The phantom of liberty … the paradoxes of conservatism

Economist and commentator Henry Ergas wrote in The Australian recently: “With the Trump revolution wreaking havoc on conservative movements worldwide and the election rout leaving Liberals stunned, Australian conservatism faces an identity crisis it no longer can afford to ignore. Understanding its divergence from overseas traditions is vital to recovering and redefining the distinctive voice it needs to deal with the latest threat to its existence.”  I have repolished it below.
Personally, I find the crisis in contemporary conservatism, particularly as it pertains to Australia politics, fascinating. Here it is in danger descending into a culture of grievance and of populism (- defined as the quest for simple solutions to complex problems).

These fast-moving times are shaky ground for the creed. People are losing faith in institutions; the church no longer has moral influence; the social norms that once tied the community together are changing at lightning speed. Even many within what can be classified as the centre-right acknowledge  what might be described as the conservative movement is apparently on the back foot, scrambling to define itself by what it opposes rather than what it believes, plagued by self-doubt and confusion as to what to believe what to stand up for.

As younger voters in the Anglo-sphere veer away from conservative parties, old warhorses and young fogeys, an incongruous, anachronistic cabal of reactionaries if ever there was one, desperately seek relevance and comfort as they endeavour to beat back what they see as the rising tide of progressivism and the proliferation of what they condemned as “woke” – a portmanteau word for whatever that dislike and disdain in politics and society’s at large.

“Conservatism” is an intriguing concept. It can broadly be translated as “traditional” values, and can embrace a varied spectrum of “isms”, including authoritarianism, hierarchy, nationalism, nativism and ethnocentrism, and also, en passant, religiosity, homophobia, and indeed, anything deemed antithetical to the old, tried and true ways. In a general sense, it has gained traction across much of the world as people yearn for order and stability and belonging and identity that western-style liberalism with its ecumenical emphasis on identity, equity and diversity cannot satisfy. Many highlight what they see as to the erosion of national institutions, of Western culture and even morality itself. Some advocate a national conservatism that hold nations to be distinctive and to seek to protect this distinctiveness.

It is in essence an atavistic worldview, one which harks back to the ways of thinking and acting of a former time and a yearning for “la recherche du temps perdu”. In its modern manifestations, it is in many ways a belligerent, intolerant creed, quite distinct from the late 18th century English parliamentarian Edmund Burke’s benchmark conservatism, namely the preservation of principles of the past which emerge from “the nature of things by time, custom, succession, accumulation, permutation and improvement of property”, and in which institutions and customs were rendered sacred by longevity and continual use. The comfort of continuity, in fact.

And it is different to what perennial Australian prime minister Robert Menzies was alluding when he formed the Australian Liberal Party in 1945: “a healthy and proud sense of continuity, is one of the greatest steadying influences and a superb element of sanity in a mad world… “ in his Forgotten People speech of 1942, he invoked homes material, homes human and homes spiritual – the homes humans can live in and where families can be enriched spiritually – rather than the merits of some cold ideology. It was a uniquely reassuring doctrine for homely, ordinary folk opposed to change or frightened by it.

In his essay, “Why I Became A Conservative“, the late British philosopher Roger Scruton wrote that the romantic core of the creed was the search for the “lost experience of home”, the dream of a childhood that cannot ever be fully recaptured, but can be “regained and remodelled, to reward us for all the toil of separation through which we are condemned by our original transgression”. At the heart of conservatism, in other words, is love: love for things that exist or existed and must be saved.

In his introduction to A Political Philosophy, Scruton wrote: “the conservation of our shared resources — social, material, economic and spiritual — and resistance to social entropy in all its forms”. His conservatism was, above all, conservationist: constant care for institutions, customs, and family. His debt to Edmund Burke: society is a contract between the living, the dead and the unborn; a “civil association among neighbours” is superior to state intervention; “the most important thing a human being can do is to settle down, make a home and pass it on to one’s children”.

There is something quite benign about these concepts of conservatism. In stark contrast, conservatism that is gaining traction in many countries, particularly in eastern Europe, but also on the MAGA movement in the United States and on the far-right in Western Europe and also, Australia is a cold, atavistic and embittered beast. Populist in its nature, it appeals primarily to those who favour the reassuring hand of a paternal authority figure who is able to promise those aforementioned simple solutions to the modern world’s bewildering array of complex problems. Freethinkers, individuals, and all of heterodox opinions and practices, political, social, biological or spiritual – beware!

© Paul Hemphill 2025. All rights reserved

Disclaimer: the only thing this post has to do with Spanish director Luis Buñuel’s 1974 surrealist comedy drama Le Fantôme de la liberté is its title, although like the film, it challenges pre-conceived notions about the stability of social mores and reality.

See also in In That Howling Infinite, A Political World – thoughts and themes

Existential dilemma: the great conservative split

With the Trump revolution wreaking havoc on conservative movements worldwide and the election rout leaving Liberals stunned, Australian conservatism faces an identity crisis it no longer can afford to ignore.

Henry Ergas and Alex McDermott, The Australian 10 May 2025

The Trump revolution is wreaking havoc on conservative movements worldwide. Artwork: Frank Ling

In the aftermath of last weekend’s devastating election loss it is easy to write off conservatism in Australia. This wouldn’t be for the first time. As historian Keith Hancock observed in Australia (1930), conservative, in this country, has always been a term of abuse, implying that its target is an out-and-out reactionary.

There is nonetheless a profound paradox. Although conservative may be a term of abuse, Australian politics has long had a marked conservative vein, even as its chief protagonists have studiously avoided the descriptor. A hardy perennial, with a distinctive voice that contrasts with overseas conservatism, the conservative instinct in Australia has run deep, dominating federal politics for decades – and recovering, time and again, from setbacks that had been claimed to foreshadow its demise.

Now, however, with the Trump revolution wreaking havoc on conservative movements worldwide and the election rout leaving Liberals stunned, Australian conservatism faces an identity crisis it no longer can afford to ignore. Understanding its divergence from overseas traditions is vital to recovering and redefining the distinctive voice it needs to deal with the latest threat to its existence.

US President Donald Trump and Vice-President JD Vance. Picture: AP

US President Donald Trump and Vice-President JD Vance. Picture: AP

In part, that identity crisis reflects the factor that has made for conservatism’s enduring success: its infinite adaptability. Indeed, the term defies easy definition, just as the groups to which it has been applied defy ready categorisation, making the conservative identity inherently labile.

As Paul de Serville, a historian of Australian and British conservatism, has observed, every party that has emerged to represent conservatism’s interests and beliefs across the past 350 years “is a study in contradiction between opposing traditions and schools of thought”.

Even its founding parent, the movement that eventually became the Conservative Party in Britain, has “died or lain dormant” numerous times, split at least twice, and never settled on any singular set of policies, ideas and beliefs. Its capacity to incorporate diverse elements has in fact been one of its defining qualities. After all, “what other party has elected a Jewish novelist (Disraeli) to lead a group of wordless squires? Or a grocer’s daughter (Thatcher) to rule a sulky band of Tory Wets?”

But beneath the shifting terrain of cultural and political battlegrounds, there are in British conser­vatism some identifiable commitments. Originally, the commitment was above all to tradition. Born in the turmoil of the English civil war, the Tories (a term derived from the Middle English slang for outlaw) stood for loyalty to the Church of England and the crown. Unapologetic royalists, their clergy defended the church against the Puritans while stressing the values of family, home and nationhood. Over time, however, the primary emphasis of British conservatism changed into a commitment to the virtue of prudence.

Often associated with a sense of human limitations and the impossibility of achieving utopia, British conservatism became the embodiment of a Western intellectual tradition that extends back at least as far as St Augustine.

Former British Prime Minister Boris Johnson picture in 2019, led a populist style Conservative Party. Picture: AFP

Former British Prime Minister Boris Johnson led a populist style Conservative Party. AFP

Conservatism in the US had a starkly different origin and trajectory. Far from being a reaction to the threat of change, it was a by-product of the American Revolution’s fight against the crown. Initially, what it sought to conserve was the ideal of a “mixed constitution” whose myriad checks and balances could prevent the development of an overmighty state. That coexisted with the agrarian conservatism of the south that feared, above all, the centralism that might abolish slavery and privilege northern manufacturers over southern primary exporters. Together, those foundations fuelled the development of a staunchly conservative, often highly formalistic legalism whose power – unrivalled in any other Western country – grew with the ascendancy of the Supreme Court.

But as early as the 1820s that version of conservatism faced a powerful challenge from Andrew Jackson’s radical populism. Jacksonian populism had more than its fair share of incoherence but its grassroots pugnacity spawned one of US politics’ most enduring and certainly most distinctive notions: the spectre of a “deep state” that was liberty’s greatest enemy.

Permeated by a Manichean friend-enemy dynamic that distinguishes what American historian Richard Hofstadter famously called the “paranoid style” in US politics, the Jacksonians portrayed the federal government as far worse than overbearing: having been hijacked by the enemies of the common man, it was an actively malevolent force hiding behind the facade of law and order. Only by dismantling it could freedom be preserved.

Former US President Andrew Jackson. Jacksonian populism spawned one of US politics’ most enduring and distinctive notions: the spectre of a ‘deep state’. Picture: News Corp

Former US President Andrew Jackson

The Jacksonians left a deep imprint on the American right and most notably on its rhetoric, but they never entirely conquered the field. The somewhat rigid constitutional conservatism that had preceded Jacksonianism survived and, inspired by intellectual leaders such as Supreme Court associate justice Antonin Scalia, flourished.

At the same time, many other varieties of conservatism appeared and at times reappeared after having gone into abeyance.

For instance, Vice-President JD Vance’scommitment to an intensely moralistic vision of politics – that privileges honest labour over endless consumption, security at home over adventures overseas, family and local community over wider notions of society – renews a Catholic tradition that had waned as the ethnic communities that were its original bearers assimilated into the American mainstream.

Vice-President JD Vance’s commitment to an intensely moralistic vision of politics renews a Catholic tradition that had waned. Picture: AFP

Vice-President JD Vance

In that sense American conservatism was always as mutable, open-ended and diverse as the US itself. But for all of that diversity, the nature of the presidential contest periodically forced its differing elements to coalesce around a leader who somehow embodied the spirit of the times.

Seen in that perspective, Donald Trump’s ascendancy reflects the triumphant resurgence of the movement’s radical populist streak.

As with all populisms, Trump’s message jumbles together contradictory, even irreconcilable, components. But it isn’t intended as a coherent intellectual project – it is not a politics of ideas that Trump pursues but of emotive response and instantaneous impact.

Even less is it a politics of cautious pragmatism, as was the conservatism of Republicans George HW Bush or John McCain, who also channelled one of American patriotism’s many styles. And least of all is it, like Vance’s, a politics of high moral purpose. Rather, it is a politics of personal power, deployed, often arbitrarily, to purposes that can change unpredictably from day to day.

That it is not to deny that there runs through Trump’s project American conservatism’s golden thread: the goal of restoring what his supporters view as the freedoms that were the original promise of the American founding and, later, the American Revolution.

But much as was the case with the Jacksonians, that goal is to be achieved by demolishing existing institutions, which are cast as having betrayed the original promise, rather than through their cautious reform. Trumpism’s intensely antinomian character is starkly antagonistic to the American tradition of constitutional conservatism, which is why a number of unquestionably conservative scholars are challenging the administration’s actions in the courts. At the same time, its messianic quality, imbued with visions of future glory, breeds a fanaticism entirely alien to the British conservative tradition.

Trumpism breeds a fanaticism entirely alien to the British and Australian conservative tradition. Picture: AFP

Trumpism breeds a fanaticism alien to the British and Australian conservative tradition. AFP

It is entirely alien to the Australian conservative tradition too. Here the greatest difference lies in the fact the Australian political ethos has not seen the state as the enemy, much less as a malignant force. It has been regarded instead as a tool to be effectively used to benefit the people and help them flourish.

That difference from the US has profound historical roots. America’s initial European settlement occurred in the 1600s, a period distinguished in Britain by what became known as the “Old Corruption”. Government offices were chiefly sinecures, officially apportioned rackets for personal gain, propping up an oligarchy whose favours were openly for sale.

In contrast, European settlement in Australia and New Zealand began as sweeping reforms to Britain’s system of government were taking hold. For the first time it was becoming possible to treat the government as a utility, dispensing valued benefits, rather than as a lurking predator. Colonial governors’ administrations, while not without their own rackety aspects, were shaped by changes reducing royal patronage and improving government accountability. As Australian historian John Hirst argued, that laid the seeds of an enduring respect for impersonal authority, exercised, at least in theory, in the pursuit of prosperity and good order.

There were, for sure, periodic outbreaks of radical opposition. But the Australian approach was almost always to absorb the conflict by institutionalising its protagonists. Embedding the agitators within the system they were fighting against, that solution traded moderation for tangible gains.

For example, violent class war and mass strikes in the 1890s Depression culminated in the birth of the ALP as an official parliamentary party, changing laws and winning government. Later, the Arbitration Court became run largely by what had been the warring parties – the infamous “industrial relations club”, as columnist Gerard Henderson called it. In exchange for prestigious sinecures, the former enemies descended into what Hancock derided as a “pettifogging” legalism that suffocated the radicals.

Equally, landless gold-diggers demanded the squatters’ leases be ripped up, and stormed Victoria’s parliament in the 1850s. The Land Selection Acts in the subsequent decades established a regional population of often struggling farmers whose 20th-century political incarnation took the form of country parties.

Those parties not only secured “protection all round” in the 1920s, along with significant direct subsidies; they also ensured the establishment of marketing boards to which party worthies were invariably appointed. And much the same could be said of the Tariff Board, which shaped manufacturing protection for decades.

The corollary of that solution was a particular type of conservatism. Yes, in the early years of settlement there had been “real” conservatives of the Tory variety. But when self-government began, they were rudely jostled aside. Australian conservatism would not draw its strength from them.

It was instead the middle class that provided the dominating motifs of enduring Australian conservative strength. It isn’t difficult to understand why. The “workingman’s paradise” was a place where ordinary settlers and working men could get ahead, not rags-to-riches style, as the American dream pitched it, but enough to acquire comfort, leisure and independence.

Australian wages had been essentially the highest in the world since first settlement and the political victory of liberalism, which occurred during the 1850s gold rushes, ensured free markets and social mobility. To become an independent small business owner, to own your own home, to provide for your family, your children – this was the dream, and in Australia they by and large found it.

The conservatism that resulted from that success story incorporated the liberal beliefs and practices that proved so decisively triumphant in the colonial context. Historian Zachary Gorman observes that liberalism’s 19th-century victory in Australia was so comprehensive it became “less of a clear agenda and more of a pervasive political culture”. No longer conservatism’s upstart challenger as in Britain, liberalism here almost instantaneously became the established mainstream – it became what needed to be protected, as well as what conservatives sought to conserve.

Australian conservatism, then, sprang not out of reverence for the past or social hierarchy but from attachment to the enjoyments and freedoms of ordinary life that the most liberal polity in the world encouraged to flourish. It kept faith with ordinary experience and the socially durable values of an open society.

It soon came to shape the whole of the centre-right, underpinning both the twin liberal traditions of early 20th-century Australian life – the neo-Gladstonian free trade liberalism typified by NSW’s Henry Parkes, George Reid and Joseph Carruthers and the Deakenite liberalism protectionist Victoria championed.

More pragmatic and willing to innovate than, say, Britain’s Home Counties conservatism, Australian conservatism was dispositional rather than traditionalist – as a byproduct of urban, aspirational, middle-class Australia, generally inspired by the hope of improvement, it had no difficulty accommodating an uninterest in the past. The attachment to steady improvement was the important thing.

Robert Menzies’ pitch in his justly famous “Forgotten People” broadcast in 1942 captures this spirit perhaps better than any other significant Australian political testament. In it Menzies speaks directly to the attachment to the home and the family as the cornerstone of the “real life of the nation … in the homes of people who are nameless and unadvertised, and who … see in their children their greatest contribution to the immortality of their race”.

Accompanying that emphasis on home and family is a classically conservative sense of continuity.

“It’s only when we realise that we are a part of a great procession,” Menzies declared in laying the foundation stone of the National Library of Australia two months after he retired in March 1966, “that we’re not just here today and gone tomorrow, that we draw strength from the past and we may transmit some strength to the future.”

Across several decades of political leadership Menzies’ speeches pulsed with phrases that exemplified this disposition. His governments have been “sensible and honest”. He speaks “in realistic terms”, sustained “by an unshake­able belief in the good sense and honesty of our people”.

It was the constant undercurrent of hope and aspiration that gave Robert Menzies’ conservatism its distinctive flavour. Former PM Robert Menzies is pictured in 1941. Picture: Herald Sun

 Former PM Robert Menzies is pictured in 1941. Picture: Herald Sun

Yet this stress on continuity in Menzies’ rhetoric complemented rather than contradicted a commitment to what he referred to as “solid progress”. This country was a settler society built by successive waves of migrants; since its earliest days, its life had been saturated with optimism: Australia, said Menzies, was “our young and vigorous land”, still embarking on its glad, confident morning.

It was the constant undercurrent of hope and aspiration that gave Menzies’ conservatism its distinctive flavour, making it more explicitly geared to the confident expectation of future possibility than its European or American counterparts.

And it was precisely because it was so oriented to progress that the term conservative was generally avoided by the movement he forged, even as a conservative disposition bubbled along beneath its immediate surface, and was mirrored in electoral preferences of voters – not simply by voting right of centre but by giving governments a second term even if their first had been somewhat disappointing, and by regularly knocking back proposed constitutional changes.

However, those two elements – continuity and change – were uneasy bedfellows: continuity could, and eventually did, act as an obstacle to indispensable change.

The institutionalisation of conflict through entities such as the arbitration tribunals and the Tariff Board had, for decades, moderated conflict – but only at the price of inefficiencies that became ever more unsustainable as the world economy globalised in the 1970s and 80s. At that point, Australian conservatism entered into a prolonged crisis, torn between the deeply embedded value of caution and the equally strong value of adaptation.

It was easy to repeat Edmund Burke’s axiom that “A state without the means of some change, is without the means of its own conservation”; but effecting sweeping change without destroying the party’s unity was of an entirely different order of difficulty.

Nothing more clearly highlighted the dilemma than Liberal leader John Hewson’s Fightback – a call to arms that was as close as the movement ever came to a truly Thatcherite policy revolution. Its failure had many causes but one was the complete absence of the sense of continuity and stability that has always been dear to the Australian middle class.

It lacked, too, the high Gladstonian moral clarity that Margaret Thatcher articulated in her heroic campaign to reverse Britain’s slide to socialised mediocrity. In fact, Thatcher’s argument for the moral basis of capitalism had far more in common with Menzies’ creed of “lifters not leaners” than with Hewson’s “economic rationalism”.

Former British PM Margaret Thatcher addresses an election rally for Conservative Party leader William Hague in 2001. Picture: AP

Former British PM Margaret Thatcher2001. Picture: AP

What was needed was a new synthesis. As Menzies had, John Howard, the first Liberal leader to actively identify himself as a conservative, provided it.

Nigel Lawson, who served as the Thatcher government’s most consequential chancellor of the exchequer, once commented that whereas “Harold Macmillan had a contempt for the (Conservative) party, Alec Home tolerated it, and Ted Heath loathed it, Margaret (Thatcher) genuinely liked it. She felt a communion with it.” Exactly the same could be said about Howard: his scrupulous respect for his party’s traditional ethos helped him succeed for as long as he did.

That is not to deny that Howard at times pursued dramatic change – a GST, industrial relations reform, gun ownership – but the approach was rarely radical in style, much less revolutionary in tone. It is telling that the one reform that failed was Work Choices, which went furthest in dismantling existing institutions. And it is telling, too, that subsequent Coalition governments tinkered with the arrangements Labor put in its place rather than seeking their wholesale removal.

Now the synthesis Howard forged between conservation and change is yet again under extreme stress. So, too, are its electoral foundations, as the bases of politics undergo a profound transformation.

Because of Australian conservatism’s pragmatic nature, marshalling broad alliances against those forces and movements that endanger the foundations of the polity has always been its signature approach. Finding some common ground among its constituents, each of those alliances combined the shared opposition to an adversary with a positive program based on overlapping, if not entirely shared, values. The way Liberals, free-traders and protectionists alike rallied alongside Conservatives when threatened by a new common enemy, the ALP in the early 20th century, is a classic example.

John Howard pictured in 1996 after claiming victory for the Coalition. His scrupulous respect for his party’s traditional ethos helped him succeed for as long as he did. Picture: Michael Jones

John Howard pictured in 1996 after claiming victory for the Coalition. Picture: Michael Jones

However, the dominant force in contemporary politics is fragmentation: the centrifugal pressures that make coalitions hard to assemble but easy to destroy have become ever stronger as social media and identity politics shatter politics’ traditional alignments.

The centre-right is far from being immune from those tendencies, as the emergence of the teals shows. And they are compounded by the pressures of Trumpian populism, which is as hostile to the compromises coalition-building entails as it is to inherited institutions. The only coalitions Trumpism can forge are those that aggregate resentments: against the arrogance of the “progressives”, the abuses of power that occurred during the pandemic, the perception that common values are denigrated and despised.

To use a phrase American constitutional lawyer Greg Lukianoff and social psychologist Jonathan Haidt coined for the left, Trumpism’s dominant mode of action is “common-enemy politics”, with the adversary being the principal factor unifying its disparate parts. There are no shared values, nor any shared aspirations; the glue comes from shared hatreds.

But intransigent oppositionalism is no basis for a viable politics. Regardless of what Trump’s Australian acolytes believe, its transposition to this country would make for a future of repeated failure.

Rather, for a broader alliance to be possible again, a new synthesis is needed. Australia’s two greatest prime ministers, Menzies and Howard, suggest the way. Both exemplified a social conservatism that drew from the distinctively Australian emphasis on the conservative temperament over and above distinctive philosophical creed. Both forged a synthesis that combined an attachment to liberal principles with a commitment to large-scale changes needed to underwrite prolonged prosperity and progress.

Now, after the rout of last weekend’s election, that synthesis desperately needs to be redefined.

In the end, politics is about argument and arguments are about ideas. When politics seems so entirely bereft of them, Australian conservatives have no choice but to think again.

Henry Ergas is a columnist with The Australian. Alex McDermott is an independent historian.

The fall of the Ottoman Empire and the birth of Türkiye

Preface

The featured image of this post is a profile in crystal of Kemal Atatürk that sits on my bookshelf as a reminder of my late friend and academic colleague Mehmet Naim Turfan. Naim, like millions of his compatriots, harboured a deep affection and respect for the legacy of Atatürk, the founder of modern Türkiye and its first president. It was gifted to me by His wife soon after his passing by his wife Barbara. His doctoral thesis was published posthumously in 2000 as Rise of the Young Turks: Politics, the Miliary and Ottoman Collapse. He is cited several times in the book that is the subject of this article. I thought of Naim often while reading the book and writing what follows.

Enver Pasha, soldier, politician and member of the troika that ruled the Ottoman Empire before and during WW1

Ottoman Endgame

Many believe that prior to the outbreak of World War 1 in August 1914, Europe had been at peace. In matter of fact, brutal and bloody little wars had raged in Eastern Europe three years prior, whilst Italy fought the Ottoman Empire for Tripoli and Cyrenaica, both now modern Libya and yet also presently two warring parts of a fractured whole and now being triggered by the aftermath of equally nasty little wars in the same lands in the last quarter of the Nineteenth Century. The Ottoman Empire’s entry into alliance with the Central Powers in 1915 against the Entente of Britain, France and Russia was the direct outcome of what we know refer to generically as The Balkan Wars – which aided and abetted by Russia, saw the emergence of Serbia, Romania and Bulgaria. In retrospect, with the benefit of hindsight, they were the beginning of what we might now refer to as The Wars of the Ottoman Succession. They are not over.

The empire’s entry into the war on the side of the Central Powers against the Entente of Britain France and Russia was a devious, drawn-out business as it sought to take advantage of its potential allies in recovering why it lost in the preceding Balkan Wars that had deprived it of its European provinces,

Few have told the story of the fall of the Ottoman Empire and the birth of modern Türkiye as well as English historian Sean McMeekin in his geographically sprawling and historically enthralling book The Ottoman Endgame. He juxtaposes military operations in the empire with those on Europe’s eastern and western fronts, demonstrating how, in the shifting fortunes of war in Europe, each impacted the other from the first offensives in France and on the eastern front to the Russian Revolutions of 1917.

Author and journalist Christopher de Bellaigue sets the scene well in a brief but compelling review (published in full below with some excellent pictures, along with a article by the author himself):

”For the historian of the first world war, the Ottoman theatre is a blur of movement compared to the attrition of the western front. Its leading commanders might race off to contest Baku and entirely miss the significance of events in the Balkans, while the diffuse nature of operations tended to encourage initiative, not groupthink. The war of the Ottoman succession, as Sean McMeekin calls it, was furthermore of real consequence, breaking up an empire that had stifled community hatreds, and whose absence the millions who have fled sectarian conflict in our age may rue …

For the Ottomans, the “great war” of western historiography was part of a much longer period of conflict and revolution, and arguably not even its climax. The process started with the collapse of the Ottomans’ Balkan empire – encouraged by Russia, moderated by Britain – and it brought to power the militaristic regime of the Committee of Union and Progress, or CUP. When Turkey entered the European war on 10 November 1914, Ottoman innocence was long gone, the army fully mobilised, the people benumbed by loss and refugees and the empire hanging in the balance. And yet, for the CUP and its triumvirate of leading pashas, the Young Turk troika of Enver, Talat and Djemal, the moment was as fraught with opportunity as it was with danger. On the opportunity side of the ledger was the prospect of riding Germany’s coat tails to victory, overturning the Balkan reverses and winning back provinces in the east from the old enemy, Russia. Enver, the CUP’s diminutive generalissimo, even spoke of appealing to Muslim sentiment and marching all the way to India.

For the Russians, the game was about winning Constantinople (or Tsargrad, as they presumptuously called it) and with it unimpeded access to the Mediterranean through the Bosphorus; it was with “complete serenity”, Tsar Nicholas II informed his subjects, that Russia took on “this ancient oppressor of the Christian faith and of all Slavic nations”

The European war on the eastern and western fronts was characterized by attrition and stalemate, but that waged by the Ottomans and the Russians, and soon, the British and French, was in contrast, highly mobile and constantly shifting, with the exception perhaps of the allied assault on the Gallipoli Peninsula which very soon resembled the trench warfare and brutal but futile offensives that characterized the Western Front. It is difficult to comprehend to scale of the war fought in the Middle East in terms of its territorial extent. From Baghdad to Baku, Gallipoli to Gaza, the Black Sea to the Gulf of Aqaba and the Caspian Sea. It was waged across European and Asian Ottoman lands including present day Greece, Bulgaria and Romania in the west, in the Caucasus in the east, in present day Armenia, Georgia and Azerbaijan and Iran, and in the south in present day Syria, Iraq, Jordan, Israel and Palestine.

Though the Sultan departed, and with him, the Islamic Caliphate, and most of the empire’s non-Turkish lands – were lost, under the leadership of former Ottoman commander and war hero Mustafa Kemal Pasha, the Anatolian heartland resisted and ultimately repelled invading foreign armies, and the Turkish state he created endures today as an influential participant in world affairs.

Casting new light on old narratives

McMeekin, writes de Bellaigue, is an old-fashioned researcher who draws his conclusions on the basis of the documentary record. In the case of a conflict between Ottoman Turkey and Germany on one side, and Russia, Britain and France on the other, and involving Arabs, Armenians and Greeks, this necessitates linguistic talent and historical nous of a high order. McMeekin is at home in the archives of all major parties to the conflict and his accounts of some of the more contested episodes carry a ring of finality. Access to previously closed Russian and Turkish archives has provided new and potentially controversial insights into accepted narratives regarding the last years of the Ottoman Empire. Challenging long accepted narratives, he addresses three of the most enduring shibboleths of the First World War.

He jumps right in even before he begins his wide-ranging story, leaves hanging in the air like a predator drone until he returns to it in chronologically due course. The Sykes Picot Agreement of 1916 – the bête noir of most progressive narratives of the modern Middle East, and to many ill-informed partisans, the causus bello of the intractable Arab Israeli conflict – was not the brainchild of perfidious Albion and duplicitous France, but rather a plan for the dismemberment of the Ottoman Empire concocted by the foreign minister of Imperial Russia. France’s Monsieur François-George Picot and Britain’s Sir Mark Sykes played second and third violin to the “third man” Sergei Sazonov. Both Russia and France had for decades sought to establish their political, strategic and economic interests at the expense of the so-called “sick man of Europe”, an ostensibly terminal invalid who throughout the nineteenth century, had experienced many deathbed recoveries. Czar Nicholas II, in common with his Russian Orthodox predecessors, dreamt of bringing Istanbul, formerly Constantinople, the heart of the orthodox patriarchate, or Tsargrad into the empire. It was no coincidence that the infamous Sykes Picot pact was outed by Russia’s Bolshevik regime after the collapse of the Czarist regime to discombobulate the revolution’s foremost European enemies. 

The second icon of “received history” in McMeekin’s sights, is one Australia’s foundation stories – the ill-starred Dardanelles Campaign of 1915 and particularly, the the ANZAC’s Gallipoli legend. It was, from McMeekin’s perspective, a misconceived, poorly planned endeavour to capture the Ottoman capital, to relieve pressure on Russian forces engaged in bitter fighting in Eastern Anatolia, and potentially, to knock the Ottomans out of the war. Contrary to popular conceptions, the British were not exactly enthused by the idea. First Lord of the Admiralty Winston Churchill’s preference was for an assault on the “soft underbelly” of the empire – the port of Alexandretta in Ottoman Syria (now Turkish Antakya), with its strategic and logistic proximity to the Hijaz railway and the hinterland of the Levant. One indisputable fact about Gallipoli is that it assured the ascent Mustafa Kemal, a key commander who had already distinguished himself in the Balkan Wars, who would go on to conduct a fighting retreat of Ottoman Armies through what is now present-day Palestine and Syria, lead Turkish forces to victory in the war of liberation that followed, and, as Kemal Atatürk, would become the founder of modern Türkiye.

The third widely held narrative concerns the Armenian Genocide. Unlike the rulers of modern Türkiye, McMeekin does not deny its occurrence. Nor does he downplay or even ignore it, as does Israel for the idiosyncratic reason that it potentially minimises the horrors of the Shoah. Rather, he places it in the context of events in the empire’s Anatolian heartland. Two predominantly Armenian provinces in Eastern Anatolia were home to active nationalist independence movements, and these gave tacit and actual support to the Russian forces encroaching on the empire from the Caucasus and the Caspian Sea (in present day Azerbaijan and Georgia). Armenian militias fought alongside Russian forces on the Caucasian front whilst partisans operated behind ottoman lines, and cities, town and villages were actually “liberated”, fostering fears in the Istanbul government of an treasonous” fifth column”. McMeekin acknowledges the death toll of what we now recognise the systematic destruction of the Armenian people and identity which was spearheaded by the ruling Committee of Union and Progress (CUP) and implemented primarily through the mass deportation and murder of around one million Armenians during death marches to the Syrian Desert and the forced Islamization of others, primarily women and children. Whilst most probably died of inhumane treatment, exposure, privation and starvation, unknown numbers were murdered.

Kemal Pasha and Ottoman offices at Gallipoli

Parallels

Reading The Ottoman Endgame, I was reminded often of his compatriot Anthony Beevor’s harrowing tale of the Russian Revolution (reviewed in In That Howling Infinite’s Red and white terror – the Russian revolution and civil war. That Revolution and the end of the Ottoman Empire converged. McMeekin notes that with regard to the war in Anatolia and the Caucasus, the treaty of Brest-Litovsk, which ended the war between Czarist Russia and the Central Powers, was poisoned chalice for both Russia and Turkey and as significant as any of the treaties that followed the end of the war.

I found it fascinating that many individuals who were to play a significant part in the Russian Civil war also feature in Ottoman Endgame. Admiral Alexander Kolchak, commander of the imperial Black Sea fleet and General Anton Deniken, commander of Russian forces on the Caucasian front, became leaders of the Tsarist cause and were to command the counter-revolutionary White forces against the Red Army with the Siberian People’s Army and the Volunteer Army in Ukraine.

None were more prominent or as controversial in western narratives, however, as Winston Churchill. As noted above, McMeekin lays to rest the notion that the Dardanelles campaign and Gallipoli were Churchill’s sole doing and his folly – though he did blame himself later on and has been pilloried for it ever since. Ironically, once disgraced, and having volunteered to serve on the Western Front, at the end of the war, he was brought back into Lloyd George’s cabinet as Secretary of State for War. There, he advised against military intervention against Kemal’s nationalist forces and indeed mused about the option of dumping the Sazonov-Sykes-Picot dispensation imposed on the moribund empire’s Arab provinces after the armistice and of restoring the prewar territorial status quo, a kind of circumscribed Ottoman Redux. And yet, as civil war broke out and spread in the nascent Soviet Union, he was alone of his cabinet colleagues in advocating for a full-on allied intervention. Critics claimed that he dreamt, – though some believed that he fantasized – about of creating an effective White army and a borderlands alliance to defeat the Bolsheviks. But his aspirations were foiled by the imperialism of the White leadership and of White officers, and the various national movements’ fear that that if the Whites prevailed, they would restore Russian rule. Britain’s rulers were reticent about shoring up and providing financial, material support and also, soldiers sailors and airmen to brutal to demonstrably homicidal Cossack brigades and revanchist and reactionary royalist autocrats. It is not without reason that admirers and critics alike would agree that Winston had more positions than the Karma Sutra.

The Russian Revolutions – there were two, in February and October 1917 – and the Civil War that followed it, the disintegration of the Ottoman Empire followed by foreign intervention, the war of liberation, and the creation and endurance of Türkiye can be said to have defined the contours of modern Middle Eastern geopolitics, setting the stage for many if not most of the conflicts that have inflicted the region since, including three Gulf wars, the rise and fall of the Islamic State, the Lebanese, Iraqi and Syrian civil wars, and the Arab-Israel conflict, arguably the most intractable conflict of modern times. Cold War and also, the current Ukraine war.

In the wake of the fall of the Russian Empire, the Twentieth Century was not kind to the countries of Central and Eastern Europe. Historian Timothy Snyder called them “the blood lands”. Nor was it kind to the heirs and successors of the Ottoman Empire. Though the tyranny and oppression and the death and destruction wrought by rulers and outsiders upon the lands and peoples of the Middle East has been significantly less than that endured by the people of Eastern Europe and Russia, the region would fit Snyder’s sombre soubriquet.

© Paul Hemphill 2025. All rights reserved

Also in In That Howling Infinite, see Ottoman Redux – an alternative history and Red and white terror – the Russian revolution and civil war

For more on the Middle East, see A Middle East Miscellany

TE Lawrence, General Allenby, Kemal Ataturk, and Ben Gurion

Clone of Russia returns to a Middle East it never really left

Sykes and Picot have taken the blame but actually it was a Russian who drew the map of the Middle East, writes Sean McMeekin

The World Today, 7 December 2018

To judge from press coverage, the emergence of Islamic State has brought about a cartographic revolution in the Middle East. With the borders of Syria and Iraq in flux, journalists have resurrected the legend of Sykes-Picot, wherein Britain and France are said to have divided up the Ottoman empire between them in an agreement signed 100 years ago, in May 1916. Russia’s intervention in Syria, by upstaging the United States and her allies, seems in this view to be completing the rout of western influence in the Middle East, putting the final nail in the coffin of ‘Sykes-Picot’.

Rarely has history been more thoroughly abused. In reality, none of the contentious post-Ottoman borders of the Middle East was settled by Sykes and Picot in 1916: not the Iraq-Kuwait frontier notoriously crossed by Saddam’s armies in 1990, not those separating the Palestinian mandate from (Trans) Jordan and Syria, not the highly contested and still-in-flux Israeli/Palestinian partition of 1948, nor, in the most relevant example from today, those separating Syria from Iraq.

To take an obvious example from recent headlines, Mosul, the Iraqi city whose capture in June 2014 led Abu Bakr al-Baghdadi of Islamic State to proclaim himself Caliph Ibrahim, was actually assigned to French Syria in the 1916 agreement.

Journalists are even more spectacularly wrong in describing the Ottoman partition agreement as exclusively (or even primarily) a British-French affair, omitting the driving role played by Tsarist Russia and her Foreign Minister, Sergei Sazonov.

The final terms of what should more accurately be called the Sazonov-Sykes-Picot agreement were actually hashed out in the Russian capital of Petrograd in the spring of 1916, against the backdrop of crushing Russian victories over the Turks at Erzurum, Erzincan, Batum, and Trabzon (the British were reeling, having been humiliated at Gallipoli and in Iraq, where an expeditionary force would shortly surrender).

The conquest of northeastern Turkey in 1916 left Russia, unlike her grasping allies, in possession of most of the Ottoman territory she was claiming – barring only Constantinople (called ‘Tsargrad’ by the Russians), which still needed to be taken.

At the dawn of 1917, Tsarist Russia was poised to inherit the crown jewels of the Ottoman empire, including Constantinople, the Straits, Armenia, and Kurdistan, all promised to her in the Sazonov-Sykes-Picot Agreement. Along the Black Sea coast, Russian engineers were building a rail line from Batum to Trabzon, with the latter city a supply base for the Caucasian Army, poised for a spring assault on Sivas and Ankara. With Russia enjoying virtually uncontested naval control of the Black Sea, preparations were underway for an amphibious strike at the Bosphorus, spearheaded by a specially created ‘Tsargradskii Regiment’.

After watching her allies try, and fail, to seize the Ottoman capital during the Dardanelles/Gallipoli campaign of 1915 (when Sazonov had first put forward Russia’s sovereign claim on Constantinople and the Straits), Russia was now poised to seize the prize for herself – weather permitting, in June or July 1917.

Of course, it did not turn out that way. After the February Revolution of 1917, mutinies spread through the Russian army and navy, including the Black Sea fleet, just as it was poised to strike.

In a remarkable and little-known coincidence, on the very day the Foreign Minister of the Provisional Government, Pavel Milyukov, first aroused the anger of the Petrograd Soviet and the Bolsheviks by refusing to renounce Russia’s territorial claims on the Ottoman empire – April 4, 1917 – a Russian naval squadron approached the Bosphorus in ‘grand style’, including destroyers, battle cruisers, and three converted ocean liner-carriers which launched seaplanes to inspect Constantinople’s defences from the air. The amphibious plans were not abandoned until fleet commander Admiral AV Kolchak threw his sword overboard on June 21 during a mutiny. Even after ‘revolutionary sailors’ had taken control of the Black Sea fleet, a Russian amphibious strike force landed on the Turkish coastline as late as August 23, 1917, in one last sting by the old Tsargrad beast.

After the Bolsheviks took power, Russia collapsed into civil war, which left her prostrate, at Germany’s mercy. By signing a ‘separate peace’ with the Central Powers at Brest-Litovsk in March 1918, Russia forfeited her treaty claims to Armenia, Kurdistan, Constantinople, and the Straits, throwing the Sazonov-Sykes-Picot agreement of 1916 into chaos, even as new claimants were appearing on the scene, such as Italy and Greece – not to mention local actors: Jewish, Arab, and Armenian troops were attached as national ‘Legions’ to General Allenby’s mostly British army as it rolled up Palestine and Syria. These forces, along with French, Italian, and Greek expeditionary forces sent after the war, and the Turkish nationalists who regrouped under Mustafa Kemal in Ankara to oppose them, would determine the final post-Ottoman borders in a series of small wars between 1918 and 1922, with scarcely a nod to the Sazonov-Sykes-Picot Agreement.

While Russia’s forfeiture of her claims in 1918 was welcome, in a selfish sense, to the other players vying for Ottoman territory, it was not necessarily a positive one for the region. In the absence of Russian occupying troops to police the settlement, the

Allies, in 1919, offered Russia’s territorial share, now defined (in deference to Woodrow Wilson) as mandates, to the United States – only for the Senate to vote down the Versailles Treaty, rendering the arrangement moot. Lacking Russian or American troops as ‘muscle’, the Allies leaned on weaker proxies such as the Italians and, more explosively, local Greeks and Armenians, which aroused the anger of the Muslim masses and spurred the Turkish resistance led by Kemal (the future Atatürk). Armenians, Greeks and Kurds, too, could only lament the vacuum left behind by the departing Russians, which left them to face Turkish wrath alone.

Soviet Russia re-emerged as a player in the Middle East fairly quickly, not least as Mustafa Kemal’s key diplomatic partner during his wars against the West and its proxies from 1920-22. In a reminder of the enduring prerogatives of Russian foreign policy, the Cold War kicked into high gear when Stalin made a play for Kars, Ardahan, and the Ottoman Straits in 1946: these moves, along with the British withdrawal from Greece, Turkey, and Palestine, inspired the Truman doctrine.

In an eerily similar replay of the history of 1917-18, the collapse of Soviet power in 1991 led Moscow to turn inward, withdrawing from the Middle East and inaugurating a period of US and western hegemony in the region, which turned out no less well than the Middle Eastern free-for-all of 1918-22. A prostrate and impoverished Russia put up no objection during the First Gulf War of 1991, and did little more than sputter during the Iraq War of 2003. Russia’s recovery of strength and morale in the Putin years led, almost inevitably, to her return in force to the Middle East – from which, in reality, she never truly left.

The Russian return to the region, along with Turkey’s increasingly overt hostility over her Syrian intervention, resurrects historical patterns far, far older than Sykes-Picot. For centuries, the Ottoman empire was the primary arena of imperial ambition for the Tsars, even as Russians were the most feared enemies of the Turks. In many ways, the Crimean War of 1853-56, which saw western powers (Britain, France, and an opportunistic Piedmont-Sardinia) unleash an Ottoman holy war against the Tsar to frustrate Russian ambitions in the Middle East, is a far more relevant analogy to the present crisis in Syria than the pseudo-historical myths of 1916. It is time we put the Sykes-Picot legend in the dustbin where it belongs.

Diplomatic carve-up: the third man

In David Lean’s 1962 film, ‘Lawrence of Arabia’, a cynical British official explains how the carcass of the Ottoman Empire was to be divided at the end of the First World War under the Sykes-Picot Agreement.

‘Mr Sykes is an English civil servant. Monsieur Picot is a French civil servant. Mr Sykes and Monsieur Picot met and they agreed that after the war, France and England would share the Turkish Empire, including Arabia. They signed an agreement, not a treaty, sir. An agreement to that effect.’

This summary of wartime diplomacy has proved long-lived. It encapsulates the less than honest dealings of the British government with the Arabs – who wanted independence after being liberated from Turkish domination, rather than rule by the European colonial powers – but it leaves out the key figure in the deliberations, Sergei Sazonov, Russian foreign minister, 1910-1916.

Sazonov was one of the most significant diplomats both before and during the Great War. It was thanks to his adroit manipulation that Britain and its allies came to accept that Russia would gain the Ottoman capital Constantinople, in the event of an Allied victory, an outcome that Britain had tried for decades to prevent.

At the talks in the Russian capital Petrograd in 1916, the British and French emissaries were far lesser agents of empire than their host.

Sir Mark Sykes was a gifted linguist, travel writer and Conservative politician, but no top-flight diplomat. As for François Georges-Picot, he was an experienced diplomat and lawyer and noted advocate for a greater Syria under French rule.

But with France having no troops in the eastern theatre of war, he had to accept Russia’s demand to swallow up large parts of what is now eastern Turkey, but which Paris had set out to claim.

Sykes died of influenza in 1919 at the Paris Peace Conference, where Sazanov represented the White Russians. He died in Nice in 1927

The Ottoman Endgame: War, Revolution, and the Making of the Modern Middle East, 1908-1923” by Sean McMeekin

Czar Nicolas I of Russia is sometimes credited with coining the phrase “Sick Man of Europe” to describe the decrepit Ottoman Empire of the mid-nineteenth century. By the early 20th century, there could be little doubt that the disparaging sobriquet applied in spades. The Ottoman Empire was soundly defeated in two Balkan wars in 1912 and 1913 by the comparatively pipsqueak countries of Bulgaria, Greece, Montenegro and Serbia. One result of the wars was that the Empire lost all of its European territories to the west of the River Maritsa, which now forms the western boundary of modern Turkey. Then, when World War I broke out, the Ottomans made the disastrous decision to side with the Central Powers against the Triple Entente, ending up on the losing side of that cataclysm.

882094291

A popular theory is that the carving up of the Ottoman lands after the war, pursuant to the Sykes-Picot Agreement between France and Britain, is the source of many of the problems of the current Middle East. In The Ottoman Endgame, Sean McMeekin concedes that it is not wrong to look to the aftermath of the war for the roots of many of today’s Middle Eastern problems, but the “real historical record is richer and far more dramatic than the myth.” For example, the notorious Sykes-Picot Agreement was sponsored primarily by Russia, whose foreign secretary, Alexander Samsonov, was the principal architect of the agreement. McMeekin’s retelling of the demise of the Ottoman Empire and its recrudescence as modern Turkey is a fascinating and complicated narrative.

Among the interesting facts McMeekin points out is that according to an 1893 census only 72% of the Ottoman citizens were Muslim, and that in the middle of the 19th century the majority of the population of Constantinople may have been Christian. The Balkan Wars started a trend, exacerbated by World War I, toward ethnic cleansing, with hundreds of thousands of Christians leaving the Empire and similar numbers of Muslims moving from territory lost by the Empire to areas it still controlled.

We in the West tend to think of World War I as a static slugfest conducted in the trenches of northern France. But the war in the East, particularly as it applied to the Ottoman Empire, was a much more mobile affair. In fact, the Ottomans ended up fighting the war on six different fronts, as the Entente Powers invaded them from many different angles.

Winston Churchill in 1914

Winston Churchill in 1914

At the outbreak of WWI, the Ottomans allied themselves with Germany out of fear of Russia, which had coveted control over the straits connecting the Black and Mediterranean seas for centuries. In 1914 the Russians invaded Eastern Anatolia and met with initial success. However, Russia feared its early success was quite precarious, and so it inveigled its ally, Britain, to launch a diversionary assault on the Gallipoli peninsula. The “diversion” became one of the most deadly killing grounds of the war, as the British poured hundreds of thousands of men into the battle in hopes of breaking the stalemate on the Western Front. The author credits Russian prodding more than Winston Churchill’s stubbornness for the extent of the British commitment. The Ottomans, led by Mustapha Kemal (later to be known as Ataturk, the “father of modern Turkey”), prevailed in this hecatomb, showing that there was still plenty of fight left in the “Sick Man.”

Turkish General Mustafa Kemal, center, at Gallipoli, 1915

Turkish General Mustafa Kemal, Gallipoli, 1915

The Ottomans also soundly defeated the British in Mesopotamia (modern Iraq) in late 1915, but they were less successful against the Russians, who invaded across the Caucasus and held much of eastern Anatolia until the Bolshevik revolution in 1917 caused them to withdraw voluntarily. The British ultimately prevailed against the Ottomans in 1918 by invading from Egypt through Palestine, with a little help from the Arabs of Arabia.

The Treaty of Versailles, which ended the war in Europe in 1919, did not end the war for the Ottomans. The victorious Allies were ready to carve up much of the Empire for themselves. The Ottoman armies were to disband; England was to keep Egypt and to get Palestine and Mesopotamia; France was to get Syria, Lebanon, and parts of modern Turkey; and Greece was to get a large swath of western Turkey. All might have gone according to that plan, but Mustapha Kemal (Attaturk) was still in charge of a small but effective fighting force in central Anatolia. Attaturk husbanded his forces and fought only when he had an advantage. In a war that lasted until 1923, he was able to expel the Greeks from Anatolia and to establish the boundaries of modern Turkey.

large

McMeekin deftly handles this complexity with a lucid pen. His descriptions of the various military campaigns are riveting. This is not to say that he shortchanges the political machinations taking place. He gives more than adequate coverage to the “Young Turks,” a triumvirate that ruled the Empire from 1909 until they eventually brought it to its ruin in 1919. He also covers the Armenian massacres as objectively as possible, given the enormity of the events described.

Evaluation: This is a very satisfying book and an excellent addition to the enormous corpus of World War I literature. The book includes good maps and photos.

Published by Penguin Press, an imprint of Penguin Random House, 2015

Man Friday … a poet’s Robinson Crusoe sequel

You won’t have to worry anymore
When you hear the cry for home

Van Morrison

Alec Derwent Hope (21 July 1907 – 13 July 2000) was an Australian poet and essayist known for his satirical slant, and also, a critic, teacher and academic: He ended his career as Professor of English at the Australian National University, Canberra. He was referred to in an American journal as “the 20th century’s greatest 18th-century poet”.

Man Friday, published in 1958, is actually set in those faraway days of Georgian England. It begins where English novelist and journalist Daniel Defoe leaves off his 1719 tale of the iconic castaway Robinson Crusoe. Readers will recall that Crusoe was shipwrecked and subsequently spent 28 years on a remote tropical desert island near the coasts of Venezuela and Trinidad, encountering cannibals, captives, and mutineers before being rescued. To refresh memories, there is a 200 word synopsis at the end of this post.

Hope takes up the story of Crusoe’s companion and servant Friday after he is brought by his “master” and sole companion to live in England. The completely alien culture that Friday, now a stranger in a strange land, encounters on this new “desert island” requires a huge and disturbing recalibration of his temporal, cultural and spiritual compass. He gradually arrives at an acceptance of the way of life that has been imposed upon him by circumstance.

His transformation and quiet resignation into an upper-class servant and his subsequent marriage and children take him farther and farther away from his memories and encase him within an artificial persona – until the day he accompanies Crusoe to an English sea port and hears the ocean’s beckoning roar for the first time in many years. The song of the ocean, the rush of memory, and Friday’s response to the call of the sea crystalizing in the poem’s ending. 

It is a remarkably imaginative work juxtaposing Friday’s former life on an idyllic “island in the sun” (to quote the late Harry Belafonte’s lovely rhapsody’) to the stitched-up, hung-up, and in his perception, confined world of polite Georgian society. It is also captivating insofar it employs the sea as an extended metaphor (a device that I myself have used in poems and songs – see the Sound Cloud audio clips at the end of this post).

The sea runs like a leitmotif throughout the poem even when it is not mentioned explicitly. It has multiple associations: journeys by sea, separation and exile, isolation and loneliness, and the idea of home as an anchor, a goal, a safe haven, and as a longing. AD Hope further infuses it with the cultural differences and divisions, of social and spiritual barriers, of acclimatisation and assimilation of a kind. And in the end, an atavistic crying for home.

Saved, at long last through Him whose power to save
Kept from the walking, as the watery grave,
Crusoe returned to England and his kind,
Proof that an unimaginative mind
And sober industry and common sense
May supplement the work of Providence.
He, no less providential and no less
Inscrutably resolved to save and bless,
Eager to share his fortune with the weak
And faithful servants whom he taught to speak,
By all his years of exile undeterred,
Took into exile Friday and the bird.

The bird no doubt was well enough content.
She had her corn – what matter where she went?
Except when once a week he walked to church,
She had her master’s shoulder as a perch.
She shared the notice of the crowds he drew
Who praised her language and her plumage too,
And like a rational female could be gay
On admiration and three meals a day.

But Friday the Dark Caribbean Man,
Picture of his situation if you can:
The gentle savage, taught to speak and pray
On England’s Desert Island cast away,
No God like Crusoe is issuing from his cave
Comes with his thunder-stick to slay and save;
Instead from caves of stone, as thick as trees,
More dreadful than ten thousand savages,
In their strange clothes and monstrous mats of hair,
The pale-eyed English swarm to joke and stare
With endless questions round him crowd and press,
Curious to see and touch his loneliness.
Unlike his master Crusoe long before,
Crawling half drowned upon the desolate shore,
Mere ingenuity useless in his need,
No wreck supplies him biscuits, nails and seed,
No fort to builds, no call to bake, to brew,
Make pots and pipkins, cobble coat and shoe,
Gather his rice and milk his goats and rise
Daily to some absorbing enterprise.

And yet no less than Crusoe so he must find
Some shelter for the solitary mind;
Some daily occupation to contrive
To warm his wits and keep the heart alive;
Protect among the cultured, if he can,
The “noble savage” and the “natural man”.
As Crusoe made his clothes, so he no less
Must labour to invent his nakedness
And, lest their alien customs without trace
Absorb him, tell the legends of his race
Each night aloud in the soft native tongue
That filled his world when, bare and brown and young,
His brown, bare mother held him to her breast,
Then say his English prayers and sink to rest.
And each day waking in his English sheets,
Hearing the wagons in the cobble streets,
The morning bells, the clatter and cries of trade,
He must recall, within their palisade,
The sleeping cabins in the tropic dawn,
The wrapt leaf-breathing silence, and the yawn
Of naked children as they wait and drowse,
The women chattering around their fires, the prows
Of wet canoes nosing the still lagoon;
At each meal, handling alien fork and spoon,
Remember the spice mess of yam and fish
And the brown fingers meeting in the dish:
Remember too those island feasts, the sweet
Blood frenzy and the taste of human meat.

He piled memories against his need;
In vain! for still he found the past recede
Try as he would, recall, relieve rehearse,
The cloudy images would still disperse.,
Till as in dreams, the island world hecknew
Confounded the fantastic with the true
While England, less unreal day by day,
The cannibal Island ate his past away.
But for the brooding eye, the swarthy skin,
Witness to the Natural Man within,
Year following year, by inches, as they ran
Transformed the savage to an English man
Brushed, barbered, hatted, trousered and baptised,
He looked, if not completely civilised,
What came increasingly to be the case:
An upper servant, conscious of his place,
Friendly but not familiar in address
And prompt to please, without obsequiousness
Adept to dress , to shave, to carve, to pour
And skilled to open or refuse the door,
To keep on terms with housekeeper and cook,
But quell maids and footman with a look.
And now his master, thoughtful for his need,
Bought him a wife and gave him leave to breed.
A fine mulatto, once a ladies maid,
She thought herself superior to Trade
And, reared on a Plantation, much too good
for a low native Indian from the wood;
Yet they contrived at last to rub along
For he was strong and kind, and she was young
And soon a father, then a family man
Friday took root in England and began
To be well thought of in the little town,
And quoted in discussions at The Crown
Whether the Funds would fall, the French would treat
Or the new ministry could hold its seat
For though he seldom spoke, the rumour ran
The master had no secrets from his man
And Crusoe’s ventures prospered so, in short,
It was concluded he had friends at Court.

Yet, as the years of exile came and went,
Though first he was he grew resigned and then content,
Had you observed him close, you might surprise
A stranger looking through the servant’s eyes.
Some colouring of speech , some glint of pride,
Not born of hope, for hope had long since had died,
Not even desire, scarce memory at last
Preserved that stubborn vestige of the past.

It happened once that man and master made
A trip together on affairs of trade;
A ship reported founding in the Down
Brought them to visit several seaport towns.
At one of these great Yarmouth or Kings Lynn,
Their business done, they baited at an inn,
And in the night were haunted by the roar
Of a wild wind and tide against the shore.
Crusoe soon slept again but Friday lay
Awake and listening till the dawn of day.
For the first time in all his exiled years
The thunder of the ocean filled his ears;
And that tremendous voice so long unheard
Released and filled and drew him till he stirred
And left the house and passed the town, to reach
At last the dunes and rocks and open beach:
Pale bare and gleaming in the break of day
A sweep of new-washed sand around the bay,
and spindrift arriving up the bluffs like smoke
As the long combers reared their crests and broke.
There, in the sand beside him, Friday saw
A single naked footprint on the shore
His heart stood still, for as he stared, he knew
The foot made it never had worn shoe
And, at glance, that no such walker could
Have been a man of European blood.
From such a footprint once he could describe
If not the owner’s name, at least his tribe,
And tell his purpose as men read a face
And still his skill sufficed to know the race;
For this for this was such a print as long ago
He too had made and taught his eyes to know.
There could be no mistake. A while he stood
Staring at that great German Ocean’s flood;
And suddenly he saw those shores again
Where Orinoco flows into the main,
And, stunned with an incredible surmise,
Heard it his native tongue once more the cries
Of spirits silent now for many a day;
And all his years of exile fell away.

The sun was nearly to the height before
Crusoe arrived hallowing at the shore,
Followed the footprints to the beach and found
The clothes and shoes and thought his servant drowned
Much grieved he sought saw him up and down the bay
But never guessed, when later in the day
They found the body drifting in the foam,
That Friday had been rescued and gone home.

See also in In That Howling Infinite, Better read than Dead – books, poems and reading

Daniel Defoe’s Robinson Crusoe in 200 words

Courtesy of the Cliff’s Notes blog  

Robinson Crusoe is an English adventure novel by Daniel Defoe (1660- 1731. an English novelist, journalist, merchant, pamphleteer and spy. First published on 25 April 1719, it is claimed to be second only to the Bible in its number of translations.

Written with a combination of epistolary, confessional, and didactic forms, the book follows the title character (born Robinson Kreutznaer) after he is cast away and spends 28 years on a remote tropical desert island near the coasts of Venezuela and Trinidad, encountering cannibals, captives, and mutineers before being rescued. The story has been thought to be based on the life of Alexander Selkirk, a Scottish castaway who lived for four years on a Pacific island called “Más a Tierra” (now part of Chile) which was renamed Robinson Crusoe Island in 1966. Pedro Serrano is another real-life castaway whose story might have inspired the novel.

The first edition credited the work’s protagonist Robinson Crusoe as its author, leading many readers to believe he was a real person and that the book was a non-fiction travelogue.Despite its simple narrative style, Robinson Crusoe was well received in the literary world and is often credited as marking the beginning of realistic fiction as a literary genre. Some allege it is a contender for the first English novel.

It tells the story of one Robinson Crusoe, a young and impulsive wanderer who, having his defied his parents, ran away to sea. 

He was rescued by a Portuguese ship and started a new adventure. He landed in Brazil, and, after some time, he became the owner of a sugar plantation. Hoping to increase his wealth by buying slaves, he aligned himself with other planters and undertook a trip to Africa in order to bring back a shipload of slaves. After surviving a storm, Crusoe and the others were shipwrecked. He was thrown upon shore only to discover that he was the sole survivor of the wreck.

Crusoe made immediate plans for food, and then shelter, to protect himself from wild animals. He brought as many things as possible from the wrecked ship, things that would be useful later to him. In addition, he began to develop talents that he had never used in order to provide himself with necessities. Cut off from the company of men, he began to communicate with God, thus beginning the first part of his religious conversion. To keep his sanity and to entertain himself, he began a journal. In the journal, he recorded every task that he performed each day since he had been marooned.

As time passed, Crusoe became a skilled craftsman, able to construct many useful things, and thus furnished himself with diverse comforts. He also learned about farming, as a result of some seeds which he brought with him. An illness prompted some prophetic dreams, and Crusoe began to reappraise his duty to God. Crusoe explored his island and discovered another part of the island much richer and more fertile, and he built a summer home there.

One of the first tasks he undertook was to build himself a canoe in case an escape became possible, but the canoe was too heavy to get to the water. He then constructed a small boat and journeyed around the island. Crusoe reflected on his earlier, wicked life, disobeying his parents, and wondered if it might be related to his isolation on this island.

After spending about fifteen years on the island, Crusoe found a man’s naked footprint, and he was sorely beset by apprehensions, which kept him awake many nights. He considered many possibilities to account for the footprint and he began to take extra precautions against a possible intruder. Sometime later, Crusoe was horrified to find human bones scattered about the shore, evidently the remains of a savage feast. He was plagued again with new fears. He explored the nature of cannibalism and debated his right to interfere with the customs of another race.

Crusoe was cautious for several years, but encountered nothing more to alarm him. He found a cave, which he used as a storage room, and in December of the same year, he spied cannibals sitting around a campfire. He did not see them again for quite some time.

Later, Crusoe saw a ship in distress, but everyone was already drowned on the ship and Crusoe remained companionless. However, he was able to take many provisions from this newly wrecked ship. Sometime later, cannibals landed on the island and a victim escaped. Crusoe saved his life, named him Friday, and taught him English. Friday soon became Crusoe’s humble and devoted slave.

Crusoe and Friday made plans to leave the island and, accordingly, they built another boat. Crusoe also undertook Friday’s religious education, converting the savage into a Protestant. Their voyage was postponed due to the return of the savages. This time it was necessary to attack the cannibals in order to save two prisoners since one was a white man. The white man was a Spaniard and the other was Friday’s father. Later the four of them planned a voyage to the mainland to rescue sixteen compatriots of the Spaniard. First, however, they built up their food supply to assure enough food for the extra people. Crusoe and Friday agreed to wait on the island while the Spaniard and Friday’s father brought back the other men.

A week later, they spied a ship but they quickly learned that there had been a mutiny on board. By devious means, Crusoe and Friday rescued the captain and two other men, and after much scheming, regained control of the ship. The grateful captain gave Crusoe many gifts and took him and Friday back to England. Some of the rebel crewmen were left marooned on the island.

Crusoe returned to England and found that in his absence he had become a wealthy man. After going to Lisbon to handle some of his affairs, Crusoe began an overland journey back to England. Crusoe and his company encountered many hardships in crossing the mountains, but they finally arrived safely in England. Crusoe sold his plantation in Brazil for a good price, married, and had three children. Finally, however, he was persuaded to go on yet another voyage, and he visited his old island, where there were promises of new adventures to be found in a later account.

Al Stewart’s Soho (needless to say …)

Soho feeds the needs and hides the deeds, the mind that bleeds
Disenchanted, downstream in the night
Soho hears the lies, the twisted cries, the lonely sighs
Till she seems lost in dreams
Al Stewart, Soho (needless to say) (1973)

Whenever I recall London’s Soho in the sixties, I always think about my bedsitter days in the city in the early seventies and also, British singer-songwriter Al Stewart’s over-orchestrated but quite excellent debut album of 1967, Bedsitter Images. 

My bedsitter images

My bedsitter images

You could say that I knew Al Stewart’s London ‘ere I first knew London. I bought the album when, as a sixth former, I first saw him perform at the famous Jug o’ Punch folk club in Digbeth, Birmingham, run by The Ian Campbell Folk Group.  I’d go there regularly with my schoolmates – we saw some great singers, including a young Joni Mitchell in the summer of 1968 – it was love at first sight, and I bought her first album there too: Songs from a Seagull). Al may have autographed his record – I can’t recall. It was stolen from my bedsit room in Reading in 1970 along with many of my favourite discs – including that one of Joni’s.

Maybe it’s about what here in Australia – borrowing from our indigenous compatriots – we might call “spirit of place”: the association with the streets within a hop, skip and an amble from Old Compton Street out into Shaftsbury Avenue and that bookshop in Charing Cross Road, the opening verse of the second track Swiss Cottage Manoeuvres, and that flat in Swiss Cottage, a suburb I used to frequent in the seventies when several of my friends lived there. You can listen to the whole of album below.

In a trawl through my back pages (OK! Enough with the Bob Dylan already!), wrote of my early encounters with Soho:

”As a sixth former, I’d often hitch to “swinging” London for the weekend, to explore the capital and visit folk and jazz clubs, kipping in shop door-ways and underground car parks under cardboard and napping wrapped in newspapers, and eating at Wimpy bars and Lyons teas houses”.

And naturally, I discovered Soho, a bright, colourful and disreputable warren of narrow streets behind the theatre-strip of Shaftesbury Avenue, with its mix of cafés, trattorias, delicatessen, book shops and strip clubs – and Carnaby Street, internationally famous by then as the fashion mecca and the “place to be” of “Swinging London”.

“… the motorway from Birmingham to London was a road well-traveled. In my final year at Moseley Grammar, I’d often hitch down to London for a weekend with pals who’d gone there before. We’d hang out at cheap and cheerful Pollo’s Italian restaurant in Old Compton Street in Soho and the Coach and Horses across the road, and go to Cousins folk and blues joint in a cellar in nearby Greek Street, and the 101 Jazz Club off Oxford Street. Bunjies folk cafè and Ronnie Scott’s jazz club were just around the corner. After a meal or a pint, I’d often catch the last tube to the end of the line closest to the M1. I can’t recall how many times I headed off into the night; and there were always drivers on the road at the witching hour. I guess many folks “get the urge for going”, as Joni sang back then, “and they had to go …” And in those generous times, people were happy to offer a lift to a wayfaring stranger – gentle souls who would not leave strays stranded by the dark wayside; lonesome folks seeking company and conversation in the dark night of the soul; curious people wondering why a young man would hitch the highways in the middle of the English night”. There’s more in  Ciao Pollo di Soho – the café at the end of the M1.

Pollo. The café at the end of the motorway

I saw a werewolf with a Chinese menu in his hand, walking the streets of Soho in the rain. Warren Zevon

There was something vicarious in ithe seedy, needy, greedy vibe of the priapic songs on Al’s follow up albums. An old friend and Al Stewart fanboy who has now passed on called them aural masturbation. Although there were many “love chronicles”, the title track of his second album, Al also wrote about melancholy middle aged suburban couples, historical events and more, with the odd foray into poetic mysticism, self-reflection, and also, nonsense. And some excellent instrumentals – he is an imaginative and flamboyant guitarist. My flat mates and I were all fans of Al back then, and went to most of his gigs when he played in London. Here’s one of our favourite ‘history’ songs:

In the early seventies, when a girlfriend started going out with Al, I actually got to know him for a brief while. Indeed, once, when he played in Birmingham Town Hall, me and a couple of pals drove up to my old hometown to see him, and after the show, invited him back to my folks’ place for a late night fry up. My mom reckoned he need fattening up. And afterwards, she and Al sat in the kitchen for a couple of hours talking about pop music. “I love Cat Stevens”, mom said. “Oh, I much prefer the Incredible String Band”, said Al. “Oh, they’re very weird, but Paul like them!” She said. Then they got talking about Mick Jagger. And my dad, in the sitting room, said to us others gathered there, and referring to Al’s stature, said “there’s not much to him is there!”. Strange but nice how you recall these little things. The folks have passed on a long time ago …


Afterthought – Clifton in the Rain

Whilst I always associate Al Stewart with London and Soho, my favourite song is set in a Bristol suburb. Released in 1970, it is gentle, lyrical, and paints a beautiful picture of English weather – and it features the gorgeous Jaqueline Bisset.

The rain came down like beads
Bouncing on the noses of the
People from the train
A flock of salty ears
Sparkled in the traffic lights
Feet squelched soggy leaves across the grain
I took my love to Clifton in the rain

And all along the way
Wanderers in overcoats with
Collars on parade
And steaming in the night
The listeners in the Troubadour
Guitar player weaves a willow strain
I took my love to Clifton in the rain

Jacqueline Bisset
I saw your movie
Wondered if you really felt that way
Do you ever fear
The images of Hollywood
Have you felt a shadow of its pain
I thought of you in Clifton in the rain

There’s a nice retrospective on the Troubadour Folk Club in Bristol here:

English actress Jaqueline Bisset

Something About London

Ciao Pollo di Soho – the café at the end of the M1

The first Intifada … Palestine 1936

In 1929, there is violence at the Western Wall in Jerusalem – then a narrow alley named for Buraq, the steed with a human face that bore the Prophet Mohammed on his midnight journey to Jerusalem, and not the Kotel Plaza of today. The event, which was actually called the Buraq rising was incited by rumours that Jews planned to overrun the Haram al Sharif, the third holiest site in Islam. A massacre of Jews in Hebron in the south followed. These were a bleak precursor of the wars to come.

Fast forward to mid-April 1936. Following two incidents of killing carried out in by both Arabs and Jews, an Arab National Committee declared a strike in the city of Jaffa. National Committees were formed in other Palestinian cities and representatives of Arab parties formed the “Arab Higher Committee” led by Haj Amin al-Husseini. A general strike spread throughout Palestine, accompanied by the formation of Palestinian armed groups that started attacking British forces and Jewish settlements. Thus began the “Great Palestinian Revolt. It lasted for three years.

British troops run through Jerusalem’s’ Old City during the Great Revolt

 

British soldiers on patrol 1936

Roots and fruits 

The ongoing struggle with regard to the existence Israel and Palestine is justifiably regarded the most intractable conflict of modern times. Whilst most agree that its origins lie in the political and historical claims of two people, the Jewish Israelis and the predominantly Muslim Palestinians for control over a tiny wedge of one-time Ottoman territory between Lebanon and Syria in the north, Jordan in the east, and Egypt to the south, hemmed in by the Mediterranean Sea. There is less consensus as to when the Middle East Conflict as it has become known because of its longevity and its impact on its neighbours and the world in general, actually began.

Was it the infamous Balfour Declaration of 1917 promising a national home for Jews in an Ottoman governate already populated by Arabs, or the secretive Sykes Picot Agreement that preceded it in 1916, staking imperial Britain’ and France’s claim to political and economic influence (and oil pipelines) in the Levant? Was it the establishment of the British Mandate of Palestine after the Treaty of Sèvres of 1922 which determined the dissolution of the defeated Ottoman Empire. Or was it the end of that British mandate and the unilateral declaration of Israeli independence in 1948 and the war that immediately followed?

In his book Palestine 1936: The Great Revolt and the Roots of the Middle East Conflict (Rowman & Littlefield, 2023) Israeli journalist and author Oren Kessler argues powerfully that the events in Mandatory Palestine between 1936 and 1939 shaped the subsequent history of the conflict for Israelis and Palestinians. The book identifies what was known at the time as The Great Revolt  as the first Intifada, a popular uprising which actually sowed the seeds of the Arab military defeat of 1947-48 and the dispossession and displacement of over seven hundred thousand Palestinian Arabs, which has set the tone of the conflict for almost a century.

It is a tragic history shared with knowledge in hindsight of the decades of violence and bloodshed in the region that followed. It begins in the time before Palestine became political entity, when mainly Eastern European Jews began settling in progressively larger numbers to the consternation of the Arab populace.

The 1936 conflict stemmed from questions of how to divide the land and how to deal with the influx of Jewish people – questions that remain relevant today. In an extensive interview coinciding with the book’s publication (republished below) Kessler notes that, for the Arab residents, the problem was one of immigration and economics; for the Zionists, it was about finding a home. These two positions soon became irreconcilable issues, leading to sporadic violence and then to continual confrontation.

He believes that the Revolt is the point when both sides really came to see the conflict as zero sum. insofar that whichever community had the demographic majority in Palestine would be the one that would determine its fate. However, in the 1920s, the Jews were so far from that majority that both sides were able to postpone the final reckoning. In the 1930s, the Jews threatened to become a majority, and this was the immediate precursor to the rising. There was no way that the objective of bringing as many Jews to the land as possible could be achieved without bringing about some serious Arab pushback.

It is Kessler’s view that it was during revolt that a strong sense of Arab nationalism in Palestine extended beyond the urban elites to all corners of the country. All segments of Arab society – urban and rural, rich and poor, rival families, and even to a large extent Muslim and Christian – united in the same cause against Zionism and against its perceived enabler, the British Empire. The Arab public in Palestine was becoming increasingly politically aware and consciously perceiving itself as a distinct entity – distinct from its brethren in Syria, in large part because it has a different foe: not simply European imperialism but this very specific threat presented by Zionism.

The British government made early efforts at keeping the peace, but these proved fruitless. And when the revolt erupted in 1936, it sent a royal commission to Palestine, known to history as the Peel Commission, to examine the causes of the revolt. It proposed in effect the first ‘two state solution.’ The Emir Abdullah of Transjordan publicly accepted this plan. The main rival clan to the Husseinis, the Nashashibis, privately signaled that they were amenable – not thrilled, but amenable. And their allies held the mayorships of many important cities – Jaffa, Haifa, and even Nablus, Jenin and Tulkarem, which today are centres of militancy. And yet the Mufti makes very clear that he regards this plan as a degradation and a humiliation, and all of these erstwhile supporters of partition suddenly realise that they are against partition.

Kessler believes that this is the point at which a certain uncompromising line became the default position amongst the Arab leadership of Palestine, with dire consequences for the Palestinians themselves, and when Yishuv leader David Ben Gurion saw an opportunity to achieve his long-standing objective of creating a self-sufficient Jewish polity, one that could feed itself, house itself, defend itself, employ itself, without any help from anyone – neither British or Arabs. When the Arabs called a general strike and boycott, cut all contacts with the Jewish and British economies and closed the port of Jaffa in Spring 1936, he lobbied successfully with the British to allow the Jews to open their own port in Tel Aviv, ultimately causing a lot of economic pain to the Arabs and helping the Jews in their state-building enterprise.

This is a mosaic history, capturing the chaotic events on the ground through snippets of action. And also, the people involved. 

There are heroes and villains aplenty in this relatively untold story. The urbane and erudite nationalists Muhammed Amal and George Antonius who strive for middle ground against increasingly insurmountable odds, and who died alone and exiled having failed to head off the final showdown that is today known as Al Nakba. The farseeing, resolute, and humourless Ben Gurion and the affable, optimistic Chaim Weizmann, who became Israel’s first prime minister and president respectively. The New York born Golda Meyerson, more of a realist than either leader, who would also one day become prime minister. The irascible revisionist Vladimir Ze’ev Jabotinski, the forebear of today’s virulent rightwing nationalists

The hardliner Mufti Haj Amin al Husseini, whose uncompromising stance, malign political influence, and conspiratorial association with the Nazis set the stage for a long general strike, the Great Revolt, and ultimately, the débâcle of 1948. The flamboyant rebel leaders, Syrian Izz al Din al Qassam, who is memorialized in the name of the Hamas military wing and a Gaza-made rocket, and Fawzi al Qawuqji. Qassam was gunned down by British soldiers during the revolt whilst Qawuqji lived on to become one of the most effective militia leaders in the war of 1948, and to perish therein. Both are remembered today as Palestinian martyrs whilst the Mufti is an arguably embarrassing footnote of history. There’s an article about his relatively unremarked death at the end of this post. 

Amin al-Husseini in 1929

And in the British corner, the well-intentioned high commissioners who vainly endeavoured to reconcile the claims of two aspirant nations in one tiny land, and quixotic figures like the unorthodox soldier Ord Wingate who believed he was fulfilling prophecy by establishing the nucleus of what would become the IDF (like many charismatic British military heroes, and particularly General Gordon and Baden-Powell, both admirers and detractors regarded him a potential nut-case); and the Australian-born ex-soldier Lelland Andrews, assistant district commissioner for Galilee, who also conceived of his mission as divinely ordained. Lewis was murdered by Arab gunmen and Wingate went down in an aeroplane over Burma during WW2.

There are appearances from among many others, Lloyd George, Winton Churchill and Neville Chamberlain, Adolph Hitler and Benito Mussolini, Franklin D Eisenhower and Joseph Kennedy.

The book highlights the work of powerful British functionaries in handling early confrontations: they are memorialized for starting commissions to study the matter and to generate ideas, though many of their ideas weren’t followed or were followed to ill effect. None solved the problem, making this account of the earliest days of the conflict all the more heartbreaking.

All under the shadow of the impending Shoah, and the inevitable showdown that would culminate in al Nakba.

The road to Al Nakba

Kessler argues that the Arab social fabric and economy are completely torn and shattered by the end of this revolt that in many ways the final reckoning for Palestine between Jews and Arabs – the civil war that erupts in 1947 – is actually won by one side and lost by the other nearly a decade earlier.

The final paragraphs of Kessler’s enthralling book are worth quoting because they draw a clear line between the events of the Great Revolt and the catastrophe, al Nakba, of 1948:

“For the Jews, perhaps the greatest shift was psychological. they had withstood of powerful sustained assault and lived to tell about it. One book on Zionist leaders” thinking in this era is titled Abandonment of Illusions. The belief of material gains would bring Arab consent now naïve and, worse, dangerous. Instead, by the end of the revolt and the start of the world war, much of Palestine’s Jewish mainstream had accepted the fact that the country’s fate would ultimately be determined and maintained by force.
 
“By 1939, the Yishuv had achieved the demographic weight, control of strategic areas of land, and much of the weaponry and military organization that would be needed as a springboard for taking over the country within less than a decade”, writes the Palestinian American historian Rasheed Khalidi.
 
Khalid argues that the Palestinian catastrophe of 1947 -1949 was predicated on a series of previous failures: “a deeply divided leadership, exceedingly limited finances, no centrally organized military forces or centralized administrative organs, and no reliable allies. They faced a Jewish society in Palestine which although small relative to theirs, was political unified, had centralized para-state institutions, and was increasingly well-led and extremely highly motivated”.
 
For Palestinians, he maintains, the Nakba – the catastrophe of their military drubbing, dispossession and dispersal – was but a forgone conclusion. For them, the terrible events that bookended the year 1948 “were no more than a postlude, a tragic epilogue to the shattering defeat of 1936- 39”.
 
The Great Revolt, Kessler says, has cast its shadow over the Israeli-Palestinian conflict ever since – for the Arabs, for the Jews, and for attempts to resolve the conflict. It is still remembered by Palestinians and Israelis alike. Palestinian folk songs still celebrate the revolt, and in my he regards the. BDS movement as direct descendant of the general strike that preceded the revolt. The two-state solution that is still the international community’s favoured solution to the conflict is but a variation of that original partition plan of 1937.

In so many ways, for both Israelis and Palestinians, this revolt rages on.

© Paul Hemphill 2024.  

Kessler’s interview in Fathom e-zine follows, together with serval informative articles on the Great Revolt and its aftermath, including a Haaretz retrospective of how it reported the beginning of the revolt ninety years earlier. It was, most interestingly, a different newspaper then. 

For more on Israel and Palestine in In That Howling Infinite, see: A Middle East Miscellany

The picture at the head of this post shows British troops marching through Ibn Khatib Square in 1936 past King David’s Citadel and towards the Jaffa Gate

British policemen disperse an Arab mob during the Jaffa riots in April 1936 (The Illustrated London News)

 

Jews evacuate the Old City of Jerusalem after Arab riots in 1936.

Haaretz During the Arab Revolt: Blood Is the Glue That Binds a Nation and Its Land

At the start of the Arab Revolt, which began 90 years ago this week, the newspaper told its readers that ‘the God of Israel wanted our sacrifices,’ and promised that the Jewish community was here to stay

 
Haaretz April 17, 2026
 
“Once again, this land, sacred to all civilized humanity, has absorbed innocent blood,” read the Haaretz editorial on April 20, 1936. “Once again, passions raged and man turned into a desert wolf; decent people, ordinary citizens … did not return home, because murderers cut short their lives.”

The day before, nine Jews had been murdered by Arabs in Jaffa. “Tel Aviv accompanies its slain-saints,” a newspaper heading read. “From horror to horror,” screamed another headline. These were the first days of the Arab Revolt of 1936-1939 (in which Palestinian Arabs in British Mandatory Palestine rose up against the administration). Hundreds of Jews and Britons and thousands of Arabs were killed.

As a result of the revolt the Jewish community in Palestine focused on strengthening its military capabilities which later proved crucial in the War of Independence. But the revolt also had negative effects as the British closed the gates to Jewish immigration in 1939, sealing the fate of many.

The editorial argued that “all of the people of Israel” were the target of the “wild mob.” The murderers “sought to murder the last national hope of a nation wallowing in its blood and decaying … in its suffering … while trying to lift its soul from the abyss of its distress to new life.” Its language then became even more poetic.

 

A member of the Jewish community in Palestine is wounded in the first days of the Arab Revolt.
 
A member of the Jewish community in Palestine is wounded in the first days of the Arab Revolt. Credit: Haaretz

“From the earliest days of our new national movement, we knew that the renewed homeland would not fall into our laps as a gift from above. We knew that the Land of Israel would be acquired only through suffering and sacrifices. And if it is a tragic necessity that we shall again betroth our ancestral land not only with love and justice and righteousness, not only by the sweat of our brows … but also with the sacrifices of the souls and blood of our sons – the builders of this land– we will accept the decree.

“We have no choice, there is no other way” – the article continued, then adopting a religious tone; “The sacrifice is the justification and right of redemption. … And the blood … covenantal blood of building a people and a homeland, is the glue that binds a nation and its land. … The God of Israel wanted our sacrifices.

“No calamity will move us from our place,” the editorial asserts. “No bloody assassination, no schemes of deceit will turn back the wheel of history or break our new-old covenant with this land. The Hebrew Yishuv [Jewish community] in this land … is a reality that cannot be undone – a reality as natural as the air, the sun, the blue skies over the Judean Hills, and the Mediterranean Sea. The propaganda of so-called leaders will not stand against this natural truth and nor will acts of crime and bloodshed. … From time to time a storm of hatred, a lust for destruction, rises against us. But even these storms reveal and strengthen our power, temper our will, awaken and encourage our spirit.”

"Man turned into a desert wolf; decent people, ordinary citizens … did not return home, because murderers cut short their lives."
 
“Man turned into a desert wolf; decent people, ordinary citizens … did not return home, because murderers cut short their lives.” Credit: Haaretz, April 20th, 1936.
The funerals for those murdered in Jaffa take place in Tel Aviv.
 
The funerals for those murdered in Jaffa take place in Tel Aviv. Credit: Haaretz

Five days earlier, on April 15, 1936, two people driving near Tulkarm had been shot dead in what initially appeared to be a criminally-motivated attack. “Attack on cars near Tulkarm,” read the headline of the brief news report. It later turned out that two victims were Jews and the murder had nationalist motives. It was carried out by members of the Iz al-Din al-Qassam Brigade, whose leader had been killed by the British about six months earlier (the group later lent its name to Hamas’ military wing). The next day, Jews murdered two Arabs in the Petah Tikva area.

On April 17, 1936, Haaretz dedicated its editorial to the attack in Tulkarm. It did not hide its revulsion toward some of the country’s Arabs. “The act of robbery and murder near Tulkarm stunned and shocked the Hebrew Yishuv,” it wrote. In parentheses, the editors added: “We doubt if anyone else in this country, besides the Hebrew Yishuv, is capable of being shocked by these terrible acts.

“We have experience and are under no illusions about the cultural level …of part of the population. … The psychological and moral distance between the ‘civilized’ population of this country and the desert is no less than the geographical distance between them.”

The mourners' notice for one of he first victims of the Arab Revolt.
 
 
The mourners’ notice for one of he first victims of the Arab Revolt. Credit: Haaretz
Scottish soldiers stop Palestinians and their camel at the entrance to Rachel's Tomb near Bethlehem.
 
Scottish soldiers stop Palestinians and their camel at the entrance to Rachel’s Tomb near Bethlehem. Credit: G. Eric and Edith Matson Photograph Collection

Regarding the nationalist motivations of the attackers, the editors wrote: “The specific circumstances of the recent murders arouse particular anxiety. This time there is no room for the naïve assumption that the victims were only coincidentally Jewish.

“The German from Sarona, who drove by the scene was not touched after he told the attackers his nationality, while the Jewish driver was forced out of his car. An Arab car that arrived at the scene passed safely, after it became clear to the murderers that there were no Jews in it,” they wrote. “Now we have robbers who engage in politics, who carry out robbery and murder with nationalist motives. Robbers who seek only Jewish money and Jewish blood.”

The newspaper warned of what was to come. “The current climate is deeply charged; the public mood has been poisoned by unrestrained demagogic propaganda in which all methods are deemed legitimate. This tension could ignite at any time, manifesting in isolated crimes or even mass violence. Meanwhile, the authorities look on, unwilling to fully acknowledge what is unfolding.”

British soldiers in Tel Aviv.
 
British soldiers in Tel Aviv. Credit: Haaretz.

An interview with Oren Kessler

by Oren Kessler
 
 
3365748242
Great Arab Revolt, 1936-1939
A Popular Uprising Facing a Ruthless Repression
 
In 1936, widespread Palestinian dissatisfaction with Britain’s governance erupted into open rebellion. Several key dynamics and events can be seen as setting the stage for this uprising. In Palestine, as elsewhere, the 1930s had been a time of intense economic disruption. Rural Palestinians were hit hard by debt and dispossession, and such pressures were only exacerbated by British policies and Zionist imperatives of land purchases and “Hebrew labor.” Rural to urban migration swelled Haifa and Jaffa with poor Palestinians in search of work, and new attendant forms of political organizing emerged that emphasized youth, religion, class, and ideology over older elite-based structures. Meanwhile, rising anti-Semitism—especially its state-supported variant—in Europe led to an increase of Jewish immigration, legal and illegal, in Palestine.

Unsurprisingly, the combination of these various trends produced periodic upheavals, from the 1929 al-Buraq Uprising to multicity demonstrations in 1933 against the British Mandate. In October 1935, the discovery of a shipment of arms in the Jaffa port destined for the Haganah fueled Palestinian concerns that the Zionist movement was introducing the human and military resources necessary for its state-building project under the nose of the British. Meanwhile, the popular and populist Syrian Shaykh Izzeddin al-Qassam , who preached to the slum-dwelling rural transplants near Haifa’s rail yards and who had spent the early 1930s building a cell-based paramilitary network, was killed in a firefight with British forces in November 1935. Qassam’s funeral in Haifa elicited a mass outpouring of public outrage. These events are often seen as direct predecessors of the mass Palestinian uprising that took place in 1936.

The Great Palestinian Rebellion , or the Great Arab Revolt, as this uprising came to be known, lasted for three years and can be generally divided into three phases. The first phase lasted from the spring of 1936 to July 1937. With tensions throughout Palestine running high since the fall of 1935, the revolt was ignited in mid-April 1936 when followers of Qassam attacked a convoy of trucks between Nablus and Tulkarm , killing two Jewish drivers. The next day, the  Irgun killed two Palestinian workers near Petah Tikva , and in the following days, deadly disturbances ensued in Tel Aviv and Jaffa. In Nablus, an Arab National Committee was formed and a strike was called on 19 April. National Committees in other cities echoed the call to strike, and on 25 April the Arab Higher Committee (Lajna) (AHC) was formed, chaired by Haj Amin al-Husseini , to coordinate and support a nationwide general strike, which was launched on 8 May.

The strike was widely observed and brought commercial and economic activity in the Palestinian sector to a standstill. Meanwhile, Palestinians throughout the countryside came together in armed groups to attack—at first sporadically, but with increasing organization— British and Zionist targets. Some Arab volunteers joined the rebels from outside Palestine, though their numbers remained small in this period. The British employed various tactics in an attempt to break the strike and to quell the rural insurrection. The ranks of British and Jewish policemen swelled and Palestinians were subjected to house searches, night raids, beatings, imprisonment, torture, and deportation. Large areas of Jaffa’s Old City were demolished, and the British called in military reinforcements.

Concurrent with military operations and repressive measures, the British government dispatched a commission of inquiry headed by Lord Peel to investigate the root causes of the revolt. In October 1936, under the combined pressure of British policies, other Arab heads of state, and the effects of a six-month general strike on the Palestinian population, the AHC called off the strike and agreed to appear before the Peel Commission . A period of lower intensity conflict prevailed as the Peel Commission toured the country, but tensions continued to build in anticipation of the commission’s report. In July 1937, the Peel Commission published its report, recommending Palestine’s partition into Jewish and Arab states. Dismayed by this negation of their desires and demands, the Palestinian population relaunched their armed insurgency with renewed intensity, initiating the second phase of the revolt.

This second phase, lasting from July 1937 until the fall of 1938, witnessed significant gains by the Palestinian rebels. Large swaths of the hilly Palestinian interior, including for a time the Old City of Jerusalem , fell fully under rebel control. Rebels established institutions, most significantly courts and a postal service, to replace the British Mandate structures they sought to dismantle. The British, meanwhile, imposed even harsher measures to try to quash the revolt. The AHC and all Palestinian political parties were outlawed, political and community leaders were arrested, and a number of high-profile public figures exiled. The military aspects of counterinsurgency intensified, and British tanks, airplanes, and heavy artillery were deployed throughout Palestine. The British also meted out collective punishment: thousands of Palestinians were relegated to “detention camps”; residential quarters were destroyed; schools were closed; villages were collectively fined and forced to billet British troops and police. Zionist military institutions took advantage of the situation to build up their capacities with British support. By early 1939, members of the Jewish Settlement Police (about 14,000) were subsidized, uniformed, and armed by the British government as a thinly veiled front for the Haganah, and so-called Special Night Squads  comprising Jewish and British members launched “special operations” against Palestinian villages.

The third phase of the rebellion lasted roughly from the fall of 1938 to the summer of 1939. The British dispatched another commission of inquiry, this one headed by Sir John Woodhead , to examine the technical aspects of implementing partition. In November 1938, the Woodhead Commission report concluded that partition was not practicable, marking a certain British retreat from the Peel recommendation. At the same time, however, the British launched an all-out offensive: in 1939 more Palestinians were killed, more were executed (by hanging), and nearly twice as many were detained than in 1938. Such brutality placed immense pressure on the rebels, exacerbating rifts between the political leadership of the AHC exiled in Damascus and local leadership on the ground, between rebel bands and village populations that were expected to support and supply them, and ultimately between Palestinians who remained committed to the revolt and those willing to reach a compromise with the British. British-supported Palestinian “Peace Bands” were dispatched to battle their compatriots.

In May 1939, the British government published a new White Paperthat proposed the following: Britain’s obligations to the Jewish national home had been substantially fulfilled; indefinite mass Jewish immigration to and land acquisition in Palestine would contradict Britain’s obligations to the Palestinians; within the next five years, no more than 75,000 Jews would be allowed into the country, after which Jewish immigration would be subject to “Arab acquiescence”; land transfers would be permitted in certain areas, but restricted and prohibited in others, to protect Palestinians from landlessness; and an independent unitary state would be established after ten years, conditional on favorable Palestinian-Jewish relations.

The combined impact of Britain’s military and diplomatic efforts brought the rebellion to an end in the late summer of 1939. Over the revolt’s three years, some 5,000 Palestinians had been killed and nearly 15,000 wounded. The Palestinian leadership had been exiled, assassinated, imprisoned, and made to turn against one another. At the same time, the White Paper—despite its limitations—offered certain concessions to the rebels’ demands. Whatever gains Palestinians might have made through the revolt, however, were quickly overtaken by the larger geopolitical processes of World War II , and the combined British-Zionist assault on Palestinian political and social life during the revolt had a long-lasting impact.

 
Selected Bibliography:

Anderson, Charles W. “State of Formation from Below and the Great Revolt in Palestine.” Journal of Palestine Studies 47, no. 1 (Autumn 2017): 39-55.

Hughes, Matthew. “From Law and Order to Pacification: Britain’s Suppression of the 1936–1939 Arab Revolt in Palestine.” Journal of Palestine Studies 39, no.2 (Winter 2010): 6–22.

Kanafani, Ghassan. The 1936–39 Revolt in Palestine.

Shbeib, Samih. “Poetry of Rebellion: The Life, Verse and Death of Nuh Ibrahim during the 1936–39 Revolt.” Jerusalem Quarterly 25 (Winter 2006): 65–78.

Sufian, Sandy. “Anatomy of the 1936-39 Revolt: Images of the Body in Political Cartoons of Mandatory Palestine.” Journal of Palestine Studies 37, no.2 (Winter 2008):  23–42.

Swedenburg, Ted. Memories of Revolt: The 1936–1939 Rebellion and the Palestinian National Past. Fayetteville: University of Arkansas Press, 2003.

Britain says releasing a 1941 document about Palestine might ‘undermine security’

A two-part archive, labeled “Activities of the Grand Mufti of Jerusalem” and dated 1940-1941, sits in Britain’s National Archives in Kew. This writer successfully had the first part declassified in 2014. The second part remains sealed. My 2018 attempt to have these ten pages declassified was refused on the grounds that the archive might “undermine the security of the country [Britain] and its citizens.”[1] None of its secrets are to be available until January, 2042; and if the paired file is any precedent, even in 2042 it will be released only in redacted form.

The ‘Grand Mufti’ in the archive’s heading is Haj Amin al-Husseini, the Palestinian leader whom posterity best remembers for his alignment with the Italian and German fascists; and the years 1940-1941 place him not in Palestine, but in Iraq — and if the second archive extends to late 1941, in Europe. What could possibly be hidden in a World War II document about a long-dead Nazi sympathizer that would present such a risk to British national security eight decades later, that none of it can be revealed? At present, only the UK government censors know; but the answer may have less to do with the fascists and al-Husseini than with British misdeeds in Iraq, and less to do with Britain’s national security than with its historical embarrassment.

When in 1921 votes were cast for the new Mufti of Jerusalem, Amin al-Husseini came in last among the four candidates. But votes in Palestine mattered as little then as they do now, and the British, Palestine’s novice replacement occupiers for the Ottomans, handed the post to al-Husseini. At first, he proved to be an asset to the British. But as the years passed, his opposition to Zionism, support for Palestinian nationalism, and ultimately his involvement in the 1936 Palestinian uprising, led to calls for his arrest.

Photograph labelled 'Arab demonstrations on Oct. 13 and 27, 1933. In Jerusalem and Jaffa. Return of Grand Mufti from India. Met by hundreds of cars at Gethsemane, Nov. 17, 1933.'

“ARAB DEMONSTRATIONS ON OCT. 13 AND 27, 1933. IN JERUSALEM AND JAFFA. RETURN OF GRAND MUFTI FROM INDIA. MET BY HUNDREDS OF CARS AT GETHSEMANE, NOV. 17, 1933.” LIBRARY OF CONGRESS, LC-M33- 4218.

In mid-October of 1937, he fled from hiding in Palestine to Beirut. Two years later and six weeks after the outbreak of World War II, in mid-October of 1939, he slipped to Baghdad, where his sympathies for the Italian fascists further alarmed the British. Fast-forward another two years to late 1941, and al-Husseini is in Europe, meeting with Benito Mussolini on the 27th of October, and on the 28th of November meeting with the Führer himself at the Reich Chancellery in Berlin.

Al-Husseini’s motivation for embracing the Axis was likely a combination of selfish political opportunism and the belief that the alignment would help safeguard against the takeover of Palestine by the Zionists. The reasoning, however grotesque, was the same used by Lehi (the ‘Stern Gang’) in its own attempted collaboration with the fascists: Britain was the obstacle both to Palestinian liberation, and to unbridled Zionism, and for both the Mufti and Lehi, defeating that obstacle meant embracing its enemies. Even the ‘mainstream’ David Ben-Gurion had no moral qualms about taking advantage of Britain’s struggle against the Nazis — a struggle for which his Jewish Agency was already conspicuously unhelpful — by exploiting Britain’s post-war vulnerabilities.[2]

Posterity has treated Lehi’s and the Mufti’s flirtations with the fascists quite differently. Lehi, the most fanatical of the major Zionist terror organizations, was transformed into freedom fighters, and ex-Lehi leader Yitzhak Shamir was twice elected as Israeli Prime Minister. In contrast, Zionist leaders quickly seized on al-Husseini’s past to smear not just him, but the Palestinians as a people, as Nazis.

The use of al-Husseini’s unsavory history to ‘justify’ anti-Palestinian racism continues to the present day. Most bizarrely, in 2015 Israeli Prime Minister Benjamin Netanyahu claimed that Hitler had not intended to exterminate the Jews — that is, not until al-Husseini planted the words in his ear — which translates as “got the idea from the Palestinians”. A private citizen would likely have been arrested under German law for this attempt to rewrite the Holocaust.

The mufti of Jerusalem, Sayid Amin al Husseini, meets with Hitler, November 1941.

THE MUFTI OF JERUSALEM, SAYID AMIN AL HUSSEINI, MEETS WITH HITLER, NOVEMBER 1941.

Iraq won limited independence in 1932, just before the Nazis came to power. When the Mufti ensconced himself in Iraq seven years later, the country was under nominally ‘pro-British’ Prime Ministers, and Regent ‘Abd al-Ilah for the four-year-old king, Faisal II. This uneasy British-Iraqi equilibrium ended on first day of April 1941, when four Iraqi officers known as the Golden Square, wanting full independence (and similarly aligning themselves with the fascists in the foolish belief that doing so would help them get it), staged a coup d’état. It lasted two months. British troops ousted the coup on the first day of June — and as they did, anti-Jewish riots rocked Baghdad. An estimated 180 Jewish Iraqis were killed and 240 wounded in this pogrom known as the Farhud.

Why would the momentary power vacuum of the British takeover lead to anti-Jewish terror? While doing research for my 2016 book, State of Terror, I was intrigued by the claim of one Iraqi Jewish witness, Naeim Giladi, that these ‘Arab’ riots were orchestrated by the British to justify their return to power.[3] Indeed, the riots seemed unnatural in a society where Jews had lived for two and a half millennia, and the “pro-Axis” Golden Square takeover two months earlier had not precipitated any such pogrom. Yet it was also true that Zionism had created ethnic resentment, and Giladi did not question that junior officers of the Iraqi army were involved in the violence. The evidence provided by Giladi was compelling enough to seek out clues among British source documents that were not available to him.

And that, along with the hope of shedding new light on the Mufti’s pro-fascist activities, brought me to the archive at issue and my qualified (redacted) success in getting the first part declassified– officially titled, CO 733/420/19. Not surprisingly, much of the file focused on legitimate worry over the Mufti’s dealings with the Italian fascists. Some of the British voices recorded considered him to be a serious threat to the war effort, and a report entitled “Inside Information” spoke of the Mufti’s place in an alleged “German shadow government in Arabia”. Others dismissed this as “typical of the sort of stuff which literary refugees put into their memoirs in order to make them dramatic” and suggested that the Mufti’s influence was overstated.

Whatever the case, by October 1940, the Foreign Office was considering various methods for “putting an end to the Mufti’s intrigues with the Italians”, and by mid-November,

it was decided that the only really effective means of securing a control over him [the Mufti] would be a military occupation of Iraq.

British plans of a coup were no longer mere discussion, but a plan already in progress:

We may be able to clip the Mufti’s wings when we can get a new Government in Iraq. F.O. [Foreign Office] are working on this”.

So, the British were already working on re-occupying Iraq five months before the April 1941 ‘Golden Square’ coup.

A prominent thread of the archive was: How to effect a British coup without further alienating ‘the Arab world’ in the midst of the war, beyond what the empowering of Zionism had already done? Harold MacMichael, High Commissioner for Palestine, suggested the idea “that documents incriminating the Mufti have been found in Libya” that can be used to embarrass him among his followers; but others “felt some hesitation … knowing, as we should, there was no truth in the statement.”

But frustratingly, the trail stops in late 1940; to know anything conclusive we need the second part’s forbidden ten pages: CO 733/420/19/1.

The redacted first part partially supports, or at least does not challenge, Giladi’s claim. It proves that Britain was planning regime change and sought a pretext, but gives no hint as to whether ethnic violence was to be that pretext. Interestingly, Lehi had at the time reached the same conclusion as Giladi: its Communique claimed that “Churchill’s Government is responsible for the pogrom in Baghdad”.[4]

Does the public have the right to see still-secret archives such as CO 733/420/19/1? In this case, the gatekeepers claimed to be protecting us from the Forbidden Fruit of “curiosity”: They claimed to be distinguishing between “information that would benefit the public good”, and “information that would meet public curiosity”, and decided on our behalf that this archive fit the latter.[1] We are to believe that an eight-decade-old archive on an important issue remains sealed because it would merely satisfy our lust for salacious gossip.

Perhaps no assessment of past British manipulation in Iraq would have given pause to the Blair government before signing on to the US’s vastly more catastrophic Iraqi ‘regime change’ of 2003, promoted with none of 1940’s hesitation about using forged ‘African’ documents — this time around Niger, instead of Libya. But history has not even a chance of teaching us, if its lessons are kept hidden from the people themselves.

Note: According to Giladi, the riots of 1941 “gave the Zionists in Palestine a pretext to set up a Zionist underground in Iraq” that would culminate with the (proven) Israeli false-flag ‘terrorism’ that emptied most of Iraq’s Jewish population a decade later. Documents in Kew seen by the author support this. But to be sure, the Zionists were not connected with the alleged British maneuvers of 1941.

1. Correspondence from the UK government, explaining its refusal to allow me access to CO 733/420/19/1:

Section 23(1) (security bodies and security matters): We have considered whether the balance of the public interest favours releasing or withholding this information. After careful consideration, we have determined that the public interest in releasing the information you have requested is outweighed by the public interest in maintaining the exemption. It is in the public interest that our security agencies can operate effectively in the interests of the United Kingdom, without disclosing information that would assist those determined to undermine the security of the country and its citizens.

The judiciary differentiates between information that would benefit the public good and information that would meet public curiosity. It does not consider the latter to be a ‘public interest’ in favour of disclosure. In this case, disclosure would neither meaningfully improve transparency nor assist public debate, and disclosure would not therefore benefit the public good.

2. Ben-Gurion looked ahead to when the end of the war would leave Britain militarily weakened and geographically dispersed, and economically ruined. He cited the occupation of Vilna by the Poles after World War I as a precedent for the tactic. For him, the end of WWII only presented an opportunity for the takeover of Palestine with less physical resistance; it also left Britain at the mercy of the United States for economic relief, which the Jewish Agency exploited by pressuring US politicians to make that assistance contingent on supporting Zionist claims to Palestine. At a mid-December 1945 secret meeting of the Jewish Agency Executive, Ben-Gurion stressed that “our activities should be directed from Washington and not from London”, noting that “Jewish influence in America is powerful and able to cause damage to the interests of Great Britain”, as it “depends to a great extent on America economically” and would “not be able to ignore American pressure if we succeed in bringing this pressure to bear”. He lauded Rabbi Abba Silver in the US for his aggressiveness on the issue, while noting that he was nonetheless “a little fanatical and may go too far”. (TNA, FO 1093/508). The Irgun was more direct in 1946, stating that Britain’s commuting of two terrorists’ death sentences and other accommodations to the Zionists “has been done with the sole purpose to calm American opposition against the American loan to Britain”. (TNA, KV 5-36). Meanwhile, in the US that year Rabbi Silver’s bluntness on the tactic worried Moshe Shertok (a future prime minister). Although like Ben-Gurion, Shertok said that “we shall exploit to the maximum the American pressure on the British Government”, in particular the pre-election period (and in particular New York), but urged “care and wisdom in this” so as not to give ammunition to “anti-Zionists and the anti-semites in general”. Shertok criticized Silver for saying publicly that “he and his supporters opposed the loan to be granted to the British Government”. (TNA, CO 537/1715)

3. Suárez, Thomas, State of Terror: How Terrorism Created Modern Israel[Skyscraper, 2016, and Interlink, 2017]; In Arabic, هكذا أقيمت المستعمرة [Kuwait, 2018]; in French, Comment le terrorisme a créé Israël[Investig’Action, 2019]
Giladi, Naeim, Ben-Gurion’s Scandals: How the Haganah and the Mossad Eliminated Jews [Dandelion, 2006]

4. Lehi, Communique, No. 21/41, dated 1st of August 1941

Update: This post originally referred to the “four-year-old Prime Minister, ‘Abd al-Ilah,” not the four-year-old King Faisal under Regent ‘Abd al-Ilah. Commenter Jon S. corrected us, and the post has been changed.

The day the Mufti died 

Yes, Hajj Amin al-Husayni collaborated with the Nazis, but that’s not why he was dropped from the Palestinian narrative 

Martin Kramer, Times of Israel Blogs, July 5, 202

Please note that the posts on The Blogs are contributed by third parties. The opinions, facts and any media content in them are presented solely by the authors, and neither The Times of Israel nor its partners assume any responsibility for them. Please contact us in case of abuse. In case of abuse,

“To His Eminence the Grand Mufti as a memento. H. Himmler. July 4, 1943.” Israel State Archives.

Fifty years ago, on July 4, 1974, Hajj Amin al-Husayni, the “Grand Mufti” of Jerusalem, passed away in Beirut, Lebanon, at the American University Hospital. At age 79, he died of natural causes. The Mufti had faded from the headlines a decade earlier. In 1961, his name had resurfaced numerous times during the Jerusalem trial of Adolf Eichmann. But a couple of years later, the Palestinian cause gained a new face in Yasser Arafat. With that, the Mufti entered his final eclipse.

When he died, the Supreme Muslim Council in Jerusalem asked the Israeli authorities for permission to bury him in the city. Israel refused the request. Any Palestinian who wanted to attend the funeral in Lebanon would be allowed to do so, but the Mufti of Jerusalem would not be buried in Jerusalem. Instead, the Mufti was laid to rest in the Palestinian “Martyrs’ Cemetery” in Beirut.

The Mufti was appointed to his position by the British in 1921. Within the British Empire, authorities preferred to work through “native” institutions, even if they had to create them on the fly. So they established a supreme council for Palestine’s Muslims and placed the Mufti at its helm. Although he lacked religious qualifications, he came from a leading family and appeared capable of striking deals.

In fact, he used his position to oppose the Jewish “National Home” policy of the Mandate. The “Arab Revolt” of 1936 finally convinced the British that he had to go, and in 1937 he fled the country.

After a period in Lebanon, he ended up in Iraq, where he helped foment a coup against the pro-British regime. When British forces suppressed the coup, he fled again, making his way through Tehran and Rome to Berlin. There, the Nazi regime used him to stir up Arabs and Muslims against the Allies. He was photographed with Hitler and Himmler, recruited Muslims to fight for the Axis, and attempted to secure promises of independence for colonized Arabs and Muslims. None of his efforts met with much success. His role, if any, in the Holocaust is a contested matter. Hitler and his henchmen hardly needed any prompting to execute their genocidal plans. Clearly, though, the Mufti rooted for Jewish destruction from the fifty-yard line.

After the Nazi collapse, he fell into French hands and spent a year in comfortable house detention near Paris. Later, he fled to Egypt and subsequently moved in and out of Syria and Lebanon. Following the Arab debacle of 1948, Egypt established an “All Palestine Government” in the refugee-choked Gaza Strip, leaving the presidency open for the Mufti. It didn’t last long. He continued to maneuver through Arab politics, but he was yesterday’s man to a new generation of Palestinians born in exile. During the Eichmann trial, the prosecution sought to implicate the Mufti as an accomplice. Yet the Mossad never came after him, and he didn’t die a martyr’s death.

Man without a country

The Mufti was a formidable politician. In 1951, a State Department-CIA profile of him opened with this evocative enumeration of his many talents, which is worth quoting at length:

King of no country, having no army, exiled, forever poised for flight from one country to another in disguise, he has survived because of his remarkable ability to play the British against the French, the French against the British, and the Americans against both; and also because he has become a symbol among the Arabs for defending them against the Zionists. His suave penchant for intrigue, his delicate manipulation of one Arab faction against another, combined with the popularity of his slogan of a united Muslim world, has made him a symbol and a force in the Middle East that is difficult to cope with and well nigh impossible to destroy. The names of Machiavelli, Richelieu, and Metternich come to mind to describe him, yet none of these apply. Alone, without a state, he plays an international game on behalf of his fellow Muslims. That they are ungrateful, unprepared, and divided by complex and innumerable schisms, does not deter him from his dream. 

Profilers would later write similar things about Arafat, but the Mufti had none of Arafat’s cultivated dishevelment. He was manicured, even chic:

The Mufti is a man of striking appearance. Vigorous, erect, and proud, like a number of Palestinian Arabs he has pink-white skin and blue eyes. His hair and beard, formerly a foxy red, is now grey. He always wears an ankle length black robe and a tarbush wound with a spotless turban. Part of his charm lies in his deep Oriental courtesy; he sees a visitor not only to the door, but to the gate as well, and speeds him on his way with blessings. Another of his assets is his well-modulated voice and his cultured Arabic vocabulary. He can both preach and argue effectively, and is well versed in all the problems of Islam and Arab nationalism. His mystical devotion to his cause, which is indivisibly bound up with his personal and family aggrandizement, has been unflagging, and he has never deviated from his theme. For his numerous illiterate followers, such political consistency and simplicity has its advantages. The Mufti has always known well how to exploit Muslim hatred of ‘infidel’ rule. 

So why did the Mufti fade into obscurity? (By 1951, he was on his way out.) Many mistakenly believe his collaboration with Hitler and the Nazis discredited him. It didn’t. Not only did the Arabs not care, but Western governments eyed the Mufti with self-interest. The general view in foreign ministries held that he had picked the wrong side in the war, but not more than that.

The above-quoted American report expressed this view perfectly: “While the Zionists consider him slightly worse than Mephistopheles and have used him as a symbol of Nazism, this is false. He cared nothing about Nazism and did not work well with Germans. He regarded them merely as instruments to be used for his own aims.” If so, why not open a discreet line to him and let him roam the world unimpeded?

Nakba stigma

What finally discredited the Mufti in Arab opinion, where it mattered most, was his role in the 1948 war. It was a war he wanted and believed his side would win. In late 1947, the British sent someone to see if there might be some behind-the-scenes flexibility in his stance on partition, which he had completely rejected. There wasn’t. He explained:

As regards the withdrawal of British troops from Palestine, we would not mind. We do not fear the Jews, their Stern, Irgun, Haganah. We might lose at first. We would have many losses, but in the end we must win. Remember Mussolini, who talked of 8,000,000 bayonets, who bluffed the world that he had turned the macaronis back into Romans. For 21 years he made this bluff, and what happened when his Romans were put to the test? They crumbled into nothing. So with the Zionists. They will eventually crumble into nothing, and we do not fear the result, unless of course Britain or America or some other Great Power intervenes. Even then we shall fight and the Arab world will be perpetually hostile. Nor do we want you to substitute American or United Nations troops for the British. That would be even worse. We want no foreign troops. Leave us to fight it out ourselves. 

This underestimation of the Zionists proved disastrous, even more so than his overestimation of the Axis. He later wrote his memoirs, blaming “imperialist” intervention, Arab internal divisions, and world Zionist mind-control for the 1948 defeat. To no avail: his name became inseparable from the Nakba, the loss of Arab Palestine to the Jews. His reputation hit rock bottom, along with that of the other failed Arab rulers of 1948.

Upon his death in 1974, he received a grand sendoff in Beirut from the PLO. In 1970, Arafat had transferred the PLO headquarters from Jordan to Lebanon, and the funeral finalized his status as the sole leader of the Palestinian people. Four months later, Arafat addressed the world from the podium of the UN General Assembly, achieving an international legitimacy that the Mufti could never have imagined.

The PLO then dropped the Mufti from the Palestinian narrative; nothing bears his name. Even Hamas, which inherited his uncompromising rigidity and Jew-hatred, doesn’t include him in their pantheon. (Their man is Izz al-Din al-Qassam, a firebrand “martyr” killed by the British in 1935.)

If anyone still dwells on the Mufti, it’s the Israelis, including their current prime minister, who find him useful as a supposed link between the Palestinian cause and Nazism. One can understand Palestinians who push back on this; the Mufti was no Eichmann. But that doesn’t excuse Palestinian reluctance to wrestle candidly with the Mufti’s legacy. He personified the refusal to see Israel as it is and an unwillingness to imagine a compromise. Until Palestinians exorcise his ghost, it will continue to haunt them.

 

Alf Layla wa Laylah – the Arabian Nights and Orientalism

How do you see my country? Dusky maidens in desert tents offering dates on golden plates? 
Algerian secret agent Mohammed Ibn Khaldun to Tom Quinn, Spooks, 2,Ep 2

How often have we heard the exclamation “it’s like something out of the Arabian Nights”? We’ve said it ourselves as we walked down the Suq al Hamadiyya in Old Damascus and al Wad and Daoud Street in Old Jerusalem, in an ersatz Bedouin tent-restaurant just down the road from Palmyra and a similar night out near Petra. It’s as if the local tourist industry folk expect us westerners to enjoy, nay, expect this kind of entertainment. 

But whereas since the translation of The Arabian Nights, we have loved the tales, we have also taken from them a distorted impression of the Middle East, a pastiche of palm trees, minarets and camels like the illustrations of the old boxes of figs and of Fry’s Turkish Delight. 

So, how did we get here?

From a historical European perspective, the East or Orient has long been perceived as an unknown, alien, and, therefore, alluring world, that has existed for centuries, even millennia. It’s spell persists to this day, enchanting, seducing, and seducing soldiers, adventurers, travelers, troublemakers, writers, artists, and musicians.

This enduring fascination with the East gave rise to the descriptor Orientalism. In art history, literature, and cultural studies it described the imitation or depiction of aspects of the Eastern world largely by writers, designers, and artists from the Western world. Since the publication Palestinian America academic Edward Said’s seminal work Orientalism (1978) much of academic discourse has begun to use the term to refer to the generally nurturing though patronizing  Western attitude toward societies in the Middle East, Asia, and North Africa.

But more on Orientalism and Edward Said later. First, we’ll take look at one of the most popular manifestations of western culture’s relationship with the East. 

One Thousand and One Nights (أَلْفُ لَيْلَةٍ وَلَيْلَةٌ‎, Alf Laylah wa-Laylah) is a collection of folk tales compiled in Arabic during medieval times in what is recognized as the Islamic Golden Age, a period of scientific, economic and cultural flourishing in the history of Islam, traditionally dated from the 8th century to the 13th century.  It known in English as The Arabian Nights – from the first English-language edition in the early eighteenth century entitled The Arabian Nights’ Entertainment. Many European translations followed, but none more racy and picaresque that of English explorer, polymath and enfant terrible Richard Burton in 1885; it was an abridged version of this, purchased from a budget book store in King Street, Sydney, that I read the first time i got to meet Mademoiselle Scheherazade. The featured image is from that book’s dust cover. 

It has been acknowledged that Burton’s gaudy and bawdy English bears little relation to the Arabic of the Nights, which tends to be plain, conversational, and even a little threadbare – in other words, the idiom of folk literature. Some would dismiss it as Orientalist camp. Others would say it was just what would be expected from the infamous translator of The Kama Sutra. His translation included virtually every tale he could find a manuscript for – as well as some that he made up, such as my personal favourite How Abu Hasan Broke Wind.  

The stories were gathered over many centuries by various authors, translators, and scholars across the Middle East and South Asia, and North Africa. They originated in ancient and medieval Arabic, Egyptian, Indian, Persian, and even Mesopotamian folklore and literature. Many were originally folk stories from the Abbasid and Mamluk eras, while others, especially the central story of Scheherazade are most likely drawn from the Pahlavi Persian work Hezār Afsān (Persian: هزار افسان‎, A Thousand Tales), which in turn contained Indian elements.  

Charting the timeline, English scholar, author and Sufi adept Robert Irwin has written: “In the 1880s and 1890s a lot of work was done on the Nights by Zotenberg and others, in the course of which a consensus view of the history of the text emerged. Most scholars agreed that the Nights was a composite work and that the earliest tales in it came from India and Persia. At some time, probably in the early 8th century, these tales were translated into Arabic under the title Alf Layla, or ‘The Thousand Nights’. This collection then formed the basis of The Thousand and One Nights. The original core of stories was quite small. Then, in Iraq in the 9th or 10th century, this original core had Arab stories added to it—among them some tales about the Caliph Harun al-Rashid. Also, perhaps from the 10th century onwards, previously independent sagas and story cycles were added to the compilation … Then, from the 13th century onwards, a further layer of stories was added in Syria and Egypt, many of these showing a preoccupation with sex, magic or low life. In the early modern period, yet more stories were added to the Egyptian collections so as to swell the bulk of the text sufficiently to bring its length up to the full 1,001 nights of storytelling promised by the book’s title”.

Sheherazade (Fine Art Images/Heritage Images via Getty Images)

The Thousand And One Arabian Nights has been so appropriated by our culture that it is a de facto member of our so-called Western Canon. It is the source of so many of our fairy tales and boy’s own adventures with its magic lamps and genies, giant birds and winged horses, flying carpets and gorgeous girls in rich silks and ethereal damask. In our pubescent days, did we not “dream of Jeannie”? 

Harem pants and turbans, belly dancers and serpentine melodies, and a “nudge, nudge, wink, wink” of vicarious naughtiness (itself a word of Indian origin) – an exotic, “orientalist” retro-zeitgeist that drew artists, poets, writers and composers to this inexhaustible source of narrative, inspiration and titillation. Recall, back in those thankfully long gone more repressed days, the risqué, soft porn imaginings of European artists, including the Pre-Raphaelites and Orientalists who also elided into similar fever dreams of Babylonian and Roman erotica. 

Musicians too got in on the act. In 1782, Wolfgang Amadeus Mozart premiered Entführung aus dem Serail, The Abduction from the Seraglio, and Gioachino Rossini presented his L’italiana in Algeri or An Italian Girl in Algiers in 1813. These lightweight comic operas featured many of the tropes that entered the cinematic lexicon in the twentieth century, and whilst musically endearing and entertaining, their Orient was a mix of slapstick and exotic, and by today’s standards, condescending in their portrayal of lascivious sultans and their flunkies so easily outwitted by occidental heroes and heroines. Much grander and imposing is Russian composer Nikolai Rimsky-Korsakov’s splendid Scheherazade suite, otherwise known as “the Sultan is coming”. There’s an orchestral rendering of this masterpiece below.

The stories rattle through English pantomimes, Hollywood fantasias, Walt Disney, and even the avant-garde Pier Paulo Pasolini: Alāʼu d-Dīn and Sindibādu l-Bahriyy (these were indeed their original names), Ali Baba and those bandits in huge pots – the inspiration and the storylines for all those boy gets girl cosplay, rom-com, adventure and fantasy films like The Thief of Baghdad and Prince of Persia, and musicals like Kismet – and many more besides, most of them ordinary and many, bad (go Google!). Baubles, bangles and beads indeed (see, below, the Clio from the film). It was a pleasant, picturesque oriental world, the Middle East as Hollywood imagined it before it hit the headlines with its oil, its tyrants, and it internecine wars, a world sans Hamas, Hezbollah, the Taliban, Da’ish and the Al Quds Brigade. 

To illustrate the potential for satire, smut and downright silliness – a veritable “Carry on In The Casbah”. The nearest the famous British comedy series came to anything like this was the one film that didn’t have “Carry on” in its title: Follow That Camel in 1967. Though based on the French Foreign Legion adventures of Beau Geste, it doesn’t waste time getting to the suq and, predictably, the generic harem and the usual, well, carry on. Apropos this, there’s a clip below from the BBC production of British playwright Denis Potter’s excellent faux-musical Lipstick on Your Collar, set during the Suez Crisis of 1956, replete with orientalist imaginings and straight-out smut. 

The Blue Sultana by Léon Bakst

The spell of the orient also lured adventurers and chancers to the canyons and the castles, the deserts and the oases of the Levant, Mesopotamia, Persia, Afghanistan and India. And, I have to declare, yours truly – not without incident but no match for derring-do of Brits who went before. Like Irwin himself, I was of a generation with no more deserts to conquer, no fabled cities to administer. See Song of the Road (2) – The Accidental Traveller. 

It’s a part of the world that has captivated much of my intellectual life for I too like many others before me was lured by the spell of the Orient.

I wrote before, in East, “I was drawn to the Middle East in another age, when it was the land of myth and magic, of dreamers and adventurers, of quixotic tilters at windmills, of pioneers who would make the deserts bloom, of dissemblers and deceivers bearing false promises. The ancient lands of the bible, the fabled realm of A Thousand and One Nights, and the restless quests of Richard Burton, Charles Doughty, and TE Lawrence. The pulp fiction fantasies of Frank Herbert, James Michener and Leon Uris, and the celluloid myths of Peter O’Toole, Omar Sharif, and Paul Newman”.

Middle East folk have taken to the stories too, and as in the West, it has inspired books, poems, plays and movies. Lebanese diva Fairuz played Scheherazade in a Beiruti musical back in the seventies, and Umm Kulthum, dead nearly five decades and still indisputably the Arab world’s most renowned and beloved singer, sang about the lass for forty minutes, which was not unusual for her, without saying too much about the story. There is a statue of Scheherazade  and the sultan on the banks of the Tigris in Baghdad. 


And yet, the whole glittering, fairytale artifice was built upon dubious foundations of misogyny and murder. 

Scrumptious Scheherazade’s “cunning plan” was nothing more or less than that of distracting Shahriya, a randy psychopath of a sultan, from dispatching her (and her sister) – as he had done with his many short-lived exes. The premise is that his former missus cheated on him with a cavalcade of lovers, including slaves and persons of colour. To use the words of an old song by latter day philosopher Hal David and his sidekick Burt Bacharach,, he resolved that he was “never gonna love again”. And no doubt, in true oriental fashion, he was fearful of rival claimants and suspicious of all, including his paramours conspiring against him. Yet, he nonetheless constantly needs to get his end in. So whomsoever he selects to join him in his boudoir – and no one says no to the sultan – gets the chop the morning after. When Schezza gets the royal nod, she is determined not to go the way of her predecessors, and to preserve the lives of future bedmates. Accordingly, she keeps his lascivious lordship so distracted with her storytelling that he will refrain from slayage because he wants to hear how her tale ends. And yes, indeed, he forswears his murderous ways and settles into connubial bliss. 

© Paul Hemphill 2024. All rights reserved

See also in In That Howling Infinite, A Middle East Miscellany

The Scribe. Ludwig Deutsche 1911

East is east and west is west

Oh, East is East, and West is West, and never the twain shall meet,
Till Earth and Sky stand presently at God’s great Judgment Seat
Rudyard Kipling, The Ballad of East and West

The term Orientalism gained its modern definition through the writing of the Palestinian academic and cultural critic Edward Said, especially his famous book Orientalism, published in 1978, which sparked controversy among scholars of Oriental studies, philosophy, and literature. It was a critique of cultural perceptions of how the Western world – primarily the white and Judeo-Christian world – perceives the East – or specifically lands and cultures that lie outside the borders of southern and southwestern Europe.

From a historical European perspective, the East has long been perceived as an unknown, alien, and, therefore, alluring world, that has existed for centuries, even millennia. The Greeks and Romans longed for the silk and spices of the East. To satisfy our human craving for the good things of life, busy trade routes stretched from China and Java to present-day Russia, Scandinavia, the Iberian Peninsula and the British Isles.

The term orient is derived from Latin, oriens meaning “east” (literally “sunrise”, from aurior, rising, and its geographical use of the word “rising” to refer to the east, where the sun rises). The term Levant is in turn derived from Old French, and Italian in origin, to refer to the lands of the rising sun – specifically the historical lands of Syria (in Roman times, specifically’ that included the modern states of Lebanon, Syria, Jordan, Israel, Palestine and most of Turkey. In its broad historical sense, it came to include Greece, the islands of the eastern Mediterranean, modern Egypt and North Africa. And with the emergence of European empires in the east, Persia, Afghanistan, India, China, and the East Indies.

Along with east, west, or west, derived, again, from Old French, via Latin, Occidentem, west, or “sky where the sun goes down”, as in occido, to go down or set, was originally synonymous with Christianity which in the Middle Ages were the states that followed the Roman Catholic faith and which for various centuries considered themselves superior to the Eastern Orthodox faith of the Byzantine Empire and the lands of Russia.

The Levant was widely used after the fifteenth century. During the two hundred years of the Crusades, during which the French knights and their retinue took control, the lands that became the crusader kingdoms were referred to as Outremer, meaning the lands beyond the sea. And through the Crusades, the love affair of Christian Europe with the East began. And it was to continue to this day, enchanting, seducing, and seducing soldiers, adventurers, travelers, troublemakers, writers, artists, and musicians.

Edward Said and Orientalism

Original cover art of Orientalism, Jean Leon Gerome’s Le charmeur de serpents, 1870

Edward Wadih Said Edward Wadih Said (November 1935 – September 24, 2003) was a Professor of Literature at Columbia University, a public intellectual, and a founder of the academic field of Postcolonial Studies. A Palestinian-American born in Mandatory Palestine, he was a citizen of the United States through his father, a US Army veteran.

Educated in British and American schools, Said applied his pedagogical and cultural perspective to highlight the gaps of cultural and political understanding between the Western world and the Eastern world, especially with regard to the Israeli-Palestinian conflict in the Middle East.

As a public intellectual Said  was a controversial member of the Palestinian National Council, due to his public criticism of Israel and Arab countries, especially the political and cultural policies of Islamic regimes that work against the national interests of their people. He called for the establishment of a Palestinian state to guarantee equal political and human rights for Palestinians in Israel, including the right to return to the homeland.

Orientalism in art history, literature, and cultural studies is the imitation or depiction of aspects of the Eastern world. These drawings are usually made by writers, designers, and artists from the Western world. In particular, Orientalist painting, more specifically depicting the ‘Middle East’, was one of the many disciplines of academic art in the nineteenth century, and the literature of Western countries showed a similar interest in Eastern themes.

Since the publication of Orientalism, much of academic discourse has begun to use the term “Orientalism” to refer to the generally nurturing Western attitude toward societies in the Middle East, Asia, and North Africa. In Said’s analysis, the West classifies these societies as static and undeveloped, thus creating a vision of Eastern culture that can be studied, photographed, and reproduced in the service of imperial power. Implicit in this is the idea that Western society is sophisticated, rational, flexible, and superior, Said writes.

His book redefines the term Orientalism to describe the Western tradition – academic and artistic – of biased interpretations of the Eastern world shaped by the cultural attitudes of European imperialism in the eighteenth and nineteenth centuries.

Said said that Orientalism as “the idea of ​​representation is a theoretical idea: the Orient is a stage in which the whole of the Orient is confined” to make the Eastern world “less intimidating to the West.” And that the developed world, and the West in the first place, is the cause of colonialism, and that Western countries and their empires arose by exploiting backward countries and extracting wealth and labor from one country to another. Academically, the book has become a foundational text for postcolonial cultural studies.

While Said’s analysis relates to Orientalism in European literature, especially French literature, the historical view identified and described can also be applied to representations of the Orient in other art forms, including visual art – most notably in Orientalist painting, which was popular among artists And with galleries during the nineteenth century, which modern scholars see as depicting myth and fantasy that has little connection with reality, and also in other art forms that come like music and film.

Such representations drew criticism as much as before and after World War II, they perpetuated the imagined trend, giving generations of Westerners a distorted impression of the Middle East adorned with palm trees, minarets, and camels like illustrations of old chests of figs and boxes of Turkish delight and serpentine melodies. Such images directly connected in Western minds with the trappings of orientalists.  

Fun, romantic and fascinating, this Middle East as imagined by artists and Hollywood – to quote from above, “harem pants and turbans, belly dancers and serpentine melodies, and a “nudge, nudge, wink, wink” of vicarious naughtiness (itself a word of Indian origin) an exotic, “orientalist” retro- zeitgeist that drew artists, poets, writers and composers to this inexhaustible source of narrative, inspiration and titillation”.

Inevitably, a backlash arose in the developing world, both in the Islamic world, and in Asian and African countries in general, and the term Western is now often used to refer to the negative views of the Western world found in Eastern societies, and is based on the nationalism that spread as a response to colonialism. Furthermore, Edward Said himself has been accused of Westernizing the West in his critique of Orientalism. He is guilty of falsely describing the West in the same way that Western scholars are accused of falsely describing the East. Said is said to have encouraged a homogenous picture of the West, which no longer consisted not only of Europe, but also of the United States, Canada and Australia which became more culturally influential over the years.

[This profile of Edward Said and Orientalistism is drawn largely from Wikipedia. For an interesting account of Robert Irwin’s take down of Said’s opus, see The man who defeated Orientalism The man who defended Orientalism]

Wystan and Christopher’s excellent adventure

As evening fell the day’s oppression lifted
Far peaks came into focus, it had rained.
Across wide lawns and cultured flowers drifted
The conversation of the highly trained.
Two gardeners watched them pass and priced their shoes
A chauffeur waited, reading in the drive
For them to finish their exchange of views.
It seemed a picture of the private life.
Far off, no matter what good they intended
The armies waited for a verbal error
With all the instruments for causing pain
And on the issue of their charm depended
A land laid waste, its towns in terror
And all its young men slain.
Embassy, WH Auden, from Journey to a War

In 1938, English writers WH Auden and  Christopher Isherwood were commissioned by their publishers to write a travel book about the East. Auden was already established as one of Britain’s foremost poets whilst his friend and onetime lover Isherwood was acclaimed as an author and dramatist. His Berlin Stories, two novels set in the last days of the Weimar Republic and today acclaimed as classics of modern fiction; the semi autobiographical Goodbye to Berlin (1939) inspired the remarkable musical Cabaret (1966).

By adventurous choice they went to China for six months, their journey coinciding with Imperial Japan’s brutal invasion. American poet and educator Mildred Boie, reviewing the book for Atlantic in November 1939, takes up the story:  

“With the good fortune of famous and attractive young men they were helped and shown about by everybody from coolies to ambassadors, journalists to generals. They behaved, as they observed and wrote (to judge from the diary), with the engaging frankness and immaturity of English schoolboys, with the ingenious confidence and casual incompleteness of amateurs. But these qualities are inadequate for reporting war, for evaluating life and death in so desperate and disastrously complicated a country as China. The authors were not only amateurs as foreign correspondents, they were also dilettantes: they played at getting to the front, at taking notes on slums, at dashing from formal garden parties to meetings with intellectuals and busy military and diplomatic leaders. They suffered almost as much, certainly as consciously, from blisters, constipation, boredom, sleeplessness, and hangovers as from the shape of poverty, the taste of fear, the sight and smell of death. They were always safe, always outside.” 

Collectively, perhaps, we most resemble a group of characters in one of Jules Verne’s stories about lunatic English explorers. 

War is bombing an already disused arsenal, missing it and killing a few old women. War is lying in a stable with a gangrenous leg. War is drinking hot water in a barn and worrying about one’s wife. War is a handful of lost and terrified men in the mountains, shooting at something moving in the undergrowth. War is waiting for days with nothing to do; shouting down a dead telephone; going without sleep, or sex, or a wash. War is untidy, inefficient, obscure, and largely a matter of chance. 

On their safe return, the pair put together Journey to a War, travel book in prose and verse that was published in 1939. The book is in three parts: a series of poems by Auden describing his and Isherwood’s journey to China in 1938; a “Travel-Diary” by Isherwood (including material first drafted by Auden) about their travels in China itself, and their observations of the Sino-Japanese War; and “In Time of War: A Sonnet Sequence with a Verse Commentary” by Auden, with reflections on the contemporary world and their experiences in China. The book also contains a selection of photographs by Auden.

I am never much good at defending the British Empire, even when drunk
Christopher Isherwood

I republish below an excellent article in the blog Books and Boots – Reflections on Books and Art. It provides a more detailed background to the genesis of the book, setting the geopolitical scene, describing  Auden’s  anticlimactic and, it would seem, personally disappointing visit to Spain during its civil war, and the poetry within.

See also in In That Howling Infinite, Better read than dead … books, poetry and reading


WH Auden and Christopher Isherwood

Journey To A War by W.H. Auden and Christopher Isherwood (1939)

When we awoke early next morning the train was crossing a wide valley of paddy fields. The rising sun struck its beams across the surfaces of innumerable miniature lakes; in the middle distance farmhouses seemed actually to be floating on water. Here and there a low mound rose a few feet above the level of the plain, with a weed-grown, ruinous pagoda, standing upon it, visible for miles around. Peasants with water-buffaloes were industriously ploughing their arable liquid into a thick, brown soup.
(Journey To A War, p.191)

Collectively, perhaps, we most resemble a group of characters in one of Jules Verne’s stories about lunatic English explorers. (p.104)

The Sino-Japanese War

In July 1937 – exactly a year after the start of the Spanish Civil War – Japan attacked China. It was hardly a surprise. In 1931 the so-called ‘Mukden Incident’ had helped spark the Japanese invasion of Manchuria (the large area to the north east of China, just above Beijing). The Chinese were defeated and Japan created a new puppet state, Manchukuo (setting up the last Qing emperor as its puppet ruler) through which to rule Manchuria.

Going further back, in 1894–1895 China, then still under the rule of the Qing dynasty, was defeated by Japan in what came to be called the First Sino-Japanese War. China had been forced to cede Taiwan to Japan and to recognise the independence of Korea which had, in classical times, been under Chinese domination.

In other words, for 40 years the rising power of militaristic, modernising Japan had been slowly nibbling away at rotten China, seizing Taiwan, Korea and Manchuria. Now the military junta in Tokyo decided the time was right to take another bite, engineered an ‘incident’ at the Marco Polo bridge on the trade route to Beijing, and used this as a pretext to attack Beijing in the north and Shanghai in the south.

Thus there was quite a lot of military and political history to get to grips with in order to understand the situation in China, but what made it even more confusing was the fact that China itself was a divided nation. First, the nominal government – the Chinese Nationalist Party or Kuomintang under its leader Chiang Kai-shek – had only with difficulty put down or paid off the powerful warlords who for decades had ruled local regions of China after the collapse of the Qing Dynasty in 1911.

But second, Chiang faced stiff competition from the Chinese Communist Party. The two parties had lived in uneasy alliance until Chiang staged a massacre of communists in Shanghai in 1927 which brought the tension between Chinese nationalists and communists into the open.

It was the three-way destabilisation of China during this period – warlords v. Nationalists v. Communists – which had helped Japan invade and take over Manchuria. Prompted by the 1937 Japanese attack the Nationalists and Communists formed an uneasy alliance.

Auden in Spain

Meanwhile, back in Europe, the great political issue of the age was the Spanish Civil War which began when General Franco led a military uprising against the democratically elected government in July 1936. Like many high-minded, middle class liberals, Auden and Isherwood both felt the time had come to put their money where their mouths were. Auden did actually travel to Spain in January 1937 and was there till March, apparently trying to volunteer to drive an ambulance in the medical service. Instead, red tape and the communists who were increasingly running the Republican forces apparently blocked him from getting a useful job. He tried to help out at the radio station but discovered its broadcasts were weak and there were no vacancies.

Frustrated and embarrassed, Auden was back in England by mid-March 1937. The long-term impact of the trip was his own surprise at how much it upset him to see the churches of Barcelona which had all been torched and gutted by a furious radical populace as symbols of oppression. Auden was shocked, and then shocked at his reaction. Wasn’t he meant to be a socialist, a communist even, like lots of other writers of his generation? The Spain trip was the start of the slow process of realisation which was to lead him back to overt Christian faith in the 1940s.

Also Auden saw at first hand the infighting on the Republican side between the communist party slavishly obeying Stalin’s orders, and the more radical Trotskyite and Anarchist parties who, later in 1937, it would crush. Later he paid credit to George Orwell’s book Homage To Catalonia for explaining the complex political manoeuvring far better than he could have. But watching the Republicans fight among themselves made him realise it was far from being a simple case of black and white, of Democracy against Fascism.

So by March 1938 Auden had returned to Britain, where he was uncharacteristically silent about his experiences, and got on with writing, editing new works for publication (not least an edition of his play The Ascent of F6 and Letters From Iceland).

Meanwhile, Christopher Isherwood was living in Paris managing his on-again, off-again relationship with his German boyfriend Heinz. And although he had accommodated Auden on an overnight stop in the French capital and waved him off on the train south to Spain, Isherwood hadn’t lifted a finger for the Great Cause.

Then, in June 1937, Auden’s American publisher, Bennet Cerf of Random House, had suggested that after the reasonable sales of his travel book about Iceland, maybe Auden would be interested in writing another travel book, this time travelling to the East. Isherwood was a good suggestion as collaborator because they had just worked closely on the stage play, The Ascent of F6 and had begun work on a successor, which was to end up becoming the pay On The Frontier. The pair were considering the travel idea when the Japanese attacked China, quickly took Beijing and besieged Shanghai.

At once they seized on this as the subject of the journey and the book. Neither had really engaged with the war in Spain; travelling east would be a way to make amends and to report on what many people considered to be the Eastern Front of what was developing into a worldwide war between Fascism (in this case Japan) and Democracy (in this case the Chinese Nationalists).

China also had the attraction that, unlike Spain, it wouldn’t be stuffed full of eminent literary figures falling over themselves to write poems and plays and novels and speeches. Spain had been a very competitive environment for a writer. Far fewer people knew or cared about China: it would be their own little war.

And so Auden and Isherwood left England in January 1938, boat from Dover then training it across France, then taking a boat from Marseilles to Hong Kong, via Egypt, Colombo and Singapore.

Journey to a War

Journey To A War is not as good as Letter From Iceland, it’s less high spirited and funny. There isn’t a big linking poem like Letter To Lord Byron to pull it together, and there isn’t the variety of all the different prose and verse forms Auden and MacNeice cooked up for the earlier book.

Instead it overwhelmingly consists of Isherwood’s very long prose diary of what happened to them and what they saw in their three months journey around unoccupied China.

The book opens with a series of sonnets and this was the form Auden chose to give the book poetic unity – sonnets, after all, lend themselves to sequences which develop themes and ideas, notably the Sonnets of Shakespeare, or his contemporaries Spencer and Sidney. There’s a collection of half a dozen of them right at the start, which give quick impressions of places they visited en route to China (Macau, Hong Kong). Then, 250 pages of Isherwood prose later, there’s the sonnet sequence titled In Time of War.

But instead of the bright and extrovert tone of Letters From Iceland, Auden’s sonnets are often obscure. They are clearly addressing some kind of important issues but it’s not always clear what. This is because they are very personal and inward-looking. Auden is clearly wrestling with his sense of liberal guilt. The results are rather gloomy. Spain had disillusioned him immensely. He went to Spain thinking the forces of Evil were objective and external. But his first-hand experience of the internecine bickering on the Republican side quickly showed him there is no Good Side, there are no Heroes. History is made by all of us and so – all of us are to blame for what happens. Travel as far as you want, you’re only running away from the truth. If we want to cure the world, it is we ourselves that we need to cure first.

Where does this journey look which the watcher upon the quay,
Standing under his evil star, so bitterly envies,
As the mountains swim away with slow calm strokes
And the gulls abandon their vow? Does it promise a juster life?

Alone with his heart at last, does the fortunate traveler find
In the vague touch of a breeze, the fickle flash of a wave,
Proofs that somewhere exists, really, the Good Place,
Convincing as those that children find in stones and holes?

No, he discovers nothing: he does not want to arrive.
His journey is false, his unreal excitement really an illness
On a false island where the heart cannot act and will not suffer:
He condones his fever; he is weaker than he thought; his weakness is real…

(from The Voyage by W.H. Auden)

‘An illness on a false island’ which is clearly England, a place ‘where the heart cannot act’. The traveller is trying to escape himself but cannot and glumly realises ‘he is weaker than he thought’. Or the thumping final couplet of the sonnet about Hong Kong:

We cannot postulate a General Will;
For what we are, we have ourselves to blame.

Isherwood’s diary

Luckily, the prose sections of the book are written by Isherwood and these are much more fun. He keeps up the giggling schoolboy persona of the novel he’d recently published, Mr Norris Changes Trains (1935), he notes the way the Chinese pronounce their names Au Dung and Y Hsaio Wu, he sounds wide-eyed and optimistic. He hadn’t seen what Auden had seen in Spain, wasn’t struggling with the same doubts.

On February 28 1938 they leave Hong Kong by steamer for Canton and Isherwood finds everyone and everything hilarious. Look a Japanese gunboat! Listen, the sound of bombs falling! He has same facility for the disarmingly blunt image which he deploys in the Berlin stories. The mayor of Canton (Mr Tsang Yan-fu) is always beaming, has a face like a melon with a slice cut out of it. After dinner the Chinese general entertains them by singing Chinese opera, showing how different characters are given different tones and registers (‘the romantic hero emits a sound like a midnight cat’).

He refers to the whole trip as a dream and as a landscape from Alice in Wonderland – they expected Chinese people to behave as in a Gilbert & Sullivan opera and had rehearsed elaborate compliments, and are disarmed when they’re much more down to earth. The train journey on through Hunan province is boring, the tea tastes of fish, they amuse themselves by reading out an Anthony Trollope novel or singing in mock operatic voices.

But this sense of unreality which dogs them is simply because both of them didn’t have a clue what was going on, what was at stake, the military situation,  had never seen fighting or battle and weren’t proper journalists. They were privileged dilettantes, ‘mere trippers’, as Isherwood shamefacedly explains when they meet real war correspondents at a press conference (p.53).

In Hankow the Consul gives them Chiang, a middle-aged man with the manners of a perfect butler to be their guide. They attend the official war briefings alongside American and Australian journalists, they meet Mr Donald, Chiang Kai-shek’s military adviser, the German adviser General von Falkenhausen, Agnes Smedley, Madame Chiang Kai-shek herself, and with delight are reunited with Robert Capa, the soon-to-be legendary American war photographer who’d they’d met on the boat out. They attend traditional Chinese opera, which Isherwood observes with the eye of a professional playwright.

They catch the train to Cheng-chow which has been repeatedly bombed by the Japanese, capably looked after by their ‘boy’, Chiang. They are heading north on the train when they learn that Kwei-teh has fallen, nonetheless they decide to press on to Kai-feng. With them is an exuberant and seasoned American doctor, McClure, who takes them to watch some operations. They walk round the stinking foetid town. They go to the public baths which stink of urine. Then they catch a train to Sü-chow. And then onto Li Kwo Yi where they argue with Chinese commanding officers (General Chang Tschen) to allow them to go right up to the front line, a town divided by the Great Canal.

If you’ve no idea where any of these places are, join the club. I was reading an old edition but, even so, it had no map at all of any part of the journey. Which is ludicrous. The only map anywhere appears to have been on the front cover of the hardback edition, replaced (uselessly) by an anti-war cartoon on the paperback editions, and even this doesn’t show their actual route.

First US edition (publ. Random House)

With no indication where any of these places are, unless you are prepared to read it with an atlas open at your side, Isherwood’s long prose text becomes a stream of clever observations largely divorced from their context. Even an atlas is not that useful given that Isherwood uses the old form of the placenames, all of which, along with most people’s names, have changed. Thus Sian, capital of Shen-si province, is now Xian, capital of Shaanxi Province, Sü-chow is now Suzhou, and so on.

We are intended to enjoy the surreal aspects of travelling in a deeply foreign land – the village restaurant which was papered entirely with pages of American tabloid magazines, and so covered with photos of gangsters and revelations about fashionable divorcees (p.126); or the expensive hotel in Sian whose menu included ‘Hat cake’ and ‘FF potatoes’ (p.141). Beheading is a common punishment because the Chinese believe a body needs to be complete to enter the afterlife. They meet lots of tough and brave American missionaries, mostly from the American south.

Finally, back in Hankow (Hankou) they become part of polite society again, are invited to a party of Chinese intellectuals, a party given by the British admiral and consul, where they meet the legendary travel writer Peter Fleming and his actress wife Celia Johnson, the British ambassador Archibald Kerr, the American communist-supporting journalist, Agnes Smedley (p.156). Fleming pops up a lot later at their hotel in Tunki, and is too suave, handsome and self-assured to possibly be real.

Militarily, Journey To A War confirms the opinions of the modern histories of the war I’ve read, namely that the Nationalist side was hampered by corruption, bad leadership and, above all, lack of arms & ammunition. When they retook cities which had been under communist influence the Chiang’s Nationalists realised they needed some kind of ideology which matched the communists’ emphasis on a pure life and so, in 1934, invented the New Life Movement i.e. stricter morals, which Madame Chiang politely explains.

Isherwood notices the large number of White Russian exiles, often running shops, come down in the world. This reminds me of the Russian nanny J.G. Ballard had during his boyhood in 1930s Shanghai, as described in his autobiography Miracles of Life.

From pages 100 to 150 or so our intrepid duo had hoped to approach the front line in the north and had crept up to it in a few places, but ultimately refused permission to go further, to visit the Eighth Route Army, and so have come by boat back down the Yangtze River to Hankou. Now they plan to travel south-east towards the other main front, where the Japanese have taken Shanghai and Nanjing.

On the Emperor of Japan’s birthday there is a particularly large air-raid on Hankow and they make themselves comfortable on the hotel lawn to watch it. The Arsenal across the river takes a pasting and they go to see the corpses. 500 were killed. Nice Emperor of Japan.

They take a river steamer to Kiukiang and stay at the extraordinary luxury hotel named Journey’s End and run by the wonderfully eccentric Mr Charleton. They catch the train from Kiukiang to Nanchang, stay there a few days, then the train on to Kin-hwa (modern Jinhua). Here they are horrified to discover their arrival has been anticipated and they are treated like minor royalty, including a trip to the best restaurant in town with 12 of the city’s top dignitaries.

Auden and I developed a private game: it was a point of honour to praise most warmly the dishes you liked least. ‘Delicious,’ Auden murmured, as he munched what was, apparently, a small sponge soaked in glue. I replied by devouring, with smiles of exquisite pleasure, an orange which taste of bitter aloes and contained, at its centre, a large weevil. (p.195)

They are taken by car to the town of Tunki. They try to get permission to push on to see the front near the Tai Lake, They have to cope with the officious newspaperman, A.W. Kao. This man gives a brisk confident explanation of what’s happening at the front. Neither Auden nor Isherwood believe it. Isherwood’s explanation describes scenes they’ve seen on their visit, but also hints at what Auden might have seen on his (mysterious) trip to civil war Spain. Auden is given a speech defining the nature of modern war:

War is bombing an already disused arsenal, missing it and killing a few old women. War is lying in a stable with a gangrenous leg. War is drinking hot water in a barn and worrying about one’s wife. War is a handful of lost and terrified men in the mountains, shooting at something moving in the undergrowth. War is waiting for days with nothing to do; shouting down a dead telephone; going without sleep, or sex, or a wash. War is untidy, inefficient, obscure, and largely a matter of chance. (p.202)

Peter Fleming turns up looking gorgeous, professional, highly motivated, speaking good Chinese. He attends briefings, manages the locals with perfect manners. They organise an outing towards the front, with sedan chairs, bearers, two or three local notables (T.Y. Liu, A.W. Kao, Mr Ching, Major Yang, Shien), Fleming is indefatigable. On they plod to Siaofeng, Ti-pu and Meiki. Here the atmosphere is very restless, the miltary authorities are visibly unhappy to see them, half their own Chinese want to get away. The spend a troubled night, with people coming and going at the military headquarters where they’ve bivouaced and, after breakfast, they give in to the Chinese badgering, turn about, and retrace their steps. Twelve hours later the town of Meiki fell to the Japanese. On they plod up a steep hillside, carried by coolies, and down the precipitous other side, down to Tien-mu-shan and then by car to Yu-tsien (p.229).

We stopped to get petrol near a restaurant where they were cooking bamboo in all its forms – including the strips used for making chairs. That, I thought, is so typical of this country. Nothing is specifically either eatable or uneatable. You could being munching a hat, or bite a mouthful out of a wall; equally, you could build a hut with the food provided at lunch. Everything is everything. (p.230)

Isherwood hates Chinese food and, eventually, Auden agrees. At Kin-hwa Fleming leaves them. It’s a shame they’ve ended up getting on famously. It’s interesting that both Auden and Isherwood initially were against him because he went to Eton. The narcissism of minor differences knows no limits.

They say goodbye to all the people they’ve met in Kin-hwa and set off by bus for Wenchow. They take a river steamer from Wenchow to Shanghai.

Arrival in Shanghai on 25 May signals the end of their adventures. They stay in the chaotic, colourful, corrupt city till 12 June. Fascinating to think that over in his house in the International Settlement, young James Graham Ballard was playing with his toy soldiers, dreaming about flying and laying the grounds for one of the most distinctive and bizarre voices in post-war fiction.

And Isherwood confirms the strange, deliriously surreal atmosphere of a Chinese city which had been invaded and conquered by the Japanese, who had destroyed a good deal of the Chinese city but left the International and the French Settlements intact. They attend receptions at the British Embassy, are the guest of a British businessman hosting high-level Japs.

There is no doubt Auden and Isherwood hate the Japanese, can’t see the flag hanging everywhere without thinking about all the times in the past four months when they’ve ducked into cover as Japanese bombers rumbled overhead and fighters swooped to strafe the roads.

This is the only section of this long book with real bite. Isherwood interviews a British factory inspector who describes the appalling conditions Chinese workers endure and notes that they’ll all be made much worse by the Japanese conquerors.

Schoolboys

It’s a truism to point out that the Auden Generation was deeply marked by its experience of English public schools, but it is still striking to see how often the first analogy they reach for is from their jolly public schools, endless comparisons with school speeches and prize days and headmasters.

  • Under the camera’s eye [Chiang kai-shek] stiffened visibly like a schoolboy who is warned to hold himself upright (p.68)
  • Mission-doctors [we were told] were obliged to smoke in secret, like schoolboys (p.88)
  • They scattered over the fields, shouting to each other, laughing, turning somersaults, like schoolboys arriving at the scene of a Sunday school picnic (p.142)
  • The admiral, with his great thrusting naked chin… and the Consul-General, looking like a white-haired schoolboy, receive their guests. (p.156)
  • [Mr A.O. Kao] has a smooth, adolescent face, whose natural charm is spoiled by a perpetual pout and by his fussy school-prefect’s air of authority (p.201)
  • Producing a pencil, postulating our interest as a matter of course, he drew highroads, shaded in towns, arrowed troop movements; lecturing us like the brilliant sixth-form boy who takes the juniors in history while the headmaster is away. (p.200)
  • The cling and huddle in the new disaster
    Like children sent to school (p.278)
  • With those whose brains are empty as a school in August (p.291)

The photos

At the end of the huge slab of 250 pages of solid text, the book then had 31 pages of badly reproduced black and white photos taken by Auden. In fact there are 2 per page, so that’s 62 snaps in all.

I don’t think there’s any getting round the fact that they’re average to poor. Some are portraits of people they met, notably Chiang kai-shek and Madame Chiang, Chou en-lai of the communists, and celebrities such as Peter Fleming the dashing travel writer and Robert Capa the handsome war photographer. A dozen or more named people, Chinese, missionaries and so on. And then lots of anonymous soldiers and scenes, the dead from an air raid, the derailed steam train, coolies in poverty, a Japanese prisoner of war, a Japanese soldier keeping guard in Shanghai, Auden with soldiers in a trench and so on.

Remarkably, few if any of these seem to be online. I can’t imagine they’re particularly valuable and their only purpose would be to publicise the book and promote Auden and Isherwood’s writings generally, so I can’t imagine why the copyright holders have banned them. If I owned them, I’d create a proper annotated online gallery for students and fans to refer to.

In Time of War

The book then contains a sequence of 27 sonnets by Auden titled In Time of War. In later collections he retitled them Sonnets from China. They are, on the whole, tiresomely oracular, allegorical and obscure. The earlier ones seem to be retelling elements of the Bible, Genesis etc as if recapitulating the early history of mankind. These then somehow morph into the ills of modern society with its bombers.

But one of them stands out from the rest because it reports real details and rises to real angry eloquence.

Here war is simple like a monument:
A telephone is speaking to a man;
Flags on a map assert that troops were sent;
A boy brings milk in bowls. There is a plan

For living men in terror of their lives,
Who thirst at nine who were to thirst at noon,
And can be lost and are, and miss their wives,
And, unlike an idea, can die too soon.

But ideas can be true although men die,
And we can watch a thousand faces
Made active by one lie:

And maps can really point to places
Where life is evil now:
Nanking; Dachau.

(Sonnet XVI from In Time of War)

Those last lines have stayed with me all my life. Nanking. Dachau. The darkness at the heart of the twentieth century.

Commentary

The last thing in the book is a long poem in triplets, from pages 289 to 301 and titled simply Commentary.

It’s a sort of rewrite of Spain, again giving a hawk’s eye view of history and society, the world and human evolution. It starts off describing what they’ve seen in Auden’s characteristic sweeping style, leaping from one brightly described detail to another, before wandering off to give snapshots of great thinkers from Plato to Hegel.

But at quite a few points voices emerge to deliver speeches. Then, on the last page, the Commentary becomes extremely didactic, ending with a speech by the Voice of Man, no less, the kind of speech he turned out by the score for his plays and choruses and earlier 1930s poems.

But in this context it seems inadequate to the vast and catastrophic war in China which they have just glimpsed, and which was to last for another seven years (till Japan’s defeat in 1945) and was itself followed by the bitter civil war (1945-48) which was only ended by the triumph of Mao Zedong’s communist party early in 1949.

The Japanese invasion of 1937 turned out to be just the start of a decade of terror and atrocity, and Auden’s response is to have the ‘Voice of Man’ preach:

O teach me to outgrow my madness.

It’s better to be sane than mad, or liked than dreaded;
It’s better to sit down to nice meals than nasty;
It’s better to sleep two than single; it’s better to be happy.

Ruffle the perfect manners of the frozen heart,
And once again compel it to be awkward and alive,
To all it suffered once a silent witness.

Clear from the head the masses of impressive rubble;
Rally the lost and trembling forces of the will,
Gather them up and let them loose upon the earth,

Till they construct at last a human justice,
The contribution of our star, within a shadow
Of which uplifting, loving, and constraining power
All other reasons may rejoice and operate.

It yet another of his prayers, deliberately personal in scale, addressed mostly to chums from public school, fellow poets, friendly dons and reviewers. It is calling on people who are already well-fed, well-educated and mostly decent chaps to be a bit more decent, if that’s alright. But ‘ruffling up your perfect manners’ wasn’t going to stop Franco or the Japs, Hitler or Stalin.

It is ironic of Auden to ask people to remove from their heads ‘impressive rubble’, which I take to mean the luggage of an expensive education in the arts – as that is precisely what he was going to use to make a living out of for the next 35 years and which was to underpin and inform all his later works.

And there are numerous small but characteristic examples of learnèd wit it here, such as when they light a fire which is so smokey that it forces them out of the room and Auden wittily remarks, ‘Better to die like Zola than Captain Scott’ (i.e. of smoke asphyxiation rather than from freezing).

In this respect the Commentary is another grand speech which, like the grand speeches in the plays he’d just written with Isherwood, was, in the end, addressed to himself. Once again, as with Spain, Auden has used a huge historical event to conduct a lengthy self-analysis.

Auden’s contemporary readers were impressed, as ever, by his style and fluency but, as ever, critical of his strange inability to engage with anything outside himself and, specifically, to rise to the occasion of such a massive historical event.

Half way through the text Isherwood tells a story about Auden’s complete conviction that the train they’re on won’t be shot at by the Japanese, whose lines they are going to travel very close to. Sure enough the train emerges on to a stretch of line where it is clearly visible from the forward Japanese lines, which they know to contain heavy artillery, and so they pass a few minutes of terror, petrified that the Japanese might start shelling any second. In the event, there is no shelling, and the train veers away to safety. ‘See. I told you so,’ says Auden, and Isherwood reflects that there’s no arguing with ‘the complacency of a mystic’.

It’s a joke at his old mate’s expense and yet I thought, yes – complacency – in Auden’s case complacency means undeviating confidence in his own mind and art to hold off, inspect and analyse. He creates a rhetoric of concern but it is nothing more than that, a poet’s rhetoric, fine to admire but which changes nothing.

And he knew this, had realised it during the trip to Spain, and had lost heart in the political verse of the 1930s. The pair returned from China via America, where all mod cons were laid on by his American publishers and Auden realised that here was a much bigger, richer, more relaxed, open, friendly and less politically pressurised environment in which to think and write.

He returned to England just long enough to wind up his affairs, pack his bags, then in January 1939 he and Isherwood sailed back to the States which would become his home for the next 30 years, and set about rewriting or suppressing many of his most striking poems from the troubled Thirties, trying to rewrite and then censor what he came to think of as his own dishonesty, pursuing a quest for his own personal version of The Truth.


Related links

1930s reviews

Journey To A War by W.H. Auden and Christopher Isherwood (1939)

Lukannon … Rudyard Kipling’s deep sea song

You’ve got to feel sorry for Rudyard Kipling (1865-1936)

This remarkable poet and storyteller is today rarely read and is often vilified and dismissed as a jingoistic and chauvinistic booster of empire and white civilization. When critics reach for their guns, they “bring out the white man’s burden“and “east and west is west, and ne’er the Twain shall meet”. He is definitely guilty as charged, but he was of his time, and voiced what was then the imperial zeitgeist that enraptured his British constituency. The past, as they say, is another country – they thought much differently then.

But, as those who are familiar with his many poems and stories would attest, the poet was so much more than this.

It was Kipling’s habit to preface and bookend his remarkable if, to contemporary readers, politically incorrect stories with short poems of singular quality.

Lukannon is one of these. The story of The White Seal first appeared in print in the August 1893 issue of the London-based magazine National Review and published again in 1894 as part of the anthology The Jungle Book. Yes, that one. Mowgli, Wolf Cubs, Akela, and all. But, exceptionally for a story in The Jungle Book, none of the action in The White Seal  takes place in India. And, presaging the environmental activism and protests against the controversial seal hunts of the late 20th Century, it is remarkably prescient and pertinent.

The story is set on an island in the Aleutians in the Bering Sea between Russia and Alaska. It tells of a unique seal who, by leading his fellow seals to a secret hidden beach, saves his kind from the seal hunters. He referred to his poem as “a kind of national anthem for seals”. The title of the poem is the name of a Russian seal-fur trader, Lukanin, who gave his name to these lonely Aleutian beaches in 1788. Kipling wrote: “This is the great deep-sea song that all the St. Paul seals sing when they are heading back to their beaches in the summer. It is a sort of very sad seal National Anthem”.

Back in the day, I set the poem to music. It is featured on the rare recording HuldreFolk Live in London 1988, featuring Paul Hemphill, Victor Mishalow and Adèle Hemphill. During HuldreFolk’s tour of English folk clubs in the northern summer of 1988, it was recorded on a cheap audio cassette by a dinky, clunky old analogue tape recorder – and it shows. But the natural acoustics of the cellar at Bracknell Arts Centre, and the audience’s participation in the choruses made up for a multitude of sins.

© Paul Hemphill 2024. All rights reserved

Lukannon is such a lyrical poem that it lends itself effortlessly to musical settings. Apart from my own, i have discovered three alone, and I am pretty certain that there are many more out there on the world wide web. There is a version by folk duo William Pint and Felicia Dale set to a tune by American musician Bob Zentz from their 1997 album Round the Corner. There is also a contemporary “prog-rock” version by British band Shadows of the Sun.

In 1947, the eccentric Australian expatriate composer Percy Grainger composed a song cycle of The Jungle Book and chose as his centrepiece the story of The White Seal – and particularly, Lukannon “as a protest against civilization.” For more on Grainger’s opus, see below.

Lukannon

I met my mates in the morning (and oh, but I am old!)
Where roaring on the ledges the summer ground-swell rolled;
I heard them lift the chorus that dropped the breakers’ song –
The beaches of Lukannon – two million voices strong!

The song of pleasant stations beside the salt lagoons,
The song of blowing squadrons that shuffled down the dunes,
The song of midnight dances that churned the sea to flame –
The beaches of Lukannon — before the sealers came!

I met my mates in the morning (I’ll never meet them more!);
They came and went in legions that darkened all the shore.
And through the foam-flecked offing as far as voice could reach
We hailed the landing-parties and we sang them up the beach.

The beaches of Lukannon – the winter-wheat so tall –
The dripping, crinkled lichens, and the sea-fog drenching all!
The platforms of our playground, all shining smooth and worn!
The beaches of Lukannon — the home where we were born!

I meet my mates in the morning, a broken, scattered band.
Men shoot us in the water and club us on the land;
Men drive us to the Salt House like silly sheep and tame,
And still we sing Lukannon – before the sealers came.

Wheel down, wheel down to southward; oh, Gooverooska go!
And tell the Deep-Sea Viceroys! the story of our woe;
Ere, empty as the shark’s egg the tempest flings ashore,
The beaches of Lukannon shall know their sons no more!

Percy Grainger’s Jungle Book Cycle

In 1947, the eccentric Australian expatriate composer dedicated a song cycle of The Jungle Book and chose as his centrepiece the story of The White Seal – and particularly, Lukannon. My Kipling ‘Jungle Book’ Cycle, begun in 1898 and finished in 1947, was composed as a protest against civilization.” (Grainger’s programme note, 1947)

Grainger (1882-1961) studied at the Hoch Conservatory in Frankfurt, Germany from 1895-1901 (aged 13-19). Grainger’s mother Rose wrote to her husband John of her fears that young Percy was becoming “more Germanized every day.” In response to Rose’s concern, and to “tickle up the British Lion in him,” John (who was estranged from Rose) sent Percy, among other things, several books by Rudyard Kipling . Kipling’s writings captivated Percy immediately, and he soon started writing choral settings of the poetry, especially those of Kipling’s Jungle Books.

Grainger’s settings of the poetry of Kipling are as extensive as his settings of British folk music; Kay Freyfus’s catalog of Grainger’s manuscript scores lists 36 settings, though Grainger in a 1926 letter to Kipling mentions “some 40 or 50” settings. Grainger felt a strong kinship for Kipling’s writing, and Kipling appreciated and approved of Grainger’s work at setting his poetry. Grainger played several of his choral settings for Kipling during a meeting at Kipling’s home in 1905. Of Grainger’s settings of his poetry, Kipling said, “Till now I’ve had to reply on black and white, but you do the thing for me in colour.”

The Beaches of Lukannon is the centerpiece of the cycle, and arguably the strongest piece musically and emotionally. It tells us the tale of the tragic slaughter of seals by wicked sealers from the seals’ perspective. The opening section, told from the point of view of a seal elder, recounts what the beaches of the Bering Sea Island of Lukannon originally were for the seals – their annual meeting (and mating) opportunity. The central section, reminiscent of the music of Charles Ives in its shifting chromatics, conveys the beauty of the surroundings “before the sealers came.” The final section musically revisits the opening material, but in a smore somber mode.

For more on Rudyard Kipling in In That Howling Infinite, see A Son Goes To War – the grief of Rudyard Kipling 

Killing for Country … dark deeds in a sunny land

… they were standin’ on the shore one day
Saw the white sails in the sun
Wasn’t long before they felt the sting
White man, white law, white gun
Solid Rock, Goanna 1982

As indigenous author and academic Victoria Grieves-Williams writes below in her essay regarding journalist David Marr’s recently published family history: “We live in a time of reckoning over the colonisation of the land mass that we now know as Australia. While British officials carefully avoided acknowledging that people existed on this continent prior to their arrival by adopting the infamous doctrine of terra nullius, many Australians are now re-examining the historical basis of their presence here. They know that they enjoy the material wealth and lifestyle of the lands they have come to call home and until recently there was no need to doubt, or be self-conscious, about Australia being “home”. Yet there clearly were people here, and it was only the idea of an empty country that made it possible for agents of Empire, such as the Uhr brothers, ancestors of the journalist David Marr, to go about attempting to empty it”.

I’ve written often about the indigenous history of our country. The following passage from my piece on Australia’s The Frontier Wars. This passage therefrom encapsulates my perspective:

”There is a darkness at the heart of democracy in the new world “settler colonial” countries like Australia and New Zealand, America and Canada that we struggle to come to terms with. For almost all of our history, we’ve confronted the gulf between the ideal of political equality and the reality of indigenous dispossession and exclusion. To a greater or lesser extent, with greater or lesser success, we’ve laboured to close the gap. It’s a slow train coming, and in Australia in these divisive days, it doesn’t take much to reignite our “history wars” as we negotiate competing narratives and debate the “black armband” and “white blindfold” versions of our national story”.

Below are pieces published in In That Howling Infinite in regard to Australian history and politics as these relate to Indigenous Australians:

Healing country key in David Marr’s awful family history of murder and mayhem

Victoria Grieves Williams, The Weekend Australian. 16th March 2024

Journalist and biographer David Marr with Indigenous leader Noel Pearson in 1997.
                      David Marr with Indigenous leader Noel Pearson in 1997

We live in a time of reckoning over the colonisation of the land mass that we now know as Australia. While British officials carefully avoided acknowledging that people existed on this continent prior to their arrival by adopting the infamous doctrine of terra nullius, many Australians are now re-examining the historical basis of their presence here. They know that they enjoy the material wealth and lifestyle of the lands they have come to call home and until recently there was no need to doubt, or be self-conscious, about Australia being “home”.

Yet there clearly were people here, and it was only the idea of an empty country that made it possible for agents of Empire, such as the Uhr brothers, ancestors of the journalist David Marr, to go about attempting to empty it.

Thus, settler colonials are having to come to terms with the fact that their ancestors were often murderous, criminal and racist, to what we may now understand as absurd and totally unnecessary lengths. And if they were not actually involved in these dirty deeds they were condoning them and even cheering them on. There were voices of dissent, but few are in the historical record. It is a ghastly story.

It is hardly surprising that Marr is now at the forefront, telling a family story about one of his great great grandparents and siblings that truly angers him. He has said that researching and writing this history is “partly an act of atonement and partly an act of rage”.

Marr is palpably angry. The book is written with an urgent passion, brave in what it reveals and unforgiving in the light it casts on bloody deeds.

I can only echo all that reviewers and commentators have said about this book. As Richard King said in his review (The Australian, October 13, 2023, republished below)this is “a magnificent achievement and a necessary intervention, on a subject that still divides Australia: the violent dispossession of its native peoples”.

It is what we have come to expect from a master journalist and storyteller who has a brilliant track record in publishing. The research is thorough and in this Marr was assisted by his partner Sebastian Tesoriero who connected with the joys of Trove, the online historical newspaper database. The search for the deeds of the Uhr brothers and the bloody swathe they and the Black Troopers cut through northern NSW and up through Queensland and into The Gulf country during the 19th century is satisfyingly forensic.

The aim of my essay is to place the book Killing for Country: A Family Story in the context of a process of truth telling. There is no doubt about the truth and veracity of this argument, that the frontier was a place of bloody mayhem and murder. Many Aboriginal people have always known this; the more naive of us have known at least since the early 1980s, with the publication of Geoffrey Blomfield’s groundbreaking Baal Belbora: The End of the Dancing and Henry Reynold’s important work, The Other Side of the Frontier.

What is left is to find a way to deal with this history in the best way possible, so as not to exacerbate social tensions and negatively impact race relations. My contention is that this is indeed a family story, to be resolved at that level.

On finishing reading the book I was left with the question: “What now?” What do we do with this awful history of murder and mayhem, the rage and need for atonement?

The first thing is to understand these events as history in a deeper sense, that is within a larger historical frame. Perhaps then we can understand what it is telling us of the true nature of human beings. This is the approach evident in Aboriginal cultural understandings of time and the ways in which conflicts are resolved.

Killing for Country, by David Marr

 

Victoria Grieves Williams is an Indigenous academic based in New York.
                                          Victoria Grieves Williams 

Historians are now recognising that the colonial wars unleashed from the 16th century onwards are the first of the Great Wars. The death toll was immense: the Spanish conquest of the Americas from the 16th-18th centuries has an estimated death toll of 28 million. The British Empire, which held 24 per cent of the Earth’s total land area by 1920, wrought an estimated death toll of 100 million people. It was by far the largest empire in history and a source of great pride for those who tied their fortunes to it.

One could say that it was the fashion. Colonial wars were fought by European powers over the Indigenous people of the global south, not only in Australia but in Africa, Asia, South America and Mexico, India and China. The aim was to dispossess, enslave, destroy and claim all of what these people had of value, for the Empire. They were enormously successful.

No small part of this success is due to the specific kind of white masculinity that enabled the bloody conquest, that seemed to relish the lawless frontier and the opportunity to prove oneself.

This specific masculine ideal of violence as normative was nurtured and fostered as a part of the imperial ambitions of Britain, and thus built into colonial culture and politics. The workings of what the anthropologist Rita Laura Segato refers to as the masculine mandate whereby the libido is conscripted into providing constant proof that one truly is a man was the order of the day. Subservience to the masculine mandate is for both men and women the only way to exercise any power “power is expressed … exhibited and consolidated, as virile potency in a brutal form”.

Thus arises the pedagogy of cruelty through which Segato names all of what is manifest on human bodies to reduce them to things – violence, terror and cruelty.

In interviews, Marr has been emphatic that the people of the killing times are the same as those of today. It is my view that they are separated by huge social, cultural and political gaps and contexts that shape them. This has been a long debate in sociology, is it nature or nurture that produces certain kinds of people? In the case of settler colonial masculinist ideology, the society back in Britain was often shocked by the excessive violence of the frontier. They sought ways to curb them. Perhaps some realised they were a necessary evil and continued to fund and support them.

An Invasion Day ceremony held in Kings Domain park in Melbourne. Invasion Day ceremony held in Kings Domain park in Melbourne

However, Marr has a point about the unchanged nature of people over time when you consider the murdered and missing Aboriginal women and children in Australia. For example, the crimes of the serial murderer Richard Dorrough against Aboriginal and Pacifica women. He, who perversely wanted his crimes to be known, can be seen as subservient to the masculinist mandate. There are many other perpetrators. The phenomenon of murdered and missing Aboriginal women and children is evidence of the continuation of the gendered conquest and pedagogy of cruelty in contemporary Australian society.

To enlarge on the macro view, the huge death toll in all of the worldwide wars since the 16th century has not seemed to make a dent on the continuing overpopulation of the Earth. We need to consider that huge hordes of Europeans moved out to the global south because they could not continue to live in home countries that were already overpopulated. The 18th century saw famines and food riots in Britain and France.

The colonial wars and subsequent mass migrations were a result of the very pressing need to find other lands on which to grow food and be able to live, as well as the search for the bounty that these lands could offer in timber, animal and mineral resources. While the idea of Manifest Destiny propelled settlers in North America, settlers in Australia were not untouched by this and also had the idea of an empty continent – therefore those who were there beforehand were not legitimate, had no rights, were not truly human.

And still yet – what now?

It’s important to understand that the way people see history, utilise it or deal with it varies according to cultural approaches. Aboriginal cultural understanding has it that our ancestors beyond the last two generations (that are usually in living memory) go back into eternal time where they are part of the paradigms for the proper human behaviour on Earth, also known as the Law. These paradigms are accessed through stories that are often attached to constellations and landforms. Eternal time is ever-present, it is here “running along beside us” enabling a connection through eruptions of eternal time into the present.

Eternal time then is connected to normal time in which we live, this is the “everywhen” that is often used to describe Aboriginal understandings of time. It is more than that, it is known as tjukurpa by Central Australian Anangu, and by other names elsewhere. Altogether it is the sacred, that is more easily accessed when in the state between dreaming and wakefulness. Hence the misnomer, the Dreaming.

David Marr.
David Marr.

If the Law is transgressed then people have to be held to account for their actions and the aim of a full and frank hearing is for people to be able to continue to live together in a good way. All involved are given an opportunity to speak their truth and an appropriate punishment is decided on and meted out. Once resolved, settled, these matters are never spoken of again. It is considered that the business is finished.

So, what now? The Yoorrook Commission in Victoria defines truth telling as the act of telling true history by listening to the experiences of First Peoples.

Marr has written this book as a contribution to the truth-telling process and this is, as he says, a family story. It holds the key to the important connections and relationships that can grow out of meeting with the “other” side. There are many descendants of the survivors of the killing times in north Queensland who have their own stories to tell. In some places the notorious Darcy Uhr is still in living memory.

What remains is for the Uhr family descendants to reach out and begin to make connections across the divide of a brutal history, for which no-one alive today is responsible or culpable, but for which we can feel deep regret and seek to heal the bonds that bind us as human beings. Our lives will all be so much better for it.

Victoria Grieves Williams is an historian and Warraimaay woman whose mother worked as a cook and housemaid at sheep stations at Brewarrina. She is based in New York

Killing for Country book review: examining the Native Police’s violent dispossession of Indigenous Australians

Richard King, The Australian. October 13th 2023

Young guns: journalist David Marr listens to lawyer Noel Pearson speak during 1997 National Law Week Forum meeting. Marr has this week released his latest book on his own family’s links to Indigenous massacres.

Running to almost half a thousand pages, prodigiously researched and immaculately written, David Marr’s Killing for Country: A Family Story is surely one of the books of the year. Modestly described as a “family story”, it is in fact as solid a work of history as one could hope to find on the shelves. Clearly, the book holds enormous significance – enormous personal significance – for its author. But Marr brings the same forensic approach to this narrative of the frontier wars as he did to his celebrated biography of Patrick White, to his monographs of Tony Abbott and George Pell, and to his indispensable account of the Tampa/Children Overboard affair and Pacific Solution, Dark Victory.

It is a magnificent achievement, and a necessary intervention, on a subject that still divides Australia: the violent dispossession of its native peoples.

It was the discovery that his great-great-grandfather had served with the Native Police that set Marr off on this bold endeavour. The son of Edmund Blucher Uhr, scion of a poorly connected family with pretensions to Irish nobility, Reginald Uhr and his brother D’arcy were both officers in this notorious outfit, which cleared land of its Aboriginal owners at the behest of the squattocracy, avenging attacks on farmers’ livestock and “dispersing” troublesome gatherings. “Dispersing” was a euphemism, of course, but so too was “police”: as even contemporaries understood, the NP was a quasi-military unit, not a tool of law enforcement. It’s estimated that over 60 years it murdered more than 10,000 people (Marr says a “cautious interpretation” of these figures has seen estimates rise from 10,000 to 20,000 and now to more than 40,000).

The NP began its campaign of killing in the Darling Downs in 1848, but its brutality reached its feverish peak as it moved north in the 1860s, in the wake of Queensland’s break from New South Wales. Its campaigns were characterised by a basic asymmetry, as the belligerents in the frontier wars operated according to different principles: the Indigenous peoples saw themselves as redressing grievances through evening up the score, while white retaliation was inordinate. A pattern quickly established itself. Colonial expansion led to Indigenous resistance, which led in turn to further dispersals. Notwithstanding that these acts of violence were often met with disapproval by the colonial authorities, the indulgence shown towards them was baked in, in a way that gives the lie to the idea that the NP was dispensing justice. The reality is that it was clearing the land of black bodies.

Killing for Country by David Marr is about the author’s great-great-grandfather, who served with the Native Police, which cleared land of its Aboriginal owners, often by murdering them.

This picture is complicated by the fact that the NP comprised units of eight to ten such bodies under the command of a single white one. But in Marr’s telling, this organisational structure was something of a genius-stroke, in that it drew on the multinational nature of the Indigenous population and on the profound connection to place – to country – that characterises Indigenous society in general. As he puts it:

“What made them strange and dangerous to each other was being away from their own country, the country that made them who they were. Here was a deadly conundrum. While officially denying their attachment to land, colonial authorities would rely on that profound attachment – and the divisions it provoked – to raise a black force that would strip them of their country.”

Such an arrangement also allowed the NP to characterise the murdering as what a US Republican might call “black on black” violence. The recruitment of Aboriginal men gave white officers a handy alibi when questioned by their superiors.

Why would the killers need an alibi? The question may sound ridiculous, but conservative history warriors who criticise histories such as these, will often suggest that their authors are guilty of projecting modern values backwards (this is the so-called “black armband” charge). But what emerges from these grisly pages, and from the accounts of the contemporary outrage directed against the clearances, is a picture of a system of “justice” founded on a gargantuan hypocrisy – hypocrisy being the compliment that vice implicitly pays to virtue. In other words, many of the men in this “story” knew full well that they were involved in an immoral undertaking, and commentary that attempts to downplay this reality is, itself, unhistorical. This is not to say that the picture is simple: history is a tragedy, not a morality play. It is simply to agree with the author that if it is possible to feel pride in one’s country, it should be possible to feel ashamed of it too.

Author and journalist David Marr adopts an even, controlled tone for his devastating new book. (Picture: Lorrie Graham)

Marr does not make a show of such feelings. In his television appearances, he will often adopt the sort of demeanour that (I imagine) sends conservatives round the bend: the more-in-sorrow-than-in-anger eyes; the casual, cruising exasperation at the politics he doesn’t share, and is, therefore, self-evidently preposterous. But here the tone is even and controlled. One notes the slightly ironic adjectives and the occasionally sardonic descriptions. (“He recruited blacks as guides. He also shot blacks who stood in his way. Somerville was a genial and unscrupulous gentleman of the warrior class.”) But in general he lets the material speak for itself. Goodness knows, there’s plenty of it. As Marr notes – again, a little sardonically – one good thing about the colonists is that they wrote plenty of fine letters home.

The attitudes evinced in those letters, or the language in which those attitudes are couched, will no doubt distress most contemporary readers, and it would be vacuously polemical to assert that nothing’s changed. It has. Nevertheless, it is the achievement of this book to invite us to reflect on the many connections between contemporary Australia and its bloody past. That past is not a foreign country. It just speaks in thicker accents than we are used to.

Richard King is an author and critic. His most recent book is Here Be Monsters: Is Technology Reducing Our Humanity? (Monash University Press)

Killing for Country: A Family Story
By David Marr
Black Inc, Nonfiction
$39.99; 468pp

Over the Hills and Far Away

 

I’m not the martial type and have no temperament, time nor tolerance for militarism as a political creed, but one of my favourite folk music records is a 1970, long out of print vinyl album called Songs and Music of the Redcoats. Never re-issued on CD, it is hard to find – but English folksinger Martyn Wyndham-Read kindly sent me a copy a decade or two ago. Its sequel, The Valiant Sailor: Songs & Ballads of Nelson’s Navy, followed in 1973.

The songs range from the English Civil War to the Boer War, in which the red coat was replaced by khaki, and all the wars between. The War of the Spanish Succession, the Seven Years War (in America, the French and Indian War), the American War of Independence, the French Revolutionary War, the Crimean and Afghan Wars, the Indian Mutiny, the Sudan wars, and the South African War. Standouts for me are The Girl I Left Behind Me,  which dates back to 1758,  The British Soldier, with its ominous line, “we marched into Kabul and we took the Balar Hizar”, Soldiers of the Queen, which enjoyed immense popularity during the South African War, and in latter days, in the film Breaker Morant, and Stand to Your Glasses Steady, a memento mori of the prevalence of death, most often from disease, in the service of the East India Company. The featured image is from Stanley Kubrick’s 1975 film Barry Lyndon, set during the Seven Years War.

But my favourite was Over the Hills and Far Away.

Then let us list and march, I say …

This traditional English marching song has been around for four centuries, probably originating during the War of the Spanish Succession. It was published in Thomas D’Urfey’s Wit and Mirth, or Pills to Purge Melancholy in 1706 and appeared in The Recruiting Officer in 1706, a comedy by George Farquhar, and in John Gay’s The Beggar’s Opera in 1728. The lyrics refer to the War of the Spanish Succession (1701-1714), the Duke of Marlborough, and Queen Anne of England (1665 -1714).

It recalls a time when poor men joined the army out of need and the rich for glory, and when many a young man “took the king’s shilling” or bought an officer’s commission to fight in foreign wars for king or queen and country and to perish far away from home in “far away places with strange sounding names”.

So far away from home: the last stand of the 44th Foot at Gandamak during the disastrous First Afghan War of 1842.

It was very popular in Colonial and Revolutionary America, with both sides singing their own versions. The song remained popular throughout the British Empire although nowadays, its melody serving as an orchestral leitmotif in many movies, including the 1940 Hollywood classic, Northwest Passage which starred Spencer Tracy as Major Robert Rogers, leading is Rangers through French lines during the Seven Years War (1756-1763) to attack an Indian village allied to the French. But it largely faded from public consciousness, until its use in the television adaptation of Bernard Cornwell’s Sharpe series of the 1990s about the green-jacketed Rifles soldiers. I’ve heard the tune is also used in Morris dancing.

British Soldier 1702, Robert Payton gallery: http://orloprat.deviantart.com

Winter Soldier 1702, Robert Payton

Batlle scene from Waterloo, 1970

The song may have actually originated in a nursery rhyme. Tom, Tom, the Piper’s Son” mentions a piper who knows only one tune, this one, although the children’s rhyme may have itself may have started actually started its life on the stagy, written for but not included) in Thomas D’Urfey’s 1698 play The Campaigners. This is the version we sang in primary school in late fifties Birmingham:

Tom, Tom, the piper’s son,
He learnt to play when he was young,
The only tune that he could play
Was ‘over the hills and far away’;
Over the hills and a great way off,
The wind shall blow my top-knot off.

The words have changed over the years, the only consistent element in early versions being the title line and the tune. D’Urfey’s and Gay’s versions both refer to lovers, while Farquhar’s version refers to fleeing overseas to join the army, whilst Gay’s lyrics reference transportation and indentured labour in the American colonies – which is an altogether different and largely untold story.

MacHeath:
Were I laid on Greenland’s coast,
And in my arms embrac’d my lass;
Warm amidst eternal frost,
Too soon the half year’s night would pass.
And I would love you all the day.
Ev’ry night would kiss and play,
If with me you’d fondly stray
Over the hills and far away.

Polly:
Were I sold on Indian soil,
Soon as the burning day was clos’d,
I could mock the sultry toil
When on my charmer’s breast repos’d.
I would love you all the day.
Ev’ry night would kiss and play,
If with me you’d fondly stray
Over the hills and far away.

My favourite version is by English folksinger Martin Wyndham-Read. Based on Farquar’s song, it is well sung with a melodic and measured martial fife or flute accompaniments. Wyndham-Read renders it wistful, poignant, nostalgic, romantic even. It is in itself a perfect recruitment advertisement, part patriotic, part propaganda – the two often operate in unison – promising not only financial reward to folk in straightened circumstances, but camaraderie in a noble purpose, and to riff the Bard of Avon, a “happy few”, a “band of brothers”.

Hark now the drums beat up again
For all true soldier gentlemen,
Then let us list and march, I say,
Over the Hills and far away.

(Chorus)
Over the hills and o’er the main
To Flanders, Portugal and Spain,
Queen Anne commands and we’ll obey,
Over the hills and far away.

All gentlemen that have a mind,
To serve the queen that’s good and kind,
Come list and enter into pay,
Then over the hills and far away.

No more from sound of drum retreat,
While Marlborough and Galway beat
The French and Spaniards every day,
When over the hills and far away.

The song is at 5.18 on the YouTube video below. It is a recording of the full album, so indulge yourselves and listen to it in its entirety. The Sharpe version, below, is also based on Farquhar’s, acquiring new lyrics for successive episodes. It was recorded by John Tams who played Dan Hagman in the series.

If I should fall to rise no more
As many comrades did before
Then ask the fifes and drums to play
Over the Hills and Far Away

Postscript- Irish soldiers

By happenstance, as I was completing this post, I was reading The Great Hunger, published in 1962, by English historian Cecil Woodham-Smith (well known back in the day for The Reason Why, her acclaimed story of the Charge of the Light Brigade). It is, she wrote, “a curious contradiction, not very often remembered by England, that for many generations, the private soldiers of the British Army were largely Irish. The Irish have natural endowments for war, courage, daring, love of excitement and conflict; McCauley described Ireland as “an exhaustible nursery of the finest soldiers”. Poverty and lack of opportunity at home made the soldier’s shilling a day, and the chance of foreign Service, attractive to the Irishman; and the armies of which England is proud, the troops who broke the power of Napoleon in the Peninsula and defeated him at Waterloo, which fought on the scorching plains of India, stormed the heights of the Alma in the Crimean campaign, and planted the British flag in every quarter of the globe in a hundred forgotten engagements, were largely, indeed in many cases, mainly Irish”.

It has been estimated that during the American War of Independence, 16% of the rank and file in the British Army, and 31% of the commissioned officers, were Irishmen. There were indeed Irishmen fighting on both sides (Scots too, as portrayed in the final few series of that entertaining Highland fling, Outlander). In following years, the Irish would swell the ranks to the extent that by 1813 the British Army’s total manpower was estimated to be half English, a sixth Scottish and a third Irish.

For other posts about folk song in In That Howling Infinite, see: The Boys of Wexford – memory and memoir; Mo Ghile Mear in Irish myth and melody; O’Donnell Abú – the Red Earl and history in a song; Over the sea to Skye, and Outlander – if I didna hae bad luck, I’d hae no luck at all …

In addition to Songs and Music of the Redcoats and The Valiant Sailor: Songs & Ballads of Nelson’s Navy, I would also highly recommend Strawhead’s 1987 album Law Lies Bleeding (see below). My own marching song, The Marching Song of the New Republic is also included below.

© Paul Hemphill 2024.  All rights reserved.