever known, creates its own irritant. Those who are unhappy with their lives, ­insecure in their identities and anxious about their future may come to resent the extraordinary privilege, comfort and opportunity into which they have been born. Their society is successful and powerful; they are not.

What follows is identification with the “wretched of the earth”, those victims who are helplessly disadvantaged. This first appeared among radical university students in the 1960s, in a ludicrous inversion of the reality that they were a ­uniquely privileged generation of spoiled rich kids.

University rancour has commonly surfaced in a condescending disparagement of ordinary people and popular culture — for cheap taste, crass materialism, jingoism, xenophobia and syrupy values. The reality is that Western popular culture, by contrast, has retained a healthy belief in universal moral laws, in the value of the beautiful and in the ultimate significance of truth.

Power envy is linked with a paranoid reflex, which holds that if I can destroy what has power and persecutes me, then I myself can gain that power. Hence the radical hostility to the main power on our side, the US, and, increasingly on the left, to Israel — as the one prosperous, democratic and successful country amid the wretched stagnation of most of the Middle East.

Where to now? Central to any viable idea of the university, whether Christian, humanist or other, is a retelling of the human story as a kind of epic, with gravity and dignity, following the diverse ways it plays out its fateful tragedies. This requires interpretations of the story that reveal that life is more than an egoistic performance governed by power struggles.

All humans want answers to the big questions of where they come from, what they should do with their lives in order to make sense of them and what happens when they die. Deep engagement with the best literature, art, music and philosophy of our own Western culture is fundamental. Today’s students crave just this sort of education.

Here is the aim of the Ramsay Centre for western Civilisation, which will almost certainly have to set up its own independent institution if it is to prosper.

It is vitally important for the country that it succeeds.

John Carroll is professor emeritus of sociology at La Trobe University. johncarrollsociologist.wordpress.com


How to stop the culture wars: unite on the kernel of liberty

Janet Albrechtsen.The Australian, June 9th 2018

Janet Albrechtsen has been labelled Australia’s answer to Ayn Rand, who famously said: “The question isn’t who is going to let me; it’s who is going to stop me.”  Former Labor leader Mark Latham once controversially said she was “a skanky ho who would die in a ditch to defend the Liberal Party” in parliament. Crikey dubbed her a “right-wing rage machine”. But The Australian’s “most talked about columnist” is adored by conservatives as well as her editors.

The body count from the killing fields of the Australian culture wars keeps piling up. And don’t imagine the battles are esoteric disagreements among elites. The battles over how free we are in a liberal society seep into every corner of the country, from a dour scientist at a north Queensland university to a glamorous morning television host beamed into Australian living rooms.

Here’s a tally from this week alone. The Australian National University recoiled in response to objections from a few unionists, pulling out of an unprecedented deal with the Ramsay Centre to provide students with generous scholarships and a new course in Western civilisation. The editor of literary journal Meanjin, Jonathan Green, wrote a long, grovelling apology for his white privilege because the latest cover wrongly chose to promote #MeToo feminism over indigenous people in the Balkanised world of identity politics. Television personality Sonia Kruger will have to answer to a government bureaucracy because she expressed a view about Muslim immigration. Go back a few days further, to when a fine professor of physics was sacked for not toeing an ideological line on climate change at James Cook University.

It’s easy to write up what’s wrong with intellectual freedom in Australia. It’s much harder to work out how we work through this mess. A sure way to entrench the madness is to stay in our bunkers, convince ourselves that we, on our side of politics, whichever that may be, hold the high moral ground. That has been the way for the past few decades and things have gone from bad to worse. It must be time, then, to try something different. Per­haps listen to the other side, find points of common ground, admit where we may be wrong, and do all this in the spirit of respect for others, curiosity about ideas and a determination that Western progress genuinely means progress.

Inquirer spoke at length this week with Grahame McCulloch, who has been general secretary of the National Tertiary Education Union since its inception in the early 1990s, and whose working adult life has been with the union movement. The NTEU has been in the press a lot in recent days, lining up on both sides of the culture wars that are ripping apart intellectual learning in this country.

The NTEU, under McCulloch’s leadership, was an early defender of Peter Ridd, the geophysicist recently sacked on trumped-up charges of misconduct by JCU because he spoke out about science that is not properly checked, tested or replicated. Ridd said some people pushing out research were not very objective: “They’re emotionally attached to their subject and, you know, you can’t blame them, the reef is a beautiful thing.”

On March 1, the Queensland division secretary of the NTEU, Michael McNally, wrote to union members at JCU explaining the union’s support for Ridd. McNally said the right to academic freedom was specifically enshrined in the enterprise bargaining agreement with JCU, and “it is not for a university management to determined that such scholarly debate either denigrates or offends others”.

On June 1, the NTEU issued a compelling press statement that asked: “Whither academic freedom?” It demanded Ridd’s immediate reinstatement by JCU.

“The NTEU is obliged to reassert its commitment to academic freedom, even or especially where its expression contains statements that may be at odds with many or most members’ views. Without the maintenance of the core value of academic freedom, our universities would cease to be worthy of the name,” wrote McNally.

Are we more comfortable bashing the NTEU when it does something wrong than paying credit when it does the right thing? After all, the NTEU’s support for Ridd hasn’t received much attention in the press. Whereas the words of one NTEU branch member opposed to funding from the Ramsay Centre for Western Civilisation has received blanket coverage.

Talking to Inquirer this week, McCulloch said “the NTEU was prepared to consider making some financial contribution to Peter’s defence but in any event his GoFundMe (where Ridd raised $260,000 for legal costs) was oversubscribed so it was unnecessary”.

“I believe in serious intellectual discussion. That is why I am on Peter Ridd’s side even if I am concerned about the methods of delivering his message. But that’s a different point,” adds McCulloch, who grew up in Hobart, was a student leader at the University of Tasmania and then national leader of the National Union of Students.

A few days before we spoke, McCulloch posted some comments on a blog by political scientist and writer Don Aitkin, pointing out that the NTEU has defended many cases of academic freedom in the past two decades, from Ted Steele at Wollongong University to Andrew Fraser at Macquarie University, Judith Bessant at RMIT, Roz Ward at Latrobe, and now Ridd. Andrew Fraser was an academic moved on by Macquarie University in 2005 because he expressed views about the problems of increased crime from African migration that offended the sensibilities of orthodox views on campus. The issue still offends polite circles, and still demands to be debated. The Macquarie branch of the NTEU didn’t like Fraser’s views, but the centrally run union took the view that it raised fundamental questions about individual rights and academic freedom. Supporting him was non-negotiable.

“The union’s support in the Steele, Fraser, Ward and Ridd matters attracted some hostility from sections of our membership and the press,” wrote McCulloch. “The interesting point is that the intellectual perspectives of the academics involved have ranged from the right conservative to radical left poles … this underlines that NTEU has adopted a principled defence of academic freedom — a necessary condition for a viable university — even at the cost of internal and external criticism.”

Whatever we may think of a government imposing Ward’s Safe Schools agenda, if we believe in academic freedom at universities, it must apply equally to Ward and Ridd and Fraser.

The NTEU has 28,500 members, 16,000 of them academic staff. Union coverage among permanent teaching and research staff in universities is high, between 35 per cent and 50 per cent, and between 15 per cent and 20 per cent among professional staff. It has been a swift transformation given that academic labour was one of the last workforces, before enterprise bargaining, to become unionised.

Since its inception, the NTEU has been fighting to include academic freedom clauses in collective bargaining agreements with all 37 public universities in Australia, to sit alongside internal review panels, which Ridd did not have access to at JCU. McCulloch explained the fine pedigree of academic freedom clauses, drawing on the Humboldtian universities in Germany, the liberal philosophy of John Newman, John Dewey who created the American Association of University Professors, and models of academic freedom in Canadian universities. The NTEU deserves praise for this pursuit.

Now for the hitch. The general secretary of that same union has nothing to say about the hijacking of education by Matthew King, the NTEU branch president in the ACT who opposed ANU accepting money from the Ramsay Centre to teach a course in Western civilisation. King used an article in Quadrant by Tony Abbott, a Ramsay board member, to launch spurious objections to the Ramsay donation.

McCulloch’s silence on this matter is unfortunate. After all, the craven hypocrisy of ANU and King is obvious. If they are so concerned about relinquishing academic freedom, what about ANU’s Centre for Arab and Islamic Studies which, as The Australian reported this week, receives money from Middle Eastern countries such as United Arab Emirates, Iran and Turkey? A Dubai foundation is listed as member of the centre’s advisory board. Six Australian universities host Confucius centres with money from Chinese donors who also assign a teacher to each program and have control over what is taught.

ANU’s pusillanimity is doubly clear. It had almost sealed a deal for students to learn the great books of Western civilisation, then caved in to a few rowdy voices. The next time ANU cries poor, the Education Minister surely will recall this episode as severely denting its credibility. And, by the way, why isn’t one of our premier universities already offering a course on the great books of Western civilisation, without outside money?

The head of a tertiary education union could have a lot to say here. What McCulloch will say is that he has had enough of the rising corporatism in universities that causes administrators to run for cover whenever there is a controversy. Vice-chancellors don’t want a Roz Ward or a Peter Ridd, or anyone who ruffles feathers. University bosses want calm waters so they can carry on with their marketing and advertising, domestically and especially overseas. Craven corporatism causes a university to lose sight of its mission as a place of learning, inquiry and debate. It explains why Bjorn Lomborg couldn’t find a home at an Australian university. It explains why University of Sydney vice-chancellor Michael Spence tried to stop the Dalai Lama from speaking on campus in 2013. Once leaked emails appeared in the media, the university tried to use logistics to justify its position, but emails pointed to a university keen to disassociate itself from a man who upset Chinese sensibilities. The same craven corporatism that explains JCU’s treatment of Ridd also explains ANU backing out of a deal with Ramsay. In fact, the NTEU branch manager exploited the cowardice of university administrators, writing to ANU vice-chancellor Brian Schmidt that the association with Ramsay “could potentially damage the intellectual reputation of the humanities at ANU and the ANU more broadly”.

McCulloch will say only this: “I have consistently, across many universities, had it put to me directly by senior management, up to and including deputy vice-chancellor level, that the profitability, and more particularly the reputation, of the university is the primary consideration in these matters. That we can’t afford to have things that might put our brand reputation in the international marketplace or in the research race … in jeopardy.”

McCulloch says this corporatist attitude is a seriously conformist and stifling influence on internal debate at all levels of a university. The NTEU boss has no beef with corporations but worries when university leaders “have swallowed this management jargon bible and intellectual discourse has been lost in an arid sea of performance-management indicators that lack substance”.

Is McCulloch’s silence over ANU and Ramsay a case of the dog that didn’t bark in the Sherlock Holmes story, a union boss staying quiet to support a union comrade at the branch level? Or is there another way to join the dots here? Given the NTEU’s public statements on other matters such as Ridd, McCulloch’s silence over the Ramsay debacle may suggest deep dissent within the NTEU and disagreement with the actions of a rogue branch at ANU. Either way, it doesn’t pay to tar everyone with the same brush. There is too much at stake. Equally, left and right occasionally joining forces won’t settle the culture wars. That will happen only when the warring sides find more common ground to embed fundamental principles of liberty and en­lightenment in our universities, and beyond.

A good place to start is learning about what is good, not just bad, about Western civilization.


In  an interesting excursion into to what The Australian’s readers might be thinking about this business. Here are the comments posted online with respect John Carroll’s article:

So what has Western civilization done for us? Now philosophy, value systems and history have been mentioned but what about literature, dance and classical music? Wouldn’t our lives be eminently poorer without thes

Most who have succeeded over the last century+ in those artistic endeavours you mentioned are likely to never have graduated from Uni. Classical music might have had some respected candidates within their fields but Classical Music itself hasn’t seen a front billing in popularity since probably the mid-late 19th century. Talented people no doubt but otherwise unknown.

Great article, not one stupid or senseless idea. The professor will never be heard on the ABC. Time to found new institutions all over, stop funding the existing ones incrementally.

Humanities “academics” have abandoned any pretence at upholding genuine intellectual values. And this has happened before. Just look at how, for example, with few exceptions, the Humanities in Germany served the Nazi state.

In China they celegrate to butcher Mao, and at Melb Uni they want to hang Captain Cook. The MU system is a joke

Great insight. Thank you Professor Carrol. More of this please The Australian. There is hope for our institutions of higher learning as long as this calibre of academic discipline survives the onslaught of mechanical bureaucratic politicians.

30 years ago a migrant said to me, Rolf, the West is going to excuse itself out of existence. Horrifically possible that may be true. Thankfully there are enough rebellious youth around.

And here I was thinking that ALL academics were devoid of common sense and reason and analytical thinking. There is some hope after all.

Except that Prof Carroll is long retired.

Why do so called conservatives like John Howard and Tony Abbott reject the scientific consensus on climate change. Science after all is one of the most important tenants of Western Civilization. Further they are both comfortable with the High Courts gymnastics calling asylum seekers indefinite detention administrative imprison instead of judicial imprisonment. Otherwise habeas corpus does not apply and we are no longer a western society. Then again neither man believes in the Christian 8th commandment bearing false witness against people. Remember it is not against the law to seek asylum, however both men call them illegals. They obviously do not understand the fundamental tenants of Western society. Very sad.

Science isn’t about consensus. Ever. Religion often is.

@Garrett This just appears to be a leftist rant……unsubstantiated drivel!

@Garrett In referring to science, many people seem to conflate theories or interpretation of the available evidence with demonstrable fact. This is the case with climate change (formerly “global warming”), and even with evolution as the origin of species. Catastrophic anthropogenic global warming and the evolution of man from single-celled organisms are strongly held beliefs, not empirically established facts – far from it.

A summary on the Parliament of Australia website says those who come to Australia by boat seeking Australia’s protection are classified by Australian law to be “unlawful non-citizens”, though they have a right under international law to seek asylum. In general, the tough response to asylum seekers arriving by boat was a pragmatic solution to an out-of-control border policy that had effectively ceded significant authority to a people-smuggling model. Most Australians are happy with the stricter stance.

The real problem with Western Civ studies for the Left is that it shows up the “new age” university education for what it is – a shallow and miserable imitation of true scholarship. WC will appeal only the strong and eager student rather than the lazy and bitter.

I am thankful that my degrees are in engineering and later business. Real fields of study that have real concepts able to have real applications

Your outlook is part of the malaise that has infected the Western world; bare ‘utility’ yields nothing but incomes and materialism, and in the end the despair of nihilism.

Engineering and science require rigour, intuition, creativity and hard work; failures are often very visible and result in litigation.

Most science science and humanities do not require those characteristics and often little more than an ability to live in an echo chamber full of non achievers, who believe that their ignorance qualifies them to pontificate on complex issues they do not understand eg electricity supply

Mine are in chemical engineering, physics, and…cosmology, er, similar to the V/C at ANU, O dear…can it be that studies of type 1a supernovae lead one to Mike’s malaise infecting the Western world? Nihilism awaits, so does despair…aaaaargh, off to the nearest euthenasiatorium…

You fundamentally miss the point. Pursuing any endeavour with passion creates truth, beauty and happiness. Gaining Knowledge for its own sake is shallow; having the wit and wisdom to know what to do with it is precious. Doing something worthwhile and doing it well is uplifting.

Power envy? I’m sure the captive market that colonies were and captive source of raw material via colonialism combined with captive source of labor through slavery helped a lot in modern Europe’s rise. Are we supposed to envy that?

On the other hand, this is one of the rare case of quality argument on this sections though. Hats off to the author who seems to understand that conservatism is different from the plain tabloid style appeal to baser instincts of humanity which daily mail and Murdoch media generally tries to cater to.

Slavery has been around for many thousands of years, in most cultures. Freedom from slavery is only a recent human achievement, especially in western cultures. It still occurs in Africa and Asia.

Thank you John for your patient, reasoned article on a subject of such importance that has been conflicted and distorted by those with other agendas.

Only the threat of a funding cut would now have any effect on having an open and free place for ideas and courses in Universities.

Agreed, the best article I have read in a long time. Thought provoking, timely and true.

JThis is the kind of truly great op-ed contribution from outside the newspaper industry that makes a great newspaper. No full-time press writer can produce a diamond like this week after week or day after day. I’m guessing it took months of work and distils a lifetime of experience and thought. It is the clearest and most incisive analysis of the tertiary education syndrome I have ever read.

However, it does not convince me that the Ramsay Centre can rescue the public university sector from itself, or even survive within it. On the contrary, it convinces me that the forces of nihilism are fundamental to public university humanities, because of the combination of academic autonomy and financial independence. Cut off from any need to justify its own existence or fertilise the source of its own sustenance, it must always end up this way. And freedom of thought, counter-intuitively, will always be its enemy, not its guiding light.

I would be approaching Notre Dame University, the only private university in Australia that has a fully developed faculty of humanities. It still has traditional courses in the liberal arts that celebrate the Western tradition, classics, the Enlightenment … everything that that state-run universities now refuse to study without lampooning it.

Great article. I hope Professor Carroll still has a job tomorrow when he fronts up at La Trobe.

He is an Emeritus Professor. He stands on his own good reputation. They can’t take that away from John Carroll.

This is one of the best articles I have ever read in a newspaper. There can be transcendent beauty in truth and high standards. The miserable regressives of the far-Left should be pulling people up but prefer to drag others down – jealousy, and feelings over facts, and avoiding personal responsibility which is arrested development. Their virtue is disguised hate. They hate humanity.

I don’t know if you have noticed or would agree that Professor Carroll’s article has, in general, raised the standard of ‘debate’, for want of a better word, on this board. It appears to be less given to specious name calling and subjective assertion and posters seem more willing to grapple with a few salient facts and real argument. It seems also that the general tone is a little less abusive. Maybe I’m dreaming. I hope not.

Socialism is revenge of the underling, pure and simple. Socialists identify with envy and guilt they divide and conquer.

ANU when are going to start burning books?

You have not heard or read of the burning of historian Geoffrey Blainey’s books that occurred at some Australian universities following some very mild remarks he made about immigration some 20 or so years ago?

Bit long but a great article. I wonder if the good professor would keep his job at La Trobe, after this article, if he was still employed there.

thank you Professor; a polemic work

Peterborough Cathedral is in [drum roll] Peterborough. Not Cambridge. If you look really closely you may discern a very subtle clue in the name. FAKE NEWS

Yes. It’s in Cambridgeshire though.

Correct. Many places are in Cambridgeshire but Peterborough Cathedral is only in one place, namely, Peterborough.

A cathedral – like a university – encompasses, or should encompass, more than the one place in which it is situated. The world at large does not need cloistered minds.

What a confused article. When I look at lists of the top universities in the World they are almost all universities with very strong Science, Engineerng and technology departments. Think MIT, Caltech, Stamford, Cambridge..Over the past 50 years social and humanity disciplines have ceased to be of great importance in deciding what a university shoiuld stand for. The disdainfull way that Carroll says a Polytechnic is not a University demonstrates that the arts departments in Universities have lost the plot.

No confusion at all. Carroll clearly distinguishes between the practical sciences and the humanities, with the corruption of the classical ideal of the university starting and being most advanced in the humanities.

Prof. Carroll is disparaging when he says “nor is a polytechnic a university” and it only suits the natural sciences and seems to make a put down about some business studies and various other professions. He reinforces that by saying a real university centres on the humanities. “It always has”, he said. Fortunately things change and the humanities can go on navel gazing while the world passes them by.

Both arts and science departments have lost the plot but it is less obvious in the science departments as they are just looking at physical phenomena.

Neither tend to have any idea about human nature or the true purpose of a university.

Professor Carroll simply states a fact when he says that a polytechnic is not a university. A 101 course in western civilization incorporated into degrees such as in science, engineering, law, economics, commerce, business, etc., would enrich the education of leaders in these fields and give them moral guidance.

A 101 course in western civilisation would be a good course, however to suggest any 101 humanities or social science course provides moral guidance is somewhat optimistic given than graduate and advanced degrees in these subjects have already created an amoral society

In the UK all technically oriented universities of repute started as polytechnics, other than Cambridge which had a strong maths and physics reputation, they were doing advanced research in many areas, the university community could not handle this and they were force ably converted to universities or merged into them. Part of the reasons for this was a general contempt for applied science which had led to the UK being among the last countries in Europe to offer university science and engineering courses, this forced the development of high grade polytechnics which were at least equal to universities in intellectual rigour. e.g. Loughborough, UMIST, Cranfield, Hadfield Rugby, London polytechnic. Without this forced conversion and assimilation of the polytechnics many of the universities would have died of irrelevance.



The Rise of Western Civilizationism

Daniel Pipes, The Australian 

Conservatism in Crisis

“In a fractured society”, writes The Australian’s Paul Kelly, “the Liberals are losing by choosing the wrong battles”. In his article, republlshed below, Kelly reveals the void in the heart and soul of a rudderless, directionless, dysfunctional government, and the loss of an ethos that once bound together the many mansions of the Liberal-National Coalition’s  broad but perennially fractious church.

He writes: “The upshot is that the conservative movement in this country has no organisational structure, no agreed agenda or strategic mission.It features rival leadership contenders, crisscrosses the Coalition, pulls in a few celebrities, falls for the false mantra from its media champions and seizes up any grassroots eruptions of support from the suburbs and regions. This is not a winning formula. Conservatives suffer from serious tactical ineptitude and misread public opinion”.

But behind all of this, challenging the Coalition, and haunting the long dark night of Mr Kelly’s  tortured conservative soul, is a social and cultural revolution that challenges all mainstream parties, and indeed, mainstream media (if the recent angst-ridden moralizing of the News Corp opinionistas is anything to go by) exemplified in the growth of social media and a new ethos of individual independence and “self-actualization”, accompanied by a decline in the status of and respect for the institutional political, commercial and cultural pillars of the past generations – government, church, family, and business.

Out there on ‘battler’, dinky-di, aspirational and struggle streets, the prevailing attitude is that of ‘a plague on all their self-interested, opportunistic and hypocritical houses!”

Kelly quotes the American conservative writer Yuval Levin:  “Our culture has been moved by an increasingly individualistic ideal and so by a drive for greater distinction, more customization and the elevation of personal choice and identity”. To conservatives, this has meant the erosion of a once-unifying moral and cultural consensus, and the loss of comfortable and reassuring certainties.

Many of these old certainties, and the values, perceptions and assumptions that sustained them were actually quite regressive, and indeed, entrenched prejudice, oppression and discrimination, and it was good to see the back of them.

Turnbull Liberals doomed while conservatism in crisis

Paul Kelly, The Australian 10th March 2018

Featured picture: Australian Prime Minster Malcolm Turnbull with ousted PM Tony Abbott after the Coalition’s campaign launch in Sydney in 2016.

Conservatives in the Anglo democracies are confused, divided and mainly in retreat. The meaning of conservatism is now riddled with disputation. Conservatives fight over whether Donald Trump is saviour or demon, whether Brexit is a calamity or a liberation and whether the Turnbull government deserves to be saved or denounced.

In Australia there is not a single leader among the six premiers and Prime Minister who is a self-declared conservative. The triumph conservatives enjoyed with Tony Abbott’s 2013 victory has surrendered to frustration under Malcolm Turnbull, who is not a conservative and shuns the label.
President Trump brings the conservative dilemma to a peak. Many applaud him for defeating Hillary Clinton and are seduced by his success — yet Trump champions ideas that violate traditional conservatism. Witness his blowing the US budget deficit by $US1.5 trillion in his tax cut package and this week’s protectionist lurch, with his tariff policy denounced across the world, including by Reserve Bank governor Philip Lowe as “highly regrettable and bad”.

What do conservatives believe in 2018? Are they for massive public deficits and debt, or governments that pay their way? Are they for unilateral protectionism or a global free trade order? Do they, like Trump, favour quitting the Paris climate change accords or sticking by this global pact of 175 nations? Do they want a US president capable of extolling the values of liberal democracy and freedom against the rival Chinese model of state capitalism and dictatorial repression? Do they want leadership that respects women and shuns racist wedges, or are they unfazed by insults to women and racist political ploys?

Elected as a Republican, Trump is a pro-business populist nationalist who is a killing agent for traditional conservative norms. His success heralds the rise of a destructive populism that in the guise of revitalisation threatens to poison mainstream conservatism. But it is not just Trump who poses such fundamental questions. They are being put at home across the centre-right of Australian politics.

Turnbull’s 2015 removal of Abbott was driven by electoral alarm and self-interest by MPs, but its progressive character was potent. Conservatives are thinner along the corridors of power, yet their frustration is driving a pent-up ideological purpose. The Liberal Party now suffers the sharpest rivalry for a generation between conservatives and progressives. This risks becoming a dagger at its heart: it damages the Turnbull government and the threat exists of a serious convulsion after any election defeat next year. This is not just about personalities. It goes to rising differences over core Liberal and centre-right belief.

Conservatism is consumed by confusion over its principles and purpose. It is fragmenting in party terms — witness the Coalition bleeding votes to Hanson’s One Nation and Cory Bernardi’s Australian Conservatives. With John Howard long gone, it is devoid of any authority figure in office able to hold the movement together and retain it within the party. Abbott remains its figurehead with the faithful but his internal standing has nosedived.

The upshot is that the conservative movement in this country has no organisational structure, no agreed agenda or strategic mission, it features rival leadership contenders, crisscrosses the Coalition, pulls in a few celebrities, falls for the false mantra from its media champions and seizes up any grassroots eruptions of support from the suburbs and regions. This is not a winning formula.

Conservatives suffer from serious tactical ineptitude and misread public opinion. The array of prescriptions they demand from the Turnbull government — such as quitting the Paris accords, pitting coal against renewables, ditching Gonski funding, revisiting the National Disability Insurance Scheme and achieving small government with a new round of spending cuts — might delight conservatives but constitutes a package for guaranteed electoral suicide. No government would entertain it.

Many of these issues are legacies from battle that conservatives have already lost with current public opinion. Conservatives in Australia, far more than in the US or Britain, have almost no cultural power, little institutional power and have suffered near-annihilation in schools and universities.

The cultural ascendancy of the progressives has been a long and turbulent 40-year story originating with Gough Whitlam. The personal success of Howard as PM for 11 years merely disguised the extent to which progressives were taking control of institutions.

The three institutions that long sustained conservative sentiment in Australia have been transformed — the church, the family and the business sector. The church, notably the Catholic Church, long the conservative sheet anchor, is discredited, with its influence in eclipse; the traditional family structure with its values has surrendered to the “modern” family on the new norm that one type of family is as valid as another; and the business community, more pluralistic but unpopular, has abandoned financial support for the Coalition and, desperate to purchase credibility, presents as an agent of social and environmental change while singularly inept at selling an economic reform message.

Amid this political and cultural turbulence, former Liberal Party federal director Brian Loughnane has warned that restoration of unity on the centre-right — the condition that underwrote Howard’s success — is essential for Turnbull’s re-election.

Such unity is unlikely as de facto political warfare between the progressive and conservative rank and file only intensifies. It would be equally wrong, however, to think progressive ideology is the solution for the Liberal Party or Turnbull government. The notion of “modernising” the Liberal Party with progressive ideas only guarantees the fracture of voters on the right, a process now far advanced. Hanson is the beneficiary at present but other breakaways on the right will emerge.

The test for the Liberals is: can such fragmentation be contained or does it inevitably arise from the social and cultural forces being unleashed that have their most powerful demonstration in the Trump presidency? Trump’s success has ignited conservative energy, breakaways and populist revolts around the world.

The Howard formula of a Liberal Party that unites both the conservative and liberal traditions seems lost these days, a victim of turbulence in the political system and social transformation. Put another way, the ultimate question is whether Howard’s successful party model can be reconstructed or whether it has been terminated by social change.

In the US and Australia today the idea of a common culture is eroding. Ultimately, this threatens both sides of both politics — Liberal and Labor — since their ability to hold together a majority coalition of voters across shared values becomes harder if not impos­sible. It is a bottom-up revolution that has a long way yet to run.

The American conservative writer Yuval Levin described this process in his 2016 book The Fractured Republic: “Our culture has been moved by an increasingly individualistic ideal and so by a drive for greater distinction, more customisation and the elevation of personal choice and identity. “The highest rated television program of the 1950s, I Love Lucy, earned a 67.3 Nielsen rating … in 1953. This meant that roughly 67 per cent of active television sets in the country were tuned to the program. By contrast, the highest rated program of the current decade, Sunday Night Football, maxed out at a 14.8 rating in 2014…The idea that the publication of a new novel by a leading author or the latest production by a noted playwright would be a huge cultural moment … now seems impossibly quaint. Such moments matter to the subcultures in which they emerge, but there is barely a mainstream culture at all to receive them.

“The internet has been developing in our time in ways perfectly suited to advance this process of fragmentation …As each of us is encouraged by our culture, economy and politics to be more like our individual selves, we are naturally inclined to recoil from any demands that we conform to the requirements of some external moral standard — a set of rules that keeps ‘me’ from being ‘the real me’.”

This stretches to breaking point Edmund Burke’s concept of conservatism as a contract to transit time-honoured values and traditions: “It is a partnership in all science; a partnership in all art; a partnership in every virtue … it becomes a partnership not only between those who are living but between those who are living, those who are dead and those who are to born.”

This cannot apply to a society where individuals practise “living my truth” with as much emotion as possible — emotion now widely accepted as proof of sincerity. As our shared moral culture recedes, it is replaced by individuals being true to themselves and having the “courage” to reveal their authentic self to all and sundry.

The issue for conservatism has been its paralysis before this gobsmacking rise in individual expressionism and its violation of Christian views of human nature. The first warning signs came from the pro-market economic-based individualism of the 1980s and then in the culturally based individualism of the past 20 years.

The crisis of conservatism is a moral crisis. This has been apparent since the 90s in Australia, and the inability of conservatives to recognise and respond has been remarkable. Warning about the unpopularity of necessary economic reform after the loss of the 1993 election dominated by the Liberal Party’s free-market Fightback! agenda, the leader of the “dries” John Hyde said: “What Liberals must do is explain these policies in moral terms: in terms of the liberty of workers, of a fair shake for unprotected industry, of justice for all and compassion for the needy.”

They failed. Reflect 20 years later on the inability of today’s Liberal Party to explain its policies in moral terms. From budget repair to inequality to climate change to same-sex marriage, the progressives win because they make a moral appeal — witness their campaigns around the need for compassion and fairness, egalitarian­ism, saving the planet and marriage equality. These became moral crusades.

This is to justify neither their policies nor their arguments but to make the essential point that progressives typically tie their stance to a moral position. It is part of their cultural DNA. The conservatives, by contrast, are exposed in moral terms. They lack the intellectual depth and the language to persuade others of the merits of their position.

The irony is that while conservatives obsessed over the decline of religion, progressives devised arguments based on secular morality. Just because the shared culture and religion of the nation is disintegrating doesn’t mean that morality is irrelevant. Morality always matters — the political contest over morality is pivotal and the conservatives mainly lose it.

Conservatives despise what they see as the phony morality of progressives. But that doesn’t count. What counts are the moral arguments conservatives have fail­ed to mount with sufficient persuasion. The list of battles they have lost is impressive or frightening, depending on your viewpoint.

In recent times conservatives have lost out over free speech and section 18C of the Racial Discrimination Act, spending cuts, opposition to creeping higher taxes, smaller government, less state regulation, trade union powers, industrial relations reform and jobs, same-sex marriage, union amalgamation, renewable energy, superannuation fund transparency and resistance to the Gonski model. They may lose the battle over the Adani coalmine and the defining contest over religious freedom.

This is not to deny substantial victories on border protection and national sovereignty, national security laws, the first phase of corporate tax cuts, better policing of the industrial relations system and a series of budget measures to restrain the deficit.

The failure of conservatism today is on vivid display when contrasted with Howard, a ruthless pragmatist. He surprised his opponents and the progressive class by turning his interpretation of conservatism into a weapon of political attack and electoral gain — yes, electoral gain.
The grounds on which he fought told the story — gun laws, national sovereignty by halting unauthorised arrivals, national security, social conservatism seen in family tax benefits, mutual obligation and individual responsibility, consumer choice and middle-class self-improvement, a social concept that popularised the “mainstream mob” against either elites or minorities, depending on the need, and a cultural agenda that spanned the patriotism of the Anzac legend, the bush ethos and monarchical stability.

There are three lessons from the Howard era that remain highly relevant. First, conservatism, like all movements, is lost without a leader whose task is to reinterpret the movement for the times and who delivers by exercising power. Second, it is a mistake to present conservatism as a rigid ideology, since that triggers the scepticism of the Australian public, but rather to frame initiatives as being practical, based in common sense, values and in the public interest.l

Third, conservatism’s success depends on tactical political judgment. Howard, for example, never restored knighthoods as PM nor would he have given a knighthood to the Duke of Edinburgh.

On the other hand, Howard as PM would have launched a high-profile national campaign against the Safe Schools program promoting gender and sexual diversity in schools, a campaign the current Liberal government declined to launch while insisting on reforms.

In short, don’t fight battles you are destined to lose. By picking battles you can win, your cause wins traction, prestige and more followers. Too many conservatives today break the Howard rules — they run on the wrong issues with implausible arguments, fail to persuade, delude themselves into thinking the silent majority is with them, and get shot down when the contest becomes serious.

The Liberal Party will not succeed while conservatism remains in crisis. Conservatism is too integral to the heart and soul of the party. If Turnbull believes his mission is to prove the Liberal Party can succeed essentially as a progressive entity, that project is doomed to fail as well.
An analysis, however, of Turnbull’s policies suggest that he seeks to govern from the centre; the problem with Turnbull is that he remains a transactional rather than conviction politician, weak in defining the terms of engagement against Labor and in projecting a clear message to middle Australia about living standards and values.

The 2019 election assumes a double meaning. It will determine not only whether the Turnbull government survives into a third term but also the future of the progressive-conservative power balance in the party, and whether the party stabilises or sinks into a full-blown crisis of identity.
The irony is that Labor, if it comes to power, will confront from opening day the demoralising social, economic and cultural forces that have played havoc with the Coalition.

There is no immunity for any government any more. Labor in office will reveal the equally lethal dilemma this time of a trade union/progressive party trying to hold together a fragile coalition of voters in an age of extreme individual self-expression.

The Return of the Forest Wars

“Whether we like it or not, community expectations on the conservation front are rising, not falling. And I suspect they will continue to rise…After 20 years, it is clear that RFAs have not ended the forest wars’. 

I am republishing this article from The Australian for those who cannot jump the News Ltd pay wall. Although the writer is supportive of the forest industry and the Regional Forest Agreements that are coming up for renewal in NSW, Victoria and Tasmania, his report includes valuable background information.

The forest wars: loggers v greenies in Victoria, NSW

Graham Lloyd, The Australian March 1st 2018

Deep in East Gippsland’s Kuark forest, ancient trees tower overhead, the scent of sassafras wafts on the breeze and birdsong fills the air. Old-growth trees such as these provide a rare example of a landscape undisturbed by human harvest. But Kuark is under threat of logging.

Had it not taken action, Environmental Justice Australia says, by now the birdsong in Kuark would have been replaced by the sound of chainsaws, and the fragrance of sassafras supplanted by the odour of diesel.

The Kuark action taken in the Victorian Supreme Court is one of two legal challenges that point to the shape of things to come as the Keating era Regional Forest Agreements expire and discussions about how to manage forests nationally come to a head.Logging companies want increased access to timber and funding for new plantations.

Environmental groups have been flexing their political muscle — from the recent Queensland election, where they campaigned on tree clearing and the Adani mine, to this month’s Batman by-election in Victoria, where Labor is pitted against the Green

With RFAs coming to an end, green groups have started to apply to the timber sector the template of litigation and market intervention that has slowed Australia’s coal industry. “We are going back to the tools at our disposal: court action and the marketplace,” The Wilderness Society’s national director Lyndon Schneiders says.

International buyers are being warned off Australian products that do not meet “acceptable” forest practices. And courts are being asked by environmentalist groups to break through what they have long considered a key political compromise at the heart of the RFA process.

Environmental lawyers have challenged the belief that RFAs exempt logging operations from oversight under the federal Environment Protection and Biodiversity Conservation Act.

In Victoria, Friends of Leadbeater’s Possum has argued through Environmental Justice Australia that some of the past and future logging in Victoria’s central highlands should not be exempt from the EPBC Act, as it has not been undertaken in accordance with the RFA.

This is because the state government had failed to conduct five-yearly reviews, as required under the agreements with the commonwealth. The Federal Court is expected to rule on the matter today.

If the court action is a success in Victoria, the leadbeater’s possum quickly will be joined by the koala in NSW, where the state government has been similarly lax in sticking to the required timetable for five-yearly reviews of its RFAs.

While the Federal Court considers the possums, the Victorian Supreme Court has been asked to rule that the state government has an obligation to preserve a significant percentage of old growth in state forests.

The Victorian government says it has introduced 11th-hour protections in response to Kuark protests, whereby trees more than 2.5m in diameter could not be cut.

East Gippsland, where Kuark is located, was the first area whose RFA was due to expire, in February last year, but was extended temporarily. It is now due to expire this month along with the Central Highlands RFA, but the Supreme Court action is not expected to be heard until May.

The industry is already feeling the squeeze. Planned future timber harvest was lost to the state’s catastrophic Black Saturday bushfires in 2009. Last year the Victorian government poured more than $60 million into keeping the Heyfield hardwood timber mill open in the La Trobe Valley after the previous owner, Hermal Group, said dwindling timber supplies from VicForests had made it unviable.

Under government ownership, Heyfield is laying off workers and local manufacturers are saying it has become increasingly difficult to source timber of a size appropriate for making furniture. There is speculation about further cuts to timber supplies. The alternative is to downgrade protections for the leadbeater’s possum from critically endangered to endangered and open up new areas to logging.

The state government’s plan for Heyfield is unclear but it is possible the taxpayer money already invested will be lost along with the mill workers’ jobs it was trying to protect. A key decision on the leadbeater’s possum is expected shortly, before the Victorian election in November, setting up a contest of trees, possums and jobs.

Hermal, meanwhile, has been given $190m to relocate its operations to focus on plantation hardwood timber in Burnie, Tasmania.

In NSW, the looming expiry of RFAs has breathed fresh urgency into what have been long-festering concerns in forest areas from north to south. In January, eight NSW environmental groups wrote to Premier Gladys Berejiklian, urging her to intervene to protect an area of Gladstone State Forest near Bellingen, which they said was vital to the protection of koalas in NSW.

The environmental groups said polling in the north coast seats of Ballina and Lismore in December last year had shown people were very aware of the plight of koalas, and highly supportive of new national parks for their protection. The call coincided with a month-long NSW government road show for regional forest communities as part of its RFA renewal process. Environmental groups have boycotted the public information meetings, claiming a lack of good faith and accusing state and federal governments of having already made up their minds.

There are deep divisions within the NSW government over what environmental message it wishes to present in the lead-up to next year’s state election. State Nationals are pushing a hard line on tree clearing and environmental groups are worried redrawn RFAs may allow timber harvesting in hitherto protected areas.

Malcolm Turnbull committed the commonwealth to a new vision and plan for forest industries at an industry gala dinner in Canberra at the end of last year. The Prime Minister says the plan will provide “vision and certainty” and develop the industry as “a growth engine for regional Australia”. Details of the plan have been left to Assistant Minister for Agriculture and Water Resources Anne Ruston, who has spoken in support of continuing the RFAs. “RFAs are the best mechanism to balance competing economic, social and environmental demands on native forests,” she told the industry in December. Federal Labor has offered conditional support. “If it’s a good plan, it’s a well-thought-out plan and it’s an economically responsible plan, then of course we will support it,” opposition forestry spokesman Joel Fitzgibbon says.

But he is realistic about the difficulties ahead. “Whether we like it or not, community expectations on the conservation front are rising, not falling. And I suspect they will continue to rise,” Fitzgibbon says.

Labor was the architect of RFAs in the mid-1990s as it ­became increasingly split after Graham Richardson famously identified the electoral power of the environmental vote in north Queensland. RFAs were the peace bargain that came at the culmination of a torturous “forest wars” period for the Keating government. The final straw came with a 1995 blockade of Parliament House by timber workers.

The recently released 1995 cabinet papers show that when the deal was done federal cabinet was told: “Inevitably, RFAs will involve compromises in ambit conservation and industry positions, and this can be expected to attract criticism from the more extreme elements on both sides.”

More than $400m has been spent but state-federal bickering has dogged the development of RFAs from the outset. The agreements are set to expire between this year and 2022, and are up for renewal.

Greg McCormack, chairman of industry group the Australian Forest Products Association, says RFAs “have not been brilliant for the industry”. “RFAs were supposed to be the line in the sand which would sustain our industry,” McCormack says. “Since then, three million hectares were taken out of production and moved into national parks. Having said that, without RFAs those seeking to close our industry down would succeed very quickly via relentless legal challenges under the EPBC Act.”

Environmental groups are looking for new ways to attack on this front.

The timber industry calculates it is responsible for $24 billion in economic activity and 80,000 ­direct jobs. In its blueprint for the future it has called for support to expand the plantation reserve, build a biofuels revolution, bring carbon abatement cash to the industry and ensure a sustainable native forest estate.

“We simply cannot grow as an industry if we don’t get more trees in the ground,” McCormack says.

The challenge for government is not to repeat the mistakes of the past. This includes the tax-effective managed investment schemes whereby hundreds of plantations were established across the country, the vast majority of which failed due to a combination of factors including poor management and inappropriate locations so that trees lacked access to market.

The schemes were introduced to encourage agricultural diversification after the decline of the local forestry industry. A Senate report found managed investment schemes had quickly become an attractive tax deduction for wealthy investors, but as demand grew the nature of the industry changed rapidly, to the point where it is best described as an abhorrent Ponzi scheme. Two of the largest schemes, Timbercorp and Great Southern, collapsed in spectacular fashion, with combined losses of more than $1bn.

Today’s industry has set a national target of planting an additional 400,000ha, with up to a quarter of that done by farmers on a small scale. For funding, the industry is eyeing $100m from the Emissions Reduction Fund across four years, establishment of low-interest loans for plantations and new carbon-related financing programs, “including carbon pricing mechanisms and purchasing of the rights to stored carbon”.

The industry says it can now access 5.5 million hectares of Australia’s 125 million hectare state forest reserves. It wants the RFAs to be extended for another 20 years on a rolling five-year basis, with state and federal agreement that there will be no loss in net timber supply.

Conservation groups say it is too early to commit to extending the RFAs.  “The first thing you should do is assess whether the RFAs have met their objective,” says Alix Goodwin, chief executive of non-governmental conservation group National Parks Association of NSW. “It should be a scientific and economic review done by someone who is respected and independent from the process.”

Such a review would look at the options for future forest management.

A base case might be to leave the forests as they are. A second option might be to continue logging. And a third option would be for state forests to be transferred to the protected areas system.

“Having done that, you would have a preferred pathway forward — and only if that said the best ­future use was logging would you then move to renegotiate the Regional Forest Agreements,” Goodwin says.

The National Parks Association has done its own research, which has led it to some stark conclusions about the economics of the state forest operations. It says the value of Australia’s native timber stocks has declined by 30 per cent to $2bn between 2005 and 2015, and hardwood sawn wood production has dropped by 44 per cent over a similar period. In contrast, plantation stocks increased in value to $10bn and softwood sawn wood production is up by 10 per cent.

The National Parks Association says Forestry Tasmania had lost $64m and Forestry Corporation (NSW) $84m between 2009 and 2012 in native forest logging operations.

Forestry Corporation also received annual funding from NSW Treasury in the form of a Community Service Obligation worth $15.6m in 2014-15.

In contrast to industry estimates, the association says direct employment in forestry and logging (including the native as well as plantation sectors) in NSW was 2131 according to the 2011 census, with extended employment of 5166, or 0.02 per cent of primary industries employment.  Across Australia, 7561 people were directly employed in forestry and logging, with indirect employment estimated at 18,328, NPA says. Employment in the native forest logging sector in NSW is estimated to be about 600, and in Tasmania less than 1000.

NPA says the primary drivers behind the decline in hardwood production in state forests are increasing competition from hardwood and softwood plantations, both domestically and internationally, and higher costs relative to international competitors.

There is weak demand for structural timber; decreasing demand from Japan for pulp because of falling paper consumption and efficiencies in the production process; and a reduction in the area of forest available for harvest.

“Many of these trends are predicted to continue, which means that demand will continue to fall and profitability from native forest logging will be increasingly difficult to achieve,” according to the NPA report.

“A strong case can be made that continued native forest logging operations are not a result of certainty and sound management via the RFAs but, rather, of successive and regular government intervention using public funds.”

Like the industry, environmental groups see the future in plantation timbers.

But Schneiders says the industry’s woes are largely of its own making.  “The industry is facing a shortfall of softwood timber because it put the wrong trees in the ground. They had the opportunity but billions of dollars was wasted on fraudulent tax schemes which put the wrong types of trees in the wrong places. Now they are going back again for another attempt.”

Nonetheless, environmental groups are willing to listen to proposals that include genuine carbon abatement. But they are wary of plans to encourage the use of forest residues for renewable power production. Most of all they believe there is still a rich vein of community opposition to logging old trees such as those at risk in the Kuark forest in Victoria, or a return to now protected stands in the north and south of NSW.

After 20 years, it is clear that RFAs have not ended the forest wars — but they may have helped to point the way to a more profitable future in plantations.

https://www.theaustralian.com.au/news/inquirer/the-forest-wars-loggers-v-greenies-in-victoria-nsw/news-story/1ad61f912c3a0136a19aaf7617dcfb86

For Further reading on Belligen and the Tarkeeth Forest, see The Tarkeeth Tapes – Interviews on 2bbb, and If You Go Down to the Woods Today, 

Tarkeeth Tonka Toys

We’ve got them Australia Day blues … again

We Acknowledge the Gumbaynggirr People, the traditional custodians of the Land we live upon, and the Land from the Tablelands to the sea. We also pay respect to Elders past, present and emerging of the Gumbaynggirr nation  

Australia Day has always been celebrated on 26th January – except when it wasn’t …

On this day, we celebrate the first settlement of white settlers on Australian shores. Captain Cook had been here a decade before, and Dutch, Portuguese and English mariners had touched land at various point earlier in the century, but didn’t find the amenities attractive enough to stick around.

People, particularly right wing politicians and opinionistas, and white Anglo-Celtic nationalists regards this seminal moment as “a good thing” to borrow a phrase from “1066 and All That”. After all, it brought the benefits of European civilization to those whom Rudyard Kipling might later have referred to as “fluttered folk and wild, half demon and half child”. After two centuries of dispossession, enslavement, massacre, and, in recent times, gradual steps towards recognition and restitution, many descendants of the first peoples think otherwise and regard 26th January as Invasion Day, a time of mourning, as do an ever increasing proportion of the population generally, particularly the younger generations.

The day is celebrated throughout the land with ceremonies and performances by representatives of our many cultures. But indigenous artists, dancers, and musicians face a profoundly deep dilemma when asked to perform. By participating in official commemorations, are they helping to sanction and even sanitize a day they associate with deep historical pain and trauma? Conversely, by boycotting the event, would they be giving up an important opportunity to celebrate and promote indigenous culture, helping non-indigenous Australians to understand that Australia has an indigenous history as well as a white one, and that this is a living culture and that over two hundred years, it is still with us today.

Australia Day January 26th 1988

The days and weeks leading up to Australia Day have become a time for debating our history, and also, our  identity. Author and commentator Henry Ergas as wrote in The Australian on 18 January 2025: “Historical events need to be faced, not defaced. We can celebrate foundational events such as Australia Day without reducing them to a Manichean choice between good and evil, sin and virtue: as John Stuart Mill aptly put it, “Ages are no more infallible than individuals”, our own included. Rather, the point is that foundational events are foundational: they set a beginning whose course always remains to be shaped. And by maturely commemorating those events we can find, as others have, the enduring values to steer us along that course and make our common future one all Australians consider well worth having”.

Australia Day is also very much about memory and myth. As American author CE Morgan has written, “Repeated long enough, stories become memory and memory becomes fact”. German academic Ulrich Raulff put it this: “ … our historical memory is a motherland of wishful thinking, sacrificed to our faith and blind to known facts … This is why historical myths are so tenacious. It’s as though the truth even when it’s there for everyone to see, is powerless – it can’t lay a finger on the all powerful myth”.

And so  around this time every year, people argue about moving the date to one that is less divisive, and indeed, to one that more realistically commemorates the founding of the Commonwealth of Australia. January 1st for example. is put forward as the day six states came together as one Commonwealth under a federal government. The problem with January 1st is of course that being New Year’s Day, and already a fireworks and hoopla day off, no one would notice. The British monarch’s official birthday weekend in June (it’s actually George III’s, but never mind) is also mooted. But that’s wintertime And not good for the beach and a cold beer. Moreover, January 26th is ideally placed as the last long-weekend before the kids go back to school.

As if responding to Pavlov’s bell, folk of a conservative persuasion evoke the irrevocable sanctity of January 26th as a commemoration of how we became who we are – that is, a mainly white and Christian but increasingly multi-hued and multi-faith democracy at the fag-end of the earth. The conservative media seize upon it as an opportunity to serve up overblown, meretricious flimflam not withstanding the fact that the story of the First Fleet is thrilling enough without over-leavening it with patriotic flag-waving, triumphalism, and a big serve of manifest destiny.

The idea of celebrating the acknowledged virtues of our country – its tolerance and openness, its acceptance of immigrants of all colours, cultures, and religious beliefs, its mythical values of “mateship” and a “fair go” are sound. In citizenship ceremonies across our island continent, migrants from all over swear allegiance to our nation and it’s English monarch (but we won’t go there). And yet, the day itself has evolved into a shibboleth, a caricature, a bombastic, jingoistic carnival of flags and fireworks, partying and posturing. It’s as if we forget that on January 26 1788, Captain Arthur Phillip established a penal colony – not a nation. Of the 1336 souls who landed, over half of them were in chains, and most of the others were guarding them.

Ironically, the day is not at all sacrosanct. For most of the century of our existence as a nation, most Australian states did not see a reason to celebrate this Sydney-centric beano with such gusto. Indeed, as the picture below shows, the date itself was quite portable. the It was only on the occasion of our bicentenary in 1988 that it officially donned the aura of a secular holy day of obligation – and, of course a public holiday conveniently placed between the hot and lazy Xmas holidays and the commencement of the school year.

Recent polls have show that a majority of Australians wouldn’t be too fussed if the date was moved, although since the failure of the referendum for an Indigenous Voice to Parliament in October 2024, more Australians appear to favour sticking to the holiday we know (though a significant proportion are hard pressed to say what it is we are actually commemorating). Commentators on the right attribute the poll results to what they see as “the end of woke” (and emboldened by the failure of the referendum, they also advocate a winding back of Welcome to Country ceremonies and acknowledgements like the one at the head of this piece).

But has support for changing the date we celebrate Australia Day really fallen away, or was it never really there in the first place (“Australia Day roars back into favour: poll”, January 24, 2025)? The media megaphone has been magnifying the issue for some years, stoking controversy to create something of a self-fulfilling prophecy. Some Australians may be eager for change, but probably most of us Australians have always been content with 26th January, and besides, we have more pressing matters to think about.

“For now”, wrote Stan Grant, author, commentator, and Wiradjuri man, “26 January is all that we are. It is all that we are not. Australia lives in that tension”. We have yet to come to terms with it, and no matter what date we chose, it will continue to be challenged: Indigenous leader and Voice advocate Megan Davis said she was not a “change the date” person because the shift would only move rather than resolve a toxic argument.

Perhaps one good reason we ought to abolish Australia Day is that we are not grown up enough as a nation to deserve it.

And so, enjoy our national day, as the “black armband” and “white armband” tribes leave off their month-long cage-fight that has dominated the media during the Xmas holiday doldrums, and just enjoy a day off.

And we can have a break from self righteous patriotics until our next official day off: Anzac Day, when we celebrate our defeat the hands of Johnny Turk at Gallipoli, and when, of course, The Australian and it’s hired hacks will get carried away by all the Anzacery bluster, and express their indignation with all who criticize that shibboleth. The irony of Anzac Day is that whilst it rightfully remembers the cost and futility of war, its commercialization has meant that more money is spent on political and patriotic posturing than on our serving soldiers and on those who return home injured and traumatized. As Samuel Johnson quite rightly (is said to have) said, “patriotism is the last refuge of the scoundrel”.

© Paul Hemphill 2018, 2025. All rights reserved

We republish below a bit of Australia Day history, and. also, what I consider a reasonably well-nuanced appraisal of the culture wars being fought out over Australia Day. Paul Kelly of The Australian  is a conservative commentator, and is obliged to recite form the News Corp song sheet when it comes to repeating the cliched mantras of his mother-ship – or is it ‘fathership’?) but he weighs well the tired arguments of left and right and argues for what would, could or should pass for the ‘reasonable middle’.

See also, The Frontier Wars – Australia’s heart of darkness, and We oughtn’t  fear an indigenous voice – but we do.

For more in In That Howling Infinite on Australian history and politics, see Down Under

 


We’ve had those Australia Day blues for a long time as this report from the ABC demonstrates:

We thought they were going to be massacred’ 

ABC Broken Hill. Aimee Volkofsky, 25 January 2018

Watch the  video here:  Eighty years since forced First Fleet re-enactment (ABC News)

WARNING: This story contains images of deceased Indigenous people.

Aboriginal men perform a dance at a 1938 re-enactment of the landing and proclamation of Captain Arthur Phillip at the 150th Australia Day celebrations.    (State Library of NSW)

On January 26, 1938, as the first rally against Australia Day was held, 25 Indigenous men were told if they did not perform the role of ‘retreating Aborigines’ in a re-enactment of the First Fleet, their families would starve.

Government officials had selected the best dancers and singers from Menindee mission in far-west New South Wales and told them they were required to perform cultural dances in Sydney. What they were sent to take part in was a re-enactment of the landing and proclamation of Captain Arthur Phillip at the 150th Australia Day celebrations.

Ngiyaampaa elder Dr Beryl (Yunghadhu) Philp Carmichael, born and raised on the mission, was only three at the time, but her memory of the fear in the community never left her.

Ngiyaampaa elder Dr Beryl (Yunghadhu) Philp Carmichael,

My grandfather protested Australia Day in 1938

The inescapable reality is that Australia’s current national day excludes and alienates Indigenous people — 80 years after my grandfather marched the streets in a fight for equality, writes Ngarra Murray. “All I can remember is the crying, all the women were crying,” she said.  “Whether they were taking them away to be massacred or what, no-one knew. The community went into mourning once they were put on the mission truck.”

The men returned a week later, but Dr Carmichael said it was many years until they would talk about their experience. ‘They came back very quiet,” she said. “It was only in the late 70s they started saying something about what it was like down there. We knew whatever happened down there really hurt them and we didn’t question them.”

Hidden from friends and family

It is speculated that part of the reason for bringing Indigenous people all the way from Menindee was because those in Sydney refused to take part. In Sydney plans were afoot to hold a rally on Australia Day; the Aborigines Progressive Association would declare it a ‘day of mourning’.

Aboriginal rights leaders William Ferguson and John Patten published the Aborigines Claim Citizen Rights! pamphlet on January 12, 1938. In it they declared, “We do not ask you to study us as scientific freaks … the superstition that we are a naturally backward and low race … shows a jaundiced view of anthropologists’ motives”.

Those in power at the time seemed eager to keep the Menindee men well away from activists, keeping them locked away in police barracks.

The incident was detailed in a biography on William Ferguson, written by Jack B Horner in 1974. “The Secretary of the Protection Board had a shrewd idea that Ferguson would try to prevent the Menindee men from taking part in this re-enactment. The Board was taking no chances. Nobody could meet the Aborigines in the coming week in Sydney, without … obtaining personal permission.” — from Vote Ferguson for Aboriginal freedom: a biography by Jack B Horner
Dr Carmichael said there had been whisperings of the movement on the mission, and a direct link to Mr Ferguson.

“Most people on missions couldn’t read and write; that made it really hard for them to understand the government documents they were throwing around,” she said. “Old Bill [Ferguson], because he knew his brother Duncan was back on the mission, he used to send messages back to him. But in the end the mission manager found that out, picked the old fella [Duncan] up in a truck and dumped him over the hill [outside the mission boundary].”

Mr Ferguson attempted to get word to the Menindee men while they were in Sydney but, as elaborate as they were, his efforts were unsuccessful.  “Then followed in the week before the celebrations an amusing battle of tactics between the Protection Board officers and the executive of the Aborigines’ Progressive Association….Some Sydney relatives of a Peter Johnson from Menindee tried to see him at the barracks.  The relatives had been sent by Ferguson, of course, in order to pass to Hero Black (the leader of the Menindee party) a message not to take part in the mortifying ‘retreat’ from the ‘first party of Englishmen’.” (From Vote Ferguson for Aboriginal freedom: a biography by Jack B Horner) . They were eventually allowed a closely supervised visit from two female relatives.

The men soon discovered their duties would include playing the part of Aboriginal people fleeing British soldiers.

Threatened with ration cuts

While the activists may have gotten their message through to the performers, discouraging them from taking part in the re-enactment, the men were left with little choice.

Dr Carmichael said when it came to performing traditional dance, the men were troubled to find they would be led by an Aboriginal actor who did not speak their language or know their culture.

“The government unknowingly or knowingly put up a big Aboriginal, good looking fella as the leader of the dancers and they didn’t even know him. He wasn’t from Ngiyaempaa,” she said. “That really devastated the people and they refused to dance. [The government] threatened them and threatened them; if they didn’t perform they’d cut off the rations to their people on the mission. It was the toughest time of their lives, I think.  I’m just happy we survived’

Eighty years on, as debate continues around whether January 26 is celebrated or mourned, Dr Carmichael said she was happy to have survived, even though she was sad about the past. “We were brought up to tolerate a lot of things and to give thanks for being alive,” she said. “I’m just glad I survived with my culture intact and am alive to teach and pass it on. We should strive for peace, between all nations. We need to come together as people.”

Australia Day: we must face the two truths about January 26

Paul Kelly, Editor-At-Large, The Australian,  
Illustration: Eric Lobbecke
Illustration: Eric Lobbecke

Australia Day is getting bigger, brighter, more celebratory and stained by the rising tide of culture war hostility. The transformation of January 26 from a sleepy public holiday two generations ago into a boisterous party and civic commemoration has provoked a political backlash conceived in two different sentiments — grievance and exploitation.

The debate is not just about our national day. It’s really about who we are, what symbols we honour and, ultimately, the legitimacy of our civilisation. This debate can break one of two ways: robust differences can generate a better understanding of Australia and its national day or the upshot can be a destructive orgy of self-interested identity politics leading to a diminished and divided country.

The progressive crusade to ­remove January 26 as Australia Day has won fresh momentum for a movement bent upon imposing its views on the nation. Nobody should be surprised.

The volatility of social media, the power of negative politics and the emotional manipulation around “invasion day” constitutes sufficient warning that things could go badly wrong.

A nation ignorant of its history or simply unable to handle its history is heading for trouble in the present age of populist and cheapjack disruption.

Those pledged to “change the day” underestimate the popularity of the late January public holiday before the kids return to school, when barbecues abound in parks and backyards, fireworks make a spectacular night, the Australian flag adorns cars and front verandas, the sense of community is tangible, and civic and citizenship ceremonies at the local level testify to a beating patriotism.

In every such event there are tributes to the first Australians. This is embedded in our civic ­culture. More indigenous peoples are participating and being recognised on Australia Day, with its ­official emphasis on multi­culturalism and diversity. Since governor Lachlan Macquarie nominated the public holiday in 1818, the day has seen enormous and essential reinterpretation.

Beware, however, the emerging malaise — a culture war between the green-identity, politics-progressive left determined to destroy the current day and the hopelessly unpersuasive conservatives who defend the status quo, speak and listen only to one another and lose every battle because they cannot find a language to appeal to a ­diverse mainstream.

There are two truths about January 26, 1788. It was the threshold moment for one of the most audacious experiments of the ­Age of Enlightenment seeding a British settlement and society on the continent most distant from Britain under the practical yet visionary leadership of Arthur Phillip, in many ways the true founder of Australia who, against almost every prospect, had the ­insight to believe this convict ­colony at the ends of the earth would one day be “the most valuable ­acquisition Great Britain ever made”.

Those who say the story of the First Fleet and settlement are boring and uninspiring are dead in their imagination and blind in their vision.

The associated truth is that the oldest civilisation on earth, isolated for thousands of years from the rest of the globe and hence ­extremely vulnerable, was unable to defend ­itself and suffered dis­possession of its lands, ravage from disease, loss of life in conflict and loss of its way of life.

Despite the ­initial good ­intentions towards the Aborigines displayed by Phillip, the great moral failure in Australian polity was the belief there was no place, no dignity and, indeed, no life for the original Australians.

Both truths are authentic. Neither can, nor should, be denied. This is our inheritance and, in its soaring achievement and murderous squalor, it constitutes the unique meaning of Australia. One of the central purposes of our existence is to find a way of living with these truths and ensuring the peoples who embody such different traditions can live together and thrive together. There is simply no alternative.

We should exist neither in perpetual grievance nursed by the ­indigenous peoples and those, like the Greens, who recklessly exploit their grievances, nor in the complacency of those Europeans who still pretend there was no dark side to the civilisation we enjoy.

The issue is whether we have the maturity to hold together conflicting truths and sort things through, or whether we choose ideological indulgence and cynical zero-sum politics.

Australia Day needs to stand because the nation cannot run or hide from either the glory or ­tragedy in its duality. The answer to indigenous feelings about January 26 is to construct, not destroy — if there is sufficient agreement, then construct a new day of indigenous commemoration, suffering, survival and triumph. That will take time but over time it may emerge as one of the constructive solutions for Australia.

Declaring that January 26 must be shut down as a day of shame, genocide and mourning offers no solution to anyone. Telling the ­descendants of Arthur Phillip that the origin of the British civilisation and prosperous multicultural democracy they have built lacks sufficient legitimacy to be honoured as the national day is dishonest and destructive. How could it not be?

In this paper today, indigenous leader Noel Pearson says the blackfellas were here 65,000 years before whites arrived and it is vital we “recognise and honour this”. Pearson also says the whitefellas aren’t going away, they created something and it is also vital to “recognise and honour this”.

Tearing one truth down in the cause of another is the road to ruin for Australia. Both truths need to be confronted and engaged. “Trying to erase January 26 is denying the very history we want Australians to face up to,” Pearson says. “There is no other relevant time or date other than those 24-48 hours when ancient Australia passed into the new Australia.” It is this transition the nation must face.

The enemies of this obligation are thick on the ground as radicals and conservatives, often peddling phony mantras. The self-interested cynicism in the stand of Greens leader Richard Di Natale is gobsmacking. With his eye on stealing future votes in inner-city Melbourne, Di Natale announces changing Australia Day will be a priority for the Greens during the rest of the year since the day is about theft and genocide.

What will replace January 26? Why should Di Natale bother with such trifles when there are ideological axes to be swung and votes to be purchased through cultivating national self-abasement under the fraudulent cover of morality?

In response, Labor leader Bill Shorten was just pathetic: he won’t defend Australia Day, he won’t abandon Australia Day and he doesn’t like another day of ­Aboriginal commemoration. In the end he says the day itself is not what really counts. Yes, this is the alternative PM on our national day. Perhaps we should be grateful he didn’t line up with Di ­Natale’s view that the flag should be flown at half mast on the national day.

Malcolm Turnbull, unsurprisingly, said he’d like to hear Shorten speak “proudly and passionately” about Australia Day. But Shorten has a problem, given the embrace by much of the Labor rank and file of a progressive orthodoxy ­towards changing the national day anyway and at odds with majority public opinion.

Indigenous ALP frontbencher Linda Burney stepped into this confusion, criticising the Greens, saying Australia Day won’t be changing any time soon, but highlighting the difficulty it poses for Aborigines as a day of celebration. Aware that NSW ALP policy calls for consultation about a new and separate public holiday devoted to indigenous commemoration, Burney put this idea on the table. It is not ALP policy but Burney was being constructive and her proposal merits serious consideration.

Turnbull preaches an Australia Day that brings people together and celebrates our multicultural diversity. The government has properly removed the right of local councils to hold citizenship ceremonies if they refuse to recognise Australia Day and hold citizenship ceremonies on that day. But the ­reality cannot be avoided: division over Australia Day will mount in the future and this will require astute leadership and management.

For many Aborigines, January 26 will remain invasion day, and that is understandable. But any alternative national day that commemorates British settlement or the foundation of Australia has a similar problem. The logical ­alternative of January 1 — the ­inauguration of the Commonwealth of Australia — would honour an event that denied any role or existence for Aboriginals and assumed they were a dying race.

In truth there is no escape from the history — yet the historical story must be authentic, not convenient mythology. Australia was always destined to be settled by a European power. The force of the Enlightenment and the Industrial Revolution would never be denied from the great southern land. There are few inevitabilities in history and this was inevitable.

We are fortunate the European power was Britain, not France or Spain. This was an 18th-century blessing. We are fortunate the British came not just to establish a convict colony but to bring their values and institutional ethos.

Phillip had an 18th-century faith in improvement, a belief he was founding a new British society and serving the cause of humanity. With slavery still not abolished in the empire, Phillip declared from the inception of Australia that “there can be no slavery in a free land and consequently no slaves”.

The Aborigines he encountered were not a nation state. They were a collection of hundreds of tribes speaking different lan­guages, devoid of collective political purpose or leadership, often at war with each other and without the structures to allow sovereign negotiations or dealings.

To say the British should not have come is a ludicrous denial of reality and makes as much sense as saying the early explorers should not have advanced inland to ­discover the continent. To pretend the Aborigines could or should have retained their possession of the continent forever is delusional and is a device to avoid historical reality.

The encounter between the British and the Aborigines was without precedent in human history. The idea that good intentions were enough for success is absurd. Historian Geoffrey Blainey says in first volume of his The Story of Australia’s People: “The racial conflict in Australia — nearly all would agree today — should have been handled more wisely and firmly but the British leaders lacked the political and cultural experience needed to handle a ­dilemma that was exceptional in world history. Furthermore, London at one end of the globe and Sydney and Hobart at the other end viewed the dilemma and their duties and powers, differently.”

The idea that the British ­arrivals should have negotiated a treaty is nonsense. With whom and on what basis? There is no ­answer. During the 70 years after settlement many thousands of ­Aborigines were killed by Europeans — though far more died from diseases — creating a moral legacy the nation cannot deny and must confront.

Efforts to do this have been substantial while incomplete. Witness the Reconciliation process, the Mabo case and granting of native title rights, huge though flawed public funding, and the continuing process of constitutional ­recognition.

The first Australians lost much from the events of 1788 yet they also gained much, eventually — proving that indigenous peoples could live and thrive in a modern urban society. Aborigines are poised to become more prominent in every facet of Australian life.

The related truth, however, is that as a nation we cannot pretend there is full atonement for the ­dispossession. We cannot say: “Sorry, let’s leave.” We could not do this in 1808, let alone 1901, let alone 2018. There can be no full rendering of justice, no full recompense after dispossession. History cannot be reversed.

We must honour and reflect on the history, restore Aboriginal rights, and strive for justice as much as practicable. But it cannot serve indigenous Australians to engage in perpetual grievance, to magnify the sins of the past in an endless demand for atonement and more atonement still, part of a futile quest to deny any legitimacy to January 26. That is the road to a self-defeating misery.

The bulk of the Australian population, including the millions of post-World War II immigrants and their descendants, will neither accept nor tolerate the idea that the British founding of this country was a shameful and illegitimate event. When the Greens and other progressives promote this sentiment — exploiting indigenous ­resentment for their own ideo­logical and electoral gains — there is no upside for our polity, just ­counterproductive bitterness with the risk of violence.

Where is the legitimacy in January 26? It lies in the society that evolved and continues to evolve, a nation that, for all its faults, is democratic, egalitarian, tolerant and, in per capita terms, has opened its door to immigrants on a more sustained basis than ­virtually any other developed country. This constitutes a powerful legitimacy.

It was Noel Pearson more than a decade ago, in a famous letter to John Howard, who offered the most honest and enduring framework for presenting and understanding contemporary Australia. For Pearson, the nation embodies three traditions: the indigenous peoples, the first Australians, who roamed this continent for 65,000 years, long before the ages of Babylon, Athens and Rome, finding a way to live and thrive in this environment; the British inheritance dating first from the voyages of James Cook and then from the ­initial colony under Phillip, followed eventually by Lachlan Macquarie and more settlements across the continent that led to a polity of British-derived laws, values and institutions that still operate today; and the immigrant tradition, the ethnic input from so many nations that broadened and deepened the culture and led to a multicultural nation, one of the most successful on earth.

These three traditions need formal embodiment. Pearson’s vision was adopted by Tony Abbott as PM. But it needs a more declaratory form authorised by the parliament or the people. This is a critical step in finding a national identity that is shared and inclusive and can win wide support ­because of its validity.

The issue of constitutional recognition of indigenous peoples needs to be reopened with a new process. This time there needs to be greater realism on all sides. The Turnbull cabinet rejected the final recommendation for an indigenous advisory body to be inserted into the Constitution because it believed such a referendum had no prospect of success. Those ­attacking this decision have singularly failed to offer any explanation or strategy of how such a referendum could be passed.

There have been some suggestions that the Australia Day issue can be postponed pending the ­inauguration of an Australian ­republic. That is a tempting but most unwise proposition. The ­republic will not provide the ­answer and, moreover, it is probably many years or decades away.

While the republic is a necessary step in Australia’s evolution, its cause is currently weak and devoid of energy. This is because of the ­destructive transformation in progressive politics to embrace change based on individual and group rights around sex, gender and race, a combination of tribal and narcissistic imperatives.

The republic has no voice or ­appeal in this world. It won’t change your personal life, it won’t relate to how you live, it won’t speak to your gender, sexual or ­racial identity. Paul Keating once lamented the republic had been consigned to an after-dinner conversation; these days it doesn’t even win that rating. When was the last dinner party you attended where the republic got anything more than the briefest mention?

Shorten pledges that in office he will launch a path to the republic. But that will prove immensely difficult in today’s Australia. The republic is now a token of progressive politics, nothing more. The emotions, energy and priorities of progressive politics lie ­elsewhere.

The nation must face the Australia Day issue and competing historical truths as a constitutional monarchy or not at all.

The Twilight of the Equine Gods

The horse has been man’s most important companion – forget cats and dogs – and the most durable of historical alliances – against which every other covenant has been fragile and ephemeral – not even our relationship with our gods has shown a comparable degree of stability. Our story resonates with an equine leitmotif – in our dreams, our fantasies, our histories, our literature, and our movies; in our aesthetics and our notions of speed, strength, power, courage, fortitude, loyalty and beauty.

Hey and away we go
Through the grass, across the snow,
Big brown beastie, big brown face,
I’d rather be with you than flying through space. 
Mike Oldfield, On Horseback

Pastorale

Oh the world is sweet
The world is wide
And she’s there where
The light and the darkness divide
And the steam’s coming off her
She’s huge and she’s shy
And she steps on the moon
When she paws at the sky
Leonard Cohen, The Ballad of the Absent Mare

What is there not to love about a horse?

Its big, brown, doe eyes; its earthy, sweaty aroma from a land somewhere between babies and barnyards; the warmth of its neck on your palm; the rough feel of its mane in your fingers; the smell and the squeak of saddle leather; the jingle-bells of the bridle. The strength you sense through your thighs; an exhilaration that is close to fear as you kick his flanks into a trot, a canter, a gallop, and whoa! and you’re never one hundred percent sure she will obey you. And then, when it’s over, the radiated heat, the damp hide, the glow of sweat, almost a mist of equine energy as you dismount after the ride. You feel wired, alive, and at one with the horse, with the land, with nature.

I first rode a horse in the late seventies, on my first visit to Australia with my first wife. Her old man was a doctor on locum in Coolah, New South Wales, beyond of the Black Stump’, which is to say, the back of beyond (and there really WAS a black stump on the outskirts of town, for the infrequent tourist to be photographed by in pre-selfie days). A local farmer had invited us out to ride his large property, and so we rode, in the heat haze of high summer, through wide, dry, open, paddocks, mobs of roos scattering as we approached, flocks of cockatoos roosting riotously in the branches of dead trees, and flies. Yes, I learned about the “Aussie salute” that summer. I fell in love with the Australian bush then and there, the “wide brown land” of Dorothea Mackelllar’s sunburnt country“. A few years later, as a newly arrived immigrant, I would go riding again, this time with country friends in the Dungog cattle country north of Sydney.

I was not a good rider, but I loved the craic. Not a natural like my future wife. When we first met, she kept four horses and looked after a whole riding school of them, bringing them in bareback riding, stock-whip cracking, a proper jillaroo. ‘Western pleasure’, it was called. No jackets and jodhpurs – it was cowboy hats, boots and blue jeans – before helmets and Occupational Health and Safety. I rode her gorgeous chestnut quarter horse called Twopence, and she, a handsome palomino named Trigger (of course). A riding accident put me in hospital – and I never rode a horse again.

Twopence & Trigger

That was a decades ago, but living in the bush, I still feel pleasure when I see horses in their paddocks. The sight, sound, and smell strike a melodious, atavistic chord that many would  recognize as distinctively Australian. How many Aussies of a certain age would not thrill at the Banjo’s ballad of the bushman that is almost our national poem:

He hails from Snowy River, up by Kosciusko’s side,
Where the hills are twice as steep and twice as rough,
Where a horse’s hoofs strike firelight from the flint stones every stride,
The man that holds his own is good enough’.

In this centennial year of the Palestine Campaign of WWI and the gallop of the Australian Light Horse towards the strategic Beersheba wells – praised, inaccurately, as history’s last great cavalry charge, the Light Horseman and his hardy “Waler” (from New South Wales) have achieved iconic status in a media supercharged on “Anzackery”. Calmer voices have argued that on the scale of the carnage on the western front, where Diggers died in their thousands, and indeed the Gaza battle itself, where the Anzacs were a very small part of a very large army, it was really no big thing, But never let the facts get between a politician and a photo-opportunity. During the closing scenes of The Man Who Shot Liberty Valance, the journalist says: “This is the West, sir. When the legend becomes fact, print the legend”.

And it was always thus. As German academic and cultural scientist Ulrich Raulff’s tells us in his captivating “micro-history” Farewell to the Horse: The Final Century of Our Relationship: 

“Like love and the stock exchange, our historical memory is a motherland of wishful thinking, sacrificed to our faith and blind to known facts…This is why historical myths are so tenacious. It’s as though the truth even when it’s there for everyone to see, is powerless – it can’t lay a finger on the all powerful myth”.

Farewell to the horse

It is an easy segue from my Australian pastorale to Raulff’s illuminating canter through the story of the “Centaurian Pact” between humans and horses. it is at once a ride, a revelation, and a reminiscence of my short-lived ‘cowboy’ days.

“The horse” Raulff begins, “has been man’s most important companion – forget cats and dogs – and the most durable of historical alliances – against which every other covenant into which we have entered has been fragile and ephemeral – not even our relationship with our gods has shown a comparable degree of stability”.

He then recounts how over the span of a few decades, a relationship that endured for six millennia went “to the dogs” – excuse my awful pet-food pun. And it happened almost unremarked, unnoticed, and unsung. “For a century, the oat-powered engine was the universal and irreplaceable power unit of the forced mechanization of the world”. And then it was gone, replaced by the internal combustion engine. And yet, the term “horsepower” is to this day a measure of the performance of vehicle engines (although now mostly replaced by kilowatts) – a horse was the equivalent of seven men.

“The twilight of the equine gods”, as Raulff describes it, was a long goodbye indeed, and in the realm of myth, memory and metaphor, horses are with us still; or as he so lyrically expresses it: “ghosts of modernity” (echoes of Dylan, in my mind, at least) that “haunt the minds of a humanity that has turned away from them”.

Like its subject, Farewell to the Horse is a handsome, wide-ranging, beast. More elegy than epitaph, eclectic and imaginative in scope, viewing the horse as muse, as mount, and as metaphor, Raulff sings the song of the horse – and if ever there was a ‘horse opera’, this is it.

Eloquently and at times poetically translated, and generously illustrated with pictures from galleries, libraries, and photo archives, Raulff takes the reader through the many worlds of the relationship. On his academic home-turf of sociology and psychology, his references are primarily German, but straying from his academic stable, he ambles into a lush and diverse pastureland of history and mythology, politics and philosophy. economics and geography, industry and commerce, physics and biology, science and medicine, sport and recreation. And art and literature: how artists and writers brought their perspectives, personas and passions onto canvas, photographs and the printed page. In many ways, its infinite variety reminded me of English historian Simon Schama’s fascinating Landscape and Memory.

Raulff has divided his book into four broad thematic sections, each with an evocative title – The Centauran Pact, A Phantom in the Library. The Living Metaphor, and The Forgotten Player – each exploring a particular aspect of the horse’s story. But he allows himself much extempore stream of consciousness as he periodically wanders off-script with childhood reminiscences and collected anecdotes, and dips into favourite paintings, books and films. He time-travels through six thousand years, and traverses the globe too in his long ride – from the Steppes of Eurasia to the Great Plains of America, from the cities of MittelEuropa to those of the Midwest, with side trips to the Middle East and Andalusia.

It was contagious. I too got to thinking beyond the page, recalling and contemplating a miscellany of ideas and images that came to mind whilst reading, and indeed, whilst writing this review, wandering down forgotten bridle-ways (literally, a horse riding path, or trail originally created for use by horses, but often now serving a range of travelers). And is this not what a good book should do?

The Song of the Horse

The horse, the intelligent mammal, the great vegetarian, a prey animal whose strength is in flight, who has no desire or need for confrontation or quarrel. It’s speed, its main asset, enabling it to flee its predators, is also what attracted it to the attention of man, with whom it entered into a long-lived, unequal devil’s bargain. “They were able to turn the inconspicuous potential energy of tough prairie grasses, inedible to almost all other animals into the spectacular energy of a fast endurance runner. Thanks to its natural properties as a converter of energy, the horse could bear kings, knights, female lovers and rural doctors, draw carriages and cannons, transport hordes of workers and employees, and mobilize entire nations”. And indeed, Raulff takes us on a jaunt   through these tableaux.

He quotes historian Ann Hyland: “it was a small step, albeit a brave one, for man to mount a horse”, and writes: “The comparison with the moon landing is certainly not exaggerated. The moment when man began, by domestication and breeding, to connect his fate to the horse – not with a nutritional intention, but with a vectorial aim – may have been, before the invention of writing, the narrow gate through which man entered the realm of history”.

And lo, our story resonates with an equine leitmotif.

The horse is in our dreams and our fantasies, in our literature, and our movies, in our aesthetics, and our notions of speed, strength, power, courage, fortitude, loyalty and beauty. In their mythology, the ancient Greeks gave them wings and narwhal horns, whilst centaurs, part human and part horse, were believed to represent the combined forces within human beings – animal instinct and intellect – and the connection between the physical and spiritual realities, symbolizing independence, knowledge, adventure, fertility and spiritual wisdom.

In our western culture their variety is infinite – from the diverse mounts that conveyed Chaucer’s pilgrims to Canterbury to that paragon of American folk culture, the cowboy. From the rambunctious centaurs and cute coloured unicorns of Disney’s’ Beethoven Fantasia to the gaunt quartet bearing the seer of Patmos’ four horsemen of the Apocalypse. From the teenage innocence of National Velvet and Black Beauty to Thomas Hardy and Carey Mulligan’s sensual and photogenic jaunt in the recent remake of Far From the Madding Crowd. From the patriotic jingoism of Alfred J Tennyson’s The Charge of the Light Brigade and Rudyard Kipling’s East is East and West is West to Banjo Patterson’s blokey bush ballad The Man From Snowy River, which I have quoted above (and will reprise below). The horse has even entered into the invented worlds of science fiction, with Joss Whedon’s rollicking space-pirate adventure, Firefly, and more recently, Westworld with its Wild West theme park populated by lifelike android cowboys and Indians on their robot horses.

Westworld

[If I have one small quibble about Farewell to the Horse, it is in its Eurocentricity. The Land Down Under doesn’t rate a mention even though the horse has played an important role in the evolution of Australia’s perceived national identity – “perceived” because here too, we are captive to that “powerful myth” that Raulff believes subverts fact]. We see horses every time we leave our rural property. They are an intrinsic part of our country life, and many of our friends are riders. Here are a couple of pictures of our good friend Chris riding the National Trail through Guy Fawkes National Park:

Whilst drawing cleverly on the arts – and the book is well-furnished with illustrations that are  well spoken to in the text – Raulff does not venture into poetry, where there are to be found many wonderful images. Take but a few examples drawn from just one poem, East is East and West is West, referred to above, and marvel at the metaphors in Rudyard Kipling’s ‘Boys Own’ tale of a young British officer tracking down a daring Pathan bandit:

The Colonel’s son has taken horse, and a raw rough dun was he,
With the mouth of a bell and the heart of Hell and the head of a gallows-tree”.

“It’s up and over the Tongue of Jagai, as blown dust-devils go,
The dun he fled like a stag of ten, but the mare like a barren doe.
The dun he leaned against the bit and slugged his head above,
But the red mare played with the snaffle-bars, as a maiden plays with a glove”.

“They have ridden the low moon out of the sky, their hoofs drum up the dawn,
The dun he went like a wounded bull, but the mare like a new-roused fawn”.

And, of course, there are the songs. Here’s the doomed Texan troubadour Townes van Zandt’s enigmatic anti-hero:

Pancho was a bandit, boys
His horse was fast as polished steel,
Wore his gun outside his pants
For all the honest world to feel
Pancho and Lefty

And whilst Raulff includes a poignant picture of a lone, pedestrian cowboy carrying his saddle through the scrub like a mariner lost on the land, he doesn’t mention Leonard Cohen’s bereft and distraught cowpoke :

Say a prayer for the cowboy
His mare’s run away
And he’ll walk til he finds her
His darling, his stray
The Ballad of the Absent Mare

But more from St. Leonard of Montreal later…

Frederic Remington’s Bronco

A Phantom Limb

The horse’s glory days may be over, but the echoes of a long and fruitful relationship linger in our lives and in our language – in our idioms and our figures of speech: “getting back in the saddle”, “pulling the reins” and “taking the reins”, “champing at the bit”, “gaining the whip hand”, and the timeless put-down, “get off your high horse!” Phrases such as these are used everyday by people who have never been physically close to a horse let alone ridden one, and whose visual encounters are limited to country outings, circuses, televised equestrian events and westerns (in Australia, as in the US, we can still enjoy country fairs and carnivals that feature rodeos and endurance rides).

Joe Curtin falls from his horse at a combined rodeo, branding, campdraft and gymkhana weekend in Birdsville, Australia. Nick Moir

And note that these usages are somehow connected to power, control, and aggression – and often, casual, almost matter-of-fact violence (the idea of being “horse-whipped”) – violence inflicted not only on humans but on the animals too.

Raulff asks: Why is it that the most powerful visual images of horses are in their warrior role?  Does it not say more about ourselves than what was genetically a passive, docile, tame-able (we call it “horse breaking”) grazer?

Equestrian Statues

Salah ud Din al Ayubi, Damascus

The horse has a complex and varied curriculum vitae. For six millennia, it has been our dependable beast of burden, the bearer of people, packages and progress, shrinking distance and opening up new lands. But it has also been the agent of power, politics and pogroms. A bearer of great ideas, and also of great tyrants.

The horse has long been a living metaphor of power – the absolute political metaphor, indeed.

“The combination of horse and rider is a powerful symbol of domination, and one of the oldest in the book”. The caudillo, the martial “man on horseback” so beloved of painters and sculptors – and of putative dictators (although Stalin and Hitler, Raulff reminds us, despised horses). There’s Alexander the Great on Bucephalus, defeating Darius; David’s conquering Napoleon crossing the Alps; bodacious Boudicca reining in her chariot steeds on The Embankment. To be physically and violently unhorsed is to be taken down literally and figuratively. Hence Richard III’s anguished “my kingdom for a horse”, and George Armstrong Custer and the men of the Seventh Cavalry demountd and doomed on Last Stand Hill.

The rise of the horse changes the position of the people and along with it, their view of the world around them – what Raulff calls the ‘cavalier perspective’. It is rooted in an age-old fantasy of the fusion of man and beast, from centaur to chevalier. The unfortunate Aztecs believed the mounted conquistadors to be half man half beast. That dismissive rebuke “get off your high horse” echoes a primal fear of the mounted marauder, be he the Scythian archer, the Mongol warrior, the rogue knight or the Red Indian (“savage” he was called back in the day) of the Great Plains. Recall the Cossacks lining up on the snow-covered square, about to charge the defenseless marchers in David Lean’s Dr Zhivago. Recall, in Game of Thrones, the Dothraki, screaming their war cries, thundering down on the doomed Lannister infantry. “We still see traces of horses’ archaic role as inspirers of terror when required to intimidate picketing workers or to drive rallies of protesters out of shopping precincts”.

Something wicked this way comes – Clive Owen’s Slav King Arthur

During his travels, Raulff visited Israel, where he chanced to observe ultra-orthodox Jews protesting against their youth being conscripted into the Israeli Defense Force. Jerusalem authorities mobilized mounted police officers against the recalcitrant religious. He indulges in pogrom projection, imagining the Haredim being intimated by a Cossack Shtetl flashback. Fanciful, perhaps, but as a young man during the Vietnam demonstrations in London’s Grosvenor Square, I learned that there’s no greater killer of revolutionary passion than the sight of than a wall of fat horse’s arses backing towards you with those nervous hooves a’twitching.

And yet, the use of the horse in this manner forces it to go against its nature, trained to stand its ground in dangerous circumstances when all its instincts are to flee danger. Ostensible police brutality in Grosvenor Square was juxtaposed by the reality that police horses were stabbed by banners and tripped and stoned with glass marbles. Several were so injured that they had to be euthanized.

Horse meets Haredim in Jerusalem

…and meanwhile, in the other side of town

 The Wide-Open Spaces

The power bestowed upon men by horses is much more than such authoritarian, martial muscle. The horse enabled landsmen to conquer what Australian historian Geoffrey Blainey called “the tyranny of distance”. For Rudyard Kipling’s “fluttered folk and wild”, it ushered in a tyranny of a malevolent kind.

The horse-led conquests of European and Asian empires during the second millennium BCE by the chariots and later, cavalry of the horse-people disgorging from the steppes like some equestrian blitzkrieg, transformed world history. They brought their political structures, their warfare, their masculine, spiritual character – their “asabiyyeh” or, literally “muscle” as famed Arab historian Ibn Khaldun put it. The Eurasian nomadic warrior, “that ‘natural born’ combatant, who, as tough and austere as his resilient horse, emerged as the terror of the sedentary populations of Europe and the orient”. The same could be said of the warriors of Islam as they erupted out of their Arabian heartland and reached the walls of Constantinople and the frontiers of the Franks.

One powerful factor in these invasions was the horsemen’s speed. “In every contemporary account of the Mongols, great stress is laid on their speed: suddenly they were there, only to vanish and appear somewhere else even more suddenly”. The alliance between man, horse, and the arrow was likewise significant, providing the ability to kill from a distance, whilst moving, on horseback.

“Thanks to the horse, distant territories could be conquered and vast dominions could be established. The horse and its rider made the land they traversed tangible, recognizable, and able to be taken”. The horse became indispensable in terms of control of the land, subduing its inhabitants, and enabling Its exploration. In America, it brought the conquistadors, and in time, ensured that The West was won with catastrophic consequences for the native Americans with the loss their land and hunting grounds.

War Horse

Since it’s domestication, we humans have never resiled from putting our beloved horses in harms way. As an inspirer of terror and as a battering ram of blood and bone, mounted cavalry have been used on battlefields against soldiers and in streets and villages against civilians. Horses and mules have long provided most of the muscle used to move men and machines – the true “horsepower” of any war effort – serving in a wide variety of roles, including being ridden, as draft animals pulling vehicles and heavy weapons, and as pack animals. They, like their human comrades have perished in uncounted numbers by shot and shell, by accident and cruelty, disease and starvation, and during World War I, by poison gas. Sending animals to war seems, today, somehow even more awful than sending people to war, but in the past, there was little room for that sentiment. Animals were absolutely essential to any war effort, and they had to be sent – during WWI, millions of them, Most were horses and mules, but dogs, pigeons, camels, and even water buffalo and elephants were also found in some theatres of the war.

Celebrated English composer Sir Edward Elgar wrote in August 1914: “Concerning the war I say nothing … the only thing that wrings my heart and soul is the thought of the horses … oh! my beloved animals … the men … and armies can go to hell but my horses: I walk round and round this room cursing God for allowing dumb brutes to be tortured … let him kill his human beings but … how can he? Oh my horses.”

Farewell Old Friend by Fortunio Matana

A Day at the Races

Our pact with the horse was much more than the power and the glory, the conquest and the trail-blazing. Horses’ fleetness, stamina and beauty satisfied other, more hedonistic yearnings, and today, their days on the field of battle long over, they serve to give us pleasure – and profit.

And they have always done thus – particularly in the antecedents and descendants of the Ancient Greek hippodrome (named thus for horses and the racing thereof). In the downtime between warring and raiding, hunting and horse and chariot racing attracted many a warrior’s energy and enthusiasm, and provided  less martial spectators with, vicarious thrills. We have been racing horses for as long as they have been our companions, and wagering on their speed and stamina. This passion fostered complementary endeavours in breeding, training, thieving, and gambling.

The racing carnival still exerts an atavistic, ofttimes addictive spell over riders, owners and punters alike. “The spectacle of race day echoes times and indeed conflicts past, the jockeys’ bright colours, representing a return of heraldry, a way of distinguishing otherwise indiscernible participants”.

It’s there you’ll see the jockeys and they’re mounted out so stately,
The pink, the blue, the orange and green, the emblem of our nation,
When the bell was rung for starting, all the horses seemed impatient,
I thought they never stood on ground their speed was so amazing
Galway Races (Ireland, traditional)

Wincanton races

In horse racing, nothing and no one is hunted, only the shadows of time”, Raulff notes prosaicly.

American author EC Morgan is similarly lyrical: “Time is a horse you never have to whip”,

In That Howling Infinite recently published a review of Morgan’s masterwork The Sport of Kings, a long and deep story about an old Kentucky horse-breeding family. She displays an unerring instinct for metaphor and music. A horse’s neck shudders under its rider’s hands “like a dreaming dog”. Of the racehorses, she writes: “they exploded out of the gate like doves from a cote”; and, “now the school of horses swung round the turn as if caught in a sweep net”.

Raulff explains why horse racing was indeed ‘the sport of kings: Britain emerged as the world power of thoroughbred racing under the racIng-mad Stuart Kings who transformed the sleepy village of Newmarket into the Mecca of the turf, supplanting hunting with punting as the favourite pastime of the idle rich and the indolent upper classes. When Scots King James wasn’t corralling and coaxing the best minds in the land into producing his beautiful Bible, he was both patron and participant with a keen eye for quality horse-flesh.

Teenage Daydream

Did I mention that horses can be dangerous? They are large, high, broad, and heavy, and for all their tameness in the hands of a seasoned rider, they can also be excitable, unpredictable, and wild. When you take up the reins, you literally put your life in your hands. In My Early Life , his biography of his cavalry days, Winston Churchill wrote: “No hour of life is lost that is spent in the saddle. Young men have often been ruined by owning horses or through backing horses, but never through riding them, unless, of course, they break their necks, which, taken at a gallop, is a very good way to die”.

But danger can come in other guises.

There was probably no way a cultural scientist trained in sociology and psychology could or would avoid how in its variegated pedigree, the horse has also figured as a sexual metaphor, conjuring up thoughts erotic with images of fair maids carried away by amorous riders. Raulff’s copious images include those famous abduction scenes beloved of renaissance painters, but there are many encounters in literature, art, cinema and song that are much less violent. It is as if the rider’s skill with his mount presages his prowess in the sack. There is titillation, there is temptation, and perhaps, surrender. Picture Ross Poldark cantering broodily across the Cornish clifftop, and lifting his Demelza up onto Seamus’ back (that is indeed his name).

True you ride the finest horse I’ve ever seen,
Standing sixteen one or two with eyes wild and green,
And you ride the horse so well, hands light to the touch.
I could never go with you no matter how I wanted to.
Jimmy McCarthy, Ride On (listen to the song at the end end of this post)

Ross Poldark and Seamus

Ulrich gets into his stride, so to speak, when he commits to print his daydreams of the object of many a teenage baby boomers’ longing, the androgynous, pony-tailed cow-girl. He ponders also the puzzle of pubescent girls and horses – that tom-boy world, temporary “islands in the flowing river of time”: “Somewhere between a doll and a real-life partner, the horse is the ultimate sex toy. It’s the largest, most beautiful and final plaything before the transition from home and family to a new relationship with a sexual partner”.

Arwen Evenstar

Having raised the subject of women on horseback, there no ignoring the Amazons. Legend says that they were adept horse-women. As are the heroines of the literary canon who express their subversive sexuality in equestrian interludes – Emma Bovary, Anna Karenina, and Thomas Hardy’s Bathsheba Everdene. Each are subjected to the author’s affectionate attention. When JRR Tolkien wanted to present a strong and wilful heroine in his ostensibly homoerotic epic, he placed Éowyn on a horse, albeit incognito. But she was the exception to JRR’s macho rule. He would never have sent elf princess Arwen Evenstar out like that. But director Peter Jackson, sensing how well it would translate to film, substituted the luminous Liv Tyler for elf lord Glorfindel to confound the Nazgul riders at the ford of Bruinen.  Here is a Carey Mulligan in glamorous array as Bathsheba:

The horse, the healer

So what is this spell that horses weave? We’ve talked about power. We’ve talked about prowess. We’ve talked about passion. Raulff doesn’t venture into the imaginative, the mystical, the magical, and, going further, ameliorative power of horses – that inexplicable feeling you sense when you’re in  close proximity to a horse. presence, an aura of sentient calmness. Let’s reprise our opening paragraph:

“What is there not to love about a horse? Its big, brown, doe eyes; its earthy, sweaty aroma from a land somewhere between babies and barnyards; the warmth of its neck on your palm; the rough feel of its mane in your fingers; the smell and the squeak of saddle leather; the jingle-bells of the bridle. The strength you sense through your thighs; an exhilaration that is close to fear as you kick his flanks into a trot, a canter, a gallop, and whoa! and you’re never one hundred percent sure she will obey you. And then, when it’s over, the radiated heat, the damp hide, the glow of sweat, almost a mist of equine energy as you dismount after the ride. You feel wired, alive, and at one with the horse, with the land, with nature”.

It is said that there there is more to a horse than its rider and that undeniably physical allure – that if you put your hands on or even near a horse’s body and close your eyes, you can feel a golden thread of energy travelling from your hands to its body, and from that body to your hands. There is a quiet strength to a horse that communicates a state of calm, relation, and peace. Therapists who work with grief and trauma are discovering that an emotional connection can exist between a horse and a human, that being in nature, in the presence of horses, seems to help children, teenagers and adults expand their emotional awareness and enhance their mental health, beginning the work of reconnecting them to the self, and to their environment, and even healing something inside that has been broken, often for years.

Poets might describe it as an opening up the heart – WH Auden’s “healing fountain”. Therapists call it limbic resonance, the capacity for sharing deep emotional states arising from the limbic system of the brain, which can include heightened feelings of empathic harmony. Horses, they believe, are highly sensitive creatures and possess an uncanny ability to read and mirror us because it is a skill that keeps them alive. They are instinctively prey animals, and in order to survive, they had to become excellent interpreters of energy, emotion and intention. Their sensitivity has been bred into their DNA for millions of years. But It is still all about the heart and the emotional states of calm and even joy when we feel positive emotions.

As a coda to this brief commentary on the horse as healer, a friend of mine passed away recently in Bellingen Hospital. The hospice ward is an impressive place in terms of its staff and the care they give. As he lay in declining repose, a horse came to his bedside and lay its head on his chest – a small horse, but a horse nonetheless. I have learned since that this pony is a regular visitor to hospices and aged care homes in the area. Bellingen hospital also allows cats and dogs to visit their owners.

For further reading on the horse as therapist, read this piece on horse heart math and an article by Candida Baker, an equine facilitated learning practitioner who helps people suffering  from trauma in the  Sydney Morning Herald. 

The Unequal Bargain

There are wealth of emotions associated with horses, such as pride and admiration, a desire for power, fear and joy, compassion, and companionship, and a lust for freedom. The pony is the cowboys’ closest pal. Western star and crooner Roy Rogers described it best:

Who carries your burden, who carries your load
On tumbleweed land or a long dusty road
Who asks you no questions, who tells you no lies
That four legged friend with the two honest eyes
A four legged friend, a four legged friend
He’ll never let you down
He’s honest and faithful right up to the end
That wonderful four legged friend
Roy Rogers, A Four Legged Friend (listen to the song at the end end of this post)

Over two millennia we have lavished depthless emotion, boundless affection and unlimited treasure upon horses. But we have also been capable of great cruelty both casual and calculated, – from willful neglect and senseless whipping to silent sacrifice as expendable extras on battlefields and motion picture sets. Raulff documents in prose and picture the violence inflicted upon our “four-legged friend”, and also how pathos and sympathy for the horses’ plight evolved into a worldwide movement for the prevention of cruelty to all creatures great and small.

That very same Banjo Paterson who gave us the Snowy Mountain man’s famous ride also glorifying the racetrack – and yet the annual Melbourne Cup,  Australia’s ‘race that stops a nation’, sees horses killed every year. we as a nation continue to praise and perpetuate what many see as animal cruelty. In Paterson’s day, horses were valuable and relied upon for transport and pleasure – theft was common – yet they were treated appallingly. Read The Man From Snowy River and reflect on the agony the hero inflicts upon his mount, which could barely move by the end of the ride and ‘was blood from hip to shoulder from the spur’. Yet Banjo, like apologists for the deaths on the track today – suggests that the horse was reveling in the chase.

But horses’ iconic place in our hearts and souls are sealed by their status as mobile metaphors of speed, of grace, of the wind in one’s hair, of wild, exhilarating, uninhibited freedom: “Run wild, run free”, like the troubled teen and the wild blue-eyed white colt in the 1969 British film of that name.

As Victorian bush poet James Cayce write in his poem A Magnificent Contradiction, a reminder of a debt that cannot be repaid:

The swirl of your mane alive in the wind, the glow on your flanks in the sun
The spirit of freedom you stir in my soul, the rhythm and grace when you run.
A whirlwind of power to wield or withhold; each movement made with conviction, 
A titan at work, a child at play; a magnificent contradiction

And it is with this in mind that Raulff concludes his epic ride, for it  is one of the most poignant paradoxes that the idea of freedom and movement associated with horses and being on horseback, the image of the wild mustangs in The Misfits and Banjo Paterson’s Colt from Old Regret, is juxtaposed with the reality that this “creature of the wind”, as the Arabs described him, has surrendered her freedom and free will in the service of man.

Quoting the poet Albrecht Schaefer, Raulff tells of how “the horse knows that it would like to be free … but the burden is never ending, and it is rarely allowed to run and has to stand there even when it is frightened and when it is seized by the urge to return to its nature, to flee … It is trapped in eternal captivity, always overshadowed by an inescapable will to which it resigns itself without ever realizing”.

This magnificent animal, Raulff  writes, “held in perpetual captivity, is seen by us as the epitome of all in nature that embodies nobility and magnanimity, stature, pride, and courage”.

Now the clasp of this union
Who fastens it tight?
Who snaps it asunder
The very next night
Some say the rider
Some say the mare
Or that love’s like the smoke
Beyond all repair
Leonard Cohen, The Ballad of the Absent Mare

© Paul Hemphill 2018.  All rights reserved


Icelandic horses play at a stud farm in Wehrheim near Frankfurt. M Proust/AP

 Epilogue

The Troubled Trail – an equine parable 

In primeval times, horses were indigenous to North America, but were long extinct by the time the white man came into the new world. He brought with him his deity and his diseases, his guns and his greed – and his horses. He conquered the land and broke it – its ecology, its  pre-Colombian history, and its people.

In the early years, the horses of the conquistadors humbled and harried the Native Americans. In time, many horses scattered and ran wild, and on the open prairie grasslands, they prospered and multiplied. The free people of the plains captured and tamed those feral mustangs, and so mounted, were better able to travel over great distances to fresh pastures and to the wide grazing grounds of the vast herds of buffalo, a rich source of food and fashion.

The horse gave the Native Americans mobility and speed, and an economic asset of value. They began trading horses with their neighbours, and also horse stealing, whilst their mounts gave them the edge in their territorial vendettas with neighbouring tribes. They bought steel axes and knives From the white traders who ventured into their lands from the east, and also, firearms which augmented their already effective mounted archery. This gave them a tactical edge when they first came up against the mounted soldiers of the US Army.

They were a formidable foe, their speed and maneuverability and their skill with bow and rifle, were more than a match for the clumsy, old-school heavy cavalry, and these, indeed, were compelled to adjust their own style and tactics to match their guerrilla adversaries, taking up light weapons – carbines and revolvers – and fighting on foot as circumstances dictated.

An irony of the Battle of Little Big Horn in the summer of 1876 is that George Armstrong Custer and his men rode over-confidently and fatefully onto a battlefield in which they were out-horsed, outgunned, and outmaneuvered by their numerically stronger foe. Another irony is that the only US Army survivors of that famous battle were the cavalry horses. As a contemporary witness of the aftermath wrote:

“As the men looked up and searched the broken terrain with weary, tearful eyes, down by the river a horse was struggling to get to its feet. Several of the men recognized the horse because of its peculiar buckskin-like colour. It was Comanche, the favourite mount of Capt. Myles Keogh, who had valiantly rallied the men of “I” Company right up to the end… He had apparently sustained at least seven wounds, and his coat was matted with dried blood and soil.” Comanche’s wounds were serious, but he recovered and spent his days as a celebrity, taking part in ceremonies and parades as a symbol of Custer’s memory. After his death, he was stuffed and placed on display at the University of Kansas Museum of Natural History. https://www.globetrotting.com.au/comanche-the-horse-that-survived-custers-last-stand/

The US Army exacted a terrible revenge for Little Big Horn. The days of the Plains Indian were numbered as the army and the hunters destroyed the buffalo herds that fed and clothed the tribes, and killed their horses, ending forever their wandering ways. As Neil Young was later to sing in Pocahontas:

They killed us in our tepee
And they cut our women down
They might have left some babies
Cryin’ on the ground
But the firesticks and the wagons come
And the night falls on the setting sun

© Paul Hemphill 2018.  All rights reserved

Frederic Remington’s Braves


The Ballad of the Absent Mare

Leonard Cohen 

Say a prayer for the cowboy
His mare’s run away
And he’ll walk til he finds her
His darling, his stray
But the river’s in flood
And the roads are awash
And the bridges break up
In the panic of loss.

And there’s nothing to follow
There’s nowhere to go
She’s gone like the summer
Gone like the snow
And the crickets are breaking
His heart with their song
As the day caves in
And the night is all wrong

Did he dream, was it she
Who went galloping past
And bent down the fern
Broke open the grass
And printed the mud with
The iron and the gold
That he nailed to her feet
When he was the lord

And although she goes grazing
A minute away
He tracks her all night
He tracks her all day
Oh blind to her presence
Except to compare
His injury here
With her punishment there

Then at home on a branch
In the highest tree
A songbird sings out
So suddenly
Ah the sun is warm
And the soft winds ride
On the willow trees
By the river side

Oh the world is sweet
The world is wide
And she’s there where
The light and the darkness divide
And the steam’s coming off her
She’s huge and she’s shy
And she steps on the moon
When she paws at the sky

And she comes to his hand
But she’s not really tame
She longs to be lost
He longs for the same
And she’ll bolt and she’ll plunge
Through the first open pass
To roll and to feed
In the sweet mountain grass

Or she’ll make a break
For the high plateau
Where there’s nothing above
And there’s nothing below
And it’s time for the burden
It’s time for the whip
Will she walk through the flame
Can he shoot from the hip

So he binds himself
To the galloping mare
And she binds herself
To the rider there
And there is no space
But there’s left and right
And there is no time
But there’s day and night

And he leans on her neck
And he whispers low
“Whither thou goest
I will go”
And they turn as one
And they head for the plain
No need for the whip
Ah, no need for the rein

Now the clasp of this union
Who fastens it tight?
Who snaps it asunder
The very next night
Some say the rider
Some say the mare
Or that love’s like the smoke
Beyond all repair

But my darling says
“Leonard, just let it go by
That old silhouette
On the great western sky”
So I pick out a tune
And they move right along
And they’re gone like the smoke
And they’re gone like this song

 

Grosvenor Square, London 1968

Poll Tax Riots, London 1990

Grosvenor Square 1968

That was the year that was – going up against chaos

Reviewing 2017, I am reminded of Game of Thrones‘ Mance Rayder’s valedictory: “I wish you good fortune in the wars to come”.

On the international and the domestic front, it appeared as if we were condemned to an infernal and exasperating ‘Groundhog Day’.

Last November, we welcomed Donald Trump to the White House with bated breath and gritted teeth, and his first year as POTUS did not disappoint. From race-relations to healthcare to tax reform to The Middle East, South Asia and North Korea, we view his bizarro administration with a mix of amusement and trepidation. Rhetorical questions just keep coming. Will the Donald be impeached? Are we heading for World War 3? How will declining America make itself “great again” in a multipolar world set to be dominated by Russia Redux and resurgent China. Against the advice of his security gurus, and every apparently sane and sensible government on the globe (including China and Russia, but not King Bibi of Iz), his Trumpfulness recognized Jerusalem as the capital of Jerusalem. Sure, we all know that Jerusalem is the capital of Israel – but we are not supposed to shout it out loud in case it unleashed all manner of mayhem on the easily irritated Muslim street. Hopefully, as with many of Trump’s isolationist initiatives, like climate change, trade, and Iran, less immoderate nations will take no notice and carry on regardless. The year closes in, and so does the Mueller Commission’s investigation into Russia’s meddling in the last presidential election and the Trumpistas’ connivance and complicity – yes, “complicit”, online Dictionary.com’s Word of the Year, introduced to us in her husky breathlessness by the gorgeous Scarlett Johansson in a spoof perfume ad that parodies Ivanka Trump’s merchandizing.

Britain continues to lumber towards the Brexit cliff, its unfortunate and ill-starred prime minister marked down as “dead girl walking”. Negotiations for the divorce settlement stutter on, gridlocked by the humongous cost, the fate of Europeans in Britain and Brits abroad, and the matter of the Irish border, which portends a return to “the troubles” – that quintessentially Irish term for the communal bloodletting that dominated the latter half of the last century. The May Government’s hamfistedness is such that at Year End, many pundits are saying that the public have forgotten the incompetence of Labour leader Jeremy Corbyn, and predict that against all odds, his missus could soon be measuring up for curtains in Number Ten.

Beset by devilish twins of Trump and Brexit, a European Union written-off as a dysfunctional, divided bureaucratic juggernaut, appears to have found hidden reserves of unity and purpose, playing hardball with Britain, dismissing the claims of Catalonia and Kurdistan, rebuking an isolationist America, and seeing-off resurgent extreme right-wing parties that threaten to fracture it with their nationalist and anti-immigration agendas. Yet, whilst Marine Le Pen and Gert Wilders came up short in the French and Dutch elections, and centrists Emmanuel Macron and Angela Merkel hold the moderate middle, atavistic, autocratic and proto-fascist parties have risen to prominence and influence in formerly unfree Eastern Europe, driven by fear of a non-existent flood of refugees from the Middle East and Africa (these are headed for the more pleasant economic climes of Germany, Britain and Scandinavia), and perhaps, their historically authoritarian DNA. Already confronted with the Russian ascendency in the east, and the prospects of the Ukrainian – Donetsk conflict firing up in the near future, the EU’s next big challenge is likely to be reacquainting itself with its original raisin d’etre – the European Project that sought to put an end to a century of European wars – and addressing the potential expulsion of parvenu, opportunistic member states who fail to uphold the union’s democratic values. As a hillbilly villain in that great series Justifed declaimed, “he who is not with is not with us”.

The frail, overcrowded boats still bob dangerously on Mediterranean and Aegean waters, and the hopeful of Africa and Asia die hopelessly and helplessly. Young people, from east and west Africa flee poverty, unemployment, and civil war, to wind up in Calais or in pop-up slave markets in free but failed Libya. In the Middle East the carnage continues. Da’ish might be finished on the battlefields of Iraq and Syria, with the number of civilian casualties far exceeding that of dead jihadis. But its reach has extended to the streets of Western Europe – dominating headlines and filling social media with colourful profile pictures and “I am (insert latest outrage)” slogans. Meanwhile, tens, scores, hundreds die as bombs explode in Iraq, Syria, Yemen, Egypt, Afghanistan and Pakistan, with no such outpourings of empathy – as if it’s all too much, too many, too far away.

Bad as 2017 and years prior were for this sad segment of our planet, next year will probably not be much better. The autocrats are firmly back in the saddle from anarchic Libya and repressed Egypt to Gulf monarchs and Iranian theocrats. There will be the wars of the ISIS succession as regional rivals compete with each other for dominance. Although it’s ship of state is taking in water, Saudi Arabia will continue its quixotic and perverse adventures in the Gulf and the Levant. At play in the fields of his Lord, VP Pence declared to US troops in December that victory was nigh, the Taliban and IS continue to make advances in poor, benighted Afghanistan. Meanwhile, Africa will continue to bleed, with ongoing wars across the Sahel, from West and Central Africa through to South Sudan,  ethnic tensions in the fragile nations of the Rift Valley, and further unrest in newly ‘liberated’ Zimbabwe as its people realize that the military coup is yet another case what The Who called “meet the old boss, same as the new boss”.

This Syrian mother and her child were rescued by the Greek Coast Guard.

In our Land Down Under, we endured the longest, most boring election campaign in living memory, and got more of the same: a lacklustre Tory government, and a depressingly dysfunctional and adversarial political system. Politicians of all parties, blinkered by short-termism, and devoid of vision, insist on fiddling whilst the antipodean Rome burns. All this only accentuates Australians’ disenchantment with their representatives, warps their perception of the value and values of “democracy”, and drives the frustrated, disgruntled, fearful and alienated towards the political extremes – and particularly the Right where ambitious but frustrated once, present and future Tory politicians aspire to greatness as big fishes in little ponds of omniphobia.

Conservative Christian politicians imposed upon us an expensive, unnecessary and bitterly divisive plebiscite on same-sex marriage which took forever. And yet, the non-compulsory vote produced a turnout much greater than the U.K. and US elections and the Brexit referendum, and in the end, over sixty percent of registered voters said Yes. Whilst constituencies with a high proportion of Muslims, Hindus, Christians and Chinese cleaved to the concept that marriage was only for man and women, the country, urban and rural, cities and states voted otherwise. The conservatives’ much-touted “silent majority” was not their “moral majority” after all. Our parliamentarians then insisted on dragging the whole sorry business out for a fortnight whilst they passed the legislation through both Houses of Parliament in an agonizingly ponderous pantomime of emotion, self-righteousness and grandstanding. The people might have spoken, but the pollies just had to have the last word. Thanks be to God they are all now off on their summer hols! And same-sex couples can marry in the eyes of God and the state from January 9th 2018.

Meanwhile, in our own rustic backyard, we are still “going up against chaos”, to quote Canadian songster Bruce Cockburn. For much of the year, as the last, we have been engaged in combat with the Forestry Corporation of New South Wales as it continues to lay waste to the state forest that surrounds us. As the year draws to a close, our adversary has withdrawn for the long, hot summer, but will return in 2018, and the struggle will continue – as it will throughout the state and indeed the nation as timber, coal and gas corporations, empowered by legislation, trash the common treasury with the assent of our many governments.

And finally, on a light note, a brief summary of what we were watching during the year. There were the latest seasons of Game of Thrones and The Walking Dead. The former was brilliant, and the latter left us wondering why we are still watching this tedious and messy “Lost in Zombieland”. Westworld was a delight with its fabulous locations and cinematography, a script that kept us backtracking to listen again to what was said and to keep up with its many ethical arcs and literary revenues. and a cavalcade of well cast, well-written and original characters. Westworld scored a post of its own on this blog – see below. The Hand Maid’s Tale wove a dystopian tale all the more rendered all the more harrowing by the dual reality that there are a lot of men in the world who would like to see women in servitude, and that our society has the technology to do it. To celebrate a triumphant return, our festive present to ourselves were tee-shirts proclaiming: “‘ave a merry f@#kin’ Christmas by order of the Peaky Blinders”.  And on Boxing Day, Peter Capaldi bade farewell as the twelfth and second-best Doctor Who (David Tennant bears the crown), and we said hello to the first female Doctor, with a brief but chirpy Yorkshire “Aw, brilliant!” sign-on from Jodie Whittaker.

Whilst in Sydney, we made two visits to the cinema (tow more than average) to enjoy the big-screen experience of the prequel to Ridley Scott’s Alien and the long-awaited sequel to our all-time favourite film Blade Runner. Sadly, the former, Alien: Covenant, was a disappointment, incoherent and poorly written.  The latter, whilst not as original, eye-catching and exhilarating as its parent, was nevertheless a cinematic masterpiece. It bombed at the box office, just like the original, but Blade Runner 2049 will doubtless become like it a cult classic.

This then was the backdrop to In That Howling Infinite’s 2017 – an electic collection covering politics, history, music, poetry, books, and dispatches from the Shire.

An abiding interest in the Middle East was reflected in several posts about Israel and Palestine, including republishing Rocky Road to Heavens Gate, a tale of Jerusalem’s famous Damascus Gate, and Castles Made of Sand, looking at the property boom taking place in the West Bank. Seeing Through the Eyes of the Other publishes a column by indomitable ninety-four year old Israeli writer and activist Uri Avnery, a reminder that the world looks different from the other side of the wire. The Hand That Signed the Paper examines the divisive legacy of the Balfour Declaration of 1917. The View From a Balcony in Jerusalem reviews journalist John Lyons’ memoir of his posting in divided Jerusalem. There is a Oh, Jerusalem, song about the Jerusalem syndrome, a pathology that inflects many of the faithful who flock to the Holy City, and also a lighter note, New Israeli Matt Adler’s affectionate tribute to Yiddish – the language that won’t go away.

Sailing to Byzantium reviews Aussie Richard Fidler’s Ghost Empire, a father and son road trip through Istanbul’s Byzantine past. Pity the nation that is full of beliefs and empty of religion juxtaposes Khalil Gibran’s iconic poem against a politically dysfunctional, potentially dystopian present, whilst Red lines and red herrings and Syria’s enduring torment features a cogent article by commentator and counterinsurgency expert David Kilcullen.

On politics generally, we couldn’t get through the year without featuring Donald Trump. In The Ricochet of Trump’s Counterrevolution, Australian commentator Paul Kelly argues that to a certain degree, Donald Trump’s rise and rise was attributable to what he and other commentators and academics describe as a backlash in the wider electorate against identity and grievance politics. Then there is the reblog of New York author Joseph Suglia’s original comparison between Donald Trump’s White House and Shakespeare’s Julius Caesar. But our particular favourite is Deep in the Heart of Texas, a review of an article in The New Yorker by Lawrence Wright. His piece is a cracker – a must-read for political junkies and all who are fascinated and frightened by the absurdities of recent US politics.

Our history posts reprised our old favourite, A Brief History of the Rise and Fall of the West, whilst we examined the nature of civil wars in A House Divided. Ottoman Redux poses a hypothetical; what if The Ottoman Empire has sided with Britain, France and Russia in World War I? In the wake of Christopher Nolan’s blockbuster movie, Deconstructing Dunkirk looked at the myths surrounding the famous evacuation. On the seventieth anniversary of the birth of India and Pakistan, we looked at this momentous first retreat from Empire with three posts: Freedom at Midnight (1) – the birth of India and Pakistan, Freedom at Midnight (2) – the legacy of partition, and Weighing the White Man’s Burden. Rewatching the excellent sci-fi drama Westworld – one of the televisual gems of 2017 –  we were excited to discover how the plays of William Shakespeare were treasured in the Wild West. This inspired our last post for the year: The Bard in the Badlands – Hell is empty and the devils are here, the title referencing a line from The Tempest.

Happy Birthday, Indiaekkent

Our continuing forest fight saw us return to Tolkien’s Tarkeeth, focusing this time around on fires that recalled Robert Plant’s lyrics in Ramble On: In the darkest depths of Mordor. The trial in Coffs Harbour of the Tarkeeth Three and the acquittal of two of our activists were chronicled on a series of interviews recorded by Bellingen’s Radio 2bbb, whilst other interviews were presented in The Tarkeeth Tapes. On a lighter note, we revisited our tribute to the wildlife on our rural retreat in the bucolic The Country Life.

And finally to lighter fare. There was Laugh Out Loud – The Funniest Books Ever. Poetry offerings included the reblog of Liverpudlian Gerry Cordon’s selection of poetry on the theme of “undefeated despair”: In the dark times, will there also be singing?; a fiftieth anniversary tribute to Liverpool poets Roger McGough, Adrian Henri and Brian Patten, Recalling the Mersey Poets; and musical settings to two of our poems, the aforementioned Oh, Jerusalem, and E Lucevan Le Stelle.

And there was music. Why we’ve never stopped loving the Beatles; the mystery behind The Strange Death of Sam Cooke; Otis Redding – an unfinished life, and The Shock of the Old – the Glory Days of Prog RockLegends, Bibles, Plagues presented Bob Dylan’s laureate lecture. We reprised Tales of Yankee Power – how the songs of Jackson Brown and Bruce Cockburn portrayed the consequences of US intervention in Latin America during the ‘eighties. And we took an enjoyable journey into the “Celtic Twilight” with the rousing old Jacobite song Mo Ghille Mear – a piece that was an absolute pleasure to write (and, with its accompanying videos, to watch and listen to). As a Christmas treat, we reblogged English music chronicler Thom Hickey’s lovely look at the old English carol The Holly and the Ivy, And finally, for the last post of this eventful year, we selected five christmas Songs to keep the cold winter away.

Enjoy the Choral Scholars of Dublin’s University College below. and here are Those were the years that were : read our past reviews here:  2016   2015 

In That Howling Infinite is now on FaceBook, as it its associate page HuldreFolk. Check them out.

And if you have ever wondered how this blog got its title, here is Why :In That Howling Infinite”?

See you in 2018.

 

 

Why we’ve never stopped loving the Beatles

I have always wanted to write a tribute to the Beatles, but I can’t better Australian journalist and author David Leser’s piece in the Sydney Morning Herald on Nov 25-26 2017.

So here it is in full, pictures included: 

I was 6½ years old when I saw the Beatles perform Love Me Do on Britain’s Granada Television. Like anyone old enough to remember that moment in 1962, I was thunderstruck – by the harmonies, the haircuts and the wavering harmonica that John Lennon was playing.

Our generation had never heard anything like it – not until we heard Please Please Me, and then I Saw Her Standing There, and then From Me to You, and then She Loves YouI Want to Hold Your HandCan’t Buy Me LoveI Feel FineTicket to RideHelp …

They just kept coming didn’t they? One glorious foot-stomping pop classic after another. Songs that took us to places of head-shaking ecstasy in less than 2½ minutes, blending influences of rock ‘n’ roll, rhythm ‘n’ blues, rockabilly, skiffle and – later – reggae, folk, country and western, Indian, psychedelia and string quartets.

Songs that started with choruses. Songs that went from minor falls to major lifts. Songs with beautiful bridges and mysterious openings, like that indescribable shimmering announcement of A Hard Day’s Night, or the 16-minute medley that concluded Abbey Road, their final recorded album. (And, yes, Abbey Road was always my favourite, even though Rubber SoulRevolverSgt Pepper and The White Albumcould always ambush me with their brilliant innovations.)

Songs that were arrows aimed at the collective heart of nations. Songs that captured the tempo and temper of a generation. Songs that saw two geniuses – John Lennon and Paul McCartney – hunting as one pair to become the greatest songwriting duo in history – and this before George Harrison finally emerged from their oversized shadow.

 Songs that came to represent arguably the greatest outpouring of melody from one source since Mozart. Not scores of good songs. Hundreds of great songs that are still being analysed, deconstructed and, of course, played today.
I was eight when the Beatles came to Australia in 1964 and 300,000 people poured onto the streets of Adelaide to welcome them. I had photos of the Beatles all over my bedroom wall (actually I still have photos all over my wall, although not my bedroom) and I remember crying when my mother went to see them at the Sydney Stadium and told me I couldn’t go.

It was as if I’d lost a member of my own family, which in a way I had; only to be repeated 21 years later when George Harrison died from cancer.

The Beatles were the stuff that dreams and screams were made of and like millions of boys my age, I learnt to play guitar and sing because of them. I fell in love to the Beatles. And with the Beatles – George first, then Paul, then John, then George all over again.

And, truth is, this love has never deserted me – nor many in my generation – no matter how far we’ve travelled from their phenomenon, in time and space. Of course there were other loves too:  the Beatles’ great rivals – the Rolling Stones, the Who, Cream; the Beatles’ successors – Led Zeppelin, Talking Heads and Fleetwood Mac; the Jewish songwriters – Bob Dylan, Leonard Cohen and Paul Simon; the androgynous ground breakers Bowie, Michael Jackson and Prince; not to mention Nick Drake, Tim Buckley, Van Morrison, Cat Stephens and Bruce Springsteen. And all this well before we’d even entered the ’90s.

Such a long list of musical loves, but never like that first great love. And now that Paul McCartney is about to arrive on our shores after a near 25 year absence it feels appropriate to reflect on why this should be so, notwithstanding the millions of words already penned about the Greatest Band the World has Ever Known.

 I remember the moment as though it were yesterday – standing in a hospital corridor waiting to see my sick grandmother – as a woman in the room next door yelled to her deaf mother: ‘Did you hear mum? A madman just shot John Lennon.’

It was always about the music, but the multiple stories that attached themselves to the Beatles were no less compelling. Two motherless Liverpool teenagers, one caustic and witty (Lennon), the other conciliatory and hugely ambitious (McCartney), crossing their city one day to find the only person who could teach them the B7 chord.

And then, in the space of a few short years, forging a songwriting partnership that would see them, by early 1964, capturing 60 per cent of the American singles market, all top five positions on the Billboard’s singles and then, the following week, 14 of the top 100 US singles.

The Beatles give a press conference during their 1964 Australian tour.

They’d honed their stage craft during their Hamburg years (1960-62) when – among the bouncers, gangsters and sex workers of the notorious Reeperbahn​ – they’d performed 800 hours on stage, mostly on Preludin to stay awake, with show-stopping songs like Ray Charles’ What’d I Say.

They were the Rolling Stones before the Rolling Stones ever declared themselves a white Chicago blues band from London. For one thing, McCartney was a virtuoso musician who already knew his way around his left-handed guitar by the age of 15.

Son of a big band leader, he was steeped in famous music hall songs, while also imbued with the rock ‘n’ roll of Fats Domino, Little Richard, Elvis and Chuck Berry, not to mention the revival of British jazz, known as skiffle. Plus he could sing harmonies like an angel and he taught Lennon how to tune his guitar.

By the time he’d reached his prime, he was playing bass, electric guitar, acoustic guitar, piano, harmonica, trumpet, recorder, oboe, flugelhorn, cello, violin, harpsichord, even the drums.

“Mr Lennon, is Ringo Starr the best drummer in the world?” a breathless interviewer once asked John Lennon. “Ringo isn’t even the best drummer in the Beatles,” Lennon replied.

It was an apocryphal story and it belied Ringo’s mastery – his rock-steady backbeat, his tom tom grooves, his syncopated propulsion, his languid rolls. As McCartney noted after Ringo first sat in for original drummer Pete Best: “I remember the moment standing there and looking at John and then looking at George, and the look on our faces was like …what is this? And that was the moment, that was the beginning, really, of the Beatles.”

And then the so-called “Quiet Beatle” George Harrison, the lead guitarist, whose magnificent songwriting talent only began to fully reveal itself in 1968, four years after Beatlemania had swept the world, with songs like While My Guitar Gently WeepsHere Comes the Sun and Something, the latter Frank Sinatra describing as “the greatest love song ever written.”

All great stories naturally have their tension and for the Beatles it was, firstly, the global hysteria that saw them turn their backs on live performances in favour of the studio. There they would end up penning their most brilliant songs – Day TripperWe Can Work it OutNorwegian WoodNowhere ManIn My LifePaperback WriterEleanor Rigby. And all this before they got around to Sgt PepperThe White AlbumLet it Be and Abbey Road.

It was the tension also of the Lennon-McCartney rivalry that, at its best, would see them trading song for song – Lennon’s Strawberry Fields Forever for McCartney’s Penny Lane; or lyric for lyric, as in Day in the Life, arguably their greatest collaboration.

At its worst, though, was the feud that finally erupted in the wake of manager Brian Epstein’s death from a drug overdose in 1967. That’s when, according to Lennon, McCartney began bossing the others around, trying to assert his will over the band.

Lennon was withering about McCartney in his final Rolling Stoneinterview, claiming McCartney was an “egomaniac” who’d tried to destroy – subconsciously – his [Lennon’s] songs. He also damned Yesterday, the most covered song in history, with faint praise.

“Well, we all know about Yesterday,” he said. “I have had so much accolade for Yesterday. That is Paul’s song, of course, and Paul’s baby. Well done. Beautiful … and I never wished I had written it.”

That final interview came three days before Lennon was gunned down and whatever chance there might have been of a true reconciliation between these old Liverpool friends ended with those five shots from Mark Chapman’s .38 Special revolver.

In the 47 years since the Beatles disbanded the question has often been asked: “Who was the better songwriter, Lennon or McCartney?” In 2014, an American documentary crew attempted to provide an answer after spending 10 years asking 550 musicians, directors and actors for their verdict.

One respondent said it was like choosing between your mum and dad. Another said it was like deciding between “food, shelter and clothing”. Lennon got the highest number of votes, although when US President Barack Obama awarded Paul McCartney the annual Gershwin prize for popular song in 2010 he described the now 75 year-old McCartney as “the most successful songwriter in history.

“He has composed hundreds of songs over the years – with John Lennon, with others, or on his own. Nearly 200 of those songs made the charts. Think about that. And stayed on the charts for a cumulative total of 32 years. His gifts have touched billions of lives.”

My friends and I are among those billions, although I might be the most hopelessly devoted of all. Once a month a few of us gather for a night of Beatles songs and I’ll be damned if I’m still not trying to work out the complex chord progressions and the high notes to their two and three-part harmonies.

My daughters, too, are fans, even though they were born two decades after it all ended. When each girl turned five I gave them the complete works of the Beatles with the instruction: “If you want to learn about songwriting and melody then listen to this.”

My elder daughter is now a singer-songwriter, my younger daughter a photographer. No prizes for guessing where we’ll be the night McCartney rolls back the years.Liverpool

See also: Recalling the Mersey Poets 

The Tarkeeth Tapes – Interviews on Bellingen’s Radio 2bbb

 

Residents of Bellingen Shire have been protesting for almost two years against the aggressive forestry harvesting practices employed by Forestry Corporation New South Wales in the Tarkeeth Sate Forest.  The following is an on-line record and archive of interviews, videos and media coverage.

  1. Adele Hemphill talks to Bunda of 2bbb about the fires that have shrouded Bellingen in toxic smoke. 10th  November 2017

2. Adele Hemphill talks to Bunda about her forest neighbour from hell. 17th March 2017

3. Bellingen barrister John Carty talked to 2bbb’s Leo Bradney-George about the trials of the Tarkeeth Three, and particularly,  the acquittal of the Tarkeeth Two at Coffs Harbour courthouse on March 2nd 2017. 10th March 2017

4. Prior to the trial of the Tarkeeth Three on 17th January 2017, forest protector Sean Maigh talked to Leo Bradney-George about the Tarkeeth Forest and its defenders.

5. Paul Hemphill talks to Leo Bradney-George about an upcoming recital in the Tarkeeth Forest by acclaimed bandurist Victor Mishalow. 28th November 2016

The interviews are followed by a compendium, an archive, indeed,  of videos and media coverage of the Tarkeeth Forest protests.

See also on this blog:



Further viewing:  a selection of videos about the Tarkeeth protests

Here is what the recent burning of the windrows of Tarkeeth State Forest looked like to The Lord God Almighty. The Coffs Coast Advocate likened it to “a scene from a doomsday sci-fi movie”. The scariest thing is that this video was taken as dusk was descending. The Forestry Corporation fire crew work office hours – they had knocked off at four o’clock and left all this to burn overnight.

 

In September, last year, the windrow fire set by Forestry Corporation closed Fells Road and had the potential to threaten local homes. “It’s  dying down. It was a lot worse a minute ago”!

Greens MLC Jeremy Buckingham’s live coverage of Simmo’s lock-on at Tarkeeth on 25th July 2016:

Protest leader Susan Weil’s live coverage of the Not In My Forest action group’s onsite protest at Tarkeeth State Forest on 28th July 2016, where Sean and AJ locked on to a timber harvester machine:


A short video of the destructive clearfell and burn forestry operations that inspired the Tarkeeth Three to direct action:


Further reading:

  • Tales of Tarkeeth – other stories in this blog about Tarkeeth’s past and present.

A selection of local newspaper coverage of the Tarkeeth Forest story:

selection of local media coverage of The Tarkeeth Three: