Ottoman Redux – an alternative history

Counterfactual or alternative history had never gone out of fashion. As a history tragic with many kilometers on the clock, I enjoy such alternative history. “What if…?” and “if only…” are natural, if not instinctual responses to events around us – particularly the unpleasant ones. Hence the popularity of films like SS-GB and The Man in the High Castle (WW2 and the “Nazi victory” books they are based which on have always attracted us alternative history aficionados. There is currently excitement (and panic in some politically correct quarters) about the prospect of a project pitched by Game of Thrones’ show-runners visualizing a USA in which the Confederacy won the Civil War and slavery endures still. But such history is an indulgence that serious historians ought not take seriously – unless they are branching out into historical fiction, that is, which many indeed do. Popular English author Peter Ackroyd has said, the words “What if …” should never be on a historian’s lexicon. But writers of historical fiction have literary license to let their imaginations roam. Counterfactuals or alternative history is a fiction genre all of its own.

When we create alternative histories, we largely replicate a history we already know, often intimately. We replicate histories in which most of the same variables coexist, and the same historical trends prevail. Our motives are quite often as much to warn readers or audiences as to entertain them. Hence the tendency for such endeavours to drift into the depressing dystopian dramas that are so in vogue in these challenged times.

And yet, changing one or more of the players, removing or adding ingredients, hypothesizing different, even opposite scenarios, and imagining how events might have transpired differently, may not radically alter the result. In the case of the First World War, for example, if the conflict had not happened, the European empires may or may not gave endured. Often such multinational entities contain the seeds of their own demise – internal dynamics and contradictions, the impact of events in other countries. Whose to say what might have happened in say France, Germany, Russia, Türkiye or the US that might have upended the balance of power?

One surmises whether or not there is an iron law of inevitability that determines – predetermines, even – the same or similar outcome – a historical equivalent of Oedipus’ unsuccessful efforts to avoid his prophesied fate, affirming TS Elliot’s observation in Little Gidding: “And the end of all our exploring will be be to arrive where we started and know the place for the first time”.

In this entertaining podcast, British historians Dominic Sandbrook and Tom Holland discuss many examples of what might have been if …

In an interesting if light-weight and indeed disappointing exercise in alternative history, with an absolutely meaningless but catchy play on the title of a fabulous song, title, The Sultans of Spring, The Economist recently pondered how events would have unfolded if the Ottoman Empire had sat out WW1 or joined the Entente of Britain, France and Russia instead of throwing in its lot with the Central Powers of Germany and Austria-Hungary.  You may click on the above link, or page down to the full (and brief) transcript. Al-Sisi below, but preceding this is a brief précis of a a popular paperback historical novel published a short  while ago which presented an imaginative if overcooked and totally different Ottoman history.

But first, here is my own argument:

So, what if?

Removing the Ottoman Empire from the strategic equation, or else placing it in the military scales against the Central Powers, would certainly have a significant impact upon the conduct and progress of the European war on both the eastern and western fronts. Russia and Britain would not have had to divert forces and materiel to the Middle East arenas. The Ottomans could have reaped the political and economic benefit of either neutrality or victory, with commensurate benefits for their own survival. The hypotheticals with respect to what may have happened next are innumerable.

The Economist surmises: “How much of today’s mayhem in the Middle East, from civil wars to terror in the name of Islam (and of restoring the caliphate) to the emergence of sectarian dictators such as Bashar al-Assad, not to mention of such a grudge-bearing Ottoman revivalist as Recep Tayyip Erdogan, might have been avoided, if only Churchill had embraced Johnny Turk instead of sinking him?”

But would things have turned out radically different if this had happened – notwithstanding the fact that three to five million Turks, Arabs, Armenians, Africans, Indians, and Europeans who lived in or soldiered through the Middle East theatre would have lived to die a natural death after fulfilling their own particular destinies or to perish purposefully or pointlessly in some other conflict.

The previous century had seen the steady decline of the Sultan’s Empire. It had commenced with Napoleon, and the rise of Muhammad Ali in Egypt, an Albanian “slave soldier” who in practical terms, seceded from the empire. Greece followed next, assisted by European states, and then, bit by bit, the Balkans. The Czar dubbed the empire the “sick man of Europe”, or so British politician John Russell misquoted him, and everybody wanted a piece. The European powers were circling hoping to pick up pieces as the Empire’s borderlands detached – Russia in the east, France in the Levant, and Britain in Egypt and the Gulf. The Crimean War was but one manifestation of “the Eastern Question” that had excited European Chancellories for a hundred years. France and Britain challenged Russia for power and influence in the East and went to war on the Sultan’s side, ostensibly to protect Christian rights in the Holy Land, but weightier matters were in play – alliances have always been fluid in this part of the world, as today’s shifting allegiances demonstrate. Crimea ended in stalemate, but Russia kept encroaching, whilst France established its presence in the Levant. Britain, meanwhile, has its sights set on Egypt and the Red Sea, (the vital  route to its African and Asian empires), and when it was finally built, the Suez Canal, a strategic and commercial link that to this day concentrates the minds of foreign and state departments, military strategists and corporations worldwide.

The Balkan states continued to decouple from the empire, and prior to 1914, engaged in several bloody wars with each other, drawing their neighbours deeper and deeper into the tangle. The slow countdown to WW1 accelerated with the Austro-Hungarian archduke being killed by a Serbian student. Gavril Princip’s “shot that echoed around the world” in Sarajevo in 1914 was but one part of a chaotic picture, igniting tinder that had long awaited a match. Russia, supported the Serbs, Germany, the Austrians, Britain, and France, the Russians. And the Ottomans, forever hard pressed by the Russians, French and Brits, had already moved into the German orbit. When the Ottomans entered the war on the side of the central powers, the cards were dealt.

The Empire was already on a revolutionary path what with the Sultan’s desultory efforts with constitutional reform, the ascendency of Young Turks, a cabal of Turkish nationalist army officers, and the parlous state of the economy. Efforts to institute political and economic reform had faltered, and sooner or later, something was going to blow.

Arab nationalism had already taken root in the Levant, a secular creed spear-headed by Arab Christian intellectuals, to be brutally suppressed by the Young Turk triumvirate, Enver, Talat and Jamal. “Martyrs” were being strung up in Beirut, Damascus and Jerusalem. Perhaps the Ottoman Middle East would have unraveled like in the Balkans (and Balkanised too? Most probably). The “wars of the Ottoman Succession” that we are witnessing today amongst the states created in 1921 would eventually have erupted.

The Zionist project was already underway at the outbreak of war, with settlements of Jews from Eastern Europe and Russia well-established in Palestine, often encouraged by the Ottoman authorities. The pioneers included many of the founders of modern Israel, including its architect and first prime minister David Ben Gurion. The pressures that drove Jews from eastern Europe and Russia in the first place (the discrimination and the pogroms paramount) were unlikely to abate given the atavistic nationalism of Holy Russia and just as Holy Poland. Sooner or later, Zionism and Arab nationalism were going to collide. We will never know how the Ottoman state and its Arab provinces would have coped with the emergence of a Jewish state in Palestine. It certainly would have put the popular (but highly qualified) narrative of Ottoman tolerance of other faiths through a rigorous stress test. The Zionists had a pretty clear road map, and they weren’t sharing it with their new neighbours.

The British, French and Russians had been involving themselves in Middle Eastern affairs – that confounding “Eastern Question” – since the Napoleonic wars. , and Germany, seeking its coveted “place in the sun”, wanted in. German influence was already strong amongst progressive army officers – Prussian elan, ethos, menswear and weapons have exerted a powerful influence on wannabe juntas, the “men on horseback”, since the days Frederick the Great. The Kaiser’s government was very keen on expanding German influence in the east as a counter to British and French imperial power. Meanwhile, the industrial powers were already sniffing around the Gulf, Iranian, and Mesopotamian oilfields, the economic impetus behind imperialism having yet to run its course. The sea-lanes that preoccupied policy-makers in London, Paris and Moscow were soon to be joined by railways and pipelines, with the Germans making the running with its backing of the Berlin to Baghdad Bahnhof. Petroleum would soon join the fabled Great Game as a western imperial obsession. And this too, in time, would have to come up against rising Arab nationalism.

Would Ataturk and Ibn Saud’s ascendency in Turley and Arabia respectively have happened? Perhaps. The political instability in Anatolia and the Arabian Peninsula, and also, as we have described in the Levant, would have created conditions which could have brought these ambitious,  capable and charismatic men to power.

Mustafa Kemal was just one of many promising Young Turks. Whether he would have risen above his peers without his Gallipoli reputation is moot – he would still have had to shove aside the three amigos. His Turkish nationalism, like that of his Young Turk compadres, was not sympathetic to Arab aspirations. Nor was his agnosticism empathetic to what he considered to be a backward and suffocating Islam. Fezzes and face-coverings were amongst the first things to go once he established his secular republic. Whether he could have held the empire together is another question.

Ibn Saud was not the only kid on the Arabian block. The Hashimites (the descendants of Jordan’s King Abdullah) held the western edge of the peninsula, but also the most spiritually significant – the “haramayn” of Mecca and Medina, no less. The Hashimite princes has their eyes on an Arab Kingdom, but Ibn Saud had his eyes on them. The house of Saud, with its Salafi Wahhabi credentials of a cleaner Islam was way “out there” as far as Arab politics and religion went at the time. Apart from perennial outbreaks of intolerance towards and repression of religious and ethnic minorities and heterodox Muslim sects, Istanbul ruled its multinational and multicultural empire with a light if autocratic hand. But there was all that oil – and to British policy makers, that trumped loyalty to the Qurayshi wannabes in the west, for all their descent from the Prophet and their custodianship of the Holy Places.

How would British-controlled Egypt’s politics have developed? Resistance to Britain and its puppet monarchy (headed by the descendent of that famed Albanian schemer Muhammad Ali, who had caused the Europeans so much angst in the early days of the Eastern Question) was growing and would develop into a secular Egyptian nationalism on the one hand and the Islamist Muslim Brotherhood on the other.

So: no Gallipoli campaign (Churchill would have had to find another project, and young Australia another patriotic shibboleth); no Arab Revolt – the Hashemites would have remained just another influential desert clan and TE Lawrence would not have become a legend; no Balfour Declaration or Sykes Picot agreement to distort and dismember the Arab Levant with two conflicting and irreconcilable nationalisms, so, no Syria, Iraq and Lebanon; no British (and Australian) advance on Gaza, Jerusalem and Damascus (General Allenby might have ended up on the Western Front instead of the steps of King David’s Tower in Jerusalem) and arguably, therefore no Mandate, no Palestine, and no Israel; no Armenian genocide to darken Türkiye‘s reputation and prefigure the Shoah that was to come, or then again, perhaps never came; and no Türkiye as we know it today (although President Erdogan is certainly acting out his inner sultan).

As former and unlamented Secretary of State Condoleeza Rice prematurely proclaimed in 2006 too much ridicule from Arabs generally, “a new Middle East”.

© Paul Hemphill 2017 and 2023 All rights reserved

For further history stories in In That Howling Infinite, see Foggy Ruins of time – from history’s back pages

For stories about the Middle East in In That Howling Infinite, see A Middle East Miscellany

TE Lawrence, General Allenby, Ataturk, and Ben Gurion

The Ottoman Secret

By Raymond Khoury

The Ottoman siege of Vienna of 1683 sees the city fall and the Christian forces annihilated. Western Europe is conquered soon afterwards and in 2019, an increasingly repressive Sultan still rules the continent (though Britain and Russia withstood the onslaught and remain independent nations). A lot has happened in the world since 1683, and as Christendom was vanquished, many things just didn’t happen. Russia is still ruled by the Czars, and America by a post-Mayflower Christian theocracy. Concepts like democracy, freedom of thought and expression, and gender equality are ideas still struggling against heavy odds to be born.

We are in Muslim Paris in 2019. Kamal Arslan Agha is a patriotic, loyal subject of the the Sultan and a special investigator of the Tashkeelat-i Hafiye, the secret police, on the front line of the empire’s harsh response to increasing political and economic turmoil throughout Europe. The Caliphate’s efforts to maintain law and order spare no one, and soon, Kamal’s own family attracts the Hafiye’s attention.

His brother and sister-in-law discover a secret so dangerous, the Caliphate must suppress it, and with the foundations of the Empire under threat, Kamal’s family have no choice but to run. Whether or not they can escape the pursuing Hafiye will determine their own fate, and that of the Caliphate itself – its past, its present, and its future.

Khouri’s vision of a world dominated by conservative, repressive regimes combining religious conformity with modern technology is not a pleasant one. Western democracy might have its faults, but as Churchill said, it’s better than most of the alternatives.

This is, of course, fiction, written by a novelist and not a historian. Its political, cultural and technical milieu is predicated on “what if? What if the Ottomans had expanded and prospered for three centuries instead of gradually transforming into the “sick man of Europe” to be dissected and defeated by western powers? What if through serendipitous and underhand means, the empire has acquired the military, industrial, scientific and technical wherewithal to build over four centuries a world that in many ways in not unlike our own? What if their had been no enlightenment, no French or Russian revolutions, no Hitler, no Holocaust, no Hiroshima?

Incidentally, the siege of Vienna in 1683 gives its name to ‘Gates of Vienna’, a fanatically anti-Muslim far-right blog. Its essential thesis is that this was only one battle in a long war and that Europe and its civilisation are constantly threatened by a Muslim invasion.

As Kurt Vonnegut’s avatar Kilgore Trout would say, “so it goes …”

Sultans of Spring – if the Ottoman Empire hadn’t collapsed.

Imagine the mayhem that might have been avoided had the Ottoman Empire been saved rather than sunk. Blame, among others, Winston Churchill

When a Serb gunman shot an Austrian archduke in the summer of 1914, the nations of Europe tumbled into war with all the grace of bowling pins. Austria-Hungary declared war on Serbia, whose ally Russia declared war on Austria, whose ally Germany declared war on Russia, whose allies France and Britain declared war on Germany and Austria. By early August the continent was in flames.

Much as it wobbled like the rest, however, one of those bowling pins could not make up its mind. Which way would Turkey fall? Should the fading Ottoman Empire join the Triple Entente (Britain, France and Russia) or go with the Central Powers (Germany and Austria-Hungary)

Turkey’s 500-year-old empire was shrinking. It had lost its territories in Africa, nearly all its Mediterranean islands and most of its Balkan lands as well as chunks of eastern Anatolia. It was debt-ridden, industrially backward and politically shaky.

Still, the sultan’s lands straddled two continents, controlling access to the Black Sea. His Arabian territories stretched beyond the holy cities of Islam to the mountains of Yemen and the Persian Gulf, where there were rumoured to lie vast caverns of the sticky black liquid soon to replace coal as the world’s chief source of power.

Confident of Turkey’s weakness, Britain, France and Russia could have clobbered the Ottomans and divided the spoils. Thankfully, wiser heads prevailed. At a secret conclave aboard a British dreadnought off the coast of Norway in late July, a far-sighted politician by the name of Winston Churchill, then First Lord of the Admiralty, worked with French, Russian and Turkish diplomats to forge a treaty. The Turks drove a hard bargain for, as they coyly revealed, Germany too was proffering arms and gold in exchange for an alliance.

The deal that was reached proved immensely beneficial to all concerned. From France, Turkey received generous debt relief. Russia scrapped all claims to Ottoman territory, and made a limited goodwill withdrawal from parts of Anatolia. Churchill waived further payment on two warships that British shipyards were building for Turkey. And Turkey received assurances that its vulnerable extremities would not be attacked; for an empire that for a century had been preyed upon like a carcass this was a new lease of life.

The rewards to the Triple Entente were equally big. Granted exclusive access to the Black Sea, Russia’s allies could resupply the tsar’s armies when they faltered at the start of the war. With no need to defend its Turkish frontier, Russia moved thousands of crack troops from the Caucasus to shore up its front lines. Turkey signed separate agreements recognising British control of the Suez Canal, Aden and the Trucial sheikhdoms of the Persian Gulf, securing the sea lanes for Britain’s massive deployment of troops from the colonies to the Western Front. Turkey’s own army joined in a broad front against Austria-Hungary. Together, these Allied advantages are thought to have shortened the war by as much as a year; the Central Powers might not have sued for a truce as soon as America entered the war, but fought on instead.
Reprieved from collapse, the Ottoman Empire’s government pursued radical reforms. Challenged by growing nationalist tendencies from Arab, Armenian, Greek and Kurdish subjects, Sultan Mehmed V issued a historic firman or proclamation that recognised these as individual nations united under the Ottoman sovereign.

The sultan got to keep the title of caliph, commander of the Sunni Muslim faithful, which his ancestors had acquired four centuries earlier. This proved useful when the empire had to put down a rebellion of religious fanatics in central Arabia, led by a man called Ibn Saud who gained followers by claiming he would restore Islam to a purer state. But mostly the empire was seen as a tolerant place. When Nazi persecutions drove Jews from Europe in the 1930s, many took refuge there (as they had done when expelled from Spain in 1492), particularly in the province of Jerusalem.

If only…

Needless to say, none of the above happened. Quite the opposite. Turkey aligned with Germany in the first world war, and the allies did attempt to invade and divide its empire. Churchill, instead of handing over the warships that ordinary Turks had paid for by subscription, had them seized for the British navy. In 1915 he ordered a catastrophic attack on Turkey; the landing at Gallipoli cost the allies 300,000 casualties. British campaigns against Turkey in Iraq and the Levant cost another million lives.

Turkey’s casualties mounted, by war’s end, to 3m-5m people, nearly a quarter of the Ottoman population. This included some 1.5m Armenians, slaughtered because Turkish officials believed they might become a fifth column for a hostile Russia. And when Britain and France grabbed the Ottomans’ Arab lands, their suppression of uprisings cost thousands more lives.

How much of today’s mayhem in the Middle East, from civil wars to terror in the name of Islam (and of restoring the caliphate) to the emergence of sectarian dictators such as Bashar al-Assad, not to mention of such a grudge-bearing Ottoman revivalist as Recep Tayyip Erdogan, might have been avoided, if only Churchill had embraced Johnny Turk instead of sinking him?

Ataturk Monument, Istanbul

Here are other posts about Turkey past and present:

Sailing to Byzantium

The Watchers Of The Water

Cha … Cha … Changes

People Watching In Sultanahmet

 

 

 

 

 

Mo Ghile Mear – Irish myth and melody

     Sé mo laoch, mo Ghile Mear,
    ‘Sé mo Chaesar, Ghile Mear,
    Suan ná séan ní bhfuaireas féin
    Ó chuaigh i gcéin mo Ghile Mear

The song begins as the camera focuses on the face of the singer. A soft and confident tenor, he gently leans into a long-gone poet’s Gaelic verse. The camera pulls back to reveal a phalanx of young people behind him. They are dressed plainly. The lads in dark suits and open-neck, white shirts, and most sport five o’clock shadows. The lassies in dark dresses, blouses and pants. They join the soloist, quietly at first, but rising soon in unison. A bodhran kicks in, sharp and deliberate. The young folk stand still, yet their heads nod almost imperceptibly to the bodhran’s driving beat, and the song lifts off and soars. The camera pans across the choir, focusing on their faces, and particularly, their eyes – almost all of them clear and blue. The joy in the eyes, their smiles, and their voices is there for all to see and hear. Their voices rise, and then gradually fall, as if to glide to a gentle landing. The choir hums softly as the singer gently repeats the last line. Ó chuaigh i gcéin mo Ghile Mear – “since my darling went away”,  And it is done.

Mo Ghile Mear is a paradoxical, quixotic song that is at once romantic and political. If you have but a drop of Celtic blood in your veins or a rebel heart in your breast, you will fall under its spell.

Variously translated as “my gallant hero”, “my gallant star”, and “my dashing darling”, Mo Ghile Mear is a Jacobite love song that is as much about politics as about romance. Inspired as it was was by the Jacobite Rising against Protestant England’s rule in 1745, romance and politics do indeed unite in heroic, insurrectionary failure.

it was written in Gaelic by poet Seán Clárach Mac Domhnaill after the battle of Culloden which dashed for two and a half centuries the Scots’ dreams of independence. Composed in the convention of Aisling (Gaelic for “dream” or “vision”) poetry, it is a lament by the Gaelic goddess Éire for Bonnie Prince Charlie, Charles Stuart, the “Young Pretender” to the Protestant Hanoverian English throne that once belonged to the Roman Catholic Stuart clan, and who after the bloody failure of the ’45, fled into exile in France. And that’s where he remained, although his last resting place is in the crypt of Saint Peter’s Basilica in Rome – an ironic ending for this could’ve been champion of Catholic hopes.

Bonny Prince Charlie had many romantic and rousing songs written about him. But in reality he wasn’t the dashing, gallant leader that the songs portrayed and that the Scots and their Celtic Irish allies yearned for – most certainly not the Caesar of this song. He was an indecisive and vacillating leader, who thought himself much cleverer and popular than he actually was, and when the going got rough, he got going – and left the the Scots and Irish who supported him with blood and treasure to the tender mercies of the Sassenach foe.

And yet, the songs live on to this day, most notably in The Skye Boat Song, Will Ye No Come Back Again. The old and well-recorded favourite Óró sé do bheatha ‘bhaile has also been associated with the Jacobite cause as Séarlas Óg (“Young Charles” in Gaelic). The poet Padraig Pearse, leader of the doomed intifada we know as the Easter Rising of 1916, added new verses, and so the song entered the rebel canon.

Mo Ghile Mear differs from more conventional Aisling poems in which the poet is asleep or otherwise minding his own business when he experiences a dream or vision of a fair maid. In this cerebral wet dream, the poet personifies Éire – Ireland, the country itself – as a woman who once was a fair maiden but is now a widow. Her husband, the “Gallant” whatever is not dead but, but he is far away. As a consequence the land is failing and nature itself is in decline.

Popular since the 18th century, song has come to international attention in our own drear times – largely due to a host of recordings, and accompanying You Tube interest.

Iconic chanteuse Mary Black presents the song as a gentle, sad air. Sting famously recorded it with the renowned Celtic ensemble The Chieftains, and they give an understated and fair account of themselves, although the reinvented English lyrics turn “Our Hero” into a dashing cavalier”, swords and harps and all, far removed from original dream song. It is an easy song to overcook,  but Sting managed to resist the temptation. Not so that be-kilted posse Celtic Thunder who ramp up the Celtic bombast, reinventing the English lyrics as a curiously anachronistic, latter-day “rebel song” – “Hail the Hero”, the Battle Hymn of the Irish Republic, with a massive Irish flag waving o’er them all. What would The Minstrel Boy have thought about this?

Then there is the overreach of the much-loved and very popular, kitsch-laden, outings of Celtic Woman, invariably staged to maximum visual effect and capacity audiences at fantastically photogenic Irish castles. These handsome, well-dressed colleens do not crimp on the gowns, choirs, drums and bagpipes. Their Gaelic rewrite, transforms our “dashing darling” into a lovelorn mariner, replete with waves and tides, sails and sunsets. The ladies’ latest outing, with a relatively new lineup, sustains the razzmatazz with the eponymous “gallant star” resurrected as a martial beacon for “freedom’s sons”. It would seem that maritime motif of the girls’ original rendering was superfluous on an album that included My Heart Will Go On, from that damp, tear-jerking,   blockbuster, “Titanic”. Oh, Danny Boy, the pipes the pipes are calling!

That such liberties are taken with the lyrics is no big thing, however. Old Seán Clárach would probably agree that his original Aisling poem would be a wee bit archaic in this day and age, and that the undefeated despair, hope and longing of Éire’s dream were no longer relevant in a free, democratic and relatively prosperous (that is, post GFC) Ireland. He would no doubt have updated his verse, just as Padraig Pearse did with his song in 1916, substituting a 16th Century Irish pirate, the “great sea warrior” Gráinne Mhaol for the foreign born Charlie (so the ladies of Celtic Woman were not that far off-track with their nautical rewrite after all). But this mythologizing of Ireland’s heroes too often comes across as self-reverentially corny.

Cynics might blame the atmospheric, anthemic stadium rock of Bono and U2 for this commercialization of Irish music. Others blame Enya’s symphonic, new age outings once she put  behind her the Celtic mist and moodiness of her Clannad siblings. But I reckon that hitherto timeless, soulful and folksy Irish music has been like this since the Riverdance crew first stamped their collective hard shoes during the intermission of the Eurovision Song Contest and stole the show. But most Irish folk blame Michael Flatley, as the authoritative Waterford Whisperer made clear.

Meanwhile, in my opinion, the most sensitive, beautiful and indeed, rousing rendition of Mo Ghile Mear is the one described at the head of this post. No naff English lyrics are required. The original words of the Gaelic poem resonate powerfully through the hall.

It is sung by the Choral Scholars of University College, Dublin, an amateur, mostly acapella bunch of Irish students. These young folk formally audition for a scholarship with the ensemble. There is little glamour or artifice, no fireworks or vocal gymnastics. Plainly dressed, they look like folk you would pass on the streets of Dublin or Galway. Mark Waters, the portly lead singer would never get a gig in an Irish boy band, but wouldn’t look out of place in a church choir. The drama is achieved by inflection, modulation and tone, the lighting and way the choir is physically arranged in an eerily martial wedge, their only movement being that almost imperceptible nod of their heads in time with the lone bodran’s beat as the song builds momentum.

Listen, and listen again. It is a gem.

© Paul Hemphill 2017  All rights reserved

For more on Irish history and Irish songs of rebellion, see The Boys of Wexford – memory and memoir, Irish Rebel Music, and A Selection of songs of ’98.

Also, in In That Howling Infinite, O’Donnel Abú – the Red Earl no history in a song, and .Over the Sea to Skye.

And here are the Choral Students again:

TheChoral Scholars of University College, Dublin

Here is  Brendan Graham’s achingly beautiful song Orphan Girl with the  Choral Scholars featuring  Abby Molloy. Sung from the perspective of one of Ireland’s famine orphans, on the eve of her inspection, which would decide whether she could travel to Australia, to escape the workhouse which had become her life.

And here are the recordings I referred to above. Enjoy.:

Deep In The Heart of Texas

America’s Future is Texas, by Lawrence Wright, The New Yorker, July 10 &17, 2017:

“Texas is as politically divided as the rest of the U.S., but a recurrent crop of crackpots and ideologues has fed its reputation for proud know-nothingism and retrograde thinking”.
This is a cracker. And a must-read for political junkies and all who are fascinated and frightened by the absurdities of recent US politics”.

This is a cracker. And a must-read for political junkies and all who are fascinated and frightened by the absurdities of recent US politics.

I haven’t enjoyed a lengthy American “fly on the wall” opinion piece since Variety despatched a writer to spend time with Lyndsay Lohan on the set of the The Canyons, her doomed porno-thriller (in case you are tempted, and it is indeed a hoot, there’s a link to it below).

Lawrence Wright’s piece reads like a tragicomical dystopian thriller, and indeed, Thomas Pynchon and Michael Chabon would find some great storylines here. His tale becomes increasingly surreal as the author charts the passions, policies and personalities that collude and collide in this chronicle of the recent legislative session of Texas’ State House.

It is full of stories short and tall, quips and quotes, and daring and dastardly deeds that would be hilarious and worthy of the best political satires if only they were not actually true! An Austin newspaper columnist recounts the story of an absconding representative: the police “tracked him to earth at his momma’s house, where he was found hiding in the stereo cabinet.” She added, “He always did want to be the Speaker.” A wannabe Republican candidate for the State Board of Education posts on Facebook that Barack Obama had worked as a male prostitute in his twenties: “That is how he paid for his drugs,” she reasons, (and) went on to assert that climate change is a “ridiculous hoax,” and that dinosaurs are extinct because the ones on Noah’s Ark were too young to reproduce”. Another representative tweets: “Top priority for Travis GOP: beautiful Big Titty women!!” A former governor once said of then presidential nominee, George H. W. Bush. “He can’t help it. He was born with a silver foot in his mouth.” She wore designer suits but picked her teeth, and she cleaned her fingernails with a Swiss Army knife. Successively opposing the placing of a Christmas manger scene in the state capitol, she said ““I’m afraid so…and it’s a shame, because it’s about the only time we ever had three wise men in the capitol.”

These are a selection of the more anodyne tales. Many others are downright scary, and one shakes one head in disbelief at what legislators and elected officials think and do. To bowdlerize the Bard, “what brave, bad world that has such people in it”.

“Texans…are hardly monolithic. The state is as politically divided as the rest of the nation. One can drive across it and be in two different states at the same time: FM Texas and AM Texas. FM Texas is the silky voice of city dwellers, the kingdom of NPR. It is progressive, blue, reasonable, secular, and smug—almost like California. AM Texas speaks to the suburbs and the rural areas: Trumpland. It’s endless bluster and endless ads. Paranoia and piety are the main items on the menu”.

Accordingly, Wright presses all the red (and blue) buttons that inspire, ignite and implode, delight, dismay and divide US politics and society, including in no particular order:

Abortion, gender and toilets. Obamacare, health insurance, and death panels (rememeber those?). Public schools, vouchers, and toilets. Gerrymandering, voter registration and electoral fraud. Lobbyists, political donations, and corruption. Immigration, Muslims, latinos, and sanctuary cities. Guns of all calibers, mass-shootings and pig hunting. Budgets, appropriations, and toilets. Donald Trump, the religious right, and the liberal menace – and, yes, toilets. You have to read the article if you want to understand how things always seem to come back to the rest room.

Maternal mortality rates (up), foster-care and child protection (down). The Poo Poo Choo Choo (really!), texting whilst driving, the right to say Happy Christmas instead of Happy Holiday, and a proposed law to fine masturbation outside of a woman’s parts or of a medical faculty – “an act against an unborn child, and failing to preserve the sanctity of life”. There’s the heroes : William Travis, Sam Houston, Davy Crockett, and, naturally, the Alamo (see below). Famous Texans Willie Nelson, Marty Robbins, and Kinky Friedman (and his band, the Texas Jewboys) get cameos, and Bruce Springsteen, a passing reference. But no Jimmy Webb or Galveston (Wichita is in Kansas in case you ask, and Phoenix is in Arizona), whilst Oklahoma is a refuge for dissenting Democrat legislators. And, whatever “they” do, “don’t California Texas!”

You will be amazed and horrified in equal measure as Lawrence Wright connects these dizzying dots. I never thought that politics could be so exciting. It makes the schoolyard bluster and the minor party shenanigans of our Australian Parliament seem like Children’s Play Time.

As we often say DownUnder: “Only in America Texas!”

And for some light relief (no pun intended) here’s Lindsay Lohan’s adventures in PornoLand.

Rhiannon the Revelator – In the dark times will there also be singing?

 In the dark times will there also be singing?
Yes, there will also be singing. About the dark times.
Berthold Brecht

Rhiannon Giddens, a multifaceted singer, musician, folklorist and storyteller brings American history alive in her her drive to unearth the stories of forgotten people so that her audiences and listeners may remember them.
On Moon Meets The Sun,  a defiantly joyous song, Giddens and her comrades of Our Native Daughters sing in the round over a polyrhythmic lacework of banjo and guitar, vowing not to let radical suffering diminish humanity. “You put the shackles on our feet, but we’re dancing”, she sings, “You steal our very tongue, but we’re dancing” “Ah, you sell our work for your profit, but we’re dancing,” she scoffs. “Ah, you think our home we have forgotten, but we’re dancing.” Then she recedes into the jubilant tangle of voices: “You can’t stop us now (We’ll be dancing). You can’t keep us down (We’ll be dancing)”.
Rhiannon Giddens: “There is surely racism in this country — it’s baked into our oldest institutions – just as there is sexism, millennia old. At the intersection of the two stands the African American woman. Used, abused, ignored and scorned, she has in the face of these things been unbelievably brave, groundbreaking and insistent. Black women have historically had the most to lose, and have therefore been the fiercest fighters for justice — in large, public ways that are only beginning to be highlighted, and in countless domestic ways that will most likely never be acknowledged.”

https://www.youtube.com/watch?v=F0FfAagEkH8

https://www.youtube.com/watch?v=iZa1AMr7Kk0

Quasheba, Quasheba
You’re free now, you’re free now
How does your spirit fly?
Blood of your blood
Bone of your bone
By the grace of your strength we have life

From the Golden Coast of Ghana
To the bondage of Grenada
You kept the dream of hope alive
They burned your body
They cursed your blackness
But they could not take your lights

Raped and beaten, your babies taken
Starved and sold and sold again
Ain’t you a woman, of love deserving
Ain’t it somethin’ you survived?

Quasheba, Quasheba
You’re free now, you’re free now
How does your spirit fly?
Blood of your blood
Bone of your bone
By the grace of your strength we have life

You dreamt of home, you dreamt of freedom
You died a slave, you died alone
You came from warriors who once built empires
Ashanti’s kingdom carries on

You were forgotten, almost forsaken
Your children founded generations
Your strength sustained them
They won their freedom
Traced their roots to find you [waiting?]

Quasheba, Quasheba
You’re free now, you’re free now
How far your spirit’s flown
Blood of your blood
Bone of your bone
By the grace of your strength we are home

Blood of your blood
Bone of your bone
By the grace of your strength we are home
By the grace of your strength we are home
We are home
We are home
We are home

https://www.youtube.com/watch?v=zse7aJodkKg

 

Kingston, Jamaica 1983

I am reminded of  Pete Seeger’s adaptation of the old Baptist hymn:

” My life flows on in endless song
Above earth’s lamentation.
I hear the real, thought far off hymn
That hails the new creation
Above the tumult and the strife,
I hear the music ringing;
It sounds an echo in my soul
How can I keep from singing?”

Here is the wondrous Éabha McMahon of Celtic Woman:

https://www.youtube.com/watch?v=Z9hth14hokI

 

Gerry's avatarThat's How The Light Gets In

In the dark times
Will there also be singing?
Yes, there will also be singing
About the dark times.
– Bertolt Brecht, motto to Svendborg Poems, 1939

In an essay called ‘Undefeated Despair’, John Berger wrote of ‘Despair without fear, without resignation, without a sense of defeat.’ ‘However you look at it’, the Guardian editorialised a few days ago, ‘2017 offers a fearful prospect for America and the world.’ In the words of Paul Simon’s ‘American Tune’, I don’t have a friend who feels at ease when weighing the prospects for the year ahead. In the spirit that some solace may be found in poetry in these dark times, I offer a selection of poems or brief extracts – some have which have appeared in posts here before – which seem to offer meaning and hope; they may reflect Berger’s stance of undefeated despair, offering not ‘a promise, or a consolation, or an oath…

View original post 1,467 more words

Pity the nation that is full of beliefs and empty of religion

I was inspired to write this post on viewing the video below, a harrowing picture gallery of the Bosnian War, the bloodiest but not the last of the Wars of the Yugoslav Succession. I was reminded  of the iconic Lebanese poet Khalil Gibran’s poem, Pity the Nation,  a sardonic and incisive take on the politics of his time and his homeland. It is chilling in its prescience with regard to contemporary politics in the Middle East and indeed, much, much closer to home on in our liberal democracies where les mots de jour, and indeed, des temps are ‘populism’ and ‘post-truth’,  where allegations of ‘alternative facts’ and ‘fake news are ubiquitous and duplicitous, and where, in a milieu of fear, anger and loathing, intolerance and ignorance appear to be on the rise.

Today, in America, 1984 and The Handmaid’s Tale are best-sellers, and doubtless, as resignation and surrender sink in, Fahrenheit 451 and Catch 22 will catch on with intellectually and numerically inclined. The one is the temperature at which paper burns (“Remember, the firemen are rarely necessary. The public itself stopped reading”), the other, the mother of all vicious circles. The 22 was meant to be 18, but Joseph Heller was gazzumped by Leon Uris’ holocaust melodrama Mila 18  (which I do happen to like).

I was also reminded of a book of the same name. In Pity the Nation, his tombstone of a book about Lebanon’s civil war, and Israel’s intervention therein (inspired by Gibran’s poem, and by the fact the he has been a resident of Lebanon for going on half a century), the redoubtable British  journalist Robert Fisk writes of a Lebanese doctor, Amal Shamaa: “I had to take the babies and put them in buckets of water to put out the flames. When I took them out half an hour after, they were still burning. Even in the mortuary, they smouldered for hours”. “Next morning”, Fisk continues, “Amal Shamaa took the tiny corpses out of the mortuary for burial. To her horror, they again burst into flames”. Such is the effect of phosphorous shells on mortals. Made in America, used on Arabs, by Jews. But it happens anywhere and everywhere, inflicted by anyone on everyone.

And that, is in essence, the underlying message of Gibran’s poem, published posthumously after his death in 1931.

Pity the nation that is full of beliefs and empty of religion.
Pity the nation that wears a cloth it does not weave
and eats a bread it does not harvest.

Pity the nation that acclaims the bully as hero,
and that deems the glittering conqueror bountiful.

Pity a nation that despises a passion in its dream,
yet submits in its awakening.

Pity the nation that raises not its voice
save when it walks in a funeral,
boasts not except among its ruins,
and will rebel not save when its neck is laid
between the sword and the block.

Pity the nation whose statesman is a fox,
whose philosopher is a juggler,
and whose art is the art of patching and mimicking

Pity the nation that welcomes its new ruler with trumpeting,
and farewells him with hooting,
only to welcome another with trumpeting again.

Pity the nation whose sages are dumb with years
and whose strongmen are yet in the cradle.

Pity the nation divided into fragments,
each fragment deeming itself a nation.

Kahlil Gibran, The Garden of The Prophet (1933)

ارحم على الامة
ارحم على الأمة المليئة بالمعتقدات والخالية من الدين.
ارحم على الأمة التي تلبس ثوبا لا يحاك.
وتأكل خبزا لا تحصد.
أشفق على الأمة التي تعتبر المتنمر بطلاً ،
ويعتبر منتصرها رائعا.
ارحم أمة تحتقر الشغف في أحلامها
لكنه يخضع لها عندما تستيقظ.
ارحم على الأمة التي لا ترفع صوتها
إلا عندما تمشي في جنازة ،
وتفتخر فقط بين أطلالها ،
ولن تنقذ نفسها عندما توضع رقبتها
بين السيف والكتلة.
ارحم على الأمة التي فيها رجل الدولة وهو ثعلب ،
والفيلسوف مشعوذ
فنه من الترقيع والتقليد
ارحم على الأمة التي تستقبل حاكمها الجديد بصوت عالٍ ،
ويقول وداعا له بسخرية ،
فقط للترحيب بآخر من خلال الاحتفال الصاخب مرة أخرى
ارحم على أمة حكماؤها أغبياء السنين ،
وأولئك الذين لا يزال رجالهم الأقوياء في المهد.
ارحموا الأمة منقسمة ،
وكل قطعة تعتبر نفسها أمة.

خليل جبران

The following song, E Lucevan Le Stelle, encapsulates all this:

“And time, ’tis said reveals its dead, and we will speak what was unsaid. How he was wrong, and I was led – his song I sing who gives me bread. It wasn’t me! I kept my head – I had my kin and kind to serve. It wasn’t me – I kept the faith. It wasn’t me who lost his nerve”.

It charts the cartography of carnage: Bali, Beslan, Gaza, Grozny, Kabul, Kigali, Sabra, Srebrenica, and other “far-away places with strange sounding names”. ”Many have perished, and more most surely will”. This latter quotation is adapted from Auden’s often overlooked masterpiece The Age of Anxiety, a meditation on a world in pain. “The bane of bad geography, the burden of topography, lines where they’re not meant to be are letters carved in stone”. “Bombs and babies, girls and guns, dollars, drugs and more betides, wash like waves on strangers’ shores: damnation takes no sides”.

Related posts In That Howling Infinite:

A House Divided – the nature of civil war
Pity the Nation
A brief history of the rise and fall of the west
Bombs and Babies
Solitudinem faciunt pacemappellant

Postscript

Lawrence Ferlinghetti, American poet, painter, liberal activist, and co-founder of the legendary City Lights Booksellers & Publishers in San Francisco, wrote the following poem in 2007 as a tribute to Gibran, and as a sad testament to the aphorism “plus ça change, plus c’est la même chose”.

“Pity the nation whose people are sheep and whose shepherds mislead them.

Pity the nation whose leaders are liars, whose sages are silenced, and whose bigots haunt the airwaves.

Pity the nation that raises not its voice except to praise conquerors and acclaim the bully as heroand aims to rule the world with force and by torture.

Pity the nation that knows no other language but its own and no other culture but its own.

Pity the nation whose breath is money and sleeps the sleep of the too well fed.

Pity the nation – oh, pity the people who allow their rights to erode and their freedoms to be washed away.

My country, tears of thee, sweet land of liberty.

Oh, Jerusalem – a song

“Bear me up on angels’ wings, and other transcendental things. Where the golden walls still glow, let my people go to Jerusalem”. 

Jerusalem is all about faith and passion, and there is no city on Earth that people get more passionate about. The light is luminous. In high summer it almost shimmers. The very air is full of prayer and politics, passion and pain, and the rocks and stones virtually sing a hallelujah chorus of history. I am not a religious person, but I cannot help getting excited by the place – although I do not transcend to transports of delight and delirium. Some folk love Jerusalem so much, they go mad.

Recorded by Charles Tyler at Susan Street, Annandale, 14th May 2017. © Paul Hemphill 2014 All rights reserved

Messianic Carpet Rides

Amazing Grace : There’s Magic In The Air

Sailing to Byzantium

“Byzantium, Byzantium, Constantinople, Kostaniniyye, Istanbul – The City has tangled with or represented an “idea” for so many, its influence has spun so far that her story, whether imperial, spiritual, cultural or political, frequently ends up being played out anywhere and everywhere other than in the city itself”.  Bethany Hughes , Istanbul – A Tale of Three Cities

As we observe Turkish president Recep Tayyib Erdogan’s apparent drive to reestablish Ottoman autocracy, those who take a longer view of history will assert that there is nothing new under the sun. There is nothing unprecedented about Erdogan’s apparent urge to don the imperial purple, and join the long cavalcade of colourful emperors and sultans that ruled the land that now constitute modern Turkey.

Richard Fidler reminds of this as he literally walks us through the streets of Istanbul.

Part father-son quest, part travel story, ‘Ghost Empire’ is at once a history, and a treasury of tales both true and far-fetched. The Australian author and broadcaster, and onetime member of the comedy trio, the Doug Anthony Allstars, has written a blend of popular history and meditation on the significance of history.

image

Although ‘Ghost Empire’ might in seem in parts overly breezy and lightweight, as an introduction to the ancient and wondrous city of Byzantium, Constantinople or Istanbul, it is an highly informative portal to weightier albeit less entertaining books. This is not to say it is without its more harrowing moments. Fidler dwells as much on the gory as on the glory. And indeed, for many, particularly the sons of emperors and sultans, confidants and conspirators, life could indeed be nasty, brutish and short.

Whilst Fidler’s primary focus is the story of the Byzantines, concluding with the fall of Constantinople in 1453, he travels back and forth in Istanbul’s long and storied history, between the violent past and the tumultuous present, from Julius Caesar and Constantine the Great, and the power couple Justinian and Theodosia, through Mehmet the Conqueror and Suleiman the Magnificent, to Ataturk and Erdogan, and captures the magic and at times, mayhem of the fabled metropolis that inspired WB Yeats to write:

“Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come”

© Paul Hemphill 2017.  All rights reserved

If Ghost Empire has whetted you appetite, i would recommend Bethany Hughes’ more substantial – “encyclopedic ” would a better description – IstanbulA Tale of Three Cities (Orion 2017). It is a lengthy, comprehensive and fascinating journey from the prehistoric past to the polarizing present. There is also Simon Sebag Montefiore’s documentary, which personally, I found disappointing after his Jerusalem – The Biography.

Some photographs of Istanbul from our visit to Türkiye in 2014 follow …

For other posts about Türkiye in In That Howling Infinite, see: People watching in Sultanahmet, Ottoman Redux – an alternative history and The Watchers of the Water  

Here are some reviews of Ghost Empire: 

http://www.smh.com.au/entertainment/books/ghost-empire-review-richard-fidler-journeys-back-to-the-glory-of-constantinople-20160811-gqq6xo.html

http://www.canberratimes.com.au/act-news/canberra-life/richard-fidler-blends-the-historical-and-contemporary-in-his-new-book-ghost-empire-20160720-gq9js6.html

Istanbul, from Galata Tower Istanbul, from Galata Tower
Cruising the Golden Horn Cruising the Golden Horn
The Sulaymaniya Mosque The Sulaymaniya Mosque
Aya Sofya Aya Sofya
The Hippodrome and the Blue Mosque The Hippodrome and the Blue Mosque
The Fortress of Europe The Fortress of Europe
Valen's Aqueduct Valen’s Aqueduct
Galata Tower Galata Tower
Aya Sofya Aya Sofya
Aya Sofya Aya Sofya
Aya Sofya Aya Sofya
Aya Sofya Aya Sofya
Halfden the Viking's Grafitti in Hagia Sofia Halfden the Viking’s Grafitti in Aya Sofya
Aya Sofya Aya Sofya
The Blue Mosque Aya Sofya
Sulaymaniya Sulaymaniya
Justinian's Cistern Justinian’s Cistern

image

Apollo and MedusaApollo and Medusa

 

 

That was the year that was – may you live in interesting times

As I contemplate my annual review of In That Howling Infinite, I am reminded, with clichéd predictability, of that well-worn Chinese curse: “may you live in interesting times”.

A torturous and seemingly endless US election campaign defied all the pundits by producing an colourful and unpredictable POTUS. In the UK, the unthinkable Brexit came to pass, dividing the polity and discombobulating the establishment. Next year is certainly going to be worth watching.

The slow and tragic death of Syria continued unabated with Russian and Turkey wading into the quagmire alongside Americans, British, French, Australians, Iran, Lebanon, Gulf tyrants, and Uncle Tom Cobley and all. Da’esh might be on the the ropes in Iraq, but the long term survival of the unitary state is doubtful. And the proxy wars of the Ottoman Succession have spread to Yemen, the poorest country in the Middle Eas as Gulf tyrants face off against Shia Iran’s alleged puppets, and, armed and abetted by British and American weaponry, South American mercenaries, and Australian officers, bomb the shit out of the place.

Whilst the grim reaper scythed through the world from Baghdad to Berlin, from Aleppo to Ankara, the Year saw the passing of a record number of icons of the seventies and eighties, two of whom who have provided a continuing soundtrack for my life, Leonard Cohen and David Bowie. We shall not see the like of them again.

In our little corner of the cosmos, we endured the longest and most boring election campaign in living memory, resulting in an outcome that only accentuates Australians’ disenchantment with a lacklustre Tory government, a depressingly dysfunctional political system, and politicians of all stripes who, blinkered by short-termism, and devoid of vision, insist on fiddling whilst the antipodean Roman burns.

Meanwhile, in our own rustic backyard, we find that we too are “going up against chaos”, to quote that wonderful Canadian songster Bruce Cockburn. For much of the year, we have been engaged in combat with the Forestry Corporation of New South Wales as it proceeds to lay waste to the state forest that surrounds us. As the year draws to a close, our adversary has withdrawn with only half of its proposed harvest completed. But it will return in 2017, and the struggle will continue – as it will throughout the state and indeed the nation as timber, coal and gas corporations, empowered by legislation, trash the common treasury with the assent of our many governments.

And yet, life on the farm remains pleasant and delightful, though dams are low and rain would be most welcome. The bird and reptilian life continues to amaze us, and an ironic corollary to the clear felling of the Tarkeeth Forest is that “refugees” are seeking shelter here. Wallabies rarely seen on our land are now quite common, whilst echidnas, and, we suspect, endangered spotted quolls have been sighted hereabouts

We took time out mid-year to revisit Israel and Palestine, and road-trip through the two countries was much an education as a holiday. We certainly got our history and archeology fix, and in travelling through the Golan and the Negev, we found respite in a stunning natural environment. But the answers to our many political questions merely threw up more questions. We have unfinished business in this divine but divided land, and will return.

In That Howling Infinite addressed all these concerns during 2016, and matters more eclectic and exotic.

And so, to the year in review:

The new year commenced with a reprise of our memorable journey to Hadrians Wall, and of the Victorian lawyer who helped preserve it for posterity, the saga of the viking Harald Hardraga and also, my subjective overview of world history. In a more lighthearted vein, I indulged in an unscholarly discussion of how film and fiction have portrayed or distorted history, and in a review of Mary Beard’s superlative history of Rome, I asked the immortal question “what have the Romans done for us?”

The Life of Brian

In April, in response to a discussion with a Facebook friend in Oklahoma, I wrote a trilogy of exotically-titled posts examining the nature of rebellion, revolution, and repression: Thermidorian ThinkingSolitudinem Faciunt Pacem Appellant, and Sic Semper TyrannisThe origin of these Latin aphorisms is explained, by the way, in the aforementioned Roman review.

Nightwatch

Our travels through Israel and Palestine inspired numerous real-time posts, and a several retrospectives as we contemplated what we had experienced during what was as much an educational tour as a holiday. Historical vignettes included a tribute to bad-boy and builder King Herod the Great, a brief history of the famous Damascus Gate, and its place in Palestinian national consciousness, and a contemplation on the story of King David’s Citadel which overlooked our home-away-from home, the New Imperial Hotel. Thorny contemporary issues were covered with an optimistic piece on the Jerusalem Light Rail, a brief if controversial post about  Jewish settlers in the Old City, the story of Israel’s ‘Eastern’ Jews, the Mizrahim, and what appears to be a potentially problematic Palestinian property boom. Th e-magazine Muftah published an article I wrote about the conflicting claims to the city of Hebron. And finally, there is a poem recalling our visit to the Shrine of Remembrance at Yad Vashem and honouring the Righteous Gentiles who saved thousand of Jewish lives during the Shoah.

Carnivale

Wintertime passed with our minds on the Tarkeeth Forest. I had the pleasure discovering the history of our locality, and connecting via Facebook with the relatives of the Fells family of Twin Pines. But the latter half of the year was very much taken up with enduring and bearing witness to the clear- felling of the forest to our east. “If you go down to the woods today, you’re in for a big surprise.  If you go down to the woods today, you’ll never believe your eyes”. And you’d ask “what would JRR Tolkien have thought?”

Nothing quite prepares you for the devastation of clear felling. Joby, a Gumbaynggirr elder, surveys the Tarkeeth

The UK And US paroxysms fascinated and exasperated the mainstream and social media in equal measure, whilst the outcome of the Brexit referendum and the presidential election has initiated an a veritable orgy of punditry. Never have so many column inches and kilobytes been spent on loud sounding nothings as the sifting through the entrails of such events as Brexit, the US election, and the Australian senate! With half a dozen elections coming up in Europe, Trump’s inauguration and the triggering of Article 50 to take Britain out the European Union, we’re gonna have to endure a lot more. I confined my posts to two insightful pieces by respected right-wing Australian commentators, Paul Kelly’s Living in Interesting Times, and Greg Sheridan’s The Loss of American Virtue, and my own reflection on the right-wing media’s strange fascination with “insiders” and “outsiders”.

Finally, in comparison to last year, this year was very light on music and poetry. But American satirist Tom Lehrer got a retrospective, and murdered Pakistani qawwali singer Madhaf Sabri, an obituary, whilst an abridged and vernacular version of John Milton’s Paradise Lost told the tale of Lilith, the first and greatest femme fatale. In the words of the gloriously-named jockey Rueben Bedford Walker III says in EC Morgan’s magnificent The Sport of Kings, the subject of my first post for 2017, “Malt does more than Milton can to justify God’s ways to man”.

On that wise note,  I wish the world a Happy New Year – and may it be less interesting than this one.

In That Howling Infinite  is now on FaceBook. Check it out.  And just for the fun of it, here’s my review of 2015.

The Sabri Brothers

Dore Luciifer