The past is never past … and reappears unexpectedly

Time is an ocean but it ends at the shore
You may not see me tomorrow

Bob Dylan

A wander through the foggy ruins of time …

We had been having conversations at home about Jewish people I had known when I was young – we’ve had a lot to talk about on things like this in this hate filled times – and I recalled that there were not many to speak of. In those days, in the early and mid-1960s at Moseley Grammar School in Birmingham, there were, as I remember it, only three Jewish boys in the school. There may have been a Jewish teacher, but I’m not certain. Though Moseley was non-denominational, it was very much C of E in plain clothes. The Jewish boys and us Catholics – not meant of those either too –  would enter the daily school assembly after the routine prayers and hymns, and we were excused from scripture lessons even though these studied the same Old Testament.

Now, we often talk about memory here at In That Howling Infinite. Memories of our pasts, our younger selves, do not arrive with trumpets. They present themselves all of a sudden, unannounced and often sideways: through a stray remark on the couch of an evening; through a conversation about people once known; through one of those odd moments when the mind, unbidden, opens a door long thought shut and a forgotten face enters the room.

And Nicholas Molnar walked through that door …

On impulse, i went searching for one of those Jewish lads, one I had been friends with during my final years of Grammar School; and google brought up an obituary written by loved ones who bring you up to date, informing me that while I was busy becoming older, so was he.

It was written by members of the the Forres Friends of Woods and Fields, environmental and community garden group based some 40 km east of the northern Scottish town of Inverness, and it paid tribute to the their founder and chairperson who had just passed on. It got me wandering through my backpages

We were born in the same year, 1949, and arrived at Moseley at roughly the same time, around 1960, remaining there until the summer of 1967 (though I stayed another year). The son of German/Austrian parents who had escaped from Nazi Germany, Nick was small of stature, with curly hair, a prominent nose, and friendly, laughing eyes – an expression that always seemed on the verge of amusement. He was very bright, academically gifted, and a natural actor.

School drama productions in those days had a peculiar and often unimaginative tendency to cast according to what teachers thought somehow “fitted”. Nick, being Jewish, often found himself cast in Jewish roles. Looking back now, one raises an eyebrow at the assumptions involved, but at the time it seemed merely how the world worked.

I remember him particularly in Samuel Beckett’s Waiting for Godot and Wolf Mankowitz’s dark comedy The Bespoke Overcoat, a poignant and comic reimagining of Nikolai Gogol’s The Overcoat, itself a story carrying echoes of Jewish life and exile. These were esoteric two-handers (not quite what one would expect in grammar school drama production*) with one of the other Jewish boys – Chris Field, another outstanding student and gifted actor. The pair of them together had an ease on stage that some people spend a lifetime trying to acquire.

I cannot recall how we became pals. Nor do I remember much about the details of our friendship. But I often visited his home – in Moseley, I think, not far from our school – probably during school holidays.

I do recall that he bought a canoe and took to paddling Brum’s many canals. “Canoe, canal,” he would often refrain. At the time I thought it quite eccentric.

He then bought a second-hand Lambretta scooter. Those scooters possessed a strange glamour, belonging to a brave new world of Mods and movement and urban freedom – and, indeed, rebellion. A couple of my schoolmates had one and sported those long-tailed parkas that later featured in Quadrophenia. I envied them for the speed and freedom and would have loved to do likewise, but that required means and parental permission, and I had neither.

And then our schooldays drew to an end and we put off schoolboy things and ventured out into the wide world – the great divide that so often arrives at the end of adolescence: university, cities, the widening world.

Nick went up to university in London. I am fairly sure it was the LSE, or somewhere very near it in central London. I hitched down to visit him and stayed in his bedsit –  an atmosphere peculiar to student life where one exists in a halfway house between adolescence and whatever comes next.

Was it once or several times? I cannot recall. But I have an image of scooting through wet, wintry streets on the back of a Lambretta.

And he took me to what I recall as the Soviet Bookshop, though it may well have been Collet’s in Charing Cross Road. We had both developed a left-wing outlook on the world, and London at that time possessed a whole ecology of ideas. One could drift through central London moving from second-hand bookshops to political shops to cafés where everybody seemed convinced history itself had reached a point of imminent transformation.

Young people have always believed they stand on the threshold of a new age, but the late sixties had a particular confidence in this regard. Revolutions seemed possible. Societies looked malleable. One felt that history had become less a thing to study than a thing with which one might personally engage.

This was the life, I thought, mindful that I too would soon be taking that road.

Within a year I had left Birmingham for Reading in Oxfordshire and my own particular diversions, and, distractions. Unlike my upper sixth peers, I spent an extra year at Moseley, an unplanned and strange sabbatical during which I hitchhiked around Britain and nurtured my interest in history and politics. In what looks now in retrospect as one of life’s strange coincidences, in the Spring of 1967, I traveled the A98, the long road linking Aberdeen to Inverness – passing through Forres. I slept on the roadside somewhere near the Culloden battlefield and woke in the morning covered in snow.

Though London featured prominently, creatively and romantically in my university years, and I lived there from 1971 until 1978,  and though Nick and I may often have been in close proximity – I returned to that Russian book store several times , buying Lenin’s polemical pamphlets for my uni studies, Russian Revolution posters, and even, inspired by seeing Jethro Tull live, a balalaika (which I never learned to play) – I was never to see him again.

Until he walked through that door in our conversations here in the Tarkeeth forest – in the form of an obituary.

We lost touch – around 1968 –  as people sometimes do. Lives branch quietly. Then suddenly fifty or sixty years have passed and one discovers that entire lives have unfolded beyond one’s sight.

The strangest thing is that memory often preserves people at a fixed age. In my mind’s eye Nick remained perpetually young: climbing onto his Lambretta in his mod anorak, wandering through London, talking undergraduate politics, dropping me at the Tube station for my hitchhike back to Birmingham for school on Monday morning, and then heading off toward some unknowable future.

There is something poignant and bittersweet in discovering that the person you met a lifetime ago had not vanished after all, but had simply carried on further down the road, a.road that, for all its geographical, cultural, and social differences, might have been running parallel to my own.

Riffing on Nick’s biography – a life of service to community and environment as described below in the Forres Friends tribute –  I too became involved in student politics and protests in 1968 and 1969, including demonstrations against the Vietnam War in London, though I later parted company with politics in pursuit of more hedonistic things. I too travelled after graduation – my destiny lay in the Middle East and along the famous Hippie Trail to India and back.

My journey eventually carried me to Australia, where I now live out my latter years in a wildlife reserve and conservation area in the forests of northern New South Wales, caring for the bush while my wife tends our large vegetable garden. En route I have been an accountant, a folk singer, and an activist in Australia’s interminable forest wars.

People often imagine lives changing direction dramatically. We speak of transformations and reinventions. Yet perhaps character is more like a river than a sequence of disconnected events. It bends; it narrows; it widens; but somehow remains recognisably itself.

I had gone looking for a boy I once knew and found a life instead – a rich, generous, deeply lived life that had unfolded beyond my sight. We began with a door opening and a familiar face walking back into the room, but behind that remembered face lay an entire unseen life. There is a curious sadness in such rediscoveries. I found Nick again after all these years, only to discover that he had already rounded the bend and passed out of sight.

As Bob Dylan’s lines at the head of this memoire tell us, it is a reminder of how finite life is …

Paul Hemphill, May 2026

* But then again, maybe not. The young teacher who looked after school drama was of a bohemian bent, and in extracurricular drama classes, he introduced us sixth-formers to the plays of the “Angry Young Men” (a prominent group of working- and middle-class British writers and playwrights who emerged in 1950s postwar Britain), including Arnold Wesker and Joe Orton, and organised outings to the old Birmingham Repertory Theatre (back then, in its Stevenson Street location) to see contemporary plays.

In Tall Tales, small stories and eulogies, see more about my London in the nineteen sixties and seventies:  A Window on a Gone World … London days; Something about London; Song of the Road (1) – my hitchhiking days;; and Ciao Pollo di Soho – the cafe at the end of the M1

In That Howling Infinite has also written more generally about the nature of nostalgia. See: Blue remembered hills – a land of lost contentment (There is a précis of this below), and Blue remembered hills (2) – the history we hold within us

Forres Friends of Woods and Fields founder Nick Molnar passes away peacefully

Garry McCartney, The Northern Scott, 09 December 2025

A hard-working member of the community with a passion for the environment has passed away.

Forres Friends of Woods and Fields (FFWF) founder and chairman, Nick Molnar, 76, is survived by his wife and fellow volunteer Pippa, brother Michael, sister Nina and their families.

Nick (right) in the early days of the Chapelton polytunnel funded by the Berry Burn windfarm Community Fund.
The early days of the Chapelton polytunnel funded by the Berry Burn windfarm Community Fund.

FFWF chairman, Mick Drury, confirmed he also leaves the charity’s 26 diverse acres of land to be continued to be used for local community food production as well as a space to reconnect with nature.

The town has lost a core member of the community,” he said. “Nick was known for his warmth, helpfulness and involvement with a range of local projects. He had a lifetime’s commitment to the land and to building community.”

Nick was born in 1949 in Hertfordshire to German/Austrian refugees from the Nazi regime of the Second World war, spending most of his childhood in Birmingham.

He studied anthropology at university in London, taking part in student protests in 1967. After graduating, he travelled the world.

Nick then lived in Camphill communities in Norway, Ireland, England and Perthshire – supporting people with additional needs through work on the land. Camphill communities are residential communities and schools that provide support for the education, employment, and daily lives of adults and children with developmental disabilities, mental health problems, or other special needs.

Nick sowing in the Chapelton polytunnel.

 

Over the last five years, FFWF has been Nick’s life’s work, particularly after establishing its community garden at Chapelton.

Mick said: “His commitment and hard work have left a lasting legacy. A core group of volunteers meet there to work together weekly, harvesting for their own needs and making regular donations to Moray’s foodbank.”

The group’s summer open days are very popular now – Nick was always on-hand to welcome attendees and build new relationships.

“He’d always be out supporting the town’s apple and tattie days,” added Mick. “At home, he and Pen would be busy preserving soft fruits, making pickles and chutneys, sauerkraut and kimchi.”

Nick at the growing field and garden near Chapelton Farm.
Nick at the growing field and garden near Chapelton Farm.

Nick’s love of traditional skills and crafts of the countryside led to him trying his hand. Scything was a particular interest, and he was arrested for scything genetically modified crops on the Black Isle in 2001 when a test site was established there.

He was a keen reader and had a great interest in folk music, learning to play the violin in recent years.

Nick passed away at home just over a week after suffering a serious stroke. He was supported by his family, by Kate Clark from the Pushing up the Daisies bereaved charity, and with the “wonderful” assistance of the district nurses.

He was given a quiet send-off at Chapelton, with piper Rory O’Connell and a private green burial. There will be a life celebration for Nick in the new year. Messages of condolence are asked to be sent to forresfriends@gmail.com.

“We are blessed to have known Nick,” finished Mick, “and we will miss him greatly.”

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About Forres, Findhorn and Camphill

Forres is an historic market town in Moray in northeast Scotland, situated approximately 25 miles (40 km) east of Inverness and about 12 miles (19 km) west of Elgin, nestled between fertile farmland and the coast of the Moray Firth. Just 5 miles (8 km) north-east of Forres, a journey of little more than ten minutes by car, lies the small coastal village of Findhorn, set beside Findhorn Bay and opening onto the North Sea. Although distinct places, Forres and Findhorn have long existed in each other’s orbit: one a traditional Highland town with ancient roots, the other a village internationally known for its ecological and communal experiments.

Within this landscape sits Forres Friends of Woods and Fields (FFWF), a community woodland and garden project founded in 2020 by my old school chum Nic Molnar, who served as its founder and chair. The organisation brings together practical environmental work with a strong sense of community life, creating shared spaces where volunteers plant and grow food, manage woodland, support biodiversity, and learn sustainable land practices. Yet projects such as this are about more than gardens and trees. Their ethos is equally social: people gathering for a few hours of work, conversation, and companionship – “a blether and a cup of tea,” as the organisation itself cheerfully puts it. In that sense, FFWF reflects an older village ideal recast in modern form: a communal space where practical labour and human connection become intertwined.

The broader region also carries the influence of the Camphill Communities, an international movement founded in Scotland in 1940 by Karl König and fellow refugees from Nazi Europe. Based on principles of shared living and mutual care, Camphill sought to create communities in which people with learning disabilities and additional support needs lived and worked as equal participants rather than as institutional recipients of care. Farms, gardens, workshops, schools, and shared homes became central features of community life. The Moray region around Forres and Findhorn later developed into one of Camphill’s most significant centres, helping establish the area’s reputation for social innovation, community-based living, and environmental engagement. The underlying principles of König’s Camphill school were derived from concepts of education and social life outlined decades earlier by anthroposophistRudolf Steiner(1861–1925). Today there are over 100 communities worldwide, in more than 20 countries, mainly in Europe, but also in North America and Southern Africa

Findhorn itself added another layer to this local culture through the emergence of the Findhorn Foundation, whose experiments in ecological living and sustainability attracted international attention from the 1960s onward. Together, these overlapping influences –  the traditional town of Forres, the intentional and ecological communities of Findhorn, the Camphill movement, and local initiatives such as Forres Friends of Woods and Fields – have created a small corner of Scotland that is geographically modest yet unusually rich in ideas about community, stewardship, and shared ways of living.

Précis: Blue Remembered Hills — a land of lost contentment

Nostalgia is one of those curious human afflictions that sits somewhere between memory and myth. The Greeks called it nostos: the longing for home, the ache of return. Homer built The Odyssey around it. Houseman called childhood “the land of lost content”. We all know the feeling: that sudden gust of memory carrying with it a place that perhaps never quite existed in the form we remember it. A song, a smell, a taste, a street corner glimpsed through rain –  and suddenly one is standing again in those “blue remembered hills”.

The trouble is that nostalgia can be both consolation and deception. Memory does not preserve the past like amber trapping an insect; it edits, softens, rearranges and, occasionally, invents. It is less a historical archive than a film editor’s cutting room. We tend to remember not the world as it was, but the world as it felt. Childhood roads seem wider when revisited, old houses smaller, old certainties larger. Looking backward is a little like looking in a rear-view mirror: objects appear closer than they really are.

There is nothing inherently wrong with this. Quite the opposite. Nostalgia often provides continuity in a world moving at bewildering speed. Long-term memory can become a kind of inner refuge, perhaps even biology’s consolation prize for ageing. As we move through life, the past gradually acquires sovereignty over the present. The older we get, the more we discover that Hartley was probably right: the past really is another country. More disconcertingly, we begin to realise it has become home.

Yet nostalgia also has its darker uses. It can become what South Park hilariously called “memberberries”: seductive little fragments of selective memory that rot the brain with sentimental half-truths. “Remember when things were better?” they whisper. Remember when streets were cleaner, people knew their place, children behaved, and chips came wrapped in newspaper? The problem is that these memories often airbrush out the less attractive features of the era: poverty, prejudice, corporal punishment, rigid social hierarchies, casual cruelty and exclusion. There is a tendency to remember cohesion while forgetting whom that cohesion excluded.

And nowhere is this more visible than in those sprawling Facebook nostalgia communities now largely colonised by us boomers. They are fascinating anthropological sites – digital village greens where people gather not to discuss wars, elections or grand historical events but milkmen, street sweepers, bin men, old sweets, cassettes and television programmes long vanished into history.

At first glance it all appears harmless enough: a warm bath of collective memory. Yet beneath pictures of “proper bin men” and school playgrounds often lurk deeper currents of anxiety and resentment. The mundane becomes symbolic. The old milkman becomes shorthand for social trust; the local high street for community; black-and-white photographs of tidy streets for a world supposedly more ordered and comprehensible.

What many are mourning, however, may not be the world itself so much as their own place within it. We do not merely miss old streets or old songs; we miss younger versions of ourselves inhabiting them. We miss possibility. We miss novelty. We miss being twenty and imagining that life was still unfolding rather than slowly arranging itself into memory.

The political danger arrives when nostalgia stops being reflective and becomes restorative — when longing for the past becomes a demand to reconstruct it. The right has often understood this instinct well. It does not necessarily need to persuade people of a compelling future if it can offer an idealised yesterday. “Take back control”, “make things great again”, “return to traditional values”: all are variations on the same emotional melody.

But return tickets are unavailable. The past cannot be restored because it never truly existed in the form imagined. There were never really “good old days”; there were simply days – complicated, contradictory and viewed through younger eyes.

None of this means memory should be discarded. Far from it. There is immense pleasure in basking in les temps perdus. I happily indulge in musical rabbit holes and Facebook reminiscences myself. Songs especially are magical portals because music does not merely remind us of the past –  it briefly resurrects it. A song can collapse fifty years in three minutes.

But I would still choose today.

For all its noise and absurdity, for all the algorithms, grievances and existential clutter of modern life, today contains wonders unimaginable to my younger self. Medicine keeps people alive who once would not have survived. Knowledge sits literally in our hands. Distances have collapsed. Possibilities have expanded.

The trick perhaps is to hold memory gently: to enjoy nostalgia without becoming captive to it. To remember that we are, as Maria Popova put it, all our previous selves stacked inside us like Russian matryoshka dolls –  not discarded versions, but incorporated ones.

The little boy still exists somewhere in the old streets and schoolyards and songs. He is still playing in the enchanted forest with Pooh and Christopher Robin.

Blue remembered hills (2) – the history we hold within us

What unites people?” Armies? Gold? Flags?” No. It’s stories, he said. “There’s nothing in the world more powerful than a good story. Nothing can stop it. No enemy can defeat it. And who has a better story than Bran the Broken? The boy who fell from a high tower and lived… He’s our memory. The keeper of all our stories. The wars, weddings, births, massacres, famines, our triumphs, our defeats, our past. Who better to lead us into the future?”
Tyrion Lannister, Game of Thrones, Season 8

A couple of years ago In That Howling Infinite published a long meditation on nostalgiaentitled Blue remembered hills – a land of lost contentment. It wandered through Housman and Homer, Facebook nostalgia groups and old LPs and cassette tapes, Spike Milligan and Dusty Springfield, milkmen and memberberries, touching along the way on memory, ageing, and that curious ache that seems to settle upon us as the years accumulate and our lives begin to look less like roads stretching ahead and more like maps folded and unfolded over time.

This ramble through memory’s brambles was never really about the past itself. It was about our relationship with the past – why we keep glancing over our shoulders even as technology either frog-marches us unwillingly into the future or lures us there like the sirens of yore; why old songs can unexpectedly inflict  sweet pain; why memories unsummoned but never ignored can transport us across decades with a force that no deliberate act of memory quite manages. It was very much about that peculiar territory where memory, longing and identity overlap.

In an essay published in The Australian and republished below, sociologist Frank Furedi covers much the same terrain, thought from a somewhat different direction and with a more explicitly political destination in mind.

It him brought me back immediately to Blue Remembered Hills because I realised we were traversing similar landscapes, though perhaps by different paths. He is concerned principally with nostalgia as a cultural and political phenomenon; I was more interested in nostalgia as a human condition, a state of mind, perhaps even a permanent feature of consciousness itself. Yet the overlap is considerable, and worth exploring.

Furedi begins with an observation that feels difficult to dispute. In contemporary political and cultural discourse, nostalgia is rarely employed as a neutral descriptor. It usually arrives as an accusation. To describe someone as nostalgic is no longer simply to suggest wistfulness or sentimentality; it increasingly carries implications of intellectual weakness or moral deficiency. Nostalgia becomes shorthand for reactionary impulses, coded language for a desire to return to a world in which minorities “knew their place,” women remained within prescribed roles, social conformity prevailed, and authority went largely unquestioned. This conservatism itself is often dismissed as little more than “weaponised nostalgia.”

Furedi argues that this caricature misses something fundamental about human beings. We require continuity. Individuals and societies alike need some sense of connection across time if they are to understand themselves. Identity does not simply emerge from acts of self-invention. We understand who we are partly through knowing where we have come from, and that understanding is transmitted through families, customs, traditions, rituals, stories and shared memories. Drawing upon psychologists such as Erik Erikson and Roy Baumeister, Furedi suggests that stable identities depend upon linking past, present and future together. When that continuity is disrupted, people become untethered. The de-authorisation of the past – the tendency to regard inherited traditions chiefly through the lens of their failures – risks creating citizens detached not merely from particular customs but from historical memory itself. In this formulation, nostalgia becomes less an irrational yearning for a golden age than a search for home.

Reading him, I was reminded immediately of Roger Scruton’s small-c conservatism and also of one of the most resonant lines in English literature, from Thomas Babington Macaulay’s Horatius at the Bridge: “And how can man die better/Than facing fearful odds/For the ashes of his fathers/And the temples of his gods?”

The line is often invoked in patriotic contexts, but its significance extends well beyond nationalism. Macaulay was attempting to articulate what people fight for when circumstances become existential. They do not fight primarily for policy settings or administrative arrangements or economic forecasts. They fight for inheritance. “The ashes of his fathers” speaks of continuity itself – reverence for ancestors, memory, sacrifice, lineage and identity accumulated across generations. “The temples of his gods” points towards those sacred structures, literal and metaphorical, that provide coherence and meaning: religion perhaps, but also customs, symbols, institutions and moral frameworks. And “facing fearful odds” follows naturally once these things matter deeply enough.

In Macaulay’s poem, the Roman soldier is not merely defending a bridge into Rome. He is defending an entire civilisational story and all that has been invested in this: ancestry, faith and ultimate sacrifice – the belief that preserving one’s inherited world can be a noble undertaking. The late British philosopher Roger Scruton understood something similar. His conservatism was not fundamentally ideological but ecological. Human beings live within webs of affection and obligation that they inherit rather than construct. Home, family, language, neighbourhood and nation are not assembled from scratch like flat-pack furniture. They are inherited houses, perhaps imperfect and drafty, requiring repair and maintenance, but home, nonetheless. Burning them down because some parts are structurally unsound rarely ends well.

This is where Blue Remembered Hills perhaps parts company slightly with Furedi, because while it shares his concern regarding continuity, it remains cautious about nostalgia itself – or more accurately, nostalgia in excess.

As it observed, “nostalgia is not just wanting to go back to something that no longer exists but wanting to go back because it no longer exists”. That distinction matters because memory is not a neutral recording device. Memory is an artist, and often a romantic one. It edits and embellishes. It softens edges and airbrushes imperfections. Like objects in a rear-view mirror, the past often appears larger and closer than it actually was. The roads where we grew up seem wider; summers seem longer; music seems better; friendships seem deeper; and the world itself somehow appears more coherent and comprehensible.

Or, as in AE Housman’s “land of lost content”, “The happy highways where I went/And cannot come again”, the oft remembered lines from The Shropshire Lad. The crucial phrase here is not happy but cannot come again, because the longing itself derives partly from irretrievability. The ache comes not simply from what was, but from knowing it has gone forever.

This is where the distinction made by the late artist and scholar Svetlana Boym becomes useful. She wrote of two forms of nostalgia: restorative nostalgia which attempts to rebuild the lost world and reflective nostalgia which simply contemplates its loss.

The distinction matters enormously because much contemporary politics increasingly resembles restorative nostalgia. Whether in “Make America Great Again”, “Take Back Control” ans national flag marches in England and Australia, or broader calls to restore traditional values, the promise offered is not remembrance but return. Yet return is impossible. The world changes, and we change with it. Lewis Carroll put it succinctly through Alice: “It’s no use going back to yesterday, because I was a different person then”. Reflective nostalgia, by contrast, understands that the longing itself may reveal something important.

This was what was fascinated about the Facebook nostalgia communities discussed in Blue Remembered Hills. On the surface, people appear to be reminiscing about milkmen, trams, proper binmen, fish-and-chip shops, sweet shops, old television programmes and the countless banalities of everyday life. Yet they are rarely mourning the objects themselves. Nobody seriously wants coal deliveries or outside toilets back. Very few wish to exchange modern medicine for the old days or surrendering a smart phone wired to the world for queuing up outside a telephone kiosk in winter rain and then fumbling with pennies to connect.  What they seem to miss is something much harder to define: predictability, familiarity, social coherence and a sense that the world itself made sense.

And here lies the danger, because loss can become attached to myth. The comments beneath nostalgic posts often drift rapidly from warm recollection towards grievance. “Everyone knew their place.” “People respected authority.” “Families stayed together.” “Children behaved.” “Things were simpler.” Much of Blue Remembered Hills wandered through precisely these landscapes because nostalgia communities frequently become repositories not merely for memory but also for disappointment and dislocation.

Not always, of course. Often, they are charming and deeply touching. But they can also become vessels carrying resentment. The difficulty is that social solidarity and exclusion frequently travelled together. The supposedly cohesive worlds people remember often contained rigid hierarchies and invisible outsiders. There was always an “other”, Irish, Catholics, West Indians, travellers, beatniks and hippies, homosexuals, single mothers, long-haired layabouts, anyone deemed insufficiently conformist. The problem with some nostalgic narratives is not that they remember the past, but that they remember selectively.

Yet contemporary culture often risks making the opposite error. If some nostalgists remember only the good, many contemporary critics remember only the bad. History becomes reduced to oppression, traditions become little more than systems of exclusion, and inherited identities become sources of guilt rather than belonging. Continuity itself becomes suspect.

But human beings do not thrive in a historical vacuum. People need stories. They need rootedness. They need to feel themselves situated within something larger than themselves. Otherwise identity becomes an endless project of self-construction. Perhaps this explains something of our present condition – that strange mixture of anxiety and certainty, fragmentation and tribalism. If the old maps are discarded and no convincing new maps emerge, people begin drawing their own, often with thick permanent marker.

So perhaps Frank Furedi and Blue Remembered Hills are not ultimately in disagreement after all. Furedi reminds us that continuity matters. Our concern was simply to remind us that memory lies – or at least embellishes. Nostalgia is perhaps neither pathology nor virtue. It may simply be part of being human.

We cannot live entirely in the past, but neither can we sever ourselves from it. The challenge is to carry forward what was best without importing what was worst; to preserve solidarity without exclusion, belonging without mythmaking, and continuity without embalming it. Or, as Roger Scruton might have put it, to repair the house rather than set fire to it.

Because ultimately Horatius was not defending stones and timber. He was defending meaning itself. And perhaps all of us, in one way or another, spend our lives doing much the same thing – carrying fragments of home with us as we move through time, searching always for those blue remembered hills shimmering in the distance, knowing perfectly well that we cannot return there, yet unwilling entirely to let them disappear beneath the horizon.

Coda: the power of stories

Recall the quotation at the head of this article – Tyrion Lannister’s’s final speech in Game of Thrones, addressed to the assembled nobles of the erstwhile Seven Kingdoms of Westeros.

It fits remarkably well into the thread running through both Furedi and Blue Remembered Hills, because beneath all the discussion of nostalgia, continuity, memory and belonging sits a simpler and much older question: how do human beings hold themselves together across time? Tyrion’s speech, whatever one thought of the controversial series ending itself, touched on something ancient and surprisingly profound:

“What unites people? Armies? Gold? Flags?…There’s nothing in the world more powerful than a good story.”

The speech sits very comfortably beside Macaulay’s “the ashes of his fathers and the temples of his gods.” Armies may defend states, gold may purchase influence, and flags may function as symbols around which people rally, but stories explain why any of these things matter in the first place. Beneath institutions and political structures there almost always lies a narrative – some account of who we are, where we came from, and what obligations and meanings flow from that inheritance.

Rome was held together not merely by its legions but by stories about Rome itself – Romulus and Remus suckled by the she-wolf, Cincinnatus leaving his plough to save the Republic and returning quietly to his farm, Horatius standing at the bridge against impossible odds. Britain carried stories of Dunkirk and the Blitz spirit, of endurance and muddling through. America possesses its frontier myth and constitutional narratives. Australia has Gallipoli and the digger tradition, Ned Kelly and the battler, Clancy of the Overflow and the secular civic religion of giving everyone “a fair go”.

Whether these stories are entirely true in a strict historical sense is almost beside the point. They function as interpretive frameworks, shared narratives through which societies understand themselves and situate individuals within a larger continuity extending backward and forward through time.

This perhaps returns us to what Furedi is really lamenting. Beneath his discussion of nostalgia lies not simply concern over the loss of affection for the past but anxiety regarding a broader loss of confidence in inherited stories themselves. Increasingly our old narratives are subjected, often quite rightly, to forensic examination. We ask difficult questions. Who was excluded? Who suffered? Whose voices were ignored or omitted? Such questions are entirely legitimate and indeed necessary. Historical narratives that are immune from criticism become dogma.

Yet something else can be lost if all inherited stories are reduced solely to exercises in power, domination or hypocrisy. Human beings do not seem able to live indefinitely without narratives that locate them in time and place. Remove old stories entirely and people rarely become liberated, detached rational actors. More often they begin constructing new tribes, new identities and new mythologies of their own.

Blue Remembered Hills circled around much the same thought without quite expressing it this directly. The Facebook nostalgia groups it wrote about, with their endless photographs of everyday life in those golden, olden days, were never really about the objects themselves. These fragments were really pieces of larger stories people were attempting to preserve. What they were saying, consciously or otherwise, was something closer to: this is where I came from; this is the world that made me; this is how I understand myself.

That may explain why nostalgia can be both comforting and dangerous. Stories bind communities together, but stories can also become myths. The “good old days” can cease being memory and become something approaching scripture. The selective recollection of the past can harden into certainty, grievance and exclusion.

Which is why Tyrion’s choice of Bran becomes more interesting than it first appears. Bran is not presented as the strongest warrior, the wealthiest lord, or the most charismatic leader. Tyrion describes him instead as: “our memory. The keeper of all our stories.” And the important word there is all. Not some stories. Not only the glorious ones. The wars and the weddings, the triumphs and the massacres, the births and the famines, the victories and the defeats. In other words, continuity without selective amnesia, memory without mythmaking.

A people who remembers only their triumphs eventually become propagandists; a people who remember only their crimes risk becoming paralysed by self-reproach. A mature culture probably requires both: stories that inspire affection and belonging, and stories that remind us where we failed and what we learned.

Which returns us, inevitably, to Horatius standing at the bridge, and perhaps also to those blue remembered hills shimmering on Housman’s horizon. We do not ultimately fight for stones and timber, borders and institutions alone. We fight for meaning, for the stories that tell us who we are, where we came from, and why any of this matters.

If Tyrion was right, and he probably was, then what ultimately joins past and future is not power at all. It is narrative itself. We are, in the end, storytelling creatures carrying old tales forward as we walk into countries, we have not yet seen.

Paul Hemphill, May 2026

See also in In That Howling Infinite, Blue remembered hills – a land of lost contentment. A précis of this follows Furedi’s essay.

What’s so wrong with the good old days? In defence of nostalgia

Frank Furedi, The Australian, 21 May 2026

Nostalgia isn’t a political insult. Populists and conservatives are condemned for attachment to the values associated with ‘the good old days’. Here’s why we need it.

In the Western world – particularly among the intelligentsia and the cultural elites – nostalgia has a bad press. As one study of how the use of this label is seen or used stated: “To have one’s ideas, program, policies or style labelled ‘nostalgic’ is to be on the end of one of the most enduring and non-negotiable insults in modern political discourse.” The accusation of nostalgia serves to delegitimate individuals and movements by associating it with outdated and irrelevant sentiments.

Nostalgia is continually affixed to ideological attacks on populism and conservatism. Typically, the coupling of nostalgia with conservatism and populism serves to signify the fear of facing up to the present and an irrational escape into a mythical past. Time and again the accusation of nostalgia is coupled with a denunciation of everything its practitioners value about the past.

Critics of nostalgia contend that the “good old days” never existed. They insist that those who idealise the world of intact families, stable communities and solid intergenerational bonds are living a lie. These critics assert that people who possess an affinity to the past do so because in the old days racial minorities knew their place, women were confined to the kitchen and the LGBTQ+ community had no visibility or voice. Writing in this vein, one critic stated, “conservatism is just weaponised nostalgia”.

It is worth noting that anyone who voices a positive attitude towards Australia’s past is likely to be accused of the reactionary crime of nostalgia. So earlier this year, commentary broadcast on the ABC suggested that former prime minister John Howard’s legacy represented “nostalgia for a whiter, more conservative Australia”.

In the same vein, Tony Abbott’s book, Australia, is frequently denounced as the product of colonial nostalgia. Those labelled as members of the Nostalgia Right are regarded as irredeemable racists and xenophobes.

John Howard during Question Time, December 1999.

John Howard during Question Time, December 1999.

Critics of nostalgia do not merely caution people about the problem of living in the past: they also seek to delegitimate the values and customs that prevailed in yesteryear.

The aim of the political critique of nostalgia is to distance society morally from its history. Its goal is to undermine a nation’s sense of cultural continuity. Australian conservatives and populists are frequently attacked for invoking three nostalgic pasts: the social order and prosperity of the 1950s Menzies era; the celebration of the nation’s connection with the British monarchical past, and; the social solidarity that prevailed in pre-multicultural Australia.

Yet maintaining a sense of historical and cultural continuity with the past is essential if we are to know where we come from and who we are. So don’t get defensive when you are told off for being nostalgic.

Without falling into the trap of uncritically celebrating the “good old days”, it is vital to affirm the legacy of our past, especially the sense of solidarity and community we are at risk of losing.

Nostalgia assists the maintenance of cultural continuity.

The sense of historical continuity plays an important role in the constitution of the self. Understanding where we come from influences and strengthens individuals’ sense of who they are. A feeling of continuity with the experience of previous generations lends stability to a people’s identity.

Continuity across time is achieved through the intergenerational transmission of a community’s way of life and its ideals. It is difficult to develop a sturdy sense of community identity without a shared memory and a common attachment to conventions or customs that are rooted in the past.

The sense of continuity across time is, as psychologist Roy Baumeister stated, one of the defining criteria of identity. This point was echoed by American social psychologist Kenneth Keniston, when he stated, “one of the chief tasks of identity formation is the creation of a sense of self that will link the past, the present and the future”.

The common ground on which people live requires a shared understanding of where members of a community come from. Learning about the past helps children to know their place in the world and develop their identity. German psychoanalyst Erik Erikson, who formulated the concept of an identity crisis, attached great importance to providing young people with a sense of cultural continuity. He noted that “true identity … depends on the support which the young individual receives from the collective sense of identity characterising the social groups significant to him: his class, his nation, his culture”.

Tea and army cake refreshed then-Prime Minister Robert Menzies on a visit to Seymour military camp back in 1939. Picture:News Corp

Tea and army cake refreshed then-Prime Minister Robert Menzies on a visit to Seymour military camp back in 1939. Picture:News Corp

For socialisation to occur successfully, adults draw on the experience of previous generations to provide young people with a meaningful account of adulthood. Erikson remarked that the values with which children are trained “persist because the cultural ethos continues to consider them ‘natural’ and does not admit of alternatives”.

He observed: “They persist because they have become an essential part of the individual’s sense of identity, which he must preserve as a core of sanity and efficiency. But values do not persist unless they work, economically, psychologically and spiritually; and I argue that to this end they must continue to be anchored, generation after generation, in early child training; while child training, to remain consistent, must be embedded in a system of continued economic and cultural synthesis.”

Valuing the past

The socialisation of children is key to the transmission of this legacy of the past. It is integral to an intergenerational transaction whereby moral norms are communicated by authoritative adults to the young. Though this form of socialisation is likely to be perceived as impregnated with nostalgia by the technocratic-managerial elites, it is essential for providing the young with roots.

Once the moral status of the past is put into question, the achievement of a stable identity becomes fraught with uncertainty. The de-authorisation of the past renders the experiences of the older generations redundant and complicates the task of socialisation. Adulthood becomes compromised by its association with the past. Instead of being able to serve as a model to the young, it ceases to serve that role effectively.

Erikson’s reference to the “collective sense of identity” that adults communicate to young people has as its premise the capacity of the older generation to communicate a model of identity to their offspring. However, with the loss of the “sense of the past”, cultural continuity has become disrupted and the capacity of adults to serve as models to the young has diminished.

Nostalgia can be understood as the cultural antithesis to the loss of a sense of the past. As sociologist Fred Davis noted, nostalgia “leads us to search among remembrances of persons and places of our past in an effort to bestow meaning upon persons and places of our present”. From the anti-populist standpoint, the very search for meaning in tradition and the experience of the past is likely to encourage opposition to the value system of the defenders of the cultural status quo.

A yearning for home

Instead of responding to the critics of nostalgia by dismissing the charge of being drawn towards it, it is preferable to embrace it. Nostalgia refers to a yearning for home. It expresses an understandable and genuine sense of cultural loss underwritten by the belief that values that had once provided the unity of social relations and personal experience have become marginalised.

Populists and conservatives are on solid ground when they seek to reconnect with the legacy of their nation’s past. Those who possess a positive orientation towards the past should not be seen as emotionally illiterate, naive simpletons. Through their nostalgic orientation, they attempt to retrieve and develop sources of identity, agency or community.

Tony Abbott’s book, Australia, is frequently denounced as the product of colonial nostalgia. Picture: Jane Dempster / The Australian

Tony Abbott. Jane Dempster / The Australian

The attempt to forge a sense of historical continuity is a prerequisite for providing the present with the sturdy foundation needed to face the future. Those who have become detached from the past inevitably become obsessed with inventing an identity to the point that they become detached from the project of facing the future. Call it what you will, but the attempt to forge a consciousness of historical continuity makes an indispensable contribution to the creation of a bridge between the past and the present, and the present and the future. It is an effective way of cultivating a genuine sensibility of belonging.

Nostalgia is not only good for society but also for the wellbeing of individuals. Studies suggest that those who “reminisce are more likely to keep friends and expand social networks”, and are able to forge closer and more durable relations than those who are indifferent to their past. Common sense suggests that the individual’s attempt to forge and maintain a sense of continuity with the past assists the development of an individual’s identity and feeds the soul of society.

In the 21st century, the main distinguishing feature of movements labelled as populist is their tendency to challenge the cultural values espoused by the political establishment. Often, the challenge posed by populist movements to elite values is expressed through their reluctance to abandon customs and traditions that elites have discarded: sentiments described by the use of that confusing term “nostalgia”.

Yet without a close connection with the past, we become prisoners of fate. Why? Because we can only truly understand what humanity has achieved so far and acquire insight into what it can achieve in the future by evaluating the experience of our forebears. The legacy of the past provides the moral and intellectual resources for developing a 21st-century narrative of what solidarity and community looks like. Very importantly, it also provides the foundation for freedom.

Once society becomes de-historicised, it will become lost in a timeless wasteland. Those with an impoverished historical imagination are doomed to embark on an eternal quest for meaning because we become connected and situated in time through cultivating an empathetic relationship with the past as members of a community. Without such an attachment, we struggle to intuit where we have come from and are constantly in search of an identity. Navigating our way into the future is harder when we are deprived of a means to assimilate the experience of our ancestors. Put simply, to determine where to go, we need to know where we came from.

It’s an Australia that did exist

In Australia, hostility towards nostalgia is motivated by a venomous hatred towards the nation’s past. Take the hatred directed at former opposition leader Peter Dutton. According to the National Indigenous Times, his “path to the party leadership has been defined not by nation-building, nor a vision for Australia’s future, but through obstruction and division, wedded with a nostalgia for an Australia that never truly existed”.

Peter Dutton is another pilloried for valuing nostalgia and the past. Picture: Dan Peled /Getty Images

Peter Dutton. Dan Peled /Getty Images

The reference to an “Australia that never truly existed” is frequently invoked by critics of nostalgia. Implicit in this statement is the dispossession of Australia’s historical legacy of any positive features.

Populist conservatives do not want to go back to a golden age, but nor do they want their communities to be dispossessed of the customs and ways of being that made them who they are.

Keeping alive the traditions, customs and rituals that have inspired their communities over the generations provides populism with the cultural power to motivate millions of people. It provides the foundation for the kind of cultural security that allows people to face the future.

Frank Furedi is a sociologist, author and former professor of sociology at the University of Kent. This is an edited extract from his new book, In Defence of Populism (Polity Press), which will be published on May 22 in Australia

Précis: Blue Remembered Hills — a land of lost contentment

Nostalgia is one of those curious human afflictions that sits somewhere between memory and myth. The Greeks called it nostos: the longing for home, the ache of return. Homer built The Odyssey around it. Houseman called childhood “the land of lost content”. We all know the feeling: that sudden gust of memory carrying with it a place that perhaps never quite existed in the form we remember it. A song, a smell, a taste, a street corner glimpsed through rain — and suddenly one is standing again in those “blue remembered hills”.

The trouble is that nostalgia can be both consolation and deception. Memory does not preserve the past like amber trapping an insect; it edits, softens, rearranges and, occasionally, invents. It is less a historical archive than a film editor’s cutting room. We tend to remember not the world as it was, but the world as it felt. Childhood roads seem wider when revisited, old houses smaller, old certainties larger. Looking backward is a little like looking in a rear-view mirror: objects appear closer than they really are.

There is nothing inherently wrong with this. Quite the opposite. Nostalgia often provides continuity in a world moving at bewildering speed. Long-term memory can become a kind of inner refuge, perhaps even biology’s consolation prize for ageing. As we move through life, the past gradually acquires sovereignty over the present. The older we get, the more we discover that Hartley was probably right: the past really is another country. More disconcertingly, we begin to realise it has become home.

Yet nostalgia also has its darker uses. It can become what South Park hilariously called “memberberries”: seductive little fragments of selective memory that rot the brain with sentimental half-truths. “Remember when things were better?” they whisper. Remember when streets were cleaner, people knew their place, children behaved, and chips came wrapped in newspaper? The problem is that these memories often airbrush out the less attractive features of the era: poverty, prejudice, corporal punishment, rigid social hierarchies, casual cruelty and exclusion. There is a tendency to remember cohesion while forgetting whom that cohesion excluded.

And nowhere is this more visible than in those sprawling Facebook nostalgia communities now largely colonised by us boomers. They are fascinating anthropological sites — digital village greens where people gather not to discuss wars, elections or grand historical events but milkmen, street sweepers, bin men, old sweets, cassettes and television programmes long vanished into history.

At first glance it all appears harmless enough: a warm bath of collective memory. Yet beneath pictures of “proper bin men” and school playgrounds often lurk deeper currents of anxiety and resentment. The mundane becomes symbolic. The old milkman becomes shorthand for social trust; the local high street for community; black-and-white photographs of tidy streets for a world supposedly more ordered and comprehensible.

What many are mourning, however, may not be the world itself so much as their own place within it. We do not merely miss old streets or old songs; we miss younger versions of ourselves inhabiting them. We miss possibility. We miss novelty. We miss being twenty and imagining that life was still unfolding rather than slowly arranging itself into memory.

The political danger arrives when nostalgia stops being reflective and becomes restorative — when longing for the past becomes a demand to reconstruct it. The right has often understood this instinct well. It does not necessarily need to persuade people of a compelling future if it can offer an idealised yesterday. “Take back control”, “make things great again”, “return to traditional values”: all are variations on the same emotional melody.

But return tickets are unavailable. The past cannot be restored because it never truly existed in the form imagined. There were never really “good old days”; there were simply days — complicated, contradictory and viewed through younger eyes.

None of this means memory should be discarded. Far from it. There is immense pleasure in basking in les temps perdus. I happily indulge in musical rabbit holes and Facebook reminiscences myself. Songs especially are magical portals because music does not merely remind us of the past — it briefly resurrects it. A song can collapse fifty years in three minutes.

But I would still choose today.

For all its noise and absurdity, for all the algorithms, grievances and existential clutter of modern life, today contains wonders unimaginable to my younger self. Medicine keeps people alive who once would not have survived. Knowledge sits literally in our hands. Distances have collapsed. Possibilities have expanded.

The trick perhaps is to hold memory gently: to enjoy nostalgia without becoming captive to it. To remember that we are, as Maria Popova put it, all our previous selves stacked inside us like Russian dolls — not discarded versions, but incorporated ones.

The little boy still exists somewhere in the old streets and schoolyards and songs. He is still playing in the enchanted forest with Pooh and Christopher Robin.

 

The US-Iran war … beware of false analogies

President Donald Trump has described the US bombing campaign against Iran as “a little excursion,” then a “skirmish,” then a “mini-war” – ostensible breaches of a subsequent ceasefire are called “trifles”. He was doing something powerful men have always done: reach for a word small enough to sit comfortably in a sentence while the fires it describes are still burning, without actually committing to the potential political consequences calling the conflict a war. The gesture is familiar. Vladimir Putin called his invasion of Ukraine a “special military operation.” History, in the end, has usually insisted on its own vocabulary. What begins as euphemism tends to end as a chapter heading.

The US-Iran conflict – a sustained bombing campaign, a naval blockade constricting a fifth of the world’s oil supply, and an increasingly fragile ceasefire – is, by any honest accounting, a war. That we have not yet fully agreed to call it one is itself revealing. Language shapes the choices we are willing to contemplate; the choices we refuse to contemplate have a habit of being made for us, usually at greater cost and on someone else’s timetable.

But naming the war is only the first act of reckoning. The second – and more treacherous – is understanding it. And here, almost instinctively, we reach backwards. Before the first campaign has properly unfolded, the analogies arrive.

For this is what nations do when confronted with uncertainty: they search the past for usable maps. Yet wars are not equations, and analogies illuminate only by partial light. Gallipoli warns of overconfidence and the fantasy of the decisive stroke. Crimea evokes mismanagement and systemic incoherence. Vietnam and Iraq conjure the slow dread of entanglement – wars that move, expensively and violently, without ever quite arriving at conclusion.

We rarely encounter a new war on its own terms. Before the first campaign has properly unfolded, it is already being narrated through the past – the Gallipoli, Crimea, Vietnam, Iraq – names invoked less as history than as instruments of comprehension. This reflex is not mere intellectual laziness. War, in its immediacy, is too vast, too contradictory, to grasp without scaffolding; analogy supplies the frame. It tells us where to look for overconfidence, where to suspect mismanagement, where to anticipate drift. Yet it also does something subtler, and more dangerous: it invites us to believe that the present can be read off the past, that by matching patterns we might master outcomes.

The essay that follows proceeds from that tension. It does not treat these conflicts as competing verdicts on America’s confrontation with Iran, but as different lenses trained on different moments of a war’s life: conception, execution, and duration. Each captures a recognisable failure mode – the decisive stroke that overreaches, the system that cannot align means to ends, the conflict that persists beyond its rationale. To “refight” these wars in argument is not simply to indulge historical memory; it is to reveal how deeply our strategic thinking remains shaped by unresolved experiences. The past, in this sense, is not behind us. It is the grammar in which we continue to write the present.

Seeking storylines to explain the present

The quest begins, as these often do, reaching backwards in search of a usable past, a storyline that suits the present and what is now unfolding between America and Iran.

No war arrives naked; it comes draped in analogy. War is too large, too chaotic, to apprehend all at once; analogy shrinks it to something graspable. Analogies, like maps, tell you where to look, but also, just as often, where not to. Gallipoli (1915–16) is summoned, and Crimea (1853–56), and then, inevitably, Vietnam (1955-75, the war of my generation, though one that we British chose not to join) and Iraq (2003-11), those twin lodestars of modern American unease. Each is offered up as a key. Each, in its way, fits a lock. None, taken alone, opens the door.

Start with the British campaign during WWI to seize the strategic Dardanelles straits with the aim of threatening Istanbul and taking the Ottoman Empire out of the war. That analogy tends to be invoked by those who see overconfidence at the top: a belief that a bold stroke – decapitation strikes, limited escalation, a sharp application of force – can produce a decisive political outcome in a complex theatre. Gallipoli was conceived as a shortcut around stalemate; it became a lesson in underestimating geography, logistics, and the enemy’s will. If the critique is that Washington imagined a controlled, almost surgical confrontation with Iran that would bend reality to its design, then Gallipoli fits – particularly in its early optimism curdling into stubborn, costly entanglement.

There is something almost aesthetic about the Gallipoli temptation. It promises clarity. A narrow strait, a defined objective, a hinge upon which the whole great mechanism might turn. Strategy reduced to geometry. Yet wars have a way of refusing such elegance. The Turkish defence stiffened; the terrain asserted itself; the timetable dissolved into dust and flies and blood. The decisive stroke became an extended ordeal. And here the analogy deepens: not merely in the initial miscalculation, but in the dawning realisation that what was meant to be quick has become something else entirely – sticky, resistant, unyielding.

The Crimean War comparison is subtler, and in some ways more damning. Ostensibly a campaign by Britain and France (ironically, the architects of the Dardanelles venture) to challenge Czarist Russia’s design on the ailing Ottoman Empire – the so-called Eastern Question. Crimea was not just a military muddle; it was a war of misaligned systems: unclear objectives, poor coordination, inflated rhetoric masking administrative incompetence, and a media environment that amplified both heroism and absurdity (the Charge of the Light Brigade as both myth and indictment). If the Iran conflict appears strategically incoherent – multiple actors, shifting goals, allies pulling in different directions, public narratives outpacing operational reality – then Crimea begins to look uncomfortably familiar. It’s less about one disastrous decision and more about a system that cannot quite align means with ends.

Here the failure is quieter, but more pervasive. Not the single grand error, but the accumulation of smaller ones: supply chains that falter, commands that overlap, allies who agree in principle but diverge in practice. Crimea is what happens when the machinery of war – bureaucratic, logistical, political – fails to mesh. The guns fire, the troops advance, the dispatches glow with rhetoric, but somewhere beneath it all the connection between effort and outcome frays. One might say, borrowing that withering line in the 1960 Encyclopedia Britannica, that it becomes “perhaps the most ill-managed campaign in English history” – and the sting lies precisely in that word managed. Not conceived, not fought, but managed: as though war were an administrative exercise that has slipped its clerical bounds.

And then, inevitably, we arrive at America’s misbegotten wars in Indochina and Iraq. When people reach for these, they are usually pointing to something deeper: not the opening moves, but the trajectory. Vietnam is the archetype of gradual escalation into a conflict that cannot be cleanly won because its political premises are flawed. Iraq (particularly post-2003) adds another layer: the illusion of quick victory followed by insurgency, fragmentation, and the long tail of unintended consequences. If Iran becomes a drawn-out contest of proxies, asymmetric retaliation, and domestic fatigue – where tactical successes accumulate but strategic clarity recedes – then Vietnam/Iraq is the more predictive analogy.

Vietnam was once called “chaos without a compass,” and the phrase endures because it captures the feeling of the war more than its formal doctrine. There was, in fact, a compass – containment, credibility, dominoes – but it spun uncertainly, pointing in several directions at once. Washington oscillated between coercion and restraint, escalation and negotiation, measuring progress in tonnage dropped and bodies counted, even as the political centre of gravity drifted further out of reach. The war moved, violently and expensively, but it did not arrive. It accumulated.

Iraq echoes that pattern but begins differently – with a burst of clarity that dissolves into ambiguity. The regime falls; the statue topples; the map is redrawn in a matter of weeks; victory is declared. And then the afterlife begins. Insurgency, sectarian fracture, proxy entanglement- the slow discovery that winning the war is not the same as securing the peace. Iraq is what happens when the end state is assumed rather than constructed. It is, in that sense, less a campaign than a condition.

Set beside these, the earlier analogies sharpen. Gallipoli was not “chaos without a compass” at the outset; it had a very clear aim. Nor was it quite Crimea’s administrative farce, though elements of mismanagement crept in as the campaign stalled. Its distinctive flaw was the belief that a bold, limited stroke could shortcut the hard arithmetic of war – geography, supply, enemy adaptation. When that belief failed, the campaign slid, almost reluctantly, toward something more protracted, more wearing, with flashes of Crimean dysfunction flickering at the edges.

And this is the point at which the analogies begin to overlap, to blur into one another. The opening may be Gallipoli: confident, compressed, persuasive in its apparent simplicity. The conduct may drift toward Crimea: systems straining, coordination fraying, rhetoric outrunning reality. The trajectory may lengthen into Vietnam or Iraq: time stretching, purpose thinning, the war becoming less an event than an environment.

So which is most apt? If you’re judging initial strategic conception: then it is Gallipoli. If you’re judging systemic dysfunction and coalition incoherence: it’s Crimea. If you’re judging likely long-term dynamics and risk of quagmire: look to Vietnam and Iraq.

Forced to choose one, the most useful analogy is probably Iraq (with a Vietnam shadow). It captures both the confidence of the opening act and the chronic instability that can follow when political end states are ill-defined. Gallipoli was a failed gamble; Iraq became a condition. And it is the risk of becoming a condition – open-ended, absorbing, resistant to tidy resolution – that should trouble policymakers more than the memory of any single historical blunder.

For there is something peculiarly modern in that transformation. Nineteenth-century wars could be mismanaged; early twentieth-century campaigns could be disastrously conceived; but late twentieth- and early twenty-first-century conflicts have a habit of enduring. They slip their temporal bounds. They resist conclusion. They persist in the form of insurgencies, proxy struggles, regional destabilisations, so-called “forever wars” – echoes rather than endings.

History, in this sense, does not repeat so much as it offers a set of recurring traps, each labelled in a different hand. The names change – Lone Pine and The Nek, Balaclava, Khe Sanh, Fallujah – but the pattern is recognisable: ambition outruns understanding; institutions struggle to keep pace with intention; time erodes clarity; and strategy discovers, too late, that the map was never the territory.

The past, obligingly, provides the metaphors. The present decides which of them it is willing to become.

Forever wars and the persistent Eastern Question

Ironically, the repercussions and ricochets of the Crimea and Gallipoli linger still in the “forever wars” of the Ottoman Succession that continue to be fought in the Levant. Though the “sick man of Europe” has long gone, so-called “Eastern Question” that he precipitated is with us still.  And the irony is not merely poetic, it is structural.

The Crimean War and Gallipoli were not just episodes in the long decline of the Ottoman Empire; they were moments in which the European powers tried, and failed, to manage that decline without resolving it. The Eastern Question – what to do with a weakening empire whose territories sat athwart trade routes, faiths, and ambitions – was never answered. It was deferred, patched, internationalised, moralised, and, when necessary, fought over. But never settled.

Crimea was, in essence, a war about containment without clarity. Britain and France fought not to destroy the Ottoman Empire, nor to reform it decisively, but to prevent Russia from exploiting its weakness. The result was a kind of geopolitical holding operation – costly, confused, and inconclusive. The patient survived, but the illness deepened. The war did not solve the Eastern Question; it ensured that it would return, more complicated than before.

Gallipoli, sixty years later, was almost the inverse: an attempt at decisive intervention that miscarried. Where Crimea sought to stabilise the system, Gallipoli tried to break it open – knock the Ottomans out of what became known as The Great War, reorder the strategic map, and force a resolution. It failed, and in failing, prolonged the life of the very problem it aimed to solve. When the Ottoman Empire did finally collapse in 1918, it did so not through elegant strategy but through cumulative exhaustion – and the settlement that followed (the infamous Sykes–Picot agreement, the Treaty of Lausanne that ended the Great War and shaped the modern Middle East, the mandates, improvised borders, and the legacies inherited by Israel and Palestine, by Syria and Lebanon, and by Iraq carried within it the seeds of future instability.

And here is the connective tissue to the present: the “forever wars” of the Levant are, in a very real sense, the afterlife of those unresolved choices.

The Ottoman system, for all its inequities, provided a kind of imperial coherence – a loose, often improvised order that managed diversity through hierarchy rather than uniformity. Its removal created a vacuum that external powers attempted to fill with lines on maps and imported state structures, often indifferent to local realities, including religious and ethnic divisions. The mandates were not solutions; they were transitional fictions that hardened into permanence. The Eastern Question did not end; it metastasised.

Thus the region becomes a palimpsest of earlier interventions:

  • The Crimean instinct persists in modern coalition warfare – external powers seeking to contain instability without fully committing to its resolution, managing symptoms rather than causes.
  • The Gallipoli impulse reappears in periodic attempts at decisive intervention – strikes, invasions, regime-change strategies – each promising to reset the board, each discovering the board is more complicated than imagined.
  • And over all this hangs the long shadow of Vietnam and Iraq: the recognition that once engaged, these conflicts do not conclude cleanly, but evolve into layered, persistent struggles involving states, militias, proxies, and narratives.

What we call “forever wars” are, in this sense, not aberrations but continuations – the modern form of an old, unanswered question. The Ottoman Empire is gone, but the strategic problem it embodied remains: a region where internal fractures intersect with external interests, where no single power can impose order, and where every intervention alters the conditions for the next.

There is a quiet, almost melancholic symmetry in this. Nineteenth-century statesmen spoke of the “Sick Man of Europe” as though the problem were a patient to be diagnosed and treated. But the illness was never confined to the patient; it was embedded in the system around him. Remove the patient, and the condition does not disappear – it redistributes itself.

So when modern observers reach for Gallipoli, or Crimea, or Vietnam, or Iraq, they are not merely searching for analogies of method. They are circling, perhaps without quite naming it, the persistence of a problem without closure.

The Eastern Question was never answered. It simply changed its language.

Challenging the analogies

You can’t really make sense of the analogies – Gallipoli, Crimea, Vietnam, Iraq – without restoring Iran itself to the centre of the frame. Otherwise the country becomes a backdrop, a stage upon which other powers replay their historical anxieties. But Iran is not the Ottoman Empire in decline, nor Iraq in 2003, nor Vietnam in 1965. It is an old state with a long memory of being acted upon – and that memory shapes how it acts now.

What changes, once you bring Iran back in, is the direction of the analogy. The earlier comparisons mostly describe how outside powers misjudge wars. Iran’s history reminds you how those same powers are often experienced from the inside – as intrusion, manipulation, or existential threat.

Iran enters the story not as an abstraction – “the enemy,” “the regime,” “the theatre” – but as a historical actor formed in the crucible of the very system the earlier analogies describe.

In the nineteenth and early twentieth centuries, Persia was itself entangled in a version of the Eastern Question, pressured by Russian and British imperial competition, its sovereignty compromised, its politics penetrated. The First World War and its aftermath did not dismantle Iran as they did the Ottoman Empire, but they confirmed its vulnerability to external design. The Second World War made that vulnerability explicit: Anglo-Soviet occupation in 1941, the removal of Reza Shah, and the installation of his son – an early demonstration that great powers could, when required, rearrange Iran’s internal order.

From there, the pattern sharpens. The 1953 coup against the democratically elected prime minister Mohammed Mossadegh – engineered by Britain and the United States – lodges itself in Iranian political consciousness as a defining moment: not simply a change of government, but a lesson about the limits of independence in a world of larger powers. The Shah’s subsequent rule, modernising yet authoritarian, Western-aligned yet domestically brittle, becomes the next act in this long drama of externally entangled sovereignty.

The Islamic Revolution of 1979 then reads, in part, as a rupture with that pattern- a violent reassertion of autonomy, clothed in religious language but grounded in political memory. “Neither East nor West” was not just a slogan; it was a rejection of the very dynamics that had shaped Iran’s modern history. Yet revolutions do not escape geography. The new regime inherits the same strategic environment, the same pressures, the same suspicions.

The Iran–Iraq War (1980–88) is crucial here. For eight years, Iran fights a brutal, attritional conflict against Saddam Hussein – largely isolated, facing external support flowing to its adversary. This is Iran’s Vietnam, one might say, but with a different lesson drawn: not the futility of war, but the necessity of endurance. The war entrenches a doctrine of asymmetry, resilience, and proxy capability – precisely the features that later confound American strategy in the region.

From that point on, the Islamic Republic is not simply surviving; it is adapting. It builds networks – Hezbollah, militias, regional alliances – not as ideological ornaments but as strategic depth. It becomes, in effect, a state that has internalised the lessons of the very wars others use as analogies. Where outside observers see Vietnam or Iraq looming, Iranian planners see something else: a long game in which time, patience, and indirection offset conventional inferiority.

To reinsert Iran into the narrative is to complicate every analogy. Gallipoli assumes an opponent who will react predictably to a decisive blow; Iran’s history suggests otherwise. Crimea assumes mismanagement on one side; Iran’s experience reminds us that what appears as dysfunction externally may be met by coherence internally. Vietnam and Iraq warn of quagmires; Iran has, in many respects, built its strategy around drawing others into them.

In that sense, the question is not only which past war America risks refighting, but which past experiences Iran believes it is reliving – or avenging. The 1953 coup, the isolation of the 1980s, the long memory of foreign interference: these are not background details, but active ingredients in the present.

And so our frame subtly shifts. It is no longer simply about the hazards of analogy, or the repetition of strategic error, but about the collision of historical memories. One side reaches for Gallipoli, Crimea, Vietnam, Iraq- warnings drawn from its own past misjudgments. The other carries a different archive: intervention, resistance, survival.

Between those two archives lies the present conflict – less a replay of any single war than a convergence of many, each side reading from a different script, each convinced, in its own way, that history has already shown it how this story goes.

Conclusion

To refight old wars in the mind is, at one level, an act of prudence. It reminds us that others have stood at similar thresholds, armed with confidence, intelligence, and good intentions – and have nonetheless misjudged the terrain, the enemy, or themselves. But there is a fine line between learning from history and being governed by it. Analogy can clarify; it can also constrain. It can sharpen perception, or it can trap us in inherited scripts, seeing Gallipoli where the problem is administrative, or diagnosing Vietnam when the flaw lies in the opening wager.

The deeper unease running through these comparisons is not simply that wars go wrong, but that they linger – that they slip their boundaries and become conditions rather than episodes. From the mismanaged campaigns of Crimea to the failed gambles of Gallipoli, from the disorientation of Vietnam to the long aftermath of Iraq, one sees not repetition but recurrence: ambition outrunning understanding, institutions straining to keep pace, time eroding clarity. And beneath it all, especially in the Levant, the longer echo of an older, unanswered question – how to order a region where external power and internal fracture are perpetually entangled.

History does not offer a single, authoritative mirror. It offers a cabinet of them, each slightly warped, each catching a different angle of the present. The task is not to choose one reflection and mistake it for reality, but to recognise the distortions for what they are – and to ask, with some humility, whether we are illuminating the path ahead or merely retracing, with greater eloquence, the steps that led others into the same uncertain ground.

The Western cabinet of mirrors – Gallipoli, Crimea, Vietnam, Iraq – captures recurring pathologies: the overconfident opening stroke, the misaligned machinery, the war that lingers beyond its logic. Yet these are, inescapably, insider narratives. They describe how campaigns look from the bridge, the штаб, the situation room. They are diagnoses of our own errors.

What the Iranian story, set against the longer afterlife of the Eastern Question, forces back into view is the perspective from the other shore. The Young Turks, confronting encroachment and dismemberment, did not experience Gallipoli as a misjudged Allied gamble; they experienced it as a defence of survival. Ho Chi Minh and the North Vietnamese did not inhabit “chaos without a compass”; they pursued a coherent, if costly, struggle against a foreign presence. Iraqi insurgents, and later ISIS in its own brutal and aberrant way, did not parse the war as a case study in post-conflict planning; they resisted, adapted, endured, and exploited.

They did not conduct war games about us. They fought.

Iran belongs in that lineage – not as an analogue, but as an heir to a particular historical consciousness: one shaped by intervention, by imposed settlements, by long wars of attrition, and by the conviction that time can be turned into a weapon. From that vantage, what appears to Western observers as drift or dysfunction may look like opportunity; what is feared as quagmire may be cultivated as strategy.

And so the question shifts. It is no longer simply which past war America risks refighting, but whether the very act of choosing among Gallipoli, Crimea, Vietnam, and Iraq obscures the more important reality: that the other side is not reading from the same book – or as many commentators are reminding us today, “the enemy has a vote”. One side searches its history for warnings about overreach; the other draws from its own past a repertoire of resistance.

History, then, does not just offer competing analogies. It offers competing memories. And where those memories diverge – where one side analyses and the other endures – there lies the most persistent danger: not that we will repeat the past, but that we will misunderstand the present, even as we describe it with perfect historical fluency.

In That Howling Infinite, May 2026

Read more about history  in In That Howling Infinite in Foggy Ruins of Time.

On World War I, see Ottoman Redux – an alternative, The fall of the Ottoman Empire and the birth of Türkiye and November 1918 – the counterfeit peace. On the Balfour Declaration and its repercussions, see The hand that signed the paper. On Vietnam, see The Ballad of Denton Crocker – a Vietnam elegy, Tim Page’s War – a photographer’s Vietnam journey, and Shadows in search of a name … requiem for a war. On the US-Iran war, see Chaos in without a compass … Donald Trump’s Persian “excursion”

Whitewashing slavery’s deep and dark history

Forward. The Gravest Crime – and selective conscience

On March 25, the UN General Assembly declared the transatlantic slave trade the “gravest crime against humanity.” 123 countries voted in favour, three against, and 52 abstained – including the UK, all 27 EU member states and Australia.

The moral core is unobjectionable. The slave trade was monstrous, its consequences did not end with abolition, and saying so plainly is not theatre  –  it is history. But UN resolutions are not history lectures. They are political instruments.

This one was carefully engineered. Its most controversial element was the recognition of slavery as a violation of jus cogens  – peremptory norms of international law binding on all states. Not a historical observation, but a legal foundation for future liability claims. The EU noted the resolution’s “unbalanced interpretation of historical events” and legal references inconsistent with international law, including retroactive application of rules that simply did not exist at the time.

The 123 who voted yes include states with active, present-tense records of forced labour and ethnic persecution. Their zeal for condemning 18th-century European slave traders carries a faint whiff of convenience. And the Western abstentions were the diplomatic equivalent of leaving before the bill arrives – not endorsement, but not courage either.

Slavery was real. The suffering was immense. But a resolution shaped by reparations politics and the arithmetic of bloc voting is not the act of collective moral reckoning it claims to be. It is politics, dressed, as so much UN business is, in the language of justice.​​​​​​​​​​​​​​​​

Whitewashing slavery’s deep and dark history

Slavery sits in the human story like a dark, deep river that refuses to keep to its banks. It runs from the Assyrian deportations and Roman estates, mines and galleys, through the markets of old Baghdad and the longships on the rivers of Keven Rus, down into the Atlantic crossings from Africa to the Americas and thence to Europe. and out again into the contract-labour regimes and hidden rooms of the present. Names change – thrall, concubine, slave, servant, “sponsored worker” – but the underlying grammar is stubborn: power converting vulnerability into utility, often with a theory to justify it and a market to sustain it.

Into this long, uneasy history steps the modern urge to judge it – to apportion blame, to rank crimes, to extract from the past a usable morality for the present. The UN resolution is one such attempt: part commemoration, part indictment, part politics by other means. A counter-brief insists that this particular ledger has been selectively drawn, that some entries are inked in heavily while others are left in the margin or omitted altogether. Between them lies not a settled account but a contested one, in which the Atlantic system with its Islamic trades, and African agency, “King Cotton” and John Brown, and modern forms of coercion all jostle for place and proportion.

The following essay does not endeavour to tidy that argument into a single verdict. It widens the frame without dissolving the particulars; to hold in view both the universality of slavery and the distinctiveness of its forms; to recognise the rarity of abolition without mistaking it for completion. History, in this register, is less a courtroom than a map – dense, overlapping, and resistant to clean lines.

The deep and dark river 

That UN resolution formally condemned slavery as a universal crime – indeed, the “gravest crime”. But, in practice it narrows its indictment to the transatlantic trade of the seventeenth and eighteenth centuries, presenting it as a distinctively Western, racialised, and capitalist enterprise.

It is precise, almost prosecutorial, assigning blame, embedding the trade in a narrative of structural injustice that echoes into the present. Yet it grows evasive when confronting the forces that ended slavery: the Enlightenment, abolitionist movements, legal reforms – reduced to a kind of historical afterthought.

More significantly, as economist and commentator Henry Ergas argues in an article in The Australian, republished below, the resolution omits the long and substantial history of slavery in the Islamic world – trans-Saharan, Red Sea, Indian Ocean – systems that endured for centuries, moved millions, and in many places persisted well into the modern era. Unlike in the West, he contends, there was no sustained, institutionalised moral revolt against slavery at scale; abolition came late, often under external pressure, and in some cases remains incomplete in practice.

He pushes further. By declaring the slave trade “the greatest” crime against humanity, the resolution risks collapsing distinctions – most notably between exploitation and extermination – thereby, in his reading, relativising the Holocaust. And finally, he notes the political choreography: strong support from authoritarian states and those with troubling contemporary records, contrasted with the hesitant abstention of many Western democracies.

That is his case – straightforward, and cleanly drawn –  perhaps a little too cleanly. Because once we widen the frame, the lines begin to blur in ways that resist both the UN’s moral staging and Ergas’s counter-brief.

Slavery is not an aberration of one civilisation but a near-constant of many; and it spans millenia. The Assyrians and Persians deported whole populations as instruments of empire. Sennacherib and other potentates would empty a conquered land of its indigenous peoples and replace them with deportees from another conquest. The Romans built an economy on servile labour whilst the Byzantines continued the practice. Muslim caliphates and emirates, including the Abbasids and Ayyubids, Mamluks and Ottomans, sustained vast networks of concubinage and domestic and military slavery.

The Vikings – often reduced in popular memory to picturesque if violent raiders – operated something closer to a transcontinental syndicate. The river systems of the Rus, threading south through the Volga and Dnieper, connected the Baltic to the Black Sea and Baghdad. Silver flowed north; human beings flowed south. This was not episodic plunder but a business model – structured, repeatable, and profitable. And conducted across astonishing distances. Baghdad and York sat at the far ends of a human supply chain. [The illustration at the head of this article is that of a young Slavic woman being sold into slavery by Vikings to a Persian merchant (Image: Tom Lovell / National Geographic)]

So, in short. Salvery has existed in some form in almost every known civilisation. In the ancient world, captives were routinely taken, bought, sold, and traded. Greek city-states enslaved defeated populations; Rome built much of its economy on slave labour; raiding societies from the Eurasian steppe to the Atlantic world, and across the ocean, among the First Nations people of the Americas, treated slavery as part of warfare and survival. For most of human history, slavery was seen less as a moral evil than as an accepted social institution, however tragic it might be for those caught within it.

It is necessary therefore to resist any account that isolates the Atlantic trade as if it emerged sui generis from European wickedness. The Islamic world sustained large-scale slave systems over a long durée; and African polities were not merely passive victims but active participants in capture and sale; Arab traders were integral intermediaries. The Atlantic system, or “the Middle Passage” and “Triangular Trade” as it was euphemistically described, depended in its operation on a web of local agency as well as European demand. To acknowledge that is not to dilute culpability but to complicate it – uncomfortably, but necessarily.

And yet – here the counterweight – the Atlantic system was not merely one more iteration of an ancient practice. In the Americas – north and south –  fused race, heredity, and commerce into something peculiarly rigid and self-reproducing. Slavery became not just a condition but a caste, encoded in law and biology, and scaled through plantation economies that fed a global market. Cotton, sugar, coffee and tobacco were not marginal commodities but engines of early modern capitalism. The system’s brutality was not incidental; it was structural.

It is here that the North American story assumes its central, paradoxical role. Chattel slavery became both foundational and explosive – so deeply embedded in the economy that its removal threatened the entire edifice, and yet so morally corrosive that it generated its own opposition. The American Civil War was among many things, the moment when that contradiction could no longer be managed rhetorically or regionally; it was settled, instead, in blood. Abolition here was not simply argued into being; it was fought into being.

Slavery was America’s original sin, and its malign influence ricochets still through its politics and society. [See American historian Sarah Churchwell’s.chilling account of darkest Dixie in In That Howling Infinite’s The Wrath to Come. Gone With the Wind and America’s Big Lie]

Which brings us to what may be the most historically unusual feature in all of this: not slavery itself, but the sustained movement to abolish it. The West generated, from the 17th century onward, a mounting moral and political challenge to slaver, in legal cases, religious agitation, popular campaigns – that eventually dismantled it – significant help from the Royal Navy. Comparable, system-wide movements were less evident in the Islamic world, where dissent existed but did not crystallise into mass abolitionism with similar force or effect.

The distinction matters. Saying it did not happen is a statement of fact; suggesting it could not have happened, or that its absence reflects some deeper civilisational failing, goes beyond the evidence. The divergence likely owes as much to political economy, state structure, and the contingencies of modernity as to theology alone. Which is where English historian and The Rest is History podcaster Tom Holland’s excellent doorstop of a book Dominion hovers, suggestively, over the argument [See In That Howling Infinite’s Getting back to the garden – Tom Holland’s Dominion 

Holland’s claim – broadly put – is that the moral vocabulary underpinning abolition in the West owes much to a Christian inheritance: the elevation of the weak, the insistence on the equal worth of souls, the suspicion of unrestrained power. Even as the Enlightenment secularises these ideas, it carries their imprint. One need not follow him into every chapel of that argument to see the outline: abolition is historically anomalous, and anomalies tend to have genealogies. The West did not simply stumble into anti-slavery; it argued its way there, drawing on intellectual and moral resources that had been accumulating, often ambivalently, for centuries.

One must exercise caution here. Moral discomfort with slavery existed elsewhere and earlier, even if it did not produce mass abolitionist movements in the same way as in the West. Nor does the existence of Western abolition somehow erase the brutality or scale of European colonial slavery, particularly the Atlantic slave trade and plantation economies. The West occupies both roles in history: architect of the largest racialised slave system in modern history, and birthplace of the most influential abolitionist movements against it.

History is often untidy like that.

Old poison, new bottles

The story end in the 19th century however much resolutions might prefer it to. The Gulf states remind us that abolition in law does not always mean abolition in practice. The kafala system – sponsorship, contract labour – operates in a grey zone where dependence can harden into coercion. Passports withheld, mobility constrained, recourse limited: not chattel slavery, but an echo, or perhaps a mutation. History rarely repeats itself verbatim; it adapts, keeping the structure while altering the terminology.

And then there are the moments when the past returns not as echo but as revival. ISIS, with its enslavement of Yazidi women, did not merely exploit chaos; it articulated a doctrine. Slavery, and most particularly, sexual slavery, was justified, systematised, and bureaucratised with price lists, allocations, and rules, and even, trans-national trafficking: one captive ended up in Gaza where she was eventually rescued from a war zone. It was, in the grimmest sense, a reactivation of an old logic under modern conditions. Old poison in new bottles. If abolition was an anomaly, here was the reminder that anomalies can be reversed.

Governments and citizens of ostensibly westernized states should look to their self-awarded laurels. We should be wary of treating coercion as something that happens “over there.” The exploitation of domestic workers – underpaid, over- controlled , sometimes effectively trapped – appears not only in the Gulf but in Lebanon, Israel, and also parts of Western Europe and North America, where immigration status and private households create shadows the law struggles to reach. And closer still, in our own economies, sweatshop labour, debt bondagea and various forms of servitude persist at the margins, along with physical violence and sexual exploitation – which is precisely why regulation, inspection, and enforcement remain not moral luxuries but necessities.

Against this broader canvas, the UN resolution begins to look less like a statement of history than a negotiation, negation, even – of memory. Its selectivity – foregrounding Western guilt, backgrounding Western abolition, omitting other systems – is not unusual in such documents; it is, in some sense, as we have often seen, their defining feature. They are less concerned with completeness than with consensus, less with analysis than with alignment. Countries with difficult presents often find it convenient to condemn curated pasts.

Ergas is justified in objecting to that selectivity. Where he overreaches is in answering it with a counter-selectivity of his own – one that risks understating the distinctiveness of the Atlantic system and overstating the clarity of civilisational contrasts. History, inconveniently, refuses to stay within either brief.

On the question of the Holocaust, however, his warning lands. To rank atrocities – to declare one “the greatest” – is to turn history into a macabre competition. More importantly, it obscures differences of intent. Most slave systems, however brutal, were premised on exploitation; the Holocaust was premised on annihilation. That distinction is not a matter of moral bookkeeping but of historical substance.

And so we arrive, circuitously, at a position that satisfies no one entirely – which is probably how one knows it is closer to the truth.

Slavery is not the property of any one civilisation; it is a recurrent human institution, appearing wherever power, profit, and permission align. The Atlantic trade is distinctive but not unique; Islamic and African systems are substantial but not singular; modern forms persist under altered names and legal veneers. What is genuinely unusual is the emergence of sustained, organised movements that declare slavery illegitimate and succeed – partially, unevenly – in abolishing it.

Between the UN’s moral narrowing and Ergas’s corrective widening lies a more uncomfortable landscape: one in which culpability is diffuse, agency is shared, and progress, where it occur, is contingent, fragile, and slow. The past does not arrange itself into neat indictments or tidy vindications. It lingers, instead, as habit and warning.

And, if one is honest, as a question still not fully answered.

On the Holocaust comparison, Ergas is on firmer ground. Collapsing all historical crimes into a single ranked category – the greatest” – is less analysis than moral theatre. The distinction between exploitation and extermination is not pedantic; it goes to intent. The Nazi project was annihilatory in a way most slave systems, however cruel, were not. History flattens at our peril.

And then there is the politics of the thing. UN resolutions are not monographs; they are negotiated texts, shaped by blocs, interests, and the quiet arithmetic of votes. Selectivity is almost baked in – as is prejudice. Countries with uncomfortable presents often find safety in condemning selective pasts. Western abstentions, too, are rarely acts of intellectual surrender; more often they are the diplomacy of not quite wanting to pick a fight that cannot be cleanly won.

Unfinished business 

So we end where we began, with a familiar tension. Yes, slavery is a near-universal inheritance, and any telling that singles out one civilisation to the exclusion of others is suspect. But neither does the universality of the crime dissolve its particular forms. The Atlantic system, the Islamic trades, ancient chattel systems – they rhyme, but they are not identical verses.

And there remains a broader, less comfortable truth: the story of slavery is not a morality play with a single villain, but a long human habit, periodically challenged, never entirely extinguished, and always ready, given the right circumstances and excuses, to return.

History, in other words, refuses both the courtroom brief and the absolution. It is messier than Ergas allows, but also less conveniently moralised than the resolution he criticises.

It leaves us not ranking guilt, but paying closer attention. The Atlantic system was distinctive; the Islamic and other trades were vast and enduring; African rulers and Arab merchants were participants as well as intermediaries; the West generated powerful abolitionist movements even as it profited from what it eventually condemned. None of these claims cancels the others. Together they form a picture that is, at once, more accurate and less flattering than any single narrative allows.

And the present refuses to sit quietly beneath the verdicts we pass on the past. The exploitation of domestic workers in the Gulf, Lebanon, Israel, and parts of Western Europe; the persistence of sweatshop labour, debt bondage, and coerced work within Western economies themselves – these are not historical footnotes but contemporary reminders. Laws and conventions matter, but so do inspection, enforcement, and the unglamorous work of closing the gap between principle and practice.

Which is why the most suspect posture, at the end of such an inquiry, is self-congratulation. There is no stable ground here for laurel wreaths, no civilisational vantage point from which to survey a completed moral victory. At best there is a difference in degree – of scrutiny, of institutional capacity, of willingness to act. And even that requires constant renewal.

Slavery, in its older forms, has been dismantled in many places; in its newer guises, it adapts. The question is less who was worst than who is still looking, and still prepared to do something about what they find.

Postscript: Etymology

The history lingers, as it often does, in the words. They carry within themselves their own freight.

“Slave” in English carries within it a map of early medieval Europe. The term is widely traced to the Latin sclavus, itself derived from Sclavus – “Slav” – a reflection of the large numbers of Slavic peoples captured and sold through the trading networks that ran from the Baltic down the great river systems to Byzantium and the Islamic world. What began as an ethnonym hardened into a condition. By the High Middle Ages the word had shed its geographic specificity and settled into general use- esclave, schiavo, esclavo, slave – the person eclipsed by the status, the origin story buried in the syllable. The modern word is not, in itself, a slur; but its lineage is a reminder of how readily a name can be stripped of personhood and repurposed as a category of subjection.

Arabic offers a parallel, though not an identical one. The root ʿabd (عبد) denotes a servant or slave, but in its primary register it is theological: ʿabd Allāh, servant of God – a posture of submission before the divine rather than a description of worldly bondage. Yet the plural ʿabīd (عبيد) – once a straightforward term for slaves – acquired, over time and in certain contexts, a sharper edge, used for Black slaves and, by extension, Black people more generally. In modern usage it can carry derogatory force, depending on context and intent, illustrating how a neutral descriptor can drift into insult as it absorbs the hierarchies of the societies that use it.

In both cases, language records a quiet transformation. A people becomes a condition; a condition gathers associations; those associations harden into overtones that may wound long after their origins are forgotten. The vocabulary survives the systems that shaped it, carrying their traces forward – compressed, half-visible, but still there for those inclined to listen.

Afterword: Thraldom, it’s unwinding and its afterlives

A final turn of the lens, back to northern Europe, where the language and the practice briefly align – and then, tellingly, reappear in altered guises.

In Anglo-Saxon England, þræl – thrall – named a condition within a broader spectrum of unfreedom. These were the captured, the indebted, the born into it: men and women who laboured in households and on estates, who could be bought and sold, though not yet within the fully racialised, hereditary system that would later define Atlantic chattel slavery. The boundaries were hard but not always impermeable. Manumission occurred; over generations, absorption was possible. It was a system of subjection, but not yet a totalising one.

The British port of Bristol stands as a reminder of how visible and organised that system could be. It became wealthy with the transatlantic slave trade. But in the 11th century it also functioned as a significant slaving port, exporting captives – often from Wales and the Welsh borderlands – into Irish and wider networks. This was not an anomaly but a node in a broader medieval traffic in human beings, linking the British Isles to circuits that extended, directly and indirectly, toward the Mediterranean and beyond.

Nor was England unique. Across medieval Europe, slavery persisted in varied forms: Italian city-states drew on Black Sea supplies; Iberian polities, both Muslim and Christian, trafficked in captives amid the long wars of the Reconquista; eastern Europe fed human cargo into Byzantine and Islamic markets. The word “slave” itself, with its Slavic root, is a linguistic fossil of that traffic (see below)..

And yet, in England at least, something shifted – and the Norman Conquest appears to have hastened it. On the eve of 1066, Domesday would soon record servi in significant numbers, perhaps around a tenth of the population. By the 12th century, however, chattel slavery had largely withered. The causes were less a single decree than a convergence. The Norman regime imported a more continental feudal logic, in which labour was bound to land rather than owned outright; a villein, fixed, dues-paying, and reproductively stable, was often more useful than a saleable slave. The Church, already critical of slave trading – Wulfstan of Worcester’s condemnation of the Bristol trade is emblematic. – found firmer footing in the new order, aligning moral pressure with institutional power. Trade patterns shifted too, as England’s orientation tilted across the Channel, loosening older Irish Sea networks that had sustained export markets.

None of this amounted to abolition in the modern sense. What replaced slavery was serfdom: a different architecture of dependence, less overtly transactional but hardly free. The change was real, but it was also a translation—from one form of unfreedom into another, quieter one.

And, as if to underline the point, elements of the older logic resurfaced later under new names. In the 17th and 18th centuries, Britain exported large numbers of indentured labourers – many English, but also Scots and Irish, including prisoners of war and political rebels after uprisings – to the American colonies and the Caribbean. Bound by contract rather than owned outright, they nonetheless occupied a coercive world of limited rights, harsh discipline, and restricted movement. The loss of the American colonies in 1783 did not end this habit of displacement; it redirected it. Transportation – of convicts and dissidents – to Australia became the next imperial outlet for managing surplus and troublesome populations, a system different in law but recognisably akin in its logic of removal and compelled labour [see in In That Howling InfiniteFarewell to Old England forever … reappraising The Fatal Shore 

Meanwhile, further east, a different trajectory prevailed. In eastern Europe and Russia, serfdom did not wither but intensified. From the late medieval period into the early modern era, landlords consolidated control over peasant populations, binding them ever more tightly to the land and to service. In Russia, this culminated in a system that, by the 18th century, bore striking resemblances to slavery in practice, if not always in name – serfs bought, sold, and mortgaged along with estates, their mobility sharply curtailed, their obligations exacting. Emancipation would come late: 1861 in Russia, and even then imperfectly, leaving behind structures of dependency that proved stubbornly durable.

Which is, perhaps, the thread worth keeping in hand. Systems of coercion rarely disappear cleanly; they evolve, recur and rephrase. From thrall to serf, from market to manor, from indenture to transportation, from eastern estate to western plantation. The names change; the grammar does not. Waiting, as ever, for the conditions that allow it to harden once again. waiting, as ever, for the conditions that allow it to harden once again.

In that Howling Infinite, May Day 2026

This essay was written in conversation with an AI language model, which contributed to researching, drafting, phrasing, and conceptual articulation. What appears here is not unmediated thought, but considered thought: directed and selected, revised and revised again, and owned.

See also in In That Howling InfiniteA Political World – Thoughts and Themes, and A Middle East Miscellany


Coda

When this essay was published on Facebook, it elicited several comments that amounted to a polemical defense of the West that began with a legitimate historical observation – slavery was historically near-universal and abolitionism emerged most powerfully from Enlightenment Europe – but then overextended  the claim into a triumphalist narrative about Western moral uniqueness and non-Western incapacity for self-criticism. Its tone is combative, culturally chauvinistic, and marked by sweeping generalisations about “the Third World,” Islamic societies, Arabs, and Asian civilisations.

Intellectually, they mixed valid historical points with selective history, rhetorical exaggeration, and resentment politics. They treated “the West” as unusually self-critical and morally generative, while caricaturing other societies as conformist or authoritarian. The result is less a sober historical analysis than a reaction against contemporary anti-Western discourse, expressed through broad-brush civilisational language.

A more balanced critique might read as follows:

Slavery has existed in some form in almost every known civilisation. In the ancient world, captives were routinely taken, bought, sold, and traded. Greek city-states enslaved defeated populations; Rome built much of its economy on slave labour; raiding societies from the Eurasian steppe to the Atlantic world treated slavery as part of warfare and survival. For most of human history, slavery was seen less as a moral evil than as an accepted social institution, however tragic it might be for those caught within it.

One of the major intellectual shifts of the Enlightenment era was the emergence, particularly in Western Europe and North America, of the idea that slavery itself was morally illegitimate. Philosophical ideas about natural rights, combined with religious and humanitarian movements, helped give rise to organised abolitionism. Britain, France, and the United States were deeply implicated in the Atlantic slave trade, yet they also produced influential movements that eventually challenged and dismantled it. Modern international norms against slavery owe much to these developments.

At the same time, slavery was not uniquely Western, nor was opposition to injustice confined solely to the West. Different forms of servitude and human bondage existed across Africa, the Middle East, Asia, and the Americas, and criticism of oppression has emerged within many cultures and traditions. The historical record is complex: societies can simultaneously perpetrate injustice and generate the ideas that challenge it.

Contemporary debates about slavery and colonialism sometimes oversimplify history by treating Europe and the West as uniquely culpable, while overlooking the broader global history of slavery. But responding to that simplification with sweeping condemnations of non-Western societies is equally reductive. A more useful approach is to recognise both the universality of slavery in human history and the particular historical significance of the abolitionist movements that emerged during the Enlightenment and after.

UN resolution on slavery falsifies history by ignoring Islamic world’s role

Henry Ergas, The Australian, 1 May 2026

The UN resolution on slavery has sparked debate over historical interpretation. Picture: Getty Images

The UN resolution sparks debate over historical interpretation: Getty Images

Henry Ergas, The Australian, 1 May 2026

That the African slave trade was a monstrosity, inflicting unspeakable cruelty on millions of innocent victims, is beyond dispute. But the resolution the UN General Assembly passed two weeks ago, marking the trade’s commemoration, is nothing less than an appalling falsification of history.

Formally, the resolution condemns the African slave trade as a whole. Substantively, every concrete reference targets the transatlantic trade, fixating on a “racialised capitalist system” and its purported Western antecedents. The cumulative effect is unmistakeable: to brand the trade a distinctively Western crime. To sustain that impression, the resolution parades a sequence of decrees, starting with the papal bulls of 1452 and 1455, which it casts as the founding charters of the enslavement and “structural racism” that still unjustly impoverishes Africa, thereby grounding a claim to substantial reparations.

Yet, having been forensically specific about blame, the text turns conspicuously evasive when it confronts the forces that brought the Atlantic trade to an end. The Enlightenment, the abolitionist movements, and the Western legal and political campaigns that culminated in the trade’s eventual demise are, it appears, unmentionable.

While the offending decrees are named, dated and indicted, the tide of opposition to slavery, which gathered momentum in the 17th century, is dismissed as “certain legal challenges and judicial developments in the 18th century” that “questioned the legality and morality of chattel enslavement”.

That descent into vagueness reflects a deliberate strategy: to particularise the guilt while diluting the credit. Merely cataloguing the misrepresentations, confusions and factual errors this strategy produces would require far more space than is available here. What is especially striking, however, are the omissions.

It is, for example, intellectually dishonest to invoke the papal bulls of 1452 and 1455 while ignoring Pope Paul III’s bull of 1537, which denounced as an invention of the devil the idea that native peoples “should be treated as dumb brutes created for our service”, and affirmed “that they may and should, freely and legitimately, enjoy their liberty”.

Paul III’s exhortations had limited immediate effect; so too did Cartwright’s Case (1569), which declared that England’s air was “too pure for slaves to dwell in”. What matters is what they reveal: an unceasing moral interrogation of slavery within the West itself – an interrogation that gave abolitionism the bedrock on which to build.

Here, too, the resolution’s selectivity is purposeful. It allows it to avoid an obvious and crucial comparator: the long history of slavery under Islamic rule, which it ignores altogether. From the Arab conquests to the early 20th century, some 14 million black slaves were transported into the lands of Islam via the trans-Saharan, Red Sea and Indian Ocean routes, with nearly a million more carried beyond the East African coast. Add to these more than a million white slaves, and the total comfortably exceeds the 10 million to 12 million who landed in the Americas.

Yet the numbers are not what is most significant. The salient fact is the absence of any sustained doctrinal or institutional challenge to the morality and legality of the slave trade within the Islamic world – even where it starkly contradicted the Koranic prohibition on enslaving Muslims. As Bruce Hall shows in his study of Saharan and Sahelian slavery, by the 19th century – when the West was vigorously suppressing chattel slavery – the operative presumption among Maliki jurists was that black Africans, routinely described as “savages”, were enslavable by default, whatever their faith.

There were individuals who objected strenuously to chattel slavery, such as Syrian reformer Abd al-Rahman al-Kawakibi (1855-1902); but no Muslim opponent of slavery ever forged those concerns into a mass movement. Bernard Lewis’s verdict that “even the most radical Muslim modernists” fell well short of matching the fervour and effectiveness of Western abolitionists retains all its force.

It is therefore unsurprising that Islam’s leading theologians, far from championing abolition, actively resisted it – beginning with the infamous 1855 fatwa, issued with the full authority of Mecca’s Shaykh Jamal, which declared any prohibition of the slave trade “contrary to the holy law of Islam” and any official who attempted to enforce it “lawful to kill”.

Nor is it surprising that Saudi Arabia and Yemen abolished slavery only in 1962, the United Arab Emirates in 1964, Oman in 1970, and Mauritania – after repeated ineffectual measures – in 2007. Moreover, even where slavery was formally abolished, forms of vassalage have remained firmly in place: of the 10 countries with the highest incidence of “modern slavery”, eight are majority-Muslim.

But the resolution does not merely distort history by pretending Islamic slavery didn’t exist. It declares the slave trade “the greatest” crime against humanity ever committed. Although not explicitly stated, a central purpose of this travesty – which converts the horrors of the past into a “suffering Olympics” – is again transparent: to relativise the Holocaust.

It is frankly obscene to degrade moral evaluation into a body count, with medals of ignominy awarded by a show of hands. Yet even in so repulsive a spectacle, realities should have been allowed to intrude. Those realities are well known. Death rates in the Holocaust – whose unrelenting aim was the complete extermination of Jews – were close to or above 90 per cent. So complete was the indifference to fatalities that the German railways were paid whether the Jews being shipped by them lived or died during their transport – and the few who survived the journeys were killed, on average, within days of arrival.

In contrast, as investor Thomas Starke wrote to Captain James Westmore in 1700, “the whole benefit of the voyage lyes in your care of preserving negroes’ lives”. As a result, strenuous efforts were made to ensure slaves remained alive and saleable, including by granting handsome bonuses to captains for high survival rates and imposing stiff penalties for excess mortality.

Although those efforts hardly eliminated the trade’s horrors, they did mean that by the late 18th century, death rates for black slaves on the “middle passage” had declined dramatically, to the point where they were only marginally greater than those for crews. To pretend otherwise is to erase the distinction between exploitation and extermination: for there was nothing in the slave trade even remotely comparable to the systematic mass murder at the heart of the Holocaust.

But to acknowledge those facts – which flatly contradict the assault on the standing of the Holocaust – might have eroded the overwhelming support the resolution secured. And the composition of that support says everything one needs to know about the resolution.

Thus, every one of the 20 countries that have the highest incidence of modern slavery and forced labour cynically voted in its favour; so did all the authoritarian states that participated in the vote, with the exception of Kazakhstan and Kyrgyzstan; and, again with the exception of Kazakhstan and Kyrgyzstan, it received the active backing of every Muslim-majority country.

Yet that is not the real tragedy. Rather, it is that only three Western countries – the US, Israel and Argentina – had the decency to vote against the falsification of history, instead of abstaining, as Australia and the European Union did. Those three were willing to oppose this charade. Why weren’t we?

 

Dire straits. The bottleneck that behaves like a universe

Oil tankers, container ships and bulk carriers shimmer all over the horizon to the left of the windswept beach here at the entrance to the Strait of Hormuz. They have been bottled up in the Persian Gulf ever since the US and Israel launched the war on Iran more than a month ago.  To the right, with the Iranian coast only 65km away, the dark-blue sea is completely empty. Only a handful of vessels a day manage to cross the Strait of Hormuz, down from well over a hundred ­before the war. They take a circuitous route through Iranian territorial waters, often paying the Iranian regime a hefty toll.

Tehran’s ability to control this international waterway, through which one-fifth of the worldwide oil supply used to pass, has become Iran’s biggest leverage against the US, its Gulf neighbours and the global economy. Whether the war ends in a success or defeat for Iran depends first and foremost on whether Tehran emerges from this conflict still holding the strait – and, with it, the keys to the worldwide energy markets.

Yaroslav Trofimov, Wall Street Journal, 3 Aptil 2026

What follows is a piece for history tragics – and for all who, metaphorically or intellectually, nostalgically or romantically, still yearn to “go down to the sea in ships and do business in deep waters”. For those who hear, beneath the churn of headlines and hot takes, the older music: the creak of hulls, the logic of tides, the long memory of trade and war written across the surface of the world.

Because when the Strait tightens, when Hormuz flickers from map detail to global anxiety, there is a reflex, almost tidal in itself, to reach backwards. To steady the present with the ballast of the past. The antique mariners Francis Drake and Walter Raleigh, the classical strategists Alfred Mahan and Halford Mackinder, the catechisms of geopolitics and sea power half-remembered, half-invoked. The old grammar returns: command the sea, command the world.

And yet, while the past is summoned, it does not settle easily over the present. It frays at the edges. It argues back.

Some voices insist on restoring the full weight of history – reminding us that the Persian Gulf was not merely sailed but administered: the Royal Navy’s long vigil, the latticework of protectorates, Aden and Suez as imperial hinges. Sea power, in this telling, was never abstract; it was local, granular, enforced in specific places against specific resistances. Empire did not “command” the sea so much as continuously work it.

Others, just as insistent, suggest the sea’s primacy has already ebbed. Pipelines, railways, overland corridors – the new Silk Roads – quietly subvert the tyranny of chokepoints. Hormuz matters, yes, but not as it once did. The map has thickened; the old determinisms loosen.

And threading through it all – more unsettling than either nostalgia or revision – is a harder recognition: that the balance has tilted. That it is now easier to disrupt the sea than to command it. That a few well-placed risks – mines, missiles, drones, or even the rumour of these can achieve what fleets once guaranteed.

Which is precisely why this moment—and this place—invites a longer gaze. For Hormuz is not merely a crisis point. It is a lens. A narrow passage through which history, strategy, and imagination are forced to pass in close quarters, revealing not just what we think we know about the sea – but how much of that knowledge still holds when the waters grow tight.

And so we follow the thread.

A choke point and a global hinge

The essay, republished below, by English historian and author Peter Francopan turns on an old, almost Elizabethan intuition – Walter Raleigh’s dictum that “whoever commands the sea commands the trade… and so the world” – and asks whether it still holds in the age of drones, pipelines, and petro-politics. The Strait of Hormuz, that narrow, anxious funnel through which a fifth of the world’s oil must pass, becomes his stage: not merely a geographic chokepoint, but a historical echo chamber where empires, from the Portuguese to the British to the Americans, have tested the proposition that control of the sea is control of destiny.

The core argument is deceptively simple. However much globalisation has diversified supply chains, the world remains perilously dependent on a handful of maritime arteries. Hormuz is the most critical of them. Iran, by geography alone, sits with its hand on the tap.

What follows is a kind of strategic paradox. The United States possesses overwhelming naval superiority, yet cannot easily guarantee safe passage. Iran, comparatively weak in conventional terms, can still disrupt—through mines, missiles, drones, and plausible threat alone—the flow of global energy. Control, in other words, has become asymmetrical: it is easier to deny the sea than to command it.

Frankopan folds this into a wider historical arc. Sea power has long structured global order – from the Iberian empires to Pax Britannica to the American century—but it has never been absolute. It is contingent, fragile, and dependent on political will as much as on fleets. The current crisis exposes that fragility. The cost of keeping Hormuz open – economically, militarily, psychologically – may exceed what even a superpower is willing to bear indefinitely.

Layered atop this is his reading of Trump’s confrontation with Iran: a clash driven as much by misapprehension and political impulse as by coherent strategy. The implication (never quite stated, but hovering like heat haze) is that great powers still stumble into old traps—overestimating control, underestimating local resolve.

Obstacle Course. Credit: New York Times

Command of the sea, or command of risk?

If Frankopan writes like the historian he is, the comments read like a dockside argument, a fractured chorus of rum, empire, drones, and Trump all sloshing together.

Several bridle at Francopan’s selectivity. Where, they ask, is the Royal Navy in the Gulf? The British protectorates? Aden? The Portuguese seizure of Hormuz in 1515? There is something almost touching here: a yearning to reinsert imperial continuity into a narrative that feels too compressed, too presentist. History, they insist, is longer – and perhaps more reassuring – than Frankopan allows.

Yet beneath the pedantry lies a point: chokepoints are never just geography; they are administered spaces, historically managed through bases, treaties, and coercion. Hormuz did not simply “matter”—it was made to matter, policed into significance.

A sharper critique comes from those who accuse Frankopan of naval determinism, of succumbing to Mackinder in sea going form. Where, they ask, are the pipelines, the highways of the modern Silk Road? If oil can flow overland, if energy can be rerouted, then the tyranny of chokepoints diminishes. The vulnerability of Hormuz is not just a military problem but a failure of diversification. If the Strait can be “closed,” it is because the world has allowed it to remain indispensable. Overland infrastructure does exist, but not at sufficient scale, nor with sufficient redundancy, to replace maritime flow quickly. The sea remains cheaper, denser, stubbornly dominant. Mackinder haunts the room after all.

Then there is the Trump versus Iran morality play. And here, the thread fractures into familiar ideological lines. One camp sees Trump as reckless, blundering into war without strategy; another as a hard realist confronting an implacable regime. But more interesting than the partisan positions is the shared assumption beneath them: that the conflict must be read through the personality of a single leader. Structural forces – energy dependency, regional rivalries, the logic of deterrence – fade into the background. The theatre of personality displaces the machinery of geopolitics.

Meanwhile, a darker undercurrent runs through several comments: casual talk of forcing the Strait, toppling regimes, even nuclear options. The language slips, almost unconsciously, from analysis into annihilation. One is reminded how easily strategic abstraction can become moral amnesia.

What the article and its commentariat together reveal is not a consensus but a tension – between old frameworks and new realities.

Francopan is right, broadly, that chokepoints still matter. Geography has not been abolished. Hormuz remains a lever capable of moving the world.

But his critics are right, too, that the nature of control has shifted. The age of decisive naval supremacy – Trafalgar, Jutland, Midway – has given way to something murkier. Control is now probabilistic. It lies in deterrence, in risk calculation, in the shadow of what might be done rather than what is done.

Iran does not need to “command” the Strait in Raleigh’s sense. It need only make others doubt that it is safe.

And here the deeper irony emerges. The more globalised the world becomes, the more sensitive it is to disruption at key nodes. Interdependence, that liberal promise, doubles as systemic fragility. A few missiles, a handful of drones, a rumour of mines—and the bloodstream of the global economy clots.

The comments circle this insight without quite naming it. They argue about navies versus pipelines, Trump versus Tehran, Britain versus decline- but beneath it all is a shared unease: that no one, not even the United States, can fully guarantee the openness of the system on which everyone depends.

Raleigh revisited

Raleigh’s maxim survives, but in altered form. To command the sea once meant mastery – fleets, flags, unquestioned passage. Now it means something closer to managing uncertainty, policing risk, absorbing disruption. Or, to invert it (and perhaps this is the real lesson of Hormuz): whoever can unsettle the sea can unsettle the world.

The Strait, narrow and ancient, becomes a kind of TARDIS of geopolitics – small on the map, vast in consequence, containing within it centuries of empire, trade, ambition, and miscalculation. You can sail through it in hours. You can be trapped by it for decades. Hormuz is one of those places where scale misbehaves.

On the chart it is almost an afterthought: a narrow blue incision between Iran and Oman, barely 21 nautical miles at its tightest navigable squeeze. A cartographer’s margin note. You could blink and miss it, the way you might skim over a comma in a long sentence. And yet – inside that comma, the world pauses.

Tankers queue like thoughts that cannot quite be completed. Insurance markets twitch. Futures spike. Admirals rediscover their relevance. Presidents improvise resolve. Somewhere in Delhi or Shanghai, a planner recalculates the cost of keeping the lights on. The Strait is not large, but it contains largeness: economics, empire, anxiety, history – all folded into a channel so narrow that a missile battery on one shore can imagine the other.

That is the TARDIS trick: disproportion. Interior vastness concealed within exterior modesty. A space where time thickens. Because Hormuz is not just a place. – it is an accumulation. Portuguese forts, British gunboats, American carrier groups, Iranian fast boats – all still present in the mind, layered like ghost traffic moving in opposite directions through the same confined lane.
And like the TARDIS, it distorts power. The strong discover their strength is conditional; the weak discover they possess a lever. To command the sea here is less about domination than about enduring the possibility of interruption.

It is gigantically small, metaphorically huge, a bottleneck that behaves like a universe.

In a wide ocean, power projects as a roar – carrier groups, satellite grids, the choreography of dominance. In a narrow strait, the same power ricochets. It echoes, distorts, sometimes even dampens. The voice is still large; the space refuses to carry it cleanly.

Hormuz does this to everyone. It compresses asymmetry into something almost theatrical. A superpower arrives with an orchestra; a regional actor needs only a well-timed cymbal crash – mines, missiles, the rumour of both – and suddenly the symphony falters. Not silenced, but unsettled. Hesitant. Listening to itself.

It tells us less about the decline of hegemony than about the environments in which hegemony operates. Power at sea is expansive; power in a choke point is negotiated, contingent, on the edge

The old imperial instinct – force the passage- still murmurs in the background (you can hear it in the comments: convoy the ships, clear the mines, damn the cost). But the modern world hesitates, because the cost is no longer just ships sunk – it is markets convulsed, alliances strained, escalation spiralling in ways that do not end neatly at the waterline.

Which leaves us with a paradox worthy of the place: the hegemon can still roar – but here, in this narrow theatre, it must decide whether the echo is worth the noise.

In That Howling Infinite, March 2026

Hormuz: Iran’s dire Strait

Command the seas and you command the world

Peter Francopan, Unherd, March 12 2026

Historians these days doubt that Sir Walter Raleigh ever laid down his cloak to stop Queen Elizabeth I from stepping in a puddle. They do agree, though, that he understood the nature and benefit of maritime power. “Whosoever commands the sea commands the trade,” he wrote in A Discourse of the Invention of Ships in the early 17th century. “Whosoever commands the trade of the world commands the riches of the world, and consequently the world itself”.Raleigh lived in a different era, of course — one that most of us imagine as a time of swashbuckling sailors and risk-taking pirates, when control of the High Seas was a competition between the European states building empires in both the New and Old Worlds.

This was also an age when geography mattered every bit as much as resources. Many of the first European footholds overseas were chosen less for what lay in the ground than for where they sat along the great sea routes that were beginning to bind the world together. The Portuguese seizure of Malacca in 1511 was not about spices growing nearby but about controlling the narrow maritime gateway between the Indian Ocean and the South China Sea through which much of Asia’s trade passed.

The same strategic logic shaped the expansion of the British empire. Outposts were established above all because of their position along the world’s shipping arteries. The British occupation of Gibraltar in 1704 secured control over the entrance to the Mediterranean and the vital route between the Atlantic and Europe’s inland sea. In the Caribbean, islands such as Jamaica — seized from the Spanish in 1655 — were major naval and commercial hubs sitting astride the shipping lanes linking the Americas and Europe. Likewise, further south, control of Cape of Good Hope allowed Britain to dominate the maritime passage between the Atlantic and Indian Oceans.The empire that Raleigh’s generation started building was not only created through conquest and extraction: it was built through the control of the sea lanes and strategic points that allowed commerce, information and manpower to move across the oceans. The same ports that handled cargo could shelter naval squadrons, repair ships and project force across vast distances. Britain’s empire was fuelled by sugar, silver, slaves and more; but it was built on being able to move these at will across the oceans, and on the islands, harbours and strongpoints that underpinned maritime, economic and imperial power.

These days, we have become used to future-gazers insisting that the future belongs to those who control data and algorithms, or satellites and space rockets, or rare earths and critical minerals. Ships, shipping, and transport networks do not sound quite so exciting, so fresh or so unknown. To a historian, though, in a world that is hyper-connected, logistics are king.

In its heyday, Britain’s reach rested heavily getting the basics right. At Gibraltar, ships entering or leaving the Mediterranean could refuel and undergo repairs, while Malta secured British control of Mediterranean shipping routes. Further east, Aden functioned as a crucial coaling station at the mouth of the Red Sea once steam navigation transformed long-distance travel; or there was Singapore, which, from the early 19th century, grew into a key naval base guarding the approaches between the Indian Ocean and the South China Sea.

Each of these places mattered less for what they produced than for the services they provided: coal, water, repairs, provisions, intelligence and protection. Ships could not roam the oceans indefinitely; they required an interconnected chain of harbours capable of maintaining hulls, repairing sails or (later) overhauling, to provision with fresh food and water. Maritime power was not just about ships, captains and crews — but about a dense mesh of locations that were spread out around the world and reinforced each other.

Over time, however, it became easy to forget just how central these routes and nodes were. In the decades after the end of the Cold War, the world entered a period of globalisation underpinned by overwhelming American economic, political and military power — and by the mantra of free trade being the engine of prosperity and the bedrock of the international world order. Attention shifted elsewhere, and strategists and commentators forgot about shipping lanes. Yet as geopolitical competition intensifies and the world moves into a more multipolar era, the importance of the arteries of global commerce has once again become startlingly clear.Maritime transport moves over 80% of goods traded worldwide. Around 11 billion tons of goods are transported by sea each year — roughly one and a half tons per person. Ships carry around two thirds of global oil production, as well as around a fifth of natural gas, moving energy to places where they are most needed. Without global shipping networks, computers can’t be switched on, assembly lines can’t work, and houses can’t be heated.While the crisis in Iran and the Gulf have focused attention on oil, liquefied natural gas (LNG) and petroleum products, global shipping is fundamental in almost every aspect of daily life. Seaborne trade moves almost two billion tonnes of iron ore per year, with major exporters in countries like Australia, Brazil and South Africa being matched with demand in China, Japan, South Korea and elsewhere. Hundreds of millions of tonnes of bauxite and alumina are sent by sea from mines and processing plants in Guinea, Indonesia and Australia, as are tens of millions of tonnes of copper ores from Chile, Peru and south East Asia.

Global shipping is not just the backbone of international trade; it is crucial in keeping the world fed. According to the Food and Agriculture Organisation, a UN body, international trade plays a crucial role in supporting global food security by linking food surplus with deficit areas and enabling access to basic food products. 80% of agricultural commodities are transported by sea, with shipping again playing a crucial role in matching “breadbasket regions” with those that suffer from food production deficits.As Sir Walter Raleigh would have recognised, globalisation makes control of the seas more, not less important; as peoples, regions, goods and resources get moved from one part of the planet to another, dependencies rise — and so, therefore, do vulnerabilities. Things that we take for granted are always ones that we should pay special attention to, not least since it never seems to cross people’s mind that small shocks can have major implications.

In the summer of 2011, Thailand experienced catastrophic flooding as a result of unusually high levels of rainfall, which had an enormous impact on global car production. At the time, Thailand was one of the world’s leading producers of hard-disk drives and wiring harnesses for cars, as well as electronics modules. As factories closed because of flooding, the effects spilled over into the global economy. Hard drive prices doubled in a matter of weeks; shortages of parts crippled automotive production not only in Thailand, but across Asia, North America and even Europe. The associated costs ran to tens of billions of dollars.

If that gives one example of the risks that come from the assumption that supply chains are dependable, then another comes from Covid-19. Lockdowns and collapsing industrial demand caused an immediate decline in maritime activity. Global maritime trade volumes fell sharply, with estimates suggesting a reduction of as much as 10% in the first eight months of 2020, representing cargo worth at least $225 billion in trade value — if not considerably more, precipitating an unprecedented logistics crunch.

In the past few days we have seen another classic case of the risks posed by pressure on supply chains. Energy markets have been spooked by the implications of attacks on infrastructure in the Gulf following US and Israeli strikes on Iran, with oil prices almost doubling in a matter of days. But it is shipping prices that have truly gone through the roof. Spot charter rates for LNG carriers are six times larger than they were before 28 February — a rise some industry experts refer to as “unthinkable”. Some charterers are paying as much as 10 times the rate they paid before the attacks on Iran began to secure prompt tonnage because of the scale of the shock.

The Strait of Hormuz is one of the world’s key chokepoints, a narrow stretch that connects the Gulf with the Arabian Sea and Indian Ocean, a crossroads where geology and geography dovetail to create perfect opportunities for disruption.

Bordered by Iran to the north and Oman and the United Arab Emirates to the south, the Strait is one of the world’s most strategically significant waterways. At its narrowest navigable point, the shipping lanes are only a few kilometres wide in each direction, meaning that at a time of conflict — such as today — the ability to restrict shipping is considerable. Considerable volumes of goods pass through the Strait — something that is clear from the fact that Jebel Ali in Dubai is the ninth-busiest port in the world. But Hormuz is more crucial to global energy markets, with around 15 million barrels of oil passing through each day, equivalent to about one-fifth of global petroleum consumption. Other chokepoints are significant; but Hormuz is the most important oil chokepoint in the world.At the moment, almost no shipping is transiting the Strait, with an estimated 1000 vessels waiting for the conflict with Iran to pass. A small handful of ships have sailed through, with several others reported to be trying their luck by either claiming to be Chinese or by turning off transponders that reveal both their location and their true identities. More than a dozen ships have been damaged so far, with Iran saying that British ships are “legitimate targets”.Political leaders have tried to project confidence. Donald Trump said that merchant crews and shipowners simply needed to show “some guts” if they wanted trade to keep moving through the Strait. Yet the reality suggests that courage alone is rarely enough to keep maritime commerce flowing during wartime. Guts are one thing; a US Navy ship being damaged by Iranian mines, missiles or attacks from land is another. For now, then, such are the risks to crews, cargo and hulls that shipping in the Gulf is at a standstill.Just how high the strategic stakes have become is clear from the military deployments now underway. That message has not been lost on Greece, Italy or France — all of which have dispatched warships towards the Gulf to secure maritime traffic and monitor the Strait, although it remains unclear whether or how they will solve the problem of getting traffic moving again. In Britain, there has been fierce criticism of the Royal Navy’s absence from the Eastern Mediterranean and the Gulf, but the absence is not imminently solvable. It is the result of the British government’s catastrophic lack of foresight, decades of not investing in the sort of naval forces one needs in this century.Trump has insisted that the shutdown in the Gulf is temporary and that oil, gas and more besides will soon start to flow again. It is typical fighting talk from a president who chose to start a confrontation with Iran because he was not able to understand why the regime in Tehran had refused to “capitulate” to American demands regarding nuclear enrichment, ballistic missile programmes and more.Trump came to office promising never to drag the US into “forever wars”, sneering at the “so-called nation-builders, neocons or liberal nonprofits” from who had inflicted disaster on the Middle East. Now, while Trump and his team work out how to stop Iran from inflicting damage on its neighbours, others must pay the price. India imports the overwhelming majority of its oil and gas by sea, partly because it has access to a limited network of pipelines. So the collapse of shipments from the Gulf is producing an existential crisis: although the US has granted a “temporary waiver” to allow Delhi to buy Russian oil, the facts that the rupee has weakened sharply, and that authorities are reportedly speeding up customs procedures to allow faster unloading, are signs that compression of logistics at sea is already having ripple effects. Moscow emerges as an unexpected beneficiary of the crisis, as the spike in oil and gas prices will provide much-needed relief to a beleaguered economy. Russia’s geopolitical role could be additionally bolstered by the country’s purported long-standing “security concept for the Persian Gulf” as an off-ramp for the US intervention in Iran.The consequences of the current crisis, however, extend well beyond the coming days or even the coming weeks. What we are witnessing is not simply a temporary disruption in the Gulf, but a reminder of a deeper truth about how power works in the modern world. Maritime routes remain the arteries through which prosperity, security and resilience flow. Data, algorithms, satellites and artificial intelligence may dominate the language of the 21st-century economy, but they still depend on the movement of physical goods across oceans. Microchips require minerals, energy and specialised manufacturing equipment that must be transported. Data centres require copper, aluminium, rare earths and vast amounts of energy infrastructure. Without ships and secure sea lanes, even the most advanced digital economy quickly runs into very practical limits. Power is and always has been about logistics.For Britain in particular, this requires a series of profound shifts. The protection of shipping routes is already a central strategic task. The Gulf is one theatre where the risks are currently obvious, but it is far from the only one. The North Atlantic and the High North are rapidly emerging as arenas of growing geopolitical competition as melting Arctic ice opens new routes and as submarine cables, energy infrastructure and shipping lanes become ever more exposed to interference and disruption.These are not challenges that can be addressed through strategy documents or policy papers; they require investment in ships, in platforms, in training and in the infrastructure that allows maritime forces to operate effectively across long distances. They also require the rebuilding of the kind of interconnected networks of ports, facilities and partnerships that once underpinned Britain’s global reach. In an increasingly multipolar world — one in which predation, risk-taking and opportunism are often rewarded — maritime resilience will become a defining measure of national strength.In that sense, the current crisis offers a glimpse of the future. Control and protection of shipping routes is key to stability, to reduction of risk and to long-term national resilience. The resources on which new economies depend may have changed, technologies may have evolved and ships may look different. But the underlying reality remains exactly the same as when Raleigh wrote four hundred years ago: whoever commands the sea commands far more than the sea itself.

Peter Frankopan is the author of The Silk Roads (2015), The New Silk Roads (2018), and The Earth Transformed (2023). He is also a Professor of Global History at Worcester College, Oxford

A curated selection of comments from Unherd readers

This includes everything that carries an argument, stripped of noise but not over-pruned. There was a lot buried in that thread once one scraped away the rhetorical noise. Francopan’s essay and the comments rehearse empire, contest strategy, litigate politics, invoke technology, argue personality. They reach for certainty and find, instead, contingency.
Here they are:

Historical framing matters. Analyses of maritime power that ignore Britain’s long role in the Persian Gulf, its protectorates, and control of trade routes through Aden and Suez are incomplete. Control of sea lanes has always been exercised locally, even when its effects are global.

There is a fundamental tension between classical naval theory and modern infrastructure realities. Traditional doctrines of sea power emphasise chokepoints, yet pipelines, rail corridors, and overland routes increasingly challenge that dominance. Disruption of maritime trade today may reflect failures of diplomacy and diversification as much as limits of military power.
The strategic importance of the Strait of Hormuz is clear, but control is asymmetric. It is easier to threaten shipping than to secure it. A weaker power can impose risk without achieving dominance, using missiles, drones, and dispersed systems that are difficult to eliminate.

Modern warfare reinforces this asymmetry. Low-cost technologies can disrupt high-value assets, raising questions about the long-term viability of traditional force projection. At the same time, countermeasures are evolving, suggesting an ongoing cycle of adaptation.The scale of resources required to secure global shipping is immense. Sustained convoy operations would demand naval capacity that is not readily available. Even if assembled, such efforts would be costly and unlikely to restore previous economic conditions quickly.Alternative strategies exist but are slow to implement. Expanding pipelines, rerouting supply chains, and hardening vessels can reduce vulnerability, but require long-term investment and coordination.

Many states failed to prepare despite the predictability of such a crisis.There is deep disagreement over the nature of the current conflict. Some view it as a necessary confrontation with a regime that threatens regional and global stability. Others see a lack of clear objectives, inconsistent strategy, and the risk of open-ended escalation.The question of escalation remains unresolved. One side retains capacity to intensify, while the other relies on disruption. Proposals for decisive action raise further uncertainties about feasibility, consequences, and post-conflict stability.

Regime survival is interpreted differently. Some argue that mere survival constitutes success under pressure; others contend that survival after severe degradation would represent strategic defeat.Geopolitical decision-making often operates without clear or fixed end states. Objectives may shift in response to opportunity, reflecting the contingent nature of strategy rather than coherent long-term planning.

Historical analogies are widely used but often misleading. Claims of past maritime dominance are contested, with evidence that control has always been partial and constrained by other factors such as air power and competing theatres of war.

Debate over Western power reveals competing narratives. Some emphasise decline, overstretch, and lack of strategic coherence. Others point to enduring capabilities and the need for renewed investment, particularly in naval forces.

The scale of global security challenges exceeds the capacity of individual states. Effective responses likely require collective action, yet coordination remains difficult and politically constrained.

New vulnerabilities complicate traditional strategy. Subsea infrastructure, including data cables, represents a vast and exposed network that is difficult to defend, illustrating the expanding scope of strategic risk.

Legal frameworks exist but are contested in practice. International law mandates freedom of navigation, yet interpretations of neutrality and belligerency vary, particularly in complex conflicts.

Economic interdependence amplifies the consequences of disruption. Even limited interference with key trade routes can trigger wider global effects, including energy shocks and recessionary pressures.

At root, the issue is no longer simply control of the sea. The emerging reality is a system where disruption, deterrence, and alternative routing shape outcomes as much as traditional dominance.

Go, Move, Shift! Singing the Traveling People

Born at the back of a hawthorn hedge,
where the black hole frost lay on the ground,
no eastern kings came bearing gifts.
Instead, the order came to shift:
“You’d better get born in some place else.”
So move along, get along,
Move along, get along –
Go! Move! Shift!
Ewan MacColl

“Why …. are we setting ourselves the impossible task of spoiling the Gypsies?… they stand for the will of freedom, for friendship with nature, for the open air, for change and the sight of many lands; for all of us that are in protest against progress … The Gypsies represent nature before civilisation … the last romance left in the world.
Arthur Symons, a gypsiologist of the early 20th century

Back in the day, when I was a nipper in Birmingham, “the tinkers,” as we called them, would camp with their caravans and lorries on what we referred to as the “waste land.” That name seemed self-explanatory to a child: a place where people left their waste, a liminal zone of half-ruin, where pre-war homes and factories had been destroyed in the Luftwaffe raids over a decade earlier. Travellers really did move through those bombed-out spaces, setting up their vardos where council workers feared to tread. They brought horses, music, and a whiff of danger to the drab post-war city.

Their Irish accents created an unexpected affinity. Our parents and relatives were Irish immigrants, and we inhabited an Irish world of history, politics, music, and stories. Listening to them, you could feel the rhythm of lives bound to roads and fields rather than concrete and council by-laws.

Peaky Blinders later turned my home city into a stylised myth. I knew the streets around Small Heath and Digbeth and the canal bridges and tow tracks of Gas Street long before Steven Knight turned them into a smoky dystopia. The series was actually filmed in Yorkshire and Lancashire, but let’s not worry about that. The travelers drift in and out of the Shelby story with their wagons and their horses, their alien tongue and their clan codes, and also, an air of imminent danger – an arcane, half-hidden life. Rewatching the series decades later, it feels less like historical fiction and more like a remembered geography, half real and half myth.

Tom Shelby and his caravan

Advisory

In order to deflect potential criticism and recrimination, please be advised that the following is a mix of memory and music and not an academic paper. It is of historical, sociological and musicological significance only in a general sense, and not does not claim to be. In the light of prior criticisms of my use of the word “tinker” in online discussions about travellers – some readers have insisted that I employed it in a discriminatory and derogatory manner – this is indeed the term that we used back in the fifties and sixties, and whilst it was, indeed, a common term of abuse, it is for all that historically accurate – see the paragraphs immediately below. We cannot unhear in order to accommodate 21st century sensitivities.

An lucht siúil

Those Irish Travellers (an lucht siúil, “the walking people”), also called Mincéirs in Shelta, a secret language mixing Irish and English, are a nomadic indigenous Irish ethnic group. Predominantly Catholic, they are English-speaking but often fluent in their patois. Although historically labeled “Gypsies,” they have no genetic relation to the Romani; their ancestry is Irish, likely diverging from the settled population around the 1600s during Cromwell’s conquest. Over centuries, persecution, famine, and displacement hardened their itinerant ways into a distinct culture – social networks, craft skills, folklore, and traditions of travel and trade.

Many names – tinkler, tynkere, or tinker – were historically derogatory, reflecting society’s unease with their mobility. The “Acte for Tynckers and Pedlers,” passed by Edward VI in 1551, attempted to regulate their wandering, sometimes brutally. Yet, for all the attempts at control, their culture survived: a resilient, mobile society where language, music, and kinship preserve identity against erosion.

Irish Traveller Family’, Killorglin, County Kerry, Ireland, 1954.

Folksong

My childhood soundtrack was full of gypsy ballads that painted freedom in a major key. A Gypsy Rover came over the hill, down through the valley so shady to win the heart of lady; three Raggle Taggle Gypsies stood at the castle gate, singing high and low, and made off with the lady of the house; Black Jack Davy rode up hills and he rode down vale’s over many a wide-eyed mountain, luring a lady gay from her goose feather bed. The songs made the Gypsy a figure of romance and rebellion, a charmer, a rascal and a pants-man; an outsider who steals not just horses but hearts and who answers to no law but the road.

As a boy, I sang them without irony. As a teenager, on the Easter CND march in London in 1966, billeted in an old cinema in Southall, I gave my first public ‘performance’ with an a capella version Ewan MacColl’s beautiful but poignant Freeborn Man of the Travelling People. There was something electric in the way the song moved through the audience – a recognition of wandering, of roots that were not fixed in soil, but in story, song, and kin.

Ewan MacColl’ and Peggy Seeger’s BBC Radio Ballads, especially The Travelling People (1964), but went further, capturing not just the romance but the hard truth of life on the road. I can still hear the defiant swing of Freeborn Man the bitter weariness of Go Move Shift, and the rolling litany of The Thirty-Foot Trailer capturing the sway of a caravan. Each song contained a chronicle of eviction, exclusion, and the stubborn joy of those who refuse to settle. These weren’t just pretty melodies. They were dispatches from a parallel Britain that existed beyond the pale of urban, modernising and dynamic Britain.

The songs, the caravans, the road-weary children and dogs – they are fragments of memory, but also of history. Travellers have always lived on the edge of maps, on the margins of law and land, carrying a freedom that many of us envy in memory but cannot fully grasp in practice.

Ballads of a Vanishing Road

Those three great songs from Seeger and MaColl’s radio ballads form a kind of triptych, each panel catching a different light on the same restless life. 

They begin with the open road itself: imagine if you will hedgerows dripping with rain, country lanes that meander through woods and fields, the smell of horses and wood-smoke, and the small birds singing when the winter days are over. A Freeborn Man strides out first, proud and lilting. The open road gleams with dew and possibility – open spaces and resting places where “time was not our master”. The freedom is real enough: the night fires, the sunrise on a new day, the easy rhythm of horse and dog. But you feel the weather changing. “Winds of change are blowing, old ways are going, your travelling days will soon be over.”

I can still hear the icon Yorkshire siblings, the Watersons, singing: “The auld ways are changing’, you cannot deny. The days of the traveler’ over ..  It’s farewell toto the tent and the old caravan, to the Tinker, the Gypsy, the Travelling Man, and farewell to the thirty-foot trailer”. Verse by verse the song bids adieu to the things that portrayed the traveling life. The old caravan is no longer a symbol of liberty but rather a target for eviction. “You’ve got to move fast to keep up with the times,” the song warns, “for these days a man cannot dander.It’s a bylaw to say you must be on your way and another to say you can’t wander”.

If Freeborn Man celebrates the open lane, The Moving-On Song reports from the other side of the hedge.  Each verse begins with a birth – on the A5, in a tattie field, beside a building site – and each is met by the same cold refrain: “Move along, get along, Go! Move! Shift!”  Policemen, farmers, and local worthies take turns as chorus, a modern Nativity rewritten as perpetual eviction.  Where Luke gave us shepherds and angels, MacColl gives us by-laws and property values. The travelling child is the Holy Infant born in the wrong postcode, and the only miracle is survival. 

I find this song resonates not only as a story, but also as a powerful allegory. At its heart, it is the Nativity turned inside out. It takes the timeless Christmas story – the miraculous birth, the wandering family, the knock at the door – and drains it of every trace of welcome. Instead of angels there are policemen, instead of shepherds there are farmers, instead of gifts there is the repeated command to move along, get along, go, move, shift. Each verse begins with a birth – on a roadside, in a potato field, beside a building site – just as Christ was born in a stable because there was no room at the inn.

But where the infant Jesus is eventually carried to safety in Egypt, MacColl’s traveller child is met at every stop with suspicion: The refrain is a bitter parody of the angelic chorus: a peremptory command instead of  “tidings of great joy.” The sound of authority closing ranks, a bitter counter-melody to the dream of freedom. It is the Flight into Egypt without sanctuary, an endless journey where every Bethlehem has a by-law.

This inversion does two things at once. It sacralises the ordinary – making each child born in a trailer or a tent a holy innocent – and it indicts the society that drives them out. Listeners raised on the Nativity can hardly miss the sting: the travelling people are the Holy Family in modern Britain, but the innkeepers are us. MacColl forces a choice – either keep singing “Go, Move, Shift” with the crowd, or recognise the Christ-child in the roadside cradle.

Taken together, these three songs chart the whole arc of the travelling life: the exhilaration of the road, the daily skirmish with draconian laws, the slow extinguishing of a culture that once roamed the hedgerows of Britain and Europe.  They are more than nostalgic laments.  They are witness statements – melodic affidavits of a people whose very birthplaces are contested, whose freedom is both cherished and criminalised, and whose songs will outlast the by-laws that try to silence them.

The dark side of the road 

Ewan MacColl’s words echo still: go, move, shift – because life has often demanded it. And perhaps that is the core of the Travellers’ tale: a dance between space and place, between survival and song, between yesterday and the road ahead.

The songs of my youth were both true and false. The gypsy rover was real enough, but his freedom came at a cost: eviction notices, police batons, barbed wire, and centuries of prejudice stretching from the wastelands of Birmingham to the bean fields of Wiltshire, from Damascus to Transylvania. The travellers remain, in MacColl’s proud phrase, freeborn men and women – though the price of that freedom has always been higher than the ballads admit.

For hundreds of years, the Gypsy way of life – the Irish Travellers among them – was one of ancient traditions and simple tastes. Until their world collided with the 21st century, with bureaucracies, police crackdowns, and urban encroachment. Romance met reality, and reality was hard. Travellers were hounded from one lay-by to the next, fined, fenced, and evicted by councils and constables who never forgave them for existing outside the parish ledger.

The romance of the traveller life had a harder edge. It is not a folk-song idyll; it is cold nights in lay-bys rough ground under wheels, police knocking at midnight. Travellers were, and still are, hounded by bylaws, denied stopping places, and stereotyped as thieves or beggars. In Britain, “tinker” and “gypo” were playground slurs. Councils moved them on, police fined them for parking on common land, newspapers blamed them for every petty crime.

Nor have modern times rendered the traveller life any easier. In the Battle of the Bean Field of 1985, Margaret Thatcher’s days of law and order, hundreds of police in riot gear smashed up a convoy of festival-bound New Age Travellers near Stonehenge, wrecking and burning their lorries and caravans, Wrecking homes and terrorising babies, and displaying the state’s fury at those who dared to live otherwise. The later Dale Farm eviction in 2011 near Basildon, Europe’s largest Traveller site, bulldozed after years of legal trench warfare, proved that little had softened.

I’ve watched video footage on YouTube of riot police in fluorescent jackets  confronting families who had chained themselves to caravans, and listened to the late iconoclastic songster Ian Dury, who had long celebrated life on the margins, singing his elegy Itinerant Child – a refrain that could be sung in any layby in Britain or in the migrant  camps of Calais.

Slow down itinerant child, the road is full of danger
Slow down itinerant child, there’s no more welcome stranger
Slow down itinerant child, you’re still accelerating
Slow down itinerant child, the boys in blue are waiting

That refrain could be sung in any layby in Britain. It could be sung in the refugee camps of Europe today.

As for those so-called New Age Travellers of the Beanfield and Basildon – part hippie, part anarchist, part rave-culture refugee – they borrowed Romany mystique but lived a diesel-fumed modern reality: buses and sound-systems instead of bow-topped wagons, dreadlocks instead of black curls, and the same hostility from the same authorities.

The Battle of Basildon 2011

Dale Farm – The Battle of Basildon 2011

The Other at the Gate

Gypsies and Travellers have always been Britain’s – and the world’s – most visible “Other”- not defined by race alone, but by movement. Where the settled majority built houses, filed deeds, and mapped parishes, the travelling people carried their world on wheels and in stories. That refusal to stay put turned them into a kind of living mirror for the fears of the settled: lawless when laws were written for farmers, suspicious when surnames anchored reputations, dangerous because they belonged nowhere and therefore everywhere.

From the “Egyptians Acts” of the sixteenth century, which outlawed Romani life, to the casual playground taunts the message was the same: you are not one of us. And yet, precisely because they stood outside the pale, they became a canvas for fantasy – the romantic lovers of the ballads, the free spirits in the Radio Ballads, dark prophets in the Peaky Blinders mythos. To the townsfolk they were both temptation and threat, the embodiment of freedom and the price of it.

The wild World and the Wider Road

The Irish travelers of my Birmingham childhood were but one branch of a much older and wider wandering world. Their history – rooted in Ireland’s upheavals and shaped by centuries of marginalisation – belongs to the islands of Albion. But the idea of the travelling people, the caravan on the verge and the road as inheritance, stretches far beyond Britain and Ireland. Across Europe the figure of the wanderer takes on another name: Roma, Sinti, Kalderash, communities bound not to neither land nor country but to a migration that began centuries earlier and thousands of miles away. Their very names carry centuries of misunderstanding.“Gypsy” arose from the medieval belief that these travellers had come from Egypt – hence “Egyptians,” shortened over time to “Gyptians” and finally “Gypsies.” “Roma,” by contrast, is the name many of the people use for themselves. In the Romani language the word rom simply means “man” or “husband,” and by extension “member of the community.” Whatever the label, their deeper history leads eastwards. Linguistic and genetic traits – including shared vocabulary with Hindi, Punjabi and other Indo-Aryan languages – point to origins beyond the Hindu Kush in Rajastan a thousand years ago. From there groups migrated slowly westward through Persia, Armenia and the Byzantine world before scattering across the planes and forests of Europe. By the time they reached England in the early modern period they were already seasoned exiles – strangers everywhere and always and yet, nevertheless, somehow at home on the road, bringing music, craft, and a stubborn freedom.

I encountered these European Roma when hitchhiking through Yugoslavia in the early seventies, and later, travelling in Syria and Israel/Palestine, I saw dusty Domari camps. pitched on the fringes of towns, cousins of the European Roma, their Sanskrit-tinged language betraying the long migration. They were not romantic there either. Arabs called them Nawar, a word laced with disdain, treating them with the same mix of curiosity and disdain that dogs their European kin. They are seen as rootless outsiders, neither honoured nor trusted, often harassed by police and locals alike. they are harassed, marginalised, and sometimes treated as beggars or tricksters. Unlike the semi-nomadic Bedouin, celebrated in poetry and nationalist lore (though these too have been known to be discriminated against). Their tents were not “exotic,” just poor.

Eastern Europe tells an even darker story. In Slovakia, Hungary, and Romania, Roma communities were enslaved for centuries-in Wallachia and Moldavia until the 19th century and are still scapegoated in politics and corralled into segregated schools. In Eastern Europe they remain targets of discrimination today, from the eviction of camps in France and Italy to far-right attacks in Hungary and Slovakia.

The twentieth century added its own atrocity: the Porajmos – “the Devouring” – the Nazi genocide of Roma and Sinti that claimed perhaps half a million lives. They were rounded up alongside Jews, homosexuals, and the disabled, marked with black or brown triangles, starved in camps, shot in forests and gassed in Auschwitz. For decades their suffering was barely acknowledged in official memorials, their deaths long footnoted beside the Shoah.

The open road may bring freedom, but freedom can come an unbearably heavy price.

Paul Hemphill, March 2026

Other combinations of memoire and history in In That Howling infinite include: The Boys of Wexford – memory and memoirThe Spirit of ’45Enoch knocking on England’s door, Tanks for the memory – how Brezhnev changed my life, and One ring to rule us all – does Tolkien matter?

Here is the well-known old folksong sung by my old friend Malcolm Harrison, recorded in Sydney, Australia in 2005. The Raggle Taggle Gypsy is a traditional folk song that originated as a Scottish border ballad, and has been popular throughout Britain, Ireland and North America. its earliest text is believed to have been published in the early sixteenth century.  concerns a rich lady who runs off to join the gypsies. Common alternative names are “Gypsy Davy”, “Gypsum Davy”, “The Raggle Taggle Gypsies O”, “The Gypsy Laddie(s)”, “Black Jack David” (or “Davy”) and “Seven Yellow Gypsies”.

Itinerant Child

Ian Dury and the Blockheads

I took out all the seats and away I went
It’s a right old banger and the chassis bent
It’s got a great big peace sign across the back
And most of the windows have been painted black
The windshield’s cracked, it’s a bugger to drive
It starts making smoke over thirty-five
It’s a psychedelic nightmare with a million leaks
It’s home sweet home to some sweet arse freaks
Slow down itinerant child, the road is full of danger
Slow down itinerant child, there’s no more welcome stranger
Soon I was rumbling through the morning fog
With my long-haired children and my one-eyed dog
With the trucks and the buses and the trailer vans
My long throw horns playing Steely Dan
We straggled out for miles along the Beggar’s Hill
And the word came down that we’d lost Old Bill
You can bet your boots I’m coming when the times are hard
That’s why they keep my dossier at Scotland Yard
Slow down itinerant child, you’re still accelerating
Slow down itinerant child, the boys in blue are waiting
Itinerant child, don’t do what you’re doing
Itinerant child, you’d better slow down
We drove into Happy Valley seeking peace and love
With a lone helicopter hanging up above
We didn’t realise until we hit the field
There were four hundred cozzers holding riot shields
They terrorised our babies and they broke our heads
It’s a stone fucking miracle there’s no one dead
They turned my ramshackle home into a burning wreck
My one-eyed dog got a broken neck
Slow down itinerant child, the road is full of danger
Slow down itinerant child, there’s no more welcome stranger
Slow down itinerant child, you’re still accelerating
Slow down itinerant child, the boys in blue are waiting
Listen to the song and watch its video HERE

References & Further Reading

Ulster’s history and the long shadow of The Troubles

This is not a comprehensive history of Ireland. It is, rather, an explainer – a guide for the interested reader to understand how the late twentieth-century conflict, known in euphemistic understatement as The Troubles, began, endured, and proved so intractable. Though the guns and bombs have for the most part fallen silent, memories endure. In some quarters, the bitterness remains, the venom lingers, and the need to keep fighting – at least in memory, at least in ritual – has not entirely faded. As the old rebel song goes, “No surrender is the war cry of the Belfast Brigade”. Its notes echo still across streets, walls, and the ever-present consciousness of a place where the past is never far from the present. Though the hatchet may be buried, many remember where they buried it.

The Troubles did not begin in 1969 when civil rights marchers were viciously ambushed by Protestant gangs. They erupted then. Their deeper roots stretched back to the early seventeenth century, when the English Crown undertook the Plantation of Ulster after the defeat of Gaelic lords in the Nine Years’ War (1594–1603). After the Flight of the Earls in 1607, when those lords fled to continental Europe, James VI of Scotland –  now also James I of England – set about remaking Ulster. Confiscated land – taken from Irish Catholic chieftains – was granted to “undertakers” from England and, crucially, from lowland Scotland. This was not mere migration; it was a state project of demographic engineering, designed to pacify and anglicise a rebellious province.

The Plantation was not simply an English imposition; it was profoundly Scottish. Tens of thousands of Presbyterian Scots crossed the narrow North Channel. The geography made it almost inevitable: on a clear day you can see Scotland from Antrim. What had once been a porous Irish sea became, in effect, a corridor of Protestant settlement.

These were not aristocrats alone. Many were farmers, tradesmen, smallholders – industrious, Calvinist, wary of episcopal hierarchy and religious certainly wary of Rome. They brought with them kirk discipline, covenant theology, and a hard-earned suspicion of both Catholic rebellion and Anglican condescension. In the seventeenth century they were themselves dissenters within the British confessional order – not the establishment, though they would become it locally. From that moment, land, religion, and political loyalty fused. Ownership mapped onto confession. Power mapped onto identity.

So when we speak of “settlers,” it is not an abstraction. It is families. It is surnames. It is my own father’s ancestors crossing from Ayrshire or Galloway into Antrim or Down, carving farms from confiscated land, building kirks, speaking Scots-inflected English, marrying within their community, and slowly – almost without noticing – becoming native to a place that had been politically engineered for them. Over generations, the settler becomes the local. The memory of arrival fades; the memory of threat remains.

The seventeenth century hardened the divide. The 1641 Irish Rebellion, with massacres of Protestant settlers, entered Protestant folk memory as proof of Catholic barbarity; Cromwell’s subsequent campaign (1649–53), with its sieges and land seizures, entered Catholic memory as atrocity and dispossession. The Williamite War (1689–91), culminating in the Battle of the Boyne, sealed Protestant ascendancy. In Ulster especially, victory became ritualised memory –  parades, commemorations, banners – history as annual rehearsal.

That is one of the deep paradoxes of Ulster: both communities can claim indigeneity and grievance simultaneously. Catholic memory looks back to dispossession; Protestant memory looks back to siege – 1641, the Boyne, 1798. One narrative emphasises loss of land; the other, survival against massacre. Each contains truth. Each edits.

The eighteenth century formalised Protestant dominance through the Penal Laws, which marginalised Catholics politically, economically, and educationally. Landownership remained overwhelmingly Protestant. Catholics were not exterminated; they were subordinated. Resentment, therefore, did not burn out. It banked.

The nineteenth century complicated everything. The Act of Union (1801) abolished the Irish Parliament and bound Ireland directly to Westminster. Catholic Emancipation (1829) removed many legal disabilities, but not structural inequities. An Gorta Mór (The Great Hunger) (1845–52) devastated the island demographically and psychologically; in Ulster, its effects were uneven, reinforcing regional distinctions. Meanwhile, industrialisation made Belfast a Protestant-majority, shipbuilding powerhouse – economically dynamic, culturally British, and deeply anxious about being subsumed into a Catholic-majority Ireland.

By the nineteenth century, the descendants of those Scottish Presbyterians were no longer temporary colonists but industrial citizens of Belfast — shipbuilders, linen magnates, skilled labourers — economically confident, culturally British, and deeply anxious about being subsumed into a Catholic-majority Ireland.  As Irish nationalism (increasingly Catholic in composition, though not exclusively) pressed for Home Rule — limited self-government within the United Kingdom. Ulster unionists resisted fiercely. “Home Rule is Rome Rule” was not merely a slogan; it was an inherited reflex. Paramilitary formations appeared before the twentieth century: the Ulster Volunteer Force (1912) to oppose Home Rule; the Irish Volunteers (1913) to advance it. Guns were imported on both sides. The pattern was set.

The First World War postponed the crisis but did not dissolve it. The Easter Rising (1916), the War of Independence (1919–21), and the Anglo-Irish Treaty (1921) partitioned the island. Six counties of Ulster -with a built-in Protestant majority – became Northern Ireland, remaining within the United Kingdom. Partition did not resolve identity; it institutionalised it.

Northern Ireland’s new parliament at Stormont operated, for decades, as a Protestant-dominated state. Catholics faced systemic discrimination in housing allocation, employment, and electoral boundaries. This was not apartheid in the South African sense, but it was structured inequality, visible and resented.

By the 1960s, inspired partly by global civil rights movements, Northern Irish Catholics began peaceful campaigns for equal voting rights, fair housing, and an end to discriminatory practices. The response from elements within the Protestant community and the security apparatus was defensive, sometimes violent. Marches were attacked. The police (RUC), largely Protestant, were perceived as partisan. In 1969, serious sectarian rioting broke out; the British Army was deployed initially as peacekeeper. Very quickly, it became another protagonist.

From there, the Troubles crystallised: Provisional IRA campaigns against British presence and unionist authority; loyalist paramilitary violence against Catholics; tit-for-tat bombings, assassinations, internment without trial, Bloody Sunday (1972), hunger strikes (1981), urban segregation hardening into peace walls and psychological walls alike. Roughly 3,500 people died between the late 1960s and the Good Friday Agreement in 1998. That number, in global terms, is small. Its density in a small place was immense.

Which is why the Troubles cannot be reduced to simple binaries of coloniser and colonised, though that language has its place. The Ulster story is more entangled. Plantation created a settler community; centuries created a rooted one.

The Good Friday Agreement did not erase those centuries. It acknowledged them obliquely: consent as the principle of sovereignty; power-sharing between unionist and nationalist parties; recognition that identity in Northern Ireland could be British, Irish, or both. It was less a solution than a framework for managing disagreement without bloodshed.

And that, perhaps, is the long arc: from plantation to partition to power-sharing. Land engineered into loyalty. Religion hardened into political identity. Memory ritualised into grievance. Grievance institutionalised into governance. Governance resisted into violence. Violence exhausted into compromise.

History hardens. Families blur.

Memory, and the theatre of symbols

If history is the argument, memory is the costume in which it appears on stage.

In Ireland — and perhaps nowhere more intensely than in the North — the past does not lie quietly in archives. It walks. It marches. It drums. Specifically, the Lambeg drum is a large traditionally orange-painted drum, beaten with curved malacca canes brought out for  Unionist and the Orange Order’s street parades. Along with the bagpipes, it is one of the loudest acoustic instruments in the world, frequently reaching over 120 dB. Named for the village of  Lambeg it is commonly believed to have come to Ulster with the English settlers orvekse with the army of William of Orange during the Williamite war. Having its roots in 17th-century European military instruments, it was originally smaller. Traditionally it was accompanied by the shrill fife, a small transverse flute similar to the piccolo – and sometimes irreverently referred to as the Audi Orange Flute.

Oliver Cromwell is not merely a seventeenth-century general and dictator; he is a moral shorthand. For Catholics, his name condenses siege, massacre, confiscation – Drogheda and Wexford becoming synecdoche for atrocity itself. “To Hell or to Connacht” may not survive scholarly cross-examination as a verbatim decree, but as memory it requires no footnote. It signals dispossession. It names a wound. Invoke Cromwell and one need not rehearse the details; the symbol carries the freight.

William of Orange – King William III – King Billy – performs a parallel function on the other side of the ledger. Astride his white horse at the Boyne, he is less a Dutch Protestant prince than a guarantor of survival. The Battle of the Boyne (1690) was, in European terms, a minor theatre in a wider war. In Ulster, it became sacrament. Each Twelfth of July, sashes are worn, drums beaten, banners unfurled – if through or adjacent to Catholic areas, so much the better – not to refight the battle but to rehearse belonging and dominion.The Orange Lodge is both fraternal society and mnemonic device. Its rituals keep memory warm. Its parades trace routes that are never neutral, geography turned into catechism.

Thus Oliver Cromwell and King Billy face each other across centuries like bookends of grievance – one representing conquest, the other deliverance –  though each is also more complicated than the emblem allows.

Move forward, and symbolism thickens.

The War of Independence (1919–21) and the Civil War (1922–23) fractured Irish nationalism itself. Partition in 1922 was not only a constitutional arrangement; it was an emotional amputation. For nationalists in the North, the new border confirmed abandonment and unfinished struggle. For unionists, it secured a state in which they would not be submerged. The same act – partition – functioned simultaneously as betrayal and salvation.

Martyrs followed. The executed leaders of 1916. The hunger strikers of 1981, their faces rendered in mural form, eyes large and unsurrendered. Martyrdom, in Ireland, has rarely required embellishment; death itself supplies the poetry. Funerals render it local – masked men in military dress fire shots into the damp airship air. Graves become pilgrimage sites. Names become incantation. Commemoration ceremonies bind past sacrifice to present purpose, as if history were an unfinished sentence demanding completion.

And always, the Protestant marches. The Twelfth of July. Apprentice Boys in Londonderry – a name that changes with  one’s allegiance. Even the name of the city is a declaration. The ancient Derry” gestures toward Gaelic continuity; “Londonderry” toward plantation charter and imperial connection. To choose a word is to choose a side. Language itself becomes boundary wall.

In 1969, the Bogside in Derry turned symbolic geography into lived confrontation. “You Are Now Entering Free Derry” was not merely graffiti; it was a claim to moral and territorial autonomy. The walls and wire that later cut through Belfast –  peace walls, they are called, with a certain exhausted irony –  materialised distrust in concrete and corrugated steel. They were defensive architecture, but also mnemonic devices. Every barrier says: remember.

And then the murals.

On the Falls Road and the Shankill, gable walls became galleries of memory. Masked volunteers with rifles. King Billy crossing the Boyne. Bobby Sands’ thin, resolute face. The Red Hand of Ulster. Palestinian flags in nationalist districts; Israeli flags in loyalist ones – global conflicts borrowed to refract local identity. These images are not random decoration. They are narrative shorthand, pedagogy in paint. Children grow up under them. They learn who they are by the stories on the wall.

Symbolism, of course, simplifies. It flattens ambiguities into heroes and villains, saints and tyrants. Cromwell the monster. King Billy the saviour. The hunger striker the pure martyr. The volunteer the defender of the realm. Real history is messier: Cromwell was brutal and also a product of his century’s ferocities; William’s victory secured Protestant liberties while entrenching Catholic subordination; the independence struggle produced both liberation and internecine slaughter. But symbols do not trade in nuance. They trade in clarity.

Yet the Good Friday Agreement, too, is a symbol – though a quieter one. No horse. No musket. No mural of triumphant death. Its symbolism is procedural: consent, parity of esteem, power-sharing. It offers not a martyr but a mechanism. Its genius is almost anti-theatrical. It asks people to live with ambiguity rather than resolve it in blood.

And so Northern Ireland today remains a place where the past is both curated and contested. Bonfires blaze each July; wreaths are laid each Easter; murals are repainted; walls still stand, though some have gates that open by day. Memory has not faded. It has been domesticated, partially, into ritual rather than riot.

Perhaps that is the final paradox. Symbols once mobilised for war now coexist within a fragile peace. The same banners flutter, but fewer guns answer them. The same songs are sung, but often as heritage rather than summons.

History argues. Memory performs.

And in Ulster –  and in the bloodlines that carry it beyond Ulster — the stage is never entirely dismantled.

What have I now?” said the fine old woman
“What have I now?” this proud old woman did say
“I have four green fields, one of them’s in bondage
In stranger’s hands, that tried to take it from me
But my sons have sons, as brave as were their fathers
My fourth green field will bloom once again” said she
Tommy Makem

Personal Reflection

For me, this is not abstract history. My own lineage embodies that braid: Scottish Protestant migration on one side, Irish Catholic inheritance on the other – far from Belfast or Derry, those threads met in my family; I grew up carrying both memories, the power of both histories.

When I watch film footage or view pictures of Orange parades and civil rights marches, of explosions, street riots and military manoeuvres, of walls and murals, I am not a casual onlooker viewing a “quarrel in a far-away country between people of whom we know nothing”, to borrow Neville Chamberlain’s fateful words. I feel weight of dual inheritance. Scottish Presbyterian settlers on one side, Irish Catholic dispossessed on the other –  both lineages threading through my own family, colliding and entwining in Birmingham, far from the streets of Belfast or Derry.

I grew up knowing these histories not as abstractions but as intimations, as stories that shaped who I was. Though vicariously, I feel the pull of both pasts –  the grievance and the survival, the displacement and the rootedness. Perhaps that is the quiet hope: that memory, with all its violence and ritual, can also be inherited as empathy, that symbols can teach not just fear, but recognition; that families, however braided by history, can live in the space between suffering and reconciliation.

This short history of The Troubles was largely written by an AI language model as an explainer first and foremost, and not as an opinion piece. 

Read more on The Troubles in In That Howling Infinite in Free Derry and the battle of the Bogside: and on Irish history, Mo Ghile Mear – Irish myth and melody, The Boys of Wexford – memory and memoir and O’Donnell Abú – the Red Earl and history in a song 

Dreaming in the night, I saw a land where no man had to fight
Waking in your dawn, I saw you crying in the morning light
Lying where the Falcons fly, they twist and turn all in you e’er blue sky
Living on your western shore, saw summer sunsets asked for more
I stood by your Atlantic sea and I sang a song for Ireland
June and Phil McLough

Postscript … from Blood and Brick … a world of walls

In Belfast, the capital of Northern Ireland, there are imposing walls that have actually stood longer than that in Berlin. Now called the the Peace Walls, they were first erected by the British army in 1969. They were temporary affairs of corrugated iron, as the inter-community conflict solidified and ossified, they were soon extended and upgraded to bricks, steel and concrete. The walls separated predominantly Protestant loyalist and Catholic nationalist enclaves throughout The Troubles, the three decades of bombings, murders, riots and civil-rights protests.

Though not all linked, 38 kilometres of walls still slice through the city, outliving the conflict that engendered them. Only some short sections have been removed – partly they’ve become a tourist attraction, while the communities that live closest to them say they still provide a sense of security – though tensions may have eased, people are easily divided and it’s much harder to bring them together again. In the Shankill and Falls roads area of western Belfast, which were particularly notorious during The Troubles, the wall is splattered with political messaging, which makes it easy to know which side you’re on. One side has portraits of British soldiers and the queen and kerbs are painted red, white and blue. On the other the colours of the Irish flag predominate, framing portraits of Republican heroes and hunger-strike martyrs.

Belfast’s Peace Wall

Blood and Brick … a world of walls

A forgotten Anzac story in Greece’s bloody history

A king sate on the rocky brow
Which looks o’er sea-born Salamis;
And ships, by thousands, lay below,
And men in nations—all were his!
He counted them at break of day – 
And when the sun set, where were they?
Lord Byron, Don Juan

Christopher Allen, The Australian’s art critic, writes of how Greece’s antiquity presses in on the present. It is a lightweight piece, surveying as it does three millennia of history, from the days of the Greeks, Alexander, the Great and the Romans to those of the Ottomans and their successor states –  but it is elucidating nonetheless.

It is a brief reminder of the veracity of the phrase “history is always with us”, and of how the past continues to shape the present through its influence on culture, human nature, and ongoing events – a constant guide, providing both cautionary tales and inspiration for the future, as we carry our history with us in our identities, cultures, societies and recurring patterns of behaviour. As author and activist James Baldwin is attributed to have said, “History is not the past. It is the present. We carry our history with us. We are our history”.

Greece has always lived a double life. To the casual visitor, it is a sun-splashed idyll of sea and sky, but its history tells a darker story – a long, hard ledger of heroes and horrors, and the stubborn will to survive wedged between warring empires. The last two and a half millennia have been less a tranquil Mediterranean tableau than a parade of conquerors, liberators, and the occasional poet-adventurer.

Over time, Greece has drawn to its shores soldiers and adventurers, poets and dreamers – and naive youths like myself. I hitch-hiked down from what was then Yugoslav in the summer of 1970, a young man with a second-hand rucksack and followed the looping Adriatic highway from Thessaloniki and Athens. I knew enough history to feel the charge of passing near Thermopylae, where Spartans once made their famous last stand against the might of Xerxes. But I wasn’t to learn until over half a century later that an army of ANZACs battled overwhelming odds just a valley away.

The past, in Greece, as in the Middle East, always stands just offstage, awaiting its cue and refusing to stay politely within its own century. It is not merely one of the world’s most benevolent postcards; it is a crossroads of empires, a battleground of ambitions, a cavalcade of famous names and places, where East and West have met, mingled, clashed, and sometimes embraced in the long swirl of history, where the mythic and the modern travel together.

One particular reference also reminds me of how history sends out roots, twigs and branches throughout the settled and hence recorded world.

Tempe, on Sydney’s Cooks River, wears its classical inheritance more openly than most Sydney suburbs. When Alexander Brodie Spark built Tempe House in the 1830s, he christened the estate after the Vale of Tempe in northern Greece – a narrow, ten-kilometre gorge carved by the Pineiós River as it threads between Olympus and Ossa. The poets imagined Poseidon’s trident had cleft the mountains to make it; Apollo and the Muses strolled beneath its laurels; sacred branches were cut there for Delphi. Spark, standing between his own modest “Mount Olympus” and the river, saw a faint echo of the Greek idyll and gave the place its name.

But the Vale of Tempe was never entirely pastoral. Armies have squeezed through that narrow defile for millennia. The Persians marched through it on their way south – Tempe lies just north of the iconic pass of Thermopylae, part of the same chain of passes that determined so much of Greek military history. And in the twentieth century it would again become a stage for outsiders in uniform.

In April 1941 Australian and New Zealand troops, together with British units, were thrown into Greece as Lustre Force – outnumbered, outgunned, and facing a German army with air superiority and modern communications. One of the hardest-fought delaying actions took place – inevitably, given the geography – at Tempe Gorge on 18 April (the featured image of this post, from the collection of the Australian War Museum). The Australian brigade was commanded by Brigadier A.S. Allen, who had formed the first battalion of the new AIF. His “Anzac Force” (apparently the last operational use of that designation) held the gorge long enough to impede the German advance and allow wider Allied withdrawals. The serene valley Spark had sentimentalised became, for a few violent hours, an Anzac bottleneck: those same narrow walls that once sheltered shrines now channelling rifle fire and Stuka attacks. Many of those men would soon find themselves on Crete, resisting the first large-scale parachute assault in military history.

And then – because Australia never resists a touch of Mediterranean whimsy—the Hellenic (and Hellenistic) echoes continue in our own neighbourhood on the Midnorth Coast. Halfway along the road from Bellingen to Coffs Harbour lies the township of Toormina, home to our closest shopping centre and to the Toormi pub. Its name began its life on the slopes of Mount Tauro in Sicily, in the ancient town of Taormina, the site of a famous amphitheater. In the 1980s local Italian residents of who were clients of developer Patrick Hargraves (the late father of a good friend of ours) suggested the name “Taormina” for the new subdivision. He liked the idea but clipped the opening “a” to make it more easily pronounceable- and Toormina entered the Gregory’s and thelocal vernacular.

So in our small corner of New South Wales, Greek myth, Persian marches, Anzac rearguards, and Sicilian nostalgia all whisper from the signposts. Tempe and Toormina: unlikely twins, proof that even the quietest suburb can carry the long shadows of the ancient world.

See also in In That Howling Infinite, Ottoman Redux – an alternative history and The fall of the Ottoman Empire and the birth of Türkiye 

Uncovering a forgotten Anzac story in Greece’s bloody history

From ancient battles to World War II, a visit to Athens’ War Museum exposes the dramatic military history that shaped modern Greece. Christopher Allen’s deeply personal connection unravelled in the process.

Christopher Allen, The Australian, 21 November 2025
James Stuart, View of the Erechtheion, Athens, October 1787. Photo: Royal Academy of Arts, London. Photographer: Prudence Cuming Associates Limited.

James Stuart, View of the Erechtheion, Athens, October 1787. Royal Academy of Arts, London. Photographer. Prudence Cuming Associates Limited.

A little over 200 years ago, the Greeks began their war of independence from the Ottoman Empire, which had conquered most of the Byzantine world in the 15th century; the renaissance in Western Europe thus coincided with the beginning of a new dark age for the Greeks under Turkish oppression. Some islands held out for longer: Rhodes, home of the Knights of St John, was taken in 1522, forcing them to withdraw to Malta; Cyprus, ruled by the French Lusignan dynasty from the time of the Crusades and then by Venice, was brutally conquered in 1571, and Crete, held by Venice since 1205, finally fell after a generation-long siege in 1669.

The Ottoman Empire reached the apogee of its power in the early 18th century, but then began a slow decline, one of whose incidental effects was to make the Greek world more accessible to Western travellers: James Stuart and Nicholas Revett spent time in Athens from 1751 and published their Antiquities of Athens in several volumes in 1762. By the early 19th century, Greece had become part of the itinerary of the Grand Tour; by 1816, the Parthenon Frieze was in the British Museum and profoundly transformed modern understanding of Ancient Greek art.

Meanwhile the Greek War of Independence began with revolts in the Peloponnese in 1821 and a Declaration of Independence in 1822, eliciting a savage response from the Turks and sympathy from intellectuals and the educated public in Western European countries. The slaughter of the population of the island of Chios in 1822 led Eugène Delacroix to paint his famous Massacre at Chios, exhibited in the Salon of 1824 and purchased in the same year for the national collection; it is today in the Louvre. In 1823, the most famous poet of his day, Lord Byron, who had already demonstrated his sympathy for Armenian culture and independence from the Ottomans, went to Greece to help in the fight, both personally and financially.

This 1813 portrait by Phillips depicts Lord Byron, the famous English poet, wearing traditional Albanian attire. It captures his fascination with the Balkans and his travels, marking a moment of cultural exchange in his life. Picture: Alamy

This 1813 portrait by Phillips depicts Lord Byron in traditional Albanian attire. Alamy

Byron’s death in 1824 at Missolonghi only attracted more attention and sympathy to the cause of Greek freedom, and the great powers – Britain, France and Russia – warned the Turks about further repression, even though they were also committed, for different reasons, to maintaining the integrity of the crumbling Ottoman Empire. In 1827, at the Battle of Navarino, an international fleet led by the British and commanded by Sir Edward Codrington destroyed the Turkish and Egyptian navies. After further interventions on land by Russian and French forces, the Ottoman Empire was compelled, by the Treaty of Constantinople in 1832, to accept the independence of mainland Greece, although initially only as far north as the so-called Arta-Volos Line. The north, including Thessaly, Macedonia and Thrace, remained in Ottoman hands and Mustafa Kemal Ataturk was born in the former Byzantine city of Salonika in 1881.

Instability in the Balkan provinces of the Ottoman Empire in the 1870s gave the new Greek nation the opportunity to annex the central region of Thessaly in 1881 (while Britain incidentally acquired Cyprus in 1878). Further important gains were made during the two Balkan Wars (1912-13): much of Epirus in the northwest as well as Salonika and most of southern Macedonia, most of the Aegean Islands and Crete; the British had already ceded the Ionian Islands in 1863 and the Italians would relinquish the Dodecanese after World War II in 1947. Meanwhile, in the aftermath of World War I, Greece had briefly seized eastern Thrace and territories in Anatolia, soon to be retaken by the Turks with immense loss of life in the Great Fire of Smyrna in 1922.

Model of Byzantine warship from the War Museum

Model of Byzantine warship from the War Museum

This is of course a very much simplified version of the extraordinarily complicated story of Balkan politics from the mid-19th century, which forms such an important part of the lead-up to World War I. All of these events were accompanied not only by terrible military casualties on all sides, but by massive disruption to the population of lands where people of different ethnicities and faiths had lived side-by-side for centuries as part of a multiethnic empire, including war crimes and atrocities against civilians and non-combatants. And Greeks who had previously enjoyed political and economic prominence throughout the Ottoman world, including the Phanariots of Constantinople, were first stripped of their privileges, then persecuted and finally expelled in the tragic population exchange of 1923.

All of these events and many more are covered in the exhibits at the Athens War Museum, which I had never visited until a few weeks ago, but which gives a vivid idea of the almost continuous warfare that has been carried on over the past couple of centuries in a land most tourists imagine as a paradise of sea, sun and waterside taverns. The events of the war of liberation, especially as we pass through so many bicentenaries in the current decade, are naturally well represented: there is, for example, a new and interactive display devoted to the sea battle of Navarino and events surrounding this decisive moment in the war.

There are portraits of the many famous leaders of the independence movement in their picturesque costumes, as well as dramatic reimaginings of heroic battles, and of course weapons and equipment of the time. The resonance of the Greek struggle in Western Europe is recalled in a copy of Delacroix’s Massacre at Chios, as well as a version of Thomas Phillips’s portrait of Lord Byron in exotic Albanian costume (1813), of which the original hangs in the British embassy at Athens; another replica by the artist himself, but only of the head and shoulders, is in the National Portrait Gallery in London.

Eugène Delacroix, The Massacre at Chios

But there is much more about the history of Greece in Antiquity, and the chronological arrangement of the displays makes this an effective way to follow the sequence of events, especially the main episodes of the Persian Wars – with the great battles of Marathon in 490BC and Salamis in 480 – as well as the subsequent conflict between Athens and her quasi-subject states on one side and Sparta and her Peloponnesian allies on the other, known as the Peloponnesian War.

This disastrous war (431-404 BC) was followed in the second half of the fourth century by the rise of Philip of Macedon to hegemony, for the first time, over almost all of mainland Greece. After his assassination in 336, his young son, who became Alexander the Great, embarked on a spectacular campaign that led to the conquest of the whole of the vast Persian empire, from Egypt to what are now Afghanistan and Pakistan. Alexander’s conquests led to the extension of Greek language and civilisation deep into Asia, creating the international culture of the Hellenistic period, characterised among other things by a rich and complex exchange of ideas and forms between East and West.

He left an indelible impression on all the lands he conquered and is, for example, the first historical figure in the Persian national epic, the Shahname. By the time of Ferdowsi, who composed this masterpiece a millennium ago, the Persians had forgotten about the Achaemenid dynasty that first created the Persian empire in the sixth century BC; even the great site of Persepolis was and still is called Takht-e Jamshid, the throne of Jamshid, one of the mythical rulers from the great epic.

Each of Alexander’s battles – he is one of the handful of great generals never to have been defeated – is illustrated in clear diagrams, but they are also recalled in later images, in this case particularly in a series of 17th-century engravings whose story is probably unknown to almost all visitors to the museum. These are reproductions of gigantic paintings made as cartoons for tapestries commissioned by the young Louis XIV in the 1660s from Charles Le Brun, who was to become his court painter and who was later responsible for the decorations at Versailles, including the Hall of Mirrors. The series illustrates the valour but also the magnanimity of Alexander, as is clear from the moralising inscriptions attached in the engraved versions. For a long time, the huge canvases were not displayed at the Louvre, but for the last few decades have had their own room upstairs in the Sully wing.

Following the chronological sequence from antiquity we eventually get back to the war of independence and its sequels already mentioned above; but the story continues, after what the Greeks call the Asia Minor Catastrophe of the early 1920s, with a new calamity two decades later. For Mussolini invaded Greece in October 1940 expecting, like Putin in Ukraine, to achieve an easy victory and utterly underestimating the strength and resolve of the Greek army. By the following spring, it was clear that he was getting nowhere, and Hitler decided to come to his rescue by invading Greece in April 1941.

A. Bormans, engraving after Charles Le Brun Alexander and King Porus

A. Bormans, engraving after Charles Le Brun Alexander and King Porus

An Allied army, mostly consisting of Australian and New Zealand troops as well as some British units, was hastily put together and sent from Egypt to Greece as Lustre Force. It was heavily outnumbered by the Germans, who were also massively better equipped and had the benefit of air cover and wireless radio communication. Nonetheless, the Allied army put up a determined resistance in a series of battles including one notable action on April 18, 1941 at Tempe Gorge commanded by my grandfather, then Brigadier AS Allen, who had formed the first battalion of the new AIF and taken our first troops to World War II. The brigade he commanded at Tempe was known as “Anzac Force”, apparently the last use of the term, after the designation Anzac Corps for the whole Australian and NZ component of Lustre Force.

After the evacuation of mainland Greece, my grandfather was sent to fight the Vichy French in Syria, but many of our troops were taken to Crete, where in May 1941 they were faced with the first and only large-scale parachute assault in military history, in which the Germans suffered appalling casualties but ultimately prevailed. Next year will be the 85th anniversary of these dramatic events in Greece and Crete, and among other things will be commemorated by an exhibition of Australian and NZ artists whom I accompanied on a two-week tour of these battlefields in the second half of October.

It was a moving experience to visit what are today the peaceful sites of such desperate battles almost three generations ago, aware at the same time of the long history of warfare in the same lands: the Persians marched through Tempe, which is just north of Thermopylae; Caesar defeated Pompey at Pharsalus (now Farasala), which you pass on the train from Athens to Salonika (now Thessaloniki), and; Cassius and Brutus died at Philippi in Macedonia, defeated by the Caesarian forces of Octavian and Mark Antony.

Christopher Allen is the national art critic for Culture and has been writing in The Australian since 2008. He is an art historian and educator, teaching classical Greek and Latin. He has written an edited several books including Art in Australia and believes that the history of art in this country is often underestimated.

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Answering the call – national service in Britain 1945-63

And I guess that’s why they call it the blues
Time on my hands could be time spent with you
Elton John

My sweetheart is a soldier as handsome as can be
But suddenly they sent him away across the sea
So patiently I waited until his leave was due
Then wrote and said, my darling,
I’ll tell you what to do:
Come to the station, jump from the train
March at the double down lover’s lane
Then in the glen where the roses entwine
Lay down your arms
And surrender to mine
Geoff Downes, John Payne and Gregory Hart

Not long after the unfortunate and former British Prime Minister Rishi Sunak appeared to be pandering to older voters by campaigning to bring back national service for Britain’s youth, an article appeared in the e-zine Unherd entitled “National values … grasping for something that doesn’t exist” by regular columnist Terry Eagleton. He wrote:

“Right-wingers … have a disreputable history of picking on that particular cohort. The young, and not just those of Muslim persuasion, are more likely to question the conventional mores of the time than the middle-aged, which is why they make a lot of conservatives uneasy. Maybe national service will get them to shape up. This is really quite a smart idea from a Tory standpoint, since many of the values which young people in Britain are wary of are military in origin … they are cultural traits rather than basic moral values. Loyalty, team-spirit, toughness, honour, character, valour, austerity, self-discipline, leadership, physical prowess: the nation divides between those like the present monarch who consider these values utterly vital, and those who think they have their origin in a tiny, unrepresentative sector of society (the officer class, public schools, Boy Scouts and so on), and stem ultimately from Britain’s repressive colonial history”.

Sunak’s call triggered some sympathetic martial bugles here DownUnder. There were letters to the editor aplenty in Australian newspapers, including our own Coffs Harbour News of the Area (an actual printed newspaper too). I couldn’t resist writing a response – and it was actually published:

“There’s been a couple of letters recently suggesting that national service would be a suitable panacea for the problems of delinquent youth, and another by Bellingen’s Warren Tindall (an old pal of mine, by the bye) on the “perils of national service”, reminding us that whingeing about the younger generation is timeless and generational. The notion appears to appeal to folk of a certain age who lament the lack of respect, discipline and Australian values (whatever that means) amongst Australian youth – the “knock some sense into them” law and order types who would like disorderly young folk to be “out of sight and out of mind”, and effectively, someone else’s problem. They naively believe that the induction of potentially underage and recalcitrant youths would somehow contribute to our defense manpower shortfalls and bolster our military preparedness. On the contrary, the conscription of unwilling and probably unfit recruits, and the time, effort and money needed to render them of use in any military capacity is are the last things a proficient defense force needs.

In countries culturally and politically unaccustomed to national service, conscription has historically been considered a burden on the forces. In western countries with national service – most notably the Scandinavian and Baltics, and Israel – young people grow up with the expectation of service and the national duty that implies, and are culturally and temperamentally prepared for it by the time they come of age. It is not a military trainer’s job or even skill set to “instil a sense of purpose”, teach “physical and mental coping skills” or “positive career paths” or “train responsible human beings”, whilst “reducing our prison population” seems like something like Vladimir Putin would do”.

All this brings me to British author Richard Vinen’s enthralling book National Service in Britain 1945-1963. It charts the institution’s origins, administration, and social consequences, painting a vivid picture of postwar Britain negotiating the uneasy transition from empire to welfare state, revealing how conscription shaped not only military efficiency but the habits, ambitions, and identities of an entire generation – a cultural imprint whose echoes still surface in debates about civic duty, and national identity.

Reading it a while back, I recalled the promotional video for the Elton John song quoted above with its nostalgic visual narrative of young lovers separated by a call to duty, including footage of young army conscripts and of the early British rock ‘n roll era. I also recalled the BBC serial Lipstick on Your Collar – a particular favourite of mine; A romantic pop song Lay down your arms featured in its finale. [More on Potter’s story below] Both dramatise a decade and more of British social history that few recall today when over two million young men were conscripted to serve in the armed forces for up to two years, and sometimes more, at a critical time in their social, intellectual and emotional development.

We republish below a comprehensive overview by Davenport-Hines But first, here are a some of my own recollections, and themes explored by Vinen that are not covered therein.

A grave new world 

After the Second World War (1939-45), the young men of Britain were called upon to meet new challenges facing the country in a rapidly changing world – the Cold War between the USA and its European allies, and the Soviet Union.

The post-war world was a tenuous time for the old empires. Whilst old King Canute demonstrated his inability to control the tides, when Britain faced emergent and powerful nationalist movements, it sought to reassert its control in de facto colonies as far-flung as Egypt and Palestine, Cyprus and Kenya; and together with France and the Netherlands, actually fought to reclaim and hold on to their “possessions” (a term that reflected a mindset as much as political reality) that had fallen to the Japanese. Portugal, Spain and Belgium likewise fought to prevent their subject peoples breaking loose. Few outposts of empire endure today. 

The decision to repurpose wartime conscription in 1947 was a response to these challenges and also to the threats presented by the Soviet Union and a multitude of communist-inspired and Soviet-nourished national liberation movements. And yet, only a very small proportion of conscripts served overseas – and most who did were stationed in what was then West Germany and isolated and divided Berlin.

To meet the military manpower needs of this grave new world, the National Service, a standardised form of peacetime conscription, was introduced in 1947 for all able-bodied men between the ages of 18 and 21. Nowadays, when all sorts of evasion, dodges, and exceptions are common in society at large, it is hard to imagine a nationwide system in which all were actually deemed eligible, lord or landless, toff or tough, brains or bozo, had to serve. endured and was endured for over a decade; its abolition was announced in 1957 but continued until 1960, and the last conscripts were not demobbed until 1963. Every fortnight some 6,000 youths were conscripted, with a total of 2,301,000 called up over the sixteen years.

And then it was over, not with a bang but with a series of whimpers, stuttering indecisively to a close, leaving few traces on the cultural topography of late twentieth century Britain. Whilst many soon to be famous authors, playwrights, producers and musicians served, only a few wrote of their experiences. Nor did many other conscripts, although Woodfield Publishing carries a range of memoirs by ordinary men who resolved to record their experiences for posterity. The most important films and television programs about National service were comedies. Carry on Sergeant, which appeared in 1958 was the first and the most innocent of the long “carry on“ series. It was filmed at a real army camp.

There was no tangible ‘outcome’ to National service. There was no single conflict that ended in victory or defeat. There were none of the collective events – bonfires, parties, mutinies – that marked the end of the two world wars. It was ‘ending’ almost soon as it began because individual men were demobilized every two weeks. They went back to work – in the tight labor market of 1950s some of them started jobs on the Monday after they were demobilized – and to marriage and families in the dour but brightening fifties. It was not until they retired in the 1990s that most of the former servicemen had much time to reflect on their youth – which is why national service was so little discussed in the three decades after it ended.

Setting a date for the end of conscription was awkward. No one wanted to be the last conscript. There was a danger that the whole system might come to an end in “a most ragged and unsatisfactory manner” if men knew the precise day on which was ceased to operate, especially since as officials recognized, they would not have the resources to track down and prosecute evaders once the machinery of National service had been put into mothballs.

Though the last years of national service were uncomfortable for many conscripts, in someways, they were even worse for regulars particular, particularly for regular officers in the army. The tone of civil-military relations changed. when the first peace time conscripts had been called up, the army still had some of the prestige that went with victory in the second world war and with the military traditions of the Empire …

Those who regarded themselves as defenders of the interest of the army, had implied that peace time. conscription was a burden for the forces and look forward to the day when a well trained well paid and dedicated professionals were combined comprise a lean flexible and hard, hitting army. At least, in the short term this did not happen, and the end of conscription went with an undignified period when middle-aged officers scrambled to hold onto their jobs.

In one sense conscription was just one aspect of a British illusion of great power status, an illusion few people outside Britain, and perhaps a few people outside the British governing classes, believed or cared about

As Vinen reminds us in his enthralling story, the public’s historical memory of the institution imperceptibly faded from the national consciousness once it had ended, once parents no longer fretted about their sons being called up and once young men no longer needed to be anxious about interrupting or postponing careers and higher education. High rates of employment, rising incomes and standards of living during the fifties and early sixties, the attractions of consumerism and new forms of mass entertainment, and the lowering of Cold War tensions with the death of Josef Stalin, gave rise to fresh and less war-like circumstances and expectations.

The end of national service coincided with the beginning of the cultural era now known as the sixties (which actually lasted from about 1963 until about 1973). Changes in British society in the 1960s would have made it increasingly difficult to call men up even if the government wished to do so. It was a time remembered for self-consciously irreverent attitudes towards the British establishment, the class system, the almost casual racism of the past, and indeed history itself. It manifested the in theatrical reviews of the early sixties like Beyond the Fringe and the scatological and iconoclastic Private Eye magazine, and also the so-called youth culture which revolved about fashion and pop music.

In 1964, a year after National Service finally ended, a British band called the Barron Knights recorded an awful parody medley called Call Up The Groups which imagined many popular British groups being conscripted. It was hammy and cringeworthy then and it has not aged well, but when listened to sixty years on, it seems like an irreverent dated relic of Britain’s stuttering “farewell to arms”.

The very last line of Vinen’s book says it all: the culture in which national service existed belongs to a different age. To repurpose LP Hartley’s well used line, the past was another country where people thought and did things differently.

Descent from Glory

As noted in our introduction, present day advocates of conscription – or “national service”, which soothes the sting of compulsion – argue that it would encourage young people to “shape up”, to inculcate in them those treasured values that many of a certain age believe have been lost in the tide of modernity – to reiterate, like patriotism, loyalty, respect, honour, character, valour, leadership, toughness, self-discipline and physical prowess. And yet, the society that existed in those postwar years, and the values it espoused and revered, are long gone. The historical, political, social and cultural conditions that rendered national service universally acceptable no longer exist.

The British Empire had created a political culture that took greatness for granted and victory in the Second World War had reinforced this, even as it eroded the resources with which great power might be supported. The leaders of both political parties shared this culture as did most of the officials who advised them; and during the early years of National Service, most people of all classes accepted the shared obligation to serve, and with the memory of the war years still fresh and the Soviet and communist “threat” manifest, the populace as a whole were onboard with what could be described as official patriotism.

Most national servicemen had grown up in a period when there were no great ideological divisions in Britain. At least they were mostly young and the forces provided them with little in the way of political education. Of the small number who were actually posted overseas, many went without having much idea of what they were being sent to defend, and rarely understood what they were doing. In farflung outposts like Cyprus and Palestine, Kenya and the Far East, they were fighting people with whom they were not at war and often, as in Korea and later, in Egypt, countries that were not British possessions. The army didn’t get down to the politics what it was all about, and some national servicemen appear to have thought about the political significance of their actions at Suez, or in Malaya only years after the event.

Regular Army officers introducing themselves to conscripts would advise to tell them that the British preferred the term national service to conscription, because, to quote Vinen, “that is what it is “a service to the nation, each national serviceman contributes towards giving the nation, strong and efficient army”.  Judged on an international perspective, however, the most striking thing about national service is, that was not actually very national

And yet, the military authorities never tried to instill patriotism.

Often, particularly in new states many ethnicities and religious affiliations and little social cohesion, military service is regarded as a “school of nation” inculcating presumptive national loyalty, values, interests. This was not the intent of the designers of national service. It was not intended to inculcate patriotic feelings. Nor was it really designed to foster manly martial virtues. Service for most conscripts was monotonous and seemingly pointless, whilst stories of bullying and mistreatment were common. One serviceman, Peter Burns, noted in a memoir years later: “In the old phrase, I went in a boy and came out a man, but not a very nice man”. He did not elaborate further.  

It was manpower first and foremost, “boots on the ground” and potentially, on the battlefield – though technological innovation was rendering “serried ranks” redundant. Military authorities, determined to make things easier for themselves, were reluctant to call up, as a War Office report put it “a social group that is poorly integrated in the nation. For example, barrow boys, gypsies, the racing community, Liverpool Irish, foreign communities in London, the Glasgow community from which the gangs are recruited, etcetera … “. Indeed, the forces were probably glad to be rid of some of their potential and actual delinquent conscripts. 

Conscription was never applied in the part of the United Kingdom where the largest number of people was likely not to feel themselves British: Northern Ireland. In Scotland and Wales, there was a small amount of overtly nationalist opposition to fighting for a ‘foreign’ government. more important was the general sense that conscription did not fit with the social structure of either Wales or Scotland. The Welsh dislike of the armed forces, rooted in chapel going respectability, was very different from the antipathy to army discipline that was associated with some working-class Scotsman. Sometimes the single word that aroused most terror in the war office was Glasgow”. 

National service did not create a more homogenous and disciplined society – on the contrary, it worked partly because Britain, mainland Britain at least, was already homogenous and disciplined.

But there were the outliers. As Vinen writes: “Would that substantial group of men of Irish origin living in mainland Britain have been called up during the northern Irish troubles? What would the forces have done about non-white immigrants? Black Britons were not excluded from national service, but given how rare such men were, it is significant that they were quite common amongst those that officers regarded as ‘difficult’. The British army recruited 2000 West Indians in 1960, partly to make the shortfall that sprang from the imminent end of national service. However, the authorities decided that coloured soldiers should not make up more than 2% of the strength of any corps”.

Lipstick on your collar … national service through Potter’s prism

Lipstick on Your Collar is a 1993 British TV serial written by the late socialist playwright Dennis Potter, acclaimed for his television dramas The Singing Detective, Karaoke and Cold Lazarus. He also wrote the brilliant screenplay for the film adaption of Martin Cruz-Smith’s most excellent novel Gorky Park, itself, in my opinion, one of the best ever film adaptations of a novel.

Potter was a national service conscript along with many soon to be well-known British politicians, sportsmen, authors, poets, playwrights and performing artists – including Rolling Stones bass player, former RAF private, Bill Wyman, iconic actor and national treasure Michael Caine, late actors Sean Connery and Michael Gambon, onetime Conservative Party firebrand Michael Heseltine, and the  ‘Angry Young Men’ of letters Allan Sillitoe, John Braine, Arnold Wesker and Joe Orton.

Royal Fusiliers conscripts circa 1952. Maurice Joseph Micklewhite (Michael Caine) is in the back row, fourth from the left.

The story is for the most part set in a British Military Intelligence Office in Whitehall during 1956.  A small group of foreign affairs analysts find their quiet existence is disrupted by the Suez Crisis. A young conscript is completing his national service as a translator of Russian documents, but bored with his job, he passes time in fantasy daydreams in which his very straight colleagues break into contemporary hit songs. The character is portrayed by a young  Ewan McGregor went on to movie fame in Star Wars and other major films. His fellow language clerk is a clumsy Welsh intellectual and admirer Russian poets and playwrights – Pushkin and Chekov in particular- whose academic career has been interrupted by his call up. collar.

The subtext is the conflict between the old order, as represented by the middle-aged and-patriotic regular army officers, the conscripted ‘other ranks’ as portrayed by the two privates, and the new ‘rock ‘n roll’ generation, illustrated her by dance halls, coffee bars, and ‘fifties American popular music.

Denis Potter studied at Ministry of Defence’s Russian Language School. Apparently, those few conscripts who graduated as interpreters and translators were regarded as the crême de la crême of conscripts. Often, trainees would put on concerts of Russian songs and plays for their own amusement. A natural linguist, he’d learned Russian whilst undergoing compulsory national service in the fifties. One such graduate was Tom Springfield, the elder brother of diva Dusty Springfield. He borrowed the melody of The Seeker’s timeless song The Carnival is Over from Stenka Razin a traditional Russian folk tune that told the tale of a drunken seventeenth century Cossack rebel who threw his Persian bride of one night over the side of his boat into the Volga River when his men accused him of going soft. Tom changed the story entirely though he retained a nautical riff and cast the star-crossed lovers as the theatre characters Pierrot and Columbine rather than casting them overboard. See High above the dawn is waiting” … the unlikely origin of a pop song


Boomers born at the right time

For the sake of this story, let’s jump back to 1945, the year a six year long worldwide war ended. As an early piece in In That Howlng Infinite wrote:

“And what a year that was! With peacetime restored, the British electorate immediately voted out its esteemed and beloved war leader, Winston Churchill, and bought Labour’s promise of a democratic socialism. In his excellent documentary The Spirit of ‘45, film maker Ken Loach describes the nationalisation of public services and industries and their subsequent privatization three decades later. His interviewees provide poignant anecdotes about the poverty of the 1930s, the dangerous and exploitative working conditions, poor housing, and abysmal health care, and the renewed sense of purpose and optimism a the end of the war and Labour’s landslide victory. He recounts the subsequent expansion of the welfare state, with its free to all medical service and the nationalization of significant parts of the British economy, most notably, electricity, the railways, and the mines. The Attlee government was elected due to a general belief that nothing would or could be as it had been before. Britain had pulled together to win the war; now, it would transform the peace.

But for ordinary folk, life in the immediate postwar years wasn’t that rosy. Britain emerged from the war victorious and though brave, physically battered and financially broke, its towns and factories in disrepair, and it’s people coming to terms with a not so brave new world of disappointed expectations and ongoing privation. Rationing, introduced early in the war on most foodstuffs and consumer items, remained in place and was only gradually lifted until its end in 1954.”

If we’re born in forties and early fifties, and look back, to our childhoods or to contemporary photographs and films, there is a patina of austerity and drabness. It was mirrored in how people dressed and in the fashions of the time. During the conflict and long after, clothing and colour were rationed due to the shortage of fabrics and of dyes as industry and manufacturing were directed to “essential industries” contributing to the war effort. This is why images of the time look so monochrome, or when colourized all blacks, browns and greys. Until the technicolor explosion that is now synonymous with the “swinging sixties”, enabled by the invention of new, often synthetic fabrics and an insurrectionist generation of designers, artists, and entrepreneurs.

I was born at the right time in the right place. I missed the Second World War, and arrived to be blessed with the benefits of the National Health Service – launched by Labour health minister Aneurin Bevan on 5th July 1948 – which had had at its heart three core principles: that it met the needs of everyone, that it be free at the point of delivery, and that it be based on clinical need, not ability to pay – and The Education Act , or ‘Butler Act’, of 1944 which promised and then delivered ‘secondary education for all’. I was too young to do National Service in the fifties, and caught the wondrous wave of the sixties in all its freewheeling, rumbustious glory, whilst Harold Wilson kept us potentially eligible conscripts out of America’s Asian war in Vietnam.

When I was a nipper, the Second World War was tangible. I born less than four years after the fighting finished. It was nearer than Vietnam, Iraq, Afghanistan, and even Northern Ireland are today. We just called it “The War”. We had family, friends and relations who had lived through it, fought in it, and died in it, as had many of the schoolmasters who taught us. Many wore scars and infirmities from the war, and some bore invisible wounds.

We played war-games on bombed-out “wasteland”. Rationing continued into the fifties, so it constrained our lifestyles. War stories were ubiquitous, on the screen and in print; James Bond had served in the war, as had George Smiley. In the boys’ comics, gallant British Tommies invariably overcame superior numbers of Germans, who were portrayed as mindless automatons and referred to contemptuously as ‘Krauts’ or ‘Jerries’. In the sixties, we built Airfix warplanes, battleships and fighting vehicles.

Conscription was reintroduced in 1948 to maintain what remained of Britain’s imperial dream; young men in uniform were always around whilst older cousins and friends’ big brothers had to do their national service. Little wonder that the war’s echoes reverberated through our imaginations, pastimes and preoccupations.

My own memories of National Service are are just fleeting images of young relatives in army uniforms and of school pals mentioning that their brothers or uncles were doing their bit. To us children, it was relatively unobtrusive and taken for granted. I commenced grammar school in September 1960 at a time when many grammar schools imitated the practise of public schools with a military training outfit called the CCF or Combined Cadet Force. Once a week, toy soldiers would strut about school in khaki attire. Prefects, another practise borrowed from public schools (along with the term “fags” for first and second formers – though none the servile duties immortalised in that fabulous movie If) were naturally officer-cadets. And they would march up and down the square with real guns! No ammo, but. I was already a Boy Scout by then and that was enough of matters martial and patriotic for me. And my Irish folks said “No!”

Whether by design or coincidence, by 1963, conscription and our school CCF were no more. And I did not notice the passing of either.

We were taught and accepted the narrative that wartime prime minister Winston Churchill had promulgated: that the period after the fall of France, when Britain had stood alone against the Axis powers, had been our finest hour and that the eventual defeat of Nazi Germany made all the sacrifices worthwhile. We also accepted His word for his pivotal role in it. “History will be kind to me”, he famously wrote, “for I shall write it”.  And we were inculcated with the values that he fostered and indeed, personified: courage, duty, obedience, self-denial, reticence, restraint – the qualities that had won the war, or at least had enabled Britons to survive it. This is what being a man meant, then. 

The are not values that resonate today. By the beginning of the sixties, “the times were a’changin’”, slowly but surely. Changes in British society in the 1960s would have made it increasingly difficult to call men up even if the government wished to do so. Rising levels of education, and also, of affluence wrought changes in attitudes and ambitions. The fifties gave rise to the phenomenon of “the teenager”, an American concept that took off in drab Britain as rationing came gradually to an end and as life in general took on more colour and excitement – young people were less accepting of authority, discipline, and ageing and anachronistic concepts of Queen and Country – and as the songs at the head if this post illustrate, love was always in the air …

Rather than keeping a stiff upper lip, we are encouraged to show our emotions; rather than keeping it in, we are supposed to let it all out. Like most of us today, I share these modern, peacetime values; yet I retain a respect for the men of my father’s generation. Without them, our lives would have been very different.

The world was much smaller then

In those days, young people did not travel too much, and accordingly, did not move far from their economic and social circles. Vinen notes that schools and later, universities, were for many, the most important gatehouses on the social frontiers. Until then, few folk got close enough to see the middle class or conversely, the working class closeup. The eleven plus was the border crossing where children who’d come through primary school together were filtered off onto different paths.

My recollections concur totally regional differences were less pronounced in primary school where children were drawn from a particular locality, where even Scottish, Welsh and Irish accents were to a degree diluted and normalized by schoolmates. My Roman Catholic primary school in Yardley Wood in south Birmingham was located between middle- and working-class neighbourhoods, the former on the eastern side of Trittiford Road, the latter on the west and south, so we were a socially mixed bunch. But Catholics all. Of Irish parentage, went through primary school without mixing socially with non-Catholics. Secondary schools drawing on a wider yet still local catchment saw more familiarization with differences accents, often of a social character. But it was in tertiary education that young people came into continued contact with contemporaries and teachers from all over the country and even from abroad.

Conscription in the Anglosphere post 1945

The following is a brief overview of postwar conscription in Australia and the United Sates, particularly with reference to its introduction in the light of these countries’ controversial involvement in the Vietnam War. Britain sat this one out – to the great relief of myself and my peers, who were all of conscription age and had no inclination to take part in America’s Asian war – although US President Lyndon B Johnson endeavoured unsuccessfully to strongarm and indeed blackmail British Prime Minister Harold Wilson into committing British troops to the conflict. A more comprehensive overview of conscription in the Eastern and Western blocs during and after the Cold War is provided in an addendum at the end of this post.

Britain had done away with military service in 1963; Belgium did so in 1992. France in 1997 and Germany 2011, between 2004 and 2011, a vast swathe of Europe did away with national service. Only Denmark, Estonia, Finland, Cyprus, Greece, Austria and Switzerland have never abandoned conscription.

In Australia, I’d meet veterans who’d been conscripted for the Vietnam War through the notorious, discriminatory birthday ballot – a method actually rejected by the British government as inequitable, unfair, and contrary to the notion of universal obligation.

It was introduced in April 1964 primarily to meet the challenges if of the Indonesian “confrontasi” and the emerging threats from communism in Asia and Australia’s overseas commitment to Cold War allies. Tensions were increasing between North and South Vietnam by May 1965, and as an ally of the US, Australia agreed to allow national servicemen to be sent overseas to Vietnam.

Australia sent over 60,000 military personnel to Indochina between 1962 and 1972, including large combat units and conscripts under the National Service Scheme. Most 20-year-old Australian men had to register for national service between 1965 and 1972, and 15,300 ‘nashos’ as they were called were conscripted into. More than 200 died and at least 1,200 were wounded on active duty.

Conscription was generally supported by Australians. Polls showed widespread support for the policy. Parents saw it as a way of instilling discipline in their sons, as well as teaching valuable life skills. At the time, the Australian media portrayed conscription in a positive way. Army life and national service were generally praised. The army was not so enthusiastic. Instead, it argued the need for skilled tradesmen and officers and not what it considered a ragtag selection of semi trained men. Public support waned after the first conscripts were killed, stirring the anti-war movement. Australia’s last combat troops came home from Vietnam in March 1972, and the national service scheme ended that December after the election of the Whitlam Labor government.

Like Britain, Canada did not enter the Vietnam War. New Zealand, the last of the ”Five Eyes” allies did, for similar geopolitical reasons to Australia’s.There was domestic opposition, but never on the scale or intensity of Australia’s anti-Vietnam movement. New Zealand’s total deployment was around 3,500 personnel over the whole war, but all of them were volunteers. There was no conscription in NZ and therefore not the same resentment about people being forced into service – major driver of Australian protests. The protest narrative focused on the morality and legitimacy of the war, not the injustice of conscription.

While in both countries, the conservative governments framed Vietnam as part of the Cold War “forward defence” strategy and alliance obligations (SEATO, ANZUS). the scale and visibility of the commitment in NZ were smaller, and the government carefully emphasised the limited nature of the force.

Early in the war, like in Australia, public opinion was more favourable toward involvement, partly due to alliance loyalties and the perception of a communist threat in Asia. Opposition grew in the late 1960s and early 1970s, particularly among students, churches, and parts of the Labour Party –  but large street protests only became common toward the end, especially around 1970–72. There was no equivalent of the huge moratorium marches across the Tasman.  NZ began winding down combat deployments earlier than Australia; the infantry company was withdrawn in late 1971, with only a small training team remaining until 1972. The Labour government elected in 1972 (Norman Kirk) quickly ended remaining involvement. It never became the same national political crisis that it did in Australia, but it did, help cement a more independent foreign policy during the 1970s–80s, culminating in the nuclear-free policy and tensions with the US.

America’s Vietnam conscription experience was combustible and cathartic. Between 1964 and 1973, the U.S. military drafted 2.2 million American men out of an eligible pool of 27 million. All men of draft age (born January 1, 1944, to December 31, 1950) who shared a birthday would be called to serve at once.

Although only 25 percent of the military force in the combat zones were draftees, the system of conscription caused many young American men to volunteer for the armed forces in order to have more of a choice of which division in the military they would serve. While many soldiers did support the war, at least initially, to others the draft seemed like a death sentence: being sent to a war and fight for a cause that they did not believe in. Some sought refuge in college or parental deferments; others intentionally failed aptitude tests or otherwise evaded; thousands fled to Canada; the politically connected sought refuge in the National Guard; and a growing number engaged in direct resistance. Antiwar activists viewed the draft as immoral and the only means for the government to continue the war with fresh soldiers. Ironically, as the draft continued to fuel the war effort, it also intensified the antiwar cause. Although the Selective Service’s deferment system meant that men of lower socioeconomic standing were most likely to be sent to the front lines, no one was completely safe from the draft. Almost every American was either eligible to go to war or knew someone who was.

© Paul Hemphill 2024.  All rights reserved

Global areas of operation for National Servicemen, 1947-63

National Service: Conscription in Britain 1945-1963 

The forgotten history of Britain’s peacetime conscription

Fifty years ago, at the dawn of the cultural revolution of the 60s, there had never been so many ex-soldiers and ex-sailors in British history. Mods and peaceniks were reacting against generations that had been mobilised during two world wars. Yet the militarisation of British society was not just the outcome of war. Under the National Service Act, introduced in 1947, healthy males aged 18 or over were obliged to serve in the armed forces for 18 months. After the outbreak of the Korean war in 1950, the length of service was raised to two years – more onerous than elsewhere in Europe. In practice national service was a catch-all for men born between 1927 and 1939 whose childhoods had already been overcast by economic depression, wartime bombing and evacuation. Although its abolition was announced in 1957, it continued until 1960, and the last conscripts were not demobbed until 1963.

Every fortnight some 6,000 youths were conscripted, with a total of 2,301,000 called up over this period. The army took 1,132,872 and the RAF much of the rest, leaving relatively few sailors. After discharge, conscripts remained on the reserve force for another four years, and were liable to recall in the event of an emergency. Many drilled men became conformist and respectful of authority, but others reacted to their experiences with a lifetime of insubordination and resentment. National service did not cause the upheaval or leave the distressed aftermath of the US draft in the Vietnam war, but the significance of the forgotten militarisation of mid-20th century Britain is enduring.

National Servicemen relax in the NAAFI canteen at Weybourne Camp, April 1954

In an era when it was hard to recruit enough regular soldiers to meet Britain’s commitments in Europe, the Middle East, Africa and Asia, conscripts trained to police regions occupied by the British after the war, to provide a reserve of troops who could be called up in any future major conflict, and they were available for immediate deployment, notably in the decolonisation wars in Malaya, Kenya and Cyprus. Most of them were not yet old enough to vote (voting age was only lowered from 21 to 18 in 1970) and felt disempowered. They had scant pay, and provided a cut-price way for Britain to maintain its illusory great power status. But withdrawing this number of fit youngsters from the economy at a time of labour shortage harmed British post-war reconstruction.

Vinen admits that he could write a whole chapter on a Conservative MP’s claim that he was offered a commission because an officer spotted that he was circumcised and concluded that he must be a public school boy. In turn, a reviewer could write a monograph on Vinen’s book, which is chock-a-block with important themes, provocative ideas, arresting stories, heartbreak and good jokes.

Nowadays we commemorate the launch of the National Health Service as promoting a historically unprecedented mentality whereby a benign state provided its citizens with social benefits rather than treating them as subjects serving the needs of the nation. The National Service Act was the negative counterpart of the NHS, whereby civilians were dragooned into compliance with the demands of the state. Its chief proponent was Field Marshal Montgomery, the posturing bully who was in a permanent panic of denial about his repressed homosexuality, and hoped to use military service to mould national character towards chaste combative virility. For many conscripts their sense of the state was not the benign NHS but the bullying of national service square-bashing.

Generally, though, national service was not intended as an instrument of social discipline. It was disliked not only by antimilitarists and left-wingers, but by middle-of-the-road people because it disrupted the lives of their sons in a period when there was full employment for the working classes. Welsh chapel-going traditions were hostile to conscription. Working-class Scotsmen fought army discipline. As Vinen writes, “Sometimes the single word that aroused most terror in the War Office was ‘Glasgow’.” Regular army officers resented national service, especially during its early years, because the need to train a constantly renewed stream of conscripts was dull, repetitive and diminished “real soldiering”.

The Church of England, unlike the nonconformists and the Catholics, encouraged its clergy to undertake national service. Anglicanism and “manly morality” were promoted together by the military authorities. An army guide of 1947 declared, “the sexual appetite was implanted in man for the lawful use in Wedlock”. Yet Christian morality had minimal influence on the sex lives of conscripts. Rather, says Vinen, national servicemen, as opposed to regular soldiers, believed in “that greatest of all postwar virtues: deferred gratification”. His findings support Claire Langhamer’s wonderful study The English in Love (2013) in showing how strongly young men of the 1950s were romantics who believed in love at first sight, idealised virginity and had sweet dreams of domestic bliss within the institution of marriage. The discomfort and violence of military life, the lack of privacy and the mindless rules imposed without consent produced a generation that cherished intimacy and non-confrontation. Most conscripts came from families where defiance of the law was inconceivable. Yet the armed forces gave innumerable opportunities for non-commissioned officers and clerks to exploit conscripts, pilfer stores and make dodgy deals. Many conscripts learned how to duck and dive, to break rules and subvert authority. One RAF clerk issued instructions that officers must count the number of flies stuck to flypapers at all bases. Such experiences chipped away at the law-abiding, respectful traditions of Britain before peacetime conscription.

Vinen depicts “the hellish chaos of basic training”: its violence, verbal savagery, the dumb misery of military drills, the horrors of bayonet practice. Several young men killed themselves during training – usually by hanging from a lavatory cistern, because “the shithouse” was the only place that gave a moment’s privacy – but suicide statistics seem to have been doctored by officials. Sergeants with booming voices and curling moustaches were fabled figures, but it was corporals who gave the orders in training – many were malevolent, sadistic figures. Vinen gives numerous instances of cruelty, both in training and in combat. These include the massacre in 1948 by a Scots Guards patrol – mainly national servicemen – of 24 Chinese labourers on a Malaysian rubber plantation, killings and mutilations in Kenya and a rampage by troops in Cyprus after two British servicemen’s wives were shot. A serviceman described: “wholesale rape and looting and murder”, including “a 13 year old girl raped and killed in a cage”.

Royal Engineers homeward bound from Suez on the SS ‘Dilwara’, 1954

National Service may prove to be the most original social history book of 2014. It is written with cool, elegant lucidity and there are neither ideological tricks nor obscure jargon. The book is bigger than its ostensible subject, embracing class, masculinity, sexuality, compliance, rebellion, combat atrocities, petty crime, notions of national identity, group solidarity, the fallibility of memory and what it means to be a man.

How National Service introduced in 1949 saw more than two million young men take up military roles 

  • Males aged between 17 and 21 were conscripted between 1949 and 1960
  • Initially recruits had to serve for 18 months, but this was extended to two years
  • Did YOU do National Service? Email harry.s.howard@mailonline.co.uk

Harry Howard, History Correspondent, Daily Mail, 31st August 2023

Between 1949 and 1960, more than two million men aged between 17 and 21 were conscripted into the armed forces as part of National Service.

Among them were acting legend Michael Caine, boxing champion Henry Cooper and former Conservative leadership contender Michael Heseltine.

Only those who failed the medical or who worked in the three ‘essential’ industries of coalmining, farming and the merchant navy were exempt.

This week, Commons Leader and former Defense SecretaryPenny Mordaunt backed a National Service-style scheme that could see every 16-year-old in Britain sign up.

The proposals – mooted by think-tank Onward – would not be compulsory, but youths would have to opt out if they did not want to join. As many as 600,000 youngsters could be involved.

Between 1949 and 1960, more than two million men aged between 17 and 21 were conscripted into the armed forces as part of National Service. Above: Triplets Allan, Brian and Dennis Kirkby (front, left to right) reporting with other recruits at North Frith Barracks, Hampshire, in 1953

Triplets Allan, Brian and Dennis Kirkby (front, left to right) reporting with other recruits at North Frith Barracks, Hampshire, in 1953

Michael Caine (back row, fourth from left) was among the men who were called up. He served in the Royal Fusiliers from from April 1952 and ended up fighting in the Korean War

Michael Caine (back row, fourth from left) was among the men who were called up. He served in the Royal Fusiliers from from April 1952 and ended up fighting in the Korean War
The British Empire – although diminishing – still existed and both Germany and Japan were still occupied following the end of the Second World War.

Ministers also wanted to re-establish British influence in the world, including in the Middle East.

Further manpower demands were imposed by the Cold War with the Soviet Union, whilst Indian independence in 1947 meant Britain no longer had the huge Indian Army to call upon.

Those who were conscripted as part of National Service would have to sleep 20 to a room in ramshackle barracks, with little heating, primitive toilets and poor washing facilities.

They would be woken at 5.30am and spent hours marching on the parade ground, with afternoons taken up by field or rifle training, ten-mile runs and obstacle courses.

Recruits spent their evenings cleaning the barracks, their kit and their rifles in a routine that was known as ‘the bull’.

Former boxing champion Sir Henry Cooper (pictured left with his twin brother George), who died in 2011, spent two years in the Army after representing Great Britain at the 1952 Olympic Games in Helsinki

Former boxing champion Sir Henry Cooper (pictured left with his twin brother George), who died in 2011, spent two years in the Army after representing Great Britain at the 1952 Olympic Games

Sir Henry Cooper (left) is seen on a training jog with other recruits during his National Service

Sir Henry Cooper (left) is seen on a training jog with other recruits during his National Service

Former Conservative minister Michael Heseltine, 90, was called up for National Service but served for just nine months before obtaining leave to stand as a Tory candidate in the 1959 election. Above: Lord Heseltine (middle row, fifth from right) with fellow conscripts at Caterham Guards Depot in 1959

Former Conservative minister Michael Heseltine, was called up but served for just nine months before obtaining leave to stand as a Tory candidate in the 1959 election: (middle row, fifth from right) with fellow conscripts at Caterham Guards Depot in 1959

National Service conscripts are seen at a depot in Kingston upon Thames in 1953

Conscripts are seen at a depot in Kingston upon Thames in 1953
National Servicemen at a depot in Kingston upon Thames enjoy a smoke as a comrade examines his rifle in 1953

National Servicemen at a depot in Kingston upon Thames enjoy a smoke as a comrade examines his rifle in 1953

National Servicemen are seen marching at a depot in Kingston upon Thames

National Servicemen are seen marching at a depot in Kingston upon Thames

National Servicemen are seen training with the Royal Air Force at RAF Booker in Buckinghamshire in 1951

National Servicemen training with the Royal Air Force at RAF Booker in Buckinghamshire in 1951

Punishments for any slip in standards included being confined to barracks, washing latrines or peeling potatoes.

Recruits also had little chance to see their families. They were given just 14 days’ leave for every eight months of service.

Basic pay in 1949 was 28 shillings (£1.40) a week, much less than the average weekly wage of around £8.

But the men still had to buy all their own razor blades, shaving soap, boot polish, haircuts, dusters and Brasso for polishing any buckles and badges.

If any kit was lost, recruits would have to pay for it twice. Once to replace it and once as a fine.

After finishing basic training, conscripts were posted to regiments both at home and abroad. Overseas postings included Germany, Cyprus and the Middle East.

Other National Servicemen who went on to become household names include Oliver Reed, Tony Hancock, and Bill Wyman of the Rolling Stones

Around 125,000 National Servicemen were deployed to war zones such as the conflict in Korea and 395 lost their lives in combat.

Others saw action in Malaya and during the Suez Crisis in 1956.

Although for some the experience of serving was a negative one, many National Service veterans look back fondly on the period.

They often formed bonds that have stayed with them ever since.

During his stint in the Royal Fusiliers, which began in 1952, Sir Michael, now 90, served in the Korean War.

He recalled his experiences in an interview with the Daily Mail in 1987.

Commenting on the tactics employed by the enemy, he told of ‘attack after attack, you would find their bodies in groups of four’.

‘We heard them talking and we knew they had sussed us…Our officer shouted run and by chance we ran towards the Chinese. Which is what saved us; in the dark we lost each other,’ he added.

Lord Heseltine, 90, served for just nine months before obtaining leave to stand as a Tory candidate in the 1959 election and then getting his solicitor to persuade the War Office that he did not need to return to the barracks.

Sir Bobby, 85, combined his football career at Manchester United with a stint in the Army in the mid 1950s.

He served with the Royal Army Ordnance Corps in Shrewsbury, meaning he could still play football at the weekend.

Former boxing champion Sir Henry Cooper, who died in 2011, spent two years in the Army after representing Great Britain at the 1952 Olympic Games in Helsinki.

Eighteen-year-old conscripts on parade at the Royal West Kent Depot in Maidstone, Kent, having been called up for National Service, November 195

Eighteen-year-old conscripts on parade at the Royal West Kent Depot , November 1955

Teenagers conscripted for national service line up at the Royal West Kent Depot in Maidstone for their inoculations in November 1954

Teenagers line up at the Royal West Kent Depot in Maidstone forinoculations in November 1954

Major General Sir Reginald Laurence Scoones of the British Army takes the salute at the passing-out parade of 32 National Service and regular recruits from the depot of the Royal Fusiliers (City of London Regiment) at the Tower of London, October 17, 1958

Major General Sir Reginald Laurence Scoones of the British Army takes the salute at the passing-out parade of 32 National Service and regular recruits from the depot of the Royal Fusiliers (City of London Regiment) at the Tower of London, October 17, 1958

National Service recruits who have entered the Army are seen lined up in 1952

National Service recruits  lined up in 1952

He joined up with his twin brother George. Recalling his first day, Sir Henry previously said: ‘Well, it’s all a bit nerve-wracking because we didn’t know what to expect.

‘We went to Blackdown where we did our basic training.

‘We had to have medicals, strip off in front of doctors, put our arms up and they stuck a needle, one in our shoulder, one in our arm, and we wondered what was going on.’

He added: ‘They were hard on you in those days. Thank God we were a little bit better than a lot of the ordinary guys.

‘We were very fit because we’d been training as amateur boxers so the physical fitness side didn’t bother us at all.’

Sir Henry was crowned Army Boxing Association champion two years’ running and went on to win the Imperial Services Boxing Association title.

In the late 1950s it was decided to bring National Service to an end, in part because of the burden it placed on the Army and the fact that workers were being drained from the economy.

Rifleman E Akid showing National Service recruits a captured Korean flag at the Royal Ulster Rifles Depot in Ballymena, County Antrim, Northern Ireland

Rifleman E Akid showing National Service recruits a captured Korean flag at the Royal Ulster Rifles Depot in Ballymena, County Antrim, Northern Ireland

Yorkshiremen are seen in 1956 posing for a group photo before they entered the armed forces for their National Service

Yorkshiremen a posing for a group photo before they entered the armed forces 1955
A group of national servicemen in the canteen at their barracks, November 1954

A group of national servicemen in the canteen at their barracks, November 1954

Swansea Town and Wales international footballer Cliff Jones serving his National Service at with the Kings Troop Royal Horse Artillery regiment of the British Army. Here he is having his rifle inspected at the St John's Wood barracks, October 14, 1957

Swansea Town and Wales international footballer Cliff Jones serving his National Service at with the Kings Troop Royal Horse Artillery regiment of the British Army. Here he is having his rifle inspected at the St John’s Wood barracks, October 14, 1957

Recruits are seen taking part in an assault course in 1955 after being called up for National Service

Recruits taking part in an assault course in 1955

The last recruits entered the armed forces in November 1960, with their service coming to an end in 1963.

The last man to be discharged was Second Lieutenant Richard Vaughan of the Royal Army Pay Corps, who departed on June 14, 1963.

Ms Mordaunt enthusiastically endorsed the blueprint for the new National Service-style scheme yesterday in an article for the Telegraph, saying it would foster the ‘goodwill and community spirit, energy and imagination’ of teens.

She also insisted it could promote ‘good mental health and resilience’ after the upheaval of the Covid crisis.

Addendum – Around the World

Britain 1945–1962

  • Name: National Service (post‑WWII call‑up)
  • Period: Men born from 1927–1939 were called; effective peacetime service formally ran 1947 to 1960 for new call‑ups, with final discharges in 1963 (legal end often cited as 1960–62 depending on measure). (Double‑check exact administrative end dates for your footnote.)
  • Age at call‑up: typically around 18–20 (varied).
  • Length of service: initially 18 months (later raised to 2 years during Korean War era, then cut back to 18 months by the 1950s).
  • Exemptions/deferrals: students, those in reserved occupations, medical unfitness, and conscientious objectors (who faced tribunals and could receive civilian or non‑combatant service).
  • Context: early Cold War, Korean War, decolonisation operations; political consensus for a peacetime force to meet global commitments. Abolished as Britain moved to a smaller professional army and as political pressure mounted against peacetime conscription.

Comparative snapshot: selected Western & allied countries (1945 → present)

Note: “Present” means status as of mid‑2024 unless otherwise noted. Please ask if you want this converted into a formal table with citations.

France

  • Post‑1945 pattern: Mandatory service re‑established after WWII; heavily used during the Indochina and Algerian wars.
  • Length: historically 18–28 months at various times.
  • End/suspension: Standing conscription ended in 1996 (President Chirac suspended the appel). France shifted to a professional army; short mandatory civic training (Journée Défense et Citoyenneté) remains.
  • Notes: Algeria and decolonisation had big effects on French policy and public debate.

Federal Republic of Germany (West Germany) / GDR (East Germany)

  • West Germany (FRG): Introduced conscription in 1956 (Bundeswehr). Length and rules changed over decades. Suspended in 2011 (modern Bundeswehr since then volunteer‑based; conscription remains in law but de facto suspended). Alternative civilian service existed.
  • East Germany (GDR): Conscription existed until German reunification in 1990.
  • Notes: Reunification led to integration and later suspension in unified Germany.

Italy

  • Post‑1945: Universal conscription throughout Cold War.
  • End/suspension: 2005 (Italy moved to an all‑volunteer force).
  • Notes: Length and structure varied; alternative civilian service for conscientious objectors established in the 1970s.

Spain

  • Post‑Franco transition: Conscription continued during Francoist era and into the transition.
  • End/suspension: Abolished in the early 2000s (commonly cited as 2001), moving to a professional force.

Netherlands

  • Post‑1945: Conscription kept for Cold War.
  • Status: Compulsory service suspended in 1996 (military became professional; registration obligations remain in law).
  • Notes: Like many NATO states, transitioned in the 1990s.

Sweden

  • Post‑1945: Long tradition of universal conscription.
  • Suspension and reintroduction: Suspended in 2010, reintroduced in 2017 (partial, gender‑neutral selective conscription) in response to regional security concerns.
  • Notes: Good example of 21st‑century reintroduction.

Norway

  • Status: Conscription continued after WWII and remains active; Norway extended recruitment to women (practical gender‑neutral service).
  • Notes: Nordic model with broad reserve obligations.

Finland

  • Status: Conscription has been continuous since WWII and remains active; long service and comprehensive reserves are central to defence doctrine.
  • Notes: Key example of a small state with universal conscription for territorial defence.

Switzerland

  • Status: Active conscription for men with militia model; long tradition dating well before 1945 and continuing to present.
  • Notes: Extensive reserve system; alternative service exists.

Greece

  • Status: Conscription has persisted; length and requirements have varied but it remains active (security focus with Turkey as contextual factor).
  • Notes: Frequently among the longer service lengths in Europe.

Turkey

  • Status: Mandatory military service continues; important political and social role.
  • Notes: One of the larger countries with longstanding conscription.

Israel

  • Status: Conscription active and central to society (included here though not in “Western Europe”).
  • Notes: Universal for men and women; unique labour/defence mix.

United States

  • Post‑1945: Draft (Selective Service) used during Korea and Vietnam (peacetime draft active through early 1970s).
  • End/suspension: All‑volunteer force established in 1973; Selective Service registration remains mandatory for men (no draft since 1973).
  • Notes: US is important precedent for transition to volunteerism.

Canada

  • Post‑1945: Canada did not maintain peacetime conscription after WWII (it had conscription in WWII and limited measures in WWI). No peacetime universal conscription for most of the Cold War.
  • Notes: Canada used volunteers and reserves; National Service not used after WWII.

Australia

  • Pattern: Australia used selective/periodic national service schemes post‑1945: e.g. conscription for Korean War era? (there were early 1950s programmes) and notably 1964–1972 conscription for the Vietnam War (National Service Scheme) — abolished in 1972.
  • Status today: All‑volunteer force.
  • Notes: Australia shows intermittent use tied to specific conflicts and governments.

New Zealand

  • New Zealand’s post-1945 conscription story is short and quite different from Britain’s or Australia’s. Compulsory military training (CMT) existed during the war; at the end of WWII, conscription was wound down but not entirely abandoned.
  • In 1949, New Zealand reintroduced Compulsory Military Training for men aged 18–26. This wasn’t the same as Britain’s two-year full-time National Service — instead, recruits did a few months’ full-time training (initially 14 weeks), followed by years in the reserves with annual camps. New Zealand’s 1949–1958 scheme was short-term training + reserves rather than Britain
  • Korean War period: CMT supplied trained reservists but no direct mass call-up for the Korean front; active service was still voluntary.
  • Abolition: The peacetime CMT scheme was abolished in 1958 by the Labour government (Walter Nash PM), in part due to cost and a belief that a small professional army plus reserves would suffice.
  • Later conscription: No peacetime conscription after 1958. During the Vietnam War, New Zealand’s forces were all-volunteer (unlike Australia’s mixed volunteer/conscription model).
  • Current status: No conscription; military is all-volunteer.

Cross‑cutting themes & political context

  1. Cold War & immediate post‑war security environment — NATO, Warsaw Pact, and decolonisation shaped demand for mass armies in 1940s–1960s.
  2. Colonial wars and conscription politics — France (Indochina/Algeria) and Britain (Malayan Emergency, Suez, later emergencies) faced public controversy and political consequences.
  3. Economic costs vs. professionalisation — By the 1990s many democracies shifted to volunteer forces to improve quality, reduce political resistance, and cut costs; the end of the Cold War accelerated this.
  4. Social effects & demographics — Education deferments, social class effects, and the experience of the working class vs. middle class; conscription often politicised by student movements (e.g., US/Vietnam).
  5. Conscientious objection & alternatives — Growth of legal alternatives, tribunals, civilian service provisions from the 1950s–1980s onward.
  6. Reserves, mobilization policy & territorial defence — Nordic and Swiss models retained conscription because of territorial defence doctrines; small states with perceived existential threats (Finland, Israel, Greece, Turkey) kept universal systems.
  7. Gender & conscription — Mostly male‑only until the 21st century; some states (e.g., Norway) expanded to gender‑neutral service in recent years.
  8. Legal suspension vs. abolition — Some countries (Netherlands, Germany) suspended conscription or kept the law on the books; others formally abolished it.

The USSR and the Warsaw Bloc (1945–1991)

The Soviet bloc had a very different conscription story to that of Western democracies, both in duration and in the political role of the draft. Here’s a condensed but detailed overview for the USSR, post-Soviet Russia, and Eastern Europe from 1945 to present:

  • Status: Universal male conscription was a central feature of Soviet defence. It had existed since before WWII and continued uninterrupted until the USSR dissolved in 1991.
  • Length:
    • Immediately after WWII: usually 3 years in the army, longer in the navy.
    • Reduced slightly in the late 1950s–60s (Khrushchev era) to about 2 years army / 3 years navy, which remained the basic Cold War standard.
  • Scope: All able-bodied men aged roughly 18–27; women could be drafted in wartime but were not subject to peacetime call-up.
  • Exemptions: Health grounds, some students (especially in priority fields), certain ethnic minority exemptions in early post-war years.
  • Role:
    • Central to the USSR’s massive standing force, supporting Warsaw Pact commitments.
    • Ideological as well as military — military service was seen as a key Soviet citizenship duty.
  • Notes: Discipline was often harsh, with hazing (dedovshchina) a chronic problem; conscripts served both in domestic garrisons and abroad (e.g., Eastern Europe, Afghanistan).

Post-Soviet Russia (1991–present)

  • 1990s: Conscription continued under the Russian Federation; legal term reduced in the 2000s from 2 years to 1 year (army) under reforms completed around 2008.
  • Exemptions/avoidance: Student deferments remain; draft evasion became common in the 1990s/2000s due to unpopular wars (Chechnya).
  • Current status: Conscription still active (as of 2024); men aged 18–30 serve 1 year. In wartime (e.g., Ukraine 2022–), the Kremlin has also mobilised reservists and in some cases extended service.
  • Differences from USSR: Smaller total force, more reliance on contract soldiers (kontraktniki), but conscription is still a key manpower source.

Eastern Europe – Warsaw Pact members (1945–1991)

  • General pattern: Every Warsaw Pact state maintained conscription for men during the Cold War; service length typically 18–36 months.
  • Common features:
    • Universal or near-universal male service, with medical and limited educational exemptions.
    • Conscripts formed the backbone of armed forces aligned with the USSR.
    • Political indoctrination part of military training.
  • Examples:
    • Poland: 2–3 years service until 1980s; some reductions late in the Cold War.
    • East Germany (GDR): Introduced conscription in 1962 (before that it was nominally voluntary); 18 months army service; alternative service existed from 1964 (construction units for conscientious objectors).
    • Czechoslovakia: 2 years for most of the Cold War; universal male service.
    • Bulgaria, Hungary, Romania: 18–24 months typical; service deeply integrated into socialist “citizen duty” ideology.

Post-1991 – Eastern Europe after communism

Ended or suspended conscription (most NATO-aligned former Warsaw Pact states)

  • Poland: Suspended 2009 (professional force; registration remains).
  • Czech Republic: Suspended 2005.
  • Slovakia: Suspended 2006.
  • Hungary: Suspended 2004.
  • Romania: Suspended 2007.
  • Bulgaria: Suspended 2008.

Retained or reintroduced conscription

  • Estonia, Latvia, Lithuania:
    • Lithuania suspended in 2008, reintroduced in 2015 due to Russian aggression in Ukraine/Crimea.
    • Estonia and Latvia have maintained or reintroduced forms of conscription (Latvia restarted in 2023).
  • Belarus: Maintained continuous conscription (close Russian ally).
  • Ukraine: Maintained conscription post-1991; partially suspended in 2013, reinstated in 2014 after Crimea; now fully mobilised for war.

Key contrasts with Western Europe/Britain

  • Longevity: USSR and its satellites kept conscription far longer, with no 1960s/70s abolition wave seen in Western Europe.
  • Purpose: In the East, conscription was linked not just to military manpower but to political indoctrination and socialist identity.
  • Transition after 1991: Most former Warsaw Pact states that joined NATO abolished conscription by the late 2000s, while Russia and some post-Soviet states retained it.
  • Resurgence: Some Eastern states (Baltics, Ukraine) have reintroduced or strengthened conscription due to perceived Russian threat — a trend not mirrored in Western Europe except in Sweden.

Key comparative themes

  1. Duration & timing: Britain’s National Service was a comparatively short post‑war peacetime draft (roughly late‑1940s → early‑1960s) vs. the Soviet bloc’s continuous Cold War conscription and the patchwork Western transition to volunteerism from the 1970s–2000s.
  2. Purpose & doctrine: Western shifts towards professional forces were driven by expeditionary/NATO interoperability, cost/quality debates and changing public opinion; Eastern conscription prioritized territorial mass, political control and bloc commitments.
  3. Colonial/operational effects: Colonial wars (France, Britain) made conscription politically salient; in contrast, Moscow used conscripts for garrisoning client states.
  4. Political contestation & social impact: Student movements, anti‑war activism (Vietnam, Algeria, late‑1960s), and changing labour/economic expectations shaped abolitionist pressure in the West; in the East, conscription was harder to contest publicly under single‑party regimes.
  5. Resurgence & selective reintroduction: Recent security shocks (Russia’s actions 2014–present) have prompted reintroduction or reinforcement of conscription in parts of Eastern Europe; Sweden’s 2017 reintroduction demonstrates the flexible, security‑driven character of modern conscription policy.
  6. Legal suspension vs formal abolition: Some countries suspended conscription (kept the law on the books) while others formally abolished it — an important distinction when discussing future reintroduction.

100 years of Mein Kampf … the book that ravaged a continent

Perfection, of a kind, was what he was after,
And the poetry he invented was easy to understand;
He knew human folly like the back of his hand,
And was greatly interested in armies and fleets;
When he laughed, respectable senators burst with laughter,
And when he cried the little children died in the streets.
W H Auden, Epitaph On A Tyrant (1939)

The English poet W. H. Auden spent some time in Berlin during the early 1930s – the last years of the Weimar Republic prior to the Nazi ascendency –Some commentators suggest that Auden actually wrote Epitaph on a Tyrant in Berlin. But It was published in 1939, the year that the Second World War broke out – and Auden had departed the city before the end of Weimar in 1933. But he was full aware of where the world was heading – during the mid-thirties, he’d briefly journeyed to Republican Spain in the midst of the Civil War and to Kuomintang China during its war with Japan – see In That Howling Infinite’s Journey to a war – Wystan and Christopher’s excellent adventure.

The poem has been interpreted as a very brief study in tyranny, but few could doubt whom Auden had in mind. In this very short poem, Auden turns a familiar phrase from the New Testament in upon itself   evoking and then evicting ‘But Jesus said, Suffer little children, and forbid them not, to come unto me: for of such is the kingdom of heaven’ (Matthew 19:14). There is nothing Christlike about this tyrant: he will not suffer the little children to come unto him. The little children, instead, will be the ones to suffer. he also inverts a specific phrase by the nineteenth-century writer John Lothrop Motley, in The Rise of the Dutch Republic (1859), citing a report of 1584 about the death of the Dutch ruler William the Silent: ‘As long as he lived, he was the guiding star of a whole brave nation, and when he died the little children cried in the streets.’

I recalled the poem, one of the very first of Auden’s poems I encountered nearly sixty years ago, as I was reading the essay republished below written by the most erudite economist and academic Henry Ergas on the occasion  of the centenary of the publication on 16 August 1925, of Mein Kampf  (lit.My Struggle), Nazi Party founder and leader Adolf Hitler‘s combined autobiographical reflections and political manifesto, encompassing an uncompromising ideological programme of antisemitism, racial supremacy, and expansionist ambitions.

A century later, the impact of Mein Kampf on the world remains both undeniable and deeply troubling. Initially dismissed by some as the ramblings of a failed revolutionary, the book became the ideological blueprint for the Nazi regime, legitimising policies that culminated in the Holocaust and a world war that claimed tens of millions of lives. Beyond the destruction of the mid-twentieth century, Mein Kampf has endured as a symbol of hate literature, resurfacing periodically in extremist movements, political propaganda, and debates over free speech and censorship. Its centenary compels reflection not only on the book’s historical role in shaping one of the darkest chapters of human history, but also on the persistence of the prejudices and authoritarian impulses it so virulently expressed.

Mein Kampf‘s bitter harvest

The Second World War began on 2nd September 1939 with Germany’s sudden and unprovoked invasion of Poland on 2nd September, and Britain and France’s declaration of war on Germany the day after. On 17 September, the Soviet Union invaded the country from the east in accordance with the Treaty of Non-aggression between Germany and the Union of Soviet Socialist Republics,  ,forever known as the Molotov-Ribbentrop Pact. a neutrality pact between Nazi Germany and the Soviet Union signed in Moscow on August 23, 1939, by foreign ministers Joachim von Ribbentrop and Vyacheslav Molotov, respectively.

Japan formally entered the war on September 22, 1940 with the invasion of French Indochina, having been at war with China since 1931, and officially formed an alliance with Germany and Italy five days later. The United Kingdom declared war on the Empire of Japan  on 8 December 1941, following the Japanese attacks on British Malaya, Singapore and Hong Kong on the previous day, as well as in response to the bombing of the American fleet at Pearl Harbour on December 7. The United States to enter World War II the following day.

World War II ended in Europe on May 8, 1945, with Germany’s unconditional surrender, known as Victory in Europe Day (V-E Day). The war in the Asia Pacific concluded on September 2, 1945, with Japan’s formal surrender aboard the USS Missouri, designated Victory over Japan Day (V-J Day). This followed the atomic bombings of Hiroshima and Nagasaki and the Soviet Union’s declaration of war on Japan

The Nazis, with a little help from their allies and collaborators, murdered (there is no other word) an estimated six million Jews and 11 million others In camps and jails, reprisals and roundups, on the streets of cities, towns and villages, in fields and in forests, and in prison cells and torture chambers. And in the fog of war, the dearth of accurate records, and the vagaries of historical memory, the actual number is doubtless higher – much higher.

The term ‘Holocaust’ generally refers to the systematic and industrialized mass murder of the Jewish people in German-occupied Europe – called the Shoah or ‘catastrophe’ by Jews. But the Nazis also murdered unimaginable numbers of non-Jewish people considered subhuman – Untermenschen (the Nazis had a way with words!) – or undesirable.

Non-Jewish victims of Nazism included Slavs who occupied the Reich’s ostensible lebensraum – living space, or more bluntly, land grab (Russians – some seven million – Poles, another two – Ukrainians, Serbs and others in Eastern Europe caught in the Wehrmacht mincer; Roma (gypsies); homosexuals; the mentally or physically disabled, and mentally ill; Soviet POWs who died in their tens of thousands; Roman Catholics, Protestants, and Orthodox Christians who defied the regime; Jehovah’s Witnesses and Freemasons; Muslims; Spanish Republicans who had fled to France after the civil war; people of colour, especially the Afro-German Mischlinge, called “Rhineland Bastards” by Hitler and the Nazi regime; leftists, including communists, trade unionists, social democrats, socialists, and anarchists; capitalists, even, who antagonized the regime; and indeed every minority or dissident not considered Aryan (‘herrenvolk’ or part of the “master race”); French, Belgians, Luxemburgers, Dutch, Danes, Norwegians, Albanians, Yugoslavs, Albanians, and, after 1943, Italians, men, women and young people alike, involved with the resistance movements or simply caught up in reprisals; and anyone else who opposed or disagreed with the Nazi regime. See below, Ina Friedman’s The Other Victims of the Nazis and also, Wikipedia’s Victims of the Holocaust

Worldwide, over seventy million souls perished during World War II. We’ll never know just how many …

Lest we forget …

From In That Howling Infinite’s  2nd September 1939 – the rape of Poland (1)

The immoral mathematics of World War II – Deaths by Country 

COUNTRY MILITARY DEATHS TOTAL CIVILIAN AND MILITARY DEATHS
Albania 30,000 30,200
Australia 39,800 40,500
Austria 261,000 384,700
Belgium 12,100 86,100
Brazil 1,000 2,000
Bulgaria 22,000 25,000
Canada 45,400 45,400
China 3-4,000,000 20,000,000
Czechoslovakia 25,000 345,000
Denmark 2,100 3,200
Dutch East Indies 3-4,000,000
Estonia 51,000
Ethiopia 5,000 100,000
Finland 95,000 97,000
France 217,600 567,600
French Indochina 1-1,500,000
Germany 5,533,000 6,600,000-8,800,000
Greece 20,000-35,000 300,000-800,000
Hungary 300,000 580,000
India 87,000 1,500,000-2,500,000
Italy 301,400 457,000
Japan 2,120,000 2,600,000-3,100,000
Korea 378,000-473,000
Latvia 227,000
Lithuania 353,000
Luxembourg 2,000
Malaya 100,000
Netherlands 17,000 301,000
New Zealand 11,900 11,900
Norway 3,000 9,500
Papua New Guinea 15,000
Philippines 57,000 500,000-1,000,000
Poland 240,000 5,600,000
Rumania 300,000 833,000
Singapore 50,000
South Africa 11,900 11,900
Soviet Union 8,800,000-10,700,000 24,000,000
United Kingdom 383,600 450,700
United States 416,800 418,500
Yugoslavia 446,000 1,000,000

WORLDWIDE CASUALTIES*

Battle Deaths 15,000,000
Battle Wounded 25,000,000
Civilian Deaths 45,000,000

*Worldwide casualty estimates vary widely in several sources. The number of civilian deaths in China alone might well be more than 50,000,000.

Read also, in In That Howling Infinite: Righteous Among the Nations and Las Treces Rosas – Spain’s Unquiet Graves 

Mein Kampf made depravity the highest form of morality: Hitler’s ‘Nazi bible’ a playbook for hate

A picture-illustration showing Adolf Hitler in Munich in 1932 and his book, Mein Kampf. During WWII Hitler wore a simple uniform rather than the elaborate costume of a supreme commander, highlighting his affinity with the ‘grunts’ on the line. Picture: Heinrich Hoffmann/Archive Photos/Getty Images

A picture-illustration showing Adolf Hitler in Munich in 1932 and his book, Mein Kampf. During WWII Hitler wore a simple uniform rather than the elaborate costume of a supreme commander, highlighting his affinity with the ‘grunts’ on the line. Picture: Heinrich Hoffmann/Archive Photos/Getty Images


W
hen Adolf Hitler’s Mein Kampf (My Struggle) was published exact­ly 100 years ago, the reviews were scathing. The reader, proclaimed the Frankfurter Zeitung, could draw from the book one conclusion and one conclusion only: that Hitler was finished. The influential Neue Zurcher Zeitung was no kinder, lambasting “the sterile rumination of an agitator who is incapable of rational thought and has lost his grip on reality”. As for Karl Kraus, the great Austrian essayist and critic, he famously dismissed it, quipping: “When I think of Hitler, nothing comes to mind.”

But while the book that would become known as “the Nazi bible” was hardly an immediate bestseller, it was far from being a dismal flop. By the end of 1925, nearly 10,000 copies had been sold, necessitating a second print run, and monthly sales seemed to be trending up. Even more consequentially, Mein Kampf, with its comprehensive elaboration of the Nazi world view, proved instrumental in consolidating Hitler’s until then tenuous position as the leader of the Nationalsozialistische Deutsche Arbeiterpartei  (National Socialist German Workers’ Party) or NSDAP. Both Hitler and Max Amann, who ran the Nazis’ publishing house, had good reason to be pleased.

After all, the initial circumstances of the book’s production were scarcely promising. When Hitler arrived at Landsberg prison in November 1923, following the failure of a farcically mismanaged putsch, he was assessed by the staff psychologist as “hysterical” and suicidal. However, having determined to end it all by embarking on a hunger strike, he sat down to write his valedictory statement – and with the full support of the prison’s director, a Nazi sympathiser who was happy to accommodate his every need, the project soon expanded, until the writing came to consume Hitler’s days.

Once Emil Georg, a director of the powerful Deutsche Bank and generous funder of the NSDAP, provided the aspiring writer with a top-of-the-line Remington typewriter, a writing table and all the stationery he required, Hitler’s new career as an author – the profession he proudly declared on his 1925 tax return – was well and truly under way.

The difficulty, however, was that Hitler wrote very much as he spoke. Page after page required substantial editing, if not complete revision. Some of it was undertaken by Rudolf Hess, who had a university degree, and Ernst Hanfstaengl, a German-American Harvard graduate. But many of the most difficult sections were eventually worked over by the unlikely duo of a music critic, Josef Stolzing-Cerny, and Bernhard Stempfle, a priest.

The greatest tensions arose in settling the title. Hitler, with his habitual grandiloquence, had called it Four and a Half Years of Battling Lies, Stupidity and Betrayal. Convinced that title would doom it to failure, Amann adamantly insisted on, and seems to have devised, a shorter alternative. Thus was Mein Kampf, the name that would go down in history, born.

Mein Kampf’s singular lack of focus proved tobe a strength.

Mein Kampf’s singular lack of focus proved to
be a strength.

Viewed superficially, the text, despite its editors’ best efforts, seems inchoate, veering across a bewildering range of grievances, pseudo-historical accounts and exhortations. Yet its singular lack of focus proved to be a strength. It meant there was something in it for each of the social groups the Nazis were attempting to mobilise, with every one of those groups finding the real or imagined harms that afflicted it covered in its pages. And whenever they were discussed, each group’s darkest nightmares were portrayed in striking, often lurid terms.

Hitler himself explained his approach in the book’s discussion of propaganda.

“Most people,” Hitler said, “are neither professors nor university graduates. They find abstract ideas hard to understand. As a result, any successful propaganda must limit itself to a very few points and to stereotypical formulations that appeal to instincts and feelings, making those abstract ideas vividly comprehensible.”

That is exactly what Mein Kampf set out to do – and it did so by hammering three basic themes: that the Germans were victims; that the culprit for the wrongs they had suffered were the Jews; and that only a fight to the death against “world Jewry” could bring Germany’s redemption and return it to the pre-eminence that was its birthright and historic destiny.

What gave the book its resonance was that each of those themes was well and truly in the air. Nowhere was that clearer than in respect of victimhood.

Thus, the end of World War I had not been viewed in Germany as a military defeat. Rather, the widespread perception, vigorously propagated by General Erich Ludendorff, was that had the German army, which retained undisputed mastery over its home soil, not been “sabotaged” by liberals, freemasons, social democrats and communists, it would have held out, forcing the Allies to a settlement.

Key themes in Mein Kampf was that the Germans were victims and the culprit for the wrongs they had suffered were the Jews.

Key themes in Mein Kampf was that the Germans were victims and the culprit for the wrongs they had suffered were the Jews.

The capitulation was, in other words, the result of a “stab in the back” that treacherously delivered the nation to the harsh, grotesquely unjust, treatment eventually meted out at Versailles by the war’s victors.

Closely associated with the resulting sense of unfairness, and of an undeserved defeat, was the smouldering resentment felt by returning soldiers.

World War I had ushered in the glorification of the rank and file, expressed in countries such as France, Britain and Australia by the erection of national memorials for the Unknown Soldier. Here was a figure that represented both the individual and the mass: sanctified by the nation, the Unknown Soldier also stood for the multitudes sent out to die and too quickly forgotten.

That was the case almost everywhere – but not in the newly established Weimar Republic. Unlike its counterparts, the republic erected no national monument, created no worthy memorial: the ghosts of the dead were left unburied.

Moreover, unable to deal with the trauma of the war, the republic accorded veterans no special status: even when their wounds made them entirely disabled, they were entitled only to the paltry benefits accorded to others suffering from similar levels of disability.

With the country’s new leaders abandoning those who had borne so many risks and so much pain on Germany’s behalf, an unbridgeable cleavage opened up between “those who had been there” – with all of their rage and frustration, fury and disillusionment – and those who had not. It is therefore no accident that both for innumerable forgotten soldiers and for the families who had lost their sons and fathers, Hitler, who had lived through the carnage, came to symbolise the unknown soldier of World War I.

Nor is it an accident that during World War II he always donned a simple uniform rather than the elaborate costume of a supreme commander, thereby highlighting his unshakeable affinity with the “grunts” on the line.

Hitler, chancellor of Germany in 1933, is welcomed by supporters at Nuremberg. Picture: Hulton Archive/Getty Images

Hitler, chancellor of Germany in 1933, is welcomed by supporters at Nuremberg. Picture: Hulton Archive/Getty Images

The last, but perhaps most broadly felt, source of the sense of victimhood was the devastation wreaked by the “great inflation”.

The immediate effect of the price hikes, which began in 1921, accelerated in late 1922 and became a hyperinflation (that is, one involving monthly price increases of more than 50 per cent) in 1923 was to obliterate the savings of skilled workers, pensioners and the middle class. No less important, however, it also shattered those groups’ social standing which, in a society still geared to honour and respectability, relied on the ability to conspicuously maintain a dignified lifestyle appropriate for one’s status. Instead, for the first time in their lives, previously comfortable professionals, foremen and highly trained workers were reduced to a struggle of all against all, as they vainly attempted to sell once prized, often hard-earned assets that had suddenly – and mysteriously – become utterly valueless.

And as well as leaving a legacy of trauma, that experience created an enduring sense of unpredictability, casting the new republic as incapable of maintaining intact even the elementary foundations of daily life.

Stefan Zweig was therefore not exaggerating when he wrote, in his The World of Yesterday, that “nothing ever embittered the German people so much, nothing made them so furious with hate as the inflation. For the war, murderous as it was, had yet yielded hours of jubilation, with ringing of bells and fanfares of victory. And, being an incurably militaristic nation, Germany felt lifted in her pride by her temporary victories. But the inflation served only to make it feel soiled, cheated, and humiliated. A whole, scarred, generation could never forget or forgive.”

But where there are victims there must be victimisers – and Hitler delivered those too. Towering among them were the Jews.

Mein Kampf’s obsession with Jews is readily demonstrated: including cognate terms, such as Jewry, the 466 references to Jews in the book outnumber those to every other substantive term, including race (mentioned 323 times), Germany (306), war (305) and Marxism, which gets a paltry 194 – still ahead of national socialism and national socialists which, taken together, are referenced only 65 times.

It is certainly true that there is, in those obsessive references, virtually nothing original. Hitler’s tir­ades largely reassemble the anti-Semitic tropes that had emerged in the late 19th century and that were widely disseminated in a notorious forgery, The Protocols of the Elders of Zion.

But Hitler’s formulation, while substantively irrational, was arguably more logical than most in the way it combined and superimposed elements from conventional anti-Semitism, pseudo-biology and social Darwinism.

Mein Kampf’s promise of redemption was crucial … from the midst of despair, a new notion of German glory and greatness began to emerge. Hitler with Nazi officials in Munich in the summer of 1939, just before the start of WWII.

Mein Kampf’s promise of redemption was crucial … from the midst of despair, a new notion of German glory and greatness began to emerge. Hitler with Nazi officials in Munich in the summer of 1939, just before the start of WWII.

Thus, relying on a loose biological metaphor, it defined Jews as a parasite – but as one that had deliberate agency and that consciously (and collectively) sought to infect its victims, notably the “purer”, more advanced “races”.

Second, it asserted that the resulting infection was not only fatal to its victims but ultimately to their entire “race”.

Third, it projected on to that account the image of a Darwinian struggle that had been fought across recorded history’s entire course, between Jews on the one hand and the superior races on the other: a struggle that could end only with the extinction of the Jews or their adversaries.

And finally, it argued that, unless anti-Semites learnt to display the same degree of ruthlessness, the same insistence on ethnic loyalty, the same stealth and the same forms of manipulation of media and the public sphere, the Jews stood every chance of triumphing because they entirely lacked ethical standards, were exceptionally cunning, ambitious, aggressive and vindictive and – last but not least – had a natural bond to each other, combined with a murderous hatred of others.

The resulting portrayal of Jews was as terrifying as it was bizarre. Jews, it seemed, were chameleons, who were both subhuman yet extraordinarily capable, both fanatical Bolsheviks and natural capitalists, both physically repulsive yet immensely able to seduce and “infect” innocent Aryan maidens.

Moreover, they could shift effortlessly and surreptitiously from any one of those myriad shapes into any another, choosing whatever form was most likely to succeed in destroying their opponent.

As the great German philosopher Ernst Cassirer later recalled, he and his other Jewish friends found those claims “so absurd, so ridiculous, and so crazy, that we had trouble taking them seriously”. But others did not have any difficulty in doing so.

Many forces were at work. Some resulted from the war years. For example, the terrible food shortages caused by the British blockade (which was lifted only two years after the war ended) had resulted in spiralling prices for basics on the black market – with the finger being readily, although entirely incorrectly, pointed at alleged hoarding by Jews.

And more indirectly, but no less potently, the horrific second wave of the 1919 influenza pandemic, in which 400,000 Germans died, had given enormous prominence to notions of infection and contagion. As careful statistical studies subsequently showed, that prominence had enduring effects, as the Nazis secured significantly greater electoral support in the worst affected areas than in those where the death toll was lower.

But by far the greatest factor was the profound disruption of the post-war years, when everything Germans had taken as solid melted into thin air, leaving a pervasive feeling of bewilderment.

For all of its myriad flaws, the Kaiserreich, as the German Empire was known, had exuded a stability that made the future predictable. Now, with one seemingly incomprehensible event piling up on top of another, the desperate search to make sense of the world triggered an equally desperate search for someone to blame.

That was precisely what Hitler’s vast Jewish conspiracy offered. Mein Kampf, Heinrich Himmler pithily noted, was “a book that explains everything”. If it was so effective, Hannah Arendt later reflected, it was because its playing on tropes and stereotypes that were relatively familiar could, at least superficially, “fulfil this longing for a completely consistent, comprehensible, and predictable world without seriously conflicting with common sense”. All of a sudden, things fell into place – with consequences for Europe’s Jews that would forever sully Germany’s name.

Sign erected by British forces at the entrance to the Bergen-Belsen camp. Picture: Imperial War Museum

Sign erected by British forces at the entrance to the Bergen-Belsen camp. Picture: Imperial War Museum

Bodies being flung into a mass grave at Belsen. Picture from the book Children's House of Belsen, by camp survivor Hetty Verolme

Bodies being flung into a mass grave at Belsen. Picture from the book Children’s House of Belsen, by camp survivor Hetty Verolme

If those horrendous conse­quences eventuated, it was because Mein Kampf did not only identify an alleged disease; it also set out a path to national redemption. In that respect, too, its main points were entirely unoriginal.

However, what was relatively new, and especially important, was the unadulterated celebration of death and violence in which they were couched.

Whether Hitler called for Jews to be massacred is a matter of interpretation. What is beyond any doubt is that he came as close to it as one possibly could. The Jews, he claimed, would “accentuate the struggle to the point of the hated adversary’s bloody extermination”. As that happened, it would be absolutely impossible to defeat them “without spilling their blood”. And when it came to that, their opponents, locked “in a titanic struggle”, would have to “send to Lucifer” – that is, to hell – “those who had mounted an assault on the skies”: that is, the Jews.

There would be, in the process, countless victims; but the Aryans who perished would be martyrs, “acting in accordance with the will of the Almighty Creator”, and like Hitler himself “fighting for the work of the Lord”.

As with so much of Mein Kampf, the sheer violence of those calls, and of the text more generally, fell on fertile ground, again especially among veterans.

If those veterans had one thing in common it was the experience of “total war”, characterised by the ever-growing porousness of the boundaries between soldiers and civilians both as combatants and as targets of destruction.

Once they got to the front, it did not take long for ordinary soldiers to discard the fantasies of splendid bayonet charges across fields of flowers. Instead, burrowed underground in trenches filled with slime and excrement, rats and rotting body parts, what many learnt was that life was war, and war was life.

And at least for some, the sacrifice and devotion of their comrades also taught that violence brought out the best qualities in man.

Winifred Williams, a Welsh woman who became a friend and supporter, provided the paper on which Hitler wrote Mein Kampf while he was in jail.

Winifred Williams, a Welsh woman who became a friend and supporter, provided the paper on which Hitler wrote Mein Kampf while he was in jail.

Rendering that habituation to violence even more extreme was the experience of the 5 per cent or so of German soldiers who volunteered for Freikorps (Free Corps) units that fought, from 1918 to 1923, against the wave of revolutionary movements throughout central and eastern Europe.

Particularly in the Baltic states, those struggles were brutally uncompromising, with mass executions not only of adversaries but also of entire villages of helpless Jews. It was in those struggles that many ingredients of Nazism were forged – its symbols, like the death’s head and the swastika; its core staff, who later largely comprised the leading personnel first of the Nazi’s paramilitary units and then of the SS; and the unbridled anti-Semitic savagery of its killing squads. To all those who lived through those struggles, Mein Kampf seemed to perfectly capture their world view.

But Mein Kampf’s promise of redemption was crucial, too. Yes, Germany experienced the aftermath of World War I as an unmitigated disaster. Yet, from the midst of despair, a new notion of German glory and greatness began to emerge. When the war finally ended, the survivors could not but feel an urge to endow it with meaning – with the hope that the countless deaths would be redeemed by creating a better future, not only for themselves but also for the nation, a future shorn of the causes of everything that had gone wrong.

And no one, in the chaos and misery of post-World War I Germany, painted the path to that national salvation as starkly, and as effectively, as Hitler.

Death and destruction follow delirium as surely as dust and ashes follow fire. Two long decades, punctuated by Hitler’s accession to power in 1933, separated, almost precisely, the publication of Mein Kampf from the “Zero Hour”, as it became widely known, on May 7, 1945, when Germany, reduced to rubble, surrendered and officially ceased to exist. The vision – or hallucinations – Hitler had produced in Landsberg’s ja

Death and destruction follow delirium as surely as dust and ashes follow fire. Two long decades, punctuated by Hitler’s accession to power in 1933, separated, almost precisely, the publication of Mein Kampf from the “Zero Hour”, as it became widely known, on May 7, 1945, when Germany, reduced to rubble, surrendered and officially ceased to exist. The vision – or hallucinations – Hitler had produced in Landsberg’s jail ensured that the 20th century’s fields of glory would be sown with the corpses of innocent victims and the distorted fragments of shattered ideals.

Between those dates, the book’s fortunes closely tracked those of its author. After the crash of 1929, and the onset of the Depression, sales boomed; and once the Nazi regime was in place it became ubiquitous. A second volume had appeared in December 1926; it was added to the 400 pages of the first in 1930.

To cope with the length, the combined book was printed on extremely fine paper, exactly like a bible. Soon after that, an ever-wider range of formats – going from cheap paperback versions to extremely luxurious versions bound in leather – was offered to readers.

The regime recommended that municipalities give a good quality copy to newly married couples as they stepped out of the wedding ceremony; estimates vary but it seems two million couples benefited (if that is the right word). The book also became the standard prize in schools, workplaces and party organisations, bestowed on recipients with all the pomp the Fuhrer’s great work demanded. Altogether, by the “Zero Hour”, 12.5 million copies had found their way into the hands of potential readers – yielding Hitler copyright payments, partly deposited in a Swiss bank account, that made him an extremely wealthy man.

How many Germans actually read it is hard to say; the answers given to immediate post-war surveys were understandably evasive. What seems likely, however, is that its influence came less from the scrupulous consumption of the “Nazi bible” than from short excerpts, read out at meetings and over the radio or printed near the mastheads of major papers, as well as from the million or so copies of “reader’s digest”-like variants sold during the Reich’s golden years.

In the chaos and misery of post-WWI Germany, no one painted the path to that national salvation as starkly, and as effectively, as Hitler

In the chaos and misery of post-WWI Germany, no one painted the path to that national salvation as starkly, and as effectively, as Hitler

But its greatest impact was almost certainly indirect. Regardless of what ordinary Germans may or may not have done, abundant evidence shows it was carefully studied and frequently consulted by the Nazi leadership. The regime’s core principle, the so-called Fuhrerprinzip, specified that “what the Fuhrer says is law”: but what the Fuhrer had actually said, and even more so, what he wanted, was almost always hopelessly unclear – yet entire careers depended on guessing it accurately.

As a result, the everyday life of the Nazi hierarchy’s upper echelons was consumed in a competi­tion to “work towards the Fuhrer”, as Hitler’s great biographer, Ian Kershaw, called it: that is, in trying to anticipate the Fuhrer’s will and show that no one could be more ruthless or determined in putting it into effect. It was in that process that Mein Kampf was absolutely fundamental, invariably referred to and systematically used.

And it was through that process that Hitler’s words made depravity the highest form of morality, atrocity the surest sign of heroism, and genocide the key to redemption.

Outside Germany, very few grasped that those horrors would unfold. Winston Churchill, Franklin Delano Roosevelt, Charles de Gaulle and David Ben-Gurion were among those few, carefully annotating early versions and gasping at the book’s implications.

But their warnings were ignored because Mein Kampf was plainly the work of a madman. As the British Labour Party’s leading intellectual, Harold Laski, said, when he was asked why he dismissed it, rational men and women “could not bring themselves to contemplate such a world”, much less believe that “any child of the twentieth century” would regard it as a realistic possibility.

But the Nazi art of politics, as Joseph Goebbels concisely defined it, consisted precisely in making the impossible possible and the absolutely inconceivable a practical reality. That art did not disappear with Nazism’s demise, nor did the murderous anti-Semitism whose seeds Hitler sowed a century ago.

As we mark Mein Kampf’s grim anniversary, we must, this time, take them seriously.