Songs to drive the cold winter away

I am not one who makes much of the festive season, but inspired by the example of my favourite blog, Thom Hickey’s Immortal Juke Box, here are five favourite Christmas songs. No Neil Diamond or Mariah Carey here.

Five

The King, sung here by Canadians Loreena McKennitt and Cyril Smith, from Loreena’s Christmas album To Drive the Cold Winter Away, hails from a long tradition of “Wren King” songs. The king of the title is the wee wren, “the king of all birds”, as many old songs tell it. Through December until Twelfth Night (the sixth of January), it was common among Celtic-speakers in Brittany, Wales, Manx, Scotland, and Ireland for children and adults to cruise their neighbourhoods cadging food, money or booze in return for seeing a Wren that they had captured. This particular “King Wren” song dates from the eighteenth century, although the heavy weaponry was added in the nineteenth.

Health, love and peace be all here in this place
By your leave we shall sing, concerning our King
Our King is well-dressed in silks of the best
In ribbons so rare no king can compare
We have travelled many miles over hedges and stiles
In search of our King unto you we bring.
We have powder and shot to conquer the lot
We have cannon and ball to conquer them all.
Old Christmas is past, twelve tide is the last
And we bid you adieu, great joy to the new

Four

Of all the trees that are in the wood, the holly bears the crown.  Northumbrian Kate Rusby’s rendering of the old English carol The Holly and the Ivy is gorgeous. I reblogged Thom Hickey’s tribute to this lovely song earlier this month. It is worth another look and listen. The lyrics are so bucolic, so timeless:

The rising of the sun
The running of the deer
The playing of the merry organ
Sweet singing in the choir

Three

Loreena sings a lovely version of The Wexford Carol on her Christmas album. But Christmas songs don’t get much more beautiful than this beautiful version by American bluegrass diva Ali Krauss and cellist virtuoso Yo Yo Ma. The carol is believed to have originated in twelfth century Ireland in my mother’s home town of Inis Córthaidh.

Two

In 1961, Dusty Springfield was but a young lass, but even back then, she had a fabulous voice! I was twelve years old and this was the first time I’d heard the Springfields, the Americanesque folk trio founded by her brother Tom. It was the beginning of unrequited puppy-love that ended when I heard the Bobster’s Love Minus Zero No Limit – see my reverie What’s Bob Got to Do With It?  Dusty went on to become one of the greatest soul singers of all time, and Tom gave the world The Seekers. He adapted Bambino from a traditional Italian carol, just as he was later to transform a Russian folk-song into The Carnival is Over.

Santo natale bambino mio…
To you and all mankind,
To you and all mankind, maybe,
And from strife we shall be free.

One

It’s been voted the best Christmas song of all time – in the U.K, that is, because Americans don’t get it, as The Independent discovered – and, yes, it’s my number one because it IS the best Christmas song of all time. And yet, it seems, the “bah humbug!” straighteners and virtue signallers are out to get it, as reported recently by Aussie writer Mark Mordue: Sanitize Clause would rob a Christmas ballad of its soul.

The irascible, untuneful, dentally-disadvantaged Shane McGowan and his hot ceilidh band hit the big time with this “Christmas Eve in the drunk tank” shanty, wonderfully aided and abetted by the gorgeous and doomed Kirsty MacColl, who could’ve been famous but for a rich Mexican in a speedboat. The repartee between these loser-lovers is up there with Burton and Taylor:

I could have been someone
Well so could anyone
You took my dreams from me
When I first found you…

You’re a bum
You’re a punk
You’re an old slut on junk
You scumbag, you maggot
You cheap lousy faggot
Happy Christmas your arse
I pray God it’s our last

When it comes to a Christmas song, how low can you Go? And, as the band kicks in with the accordion and pipes, how high can you fly?

Happy Christmas.

The Holly and the Ivy

Of all the trees that are in the wood, the holly bears the crown

A  Christmas gift from In That Howling Infinite.

Probably one of the loveliest traditional English carols, sung by melodious English song-bird Kate Rusby.

Written by Thom Hickey in his excellent blog The Immortal Jukebox – a treasure trove of well-written words and excellent music.The post is below the lyrics. Wander through it and enjoy.

The holly and the ivy,
When they are both full grown
Of all the trees that are in the wood
The holly bears the crown
O the rising of the sun
And the running of the deer
The playing of the merry organ
Sweet singing of the choir

The holly bears a blossom
As white as lily flower
And Mary bore sweet Jesus Christ
To be our sweet Saviour
O the rising of the sun
And the running of the deer
The playing of the merry organ
Sweet singing of the choir

The holly bears a berry
As red as any blood
And Mary bore sweet Jesus Christ
To do poor sinners good
O the rising of the sun
And the running of the deer
The playing of the merry organ
Sweet singing of the choir

The holly bears a prickle
As sharp as any thorn;
And Mary bore sweet Jesus Christ
On Christmas Day in the morn.
O the rising of the sun
And the running of the deer
The playing of the merry organ
Sweet singing of the choir

The holly bears a bark
As bitter as any gall;
And Mary bore sweet Jesus Christ
For to redeem us all.
O the rising of the sun
And the running of the deer
The playing of the merry organ
Sweet singing of the choir

The holly and the ivy
Now both are full well grown,
Of all the trees that are in the wood,
The holly bears the crown.
O the rising of the sun
And the running of the deer
The playing of the merry organ
Sweet singing of the choir

The Immortal Jukebox

There is a power beyond all analysis in the Christmas Carol – especially those which emerged from the folkloric tradition of England’s rural heartlands.

I could give you a learned analysis of, ‘The Holly and the Ivy’ noting it is numbered 514 in the Roud Folk Song Index and waxing lyrical on its symbolism and use of Christian iconography.

Somehow, as soon as Kate Rusty starts to sing all that appears superfluous.

For Kate is for my money the finest English Folk Singer since Sandy Denny and you would have to be made of stone not to be moved by the tender beauty of her voice.

Hearing her singing such a song I feel as if I had wandered from the snow into a Yorkshire Romanesque church.

Resting in a time worn pew, hunched against the draughts all around I am startled by the emerging sound of a rustic band…

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