Beyond Wolf Hall (1) – Revolution Road

A wide-ranging rural road trip through England’s green and pleasant land takes the traveller by antique and desolated abbeys and monasteries, their ageing walls crumbling and lichen covered, their vaulted pediments open to the English elements. The celebrated poets of the romantic era immortalized these relics in poetry, and even today, when one stands in grassy naves, gazing skywards through skeletal pillars, one can almost feel an ode coming on. Their number is remarkable – as a Wikipedia catalogue shows – and incalculable. The list is by no means exhaustive. There were one eight hundred religious houses existed in England and Wales before Henry VIII’s dissolution of the the monasteries and abbeys. Virtually every town of any size had at least one abbey, priory, convent or friary, including many small houses of monks, nuns, canons or friars. Many were spared despoliation and demolition, but many more were reduced to ruins and rubble by workmen and weather.

The 1530s were among the most significant in British history for the changes they wrought on its politics, society, culture. The backwash of the King’s Great Matter – his divorce from Katarina of Aragon, the onetime Spanish Princess and daughter of the formidable Queen Isabella, who was unable to give him a male heir to set fast his dynasty, and his marriage to Anne Boleyn in the hope that love and lust would bring forth male progeny – severed Britain from Rome’s papal dominion in matters of church and state, of its people’s bodies and souls. The pope in faraway Rome, regarded as a puppet of the Hapsburg Holy Roman Emperor in Vienna – who centuries later, historian Edward Gibbons declared as neither holy nor Roman – refused to grant Henry a divorce from Queen Katherine, his niece. Their reluctance and ultimate failure to secure this for their master doomed two wise, erudite and formidable chancellors, Cardinal Wolsey and Thomas More.

They were succeeded by Thomas Cromwell – kin, by way of his nephew, to his more famous namesake, Lord Protector Of The first and last English republic, Oliver Cromwell. Cromwell has until very recently been one of those people who whilst having immense historical significance is virtually unknown outside academia – most probably because his preeminent role in English government, politics, religion and society has long been overshadowed by the deeds and misdeeds of his royal master. Everybody knows about Henry and his six unfortunate wives – only one, Jane Parr who outlived him, got to live happily ever after – and his schism with catholic Rome that led to the establishment of the Church of England. It’s as if the narrative of the juvenile but enduring British history primer 1066 And All That had become established fact – to wit, Henry was “a bad king” but The Reformation was “a good thing”.  Few will be aware that Cromwell, Henry’s counsellor and Chief Minister, had a hand in three of those marriages and their undoing, and was the prime mover for Henry’s religious revolution, and much more besides.

German artiist Hans Holbein The Younger’s portrait of Cromwell

The Hand of the King

In Hilary Mantel’s superb Wolf Hall and it’s equally magnificent sequels, Bring Up The Bodies and The Mirror and the Light, the story of English King Henry VIII is retold through the life and times of Thomas Cromwell, royal counsellor and chancellor. All the manoeuvres and machinations of church and state are set against the background of day to day life in 16th century England politics,trade, commerce and culture; and the annual plague that scourged high and low born alike, swift and deadly, laughing in the morning, dead by the evening. And threading through it all, is the religious ferment that was to persist, dangerous and deadly, for the next 150 years – Henry’s split with Rome, his founding of what was to become the Church of England, papists and protestants, priests and puritans, bells and smells, hair shirts, and burning flesh.

This article is the first of two published In That Howling Infinite discussing Hilary Mantel’s Cromwell. Read Beyond Wolf Hall – Icarus Ascending here.

It is Mantel we must thank for placing Cromwell on a pedestal denied him for close on five hundred years. He is now a household name, and even, as she has herself described it, an industry. She and Oxford scholar and ecclesiastical historian Diarmaid MacCulloch have developed a mutual appreciation of each other’s ‘Crummie’, and it is MacCulloch’s 2018 biography Thomas Cromwell – A Life that is the ‘go to’ book for a definitive insight into the man and his works.

Before Wolf Hall, many of a certain age might remember he was portrayed with leering, Machiavellian relish by the late Leo McKern in the old movie A Man For All Seasons. In the play and film adaptation, Cromwell was the definitive ‘baddie’ and nemesis of the virtuous and principled Thomas Moore. Wolf Hall tells a different tale. More is the wowser and prig, and also, a keen inquisitor and torturer. And Cromwell is the reasonable, affable, capable, cultured “man for all seasons”.

Younger generations met him In HBO’s sprawling, splendidly dressed, violent and naughty multi-series The Tudors. James Frain plays Cromwell as an able, cunning, too-clever by half, commoner on the make; a vindictive and vengeful man who is not averse to “showing the instruments” (of torture, that is) and ordering their use upon those he wishes to interrogate and invariably execute. Hilary Mantel’s Thomas would do no such thing. A lifetime of observing and recording has taught him that less sanguinary measures more often than not encourage confessions, and indeed, as the value of information gleaned under torture is usually false, tend to elicit the truth also. Merely talking about the instruments is enough to open the most reticent of mouths. In the television adaptation of Wolf Hall, Cromwell is played with calm understatement and restraint by veteran actor Mark Rylance.

Henry VIIII and Anne Boleyn in The Tudors

In her review of the book, What Hilary Mantel left left out, The Guardian’s Jessie Collins wrote of Cromwell: “It is his contradictions that stand out: intense focus and frenetic energy, rapacity and a social conscience, “clubbability” and a trainspotterish enthusiasm for waterworks. He was a wily operator, but a favourite of widows and wayward young men. He was undoubtedly ruthless, but sometimes tried to mitigate the king’s cruellest inclinations. He was at his fiercest when seeking revenge for Wolsey’s fall, but if we are to be sympathetic to Cromwell – as MacCulloch is – then we must recognise its correlative: his ardent loyalty”.

Reviewing MacCulloch’s tome for The London Review of Books, Stephen Alford wrote that is was “necessarily the study of a royal bureaucracy knocked into shape by the size of the job it had to deal with, as well as a close encounter with a Church remodelled in the 1530’s image of a king”.

And regarding ‘The Hand of the King’, to borrow contemporary coinage, Alford continues:  “A man who in life strenuously resisted easy categories, Cromwell has been forced into the competing roles of hero and villain many times over. Neither quite fits him. To his enemies, of whom by the late 1530s there were many, he was an abominable heretic. Even today it can seem that every ruined monastery south of Carlisle and Berwick was somehow pulled to pieces by Cromwell personally … Over the centuries great claims have been made on Cromwell’s behalf. One is that he helped to bring the ‘true religion’ of Protestantism to England. Another is that he revolutionised and modernised the functioning of the English state. Both rest their weight on an individual whose life story is full of question marks …”

I have reproduced Alford’s and Collin’s reviews of MacCulloch’s biography of Cromwell below. They are well worth reading.

James Frain as Cromwell in The Tudors

The rift with Rome

Henry’s dispute with the Pope concerning his Great Matter was ostensibly more about monarchical power and sovereignty, his existential need to secure his heirs, and to Europe’s dynastic yet dysfunctional power struggles than about religion. He did not regard himself as one of the reformists, or Protestants as they became known. He remained, and regarded himself, a catholic monarch, and a “Defender of the Faith”, a title the Pope himself conferred upon him for his written repudiation of the heretical works and preachings of one time cleric Martin Luther – and a motto that still circles the image of the monarch on Britain’s coinage.

Mantel’s Thomas Cromwell is well aware that Henry is no true Protestant and that. His repudiation of papal authority split is about power and sovereignty, and not popish practises, which he persists in observing. The king continues to follow the mass, to observe the saints’s days (though there are less of them now). Both king and clergy resisted the publication and dissemination of the bible in English. Like their predecessors, they did not want the lower orders to discover that the scriptures made no mention therein of indulgences, of clerical celibacy, of purgatory, and indeed, of clergy. Like the kings and prelates of Catholic Europe, he was not averse to consigning heretics to faith’s cleansing fire, and torched those who’d adopted the rejectionist doctrines of Martin Luther and John Calvin – those who by the end of the sixteenth century, would be described as  Protestants – and before that, theological dissidents who populated a broad continuum between traditionalists and reformers. Later, when  Protestants were in the ascendant, the authorities cast Catholic and other adversaries into the fire.

But perennially impecunious, His Majesty can smell the money and is soon hooked on the riches and the lands that accrue to the crown and its cronies with the dissolution of the great abbeys and monastic houses. Thomas, his “go to”, “can do” red right hand fixes it – to his own benefit and that of his family and friends, and, also of the impecunious honour-rich but debt-deprived ancient families.

Whilst Henry was opportunistic and impulsively adventurous, Thomas, for all his erudition, political skill, and lived experience in Europe and England, was actually a cautious and calculating true believer. Stephen Alford again: “He was a man of the world, a pragmatist whose preoccupations were with the possible; it just so happened that for Cromwell the scope of possibility was so much greater than it seemed to be for other people. Yet he was a believer too, from at least the 1520s an enthusiast for Reformation. After 1537, as secure as he was ever likely to be politically, he began to pursue with a single mind an evangelical agenda. But he was also cautious …In the always unpredictable and often dangerous religious landscapes of the 1520s and 1530s he played his faith very close to his chest. Spared the agony and ecstasy of a public spiritual crisis, he left prophecy and martyrdom to others”.

In the wake of Cardinal Wolsey’s failure and demise, Cromwell becomes the public face of the king’s split with Rome and the spiritual and temporal authority of the Pope. His Protestant beliefs, fostered during his sojourn in the heretical Low Countries, impelled his rejection of the Roman faith with its corruption and its confidence tricks, its profiteering and its hypocrisy, its fabricated sinecures and sacraments, its relics and its indulgence. His pure hatred and contempt for the whole shaky edifice is force-fed by the prospects of divesting the English church of its immense power, wealth and influence, of filling the crown’s hungry coffers.

Cromwell is fully aware that he is loathed by the common people who yearn for the old, familiar ways, the “bells and smells”, the bits of dead saints’ bones and the shreds of their shrouds. They rise up, in a quixotic revivalist crusade called The Pilgrimage of Grace, and having risen up in rebellion against the new order, are on his orders, put down mercilessly with sword and rope by England’s hereditary warlords.

“It takes a generation, he says, to reconcile heads and hearts. Englishmen of every Shire  are wedded to what their nurses told them. They not like to think too hard, or disturb the plan of the world that exists inside their heads, and they will not accept change unless it puts them in a better case”?

And yet he is resolute in his convictions. “But new times are coming … children yet to be born – will never have known their country in thrall to an old fraud in Rome. They will not put their faith in the teeth and bones of the dead, or in holy water, ashes and wax. When they can read a Bible for themselves, they will be closer to God than to their own skin. They will speak His language, and He theirs”.

The Dissolution Of the Monasteries

The harrowing of the shires

Hilary Mantel gives us a formidable and very original account of the dissolution of the monasteries and the demolition of the very foundations of the established faith. She catalogues the work of the commissioners, the enforcers and the executioners, the suppression of the superstitions and the scams, and the rivers of gold that flowed into the pockets of the king and his agents along with lands and mansions. It’s such a remarkable read, I quote it here in full:

This winter the king is taking the surrender of the great abbeys, with their manorial titles and broad acres, their watercourses, fishponds, pastures, their livestock and the contents of their barns: Every grain of wheat weighed, every hide counted. If some geese have flocked to market, cattle strolled to the slaughterhouse, trees felled themselves, coins  jumped into passing pockets… it is regrettable, but the kings commissioners, men not easy to deceive, could not go about their work without their presence being heralded: The monks have plenty of time to spirit the assets away. Treat the King fairly, and he will be a good master. When Saint Bartholomew surrenders and it’s bells are taken to Newgate, Prior Fuller is granted land and a pension. Officers of the Court of Augmentations move into its great buildings, and Richard Riche plans to turn the prior’s lodgings into his townhouse. In the North Country, Abbot Bradley of Fountains settles for an annual pension of 100 pounds. The Abbot of Winchcombe, always a helpful man, accepts a hundred and forty. Hailes surrenders, where they displayed the blood of Christ in a phial. The great convent at Syon is marked for closure, and he reminds himself of Launde, with Prior of Lancaster has been in post for three decades, which is too long. It has not been a pious or happy house these last years. When questioned the prior would always declaring, omnia bene, all’s well, but it wasn’t: the church roof leaked and there were always women about. All that is over now. He will rebuild it, a house after his own liking, in England’s calm and green heart. In dark weather, he dreams of the garden arbour, of the drifting petals of the rose, pearl-white and blush-pink. He dreams of violets, hearts-ease and the blue stars of the pervink or periwinkle, used by our maids as lovers knots; in Italy they weave them into garlands for condemned men … (page 699)

… In November he writes in his memoranda, “the Abbott of Reading to be tried and executed”. He has seen the evidence and the indictments; there is no doubt of the verdict, so why pretend that there is? The Days of the great abbeys died with the north country rebellion. The king will no longer countenance subversion of his rule, or the existence of men who lie awake in their plush curtained lodgings and dream of Rome. Thousands of acres of England are now released, and the men who lived on them dispersed to the parishes, or to the universities if they are learned: if not, to whatever trade they can find. For the abbots and priors it’s mostly ends with an annuity, but if necessary with a noose. He has taken into custody Richard Whiting, the Abbott of Glastonbury, and after his trial he is dragged on a hurdle through the town and hanged, alongside his treasurer and his sacristan, on top of the tor: an old man and a foolish, with a traitors heart; an embezzler too, who has hidden his treasures in the walls. Or so the commissioners say. Such offences might be overlooked, if they were not proof of malice, a denial of the king’s place as head of the church, which makes him head of all chalices, pyxs, crucifixes, chasubles and copes, of candlesticks, crystal reliquaries, painted screens and images in guilds and glass.

No ruler is exempt from the death except King Arthur. Some say he is only sleeping, and will rise in an hour of peril: if say, the emperor sends troops. But at Glastonbury they have long claimed that he was as mortal as you and me, and that they have his bones. Time was, when the abbey wanted funds, the monks were on the road with the mouldy head of John the Baptist and some broken bits of the manger from Bethlehem. But when that failed to make that coffers chime, what did they arrange to find beneath the floor? The remains of Arthur, and beside him the skeleton of a queen with a long golden hair?

The bones proved durable. They survived the fires have destroyed most of the Abbey. Over the years they attracted so many pilgrims that Beckett’s shrine waxed jealous. Lead cross, crystal cross, Isle of Avalon: they wrung out of pennies from the treacherous and awed. Some say Jesus himself trod this ground, a bruit that the townsfolk encourage: at Saint George’s In they have an imprint of Christ’s foot, and for a fee you can trace around it and take the paper home. They claim that, after the crucifixion, Joseph of Arimathea turned up, with the Holy Grail in his baggage. 700 He brought a relic of Mount Calvary itself, part of the hole in which the foot of the cross was placed. He planted his staff in the ground, from which a Hawthorne flowered, and continues to flower in the fat years and lean, as the Edwards and Henrys reign and die and go down to dust. Now down to dust with them go all the Glastonbury relics, two saints called Benignus and two kings called Edmund, a queen called Bathilde, Athelstan the half-king, Bridget and Crisanta, and the broken head of Bede. Farewell, Guthlac and Gertrude, Hilda and Hubertus, two abbots called Seifredus, and pope called Urbanus.Adieu, Adelia, Aidan Alphege, Wenta, Walburga, and Cesarius the martyr: sink from man’s sight, with your muddles and your misstranscriptions, with the shaking of your flaky finger bones and the compound jumble of your skulls. Let us bury them once and for all, the skeletons of mice that mingle with holy dust; the ragged pieces of your tunics, your hairshirts clumbed with blood, your snippets and your offcuts and the crisp charred clothing of the three men who escaped from the Burning Fiery Furnace. The lily has faded, that the virgin held on the day the angel came. The taper is quenched, that lighted the Saviour’s tomb. Glastonbury Tor is over 500 feet high. You can see for miles. You can see a new country if you look, where everything is fresh, repainted, re-enamelled, bleached, scrubbed clean … (page 701)

While the welcoming party is around the sea, the Abbott of Colchester is in the air. Colchester had signed up to the King supremacy, he had taken the oath. Then he gave backward, in whispers behind the hand: More and Fisher were martyrs, how he pitied them! When he was called upon to surrender his abbey, he said the king had no right to it – which is to say, his will and laws I know. He is head neither of the spiritual realm nor the temporal; in effect he is no king and parliament can make the law. According to the Abbot.

… It is the last of the hangings, he is sure. They were infecting each other, Colchester,  Glastonbury and Reading.  But now resistance to the King’s will is broken. All other houses can be closed by negotiation: no more blood, no more ropes and chains. No more examples are needed; the traitor’s banner is trampled, that portrayed the Five Wounds. Superstitious men in the north claim that in addition to his principal wounds, Christ suffered 5470 more. They say that every day fresh ones are incised, as he is cut and flayed by Cromwell. (page 709)

Let England shake

Thomas Cromwell was executed on Tower Hill  on 28th July 1540 and was buried in the Tower of London’s  Chapel of St Peter ad Vincula. Interred thereto are  Anne Boleyn and Margaret Pole, Countess of Salisbury and the last of the Plantagenet line – both of whom were executed through Cromwell’s’ manoeuvrings. Seventeen year old Catherine Howard became Henry’s fifth wife on the day that Cromwell died – and condemned for adultery and accordingly, high treason, she went to the block on Tower Green less than two years later. These were dark times for bad girls and wide boys.

Hilary Mantel’s story has been about England, it’s legends and it’s legacies, it’s rythmns and rhymes, it’s history past, present, and future. And he, Thomas Cromwell, has made England shake. And hisnrevolution endured. Henry VIII let it run, and his son, frail but resolutely Protestant Edward, endeavoured to anchor it. The Spanish Princess’s daughter ‘Bloody Mary’ strove with fire and sword to unmake it. And Anne Boleyn’s child, Elizabeth, set it in concrete so strong that Scottish James and his unfortunate son Charles I could not crack its foundations.

The rest, as they say, is our history.

For other posts in In That Howling Infinite on matters historical, see Foggy Ruins of Time – history’s pages

A Man It Would  Be Unwise To Cross

Stephen Alford, London Review of Books November 8th 2018

Review of Thomas Cromwell –  A Life by Diarmaid MacCulloch, September 2018

In 1517, a fierce commercial struggle broke out in England between two enterprising competitors in the busy trade of saving souls. The English Province of Austin Friars and Our Lady’s Gild of Boston, deep in the Lincolnshire fenland, went to law over the sale of indulgences, those pardons, common across the whole of Europe, offering remission for souls in purgatory. Since 1500 Our Lady’s Gild had built up what was probably the largest indulgences business in the kingdom. The friars pursued the same trade with equal vigour. The collision of interests was not surprising – big money was at stake. Far away in Saxony, Martin Luther, a brother Augustinian, was about to open heavy fire on what he saw as the whole worthless racket.

Our Lady’s Gild threw its considerable resources at the case. It appealed to Thomas Wolsey, Henry VIII’s indispensable right hand: cardinal, archbishop, lord chancellor, Wolsey was a formidable broker of power. And it also bought the services of a clever (and therefore expensive) attorney. This was Thomas Cromwell, who in early 1519 went to Rome to make his client’s case at the pope’s court. He journeyed via Calais, was away on his mission for 26 weeks, and as he travelled read Erasmus of Rotterdam’s New Testament in Greek and Latin. Erasmus, the most brilliant scholar of the age, got him thinking.

Cromwell loved books. He was a talented linguist and his Italian in particular was excellent. But he wasn’t a secluded intellectual. He hadn’t studied at a university, and the law he picked up in London he used to make a good living for himself. Intelligent and restless, he had knocked around a bit in his time. Teenage wanderlust had taken him as far as the Mediterranean, and in his twenties he was in Antwerp, the greatest European entrepôt of its day, a magnet for merchants and high financiers. He was comfortable in mercantile company and he liked money. Socially it was tricky to pin him down. His father was a yeoman with a substantial interest in brewing, his mother was a gentlewoman. He was thus himself a bit of a hybrid, and would always remain so. The accounts of Our Lady’s Gild of Boston gave their comfortably middle-aged attorney (he was now in his thirties) the gentleman’s title of master. Cromwell was the boy from Putney who rose and fell at the court of Henry VIII with, as Diarmaid MacCulloch’s biography shows, spectacular unobtrusiveness.

A man who in life strenuously resisted easy categories, Cromwell has been forced into the competing roles of hero and villain many times over. Neither quite fits him. To his enemies, of whom by the late 1530s there were many, he was an abominable heretic. Even today it can seem that every ruined monastery south of Carlisle and Berwick was somehow pulled to pieces by Cromwell personally. Reginald Pole called him a Machiavel, and the label, seemingly congruent with the Frick Collection’s famous portrait by Hans Holbein the Younger, has stuck: Cromwell’s intensely focused stillness suggests a man it would be unwise to cross. Even for those who lionised him as a champion of the English Reformation, there were bits of his life which didn’t quite fit. The story of attorney Cromwell’s mission to Rome was first told by John Foxe in Actes and Monumentes, the ‘Book of Martyrs’. Foxe had to rescue his hero with some deft literary footwork, turning on its head the uncomfortable tale of Cromwell’s journey to the heart of Roman superstition and error. Elizabethan Protestants could thank providence that Erasmus’s New Testament had spoken to Cromwell’s spiritual sensitivity in those weeks of travel and given him a ‘better understanding’ of God’s truth.

Over the centuries great claims have been made on Cromwell’s behalf. One is that he helped to bring the ‘true religion’ of Protestantism to England. Another is that he revolutionised and modernised the functioning of the English state. Both rest their weight on an individual whose life story is full of question marks. There is no tidy box of historical explanation into which we can put him. The brisk judgment of Hugh Trevor-Roper was that Cromwell ‘was a freak in English history’. It has always been easier to fall back on broad-brush assertions or to dismiss him with an adjective: ‘sinister’ and ‘Machiavellian’ used to be two of the most common. As Geoffrey Elton wrote in 1953, ‘We do not call a man sinister whom we know well, whether we like him or not.’ But Elton merely restates the problem. How do we get to know Thomas Cromwell in the first place?

The answer is by a painstaking forensic recovery of every surviving piece of evidence and then letting the completed dossier speak for itself. MacCulloch’s biography is itself an exercise in Cromwellian rigour. Nothing here is rushed, no detail overlooked. Care and precision are everything. Later reminiscences of Cromwell are positioned and repositioned, the chronology tested, every particle sifted and cross-referenced. We need to know before we can judge. We feel by the end of MacCulloch’s formidable book that we know Cromwell very well indeed.

The Cromwell of this Life seems at times to be a watcher more than an actor, purposeful and busy yet somehow also passive. He had a strong sense of family and kinship, and a gift for making friendships durable enough to survive the later painful upheavals in religious belief. He understood the obligations of courteous reciprocity in a society whose mechanisms were lubricated by patronage. MacCulloch’s Cromwell is a collector and a reader of books. Italy is his passion, Italian the shared language of his friends and colleagues. He read Machiavelli (History of Florence as well as The Prince), Petrarch and Castiglione’s manual for the courtier, Il Cortegiano – important reading for the attorney from Putney. He was on equal terms with university scholars like Cranmer, a don to his fingertips. But Cromwell never lost the self-containment and self-reliance of the autodidact. He was a man of the world, a pragmatist whose preoccupations were with the possible; it just so happened that for Cromwell the scope of possibility was so much greater than it seemed to be for other people.

Yet he was a believer too, from at least the 1520s an enthusiast for Reformation. After 1537, as secure as he was ever likely to be politically, he began to pursue with a single mind an evangelical agenda. But he was also cautious. As Foxe described it (and his description seems to fit the man), Cromwell’s conversion was a process, not a spasm of Damascene revelation. In reading the Erasmian New Testament, as Foxe put it, Cromwell ‘began to be touched and called to better understanding’. In the always unpredictable and often dangerous religious landscapes of the 1520s and 1530s he played his faith very close to his chest. Spared the agony and ecstasy of a public spiritual crisis, he left prophecy and martyrdom to others.

Striking in the world MacCulloch builds around Cromwell is its sense of order and routine, its reasonableness, its gentleness even. The fractures of the 1530s, the consequences foreseen and unforeseen of Henry’s ‘Great Matter’ – the problem of Katherine of Aragon and the break with the Church of Rome – are all the more shocking because the bonds of social and political solidarity which pushed Cromwell up the ladder of preferment and promotion had once been so resilient. He had no grand plan for greatness. To talk about his ‘rise to power’ after 1530 feels almost like bad form; however true, the cliché, which suggests the energy of personal ambition, doesn’t quite fit. Though he was ever the sharp-eyed attorney, it was his grasp of minutiae, his gift with a pen, his ability to persuade others, his patience, that really marked him out. He had an instinct for the right move to make at the right time, offering a masterclass in the softly, softly approach to the acquisition of authority. In his life, routine and process counterweighted those moments in Henrician politics when the blade of the executioner’s axe met the neck on the block or the fire was lit under the prisoner bound to a stake. Volatility in this book is left to King Henry, tantrums and petty revenge to Anne Boleyn, sulks and tactlessness to Stephen Gardiner, fuming at upstart nobodies to His Grace the Duke of Norfolk. Cromwell, without title and for a long time without proper position, moved quietly ever forward.

It all​ began in Putney, a few miles upriver from London, where he was born and from where he escaped probably as soon as he was able. Born around 1485, he was a teenager at the turn of the new century. His father, Walter Cromwell alias Smith, was a more or less successful businessman whose brushes with manorial justice were practically routine. His mother’s name may have been Katherine, and her origins can be traced with some close detective work to the Meverell family of the Staffordshire Peaks.

The mature Cromwell looked back to his own wild youth, ‘as he himself was wont oftentimes to declare unto Cranmer Archbishop of Canterbury, showing what a ruffian he was in his young days’ (the words belong to John Foxe). We shouldn’t take him too seriously here; it is easy to overlook his wry sense of humour. He was a wanderer and a traveller, and gave himself an education in the world so very different from the suffocating discipline and narrow curriculum of a university. What historians and biographers can’t fix with the certainty of fact and evidence offers the novelist the rich and necessary space of imaginative possibility. This has been true of Cromwell’s life since the 16th century. A novella by the Italian author Matteo Bandello, printed (naturally) by John Foxe, interpreted Cromwell’s adolescent travels in Europe as an escape from the violence of his father, a story with shaky foundations that was taken up with enthusiasm by the Victorians. Our first meeting with a young Thomas felled and bloodied by the calculated savagery of Walter Cromwell’s kicks in Hilary Mantel’s Wolf Hall is viscerally memorable.

There is no clear vision of Cromwell until the age of forty, though by the 1510s he begins to come a little more into focus. He married his wife, Elizabeth, probably a few years after Henry’s accession in 1509. They had two daughters, Anne and Grace, and a son, Gregory, born in 1519 or 1520. At some point in the 1520s Elizabeth’s mother, Mercy (the Mistress Prior always popular with the family’s friends and handy with medicines), moved in. In 1523 the Cromwells took up residence near Austin Friars, in a grand house on Throgmorton Street. Thomas was doing well for himself. Nestled close to the beautiful Augustinian friary, his legal practice took him upriver to the Court of Chancery in Westminster. His Anglo-Italian business and legal connections were extensive. He counted as friends and clients merchants who went to the king’s court to trade their luxurious fabrics before Henry himself. Already Cromwell was on the fringes of power.

The big step up came in 1524, when he was recruited into the household of Cardinal Wolsey. Wolsey, prince of the Church and Henry’s man, wanted to build his legacy in stone. He planned two colleges, one in Ipswich (his home town) and the other in Oxford, as well as a tomb that would stand as a masterpiece to celebrate a masterly career. With his scrupulous eye for detail, Cromwell was perfect for the job of managing these considerable projects. This laid the groundwork for a later career that, had Wolsey lived years longer, might never have happened. Cromwell had the job of winding up some small religious foundations whose liquidations funded Wolsey’s colleges and tomb. Cromwell visited these houses and, with an improvisatory talent for handling the paperwork, oversaw the legal details. By the late 1520s few outsiders knew the English monasteries better than he did. He was given a job and got on with it, enjoying his freedom. In recruiting distinguished scholars for the Oxford foundation, Cromwell already had a good eye for university men sympathetic to Reformation ideas.

And so he prospered and he learned. Elected to the House of Commons for the Parliament of 1523, he saw for the first time from the inside a body he would come to manage in the 1530s with the same confidence he demonstrated in Wolsey’s service. He knew early on what he was up against, though he saw too the very human side of institutions. Of his 17 weeks in Parliament he wrote to a friend in 1523: ‘Howbeit, in conclusion, we have done as our predecessors have been wont to do, that is to say, as well as we might, and left where we began.’ Even the frighteningly efficient attorney had a sense of humour.

The hardest year personally and professionally was 1529. Elizabeth, Anne and Grace Cromwell died and Wolsey proved unable to deliver what Henry VIII had demanded: a satisfactory conclusion to the Great Matter, the neat annulment of a marriage to Katherine of Aragon that had been no marriage at all in the eyes of the king. Wolsey – like everyone else – had failed to attend to his majesty’s delicate conscience. Yet Cromwell remained close to Wolsey. He stuck his neck out to defend the cardinal in the Parliament of 1529, where Wolsey’s many enemies were determined to bring him down once and for all. For most of 1530 Cromwell hovered uncertainly between loyalties. But he was Wolsey’s man still, handling his master’s business long after the cardinal’s fall.

Parliament had shown his capabilities. In early January 1530 he took a walk with the king in his majesty’s garden at Westminster during which, such evidence as there is suggests, he gave an expert’s view of how profit might be made out of Church reform. Henry, at a critical moment in his fight with Rome, saw the possibilities. But no deal was done. That summer Cromwell toyed with a plan to fall back on his private practice as an attorney. In August 1530 he laboured over the wording of a letter to his disgraced master, who seemed incapable of keeping himself out of the headlines. ‘Learn to experiment how ye shall banish and exile the vain desires of this unstable world,’ he wrote to Wolsey. Now with a decision to make for himself, Cromwell’s words may have spoken as much to his own situation.

Something almost irresistible seems to be acting on Cromwell in the early 1530s, MacCulloch’s biography suggests, and the next step in his career happened as a kind of natural process, like the turning of the seasons. Somehow it was inevitable. Some people noticed it, some didn’t. By 1530 he had supporters at court, and they shared a common profile: they had been close to Wolsey, they didn’t like Anne Boleyn, but they were obeying as loyal subjects the king’s efforts to get rid of Queen Katherine, though with little enthusiasm. Just when few knew precisely how to give Henry what he wanted, Cromwell was the man being talked about. ‘And forasmuch as now his Majesty had to do with the Pope, his great enemy, there was (he thought) in all England, none so apt for the King’s purpose, which could say or do more in that matter than could Thomas Cromwell.’ So, in later years, said Sir John Russell, a court insider.

From 1531 Cromwell became the king’s fixer. In a sense he merely moved from one legacy project to another, for by now Henry was no longer content to play by the rules of Rome. His majesty’s cause had run into the buffers at the legatine court at Blackfriars in 1529, precipitating the collapse of Wolsey’s power. Yet Henry refused to give up, and by 1530 a kind of royal think tank, of which Cranmer was a member, was beginning to suggest a radical change of strategy.

The King Henry of this biography is impulsive and unpredictable, with a short attention span and a consistently high regard for his own genius. In the Great Matter he knew what he wanted. When in late 1530 Henry read a dossier that set out compelling historical evidence of his own spiritual supremacy, he annotated it in 46 places. Even Henry’s normally dormant critical senses were alert enough to ask of key passages ‘Ubi hic?’ (‘Whence does this come?’). But naturally he was an enthusiast, for supposedly erudite scholarship by others told him what he wanted to hear. In his mind was the image that Cromwell and Cranmer were later able to transmit to all the king’s subjects by means of the title-page of the Great Bible: Henry at the centre of everything, beholden to no other human power, communicating with his God without the need for an intercessor.

It was Cromwell’s job to make something strong and meaningful out of this confection of royal ego, dodgy history, polarised court politics and happenstance. It was a task that involved facing down the elite of the English clergy, detaching England from the authority of the bishop of Rome by statutory means (while emphasising that the king was very firmly above any law), managing official propaganda, and breaking Henry’s opponents. Thomas More and John Fisher were two victims. In the final encounters with More we find in Cromwell the human face of a process the collateral damage of which meant almost nothing to the king; they were two servants of a royal master, bound by that commonality, who found themselves on opposite sides of his majesty’s will. Cromwell as ever got on with the job, roughly balancing duty and conscience, and smoothing to the best of his ability the sharper edges of Henry’s displeasure.

Closeness to the king himself mattered more for Cromwell than formal position. The later promotions – Baron Cromwell of Wimbledon in 1536, Earl of Essex for a mere two months in the year of his downfall, 1540 – look like overcompensations for a loyal servant snubbed early on. But the initial appointments, the earliest signs of favour, meant something. Master of the jewels (1532), chancellor of the exchequer (1533), master of the rolls (1534), vice-gerent in spirituals (1535): each of these gave access to the king and influence over the flow of paper, allowing Cromwell to expand his horizons and his control. Newly promoted, he quickly needed a portrait (hence Holbein’s extraordinary picture) and a coat of arms, for which he, daringly, chose to incorporate elements of Wolsey’s own. Always perhaps a little unpredictable, a bit of a hybrid, his standing was never quite fixed. In fact the new offices of vice-gerent and vicar-general, which gave him as the king’s deputy the authority to suppress the religious houses, produced a very English awkwardness over etiquette. How should one refer to the vice-gerent? ‘Your grace’ was out, ‘Your holiness’ a non-starter. One bureaucrat with a talent for flattery came up with the perfect title: ‘Your goodness’. Probably it spoke to Cromwell’s own genius for flexible improvisation, as well as to his sense of humour.

The question​ that used to be asked of the huge upheavals of Reformation in the 1530s was ‘King or minister?’ Henry or Cromwell? Whose responsibility was it all? Whose vision? Whose fault? These questions once made sense, based as they were on the belief that an individual alone might be masterful or visionary enough to direct the fortunes of a kingdom. We seem today to have lost that easy faith. In the 1530s there was a sustained effort at making the Henrician revolution work, at least in the interests of the king. That conversation between Cromwell and Henry in Westminster in early 1530 bore fruit. The king and his elite made a fortune out of the Church and its lands. Enforcement was tough, its instruments being a new treason law and propaganda and new agencies of government able to process a massive administration. There was of course a reaction from subjects who saw their world being ripped apart. In the great rebellion in the north of England in 1536 ‘pilgrims’ stood for the commonwealth against Cromwell and other heretics. And all of this from the king’s passion and scruple of conscience. There was little intelligent design here, at least initially. Henry was too flawed a leader to have thought very much or for very long about the consequences of what he began, other than for himself. Led by impulse from one moment to another, he put the allegiance of loyal subjects under immense strain. Disconnected from the human cost of his actions, he was a tyrant in the making.

Holbein’s portrait of Cromwell shows the ideal bureaucrat. Within reach are the implements of office: quill, book and papers. The steadiness of the gaze is what unnerves the viewer. Cromwell’s instinct for government and process, and his sense of balance, were impeccable, at least when he was at the height of his powers. He liked detail and he preferred neat uniformity. He understood possibilities and he worked with the realities of the moment. He was able to manage change on an immense scale. He shared with friends like Thomas Cranmer a reforming agenda in religion, and he had ambitions for his own promotion and the standing of his family. But even Cromwell could go only so far. He was human after all. Later portraits lack Holbein’s extraordinary precision but they succeed in showing just a little softening of that early hardness.

A Life of Thomas Cromwell is necessarily the study of a royal bureaucracy knocked into shape by the size of the job it had to deal with, as well as a close encounter with a Church remodelled in the 1530s in the image of a king. This is where MacCulloch’s passion lies: one feels his love of ecclesiastical process and order, his sympathy for spiritual men wrestling with the material realities of change and ambition. He has the pleasure in fine detail of an antiquary, the historian’s range and depth of vision and the biographer’s feel for his subject. This is a book about people, their friendships, alliances and obligations. As such it is inevitably a book about the forces in the 1530s that had the power to fracture all of those things. In it we never lose sight of Cromwell’s humanity. One strand of this is the protective eye he kept on wayward boys, the first of them Wolsey’s genially feckless illegitimate son Thomas Winter, the second his own son Gregory. An exquisite Holbein miniature of Gregory in 1537 shows a young man of about 18 with closely cropped hair. Lips pressed together, he looks down. There is something submissive in his attitude: the son of a powerful man with a certain weight of expectation resting on young shoulders. How different from the experience a generation earlier of that young ruffian who had knocked around Europe in the years after 1500, and who later made his own way up the ladder.

The end came in 1540. It was the strangest of years: an earldom, an English Bible, another neck on the block. The politics of the court finally caught up with Cromwell, as they had with so many others before. The debacle of the Cleves marriage, which was annulled after six months, left him exposed to enemies ready to take advantage of his having fallen from favour with the king. Of Cromwell’s arrest in early June we have a second-hand account by the French ambassador. Informed by the captain of the king’s guard that he was a prisoner, he ‘ripped his cap from his head and threw it to the ground in contempt, saying to the Duke of Norfolk and others of the Privy Council assembled there that this was the reward of the good service he had done to the king, and that he appealed to their consciences to know whether he was a traitor in their accusations.’ Norfolk’s response was to rip the Garter collar of St George from the prisoner’s neck. It’s likely His Grace rather enjoyed the moment.

In spite of his appeal to the loyal service he had given his majesty, he’d been around long enough to know that any minister was in the end dispensable. He served at his majesty’s pleasure, and his majesty’s track record spoke for itself. It was the same for everyone: once you were on the wrong side of Henry, he cut himself off completely, pulling down the shutters even on his closest relationships. In any case, Cromwell had never made Wolsey’s mistake of believing that he was the king’s friend. In some ways, oddly, Cromwell and Henry seem to have operated almost in parallel spheres. It was true at the very end. On the day of Cromwell’s execution, 28 July 1540, the king was otherwise occupied: that was the day he married Katherine Howard. With Cromwell on the scaffold there was no melodrama, only loyal submission to God and to Henry’s will. His thoughts in those few remaining minutes of his life were for the future wellbeing and security of his family.

In 1529, at the fall of Wolsey, Stephen Vaughan wrote to Cromwell: ‘You are more hated for your master’s sake than for anything else which I think you have wrongfully done against any man.’ We might ask ourselves whether Vaughan’s judgment is as true for the king Cromwell served, for that second legacy project he steered through to a conclusion of sorts – the heavy burden of a service from which he is only now being rescued.

Thomas Cromwell, by Diarmaid MacCulloch – What Mantel left out

Jessie Childs, The Guardian, 22nd September 2018

iarmaid MacCulloch, who is presumably no stranger to mispronunciation, thinks we’ve been getting Thomas Cromwell wrong. It should be “Crummle”. This matters more now that Cromwell is a household name, or, as Hilary Mantel has put it, “an industry”. There have been several biographies of him recently, but this is the one, according to the Booker-winner, “we have been awaiting for 400 years”.

The admiration is mutual: Mantel appears in MacCulloch’s introductory material as well as the main text, where he refers to a scene in her novel Wolf Hall in which Cromwell’s glowering portrait is unveiled. He adds that Cromwell put up with it, whereas Thomas More’s image took Holbein “quite a lot of adjustment to get right”. The two are now locked in a duel in the Frick collection in New York.

So this is far from being a buttoned-up biography of Henry VIII’s chief minister. MacCulloch is a stylish and playful writer who knows his readership and keeps his more scholarly conversations (“Frankly, that seems a naive reading of events”) to the back of the book. It is, at the same time, seriously heavyweight, both in terms of size (more than 700 pages) and archival heft. Anyone looking for the true story of Wolf Hall will be challenged, but also mightily rewarded. MacCulloch is Professor of the History of the Church at Oxford (you have to understand religion to get anywhere near Cromwell) and has spent six years reading, re-dating and interrogating Cromwell’s papers.

Cromwell only really got going in his 40s. His early years, like Shakespeare’s, are “lost” to the historian. MacCulloch does a fine job of slashing through dense undergrowth and catching “Putney straws in the wind”. The Cromwells might have had Irish roots. Thomas’s father, Walter, a brewer, was charged with assault, but was not necessarily abusive. MacCulloch doesn’t now think that he watered down his beer.

The Dissolution Of the Monasteries

As a teenager, Thomas travelled to Europe and opened his eyes to Florentine politics, Habsburg-Valois wars, Antwerp markets and the intellectual ferment of the early 16th century. He returned, according to MacCulloch, “the best Italian in all England” and it is ironic – though by no means incredible – that the man who would be known as the hammer of the monasteries began his career (in legal work for a Lincolnshire guild) as a champion of papal indulgences. MacCulloch speculates that his son Gregory might even be named after Pope Gregory the Great.

Cromwell soon caught the eye of Cardinal Wolsey and went to work on his “legacy project”, which involved dissolving monasteries in order to fund two memorial colleges and liaising with Italian sculptors on a magnificent tomb, topped by four bronze angels. Then Wolsey fell, the legacy was dismantled, and the angels flew. They eventually alighted on the gateposts of Wellingborough Golf Club and are now in the Victoria and Albert Museum.

Cromwell was rescued by Henry VIII, who relied on his “improvisatory genius” to drive through the break with Rome. Councillor Cromwell had the instinct to recognise the potential of parliament as an instrument of government. He had the talent to oversee the Valor ecclesiasticus, a financial survey comparable to the Domesday Book in scope. He had the chutzpah to curb the power of the church, as well as to marry his son to the king’s sister-in-law, and he was cut-throat enough to destroy Anne Boleyn, among others.

His greatest lasting achievement was the provision of an authorised vernacular Bible

None of this was straightforward, as can sometimes appear in more condensed narratives. MacCulloch describes Cromwell’s progress as “complex and crabwise”. He came to be loathed by the nobility as an upstart and by the rest of the country as a metropolitan elitist. The Pilgrimage of Grace (‘a northern civil war’) nearly toppled him, but iIn the end what did it was the king’s fourth marriage to Anne of Cleves. Henry’s Trumpian sense of injury was nowhere more apparent than in the bedroom.

Cromwell’s driving impulse was not to revolutionise government, but the church. MacCulloch brilliantly teases out his links to reformers in Zürich, far hotter Protestants than Martin Luther, who was too hot for Henry VIII. This was supremely risky and it is astounding that he should become, in 1535, vice-gerent in spirituals – effectively the lay head of the church under the king – a position that was unique and never repeated. His greatest lasting achievement was the provision of an authorised vernacular Bible, “the basis of every English biblical translation until modern times”.

This is a superb rendering of an extraordinary decade and a virtuoso portrait of the man whom most contemporaries blamed for its worst outrages. MacCulloch’s focus is sharp, but since nearly every item of business and news crossed Cromwell’s desk in the 1530s, there are fascinating vignettes on everything from water mills to Münster, that city state of apocalyptic fanatics who refused to baptise their babies. MacCulloch thinks it plausible that Cromwell’s much-laudedintroduction of parish registers listing burials, marriages and baptisms was a way of flushing out Anabaptist extremists at home.

Geoffrey Elton, the Cambridge don whose name was synonymous with Cromwell in the second half of the 20th century, didn’t think that his biography could be written. He thought it a poor way of doing history, and infra dig for a scholar, but the main problem was the nature of the evidence. It is overwhelmingly political and half of it is missing. MacCulloch thinks the filed copies of Cromwell’s sent letters, the ‘out-tray’, were burnt by his servants when he was arrested in June 1540. A few survive, but not enough. There is often a sense with Cromwell that we are running alongside his supplicants, clawing at his cloak as he hastens from Austin Friars, to Westminster, to The Rolls, to the Court.

The Family of Henry Viii: an Allegory of the Tudor Succession, by Lucas de Heere, 1572.

There are no Cromwellian poems (though MacCulloch might have thrown us one of Wyatt’s), no hint from Cromwell as to why he didn’t remarry after the early deaths of his wife and two daughters, not even a legal trial at which he might have dropped his guard as More had done in 1535.

It is remarkable, therefore, how much of the man MacCulloch does, in fact, capture, certainly more than any previous attempt. It is his contradictions that stand out: intense focus and frenetic energy, rapacity and a social conscience, “clubbability” and a trainspotterish enthusiasm for waterworks. He was a wily operator, but a favourite of widows and wayward young men. He was undoubtedly ruthless, but sometimes tried to mitigate the king’s cruellest inclinations. He was at his fiercest when seeking revenge for Wolsey’s fall, but if we are to be sympathetic to Cromwell – as MacCulloch is – then we must recognise its correlative: his ardent loyalty.

There is a beautifully drawn scene in which Wolsey, his power ebbing away, avidly reads a letter from Cromwell and keeps it close, like a talisman. We later find Master Cromwell painfully drafting another letter that is full of crossings-out and corrections. He was trying to save Wolsey from himself, and from Henry VIII, who was manipulable, but always the master and sometimes a monster. “No one,” MacCulloch asserts, “reading the original of this letter can think of Cromwell simply as a heartless bureaucrat.”

• Thomas Cromwell: A Life is published by Allen Lane. To order a copy for £25.80 (RRP £30) go to guardianbookshop.com or call 0330 333 6846. Free UK p&p over £10, online orders only. Phone orders min p&p of £1.99.

Arguments of Monumental Proportions


Our historical memory is a motherland of wishful thinking. Ulrich Raulph

There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind…The opening of the film Gone with the Wind

The past is another country – they thought things differently there; and if the past shapes the present, the present also shapes the past.

With the spread of Black Lives Matter protests around the world, in response to the murder of George Floyd by a Minneapolis police officer, the defacing and destruction of monuments to dead and dubious white men is back in vogue – not that the practice has ever actually gone out of style.

Fallen Idols

There is a certain historical irony that the statue of a 17th century slave trader (and on account of his wealth, philanthropist) Edward Colston has been consigned to the watery depths of Bristol Harbour from whence his ships sailed. He’d built his fortune as an influential member of the Royal African Company, a private company which branded its initials on the chests of some 100,000 men, women and children before shipping them to the Americas and the Caribbean. Thousands never made it, tossed into the ocean after drawing their last breath in the filth below decks. Ted and his fellow slavers have a case to answer. In the hundred years after 1680, some two million slaves were forcible removed from their homes in West Africa to the work camps of the West Indies. By 1750, the numbers of slaves had reached over 270,000 per decade, and by 1793, Liverpool handled three fifths of the slave trade of all Europe.Historian Peter Ackroyd wrote in his History of England: “No more than half of the transported slaves reached their destination; some plunged into the sea and were said to hike up their arms in joy from the brief sensation of liberty before they sank beneath the waves”.

Bristol owed its past prosperity to the slave trade – as did Liverpool. The statue had stood in the city centre for 125 years with a plaque that read: ‘Erected by citizens of Bristol as a memorial of one of the most virtuous and wise sons of their city’. Streets and buildings were also named after Colton though most townsfolk have probably never have heard of him. 

Activists have drawn up a hit list of 60 monuments in the United Kingdom that “celebrate slavery and racism”. London mayor Sadiq Khan paves the way for the legal removal of many of historic statues in the British capital and the changing of street names. Slave owner and West India Docks founder Robert Milligan has already been taken down. On the same day, Belgium’s bloody King Leopold, whose rule of the Congo – it was his private property – became a byword in colonial barbarity, was removed from his plinth in Brussels 

As an Aussie and a Brit of Irish parents, and as a history tragic, I find the long running monuments furore engrossing. Statues of famous and infamous generals, politicians and paragons of this and that grace plazas, esplanades and boulevards the world over, and their names are often given to such thoroughfares. They represent in visual and tangible form the historical memory of a nation, and as such, can generate mixed emotions reflecting the potentially conflicted legacies and loyalties of the citizenry. 

It is about the control of history – and who controls it. We all use history, incorporating perceptions of our national story into lessons that guide or confirm our present actions and outlooks. Our history is written not only in scholarly narratives, but also, in commemorations, in statues, flags and symbols, in the stories that children are taught about their country and their community from their earliest school years, and in the historical figure skating  they are taught to remember and honour. History, it is said, is written mostly by the victors  – but not always. So the inevitable tensions between different versions of the past fosters tension and conflict, and grievance and offense in the present. Particularly in onetime colonialist and settler countries, and the lands these once ruled and exploited.

Juxtaposing controversial British statuary, and those of American Civil War generals, against the empty plinths of the former People’s Republics of Eastern Europe, and the images of the toppling of the statue of Saddam Hussein, I have always contemplated our own monuments to reputed bad boys past. 

There are statues of Lord Protector Oliver Cromwell all over the place in England where his legacy is still debated. He stands authoritatively outside the Houses of Parliament and is remembered as one of the godfathers of that institution. And yet, when he died, and the monarchy he deposed restored, his body was disinterred and hanged. In Ireland, for so long “John Bull’s other island”, however, he is reviled. He did, after all, march through the land with “fire and fury”, to borrow Donald Trump’s hyperbole, and killed quite a number of Irish folk. In my southern Irish mother’s day, people would put his picture upside down, facing the wall. This may be apocryphal, but whatever.

Oliver Cromwell, Parliament Square

A statue of Lord Nelson stood in O’Connell Street, Dublin until March 1966 when the IRA blew him up, celebrated by the Clancies in the song below. The IRA also blew up that other famous English mariner, Lord Louis Mountbatten, inveterate pants-man, victor of the Burma campaign and facilitator of Indian Independence). It wasn’t that Horatio had inflicted anything unpleasant upon the Irish, but rather his renowned Englishness that earned him the TNT. And yet, in the wake of intermittent US monuments barnies, beady British eyes were always focusing on the admirable admiral and his ostensible racism (not a word in use at the turn of the eighteenth century) and support for the slave trade. After Colston’s dip in Bristol harbour, it won’t be long before Horatio is harangued – not that anyone actually believes that Nelsons Column should be evicted from iconic Trafalgar Square, and it would be damn difficult to paint-bomb his myopic visage. The British attachment to Lord Nelson is long and strong. In Birmingham, my hometown, the city centre around the Bullring has been refurbished, redesigned and reconstructed numerous times during my lifetime, but the immortal mariner and his battleship stand still on their plinth of honour – as in the featured picture.

The ongoing controversy in England over statues of Cecil Rhodes, colonialist and capitalist, and ostensibly an early architect of apartheid, still rages with respect to his African legacy, with many demanding that he be demolished. his statue in Cape Town, South Africa, was removed after extensive protests in  2015. as As I write, Cecil may not survive the week. There is a statue in Parliament Square, close to Cromwell and Winston Churchill (who some also abhor), of South African soldier and statesman Jan Smuts. His Boer War (on the enemy’s side) and segregationist sympathies were outweighed by his military and diplomatic record in service of the British Empire, and to date, none has called for his eviction. Perhaps he will be spared as he did not have a pariah state named for him, as it was with Cecil. Nor was he associated with the apartheid regime as it was decades before his time – although this wouldn’t satisfy some iconoclasts. But most likely, he is safe because most folk have never heard of him.  

Cecil Rhodes, Cambridge University
Winston Churchill gets a paint-job

I have heard mumblings, however, of doing for General Smuts, and also for his Parliament Square neighbour Sir Winston Churchill, who has now been graffitied. Now, he might have saved Britain from Hitler’s hoards, but he did not like the Irish, nor Indians (and Pakistanis for that matter), and said some gross things about Arabs and Jews. And we Aussies, and Kiwis too, still blame him for the disastrous Dardanelles campaign – although he did give us our indefatigable and untouchable ANZAC legend and a long weekend. And whilst on the subject of the Middle East, an equestrian Richard the Lionheart stands close by. He did dastardly things to tens of thousands  of locals – Muslim, Christian and Jew – during the Third Crusade, almost a millennium ago. Watch out, Dick and Dobbin! 

Richard the Lionhearted

Lord Baden-Powell, the founder of the world scout movement, of which I was a relaxed and comfortable member for half of the sixties, sits on the seafront in Poole, Dorset, under twenty four hour CCTV protection. In a 2007 poll, he was voted the 13th most influential person in the UK in the 20th century. But critics say that he held racist views, and in 2010 declassified MI5 files revealed he was invited to meet Adolf Hitler after holding friendly talks about forming closer ties with the Hitler Youth. If old “bathing towel” as he was once affectionately called by us Boy Scouts, becomes persona non grata, what will become of Baden Powell Park in Coffs Harbour, our regional centre? It sits behind the Dan Murphy’s liquor mart, one of the town’s most popular retail outlets, and provides an opportunity for our discussion to segue DownUnder.

Dark deeds in a sunny land

In this strange, copycat world we live in, politicians and activists call for the removal of statues of our Australian founding fathers for the parts they played in the creation of our nation. In his challenging revisionist history of Australia, Taming of the Great South Land, William Lines tells us that if we look up the names of the worthies who’ve had statues, squares, streets and highways, building and bridges, parks and promontories, rivers and even mountains named after them, we will uncover a dark history of which few are aware. Try it sometime; you’ll be surprised.

There has inevitably been much fuss about Captain James Cook, the renowned and courageous navigator who “discovered” the place two hundred and fifty years ago (notwithstanding that the Aborigines, Javanese, Dutch, Portuguese, and French had been here first). His “discovery”, many argue, led to genocide and the dispossession of our First Peoples (Columbus no doubt also gets more than pigeons shitting on him!). And also, there’s Lachlan Macquarie, fifth and last of the autocratic governors of New South Wales, who laid the economic and social foundations of the new colony. He is in the cross-hairs as responsible for initiating the ‘frontier wars‘ and for ordering the massacre of Aborigines. 

The captain, his chopsticks and his lunch.
James Cook, Whitby, Yorks
Lachlan Macquarie, Hyde Park,Sydney

Inevitably, right-wing politicians, shock-jocks and  commentators, came out swinging, venting against political correctness and identity politics, defending what they see as an assault on our “Australian values”. When Macquarie got a paint job three years back, for a moment it seemed that our intractable history wars” were on again – the “whitewash” brigade versus the “black arm-band” mob. Statues were vandalized, voices raised and steam emitted as opposing sides took to their hyperbolic barricades. But once the graffiti had been removed from the statues of Cook and Macquarie in Sydney, and The Australian got it off its chest with a week of broadsheet history and a swag of indignant opinion pieces by the usual suspects, things appeared to have calmed down. 

But not for long, perhaps.

All sorts of emotions, hopes and fears lie behind our various creation myths. No matter the source of our different “dream-times” we are all correct in one way or another. People wheel out the wise old “blind men and the elephant” story to illustrate how blinkered we are; but in reality, if those blind men were given more time, they would have expanded their explorations and discovered a bigger picture.

For more on our Aussie worthies, see, for example, from The Guardian, on Australia, Statues are not history, and regarding former Soviet monuments, Poles Apart – the bitter conflict over a nation’s history.

And, in In That Howling Infinite, read also: The Frontier Wars – Australia’s heart of darkness, and America’s Confederate legacy, Rebel Yell 

Free Derry and the battle of the Bogside

There was a checkpoint Charlie
He didn’t crack a smile
But it’s no laughing party
When you’ve been on the murder mile
Only takes one itchy trigger
One more widow, one less white nigger
Oliver’s army is here to stay
Oliver’s army are on their way
And I would rather be anywhere else
But here today
Elvis Costello 1979

As Britain and the European Union agonise and argue over the terms of the Brexit divorce and “the Irish backstop”, we recall the fiftieth anniversary of “the battle of the Bogside”.

Historical memory is like a sieve. Give it a good shake and only the big chunks are left, and as Patrick Cockburn and other British commentators note with anguish, for many on mainland Britain, mired in the Brexit morass, Ireland is not one of these. These commentators, who often possess Irish roots or connections and are veteran correspondents with decades of experience in the volatile Middle East, lament how many people in mainland Britain are ignorant of, or worse, indifferent to Northern Ireland and to the centuries-old conflict that burst into fierce flames half a century ago.

The conflict was never primarily about the border between Northern Ireland and the Republic, but about the civil and economic rights of the Roman Catholic minority in the north in relation to the Protestant majority. Had the Ulster Protestants shared power and privilege equitably with the Catholics, things might have turned out much differently.

Though nationalism and religion had been irrevocably and often violently intertwined for hundreds of years, Britain and Ireland’s entry into the EU arguably provided a catalyst for peaceful political change which led in time to the Good Friday Peace Agreement of April 1998.

It might seem unthinkable that anyone should willfully reignite a conflict never that was never really extinguished but merely reduced to a simmer. And yet, recent events in Derry – failed bombings and the New IRA’s murder of Lyra McKee, a working-class Catholic journalist and LGBT activist (during a riot that was apparently staged for a TV crew,), and political paralysis in Westminster over Brexit, including the controversial “backstop” to prevent the re-imposition of a “hard border”, have sparked fears that the centuries only Irish Question was not dead but only sleeping.

The problem of Ireland had never gone away – or was it, rather, the problem of England?

In 1921, Winston Churchill asked Parliament: “How is it that (Ireland) sways our councils, shakes our parties, and infects us with her bitterness, convulses our passions, and deranges our action? How is it she has forced generation after generation to stop the whole traffic of the British Empire, in order to debate her domestic affairs? …  Whence does this mysterious power of Ireland come?”

He forgot – or never realized – that the reason for all of this Irish “bitterness” and “passion” was his country’s brutal legacy of colonialism beginning several hundred years prior, stretching at least as far back as the mid-1500s conquest of Ireland by King Henry VIII and the 1606 plantation colonization) of Ulster by King James I (whence the ancient town of Derry got its ‘London’ prefix – history can be reckless with place names), and all the way through Oliver Cromwell’s pogroms, the the ‘98, An Gorta Mór, and Padraic Pearse’s doomed intifada at Eastertide in 1916 and the Crown’s execution of the rebel leaders.

Just like the recent flare-ups in Kashmir over India’s unilateral rescission of its autonomy, and citizens in Hong Kong resisting tighter controls from China, the messy legacy of Britain’s colonial past continues to play out around the world.

Fifty years ago last October, a civil rights march in the historic city of Derry, the second largest city on Northern Ireland, was brutally attacked by police in front of the television cameras. It was the crucial moment in the rise of peaceful opposition to the one-party unionist state. When this failed to achieve its ends, the door was opened to violence and the rise of the Provisional IRA. It sparked widespread disorder and rioting across Northern Ireland.

For many, this is the moment thirty years of violent conflict euphemistically known as The Troubles began.

By the end of the year, various ‘no-go’ areas had been established and walls built dividing major cities. Large population movement began that saw once mixed areas become exclusively one faith or another, polarizing not only people, but also opinions and attitudes. On both sides, paramilitary groups began to re-emerge, gaining in strength and status as widespread civil disorder quickly escalated into a bloody conflict that would last for nearly thirty years. With the police unable to cope with the scope and scale of the disturbances, the government decided to send in the British Army to restore order – the only ever peacetime deployment of British troops on British soil in modern times.

Increasing degrees of violence culminated in January 1969 when, in the aftermath of a march from Belfast to Derry, the Royal Ulster Constabulary rioted in the Bogside, assaulting Catholics in the streets and in their homes. Residents put up barricades and declared themselves citizens of Free Derry and outside the authority of the police.

In August, a much larger riot – the “Battle of the Bogside” – saw the police expelled from Free Derry by locals throwing petrol bombs, and nationalists and loyalists fighting hand-to-hand in the streets of the city they shared.

Just like flare-ups in Kashmir this week over autonomy and citizens in Hong Kong resisting tighter controls from China, the messy legacy of Britain’s colonial past continues to play out around the world.o, as nationalism and sectarianism dealt a coup de grace to Tito’s Yugoslavia; and in Baghdad as the ancient city sundered into confessional cantons.

Derry’s trials culminated in Bloody Sunday on January 30, 1972 when soldiers of the Parachute Regiment shot twenty eight unarmed civilians during a protest march against internment. Fourteen Catholics died: thirteen were killed outright, while the death of another man four months later was attributed to his injuries. Many were shot while fleeing from the soldiers, and some, while trying to help the wounded.

These were but a few of nearly four thousand people killed during the conflict, including some five hundred British soldiers, and some fifty thousand injured in ulster and on the British mainland in protests and firefights, executions and assassinations, beatings and bombings. 

I republish below poignant and gripping feature by Australian journalist and author Mark Dapin about that day. It is a timely reminder that Northern Ireland is a knot that refuses to be untangled, and that for the families of the victims of the conflict, the wounds have never closed let alone healed.

Author’s Note

Whilst I do not have skin in the Ulster game, I do have a connection. My father was a protestant from the town of Castlederg, County Tyrone, just south of Derry and east of the Irish border. He married a catholic from Enniscorthy, County Wexford, and I was born and baptized catholic in Birmingham, England – neutral territory. I used to sing the Clancys’ The Orange and the Green back in my old folkie days, and loved The Old Orange Flute. Serendipitously, a good friend and tradesman of choice in in our small Australian country town is from Castlederg, from a large catholic family. He learnt his trade on the building sites of Belfast and experienced the latter years of The Troubles first hand, including the dangers of working on protestant-only worksites. Another acquaintance on our coast is a protestant from Belfast. He too has many stories of those dangerous time, including how he would visit an actively paramilitary friend who had been banged up in the notorious Maze prison (where catholic and protestant prisoners would be segregated into separate wings.

Derry 2019

Read also in In That Howling Infinite: Mo Ghile Mear – Irish myth and melody; and The Boys of Wexford – memory and memoir 

The Battle of the Bogside was 50 years ago – so why are the same mistakes being made right now?

Patrick Cockburn, The Independent 9th August 2019.

Fifty years ago, the Battle of the Bogside in Derry between Catholics and police, combined with the attacks on Catholic areas of Belfast by Protestants, led to two crucial developments that were to define the political landscape for decades: the arrival of the British army and the creation of the Provisional IRA.

An eruption in Northern Ireland was always likely after half a century of undiluted Protestant and unionist party hegemony over the Catholics. But its extreme militarisation and length was largely determined by what happened in August 1969.

An exact rerun of this violent past is improbable, but the next few months could be equally decisive in determining the political direction of Northern Ireland. The Brexit crisis is reopening all the old questions about the balance of power between Catholics and Protestants and relations with Britain and the Irish Republic that the Good Friday Agreement (GFA) of 1998 had provided answers with which everybody could live.

The occasion which led to the battle of the Bogside came on 12 August when the Apprentice Boys, a fraternity memorialising the successful Protestant defence of Derry against Catholic besiegers in the 17th century, held their annual march. Tensions were already high in Derry and Belfast because the unionist government and its overwhelmingly Protestant police force was trying to reassert its authority, battered and under threat since the first civil rights marches in 1968.

What followed was closer to an unarmed uprising than a riot as the people of the Bogside barricaded their streets and threw stones and petrol bombs to drive back attacks by hundreds of policemen using batons and CS gas. In 48 hours of fighting, a thousand rioters were treated for injuries and the police suffered unsustainable casualties, but they had failed to gain control of the Bogside.

Its defenders called for protests in other parts of the North to show solidarity with their struggle and to overstretch the depleted Royal Ulster Constabulary (RUC). In Belfast, Protestants stormed into the main Catholic enclave in the west of the city, burning houses and forcing Catholics to flee. The RUC stood by or actively aided the attacks. The local MP Paddy Devlin estimated that 650 families were burned out in a single night, many taking refuge in the Irish Republic

I was in Bombay Street, where all the houses were burned on the night of 14-15 August, earlier this year. The street was long ago rebuilt but still has a feeling of abnormality and menace because it is only a few feet from the “peace line” with its high wall and higher wire mesh to stop missiles being thrown over the top from the Protestant district next door.

The most striking feature of Bombay Street is the large memorial garden, though it is more like a religious shrine, to martyrs both military and civilian from the district who have been killed by political violence since 1916. A high proportion of these were members of the Provisional IRA who died in the fighting during the 30 years of warfare after Bombay Street was burned.

The memorial is a reminder of the connection between what many local people see as an anti-Catholic pogrom in 1969 and the rise of the Provisional IRA. It split away from what became known as the official IRA because the latter had failed to defend Catholic districts.

Pictures of the ruins of Bombay Street on the morning of 15 August show local people giving British soldiers cups of tea. But this brief amity was never going to last because the unionist government in Stormont had asked the prime minister of day, Harold Wilson, to send in the troops not to defend Catholics but to reinforce its authority.

It was the role the British army were to play in one way or another for the next 30 years. It was one which was bound not only to fail but to be counterproductive. So long as the soldiers were there in support of a Protestant and unionist political and military establishment, the IRA were always going to have enough popular support to stay in business.

British governments at the time never got a grip on the political realities of the North. Soon after the troops were first sent there, the cabinet minister Richard Crossman blithely recorded in his diary that “we have now got ourselves into something which we can hardly mismanage”. But mismanage it they did and on a grotesque scale. The Provisionals were initially thin on the ground, but army raids and arrests acted as their constant recruiting sergeant. Internment without trial introduced on 9 August 1971, the anniversary of which falls today, was another boost as were the hunger strikes of 1981 which turned Sinn Fein into a significant political force.

What are the similarities between the situation today and 50 years ago? In many respects, it is transformed because there is no Protestant unionist state backed by the British army. The Provisional IRA no longer exists. The GFA has worked astonishingly well in allowing Protestants and Catholics to have their separate identities and, on occasion though less effectively, to share power.

Brexit and the Conservative Party dependence on the Democratic Unionist Party (DUP) for its parliamentary majority since 2017 has thrown all these gains into the air. DUP activists admit privately that they want a hard border between Northern Ireland and the Republic because they have never liked the GFA and would like to gut it. Sinn Fein, which gets about 70 per cent of the Catholic/nationalist vote these days, is pleased that the partition of Ireland is once again at the top of the political agenda.

“I am grappling with the idea of a hard border which I would call a Second Partition of Ireland,” Tom Hartley, a Sinn Fein veteran and former lord mayor of Belfast, told me. He is baffled by British actions that appear so much against their interests, saying that “they had parked the Irish problem, but now Ireland has moved once again into the centre of British politics”.

Would Boris Johnson’s enthusiasm to get rid of “the backstop” evaporate if he wins or loses a general election and the Conservatives are no longer dependent on the DUP for their majority? Possibly, but his right-wing government has plenty of members who never liked the GFA and their speeches show them to be even more ignorant about Northern Ireland politics than their predecessors in Harold Wilson’s cabinet half a century ago.

Ireland is not to blame for the disaster of Brexit

An example of this is their oft-declared belief that some magical gadget will be found to monitor the border by remote means. But any such device will be rapidly torn down and smashed where the border runs through nationalist majority parts of the border.

Northern Ireland may be at peace, but in a border area like strongly Republican South Armagh, the police only move in convoys of three vehicles and carry rifles, even if they are only delivering a parking ticket.

Catholics are no longer the victims of economic discrimination, though Derry still has the highest unemployment of any city in the UK. There has been levelling down as well as levelling up: Harland and Wolff, the great shipyard that once employed much of the population of Protestant east Belfast, went into administration this week.

Irish unity is being discussed as a practical, though highly polarising, proposition once again. Political and economic turmoil is back in a deeply divided and fragile society in which the binds holding it together are easily unstitched

The Troubles revisited: ‘I have a hatred for what the Paras did on Bloody Sunday

Mark Dapin, Sydney Morning Herald, 3rd August 2019

Every week of every month of every year, Paul Doherty takes tourists on a journey around the death of his father, who was killed by the British Parachute Regiment (“the Paras”) on Bloody Sunday in Derry, the second-largest city in Northern Ireland, on January 30, 1972.

But this year, things are different. This month, Doherty hopes, a murderer will at last be held to account. He has already looked into the eyes of his father’s killer, and he hates him.

“I have a hatred for what the Paras did on Bloody Sunday,” says Doherty, 55, “and also a hatred for the individual soldier.”

He knows he’s not supposed to say that (and he also hates the British Army officers and British government of the day) but Derry is built on the banks of the River Foyle, one of the fastest flowing rivers in Europe, and the torrent of Doherty’s conversation far outpaces the waterway. He speaks like two people, one interrupting to annotate the other – “They do a good pint of Guinness in there, aye” – and push him to clarify his opinion in the rare moments he might seem guarded or vague. Doherty says his tour is “political” but not “politically correct”.

Derry is officially called Londonderry, although the “London” has been spray-painted out of many road signs (just as the “no” has disappeared from no-smoking signs). London has rarely been popular in a place where three-quarters of the population are Catholic, most of them republicans who would rather see their home part of the Republic of Ireland than the United Kingdom. After the Bloody Sunday massacre, Derry saw 26 years of concentrated shootings and bombings, until the Good Friday Agreement of April 1998 began to draw the euphemistically named “Troubles” to a close with its newly codified recognition of both British and Irish interests in Northern Ireland. The Provisional IRA and the Ulster Volunteer Force, among other militia, eventually decommissioned their weapons – but in Derry there were always a handful of hardmen who wanted to keep killing for a united Ireland.

Some of these “dissident republicans” had already helped to form the so-called New IRA, which has admitted responsibility for the death in April this year of the young journalist Lyra McKee, who was shot by a sniper during an apparently staged-for-TV riot in Derry. Doherty has a bit to say about that, too.

When Patrick Doherty was shot from behind by a British soldier on Bloody Sunday, Paddy Walsh bravely stayed in the open with him.
When Patrick Doherty was shot from behind by a British soldier on Bloody Sunday, Paddy Walsh bravely stayed in the open with him.CREDIT:GILES PERESS/MAGNUM PHOTOS/SNAPPER IMAGES

Paul Doherty is a cheery man. He’s thickset and stocky and likes to make jokes – can’t help himself, really – and runs perhaps the least romantically named travel business in the world, Bogside History Tours. It takes a surprisingly large number of visitors (between two and 40 per tour) on twice-daily guided walks through Derry to the Bogside, a neighbourhood in the city’s west, where the ghosts of Bloody Sunday’s dead still march alongside his father, on murals the size of houses.

Paul’s younger brother, Gleann Doherty, is leading the walk on the morning I arrive, and Paul offers me a more exclusive “taxi tour”. It begins with an eccentric industrial history of Derry, whose docks were established before the famous shipyards of Belfast, where the passenger liner RMS Titanic was constructed by a largely Protestant workforce.

“The most celebrated ship in the world, the Titanic, never completed a journey,” says Doherty. “People say, ‘Why did it never complete a journey?’

“I don’t know,” he continues, “but people suspect it was because it was built by Protestants. There were very few Catholics building the Titanic. Someone asked me the other day, ‘What were the Catholics doing?’ I said, ‘We were building icebergs.’”

Doherty talks about the 17th-century Plantation of Ulster, in which Protestants from England and Scotland, who were loyal to the British Crown (“loyalists”) were settled in the north of Catholic Ireland, usurping Irish landowners and ultimately exercising political power through gerrymandered voting and a system which, until 1968, allowed (largely Protestant) business owners an extra vote in local elections while (often Catholic) renters had no local vote at all.

We drive over Craigavon Bridge, named for James Craig, the first PM of Northern Ireland and founder in 1912 of the Ulster Volunteer Force – “A modern-day terrorist and drug-racketeering operation; beside that, they’re okay,” says Doherty – to a lookout over a walled city of cathedral spires, council houses and dozens of boxy, repurposed shirt factories. We motor down from the hills and back into town, where Doherty’s taxi cruises the close, stony streets, stopping at corners that paid witness to the events that led to the death of his father: the rise of the Northern Ireland Civil Rights Association (NICRA) whose demands included an end to anti-Catholic discrimination; one man, one vote; and the reform of the heavily Protestant Royal Ulster Constabulary (RUC), the country’s then police force.

Peaceful civil rights demonstrations were attacked by loyalists and the RUC with increasing degrees of violence until January 1969 when, in the aftermath of a march from Belfast to Derry, the RUC rioted in the Bogside, assaulting Catholics in the streets and in their homes. Residents put up barricades and declared themselves citizens of Free Derry and outside the authority of the police. In August, a much larger riot – the “Battle of the Bogside” – saw the police expelled from Free Derry by locals throwing petrol bombs, and nationalists and loyalists fighting hand-to-hand in the streets of the city they shared.

An end-terrace house, which had become famous internationally when its side wall was painted with the slogan “You are now entering Free Derry”, still stands as Free Derry Corner in the Bogside, although the other homes in the terrace have been demolished. “They were gonna redevelop the Bogside and build a roadway,” says Doherty. “They were gonna move the [Free Derry] wall and take the wall away, but the negotiations were very skilful: ‘Touch the wall and you’re gonna be disappeared yourself.’ So that was the end of that.”

After the Battle of the Bogside, British troops – including Paras – were dispatched from the mainland to restore law and order. The soldiers were widely seen to favour the loyalists and quickly became targets for a resurgent IRA, an organisation whose glory days were thought to have ended in the 1920s. The republicans particularly feared the Paras, the shock troops of the British Army, a death that falls from the sky.

I grew up in England in the 1970s, near the base of the Parachute Regiment. When I arrived in Northern Ireland recently, I was puzzled to see what looked like the regiment’s flag flying in parts of Belfast. I thought the outspread wings must stand for something else on this side of the Irish Sea. They don’t. Doherty says the flag was also raised a few weeks ago in The Fountain estate, a loyalist enclave near the heart of Derry, “in support of Soldier F”. (Soldier F is the man who shot Doherty’s father.)

Murals in Derry’s Bogside depict the victims of the British soldiers’ rampage.
Murals in Derry’s Bogside depict the victims of the British soldiers’ rampage.CREDIT:AAP

“The people who want to do it must have sick minds,” he says. “In 2019, 400 yards [370 metres] from where the massacre of Bloody Sunday happened, these people feel the need to fly the flag of the Parachute Regiment, celebrating the murder of 14 innocent people in the Bogside in 1972.” To Doherty, it’s as if his neighbours are celebrating the killing. “There’s negotiations at the minute to bring [the flag] down,” he says. “The negotiations were begun by ourselves – the [Bloody Sunday] families – through our member of parliament and the loyalist terror and paramilitary groups here. They don’t seem to be working. So if you hear it was taken down in the middle of the night, by some guy on a ladder, it’ll be me that did it. And I mean that sincerely.”

It’s a very short drive to The Fountain, where every lamppost is painted red, white and blue, and the Paras’ flag hangs limp on a windless morning. Doherty scowls. “That’s hurtful,” he says. “It’s wrong. It degrades this community. So I’m just going to see what type of ladder we’ll need.” Mentally, he measures the distance between the banner and the ground. “We’ll need a 16- or 18-foot ladder,” he decides, eventually. “We’ll go up and get that down.”

Doherty does not believe anyone could truly support Soldier F, if they knew the facts. “I’ll tell you what Soldier F did in the Bogside …”

On Sunday January 30, 1972, the NICRA held a march through Derry, even though all marches and parades had been banned. In the month before, two RUC had been killed in Derry, and the British Army believed the planned demonstration would provide cover for the IRA. The 1st Battalion Parachute Regiment was brought in to Derry to police the demonstration and arrest rioters. They ended up shooting 28 Catholic civilians, of whom 14 were killed, 13 on the day and one later. A British tribunal set up in the immediate aftermath of the killings found that the Paras had been fired upon first, and largely accepted claims that the dead marchers were gunmen and nail bombers. The families of the dead refused to accept the findings and for decades argued that peaceful protesters had been massacred.

In 1998, in the wake of the Good Friday Agreement, the British government established the Saville Inquiry, which culminated 12 years later with a 10-volume, 5000-page report. Saville found that the Paras had shot first and without warning; their victims had been all but unarmed and helpless, and posed no significant threat; that the IRA had maintained only a small, shadowy presence and loosed off a few ineffective shots; and that the Paras had lied.

It is this story, more or less, that Doherty tells at the Creggan estate among the heavily muralised roads around Free Derry Corner. While the area remains a working-class Catholic republican stronghold, the streetscape has changed: buildings have been demolished, whole blocks torn down. Doherty reaches into the past, to point to where things used to be, as he describes the last moments in the life of his father, Patrick Doherty, a 31-year-old plumber’s mate and member of NICRA, who joined the march from the Creggan.

The protesters set off mid-afternoon and were diverted from their chosen route by army barricades. Angry youths threw stones at the soldiers, who replied with tear gas and water cannons. The march organisers redirected the rally towards Free Derry Corner, and a group of soldiers fired live rounds in the direction of the rioters. Wounded men began to fall. Two civilians were knocked down by armoured cars. Soldiers broke through their own barriers to arrest the stone-throwers.

As the firing continued, the marchers ran for cover. There were already seven dead when Patrick Doherty sought safety around a small square named Glenfada Park, where today stand his son, Paul, and I. As the death toll mounted, the Paras’ brigade headquarters ordered the soldiers to cease fire. A radio operator – now dubbed Soldier 027 – passed on the order to men known at the Saville Inquiry as Soldiers E, F, G and H, but they ignored the command and set about hunting down and killing Catholics. “In here,” says Doherty, “in Glenfada Park they murdered four.”

He knows the ground where each man fell. “William McKinney was in a crowd running from here, across here,” says Doherty. “He was trying to escape right over here. And Soldier F, disobeying orders, went up that street, and he murdered William McKinney about here. Willy was shot in the back. The bullet raced through his body and went into the body of a teenager called Joseph Mahon. Joseph Mahon played dead when Soldier F touched him with a rifle to his head. Soldier F walked away thinking he’d killed him, and he shot Jim Wray in the back. Jim Wray hit the ground with such force that he didn’t get his hands in front of him.

“Soldier G walks towards him,” he continues. “Jim Wray was shouting, ‘Somebody help me! I can’t move my legs! Somebody help me!’ and G shoots him in the back again, executes him, then turns to his friend and says, ‘There, I got another one.’

“And F came out,” says Doherty, “knelt down at that lamppost right there and murdered my dad.”

Patrick Doherty was shot from behind as he tried to crawl away. A bullet drove into his buttock and ripped out of his chest. On its way through his body, it lacerated his aorta, diaphragm and left lung, tore his colon and bowel attachments, and fractured two of his ribs. “Soldier F knelt down there,” says Doherty, “observed by hundreds of people, killing my dad, and then very clearly watching a man walking towards him with a white handkerchief in his hand. Barney [Bernard] McGuigan said to him, ‘Don’t shoot’ and Soldier F shot him.”

There were six children in the Doherty family. Paul was eight years old. “We were home,” he says. “With my brother and my friends, we were all outside playing marbles. Our home suddenly filled up with people, and then a young guy came up and joined in with the marbles for about 10 minutes and said, ‘Oh, by the way, your dad’s dead. I seen him get taken into an ambulance over here.’ And my mum then came and told us he was killed.”

I have to ask Doherty how their lives changed, although I know it’s a stupid question. “It is,” he agrees, as is his way. “The death of a parent’s one thing, the murder of a parent’s another thing. I wouldn’t like to relive that in the heart of a child. We sort of individualised ourselves as a family. My mum was on medication. My sister had to really look after the two [youngest] children. And we all had to adapt to a different type of life. My dad was very regimentist [sic]. We had to do certain chores every morning: somebody had to do the dishes and somebody had to shine the shoes. It was a good way of being brought up. The discipline – that all went out the window. Education went out the window as well.”

Their loss affected them each in different ways. Doherty’s older brother, Tony, joined the IRA and spent four years in prison. Today, Tony’s the author of two well-received, lyrical memoirs. There was turmoil for all the children but, “We’re all very successful in what we’re doing now,” says Doherty.

Most of the Saville Inquiry’s hearings were held in Derry but certain witnesses, including Soldier F, were permitted to testify in London. Doherty travelled to London with his family and watched Soldier F on the stand. What was it like, ask I – the master of the dullard’s query – to be in the same room as his father’s killer? “Aye, it was strange,” says Doherty. “I can’t describe it. It just put a face to an armed thug who had no care for himself or his community he came from, and he came into this community and just shot it to bits.”

Soldier F confessed to nothing but a poor memory. Five hundred and seventy times, according to Doherty, he answered questions with “I can’t recall”. But Soldier 027 – speaking from behind a screen to protect him from being identified – said the soldiers had killed innocent people for no operational reason, and called their actions “unspeakable”. Soldier 027 had been trying to confess for years. “We were getting telephone calls in the late 1980s from a soldier who was crying down the phone,” says Doherty. “He left the Army, hit the drink, and then he told the truth.” As for Soldier F, “If there was any kind of remorse, you would have to deal with that, but there was no remorse at all. And, again, forgiveness – you can’t forgive anybody who doesn’t ask for it. They shouldn’t get it.”

Did Soldier F know who Doherty was? “He would’ve been made aware of who we were,” says Doherty. “I’m not sure if he would’ve individualised us. We gave him a wee stare every time he went past us, so he probably would have. He was 53, he’s got a tan, athletic, small, stocky. He looked like he looked after himself. He has a very light-spoken voice. But obviously he had killing in his DNA.”

Saville found Soldier F had shot dead Patrick Doherty and Bernard McGuigan – but, under the terms of the inquiry, any evidence heard was inadmissible in any subsequent prosecution. A separate police investigation led to Soldier F being charged in May only with the murders of James Wray and William McKinney and the attempted murders of four others.

The families are bitter that only one man, Soldier F – a lance corporal – will be charged over Bloody Sunday. In the years since the massacre, Soldiers E and G have died, and the Northern Ireland Public Prosecution Service has said there is insufficient admissible evidence to provide a reasonable prospect of convicting other soldiers: dead bodies are not enough.

“We’ve heard since that the Public Prosecution Service were split on whether they should charge anybody,” says Doherty. “So we think they gave us a token. We wanted the remaining soldiers charged in a joint enterprise. We wanted the officers – some of whom are still alive – but you don’t get that.”

The case is scheduled to begin this month in the imposing, neoclassical Bishop Street courthouse, which Doherty identifies as the most bombed building in Derry. In January, Doherty pointed this out to four young Dutch women on a taxi tour. “And the next thing, it was blown up by the New IRA,” says Doherty. “I met them down the street, and I said, ‘Aye, it was blown up last night.’ ”

The most recent bomb caused little damage, and the New IRA are seen by many republicans as bumbling clowns who cannot even blow up a courthouse. But the joke turned acrid, as Irish jokes are wont to do, when a New IRA sniper shot dead the highly regarded Lyra McKee, a working-class Catholic journalist and LGBT activist, during a riot that Doherty says was staged for a TV crew. Apparently, McKee was not targeted as a journalist. She was simply standing too close to a police van. The New IRA admitted responsibility and apologised.

“The statement that they came out with then, trying to defend this, was adding insult to injury: that the girl was ‘standing behind enemy lines’ and ‘ground forces’ and this. That’s a relic from the past. They will say, ‘Well, the IRA did this type of thing as well.’ Well, we can’t argue that for ever and ever. Sometimes you’ve got to say, ‘There was a time for war and a time for peace.’ But the dissidents have no support, they’ve got no strategy, they won’t debate with anybody, they won’t talk to anyone, and they get young guys into the ranks of their organisation and tell them they could be heroes for Ireland.

“Well,” says Doherty, “the heroes for Ireland are all lined up in the cemetery.”

Police have arrested four suspects for the shooting of McKee, including a 15-year-old boy.

Paul Doherty (centre, holding a picture of Bernard McGuigan, with his niece, Caitlin, to his right) on a protest march for justice for Bloody Sunday victims.
Paul Doherty (centre, holding a picture of Bernard McGuigan, with his niece, Caitlin, to his right) on a protest march for justice for Bloody Sunday victims.CREDIT:GETTY IMAGES

The demonstrators who died on Bloody Sunday were never forgotten. In some ways, their memory has grown larger over the years. Huge murals in the Creggan, painted between 1996 and 2008, bear their portraits and those of the men who braved bullets to rush to help them. “These people were heroes,” says Doherty, “because they could’ve jumped over them, ran away, but they didn’t. They stayed with them. They comforted them until they died. The guy who helped my dad until he died was called Paddy Walsh – he crawled out to my dad, the bullets were flying over his head as he stayed with him.”

On display in the nearby Museum of Free Derry is a famous photograph of Paddy Walsh crawling over to the corpse of Patrick Doherty. It looks as if Walsh has lent his own head to Doherty’s broken body. A simple monument and garden dedicated to the victims of Bloody Sunday stands close to the museum.

“The garden was paid for by lawyers and barristers for the families,” says Doherty. “We asked them for money – and they were making plenty of money – so they gave us the money to do this garden. It’s lovely. Mostly old neighbours used to look after it, but most of them are dead now, so now and then we come over ourselves and do a bit of weeding.”

This isn’t my story – far from it. I’m just a journalist who asks stupid questions, tramples on hearts, trespasses on grief. But I went to school in Aldershot, England, the home of the British Army and – in those days – the base of the Parachute Regiment. We moved to the town because it was cheap, because nobody wanted to live alongside the Army. It was in Aldershot that the IRA planned to extract revenge for Bloody Sunday with a bomb attack on the officers’ mess of 16 Parachute Brigade. The attack was supposed to kill and maim the men – or perhaps just the kind of men – who ordered their troops to open fire in the Bogside.

Instead, a time bomb in a stolen car exploded outside the building at 12.40pm on February 22, 1972 and tore apart the bodies of a Catholic British Army chaplain, a civilian gardener, and five local women variously described as kitchen workers, waitresses and cleaners. One of the women was the mother of a boy who was eight years old – the same age as Paul Doherty on Bloody Sunday. There was so little left of her that she could not immediately be recognised from her remains. Eventually, she was identified by a tattoo.

I moved to Aldershot three years after that attack. The disappeared woman’s son was in the year below me at school. I knew him very slightly. I never knowingly met any of the families of the other victims, but another boy whose mother was murdered that day – Karl Bosley – signed up with the Paras (“with anger and hatred in my heart,” he said later) – just as Tony Doherty joined the IRA. Apparently, Bosley was not permitted to serve with the regiment in Northern Ireland.

The Troubles in Northern Ireland continued throughout my schooling, and the Paras were a fierce and terrible presence in the town. They departed for tours of the province and returned with fury in their eyes, prowling the streets like the jungle cats tattooed on their hamhock forearms, at war with the world. And, of course, some of them never made it back. In an ambush near Warrenpoint in County Down in August 1979, the IRA killed 18 British soldiers, 16 of them Paras.

In Aldershot, the survivors policed their own pubs. Most of the town centre was a no-go area for civilians, and the Paras’ pubs around the high street were “airborne” only. Even other soldiers – “crap hats” – copped a kicking if they walked into the Pegasus, the Queen or the Trafalgar. You wouldn’t send the Paras overseas to police a demonstration. You’d dispatch them to destroy it. There are no pictures of the body of the eight-year-old’s mum, because there was nothing left to photograph. A small memorial at the site of the bombing is hardly visited by people outside the families, and when I went back to Aldershot a couple of years ago, I couldn’t even find it. Apparently, the area is going to be redeveloped, and the new houses will look down upon a memorial garden.

While the Irish may have long memories, it sometimes seems as if the English remember nothing at all. There are no tours to retrace the last journeys of the cleaners, as they came from the council estates to the garrison to work for a wage. And there is fierce feeling in England today that men like Soldier F should be left alone, that the post-Good Friday justice system let many imprisoned IRA “volunteers” off the hook and the same courtesy should be due to every British soldier – although the provisions of the agreement specifically excluded the perpetrators of crimes that had not yet been prosecuted.

And anyway, prosecution will only open old wounds, claim those who cannot understand that in Derry – and in Aldershot – for the families of the murder victims, those wounds never for a moment closed.

https://www.youtube.com/watch?v=IVlbenGJ8u0

The Bonfire of the Insanities – the biofuel greenwash

Drax!

It sounds like a villain in The Avengers series. 

We first saw it when visiting my niece in Yorkshire a few years back. But we did not know then that this huge, redundant coal-fired power station outside the historic town of Selby had been re-purposed as Britain’s largest biomass plant. But now, it seems, everybody is talking about it. 

Drax has been touted as a pioneer of clean, green, renewable, carbon-neutral and sustainable power, and is one of villains of the documentary BURNED: Are Trees the New Coal?, an excellent but scary film made by North Carolina’s Dogwood Alliance about the burning of wood on an industrial scale for energy. It tells the little-known story of the accelerating destruction of forests for fuel, probing the policy loopholes, huge subsidies, and blatant green-washing of the burgeoning biomass power industry.

BURNED describes how the European Union’s desperation to reduce carbon emissions and dependence on fossil fuels kicked off a demand for wood pellets for burning to generate electricity that in turn created an industry. Promising clean, green, renewable, carbon-neutral and sustainable power, it came for what it called forest waste, and then it came for the forest itself. 

The film exposes a green-wash built on shonky accounting and corporate conjuring, corporate deception and misrepresentation, complicit economists and regulators, and semantic sleight of hand. 

It reveals how an accounting error determined biomass burning to be carbon neutral, whilst a mechanism to prevent counting carbon twice became a rule that carbon wasn’t counted at all. Indeed, it was declared that the burning of biomass was “instant carbon sequestration” whilst emissions exuding from the new-age power stations were actually “biogenic carbon” – green power!

And it exposes the hoodwinking of ordinary folk in economically depressed areas who now suffer the environmental and health consequences of born-again power plants that become, in reality, incinerators. 

PLEASE WATCH THIS IMPORTANT FILM NOW — free-streaming via LinkTV (30-minute concise edition)  HERE 

Coming to a forest near you! 

In Australia and elsewhere, the general public, forest industry nostalgists, conservative politicians, and, even, many environmentalists believe that we are saving forests from destruction by using plantations for jobs and construction timber, when in fact the former are few, supplanted by hi-tech  mechanization, and latter is destined for pulp mills and power plants.

But maybe we are at last wising up.

Since the widespread distribution of BURNED, the true scale of the biofuel greenwash is being given the publicity it needs. The true colours of rebadged, born-again plants like Drax are now revealed for all the world to see. And they are not green! 

The mainstream media is now on the case, as demonstrated by recent pieces in The Australian and The New Yorker. The latter, an informative report reporting on work done by the Dogwood Alliance and the Southern Environmental Law Centre, is republished in full below (But you can read it HERE).

Drax, of course, is held up as public enemy number one.

The Southern Environmental Law Centre reports that the British government, “continues to heavily subsidize biomass electricity generation at the expense of wind and solar. In 2018 alone, Drax Power (which has now converted four of its coal-fired plants to burn biomass) received £789.2 million in U.K. government subsidies under the guise of carbon reductions … These subsidies are being used on an industry that, even under the proclaimed best case scenario, does not reduce carbon emissions in the time-frame necessary for avoiding the worst impacts of climate change. Instead, the UK and European Union must end all subsidies for biomass electricity generation and reallocate existing biomass subsidies to zero-emitting renewables like wind and solar”.

It gets worse. Like some colonizing power (no pun intended), Drax is extending its reach. The SELC reported recently on a carbon lifecycle analysis for three wood pellet mills located in Louisiana and Mississippi and owned by Drax Biomass, a subsidiary of Drax Power …  The analysis demonstrated  that Drax’s plants rely mostly on whole trees sourced from thinnings from non-industrial pine plantations, with the remaining wood coming from sawmill residues, although there is evidence that Drax is using between 5-20 % hardwoods. Rather than reducing carbon emissions, the analysis showed that burning wood pellets from these mills for electricity in the U.K. increases carbon pollution to the atmosphere for more than 40 years”.

Meanwhile, as I write, back in Europe, a cargo ship is approaching Ireland’s green shores laden with timber from faraway foreign forests to be consumed in re-engineered peat-fired plants as part of a “co-fuel” trial. The Irish environmental organisation An Taisce (pronounced An Taysh) – essentially, the country’s national trust – has sounded a clarion call with respect to shipping what is officially designated “sustainably sourced biomass” (of course it is!) in a diesel-powered vessel halfway across the world from a country that is already facing dire environmental problems – and no, we’re not talking about some impoverished third world nation, but economically, technologically, intellectually and socially well-to-do Australia!

Australians too are now on the case.

In a recent article, environmentalist Francis Pike shone a strong light on Australia’s disingenuous complicity in what is indisputably a global greenwash. She writes: “the fairy-tale that burning wood instead of coal is carbon neutral continues to wreak havoc on the world’s extant forests … For a long time, the falsity of carbon emission accounting for forest bio-energy has been apparently invisible to many policymakers”. But, she continues, “the fairy-tale could soon end, taking with it the myth that the industrial logging of the world’s native forests has been and is now “sustainable”. 

She, like the  Dogwood Alliance, calls out the linguistic contortions and the dubious accounting: “Corporatised state forest agencies and helpful state environmental protection agencies have created industry-friendly definitions, definitions of residue that can accommodate whole logs.  They might be called pulp logs – native forest trees of various “unwanted” species not allowed to grow to maturity”.

And whilst we in northern New South Wales might be alarmed about re-tooled plants like Drax and those in Ireland’s Midlands, Pike reminds us that something wicked this way comes: “ … whole log “residues” can be chipped and transported to power stations or transported and then chipped at the power station, as with New South Wales power stations at Vales Point on the Central Coast and Cape Byron in the north. Native forest biomass burnt with or without coal or something else, props up emission intensive enterprises with its “carbon neutral, renewable energy, subsidy attracting” quality. Or the forest biomass is exported, as pellets, chip or whole trees”. (Activists are already protesting at the Condong plant at Cape Byron).

‘Renewable energy’ at Cape Byron, NSW

Australian forests are now being actively marketed as an export commodity for combustion in Asia, most notably China, and to a lesser extent, Japan – not to mention, of course, Saint Patrick’s Fair Isle. 

Queensland Commodity Exports Pty, Ltd, a subsidiary of wood-chip behemoth Midway, a leading supplier of wood-fibre to the Asian markets, is currently sourcing Forest Stewardship Certification (FSC) certified timber (a much-prized but highly suspect ‘green tick of approval’) from northern NSW – including all of Bellingen’s plantation forests, and pulping it on the wharf at Port Brisbane.

So …

BELLINGEN BEWARE — vast areas of our closely surrounding public forests have been reclassified as ‘low quality’ for wood-chip export … the bio-fuel industry will be coming for us next!

As Bob Dylan once sang, “It’s all just a dream, babe, a vacuum, a scheme, babe, that sucks you into feelin’ like this”.

Here is some further the reading on Drax and the Irish trials:

See also in In That Howling Infinite, The Return of the Forest Wars and If You go down to the woods today.

Condong 13/08/2019. David Bradbury

The bonfire of insanity: Woodland shipped 3,800 miles to burn in Drax, emitting more CO2 for a cleaner and greener Britain!

David Rose, The Mail on Sunday, 16th March 2014

On a perfect spring day in the coastal forest of North Carolina I hike along a nature trail – a thread of dry gravel between the pools of the Roanoke river backwaters. A glistening otter dives for lunch just a few feet away.

Majestic trees soar straight and tall, their roots sunk deep in the swampland: maples, sweetgums and several kinds of oak. A pileated woodpecker – the world’s largest species, with a wingspan of almost 2ft – whistles as it flutters across the canopy. There the leaves are starting to bud, 100ft above the ground.  The trees seem to stretch to the horizon: a serene and timeless landscape.

But North Carolina’s ‘bottomland’ forest is being cut down in swathes, and much of it pulped and turned into wood pellets – so Britain can keep its lights on.

The UK is committed by law to a radical shift to renewable energy. By 2020, the proportion of Britain’s electricity generated from ‘renewable’ sources is supposed to almost triple to 30 per cent, with more than a third of that from what is called ‘biomass’.

So our biggest power station, the leviathan Drax plant near Selby in North Yorkshire, is switching from dirty, non-renewable coal. Biomass is far more expensive, but the consumer helps the process by paying subsidies via levies on energy bills.

That’s where North Carolina’s forests come in. They are being reduced to pellets in a gargantuan pulping process at local factories, then shipped across the Atlantic from a purpose-built dock at Chesapeake Port, just across the state line in Virginia.

From the States to Selby

Those pellets are burnt by the billion at Drax. Each year, says Drax’s head of environment, Nigel Burdett, Drax buys more than a million metric tons of pellets from US firm Enviva, around two thirds of its total output. Most of them come not from fast-growing pine, but mixed, deciduous hardwood.

Drax and Enviva insist this practice is ‘sustainable’. But though it is entirely driven by the desire to curb greenhouse gas emissions, a broad alliance of US and international environmentalists argue it is increasing, not reducing them.

In fact, Burdett admits, Drax’s wood-fuelled furnaces actually produce three per cent more carbon dioxide (CO2) than coal – and well over twice as much as gas: 870g per megawatt hour (MW/hr) is belched out by wood, compared to just 400g for gas.

Then there’s the extra CO2 produced by manufacturing the pellets and transporting them 3,800 miles. According to Burdett, when all that is taken into account, using biomass for generating power produces 20 per cent more greenhouse gas emissions than coal.

And meanwhile, say the environmentalists, the forest’s precious wildlife habitat is being placed  in jeopardy.

Drax concedes that ‘when biomass is burned, carbon dioxide is released into the atmosphere’. Its defence is that trees – unlike coal or gas – are renewable because they can grow again, and that when they do, they will neutralise the carbon in the atmosphere by ‘breathing’ it in – or in technical parlance, ‘sequestering’ it.

So Drax claims that burning wood ‘significantly reduces greenhouse gas emissions compared with coal-fired generation’ – by as much, Burdett says, as 80 per cent.

These claims are questionable.  For one thing, some trees in the ‘bottomland’ woods can take more than 100 years to regrow. But for Drax, this argument has proven beneficial and lucrative.

Only a few years ago, as a coal-only plant, Drax was Europe’s largest greenhouse gas emitter, and was often targeted by green activists. Now it boasts of its ‘environmental leadership position’, saying it is the biggest renewable energy plant in the world.

It also gets guaranteed profits  from the Government’s green energy subsidies. Last year, these amounted to £62.5 million, paid by levies on consumers’ bills. This is set to triple by 2016 as Drax increases its biomass capacity.

In the longer term, the Government has decreed that customers will pay £105 per MW/hr for Drax’s biomass electricity – £10 more than for onshore wind energy, and £15 more than for power from the controversial new nuclear plant to be built at Hinkley Point in Somerset.  The current ‘normal’ market electricity price is just £50 per MW/hr.

Mr Burdett admitted: ‘Our whole business case is built on subsidy, like the rest of the renewable energy industry. We are simply responding to Government policy.’

Company spokesman Matt Willey added: ‘We’re a power company. We’ve been told to take coal out of the equation. What would you have us do – build a dirty great windfarm?’
Meanwhile, there are other costs, less easily quantifiable.

‘These are some of our most valuable forests,’ said my trail companion, Derb Carter, director of the Southern Environmental Law Centre in Chapel Hill, North Carolina.  ‘Your government’s Department  for Energy and Climate Change claims what’s happening is sustainable,  and carbon neutral. But it’s not. What you’re actually doing is wrecking the environment in the name of saving  the planet.

After our hike through the forest, Mr Carter and I drove to a nearby airfield, where we boarded  a plane. From 2,000ft up, the forest spread beneath us. Soon, however, we reached an oblong wedge, an open wound in the landscape. It was a recent ‘clear cut’ where every tree had been removed, leaving only mud, water and a few stumps. Clear cuts are the standard means of harvesting these forests, and this one covered about 35 acres.

Enviva yesterday confirmed that some of its wood was turned into pellets for Drax.

In the next 10 minutes, we flew over at least a dozen such holes in the tree cover. Finally a looming smokestack appeared up ahead: Enviva’s pellet plant at Ahoskie. To one side lay the material that provides the plant’s input: a huge, circular pile of logs: tens of thousands of them, each perhaps 30 or 40ft long. In the middle was a heavy-duty crane. It swivelled round and grabbed bunches of the logs as if they were matchsticks, to feed them into the plant’s machines.  Later, we inspected the plant on the ground. It’s clear that many of the logs are not branches, but trunks: as Carter observed, they displayed the distinctive flaring which swampland trees often have at their base.

Here the story becomes murky. At Drax, Burdett said that in making pellets, Enviva used only ‘thinnings, branches, bentwood .  .  . we are left with the rubbish, the residue from existing forestry operations. It’s a waste or by-products industry.’ He insisted: ‘We don’t actually chop whole trees down.’ But looking at the plant at Ahoskie, Carter said:  I just don’t get this claim that Drax doesn’t use whole trees. Most of what you’re seeing here is whole trees.’

Pressed by The Mail on Sunday, Enviva yesterday admitted it does use whole trees in its pellet process. But according to spokeswoman Elizabeth Woodworth, it only pulps those deemed ‘unsuitable for saw-milling because of small size, disease or other defects’.

Not so green: By using pellets, Drax produce three per cent more carbon dioxide than coal, not including the CO2 produced by manufacturing the pellets and transporting them 3,800 miles

She claimed such trees, no more than 26 inches in diameter, make up a quarter of the wood processed at Ahoskie. Another 35 per cent comes from limbs and the top parts of trunks whose lower sections went to saw mills. To put it another way: 60 per cent of the wood cut by the loggers who supply Enviva is turned into pellets.

The firm, she added, was ‘committed to sustainable forestry… replacing coal with sustainably produced wood pellets reduces lifecycle emissions of carbon dioxide by 74 to 90 per cent.’

How fast do these forests, once cut, really regrow?

Clear-cut wetlands cannot be replanted. They will start to sprout again naturally quite quickly, but according to Clayton Altizer of the North Carolina forest service: ‘For bottomland sites, these types of forests are typically on a 60 to 100-year cycle of growth depending on the soil fertility.’ Other experts say it could easily take more than 100 years.

That means it will be a long time before all the carbon emitted from Drax can be re-absorbed. For decades, the amount of CO2 in the atmosphere will be higher than it would have been if Drax still burnt only coal.

Drax’s Nigel Burdett yesterday admitted he did not know how long a North Carolina clear-cut bottomland swathe would take to regrow, but insisted this simply doesn’t matter. What counted, he said, was not the areas which had been cut, but the whole region from which the pellets were sourced.

Drax’s website implies unmistakeably that biomass deserves its ‘carbon neutral’ status because the wood cut for pellets regrows. But Mr Burdett said: ‘The rate at which it re-grows is irrelevant. The crucial issue is how much there is across the whole catchment area.’ He said that in North Carolina, as in other southern states, more wood is growing than being cut so the ‘sustainable’ claim is justified.

There is an obvious objection to this: the forests would be growing still faster, and absorbing more CO2, if they weren’t being cut down.

Burdett’s argument gets short shrift from conservationists.

Danna Smith, director of North Carolina’s Dogwood Alliance, said the pellet industry increases the pressure to ‘over-harvest’ forests, as landowners know they have a guaranteed market for material which they could not otherwise sell: ‘It adds to the value they get from clear-cutting.’

The pellets are supposedly a step in reducing CO2 emissions, but have, in fact, made it worse

Moreover, she added, if this incentive did not exist, they would wait until the smaller trees were big enough to cut for furniture and construction – and all that time, they would be absorbing carbon.

A recent study showed that bigger, older trees absorb more CO2 than saplings. As for Drax’s claim that what counts is regrowth across the region, ‘that just doesn’t capture what’s happening around the mills where they’re sourcing the wood’.

According to a study by a team  of academics, published in December by Carter’s law centre, Enviva’s operations in North Carolina ‘pose high risks to wildlife and biodiversity, especially birds’.

The Roanoke wetlands are home to several rare or endangered species: the World Wildlife Fund said in a report that the forests constitute ‘some of the most biologically important habitats in North America’ and constitute a ‘critical/endangered resource’.

Meanwhile, in North Yorkshire, the sheer scale of Drax’s biomass operation is hard to take in at first sight. Wood pellets are so much less dense than coal, so Drax has had to commission the world’s biggest freight wagons to move them by rail from the docks at Hull, Immingham and Port of Tyne. Each car is more than 60ft high, and the 25-car trains are half a mile long. On arrival, the pellets are stored in three of the world’s largest domes, each 300ft high – built by lining colossal inflated polyurethane balloons with concrete. Inside one of them, not  yet in use, the echo is impressive. Light filters in through slits in the roof, like a giant version of the Pantheon church in Rome.

To date, only one of Drax’s six turbine ‘units’ has been converted from coal to biomass: another two are set to follow suit in the next two years. Eventually, the firm says, its 3.6 gigawatt capacity – about five per cent of the UK total – will be ‘predominantly’ biomass, burning seven million tons of pellets a year.

From the domes, the pellets are carried along a 30ft-wide conveyor belt into a milling plant where they are ground to powder. This is burnt in the furnaces, blown down into them by deafening industrial fans.

All this has required an investment of £700 million. Thanks to the green subsidies, this will soon be paid off. Even if all Britain’s forests were devoted to Drax, they could not keep its furnaces going. ‘We need areas with lots of wood, a reliable supply chain,’ Mr Burdett said.

As well as Enviva, Drax buys wood from other firms such as Georgia Biomass, which supplies mainly pine. It is building new pellet-making plants in Mississippi and Louisiana.

Last month, the Department of Energy and Climate Change issued new rules on biomass sourcing, and will insist on strict monitoring to ensure there really is ‘sustainability’.

In North Carolina, this will not be easy: as Carter points out, there is very little local regulation. But wouldn’t a much more effective and cheaper way of cutting emissions be to shut down Drax altogether, and replace it with clean new gas plants – which need no subsidy at all?

Mr Burdett said: ‘We develop  our business plan in light of what the Government wants – not what might be nice.’

https://www.dailymail.co.uk/news/article-2581887/The-bonfire-insanity-Woodland-shipped-3-800-miles-burned-Drax-power-station-It-belches-CO2-coal-huge-cost-YOU-pay-cleaner-greener-Britain.html

Don’t Burn Trees to Fight Climate Change—Let Them Grow

Bill McKibben, The New Yorker, 15th August 2019

Countries and public utilities are trying to reduce carbon emissions by burning wood pellets instead of coal, but recent studies have shown that the practice will have disastrous effects.Photograph by Anna Gowthorpe / PA Wire / AP

Of all the solutions to climate change, ones that involve trees make people the happiest. Earlier this year, when a Swiss study announced that planting 1.2 trillion trees might cancel out a decade’s worth of carbon emissions, people swooned (at least on Twitter). And last month, when Ethiopian officials announced that twenty-three million of their citizens had planted three hundred and fifty million trees in a single day, the swooning intensified. Someone tweeted, “This should be like the ice bucket challenge thing.”

So it may surprise you to learn that, at the moment, the main way in which the world employs trees to fight climate change is by cutting them down and burning them. 

Across much of Europe, countries and utilities are meeting their carbon-reduction targets by importing wood pellets from the southeastern United States and burning them in place of coal: giant ships keep up a steady flow of wood across the Atlantic. 

“Biomass makes up fifty per cent of the renewables mix in the E.U.,” Rita Frost, a campaigner for the Dogwood Alliance, a nonprofit organization based in Asheville, North Carolina, told me. 

And the practice could be on the rise in the United States, where new renewable-energy targets proposed by some Democrats and Republicans in Congress, as well as by the E.P.A., treat “biomass”—fuels derived from plants—as “carbon-neutral,” much to the pleasure of the forestry industry. “Big logging groups are up on Capitol Hill working hard,” Alexandra Wisner, the associate director of the Rachel Carson Council, told me, when I spoke with her recently.

The story of how this happened begins with good intentions. As concern about climate change rose during the nineteen-nineties, back when solar power, for instance, cost ten times what it does now, people casting about for alternatives to fossil fuels looked to trees. 

Trees, of course, are carbon—when you burn them you release carbon dioxide into the atmosphere. But the logic went like this: if you cut down a tree, another will grow in its place. And, as that tree grows, it will suck up carbon from the atmosphere—so, in carbon terms, it should be a wash. 

In 2009, Middlebury College, where I teach, was lauded for replacing its oil-fired boilers with a small biomass plant; I remember how proud the students who first presented the idea to the board of trustees were.

William R. Moomaw, a climate and policy scientist who has published some of the most recent papers on the carbon cycle of forests, told me about the impact of biomass, saying, “back in those days, I thought it could be considered carbon neutral. But I hadn’t done the math. I hadn’t done the physics.” 

Once scientists did that work, they fairly quickly figured out the problem. Burning wood to generate electricity expels a big puff of carbon into the atmosphere now. Eventually, if the forest regrows, that carbon will be sucked back up. 

But eventually will be too long—as the Intergovernmental Panel on Climate Change made clear last fall, we’re going to break the back of the climate system in the next few decades. For all intents and purposes, in the short term, wood is just another fossil fuel, and in climate terms the short term is mostly what matters.

As an M.I.T. study put it last year, while the regrowth of forests, if it happens, can eventually repay the carbon debt created by the burning of wood pellets, that payback time ranges from forty-four years to a hundred and four in forests in the eastern U.S., and, in the meantime, the carbon you’ve emitted can produce “potentially irreversible impacts that may arise before the long-run benefits are realized.”

As the scientific research on this carbon debt emerged, in the past decade, at least a few of us in the environmental movement started voicing opposition to burning trees. The most effective leadership has come from the Southeast, where community activists have pointed out that logging rates are now the highest in the world, and that rural communities—often communities of color—are being disrupted by endless lines of logging trucks and by air pollution from plants where trees are turned into easy-to-ship pellets. 

Earlier this year, a proposal to build the largest pellet mill in the world, in Lucedale, Mississippi, drew opposition from a coalition that included the N.A.A.C.P. and which predicted that the plant would have a “disastrous effect on the people, wildlife, and climate.”

But Mississippi environmental officials approved an air permit for the plant, which would employ ninety full-time workers, and so far European officials have also turned a deaf ear to the opposition: new E.U. regulations will keep treating the cutting down of trees as carbon neutral at least through 2030, meaning that utilities can burn wood in their old plants and receive massive subsidies for theoretically reducing their emissions. The Drax power plant, in the North of England, which burns more wood than any power plant on Earth, gets 2.2 million dollars a day in subsidies. 

But a new study, commissioned by the Southern Environmental Law Center and released on Monday, makes clear that, even under the most conservative estimates, Drax’s burning of wood pellets that it imports from the American South will “increase carbon pollution in the atmosphere for more than forty years, well beyond the time-frame identified by the IPCC as critical for carbon reduction.” 

Biomass fuel at Drax Selby. Anna Gowthorpe / PA Wire / AP

European subsidies treat power plants that burn wood as the equivalent of, say, solar panels, despite the fact that, under even the most generous scenarios, they emit at least ten times as much carbon, when factoring in the energy that it takes to make the panels. “They’re looking for ways to shift their infrastructure without drastically overhauling it,” Bob Musil, a veteran-environmentalist who now runs the Rachel Carson Council, said. “Ways that don’t cause shifts in culture.” 

It’s remarkably similar to what happened in the United States with fracking: political leaders, including some in the Obama Administration, decided that the least-fuss way to replace coal would be with natural gas, only to learn that, as new science emerged, they had in fact replaced carbon emissions with leaking methane, which was making the climate crisis worse.

In this case, the greenwashing is particularly misleading, because burning trees defies the carbon math in another way, too: once they have been cut down, the trees won’t be there to soak up the carbon. “The Southeast U.S. is falsely seen as a sustainable source of wood,” Danna Smith, the executive director of the Dogwood Alliance, told me, because when the trees are cut down they can regrow—unlike, say, in the Amazon, where thin soils usually mean that when trees are cut down the land becomes pasture. She added, “But these forests are vital carbon sinks.”

In fact, the newest research shows just what folly biomass burning really is. 

This summer, William Moomaw was the co-author of a paper that tracked carbon accumulation in trees. Planting all those trees in Ethiopia definitely helps pull carbon from the air, but not as much as letting existing trees keep growing would. Unlike human beings, who gain most of their height in their early years, Moomaw explained to me, “trees grow more rapidly in their middle period, and that extends far longer than most people realize.” 

A stand of white pines, for instance, will take up twenty-two tons of carbon by its fiftieth year, which is about when it would get cut down to make pellets. “But, if you let it grow another fifty years, it adds twenty-five tons,” he said. “And in the next fifty years it adds 28.5 tons. It would be a mistake to cut them down when they’re forty and make plywood. It’s really foolish to cut them down when they’re forty and burn them, especially now that we’ve got cheap solar.” He calls letting trees stand and accumulate carbon “proforestation” – as opposed to reforestation.

Bill McKibben, a former New Yorker staff writer, is a founder of the grassroots climate campaign 350.org and the Schumann Distinguished Scholar in environmental studies at Middlebury College. His latest book is “Falter: Has the Human Game Begun to Play Itself Out?Read more »

The agony of Julian Assange

I walked, with other souls in pain,
Within another ring,
And was wondering if the man had done
A great or little thing,
When a voice behind me whispered low,
That fellow’s got to swing’.

Oscar Wilde, The Ballad of Reading Gaol
 
A nice dilemma we have here that calls for all our wit
Gilbert and Sullivan, Trial by Jury

The Road to Belmarsh Gaol

Julian Assange, the Australian co-founder of online media organization WikiLeaks is in deep shit. He’s pissed off the Yanks, frustrated the Poms, and angered his Ecuadorian hosts, and now the Swedes want to have another bash …

He was arrested on April 11th by British police at the Ecuadorian Embassy in London, where he had been claiming political asylum for almost seven years having lost a final appeal against his extradition to Sweden to face charges of sexual assault. He was then charged with failing to surrender to the court.

While in the embassy, Assange could not be arrested because of the international legal protection of diplomatic premises, which meant police could not enter without Ecuador’s consent. On April 11, British police were invited into the embassy and made the arrest. On the same day, Assange was found guilty on that charge of failing to surrender, sentenced to fifty weeks for jumping bail. and is serving his time at HM Prison Belmarsh.

On April 11, the United States government unsealed an indictment made in March 2018 charging Julian Assange with a conspiracy to help whistle-blower Chelsea Manning, former soldier and pardoned felon to crack a password which enabled her to pass on classified documents that were then published by WikiLeaks – in effect, conspiracy to hack US computer systems, a charge which carries a maximum five year sentence. The US has requested that the UK extradite Assange to face these charges before a US court. Assange has now been indicted on seventeen charges under the espionage act, which if proven, could mean life imprisonment. There is no guarantee that once he enters the the legal system he will ever re-emerge.

In 2010, a Swedish prosecutor requested Assange’s transfer to Sweden to face sexual assault allegations, which he denies. Whilst appealing a British High Court decision to extradite him, he spent eighteen months under house arrest at the home of a supporter (in effect, he has been incarcerated for almost a decade). In 2016, Assange was questioned by Swedish authorities by video link while he remained in the Ecuadorian embassy. In 2017, they closed the case against him, but after his arrest, the lawyer for one of the Swedish complainants indicated she’d ask the prosecutor to reopen the case. Sweden’s Prosecution Authority reviewed the case and renewed its request for extradition; but in November 2019, it dropped the matter citing a lack of substantive evidence.

But the British Home Secretary Sajid Javid has signed off on the US’ extradition request. It must now go through the British courts. The process could take years, well beyond Assange’s initial   fifty weeks incarceration, the court’s refusal to free him when it had expired – on the grounds that he was a flight risk (he has form, after all) – and the formal expedition hearing which open in February 2020.

Stay angry, get even

The current US administration cleaves to the maxim “stay angry and get even” – Uncle Sam neither forgets nor forgives. Just wait and see what happens if it can get its hands on exiled hacker and   Now Russian resident Edward Snowden. The British Government, relieved to have restored a corner of Knightsbridge to its sovereignty, and currently knee deep in the Brexit “Big Muddy”, probably won’t lift a finger to help him even though by any standard of much-vaunted British ‘fair play’, his self-imposed punishment hardly fits his alleged crimes, an by any liberal and democratic benchmark, he’s certainly served his time. Former Aussie prime minister Kevin Rudd has declared that  Julian Assange would pay an “unacceptable” and “disproportionate” price if he is extradited to the United States, that no actual harm to individuals has been demonstrated, whilst the WikiLeaks founder should not take the fall for Washington’s failures to secure its own classified documents.

Our leaders here in Australia, lost in our own short-term political preoccupations bleat from the distant sidelines that it’s not our problem – which politically and diplomatically speaking, it isn’t, other than the fact that he is an Australian citizen (albeit a longtime absentee) and therefore warrants consular assistance. Simplistically put, there are no votes in it.

Will our government now help him out? Demand his return to Australia? Oppose the calls from the US to extradite him from the UK?

Our tepid and tardy response to the detention in Thailand of footballer Hakeem al-Araibi on a dodgey Bahraini extradition order and the asylum plea of Saudi teen Rahaf Mohammad – ironically, again from Thailand – does not auger well for a resolute and reasonable response. The way we left erstwhile al Qaida fellow-travelers David Hicks and Mamduh Habib to rot in Gitmo, and the  lack of enthusiasm with which we took up journalist Peter Greste’s case in Egypt – his family and journalists worldwide maintained the struggle for his release – suggest that after what we call “diplomatic representations” (what ordinary folk call “going through the motions”), we will face political realities and bend to the US’ will.

Caught up between our subservient relationship with the US, our slavish pandering to economic and strategic interests, placing these above considerations of human rights, and our government’s susceptibility to the malign influence of shock-jocks and populist politicians, Australia’s official behaviour in such cases is often predictably and reflexively disingenuous.

Nowadays, most governments are desperate to stop leaks, data dumps, whistle-blowers and uncomfortable revelations. Democratic governments have attempted to use ostensibly benign legal and security powers to restrict media oversight and criticism. Witness here in Australian how the Victorian Director of Prosecutions is seeking to put thirty-six media outlets, editors and journalists on trial over allegations that they breached a suppression order in reports published after the prominent and well-connected Cardinal George Pell was convicted of child sex abuse charges. The powerful look after their own.

Less squeamish, more thuggish autocratic regimes have few qualms about consigning journalists and editors to jail and worse whilst their western allies and armourers ‘see no, hear no, speak no evil’. Narrow, national interests as ever trump (an apposite word, indeed) human rights. Witness the hundreds of Egyptian and Turkish journalists jailed without trial, the harassment and even killing of reporters in Eastern Europe and Russia, and, of course, the gruesome murder of Saudi scribbler and stirrer Jamal Khashoggi.

The US, the land of the free and the First Amendment has truly shown its hand, and its true colours, proving that Assange’s fears of extradition were quite justified. The UK, meanwhile, has long ached to nail him for contempt of its bail laws, and just plain contempt, really – and a seriously extravagant waste of already straitened police resources. When Assange had worn out his Ecuadorian welcome, lubricated, it is alleged (by WikiLeaks), a $4.2 billion IMF bailout plus another $6 billion from other financial institutions, the Met was ready to roll. Meanwhile, Australia’s political class, having long regarded his Australian nationality as an embarrassing inconvenience, just hoped that we could be left out of it all.

Rally ‘round the fall guy

The media, mainstream, extreme, any stream really, including social media and sundry supporters and detractors, are rushing to both praise Assange and to bury him. They defend and demonstrate, denounce and demean. So Julian Assange, simultaneously icon and bête noir, is the ideal fall-guy “pour decourager les autres”: for everyone on the left and the right who dig him, there’s another who can’t stand him for reasons political, personal, or perverse.

There’s the role he played in the demise of Hilary Clinton and election of Donald Trump, as if, some believe, he was hoping for some kind of “get out of jail free” card from a Trump administration. There’s his hanging out, in a confined space, with the likes of UKIP’s irritating and arguably obnoxious Nigel Farage. All this has forever tarnished his reputation as a warrior of the left. There’s those problematical charges in Sweden that we now learn have never gone away.

During the Australian Federal election before last, the party running his senate bid in absentia gave its preferences to right-wing libertarian nut-jobs ahead of Labor and the Greens, his erstwhile natural allies – and then put it all down to clerical error.

Sadly, stories about his tantrums, visits by Yoko Ono, Lady Gaga and onetime Baywatch hottie Pamela Anderson (nudge, nudge, wink, wink!) and neglecting to clean up after his cat – lurid tales of his hygiene habits appear have been concocted to dehumanize him in tabloid tittle-tat – have rendered him an object of ridicule. And the images of him being dragged out of the embassy, pale and blinking in the unforgiving daylight, grey-haired, bearded, wide-eyed and disheveled, like some mad old street person, have engendered pathos and pity.

There can be little doubt that his mental and physical health deteriorated during his confinement. For sure he is not the confident man who entered the embassy so many years ago; but the law doesn’t recognise this – it demands a reckoning. And many love to kick a man when he’s down.

In the end, Assange was in so many ways his own worst enemy. It is hypothesized that he could’ve surrendered to the Brits long time passing and took his chances at law instead of hiding, a much diminished figure, in the embassy of a small Latin American republic. The sad irony is that if he’d faced the music all those years ago, he might’ve been a free man by now, either having done his time or been exonerated, or else, a credible and respected political prisoner supported worldwide as a champion of press freedom and free speech.

Lights in dark corners

Amidst all the commentary and partisanship swirling about the Assange’s unfortunate circumstances, there has been remarkably little explanation of what he, Manning, WikiLeaks and Snowden have actually done in a substantive security sense. Robert Fisk and his colleague at The Independent, Patrick Cockburn, address just that.
Fisk wrote on 31st May:  “ … the last few days have convinced me that there is something far more obvious about the incarceration of Assange and the re-jailing of Manning. And it has nothing to do with betrayal or treachery or any supposed catastrophic damage to our security”.
Cockburn succinctly belled the cat with on the same day: “ … the real purpose of state secrecy is to enable governments to establish their own self-interested and often mendacious version of the truth by the careful selection of “facts” to be passed on to the public. They feel enraged by any revelation of what they really know, or by any alternative source of information. Such threats to their control of the news agenda must be suppressed where possible and, where not, those responsible must be pursued and punished.”
Fisk continues: “The worst of this material was secret not because it accidentally slipped into a military administration file marked “confidential” or “for your eyes only”, but because it represented the cover-up of state crime on a massive scale. Those responsible for these atrocities should now be on trial, extradited from wherever they are hiding and imprisoned for their crimes against humanity. But no, we are going to punish the leakers – however pathetic we may regard their motives … Far better we hunt down other truths, equally frightening for authority. Why not find out, for example, what Mike Pompeo said in private to Mohammed bin Salman? What toxic promises Donald Trump may have made to Netanyahu? What relations the US still secretly maintains with Iran, why it has even kept up important contact – desultory, silently and covertly – with elements of the Syrian regime?
Assange was not, in Fisk’s opinion an investigative journalist; he is nevertheless, a scapegoat, and also a salutary warning for all who shine a light into the dark corners of power: “… what we find out through the old conventional journalism of foot-slogging, of history via deep throats or trusted contacts, is going to reveal – if we do our job – just the same vile mendacity of our masters that has led to the clamour of hatred towards Assange and Manning and, indeed, Edward Snowden. We’re not going to be arraigned because the prosecution of these three set a dangerous legal precedent. But we’ll be persecuted for the same reasons: because what we shall disclose will inevitably prove that our governments and those of our allies commit war crimes; and those responsible for these iniquities will try to make us pay for such indiscretion with a life behind bars. Shame and the fear of accountability for what has been done by our “security” authorities, not the law-breaking of leakers, is what this is all about”.

Back to Cockburn who writes that one reason Assange was being persecuted was for WikiLeaks’ revelations about US policy in Yemen: “Revealing important information about the Yemen war – in which at least 70,000 people have been killed – is the reason why the US government is persecuting both Assange and Yemeni journalist Maas al Zikry … (who) says that “one of the key reasons why this land is so impoverished in that tragic condition it has reached today is the US administration’s mass punishment of Yemen”. This is demonstrably true, but doubtless somebody in Washington considers it a secret.”

A nice dilemma

WikiLeaks and Julian Assange has done the world many favours. They’ve exposed war crimes in Iraq, Afghanistan and elsewhere; they’ve shine an unwelcome light on wrongdoing, shabby deals, and hypocritical, incriminating and ofttimes embarrassing goings-on in the corridors of power and diplomacy worldwide. And they’ve passed all this on to reputable media sources throughout the so-called free world to sift, analyse, question, join disparate dots, and disseminate.

Yet, in what may seem in retrospect to be a bad dose of overconfidence and hubris, they aspired to be players in the power games of others rather than remaining a neutral and discerning watchdog. And this was perhaps Assange’s undoing – if undone he indeed becomes. This story has some distance to run …

His faithfully longtime lawyer Jen Robinson declared that his arrest, after seven years of self-imposed internal exile, has “set a dangerous precedent for all media and journalists in Europe and around the world”. His extradition to the US, she said, meant that any journalist could face charges for “publishing truthful information about the United States”. She might have added “published outside the US”, Indeed, US revanchism is a chilling demonstration of imperial overreach and a grim warning to others.

And yet, much of the legal argy-bargy around the charges Assange is likely to face in the US hinge on the question of whether he is actually a journalist and whether WikiLeaks is actually a news organization. He and his supporters have long portrayed him as a champion of a free press, but some experts believe that the US Department of Justice’s decision to charge him with conspiring to hack government computers limits his ability to mount a vigorous free speech defense. Assange has long said WikiLeaks is a journalistic endeavour protected by freedom of the press laws, and in 2017, a UK tribunal recognized WikiLeaks as a “media organisation”.

Political prisoner, maybe, whistle-blower, certainly, but “not a prisoner of conscience”, at least by Amnesty International’s definition. Compared to many prisoners on Amnesty’s books, innocents and activists banged up by oppressive regimes, Assange has been pretty well treated. The consistent reference in many media reports to a potential death sentence in the US is egregious insofar as the UK will not allow extradition if a death sentence is on the cards. Many would also dispute the tag “investigative journalist” that some have bestowed upon him, seeing as he and Chelsea Manning released classified US and other information. They did not ferret it out, sift it and analyse it for publication as investigative journalists generally do. As for making Assange a “working class hero”, as some on the far-left have done, that is drawing a long bow. Friends and foes alike are now dancing around these distinctions.

In a concise recent article in The Sydney Morning Herald, Peter Greste, who got to know very well the inside of a squalid Egyptian prison cell and the Egypt’s kafkaesqe judicial system for allegedly publishing what a government didn’t like, makes a few points that Jennifer, her colleague, the eloquent and famous Geoffrey Robertson, and others have skated lightly over:

“Julian Assange is not a journalist, and WikiLeaks is not a news organisation. There is an argument to be had about the libertarian ideal of radical transparency that underpins its ethos, but that is a separate issue altogether from press freedom … Journalism demands more than simply acquiring confidential information and releasing it unfiltered onto the internet for punters to sort through. It comes with responsibility. To effectively fulfill the role of journalism in a democracy, there is an obligation to seek out what is genuinely in the public interest and a responsibility to remove anything that may compromise the privacy of individuals not directly involved in a story or that might put them at risk. Journalism also requires detailed context and analysis to explain why the information is important, and what it all means”.

Greste nevertheless sounds a warning. On the eve of the first extradition hearing on January 25th 2020, in an opinion piece in the SMH, he wrote of how the Obama administration   “realized that if they prosecuted him, they would then have to prosecute the New York Times, the Washington Post, the Guardian and others for also publishing much of Wikileaks’ material, and in the process do irreparable harm to the constitutional guarantees for press freedom. It is clear that under Trump, Assange is highly unlikely to have his rights respected or get a fair trial, and those, too, are grounds to oppose his extradition. The manner in which US prosecutors are handling his case, and its implications for anybody who believes in democratic accountability, are too serious to let Assange be extradited without a fight”.

Other Australian are not as hostile to Assange as Peter Greste, as a recent article  by Amanda Horton in the Sydney Morning Herald observes, concluding with the not quite rhetorical question of what would Australia do if he was serendipitously returned to our distant shore:

“The Australian government certainly appears singularly unmoved by Julian Assange … Prime Minister Scott Morrison has said the legal processes must “run their course” and Assange should “face the music”. The government position appears to be that f the US wants to extradite him, and extradition proceedings are underway, Australia can’t intervene even if it wanted to … This is total nonsense, says everyone with experience: diplomacy is all about pulling levers behind the scenes … The problem, say sources in government, is that Australia may be reluctant to expend political capital on behalf of Assange … Australia may also be too afraid – “too craven”, according to one – to test its standing with the US; and there may be a sense that the US has gone too far to back down, so a request to do so would be both embarrassing and useless. The US-Australia relationship may be further tested if, eventually, the UK refuses extradition and deports Assange back to Australia. It appears that the US might then be able to request his extradition directly from us. What will we do then?”

Meanwhile people continue to argue over whether Assange is a hero or a ratbag – our ratbag as an equally ratbag conservative Australian member of parliament called him – demanding,  surprisingly that he be brought home).  They debate whether he is a legitimate journalist, publisher, troublemaker or whistleblower, a Trumpista or Putinesca. But sycophantic and pusillanimous politicians aside, most informed people of goodwill believe that there isn’t a case to answer and that he should be repatriated to Australia. It will be interesting to see where Jen Robinson’s last minute (February 2020) witness statement about Trump’s offer of pardon will go, and indeed, what the British Court will decide. One thing’s for sure: The Powers That Be will continue to play dirty.

 

© Paul Hemphill 2019.  All rights reserved


Yes, Julian is in deep shit. But, you animal lovers and sharers of kitty pics out there in the twitterverse and Facebook world, his cat and companion Michi has gone to a good home …

Read more about politics in In That Howling Infinite here: A Political World – Thoughts and Themes

Little Sir Hugh and Old England’s Jewish Question

Out came the thick thick blood, out came the thin
Out came the bonny heart’s blood till there was none within
She threw him in the old draw well fifty fathoms deep
Little Sir Hugh

On a visit to Lincoln Cathedral a few years back, we chanced upon a small memorial in the South Choir Aisle commemorating the long-dead ‘Little Saint Hugh’, the subject, I recalled, of a gothic folk-song resuscitated during the British folk revival and popularized by Steeleye Span back in the seventies. Little Sir Hugh, a tale of the death of a young lad at the hands of a mysterious lady, had been shorn of its true context – a fabricated ‘blood libel’ that led to the trial and execution of nineteen Lincoln Jews. It is believed that high churchmen exploited the incident to lure a profitable flow of pilgrims to the shrine of a martyr and saint. The mystery surrounding the boy’s demise was the first time that the English Crown gave credence to ritual child murder allegations with the direct intervention of Henry III. As a consequence, unlike other English blood libels – and there were many – the story entered the historical record, medieval literature and popular ballads that circulated until the twentieth century as the folk-rock song demonstrated. Read more here. See also below, in the last segment of this blog.

That northern summer, we’d spent a month in the historic northern city of York where we visited Clifford’s Tower, the remnant of a thirteenth century castle on the old city walls, and the site of a medieval pogrom. The English Heritage sign at the gate recalls how in 1190, 150 Jewish men, women and children fled thence to escape townspeople’s wrath, and when the latter had set the tower alight, chose to do a Masada rather than surrender to the bloodthirsty mob (the Masada  analogy is my own – the iconic Jewish narrative was unknown in the twelfth century). The tourist spiel, reluctant to disturb the squeamish, does not call it out as murder – but the stone walls do, as does the city’s historical narrative: English Heritage; History of York.   

In November 2019, the Times Of Israel reported on how after over eight hundred years, a Jewish community has re-established itself in York – it was as if there existed an unspoken herem or boycott on the city on account of what our indigenous people here in Australia would call “sorry business”. The article includes a good account of the deadly pogrom.

In the words of Taylor Swift, history often comes in flashbacks and echoes: an intriguing BBC programme called History Cold Case reveals how seventeen bodies of men, women and children had been discovered at the bottom of a well in Norwich. The findings of the forensic anthropologists were both tragic and terrifying.

Mother mother make my bed
Make for me a winding sheet
Wrap me up in a cloak of gold
See if I can sleep
Little Sir Hugh

The devil that never dies

England has long had an ambivalent, discriminatory, and often deadly relationship with its Jewish people, from medieval days to the present, as illustration, there is an arguably apocryphal story of how in 1290, when Edward 1 ordered the expulsion of all Jews from England, a sea captain taking a boatload of Jews to France, asked them to walk with him on the sand whilst the tide was out. He deliberately deserted them, swiped their stuff, and scarpered back to his ship before the tide came in, leaving them to a watery fate.

Oliver Cromwell allowed Jews to return to England in 1657; the Lord Protector saw no difference between Judaism and any other faith of ‘the Book’. But it took another two hundred years for male Jews in Britain to be granted equal civil rights, including the right to enter Oxford and Cambridge Universities, to join the public service, run for municipal office, and eventually, to stand for parliament. Just as catholics had to wait some three hundred years for emancipation, for jews, it was indeed a slow train coming

But even thereafter, the living wasn’t easy. In the Nineteen Thirties, there were running battles as Oswald Mosley’s Nazi-styled Blackshirts marched through the Jewish neighbourhoods of East London. During the hot, austerity-pinched summer of 1947, there anti-Jewish riots throughout England following the hanging of two British sergeants in Palestine by the Jewish terrorist Irgun in response to the hanging of three of its members by the British Mandate authorities. Manchester witnessed its own mini-Kristalnacht. Ironically, one of the sergeants was Jewish.

I recall walking through London’s cosmopolitan Notting Hill with an Israeli friend in the summer of 1976. There were big swastikas daubed on a wall. “That is why we have Israel”, Miri said. A few weeks later, these very streets became a war zone as racial tensions escalated into violence as the August Bank Holiday Notting Hill Carnival gave way to running street battles.

Today, the British Labour Party is tying itself in literal and figurative Gordian knots with accusations and counter-accusations of antisemitism (whilst the US Democratic Party is likewise tossing and turning over the badly thought-through, naive comments of an ingenue congresswomen). Meanwhile, the transparent xenophobes and antisemites of the alt- and ofttimes mainstream right hide in plain sight in the corridors of power and preen on streets and social media.

It has been said, with reason, that antisemitism is the devil that never dies. And yet, is antisemitism a unique and distinct form of racism, or a subset of a wider fear and loathing insofar as people who dislike Jews rarely dislike only Jews?

Fear of “the other” is a default position of our species wherein preconceptions, prejudice and politics intertwine – often side by side with ignorance and opportunism. it is no coincidence that what is regarded as a dangerous rise in antisemitism in Europe, among the extreme left as much as the extreme right, is being accompanied by an increase in Islamophobia, in racism against Roma people, and indeed, in prejudice in general, with an increase in hate-speech and incitement in the media and online, and hate-crimes.

We are seeing once again the rise of nationalism and populism, of isolationism and protectionism, of atavistic nativism and tribalism, of demagogic leaders, and of political movements wherein supporting your own kind supplants notions of equality and tolerance, and the acceptance of difference – the keystones of multicultural societies. It is as if people atomized, marginalized and disenfranchised by globalization, left behind by technological, social and cultural change, and marginalized by widening economic inequality, are, paradoxically, empowered, energized, and mobilized by social media echo-chambers, opportunistic politicians, and charismatic charlatans who assure them that payback time is at hand. These days, people want to build walls instead of bridges to hold back the perceived barbarians at the gates.

Lately,  I have been working my way through British historian Peter Ackroyd’s six-volume History of England. I’ve enjoyed a re-acquaintance with half-remembered names and places, moments and movements from long-gone school and university history classes. Given his arduous brief – he’d resolved to recount the story of England from its birth in the Neolithic Age to the dawn of the Twentieth Century -it is relatively lightweight but informative, family friendly with the nasty and naughty bits toned down, and inspirational precedents and premises accentuated to illustrate evolution and progress, whether it be of language or lifestyle,  ideologies or institutions. He wears his liberal heart prominently on his sleeve, whether it is in describing the casual cruelty of the slave trade or the plight of children in the “dark satanic mills” of the industrial revolution. A recurring leitmotif is England’s unique and intractable Irish Question, and particularly its responsibility for and response to An Gorta Mór, ‘The Great Hunger’. An he confronts England’s medieval Jewish Question head on, describing a not so happy and glorious period in its history.

Antisemitism, he implies, has always been with us. I have reproduced in full below a short chapter from the very first volume of his history. It is a readable précis of many other sources. Read more in The Jews of Medieval England, and History of the Jews in England (1066-1920)Ost

Postscript

When this article was posted on Facebook, it elicited the following comment. The questions raised will most certainly be checked out and appropriate changes will be made.

“A slightly problematic piece (though I’d had no idea that Peter Ackroyd had read Robert Stacey’s work so carefully). It’s worth noting, however, that the story of how the captain forced the Jews to walk on the sand is anything but apocryphal – said captain spent two years in a Sandwich gaol on Edward I’s explicit order as a result (and probably died at the end of that period). There were to many holes in the Norwich documentary for it to be taken seriously. And, as with the other ritual murder ‘saints’, Little St. Hugh was never a popular attraction – that accolade goes to St. Hugh of Avalon in the case of Lincoln. The small one was, at best a distraction and it’s clear that the Chapter tried to avoid him as much as possible”.

The Hammer 

Peter Ackroyd,  Foundation – The History Of England Volume 1, Chapter 20

King Edward 1 was known as ‘the hammer of the Scots’ but he could more pertinently be known as the hammer of die Jews. He exploited them and harassed them; finally he expelled them. Their crime was to become superfluous to his requirements. The history of the ]ews in medieval England is an unhappy and even bloody one. They had arrived  from Rouen, in the last decades of the eleventh century; they were first only settled in London across a broad band of nine parishes but in the course of the next few decades they also removed to York, Winchester, Bristol and other market towns. The previous rulers of England, in the ninth and tenth centuries, had not welcomed them; Jewish merchants would have provided too much competition for Anglo-Saxon traders.

William the Conqueror brought them to England because he had found that in Normandy they had been good for business; in particular they provided access to the silver of the Rhineland. The Jews of Rouen may also have helped to finance his invasion of England, in return for the chance to work in a country from which they had previously been barred. Another reason can be given for the favour they found with the king. Since Christians were not allowed to lend money at interest, some other group of merchants had to be created. The Jews became moneylenders by default, as it were, and as a result they were abused and despised in equal measure. But they did not only lend money; they were also money-changers and goldsmiths. money; they also exchanged plate for coin. They provided ready money, a commodity often in short supply.

The Norman kings of England, therefore, found them to be very useful. They could borrow from them but, more profitably, they could tax them. They could levy what what were known as ‘tallages’, and succeeding kings were able to take between a third and a quarter of the Jews’ total wealth at any one time. As a result the Jews, in the twelfth century  were afforded royal protection. No Jew was allowed to become a citizen, or to hold land, but the neighbourhood of the Jewry was

like the royal forests exempt from common law; the Jews were simply the kings chattels, who owed life and property wholly to him. They were granted the protection of the royal courts, and thier binds were placed in a special chamber of the royal palace at . Westminster. A Jewish exchequer was established there, with its own clerks and justices.

In return for royal favour the Jews brought energy and prosperity to the business of the realm; their loans helped to make possible the great feats of Norman architecture, and the unique stone houses of Lincoln and Bury St Edmunds are credited to them. Jacob le Toruk had a grand stone house in Cannon Street, in the London parish of St Nicholas Acon. The Jews also introduced the more advanced forms of medical learning, and were able to serve as doctors even to the native community. Roger Bacon himself studied under rabbis at Oxford.

More dubious legal tactics were also enforced. William Rufus decreed, for example, that Jews could not be converted to Christianity; he did not want their number to fall. That may not have If) been a very Christian act but William Rufus was never a very good Christian. He supported the Jews partly because it offended the bishops; he enjoyed causing affront to his churchmen.

That royal protection did not necessarily extend very far. At the time of the coronation of Richard I in 1189, some Jews were beaten back from the front row of spectators; the crowd turned on them, and a riotous assault began upon the London quarters of fresh outrages as the of Jewry. The incident became the cause of fresh outrages as the news of the attack spread; it emboldened native hostility, and gave an excuse for further carnage. 500 Jews, with their families, took refuge in in the  castle at York where they were n besieged by the citizens; in desperation, the men killed their wives and children before killing themselves.

Richard 1 was even then malting preparations for his crusade to the Holy Land; violence and religious bigotry were in in the air. His successor, John, renewed his protection in exchange for large sums of money. In 1201 a formal charter was drawn up, giving the Jews their own court. They were allowed to live ‘freely and honorably’ in England, which meant that they were here to make money for the king. Nine years later John took overall the debts of the Jews, living or dead, and tried to extract the money from the debtors for his own benefit. It was another reason for the barons’ revolt that led to the sealing of the Magna Carta.

Antisemitism was part of the Christian condition throughout Europe. The Jewish people were abused for being the ‘killers of Christ’, with convenient forgetfulness of the fact that Jesus himself was Jew, but other more material reasons account d for the racial hatred. By the middle of the twelfth century, several prominent Jewish moneylenders had extended very large loans to some of the noblest men in the kingdom; men like th famous Aaron of Lincoln were the only ones with resources large enough to meet the obligations of the magnates. If they could be attacked or killed, and their bonds destroyed, then the great ones of the land would benefit. The myth that they were engaged in the ‘ritual murder of Christian infants became common at times of financial crisis when the populace could be incited to take sanguinary vengeance. It is a matter of historical record that England took the lead in the execration of the Jews.

The first rumour of a ritual crucifixion emerged In 1144, with the story of the death of William of Norwich, and thereafter the tales of ritual murder spread through Europe. England was also the first country to condemn all Jews as criminal ‘coin-clippers’, and the iconography of antisemitism is to be found n the west front of Lincoln Cathedral.

In 1239, during the reign of Henry III, a great census of the Jews and their debts was carried out. The representatives of all the Jews in England were then obliged to convene at Worcester and agree to pay over 20,000 marks to the king’s treasury. This measure effectively bankrupted some of them, which meant that their usefulness had come to an end. Fourteen years later, Henry III ordained a Statute of Jewry that enforced a number of disciplinary measures including the compulsory badge of identification, This was or tabula of yellow felt 3 by 6 inches (7.5 by 15 cm) to be worn on an outer garment. it was to be carried  by every Jew over the age of seven years. Two years later Henry investigated the death of a boy, Hugh, in Lincoln; he believed or professed to believe that this was a crime of ritual murder and as a result, 19 Jews from the city were executed and 100 dispatched to prison in the castle.

Edward I was even more ferocious. He ordered that certain Jews, who had been acquitted of the charge of ritual murder, be retried. In November 1278, 600 Jews were imprisoned in the Tower of London on charges of tampering with the currency. 269 of them were hanged six months later. In 1290 he expelled all of the remaining Jews from his kingdom; they were now approximately  2,000. He did not take this step out of misplaced religious zeal; it was the measure demanded by the parliament house before they would agree to fresh taxation. In fact the expulsion was seen

by many chroniclers as one of the most important and enlightened acts of his reign. The antisemitism of the medieval English people is clear enough. Some have argued that in subtly modified forms it has continued to this day.

The tale of Little Saint Hugh

from The National Anglo-Jewish Heritage Trail 

A unique form of religious persecution, the ‘Blood Libel’ or ‘ritual child murder allegation’, arose in England for the first time in Norwich in the 12th century when the body of a boy was found in the depths of Thorpe Woods outside of the city. Periodically, Medieval English Jews were falsely accused of ‘ritual child murder’ by local Christians. It was usually claimed they tortured and killed little Christian boys in a mockery of Christ’s crucifixion, and that they used their blood for magical purposes. The idea of Jews attacking children for blood may have been partly derived and adapted from East Anglian rural folklore, where evil fairies, called ‘Pharisees’, lived underground and sucked the blood of children. The children were probably the victims of accidents or lawless violence, while the accusers’ motives are now generally accepted to have been for financial, political, or religious gain. It set a pattern for future persecution.

In Lincoln, in 1255, ‘Little Hugh’ was found dead near the Lincoln Jewry. The Jews were accused of ritual child murder, not by popular hue and cry, but five weeks later at the instigation of John of Lexington, the brother of Bishop Robert Lexington (1254-58). He had traveled from the North, with the deeply impoverished King, who was desperately raising funds to pay to the Pope for his son Edmund to be crowned King of Sicily, partly by pardoning murderers for cash. Henry III was under threat of excommunication if he did not pay the money to the Pope. Lexington supported by the King secured a forced confession from Copin the Jew, who was then killed despite having been promised a pardon for his confession. In consequence 91 Jews were imprisoned in the Tower of London. Eighteen were summarily executed by the King, for the temerity of requesting a trial by Jury and not trusting the mercy of the King. The rest (including a convert to Judaism called John) were eventually released due to the intervention of the Friars. The boy was then venerated as a local saint (but never canonized) after a miracle was claimed, and he was enshrined in the Cathedral until the Reformation. There is little evidence that the shrine was popular and some doubt that there was ever a proper cult of Hugh. The King was clearly the prime mover in the Blood Libel, aided and abetted by John of Lexington and probably also by the Papal Nuncio. He took the lead in choreographing the rapid events over several days in Lincoln, leading to the confession and condemnation of the Jews. He was the main financial beneficiary. The Papal Nuncio, Rostand Masson, was apparently present with the King throughout the events as part of his retinue. Seven days afterwards he declared Henry’s son, King of Sicily. Therefore it seems that the Jews of Lincoln were sacrificed for the King’s Sicilian business. The motives of the Bishop and the Cathedral cannot be accurately determined, though they played their role in supporting and not resisting the drama. Joe Hillaby asserts that John of Lexington’s actions were extraordinarily timely and fortuitous in assisting his brother the Bishop in his task to magnify the existing cult of Hugh of Avalon and the task of building the Angel Choir, as well as establishing the new cult of the ‘Little Hugh’.

The boy martyr was later celebrated in numerous ballads and songs as well as in Chaucer’s ‘Prioress’s Tale’ (Canterbury Tales). The gruesome lyrics of the ‘Ballad of Little Sir Hugh’ (but usually without mention of any explicit Jewish identity of the alleged perpetrators) are still performed today in folk music circles, frequently without any explanation or apology. As such, ‘Blood Libels’ became one of the most pernicious and enduring of all anti-Semitic fabrications, spreading through Europe and beyond, even up to the present day.

During the 1290s, soon after the general expulsion of the Jews from England by Edward I, the remains of Little Hugh were translated to a new shrine intruded into the South Choir Aisle Screen, but there is little evidence that the cult was ever a success. The architectural evidence (as interpreted by Stocker and Hillaby) suggests that Edward I had a significant role in its construction. Two out of four original coats of arms on the shrine were Edward’s, and we know that he made a gift to the shrine in 1299 / 1300. The style of the shrine seems to be modelled on the architectural tabernacles for the statues on the original 12 Queen Eleanor crosses, erected by Edward I on the path and resting places of his wife’s body, on its way to London from Lincoln, rather than upon usual sepulchral design. It seems entirely likely that the shrine was intended to be linked to the visceral tomb of Queen Eleanor, at the end of the same aisle in the Cathedral. Hillaby asserts that the shrine may have also been intended as a symbol and a piece of royal propaganda, to deflect hostility from Edward and his wife who trafficked in Jewish debts, and to build on the gratitude of the nation in his subsequent action as ‘defender’ of Christianity in expelling the Jews in 1290.

The original plinth and raised back panel of the shrine of the c. 1290s still survive. There are also two broken stumps of the former canopy at the back that made what would have been part of a panel at the side of a small side arch forming the upper structure of the shrine. There are still visible traces of rich green and blue pigment used to decorate parts of the shrine. At the end of the 19th century it was said that there were remnants of gilding as well.

The pierced base of the shrine has gone, along with its ornate canopy, with tall side pinnacles, niches, and the decorative finial with a niche illustrated in Dugdale’s drawing. These were all removed in the Civil War. It seems that there was also a figure of Little Hugh in the shrine. Overall the shrine was a tall monument, reaching at least up to the top of the choir wall, if not higher.

In 1736 the painted, freestone figure of a little boy, about 20 inches high, still existed and was recorded by an antiquarian, Smart Lethieullier. It was by tradition part of the original shrine. The figure was supposed to bear the marks of crucifixion. The head had by that time been broken off and it had been removed from the shrine and was in ‘a by-place just behind the High Altar, where we found it covered with dust and obscurity’.

In 1791, the tomb was opened, when the Cathedral paving was renewed. The remains of Little Hugh were found in a stone coffin just below the paving and seen for the first time since the Middle Ages. The boy was apparently four feet and two inches tall and was thought to have a rather long thin face. No doubt modern forensic work, if available, would have been able to say something about the circumstances of his death. The skeleton provided a refutation of one allegation, as his teeth had not been smashed, as alleged in the blood libel stories.

A careful examination of the surroundings of the shrine shows other significant features. The former upper superstructure of the shrine was skillfully and well integrated into the screen wall of the choir and looks as if it had been carefully planned and positioned so as to be a focus of the aisle in which it stands, even though it was not part of the original design. An impression is gained that the canopy may have been rested, afterwards, above, and onto, an existing tomb, which was itself much more crudely inserted into the Choir wall. It rested on and above the base and back of the tomb (the surviving elements) and was structurally separate, and not built in one piece, which is why the dismantling of the canopy at the Reformation did not destroy the tomb beneath.

The evidence suggests that an original tomb of Little Hugh was significantly embellished to become a major feature of the south side of the Cathedral and in its day represented not only the cult of Little Hugh, but garnered a royal meaning and patronage as well and was quite imposing in its improved state after 1290.

The Cathedral for many years placed a notice by the shrine of Little Hugh to explain its meaning, but it is easy for the casual visitor to completely miss the remains. The notice has its own history and has evolved over the years. Before 1959, a notice largely repeated the traditional libel. But in 1959, it was replaced by the then Dean, the Rev D.C. Dunlop, who was reported by the Daily Telegraph as saying that the Chapter did not wish, ‘to see things that are not true up on the walls of the Cathedral’ and that a new notice would correct the record. This new notice, cancelling the libel, remained in place for a good many years, but recently has been further revised and then improved again, most recently through a collaboration project between the Cathedral and the Jewish community.

Between July 2008 and September 2009, the notice was entirely re-written in an interfaith collaboration, by Professor Brian Winston (for the Lincoln Jewish Community), Carol Bennett (for the Cathedral) and Marcus Roberts (JTrails) as part of the Trails Jewish heritage project in Lincoln, working in the first instance with the Lincoln Jewish Community. The American academic Elisa van Court had criticised the wording of the existing signage in 1997 and again in a publication in 2006. The new plaque refers to ‘Little Hugh’ without referring to him as ‘Saint’ since he was never officially recognised as such by Rome. Calling him a ‘saint’ confers false credibility for the blood libel in Lincoln. The new signage also draws notice to the terrible consequences for the medieval Jewish community (the most notable omission in the original signage as high-lighted by van Court) and the contemporary relevance of the shrine. The new notice is the result of excellent interfaith relations between the communities and a desire to show the real significance of the Lincoln Blood Libel today.

That was the year that was – the road to nowhere

Well we know where we’re going
But we don’t know where we’ve been
And we know what we’re knowing
But we can’t say what we’ve seen
And we’re not little children
And we know what we want
And the future is certain
Give us time to work it out
The Talking Heads

To borrow from Boz, these were the worst of times, these were the strangest of times. So disillusioned were we with our politics and our politicians, so dispirited by the sad state of the plant, so fissured and fractured as a society, with our intractable culture wars, we retreated into own private Idahos, pulled up the drawbridge and settled in with our iPads and iPhones and our Foxtel with the vino collapso and watched all the fun of the fair.

The mellifluous but perennially entertaining Donald Trump had a bad year, and a resolute Theresa May likewise. Confounding critics, she endeavours to persevere as she steers her foundering shipm of State towards Brexit and China’s Uighur Muslims. Barbaric Da’ish had a bad year (which was rather a good thing) , as did the unfortunate Rohinga of Myanmar, and the long-suffering people of Gaza.. Resilient Bashar Assad had a good year, with a little help from his Russian, Iranian and Hezbollah friends, but the wars of the Ottoman succession grind on. Vladimir Putin and the fat conductor Kim Jong Un had an excellent year, courtesy of POTUS. Angela Merkel lost her sparkle but royal Markle sparkled, and the luminous Taylor Swift, all legs and lipstick, emerged from her apolitical closet to swing the vote against the Donald in the US midterms. Her trim gluteus maximus starredin a court case that typified a year that saw women stand up strongly against years of aberrant male behaviour.

The Australian parliament devolved into a circus of tantrums and turncoats as the Liberal and National coalition devoured its own in a year book-ended by smutty sexual scandals, whilst canny Labor kept its powder dry for what bodes to be an whopping electoral victory in 2019. We wished that our rulers and representatives would stop behaving like children and start running the country and governing it for all of us.and then the children walked out of school en mass and told us that when they grew up they’d do a better job. The circus clowns huffed and puffed and denigrated the young ones – which only served to embarrass them more for their paucity of vision and partisan division.

And so, to the year in review:

During what was to many observers a dispiriting year of division and destruction, In That Howling Infinite maintained its  watch  with an eclectic mix of commentary, commemoration, culture and comedy. It was a big year – some forty posts in all. So many indeed that decided to reposted my favourite top five – those that I most enjoyed writing – on In That Howling Infinite’s Facebook page. See these at the conclusion of this review.

In a December post, Free Speech, One Each, we expressed disappointment with the ignorance, naivety, and self-absorption of electorates, left and right: their lack of historical knowledge and of curiosity, an unhealthy and self-defeating habit of accepting facts, narratives and theories based upon their preconceptions and prejudices. Nowadays, it often seems as if the reasonable middle has been excised from political discourse, drained out by the shrill voices of the extremes with their identity politics, virtue signalling, and vested interests. Social media has exacerbated the situation as folk lock themselves into their own echo chambers, listening only to those with whom they agree, ignoring or even avoiding contrary opinions and perspectives. It is a self-defeating, delusional, zero-sum form of groupthink that erodes trust and goodwill and prevents the development of consensus and cooperation. Meanwhile, opportunistic politicians and commentators build their constituencies by appealing to the particularistic, even atavistic wants and fears of their followers. Too often this reduces things down to atavistic lowest common denominators. They literally seize the low moral ground. Peoples problems and fears are real enough, and do need to be solved or allayed, but too often they are gulled, manipulated and recruited by modern-day snake-oil salesmen and show-tent shysters.

It was with this in mind that we caste a weary and cynical eye over Australian politics and society, particularly the ongoing history and culture wars, beginning in January with the self-explanatory We’ve Got The Australia Day Blues , and continuing with Conservatism in CrisisMilo Downunder, an alt-right love story, and the ongoing angst about the Ramsay Centre and its proposed university course on western civilization. Never in recent memory have so many words been printed about so little – at least not until the right’s last holy war. And so, there is The long, dark teatime of The Australian’s soul and its sequel The Oz’s lonely crusade. By year’s end, both sides appear to have run out of puff and the course will most likely end up in small regional campuses rather than the prestigious halls of Sydney and Melbourne.

Southern Discomfort.

The year’s leitmotif was the ongoing fiftieth anniversary of 1968, a tumultuous year for the world, and a formative one for myself personally. Stories of the events of that year are interspersed my own recollections – what I was doing at at the time, and what was going through my youthful head.  In Encounters with Enoch, I revisit English politician Enoch Powell’s controversial ‘Rivers of Blood’ speech. Then it’s Springtime in Paris as I recall les Évènements de Mai. And thence to Prague and the Soviet invasion of Czechoslovakia with Tanks for the memory – how Brezhnev changed my life. Finally, there was the year in review with Things fall apart, the centre cannot hold – 1968 revisited.

2018 was also the centenary of the armistice that ended The Great War. November 1918 – the counterfeit peace discussed how for many countries and peoples in Europe and beyond, the conflict and the bloodshed continued. We also shared a poignant, fitting tribute by Gerry Condon  to all the “doomed youth” of all wars with Dulce et ducorem est – the death of war poet Wilfred Owen

There were other anniversaries. The Wild Wood and the Wide World revisited Kenneth Grahame’s riverbank pastorale The Wind in the Willows 110 years after it’s publication. Ghosts of the Gulag, which followed on from an earlier discussion of film The Death of Stalin released earlier in the year, looked at the contribution of Alexander Solzhenitsyn on the fiftieth anniversary of The Gulag Archipelago. The Russian theme continued with Whoar! And Peace – a light look at the BBC’s recent racey adaptation of Tolstoy’s celebrated house-brick.

The fiftieth anniversary of the death of John Steinbeck inspired The last rains came gently – Steinbeck’s dustbowl Blues. This featured the complete first chapter of The Grapes of Wrath, describing the unfolding of an environmental disaster. Two other posts also covered ecological bad news stories: The return of the forest wars in Australia, and Losing Earth – the decade we almost stopped climate change.

As always, the politics and people of the Middle East feature prominently in In That Howling Infinite. January kicked off with Ahed Tamimi – A Family Affair, a discussion about the young Palestinian activist and the first family of the resistance. Out of season, we visited the birthplace of the Christ child with O Little Town of Bethlehem, how still we see thee lie and tell the story of a border town that has existed since the beginning of recorded history. We considered whether an Israeli-Palestinian confederation was possible, and republished Israel author David Grossman’s A Fortess But Not Yet a Homeand a review of author Amos Oz’ Dear Zealots – letters from a divided land. Sadly, Oz passed on 28th December, his death and that of the indomitable Uri Avnery (see last September’s Seeing through the eyes of “the other’) in August saw the passing of two of the most forthright intellectual proponents of the receding ‘two state solution’. We also reviewed  the intimations, imperfections and implications of Donald Trump’s “ultimate deal”, an ostensible end to the intractable Arab-Israeli conflict but which is effectively Throwing Abbas under the bus. The wider Arab and Islamic world features in Islam’s house of many mansions, and, in the wake of the murder of journalist Jamal Khashoggi and the Yemen war, we consider the possibility of Sanctioning Saudi -1973 revisited.

Our history posts were as eclectic as ever. We continued our series of Small Stories with a profile of The Monarch of the Sea, Prince Roy of Sealand, the smallest country in the world, and The Odyssey of Assid Corban from a tiny village in Lebanon to a wine dynasty in Auckland, New Zealand. A video of University College Dublin’s celebrated Choral Scholars inspired a look at an old Jacobite song  Mo Ghile Mear, whilst the anniversary of the Irish rebellion of 1798 recalled another song and a host of personal memories: The Boys of Wexford – memory and memoir. We reviewed two historical novels. In Cuddling up to Caligula, we discovered a soft side to the controversial Roman Emperor; whilst melancholy Martin Sparrow’s Blues shone fresh light on the travails of Australia’s early white settlers. And a review of Ulrich Raulff’s Farewell to the Horse, a history of man’s long relationship with our four-legged friend, galloped away from me as we sang the song of the horse with The Twilight of the Equine Gods  – part history, part memoir, part prose-poem.

And that was the year that was.

And the top five?

Number five was that slap that resounded around the world – the story of young Ahed Tamimi and her family. Four, the tale of melancholy Martin SparrowThree, the Jacobite love song Mo Ghile Mear – Irish myth and melody. Two, the reverie of 1968. And, number one, my very, very favourite and indeed, a labour of love, The Twilight of the Equine Gods

Happy New Year. See you on the other side.

Our reviews of previous years: 20172016 2015

November 1918, the counterfeit peace

Of our elaborate plans, the end
Of everything that stands, the end
No safety or surprise, the end
Jim Morrison

For God so loved the world, that He gave His only begotten Son.  John 3:16

The eleventh hour of the eleventh day of the eleventh month of 1918 saw an end to four years of carnage on the western front and the end of of the First World War. The armies were demobbed and men went home to lives that were changed utterly:  British and French, Austrian and German, Belgian and Italian, Serbs and Bulgarians, Turks and Arabs, and also, soldiers from across the ocean – Americans and Canadians, Australians and New Zealanders,  South Africans and Indians. Friends and foes.

The victors retired to a restless peace, but the vanquished, Germany, Austria, and Hungary, descended into revolution and civil war for a time as  gangs of former soldiers fought on the left and the right. In eastern Europe, the crumbling of empires, the Russian revolution, civil war and the struggle to establish the borders of newly established states meant that armed violence continued, leaving deep scars and bitterness that many ways set the stage for the autocracies of the 1930s and further bloodshed.

The Polish-Soviet war lasted until 1921. The Russian Civil War, ending in 1923, raged across most of today’s Ukraine, Belarus, Moldova and the Baltic region. British, Australian, American and French soldiers were dispatched to Murmansk and Archangel to fight the Red Army; Poles fought Ukrainians and Lithuanians, and defeated the Soviets at the gates of Warsaw; pogroms were perpetrated against Jews just as they had been for years, decades, centuries prior, accelerating  ,  with subsequent consequence, Aliyah to Palestine.

The Greek-Turkish war of 1919-1922, which saw the Greeks, with British and French support, endeavouring to seize Constantinople, led to terrible massacres, and a forced exchange of populations that uprooted one and a half million Greeks and Turks from towns and villages they had occupied for a millennium. Armies marched back and forth across the Great European Plain, bringing devastation and starvation and destroying millions of lives. Central Asia, the lands now covered by the once Soviet ‘’stans likewise became battlegrounds for Reds, Whites and local warlords.

And in ‘John Bull’s Other Island’, as expat GBS Shaw called it, a “terrible beauty was born” – WB Yeats’ exquisite words – the doomed intifada that was the rebellion of Easter 1916, launched, opportunistically yet quixotically whilst English eyes were elsewhere, led exponentially into open rebellion, a qualified victory, and a civil war and partition that rested, roused and then resurrected in Derry in 1968 and decades termed somewhat innocuously ‘The Troubles’.

For some, there was light at the end of the terrible territorial tunnel. Poles, Czechs, Slovaks, Finns, Estonians, Latvians and Lithuanians, achieved statehood, or the restoration of nationhood, as did, fleetingly, Ukrainians, Armenians and Azerbaijanis. Poland reappeared on the map after over a century of having been carved up by empires. Hungarians lost two-thirds of their territory and more than half of their population. “Little” Serbia, which had ignited the Balkan powder keg in 1914, with Gavril Princip’s famous shot that ricocheted through complacent, twitchy and mightily armed Europe, was united with its Slav but religiously fractured Balkan neighbours in the Kingdom of Yugoslavia – and we now know how well that worked out.

Beyond Europe too, a bitter ‘Peace’ sowed dragon’s teeth. Last year, we commemorated the centenaries of the infamous Sykes Picot Agreement, the first draft of a colonial dispensation that established borders that remained unchallenged until Da’ish assaulted the status quo in 2014, and the Balfour Declaration, which set in train the rise and rise of the state of Israel and the long descent of Palestinian hopes for a land of their own. Ironically, the most militant Zionist pioneers and later, soldiers, terrorists and statesmen, emigrated from Poland and the Tsarist empire. These many legacies resonate today.

The end of WW1 saw the destruction of the Ottoman Empire and left Britain in control of Palestine and Mesopotamia. The peace conferences that followed led to the creation of modern Turkey, and, though for decades under French and British colonial rule, Lebanon, Syria, Iraq and Jordan. The Kurds turned up at the conference table but were denied a seat and thereafter, a state.

The war changed more than maps, frontiers and regimes. The needs of modern warfare brought women into the workforce, galvanizing the movements that won them the vote in many democracies. The pace of technological change already underway in industrialized countries was quickened by the demands of war, and advances in land transportation and aviation continued exponentially, as did the development of weaponry, together with the insatiable demand for fossil fuels. Economic privation precipitated the first successful Communist revolution and many failed ones, whilst the peace, resentments, reparations, and recession prompted many to turn to far-right authoritarians in Italy and then Germany. The mass movements of populations helped spread the deadliest epidemic the world has ever known: the 1918 influenza virus or Spanish Flu, which quietly killed possibly up to a hundred million souls – more than both world wars combined.

In the last decades of the Twentieth Century, historians would observe with the benefit of hindsight how the Second World War rose ineluctably from the ashes of the first, just as the division of Europe and the Soviet enslavement (and I say this as a lifelong leftist) of those Eastern European countries that emerged after 1918 led to the Europe of today, and as the peoples of the Middle East reaped the whirlwinds of both conflagrations. Many look back on the tumultuous decades that followed the Great War, and sensing signals and signposts in contemporary  temporal tea leaves, advise is to be afraid, be very afraid.

We like to identify patterns in history that help us understand and explain our contemporary world. But we should exercise caution. To continue the hindsight riff, remember that things we see in the rear view mirror appear closer than they really are. The world is very much different today, as is our knowledge, our perception, our hopes and fears, and so also, our prognostications and expectations. If we can do it all over again, we’ll do it differently, and much more dangerously and destructively. Having learned so much, we have, one fears, understood so little.

 As we remember that moment in Western Europe and the Levant when the guns at last fell silent, let us contemplate melancholy mathematics of the human toll poignantly described by American economist and academic Patrick Chovanec in a fine article in the New York Review of Books, which I have reproduced below:

 “In the Great War itself, over sixteen million people died, including almost seven million civilians. The US got off relatively lightly, with 117,465 people killed, just 0.13 percent of its population. In Serbia, somewhere between 17 and 28 percent of the country’s population was killed. But even numbers like these leave little concrete impression on our minds … people would (tell) me about a grandfather or great-uncle who fought and died in the war, and is forever twenty-four-years old in some field in France, or Turkey, or Italy, or at sea. For most people, that absence is what defined the war: someone left and never came home. The world that they shaped, by their presence and their absence, is the one that we live in, whether we realize it or not. And we, like them, can only grope our way forward, day by day, into an unknown future”.

Qurba-n قُرْبان

Sacrifice  – Rayner Hoff, Anzac Memorial, Sydney

On the occasion of the centenary, read also, Dulce et ducorem est – the death of Wilfred Owen, and A Brief History of the Rise and Fall of the West, 


World War I Relived Day by Day

Photo12/UIG via Getty Images

Gavrilo Princip arrested after his assassination of Archduke Franz Ferdinand of Austria, Sarajevo, June 28, 1914

Four years ago, I went to war. Like many of the people whose stories I followed in my daily “live-tweets” on World War I, I had no idea what I was getting myself into. What began as an impulsive decision to commemorate the hundredth anniversary of Austrian Archduke Ferdinand’s death at the hands of a Serbian assassin, in June 1914, snowballed into a blood-soaked odyssey that took me—figuratively and literally—from the rolling hills of northern France, to the desert wastes of Arabia, to the rocky crags of the Italian Alps, to the steel turret of a rebel cruiser moored within range of the czar’s Winter Palace in St. Petersburg, Russia. And like the men and women who actually lived through it, now that the Great War is ending I find myself asking what, if anything, I’ve learned from it all.

In the American mind, World War I typically occupies an unimpressive place as a kind of shambolic preamble to the great good-versus-evil crusade of World War II, a pointless slugfest in muddy trenches for no worthy purpose, and no worthwhile result. Its catchphrases—“The War to End All Wars,” “Make the World Safe for Democracy”—evoke a wry and knowing chuckle. As if. But the war I encountered, as it unfolded day by day, was far more relevant, passionate, and unpredictable.

Posting daily newspaper clippings and photographs, found mainly in books and online archives, I began to see the Great War as a kind of portal between an older, more distant world—of kings with handlebar mustaches, splendid uniforms, and cavalry charges—and the one that we know: of planes and tanks, mass political movements, and camouflage. It snuffed out ancient monarchies in czarist Russia, Habsburg Austria, and Ottoman Turkey, and gave birth to a host of new nations—Poland, Hungary, Czechoslovakia, Syria, Iraq, Jordan, Lebanon, Finland, Estonia, Latvia, Lithuania, Ukraine, Armenia, Azerbaijan—that, in their struggles to survive and carve out an identity, continue to shape our world today. The British declared their intent to create a national homeland in Palestine for the Jews.

Daily Mirror/Mirrorpix via Getty Images

Russian infantry marching to battle, Poland, August 1914

The needs of the war brought women into the workforce, and helped win them the right to vote. The huge privations it inflicted triggered the world’s first (successful) Communist revolution, and the frustrations it unleashed prompted many, afterward, to turn to far-right authoritarians in Italy and then Germany. And finally—though many have forgotten it—the comings and goings of people caused by the war helped spread the deadliest epidemic the world has ever known: the 1918 influenza virus, which quietly killed an estimated 50–100 million human beings in their homes and in hospitals, more than both world wars combined.

I also encountered a cast of characters more varied and amazing than I thought possible. Rasputin, the dissolute Russian mystic who warned Czar Nicholas that going to war would destroy his dynasty, and was murdered in part because he was (falsely) suspected as a German agent. The Austrian Emperor Karl, who inherited a war he didn’t want, and tried fruitlessly to make peace. T.E. Lawrence, a scholarly young intelligence officer whose affinity for the Arabs helped turn them to the Allied cause, and shaped the modern Middle East. Mata Hari, a Dutch-born exotic dancer who played double-agent, seducing high-ranking Allied and German officers for valuable information, until she was caught and shot by the French as a spy.

Some of the names are familiar, and offer hints of future greatness—or infamy. A young anti-war journalist named Benito Mussolini, sensing the way the wind blows, changes his tune and aggressively advocates for Italy to enter the war, before signing up himself. A young Charles De Gaulle is wounded at Verdun and taken prisoner for the rest of the conflict. A relatively young Winston Churchill plans the disastrous Gallipoli Campaign and pays his penance by serving in the trenches, before making a political comeback. A young Harry S. Truman serves as an artillery officer on the Western Front, alongside (and outranked by) a young George C. Marshall (his future Army Chief of Staff and Secretary of State) and Douglas MacArthur (his future general in the Pacific and Korea). A young George S. Patton develops a fascination with tanks. A young Walt Disney doodles cartoons on the side of the ambulances he drives, in the same unit as a young Ray Kroc (the founder of McDonald’s). Another young ambulance driver, Ernest Hemingway, finds inspiration on the Italian Front for his novel A Farewell to Arms. A young Hermann Göring (later head of the Luftwaffe) becomes a dashing flying ace, while a young Erwin Rommel wins renown fighting at Verdun and in the Alps. Meanwhile, an odd young German corporal, who volunteered in the very first days of the war, is blinded by poison gas in its final days, and wakes up in hospital to the bitter news that Germany has lost. His name is Adolf Hitler.

General Photographic Agency/Getty Images

French troops under shellfire during the Battle of Verdun, 1916

The dramatic panoply of people, places, and events, however, only occasionally rises to the fore. For the most part, the war is a steady stream of ordinary people doing ordinary things: washing their clothes, attending a concert, tallying supplies, fixing a car. History books give us a distorted sense of time, because they fast forward to major events. A day may take a chapter, a month may be passed over in a sentence. In fact, there were periods where nothing much happened—plans were being made, troops trained, supplies positioned—and when you live-tweet, you experience that waiting. Sometimes, it led to intriguing surprises, like photographs of dragon dances performed by some of the 140,000 Chinese laborers brought over to France to lend muscle to the Allied war effort. Mostly, it was a matter of endurance. Each winter, the fighting came to almost a complete stop as each country hunkered down and hoped its food would last. The “turnip winter” of 1916–1917, when the potato crop failed, nearly broke Germany; the increasingly desperate craving for “bread and peace” did break Russia the following year.

The future president Herbert Hoover made his reputation by coordinating food relief shipments to German-occupied Belgium, and later as the US “food czar” ensuring Allied armies and populations were fed. The vast mobilization was effective: by 1918, the Allies were able to relax their food rationing, while Germany and its confederates, strangled by an Allied naval blockade, were on the verge of starvation. America’s war effort was accompanied by a vast expansion in the federal government’s power and reach. It nationalized (temporarily) the railroads and the telephone lines. It set prices for everything from sugar to shoes, and told motorists when they could drive, workers when they could strike, and restaurants what they could put on their menus. It seized half a billion dollars of enemy-owned property, including the brand rights to Bayer aspirin, and sold them at auction. The US government also passed espionage and sedition laws that made it illegal to criticize the war effort or the president. Some people were sent to prison for doing so, including the Socialist Party leader Eugene V. Debs, who ran for president for a fifth and final time from a cell.

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A woman munitions worker operating a machine in an armaments factory, Britain, circa 1915

Winning the war, however, was far from a sure thing. For three years, the Allies threw themselves against an evenly-matched enemy on the Western Front, without making any breakthroughs, while the Eastern Front gradually crumbled. An early Allied foray to take out Turkey, at Gallipoli in 1915, ended in bloody disappointment. Inducing Italy to enter the war on the Allies’ side, that same year, was supposed to swing the entire conflict in their favor; instead, the catastrophic Italian rout at Caporetto, in the autumn of 1917, put the Allied effort in greater jeopardy. When Lenin seized power in Russia, at the end of 1917, he took it immediately out of the war and ceded immense land and resources to German control. True, the US had by then entered the war, in response to Germany’s submarine campaign against merchant ships and its clumsy diplomatic scheming in Mexico. But with the war in the East essentially won, the Germans saw a window in which they could shift all of their armies to the West and crush the exhausted British and French before enough American troops could arrive to make a difference. Their spring offensive, or “Kaiser’s Battle,” in early 1918 drove deep into Allied lines, prompting the French government to evacuate Paris.

The Germans’ big roll of the dice failed. The Allies held, and the US mobilized much faster than anyone expected. By the summer of 1918, a perceptible change had taken place. Hundreds of thousands of American troops were arriving every month at French ports, and their first units were taking part in battles, piecemeal at first, to push the Germans back. Even in September, however, nearly everyone expected the war to continue into 1919. That was when a huge US army of 3 million men would be ready to take part in a big Allied offensive that would drive all the way to Berlin. It never happened. That fall, the German army—and those of Turkey, Austria, and Bulgaria—first buckled, then collapsed like a rotten log. By November 11, the war was over.

The fact that nobody saw the end coming, the way it did, highlights the value of going back, a hundred years later, and reliving events day by day, as they took place. What may seem obvious now was anything but so then, and we do the people who lived through it, and our understanding of them, a real disservice when we assume that it was. “Life can only be understood backwards,” the Danish philosopher Søren Kierkegaard observed, “but it must be lived forwards.” The British historian C.V. Wedgewood elaborated on the same idea: “History is lived forwards but is written in retrospect. We know the end before we consider the beginning and we can never wholly recapture what it was like to know the beginning only.” We can’t entirely forget that we know what happened next, but when we at least try to identify with people who did not know, we shed new light on them, and on what did happen.

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Leon Trotsky with the Soviet delegation to negotiate a peace treaty with Germany, Brest-Litovsk, 1918

Take the Russian Revolution. We see it as the birth of a Communist superpower, and struggle to make sense of the seemingly half-baked, half-hearted effort by the Allies to intervene by sending troops, including Americans, to Russia’s ports in the far north and far east. People at the time, however, saw it almost entirely through the prism of the Great War. At first, the Allies welcomed the overthrow of the czar, and believed it would rejuvenate the failing Russian war effort. By replacing an infamous autocrat on the Allied roster with a fledgling democracy, it made “making the world safe for democracy” a more credible call to arms, and helped pave the way for the US to enter the war. When Lenin took over and made a ruinous peace with the Central Powers, he was seen as simply a German puppet. And when Bolshevik forces, augmented with released German and Austrian prisoners of war, attacked a unit of Czech soldiers crossing Siberia to rejoin the Allies on the Western Front, those suspicions blossomed into fear of a full-fledged German takeover of Russia. The Allies sent troops to key Russian ports to secure the war supplies stockpiled there and provide an exit route for the loyal Czechs. They considered trying to “reopen” the Eastern Front, but realized it would take far too many men. They assumed that when Germany was defeated, their proxy Lenin would eventually fall, and when the war ended, they naturally lost interest. It all makes sense, but only if you see through the eyes that people saw through at the time.

Did it really matter who won the war? In its aftermath, the Great War came to be seen as a colossal waste, a testament to the vanity of nations, of pompous older men sending foolish younger men into the meat-grinder for no good reason. War poems like “Dulce et decorum est” and novels like All Quiet on the Western Front have crystalized this impression. But this was not how people felt at the time. German atrocities in Belgium and on the high seas—some exaggerated, but others quite real—convinced many people that civilization, as they knew it, really was at stake. I was consistently and often surprisingly struck by the sincerity of support, not just on the home front, but among soldiers who had seen the worst of combat, for pursuing the war unto victory. The tone matures, but remains vibrant: these were, for the most part, people who believed in what they were fighting for. At what point the bitter cynicism set in, after the war ended, I cannot say. But at some point, that enthusiasm, and even the memory of it, became buried with the dead.

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Boys wearing bags of camphor around their necks to ward off influenza, 1917

Though, in fact, in many places the war did not actually end. An armistice was declared on the Western Front, and the armies there were disbanded and sent home. But Germany, Austria, and Hungary all descended into revolution and civil war for a time, with gangs of demobilized soldiers fighting on all sides. In Russia, the Soviet regime and its multiple enemies would battle for several years, while trying to reconquer territory surrendered when it quit the war against Germany. The Greeks tried to reclaim Constantinople from the Turks, and would be massacred when the Turks succeeded in reconsolidating their country. The Poles fought wars with the Ukrainians and the Soviets to define the boundaries of their newly independent country. Jews and Arabs continue to fight over the new lands liberated from the Ottoman Empire to this day.

In the Great War itself, over 16 million people died, including almost 7 million civilians. The US got off relatively lightly, with 117,465 people killed, just 0.13 percent of its population. In Serbia, somewhere between 17 percent and 28 percent of the country’s population was killed. But even numbers like these leave little concrete impression on our minds. Some of the most touching parts of my experience live-tweeting were the times when people would tweet back to me about a grandfather or great-uncle who fought and died in the war, and is forever twenty-four-years old in some field in France, or Turkey, or Italy, or at sea. For most people, that absence is what defined the war: someone left and never came home. The world that they shaped, by their presence and their absence, is the one that we live in, whether we realize it or not. And we, like them, can only grope our way forward, day by day, into an unknown future.

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British artillery at the Somme, France, 1916

The Wild Wood and the Wide World

On this day, 8th October 1908, The Wind in the Willows, Kenneth Grahame’s classic children’s book was published.

In 1908, Kenneth Grahame retired from his position as secretary of the Bank of England. He moved to Berkshire, where he had lived as a child and spent his time by the River Thames doing much as the animal characters in his book do – “simply messing about in boats”. He elaborated on the bedtime stories he had earlier told to his son Alistair and created a children’s classic that has never been out of print.  It was into its thirty-first printing in 1929 when playwright A. A. Milne, creator of Winnie the Pooh, adapted the most raucous and rambunctious part of it for the stage as Toad of Toad Hall in 1929 – which in 1949 Walt Disney’s studio took to the highest heights of slapstick hilariousness with its animated featurette the same name.

This anthropomorphic of riverside animals was set in a pastoral version of Edwardian England, characterized by its mix of mysticism, adventure, morality, and camaraderie, and celebrated for its evocation of the nature of the Thames valley. It was an early precursor of late-century melodramatic morality tales such as Watership Down (rabbits) and Ducton Wood (moles) which contain none of its endearing magic and humour.

The Wind in the Willows is a strange book. It poses as an almost homoerotic Arcadian fantasy, and yet it is also an opaque upper middle-class tract preaching deference to and and support for the British class system and the established order. Mole looks up to Rat who looks up to Badger and they all kowtow to the ridiculous, pompous and self-indulgent Bullington Club Toad because he is the lord of the manor. The bad weasels and stoats, of course, were the socialist revolutionaries who wanted to wreck the joint. They had to be vanquished by the valiant – one could say vigilante –  forces of righteousness and order – the stout burgers of the riverbank – and violently ejected from Toad Hall. The rule of law is restored, and Mole and Ratty resume their bucolic idyll.

Six years later, this shuttered Edwardian dreamtime shuddered to a terrible end in the carnage of the Great War, and in a decade, Red weasels broke the wheel of history and reset the clock for the rest of the twentieth century.

When I first read The Wind in the Willows as a child, it was a fantasy. When I reread it again as a left-wing teenager, living not too far from where the story was set and indeed, often rambling by Thames water’s edge, it was a fable – and a lame one at that. But I really must’ve must’ve been stoned or tripping when I reached Chapter Seven because I fell in love with it. It has been a favourite of mine ever since despite its twee, self-conscious encounter with the “divine”. The Piper at the Gates of Dawn is a most magnificent chapter. No wonder Pink Floyd chose it as the title of their first album back in the day!

Critics have not been so smitten. As Rosemary Hill notes in her excellent centennial review (see below) , it is “one strange, unsettling chapter … that abridgers of the book have always been quick to drop, though Grahame himself thought it essential. In it, Rat and Mole, searching for the Otter’s lost child, are granted a vision of the great god Pan, a muscular, horned god, “the Friend and Helper”, before whom the animals, “crouching to the earth, bowed their heads and did worship”. Whether it is the latent homo-eroticism of the vision or simply the sudden change of tone that makes the scene so uncomfortable, it is certainly a failure. But while artistically it is the weakest part of the book, it is at the same time the key to it. Pan’s parting gift to Rat and Mole is “forgetfulness”. They will not remember the pure happiness of their vision because if they did the memory would grow until it overshadowed and spoiled the rest of their lives with the knowledge that it could never be regained. The “little animals” would never be “happy and light-hearted” again”.

Read it anew here: Chapter 7: The Piper at the Gates of Dawn

Reproduced in full below are two excellent reviews of a centenary annotated edition published in 2009. They place Grahame’s story in the context of its time – an idyllic last summer bathed in golden sunshine before the storm that hit Europe in August 1914, and an equally golden age of children’s books.  There is a certain consensus in both reviews – with which I concur: The Wind in the Willows is a above all a book about longing, but it also also a book about letting go, if only for a brief moment.

And here is the e-book:  The Wind in the Willows  

Wild waters are upon us

Rosemary Hill, The Guardian, 13 June 2009

If Kenneth Grahame’s riverbank idyll inspires nostalgia, it’s because The Wind in the Willows is itself saturated in longing. The tale of Ratty and Toad was, Rosemary Hill argues, a product of its own uneasy times

If the Edwardian age is not remembered as a decade of social discontent and growing international tension when the cracks in the British empire began to show, but as an the reason is largely to be found in children’s literature. It was the age, if not of innocence, then of Jemima Puddleduck, Peter Pan and Mr Toad. Most of what became the canon of English writing for children appeared in a mere nine years. The Tale of Peter Rabbit, the first of the stories that Beatrix Potter modestly referred to as her “little books”, came out in 1902 and was rapidly followed by six more. Peter Pan was first staged in 1904, E Nesbit’s The Railway Children was published two years later, and then, in 1908, came Kenneth Grahame’s The Wind in the Willows, soon to become one of the best loved of them all.

The riverbank adventures of Mole, Ratty and Badger have now taken their place among the earliest memories of four generations and seem timeless, while the impossible, irrepressible Mr Toad got his own stage show, written by AA Milne, as early as 1929 and is still going strong. Yet Grahame’s story and indeed the whole Edwardian renaissance of books for and about children were peculiarly the products of their own uneasy time. If The Wind in the Willows inspires nostalgia now, that is because it is itself saturated in longing for other times and other places.

A year older than JM Barrie and a year younger than E Nesbit, Grahame was, like them, middle-aged when he produced his most enduring work. He was 49 when the book appeared, and described himself, accurately, as a “mid-Victorian”. His was the generation that had known no other monarch than Victoria and that felt with her death in 1901 that they had lost “a sustaining symbol”, as Henry James put it, adding, “the wild waters are upon us now”.

The Wild Wood and the Wide World are the twin menaces that loom over The Wind in the Willows. The sensible Water Rat wants nothing to do with either; it is only the Mole’s naivety and Toad’s hubris that force him to encounter them from time to time. The Mole soon learns his lesson. He is a creature, as he comes to understand, of the “frequented pasture” and the garden plot. “Nature in the rough” is not for him. The life of the riverbank, of messing about in boats, of ample picnics and long rambles, is essentially the life of suburbia, a rapidly growing but not entirely benign sign of the Edwardian times. The railway, which facilitates Toad’s daring escape from prison, had by now brought the branch lines deep into the shires, but with them came the commuters and the red-brick villas that Grahame so disliked. His typically English ambivalence towards suburban life runs like the river through the book. On the one hand, there’s the love of comfort and security, on the other, the chafing at its limitations and the sense that the pursuit of rural bliss may destroy the very thing that it desires.

Grahame was himself part of the phenomenon. Having spent the happiest years of his childhood at Cookham Dene in Berkshire, he returned, shortly before he started work on The Wind in the Willows, with his family and took a house there, grumbling, like Ratty, about incomers and over-crowding. In the episode where Toad’s caravan is overturned by a speeding motor car, the new Norton edition tells us that Grahame’s original version had Ratty shouting after it: “Stockbrokers!” Grahame changed it later to “road hogs”. As a recently retired secretary of the Bank of England he may have felt he was on thin ice.

Other social nuances of home-counties life in the early 20th century are reflected along the river bank. Toad Hall, with its secret passages and Tudor mullions, was given up some time ago by the original family and sold to a Victorian magnate. It is now in the hands, like Britain itself, of a spendthrift, headstrong eldest son who indulges one fad after another and is treated with the respect his pretensions deserve by the older tenantry. Rat points out to Mole the place where they will moor their boat at Toad Hall, next to “That creek on the left, where the notice-board says, ‘Private. No landing allowed'”. Toad blithely sees his non-ancestral home as a desirable commercial property. He describes it as it might be advertised in the new magazine, Country Life, founded in 1897 in London to cater largely to the aspirations of the stockbroking classes: “an eligible self-contained gentleman’s residence … dating in part from the 14th century but replete with every modern convenience … Five minutes from church, post-office, and golf-links.”

Like Beatrix Potter, Grahame was a keen observer of his characters’ domestic arrangements. The opulence of Toad Hall contrasts with Mole End, where the humble collection of prints and popular plaster busts, the outdated Gothic lettering on the house sign and the peculiar garden ornament made of cockle shells, mark Mole out as the Mr Pooter of the riverbank. Badger’s arts and crafts interior, complete with English oak settles and plain brick floor, shows a more cultivated taste. Indeed his home, with its central hall surrounded by “stout oaken comfortable-looking doors”, is in the old English style of suburban country-house design pioneered by architects such as Norman Shaw and admired by connoisseurs at home and abroad.

The trouble with Edwardian suburbia was that it was, as Grahame knew, an optical illusion. With its need for the golf club and the water closet as well as nature and history, it could best be found in the pages of Country Life where Gertrude Jekyll’s artfully planned landscapes dissolved the garden boundaries, while Edwin Lutyens’s houses turned newspaper magnates and mill-owners into county gentry. Great gusts of longing for something wilder and wider, whatever the risk, blow through The Wind in the Willows, as they stirred among many of Grahame’s contemporaries.

The fantasy of the “open road”, which troubles Toad and even sometimes Ratty, found expression in a fashion, which Grahame followed, for long cross-country walks. “Tramping”, as it was sometimes called, suggested a possible temporary change of class as well as scene. The poet WH Davies’s The Autobiography of a Supertramp was published in the same year as The Wind in the Willows and was also a great success. It told of Davies’s travels across thousands of miles of America, living rough and doing menial jobs, as he later recollected them in the tranquillity of Sevenoaks. For the riverbankers, however, there is no such possibility. Their caravan trip ends abruptly when they collide, literally, with modernity in the form of the car. Later, when Ratty is tempted by the sea rat to yield to the call of the Mediterranean, Mole rapidly talks him out of it.

England itself in the early 20th century was suffering from a similar timidity or failure of nerve – what Hermann Muthesius, the shrewd German observer of English life and architecture, called in 1904 “a certain hardening of the arteries”. The 1890s had been very different. Then it was possible briefly to belong to both suburbia and bohemia, and Grahame had. While rising smoothly through the ranks at the Bank of England to become its youngest ever secretary, he was also part of the literary set surrounding Aubrey Beardsley and Oscar Wilde. He had written regularly for The Yellow Book, a magazine devoted to modern decadence in the persons of Max Beerbohm, Walter Sickert and WB Yeats. It was in its second issue that he published the story that made his name, “The Roman Road”, a narrative cast as a conversation between a child and an adult, its message that only the artist and the child are imaginatively free.

Reviewing Grahame’s collection of stories The Golden Age, which was about, but not for, children, the arch-aesthete Algernon Swinburne found it “too praiseworthy for praise” in its lack of sentimentality about its subject. Then came the arrest of Oscar Wilde, the demise of The Yellow Book and a change of mood. Grahame’s Dream Days, another collection of stories published in 1899, was followed by nine years of silence before The Wind in the Willows, which, when it appeared, disconcerted some critics who had admired his earlier work and were not expecting a children’s book.

The editors of the latest editions are not the first to detect a comic echo of Wilde’s tragedy in the rise and fall of Mr Toad. Grahame’s Berkshire home was not far from Reading Gaol, George Gilbert Scott’s turreted Gothic revival prison, where Wilde was incarcerated. Reading is undoubtedly where Toad is taken from court, loaded with chains, having been sentenced to 20 years for being rude to a policeman. “Across the hollow-sounding drawbridge, below the spiky portcullis, under the frowning archway” Toad recedes.

He is disappearing, though, not only into prison but into the Victorian fiction of the past that Reading Gaol represents. As he passes them, the prison warders sprout medieval halberds, there is a rack-chamber and a thumbscrew-room, and the police sergeant suddenly starts to talk in impenetrable Walter Scott Gothic: “Oddsbodikins … and a murrain on both of them!” Toad finds he is immured in the darkest dungeon in “the stoutest castle in all the length and breadth of Merry England”. Merry England, Grahame knew, was a fiction, and it was finished. It could no longer offer a resort for the imagination as it had to the writers of the early 19th century who sought respite from their own times in the pious middle ages. The Edwardians knew much more about history and they were much less sure about God.

Those of them who went on searching for the divine often found it enveloped in clouds of pantheism and neo-paganism, spiritualism and theosophy, the faiths of the doubtful. It is this diffuse but potent supernaturalism that appears in The Wind in the Willows in one strange, unsettling chapter, “The Piper at the Gates of Dawn”. It is a section that abridgers of the book have always been quick to drop, though Grahame himself thought it essential. In it, Rat and Mole, searching for the Otter’s lost child, are granted a vision of the great god Pan, a muscular, horned god, “the Friend and Helper”, before whom the animals, “crouching to the earth, bowed their heads and did worship”.

Whether it is the latent homo-eroticism of the vision or simply the sudden change of tone that makes the scene so uncomfortable, it is certainly a failure. But while artistically it is the weakest part of the book, it is at the same time the key to it. Pan’s parting gift to Rat and Mole is “forgetfulness”. They will not remember the pure happiness of their vision because if they did the memory would grow until it overshadowed and spoiled the rest of their lives with the knowledge that it could never be regained. The “little animals” would never be “happy and light-hearted” again.

At Edward VII’s coronation in 1901 Kipling’s great fin-de-siècle poem, “Recessional”, was read with its tolling refrain “Lest we forget – lest we forget”. But for Grahame and his contemporaries the problem was that they couldn’t forget. The enemy without, the stoats and the weasels from the Wild Wood, might be driven from Toad Hall with sticks, but memory, the foe within, haunted them along with all that they had lost or might be about to lose. And so they turned aside, as one view of history has it, from modernism and went back to the nursery. What they found there, though, was not so much a second childhood as the first, the ideal one, which they preserved forever for their readers – childhood as we may all remember it and as it never was.

Second Wind for a Toad and His Pals

Charles McGrath, New York Times, July 9th 2009

The years between 1900 and the outbreak of World War I, it has often been remarked, were a golden age in Britain for the writing of children’s books. Among the books published then are most of what we remember of Beatrix Potter; several of E. Nesbit’s novels; Kipling’s “Jungle Book” and “Just So” stories, J. M. Barrie’s “Peter Pan in Kensington Gardens,” which became the basis for the stage play; Kenneth Grahame’s “Wind in the Willows”; and “A Little Princess” and “The Secret Garden,” by Frances Hodgson Burnett, who eventually became an American citizen but was born in Manchester, England. In hindsight these books seem to reflect the long, sunny afternoon of Edwardian England, a moment of arrested innocence before the outbreak of the Great War. Many of them also yearn for a rural, preindustrial England that was already vanishing. Part of their appeal is that they’re nostalgic, as we are, for childhood itself, or for a simpler past that seems to embody childhood virtue.

Of all these books “The Wind in the Willows” may be the oddest and most endearing. Too late for the centennial of its original publication in 1908, but a century and a half after the birth of the author, it has been reissued in two large-format annotated editions — one edited by Seth Lerer and published by the Belknap imprint of Harvard University Press, the other edited by Annie Gauger and published by Norton as part of its well-established series that already includes “Alice in Wonderland,”“The Wizard of Oz,” and three volumes of Sherlock Holmes.

“The Wind in the Willows” is probably most famous for a single line, Rat’s remark to Mole: “Believe me, my young friend, there is nothing — absolutely nothing — half so much worth doing as simply messing about in boats.” But the boating adventures, charming as they are, are the least of what makes the book so singular. “The Wind in the Willows” is a children’s book that, unlike most, doesn’t describe a world without grownups; instead, it parodies the grownup world. The characters — Rat, Mole, Badger, Otter, Toad — aren’t just woodland creatures with a few anthropomorphic traits. They’re of indeterminate scale — Toad is toad-size in some scenes but in others big enough to disguise himself as a human — and they have full-blown adult personalities, more nearly Edwardian clubmen than rodents, burrow-dwelling mammals or amphibians. Toad, who has certain traits in common with the overweight, fun-loving King Edward, even parts his hair in the middle, a detail that Beatrix Potter famously took exception to. “A frog may wear galoshes,” she wrote. “But I don’t hold with toads wearing beards or wigs!”

The adventures depicted in the book include the famous riverine idylls and a couple of almost equally well-known scenes of cozy underground bachelor life, which Mr. Lerer says owe something to Ruskin’s ideal of British domesticity. There are also the much wilder episodes of Toad’s manic car theft and car smashing; a Bolshevik takeover of Toad’s great manor house, Toad Hall, by the lower-class stoats and weasels; and, most bizarre of all, a moment of sexual and religious ecstasy when Mole and Rat behold, in the silvery, creeping light of dawn, no less than a naked, shaggy-flanked goat god, Pan himself, taking a break from his piping.

This scene is so charged that Ms. Gauger detects an element of homoeroticism. But then she, by far the more extensive and detailed of the two annotators, is quick to find an erotic subtext throughout a work that Grahame declared to be “free of the clash of sex.” After Toad and Mole companionably spend the night together, she notes, “If this were a novel for adults, Mole and Rat would perhaps consummate their relationship amorously.”

This kind of observation is indicative of the problems inherent in annotating a classic text, even one as well known as this. On the one hand, parts of the cultural landscape that inspired the book are already lost to us, and there are echoes and allusions that we remain deaf to even after having them pointed out, others that we are apt to misinterpret from our habit of seeing sex everywhere. On the other hand, the book is still perfectly readable without pedantic notes or explanations, and Ms. Gauger’s edition, in particular, is so laden with commentary that it sometimes resembles the Talmud, with more commentary than text on the page.

Both editors devote vast amounts of space to defining words like “panoply,” “repast,” “provender,” “vouchsafe,” “sniffy,” “fusty,” “hummocky” that are all in the dictionary and whose meaning hasn’t changed much, if at all, since 1908. And neither is entirely reliable: both think that a “well-metalled road” is one literally paved with metal when a glance at Google would have told them that the term is a synonym for what we think of as tarmac.

Both editors, to be fair, are very good at picking up echoes of Romantic poetry, huge chunks of which were clearly swirling inside Kenneth Grahame’s head while he was writing “The Wind in the Willows,” and both illuminate the text by suggesting, among other things, that Toad — blusterer, aesthete, jailed prisoner — was inspired in part by Oscar Wilde. He probably also owes something to Horatio Bottomley, a flamboyant, gasbag journalist and politician of the time. Mr. Lerer further suggests that Toad’s mania, his grandiosity, his compulsive lies and self-deceptions may derive from Grahame’s reading in Krafft-Ebbing’s “Textbook of Insanity.” A simpler explanation of Grahame’s understanding of wild, unpredictable personality may be that he grew up with an unreliable, alcoholic father who eventually abandoned his two sons.

In general Ms. Gauger is more willing than Mr. Lerer to find the roots of “The Wind in the Willows” in Grahame’s biography, and though she sometimes overdoes it, or explains the parallels at tedious length, her commentary nevertheless provides a sad and illuminating subplot of sorts. In many ways Grahame resembles A. A. Milne, who in 1929 dramatized the Toad sections of “The Wind in the Willows,” which always remained his favorite book. Both, though they had little use for women, were married to remote, difficult wives (Grahame courted his by writing to her in baby talk), and each had a single son whom he both doted on and neglected.

“The Wind in the Willows” began as a bedtime story and evolved over a series of letters (reproduced in the Gauger edition) that Grahame wrote to his son, Alastair, during the long months when he was farmed out to a nanny. Alastair Grahame was born part blind (an inspiration for Mole?) and appears to have been emotionally disturbed. After a miserable experience at school he lay down on some train tracks while an undergraduate at Oxford and was decapitated.

Kenneth Grahame’s own early life was scarcely much happier. His mother died when he was 5, his father ran off, and he was raised by relatives who were too stingy to send him to university. Like P. G. Wodehouse, another aspiring writer with a blighted childhood, Grahame went into the banking business. Unlike Wodehouse, he stuck it out, and by the age of 39 had risen to become secretary of the Bank of England, a post that doesn’t seem to have required him to do a whole lot.

His ostensible life was that of a proper Edwardian gent, with lots of male bonding and messing about in boats, and yet privately he burned to write, to live in his imagination. For all its apparent celebration of neatness and domestic orderliness “The Wind in the Willows” is really a book about letting go. It begins with Mole, tired of spring cleaning, putting aside his whitewash brush and taking to the road, and its true hero is Toad, who is anarchy incarnate.

Officially the text seems to disapprove of him: vain, swaggering and boastful, Toad is reprimanded and briefly chastened, and at one point the other characters even stage what we would call a full-scale intervention to confront him with his car-wrecking addiction. But he nonetheless runs away with the book, just as he runs away from prison disguised as a washerwoman, and supplies most of its narrative energy.

Though Rat is supposed to be a poet, Toad’s Song of Himself, sung to an imaginary audience near the end, is the novel’s most exuberant creation. To say that he is Grahame’s alter ego is too simple. More likely he’s the alter ego Grahame wished he could have but was also a little afraid of. Like a surprising number of stuffy-seeming Edwardians, Grahame was half in love with, and half terrified of, the idea of Pan, who never grows old, never goes to the office, never even bothers to put on clothes, and yet embodies all that is magical about the world we imagined we grew up in.

 

A Parting Glass – farewell to an old friend


We shall not cease from exploration, and the end of all our exploring will be to arrive where we started and know the place for the first time.
TS. Elliot, Little Gidding

“One of those days in England, with a sword in every pond”, sang Roy Harper, the high priest of anglo-angst. And so it was when we looked out on England and imagined a wider world. Our journey took us to this farthest shore on the brink of the mighty Pacific.

This month saw the passing of a fine old friend whom I’d first met fifty years ago this September when we arrived as young freshmen at the provincial red-brick university in Reading, Berkshire, a provincial southern town on the banks of the River Thames, less salubrious than its famous riverine neighbours Oxford and Windsor, and noted mainly for biscuits and beer. Fate determined that a bunch of disparate ingenues from all parts of the island boarded at the same ‘hall of residence’.

It was there that John and I bonded through folk music. I had a battered Spanish guitar that I’d strung  with steel strings, and had started writing songs and playing them to our friends. One day,  I left my guitar with John and headed to Hull to visit an old school chum and do my first trip (“those were days, yes they were, those were the days”). When I’d landed and hitch-hiked home, John had not only mastered the instrument, but was able to play me a couple of his favourite songs – Ralph McTell’s Streets of  London and Michael Chapman’s One Time Thing (see below). Very soon, he could play them note-perfect from just listening to the vinyl. Instead of me showing him chords and finger picking, he was teaching me. And whilst emulating his guitar idols, over time he assembled a fine repertoire of his own songs.

With a bunch of university friends, we later flatted in London whilst they earned enough money to get themselves overland to Australia. There, two of the fellowship settled down, built families and careers, and raised a mob of clever, creative and beautiful children. I was never born to follow; but life seeks out its own highways and byways, and in time these led me also DownUnder.

Those London days inspired my Harperesque, navel-gazing epic London John (see below).

Though his later life rendered him victim to a treasonous DNA, he fostered and followed through a passion for the wide, dry flatlands west of the Great Divide. He would undertake long-distance solo driving tours “beyond the Black Stump” (which is to say “the back of beyond”, or more prosaically,  “to buggery”); and would send us dispatches of his journeying, with beautiful photographs and stories of shooting the breeze with the locals and playing his guitar in pubs and by camp fires. When driving was physically no longer an option, he’d catch the train to outback Broken Hill.

Like Banjo Paterson, one of our national bards, and his poetic alter-ego Clancy of the Overflow, he treasured “the vision splendid of the sunlit plains extended, and at night, the wond’rous glory of the everlasting stars.

Listen to John’s songs on SoundCloud.

Farewell to North Finchley 1992

Back in the Day …

All those years ago …
Northern lads in a southern town.
Working-class in a middle-class world.
To Reading we’d come and then to London Town.
We are all compadres still.

Lent you my old guitar when I was roved out.
I came home and you’d played like a pro.
Streets of London and One Time Thing.
Note perfect played by ear.
And you were teaching me.

In London we busked on the Undergound
Got busted when playing Pavan.
Bow Street Magistrates Court.
“Soliciting reward without license”.
The only record we’d make together.

You took the hippie trail to Asia and beyond.
Bound for Bondi Beach.
Sang of mushrooms and a dog on the shore.
Four amigos washed ashore DownUnder.
Where you found your true home.

I came hither by another road.
Our paths forever criss-crossed.
Like ships passing in the night.
You headed always to the bush
But got to see our forest home.

Once you lent me your Martin guitar.
And I  went and lost it.
You probably never forgave me for that.
But maybe you’ll find it again in the valley beyond.
Because old friends always meet again.

There’s a song we’d all sung
When we were all young.
Of when we were no longer so.
Written by an ancient Greek
Over two thousand years ago.

I’d rolled it into a song of my own
As bold songwriters do.
And as years run us down and transfigure us
It echoes through the foggy ruins of time.
I hear it now as clear as the days we sang:

In those days when were men,
Ah, you should’ve seen us then.
We were noted our for our courage and agility.
We carried all before us
In battle and in chorus,
And no one could’ve doubted our virility.
But those days are past and gone
And the feathers of the swan
Are no whiter than our heads
For now we’re old.
And yet, as you can see,
Thinning relics we may be,
In spirit, we’re still
Manly, young and bold.

Farewell, old friend,
And flights of angels sing you to your rest.

Vale John Rugg 1949 -2018

Valances

                  (early in the morning at break of day)

Valance: The capacity of something to unite, react, or interact with something; connections; relationships.

In the afternoon they came upon a land in which it seemed always afternoon.
Lord Alfred Tennyson, The Lotus Eaters

Out of the cradle so restlessly rocking,
Ringing the changes that resonate still,
The rolling momentum of memory sailing
Like some graceful galleon, onwards until

We came in due course to harmonious havens,
Seeking the warmth of another land’s sun –
Such was the feeling, and such was the motion
Of onwards, and upwards, and endlessly on,

Out of those valances, casual, knowing,
Seeking out payments for debts never due,
The curious cadence of melodies flowing,
Gathering vagrants in pastures anew,

Forgotten weekends of such transient yearnings,
The edginess felt as we near a strange land,
Vanishing echoes of strange dreams returning,
Just out of reach of the memory’s hand,

They’re falling like mist through my arms,
Flowing like mist through my arms,
Broken memories, fractured songs
Are flowing like mist,

Flowing like mist through my arms,
Flowing like mist through my arms,
Broken memories, fractured songs
Are flowing like mist, like mist through my arms.

Out of the days of such recklessly wandering,
Seeking sensation and stretching the mind,
Journeying aimlessly, canyons and castles
Pass ageless and ageing and captive in time,

What lies before us and what lies behind us
Are little compared to the treasures we find,
Are nothing compared to what’s lying within us
As secrets unfold and the stories unwind,

And down through the ages, the prophets and sages
Set beacons to guide us both forward and aft,
We rise on the billow, descend to the hollow,’
Climb to the top-mast, or we cling to the raft,

And when all is unravelled, the road that’s less travelled
Winds back to the start, and we know it again
For the first time, and we know that there’s no more to say,
So early in the morning, at breaking of day.

Falling like mist through my arms,
Flowing like mist through my arms,
Broken memories, fractured songs
Are flowing like mist,

Flowing like mist through my arms,
Flowing like mist through my arms,
Broken memories, fractured songs
Are flowing like mist, like mist through my arms.

© Paul Hemphill 2012

Other memories of the ‘Sixties in Into That Howling Infinite: Back in the day: and A Window On A Gone World

  The Old Man’s Tale

Part One

In those days when men were men,
Ah, you should have seen us then
We were noted for our courage and agility.
How we carried all before us,
Both in battle and in chorus,
And no-one one could have questioned our virility.

But those days are past and gone,
And the feathers of the swan
Are no whiter than our heads, for we are old;
And yet as you may see,
Thinning relics we may be,
In spirit we’re still manly young and bold.

Though we may be phased out crocks,
The whiteness of our locks,
Does the country better credit, I should say,
Than the ringlets and the fashions
And the wild immoral passions
Of the namby-pamby youngsters of today.

But for all our sacrifice for to make a better life,
For those who followed to be proud and free.
Oh, we had to watch you grow
Into some horticultural show.
“Was it thus worth all our toil?” The dead ask me.

We lived like men, we looked the part;
We held our country to our heart;
We always did our best and better still;
But you who came too late to fight,
You’re living off the state alright,
And from our hard exertions, take your fill.

But those days, alas, are gone,
And the feathers of the swan
Are no whiter than our heads for now we’re old.
But if we could have seen
What the fruits of toil would’ve been,
Would we still have been so manly, young and bold?

Part Two

The image of my life is laid out before me:
It shows how well I fate, how hard I fall;
How people curse and jibe, how friends ignore me;
And I scream in a soundless voice, “I don’t care at all”.

You look at the world through different eyes to me:
You see life in a greyer shade of white;
Embrace the past, dictating what is there for me;
Telling me what is wrong and just what is right.

But I tell you I just don’t care.
You can’t change my mind.
And all your stories just won’t wear.
Let se speak my mind.

So i don’t fit your picture of the ideal man,
And if I don’t impress your sight – you say I must.
If I don’t don’t suit your taste like so many others can,
Must I conform to gain your meaningless trust?

I tell you I just don’t care.
You can’t harm my mind.
And all your fictions just won’t wear;
Let me speak my mind.

You say my behaviour’s a disgrace to modern life.
This permissive way of living’s got to stop!
“Why can’t you accept the guidance
Of those who are older and wiser?”

But then I just don’t have a wife to swap,
Or the guns to kill,
Or the power to guide men’s lives,
Or to bend their will,

And I don’t have the blood on my hands,
And I don’t have lies in my mind,
And your explanations won’t wear,
And  you won’t change my nine.

And my ears are not deaf to the tears,
And my eyes are not blind to the plight,
And my senses not numb to a world
That has yet to emerge from its night.

Put me on the road to God;
I know it’s the path to Hell;
Ins if I fall, don’t  heed my call.
Just say it was just as well.

© Paul Hemphill, September 1969

Some of John’s favourite songs:

Michael Chapman: One Time Thing. This was one of John’s early favourites back in the day. He’d borrowed guitar when I’d gone off on a frolic and when I’d got back. he’d not only learned how to play guitar, but he played this note perfect – and sang it much better than Chapman.

 Amazing Blondel : Pavan. We got busted when we played this on the London Underground. John used to play the flute riff on his guitar. It was the only record we made together – in Bow Streets Magistrates Court!

Al Stewart. Ivich. Al was a longtime favourite of John’s, from Reading days, and we used to go to see him in Cousins in Soho when we lived in London.  John admired his excellent guitar-work.  A friend of ours – ex-GF of one of our flatmates, actually – went out with Al for a while. I think John had left for Australia by then, but I got to know him. He even came for supper at my folks’ home in Birmingham when he played there once. And most amusing, that was.

Here’s another Al Stewart song that John liked, In Brooklyn

Roy Harper, the English High Priest of Angst, was another of John’s favourites. Here’s one of his ‘softer’ songs. Very nice. Another Day.

And probably, John’s all time favourite, Ralph McTell’s Streets of London. John played this note perfect too, from the get-go. I hated it, but there’s no accounting for bad taste.

Photo Gallery

Picnic in Whiteknights Park 1969. 

The M1, Summer 1972. Brendan, John, Eric and Paul

Hemphill Family Home, Birmingham, Summer 1972

Bardwell Park, October 1983 Paul, John, Andrew, Damian, Christian and Jean

Federal Hotel, Bellingen, December 2013