Red and white terror – the Russian revolution and civil war

… as a policeman, I would say, get hold of a man’s brother and you’re halfway home. Nor was it admiration for a better man than me. I did admire him, but I didn’t think he was a better man. Besides, I’ve executed better men than me with a small pistol. 

She’d come to Moscow to look for her child. I helped her as best I could, but I knew it was hopeless. I think I was a little in love with her. One day she went away and didn’t come back. She died or vanished somewhere, in one of the labor camps. A nameless number on a list that was afterwards mislaid. That was quite common in those days.

Yevgraf Zhivargo, in David Lean’s Doctor Zhivago (1965)

“The terror,” declared British Historian Simon Schama in his iconic Citizens: A Chronicle of the French Revolution “was merely 1789 with a higher body count; violence … was not just an unfortunate side effect … it was the Revolution’s source of collective energy. It was what made the Revolution revolutionary’. In short, “From the very beginning […] violence was the motor revolution”.

At the end of the chapter on the coming of thw Revolutionary Wars, he writes: ‘ … poets of romantic weather forecasting like William Wordsworth continued to describe the revolution is a cyclonic disturbance, but increasingly it was no longer the storm that invigorates in cleanses rather a dark and potent elemental rage moving forward in indiscriminate destruction its breath was no longer sweet but foul. It was the wind of war and if the wind of war comes, can the storm clouds of war be far behind’.

I thought a lot about the events of the French Revolution and the Napoleonic wars which followed it as I read English author and historian Anthony Beevor’s latest foray into Russian and Soviet history, Russia – Revolution and Civil War 1917-1921

Some books can be unrelentingly bleak and brutal, so grim and graphic in fact that you have to push yourself to finish them. Cormac McCarthy’s odyssey tale The Road is one such. But one doesn’t often say that about history books. Usually it is time, ennui or both that cry “enough, already!” You set it aside, promising to return to your bookmark – but you never do. I persevered with a veritable catalogue of the horrors that men can inflict upon their fellow humans (and yes, the perpetrators are apparently exclusively male, and the victims are males and females of many ethnicities). Beevor’s previous, highly acclaimed books Stalingrad and Berlin 1945 are chilling, but his latest takes top prize. And finish it I did …

The following is not a review of Beavor’s grim opus as such, but rather a thematic compendium of thoughts and observations derived from or inspired by the book.

Most academic accounts and university courses focus on the ideological and geopolitical dimensions of the origins, rise and consolidation of the Soviet Union, and its ultimate disintegration seventy years later. General public knowledge of the Russian Revolution and the civil war which followed it is relatively limited and cursory, often derived and books like Mikail Sholokhov’s saga of the Don Cossacks, Quiet Flows the Don and The Don Flows Home To The Sea, and Boris Pasternak’s Doctor Zhivago. Indeed, it was these novels and David Lean’s powerful adaptation of Doctor Zhivago that first attracted my interest in Russia as a school student in Birmingham. I majored in Politics at the University of Reading in the United Kingdom, and Soviet history and politics were an important part of my studies. Between those days and today, I’ve read widely about Russia’s history, past and present, and I am familiar with the events, ideas and personalities, their role in the broader and longer tableau of history, and the reverberations that are still felt today.

I have written often in In That Howling Infinite on Russian and Ukrainian history. Although I am no expert, and profess an amateur interest only, I do possess a short and humble pedigree. My tutor in Soviet Studies at Reading was exiled Hungarian academic and historian Tibor SzamuelyLike many refugees from Communism, he was descended from both perpetrators and victims. An uncle of the same name served in the Hungarian Soviet Republic that took power for six months under Béla Kun in 1919 and died violently that year when the revolution failed. He was among that government’s most bloodthirsty ministers and was called “Butcher Szamuely”. Szamuely’s family wound up in Moscow, where Tibor was born, and where his father was executed in Stalin’s purges. Young Tibor served in the Red Army, and he too was arrested and sent to a labour camp. Rehabilitated, he served as Chancellor of Budapest University. In 1964, then nearing 40, he was teaching in the “ideological institute” of Ghana’s Marxist president Kwame Nkrumah when he defected to England.

Back then, I was a political ingenue and a naïve communist sympathizer and fellow traveler, although my evolving perspectives were transforming and expanding. As my tutor, he advised me to study with an open mind and to put off juvenile thinking. He hadn’t been well when I knew him, and he died a year after I graduated. Under his tuition, I’d resolved to specialize in Soviet Studies – but events intervened, and I ended up in the Middle East (and that is another story. see: Tanks for the Memory – how Brezhnev changed my life). I nevertheless retained an active interest in the history and politics of Eastern Europe.

He would always impress upon me the historical and political continuity of what he called The Russian Tradition – the title of his one and only book, The Russian Tradition, published shortly before his death, and now, regrettably, out of print. I purchased a first edition when it was published and it is on my bookshelf still.

Szamuely believed that the bloodstained drama of the revolutions of 1917 – there were two, the social democratic one in the February, the Bolshevik one in November – and the years that followed, including civil war, the establishment of the USSR and Stalinism largely obscured the underlying consistency of Russian history. He did not live to see the decline and fall of the Soviet Union, and the advent of Putin and Russia Redux, but the basic pattern persists, circular and repetitive. The frequent turmoils that have overtaken this vast continent have in their various ways made changes that were essentially superficial, leading in the end to the intensification, under new forms, of the old authoritarian structure.

You – Bolshevik recruiting poster 1918


Contemplating civil wars

A civil war can emerge from the ashes of a wider, ongoing conflagration when factions or parties dispute the nature and terms of the post-bellum status quo and fracture along political and ideological lines. Many civil wars have arisen from the ashes of a prior war when there are what are perceived as existential issues unresolved and the availability of weapons and materièl and experienced and discontented men to use them.

There is a view that civil war can retrospectively be seen as a crucible of nation, a fiery furnace through which the righteous must walk – an ex post facto rationalization of the Nietzschean paradox of “that which does not kill us makes us strong”. Abraham Lincoln verbalized this in his Gettysburg Address in 1863 on a battlefield where the fallen had been only recently interred. Franco made a similar play as he laid claim to the wreckage that was Spain in the wake of three years of carnage, but then petrified his riven, country in autocratic stone until his death many decades later. The Russian Civil War was not accorded such a nation-building ethos as it was viewed by the Bolshevik victors as the crushing of a counter-revolution against a new world already being born.

Given Russia’s vast expanse, long history of restive regions, and large non-Russian ethnicities – all a result of centuries of imperial conquests – there is always the potential for the disintegration of centralized control and fragmentation. There is a rich history of state collapse following wars, revolutions, system breakdowns, economic crises, and other epochal events. Napoleon’s empire collapsed after his disastrous march on Moscow and subsequent defeat at the Battle of Leipzig. In 1918, the Ottoman, Austro-Hungarian, German, and Russian empires all collapsed in military defeat. Of course, people, decisions, and policies played a role, but ultimately it was war and the attendant economic and social crises that pushed these states over the edge into political chaos and often violence.

Once thing for sure, civil war, the Hobbesian “war if all against all” (Hobbes was thinking England’s) is undoubtedly the saddest, bloodiest and most visceral of all conflicts. I leave the last words to WB Yeats:

Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

See: In that Howling Infinite, A House Divided – the Nature of Civil War

All fall down 

Revolutions are unpredictable. They never run in straight lines. They reverberate, the shockwaves expanding and impacting on their vicinity, and way beyond. The shots ricochet, like drive-by shootings and crossfires, and you never know who will be hit, where the bullets will come to rest, and who will be damaged or destroyed. Many people will be liberated, and many enslaved. Many peoples will prosper, and many, many will perish. As TS Elliot wrote, “between the idea and the reality falls the shadow”.”

When the Tsarist Russian empire collapsed halfway through the First World War, it was the first of four great empires to disintegrate. By war’s end, the conflict had destroyed the German, Hapsburg and Ottoman empires. But unlike these three, though the imperial house perished, the empire it ruled did not disintegrate. A handful of national movements, Finnish, Polish, Estonian, Latvian, and Lithuanian succeeded in breaking free, but most of murdered Tsar’s realm emerged from the convulsions of world war, revolution and civil war within a new Soviet empire, one that still ruled millions of square miles and a multitude of peoples.

The Russian Revolutions – the two in 1917, and a failed rising in 1905 in the wake of the disastrous (for Russia) of Russo-Japanese War – and the civil war that followed can be said to have defined the contours of modern European geopolitics, setting the stage for the Cold War and also, the current Ukraine war. The 20th Century was not kind to the countries of Central and Eastern Europe. Historian Timothy Snyder called them “the blood lands”.

The USSR was officially declared in the Bolshoi Theatre on 30th December 1922. Most people find this slightly surprising, because we assume that the Soviet Union must have been proclaimed immediately after The Bolshevik Revolution in November 1917. In fact, it only came into existence after a horrendous civil war that killed an estimated 10 million people, in which the deep national and ethnic tensions inside the old Russian Empire had been laid bare for all to see.

Historian Orlando Figes says in his seminal book about the Bolshevik revolution, A People’s Tragedy, that the failure of democracy in 1917 was deeply rooted in Russian culture and social history and what had started as a people’s revolution contained the seeds of its degeneration into violence and dictatorship.

In Russia, the revolution of February 1917 did not provoke a counterrevolution. The initial absence of any attempt to fight back was illustrative not so much apathy, as a feeling that there was very little of the ancien regime left that was worth defending. The overthrow of the czarist regime prompted a variety of reactions amongst the former ruling class: a resignation to events, bitterness at the incompetence and obstinacy of the Imperial Court, yet also an initial optimism among its more liberal and idealistic members. Most of the nobility and bourgeoisie supported the Provisional Government in the hope that it would at least restrain the worst excesses and keep the country together.

Soon after the November 1917 revolution, Lenin made it clear to the Bolsheviks that civil war was necessary to cleanse Russia of reactionary forces and old ways and to rebuild as a communist state and society. Moreover, he was confident that the Bolsheviks’ example would ignite revolution in the countries of Western Europe. German and Hungarian communists obliged, establishing people’s republics, which in turn invited counter revolution, the ousting of the revolutionaries, and reactionary military and police exacting bloody revenge on any leftists that could find.

The determination to resist only crystallized when the Bolshevik programme in the wake of the Bolshevik Revolution of October 1917 polarized opinion. The question is important when it comes to the origins of the Civil War itself, which led to the deaths of up to 12,000,000 people, the impoverishment of the whole country, and suffering on an unimaginable scale.

In June 1918 the Bolshevik regime was enjoying a brief respite from the rigors of revolution and civil war. Although surrounded on all sides by hostile forces, the Bolsheviks were in no immediate military danger. This welcome hiatus, lasting from the Treaty of Brest-Litovsk (March 1918) to the collapse of the Central Powers at the end of the year, allowed the Bolsheviks to consolidate their political and military strength.

In an uneasy alliance with the Bolsheviks were leftwing Socialist Revolutionaries who still dreamed of a constituent assembly and the anarchists who regarded Brest-Litovsk represented the watershed of the Revolution. In coming to terms with the Central Powers, the Bolsheviks had paid a staggering price in territory and resources. But, more importantly, they had preferred to make a pact with the imperialists rather than attempt to propagate the Revolution through popular initiatives, in particular, by partisan warfare.

Shortly after Brest-Litovsk the Bolsheviks turned against their erstwhile allies. The Cheka (the successor to the Czar’s Okrana secret police and the precursor to the NKVD, the KGB and the FSB) ostensibly created to suppress counterrevolutionaries, was unleashed on the Bolsheviks’ critics on the left. There were fierce battles between Chekists and anarchists in Petrograd and many other Russian cities.

It was game on.

It is difficult to comprehend to scale of the civil war that broke out in Russia in terms of its territorial extent, the numbers of nations and would-be states engaged in the conflict, and the destruction and carnage it wrought to soldier and civilian alike. Nor the ongoing relentlessness. Western European invaders had been defeated in the past (and indeed, the future) by what Mikhail Kutuzov, the Russian general who defeated Napoleon, called General Winter, but within the empire and its Soviet successor, weather did not stop play. Certainly, it complicated military operations, played havoc with logistics and supply-chains, and inflicted indescribable suffering upon soldiers and civilians. And the war went on …

The last of the Romanovs – Tsar Nicholas and his family, murdered by the Bolsheviks in July 1918

Revolution and reaction

If Lenin was politically flexible with foreign powers, he was ruthless with his own people, including rival parties on the left. He grabbed power when the hapless provisional government lost its way in setting up a constituent assembly that was intended to be a democratic representation of all Russians. Lenin initially paid lip service to the assembly, while calling for power to go the “soviets” – people’s councils. In reality he had no intention of allowing any diminishment or oversight of his control of the Bolshevik party and, through its Council of People’s Commissars, the battered Russian state.

But no sooner had the Bolsheviks cemented their rule than they were fighting a civil war on multiple fronts against a mind-boggling array of enemies, stretching from revolutionary socialists  and anarchists to unreconstructed “White Russian” tsarists, nostalgic for a corrupt and flagrantly unjust regime and in between the Reds and Whites were the Greens or Partisans, mainly deserters from all sides who hated both Reds and Whites and attacked both, increasingly so as the war continued. And a range of foreign powers dealt themselves into the game to further their own strategic and ideological interests. [the featured picture of this piece is an idealized manga depiction of charismatic Ukrainian anarchist and Green Nestor Makhno, a larger-than-life figure who miraculous survived the civil way and died in his bed in exile]

The Whites were a confused, fractured and often dysfunctional coalition with rapid changes of command occasioned by personal ambitions and fluctuating military fortunes. White generals were committed to restoring the integrity of the Russian Empire, a self-defeating handicap that alienated potential allies on the fringes, like Finland, the Baltic states and Poland. Churchill underestimated this imperial obsession which prevented the alliances he wanted to defeat the Bolsheviks. The Greater Russia obsession also hampered efforts in the Caucasus where Georgians stirred regions like Ingushetia, Chechnya and Dagestan, giving Britain nightmares of Bolshevism spreading through Central Asia towards India, an obsession that continued through the twenties as described in Peter Hopkirk’s Setting the East Ablaze – Lenin’s Dream of an Empire in Asia.

Out on the edge of the old empire, White warlords endeavoured to carve out kingdoms for themselves. Many commanders spent more time terrorizing locals than fighting the Red partisans who were operating behind enemy lines across the war zone, creating a legacy and tradition the persist to this day.

The diffusion of opponents played into the Bolsheviks’ hands, as their differences were so extreme that a unified opposition fighting force was never a viable option. But if the battle lines were often blurred, the hatred felt by the combatants for each other was nightmarishly vivid.

The White’s defeat in the civil war wasn’t for lack of outside moral and materiel support. It was due largely to their inflexibility, including their refusal to contemplate land reform until it was far too late, and their refusal to grant any autonomy to nationalities of the Czarist Empire. Their administration was so useless that it’s barely existed. Paradoxically, they lost for reasons very similar to the way the Republicans lost the Spanish Civil War two decades later. In Spain, the antifascist alliance of the Republic could not prevail against Generalissimo Franciso Franco‘s disciplined and militarized regime. In Russia, the utterly incompatible alliance of socialist revolutionaries and reactionary monarchists didn’t stand a chance against the single-minded Communist dictatorship.

A leftist libertarian with St. George’s Cross, and a Sister of Mercy nurse, 1916.

World War 1.2

It in many ways it became World War 1.2. The idea of a purely Russian Civil War is misleading simplification, prompting one historian recently to describe it instead as ‘a world war condensed’.

It was waged across European and Asian Russia, including present day Belarus and Ukraine and the successor states of the Soviet Union in the Baltic, the Caucasus, and Central Asia – from Warsaw and Eastern Europe to the Urals and eastwards through the vastness of Siberia’s forests, deserts and tundra to Vladivostok in the Far East, from the arctic north to Crimea and the Black Sea, the Caspian Sea and the borders of what in 1918 ceased to be the Ottoman Empire. Fronts stretched for thousands of miles and advances and retreats likewise. The Trans-Siberian Railway, stretching the length of the former empire from Moscow to Vladivostok, was almost six thousand miles long, and it’s tributary lines served as strategic and logistical thoroughfares for all protagonists who weren’t mounted like the innumerable Cossacks tribes and the nascent Red Cavalry, bringing to prominence the armoured trains that became a symbol of the revolution.

It drew in most of Russia’s contemporary neighbours and more far-flung nations, including The USA, Britain, France, Germany Italy and Japan – the latter providing the largest contingent, estimated by British Intelligence as some 85,000 soldiers, more than many of the various White armies. Combatants included soldiers from these countries, the British dominions of Canada, Australia, South Africa, and India, and Chinese and Mongolian troops. And a multitude of ethnicities fought for their own warlords, their national place in the sun or else their very survival. Caught up in the transcontinental maelstrom were Slavs, Cossacks, Tartars, Turkmen, Arabs, Azeris, Persians, Turks, Armenians, Chechens, Kazakhs, Buryat Mongols, Kalmyks (Europe’s only Buddhist nation) and Jews. White divisions were augmented in Siberia by Mongolian, Chinese, Uighur and Kirghiz mercenaries.

Various nationalist movements arose, successfully and unsuccessfully in all parts of the former Russian Empire. The aftermath of the First World War and the collapse of the Russian Empire saw Polish, German, Italian, Hungarian, Romanian, Czech, and myriad other nationalities fighting for disparate sides, and Beevor skillfully frames the bizarre impact of this on the ethnic nationalist dimensions of the conflict.

The scale of military manoeuvres was unprecedented, as were the physical and supply difficulties over vast distances, and the extremities in climate, particularly the bitter Russian winter. The conflict became very much a cavalry war and indeed, a “railway war” notable for its armoured trains and the logistical lifeline of the Trans-Siberian Railway, protected for much if the conflict by the Czechoslovak Legion, a force of Czech and Slovak nationalists who having fought in the Czarist army, joined the Whites who controlled many towns in Siberia.

In addition to the Czechs, there was also a Polish Legion operating in the Far East. The commanders of both forces became increasingly disenchanted with the White officers who refused to countenance the independence of the border states and who shocked many with their brutality towards prisoners and civilians, and though thousands of miles from Europe, demanded repatriation – ostensibly by sea from Vladivostok.

Western Allies’ ideological perspective of the civil war was ambivalent. Though many, politicians and military alike, were viscerally opposed to Bolshevism and what it stood for, and feared a Red contagion infecting their own countries, a fear that was not unfounded. In the wake of the Revolution, a concatenation of revolts detonated across the globe. Bolshevism spread westwards, from Vienna through Budapest and Sofia to Kiel. The Bavarian Soviet Republic was briefly established in April 1919, before the far-Right Freikorps did it in. Britain wasn’t immune to the ferment. Between the February and October Revolutions, the Leeds Soviet did indeed appear to be the beginning of something, whilst strikes and demonstrations proliferated to be violently put down by the police and army. Winston Churchill alone of his cabinet colleagues wanted a full-on allied intervention and dreamed – some believed he was indeed dreaming but others claimed that he fantasized – of creating an effective White army and a borderlands alliance to defeat the Bolsheviks. But his aspirations were foiled by the imperialism of the White leadership and of White officers and the various national movements’ fear that that if the Whites prevailed, they would restore Russian rule. Britain’s rulers were reticent about shoring up and providing financial, material support and also, soldiers sailors and airmen to brutal to demonstrably homicidal Cossack brigades and revanchist and reactionary royalist autocrats.

British regiments were nevertheless deployed in Siberia and in the Far East as well as the Arctic and Caspian Sea. Royal Navy flotillas blockaded Petrograd in the Baltic, floated up the Volga in the south and down the Dvina in the arctic north, and controlled the Caspian Sea and the waters around the Crimean Peninsula. The Royal Air Force deployed Sopwith Camels and sea planes in surveillance and surveillance missions against the Red forces, who British officers called the “Bolos”. And artillery units and armoured car squadrons were attached to the various White armies.

Wider imperial concerns were in play too. Churchill rang alarm bells as the Reds pushed the Whites back in Siberia and Central Asia, alarming even his reticent cabinet colleagues with prospect of Reds on the borders of the Raj. The Great Game still had over a quarter of century to run before the final whistle blew. In the Far East, Britain and the US, and Reds and Whites alike, were nervous about the designs imperial Japanese was revealing with regard to the resources and the empty lands of eastern Siberia, the island of Sakhalin, the pacific littoral and Manchuria. Intelligence reports revealed that Japanese forces in the region exceeded all others involved, including the warring Russians.

Pogrom

Fratricidal wars are bound to be cruel because of the lack of definable front lines, because of their instant extension into civilian life, and because of the terrible hatreds and suspicions which they engender. The fighting ranged right across the Eurasian landmass was violent beyond belief, especially the unspeakable cruelty of the Cossack atamans in Siberia. Even that archconservative politician VV Shukgin believed that one of the major reasons for the failure of the whites what is a “moral collapse” – that they behaved as badly as their enemy.

There was nevertheless one subtle yet important difference. All too often, whites represented the worst examples of inhumanity, yet on that score, the Bolsheviks were unbeatable. It has been said that their ruthlessness has few parallels in recorded European history up until that time – believing that history was on their side, and that a new world was being created. The almost religious zeal with which they brutalized and killed combatants and innocents alike could be likened to the Albigensian Crusade in the early thirteenth century. [The Crusaders were accompanied by an official representative of the Pope, a French Cistercian monk named Arnaud Amalric. According to accounts written decades later, as the attack began, a soldier asked Amalric how they would be able to tell which Beziers townspeople were Catholics and which were Cathars. Some sources give the alleged quote as “Kill them all, for the Lord knows his own” or as “Kill them all. The Lord knows his own.”]

The focus on ordinary people also means their suffering is brought to the fore. And Beevor is unsparing in showing the chaotic violence of the conflict, and unrelenting in showing the sheer violence of both sides. Reds and Whites are both revealed as more than comfortable burning villages, shooting traitors, suspected or real, and torturing and massacring prisoners, and men women and children caught in the crossfire.

There were many instances of racist violence mainly on the White side – particularly towards Jews. The Whites’ antipathy towards Jews was to some degree due to their perception that most senior Bolshevik were Jewish, but mostly it was that old devil that never went away, antisemitism. The fall of the Romanovs and the ancien regime and the anti-Semitic pogroms they perpetuated continued. Retreat from the major cities brought out the worse in the Whites, with terrible massacres of Jews – although they were not the only perpetrators. Playwright And author Isaac Babel, attached as a correspondent and propagandist to the Red Cavalry on the Polish Soviet front in late 2020 posed the question: “what sort of person is our (Red) Cossack? Many layered: looting, reckless daring, professionalism, revolutionary spirit, bestial cruelty. The population await their saviors. The Jews look for liberation – and in ride the Kuban Cossacks”.

It is estimated that there were some 1300 anti-Semitic pogroms in the Ukraine during the civil war, with some 50000 to 60000 killed by both sides. There were pogroms in Belarus also, but these were not nearly as murderous as in Ukraine. A Soviet report of 1920 mentions 150,000 dead and as many again badly injured.

Churchill was well aware of the effect of the pogroms on public opinion in the West and sought in vain to exert pressure on white leaders to restrain their forces.,

Terror begat terror, leading to greater acts of conspicuous cruelty. After a particularly hard-fought battle in early 1919, a young White horse artillery officer recalled “for the first time since the start of the civil war, prisoners were not shot. There were too many of them”. This did not happen often – and such was the brutality meted out to captives on both sides, shooting was actually a blessing. An Odesa women witness after the fall of the city to the Whites, “Urrrraaa! Four and a half months under these five-pointed star oppressors”. Two days later, Beevor notes, she noted that all the Jews were in hiding. When a city held by the Reds fell to the Cossacks, a a female surgeon observed that fearing a program, two Jewish doctors in her hospital wisely ran to hide in the attic.

Bolshevik leaders and commanders on the field eventually realized that brutality did not endear their cause to the general populace and moderated their behaviour. Some Whites too came to that conclusion, and sought to prevent it at least limit atrocities, but reactionary officers and uncontrollable Cossacks persisted in burning, looting, torturing and murdering, inflicting irreparable damage to the anti-Bolshevik cause. Beevor reports instances when allied forces actually fired on Cossack perpetrators.

The End

As the whites retreated, support for the red army amongst the populace grew, as did its numbers as deserters returned to its ranks encouraged by the announcement of an amnesty and as defections from the White forces grew. Peasants grew less reluctant to serve in the Red Army Fear that with white advances and victory, old landlords would reclaim their land. Success bred success. The Whites’ ranks thinned with desertions defections and the need to transfer troops to defend its rear from attacks by partisans and freelance militias units. The Cossacks, disappointed and tired of war, turned about and headed home to their stanitsas laden with loot. The size of the frontline Red Army was eventually twice that of the Whites, as it eliminated the White armies in the north and east and closed in on the last remaining area under White control, Crimea, where rearguards held out long enough to ensure the evacuation of 150,000 soldiers and civilians by sea protected by the British and French navies.

In the aftermath of total Soviet victory, starvation struck the towns and cities across the land. Food requisitioning detachments scoured the countryside for supplies, their rapaciousness and brutality igniting peasant rebellions from Belarus to Siberia; tens of thousands of peasants rose in revolt, dealing brutally with any Bolshevik that came into their hands. The Red Army and Cheka reciprocated in spades with burning and looting, rape and torture, execution and exile to the emergent Gulag. Workers went on strike in the starving cities, and with the Whites vanquished and the civil war won, the call for democratization of Soviet rule grew louder.

And then, the sailors of the Baltic Fleet at the Kronstadt naval base, who’s guns had heralded the fall of the Romanovs, and whom Trotsky had called “the pride and glory of the Russian Revolution”, rebelled. The regime responded with lies – that the sailors had been suborned and were now Whites – and that White forces in Finland would be crossing the ice to help them. When this didn’t work, I resolved to crush them without mercy, dispatching trustworthy forces against them.

At the end, of 16000 sailors and their families, most were able to cross that ice to final and. But some 3000 fought a last stand and died by assault or firing squad. One of the last cries of protest by the Kronstadt sailors was “All of Soviet Russia has been turned into a Russian penal colony”.

Thus ended the Russian Civil War in November 1920.

… all wars come to an end. And that’s where history restarts.
British war and foreign correspondent Robert Fisk

Evacuees board ship in a Crimean portEpilogue

Epilogue … history repeats

Whilst there were many active fronts during the civil war, often simultaneously, extending for thousands of kilometers, around Archangelsk and Murmansk in the arctic, along the great rivers the Volga, the Don and the Dniester in the south, in the Baltic provinces, and in Belarus, and along the length of the Trans-Siberian Railway. And as during WW2 and the present-day Ukraine war, opposing armies advanced and retreated across Ukraine. Kiev was occupied, often several occasions, by Reds, Whites and Greens, and finally, the Polish Army which invaded Russia and Ukraine in 1920 to reclaim and defend the independence of the onetime Polish state, long divided between the now destroyed Russian, German and Austro-Hungarian empires. The names of the war-torn cities are today tragically familiar. Mariupol and Melitopol, Karchiv and Kherson. Kiev, Odessa and Lvov are now Kyiv, Odesa and Lviv.

© Paul Hemphill 2023 All rights reserved

Posts in In That Howling Infinite, about Eastern Europe:

“You want it darker?” … Gaza and the devil that never went away …

They’re lining up the prisoners
And the guards are taking aim
I struggle with some demons
They were middle-class and tame
I didn’t know I had permission
To murder and to maim
Leonard Cohen, You want it darker?

There is no decent place to stand in a massacre”.
Leonard Cohen, The Captain

The events of the past four weeks in Israel should make us all question our previous assessments and assumptions. One assumption is that antisemitism is no longer a major threat to Diaspora Jews, and that much of the talk about it was an obsession and distraction from much weightier issues that Jews should be focusing on.

The Hamas’ assault was almost perfect act of Taqiyyah, deception and dissimulation in an ostensibly Islamic cause. The term تقیة taqiyyah is derived from the trilateral root wāw-qāf-yā, literally denoting caution, fear, prudence, guarding against a danger), carefulness and wariness. It used unprecedented intelligence tactics to mislead Israel over past last months, by giving a public impression that it was not willing to go into a fight or confrontation with Israel while preparing for this massive operation. As part of its subterfuge over the past two years, Hamas refrained from military operations against Israel even as another Gaza-based armed group known as Islamic Jihad launched a series of its own assaults or rocket attacks.

One of the reasons Israel was caught unaware was because its security apparatus believed Hamas had changed its ways. Contrary to all the evidence afforded by a long history and a painful present, a belief emerged that its leaders are at least somewhat “like us” – they want the same things, they act the same way. Israel watched Hamas train for October 7 believing that the training for the real thing was itself the deception. All of the country’s formidable military technology meant nothing for the simple reason that — despite decades filled with thousands upon thousands of Hamas-directed attacks and kidnappings — they believed there was nothing on the other side of that fence to be overly alert to.

The audacity and brutality of the attack were as astonishing as its secrecy. The images of fear and bloodletting, of ecstatic attack and capture, guarantee that October 7, 2023, will become an indelible tragedy in Jewish history. Hamas probably succeeded beyond their expectation. Now they are having to deal with an Israel determined to decimate them

Since the Simhat Torah massacre, which mirrored in so many ways the pogroms inflicted upon Jewish communities in Eastern Europe in the late nineteenth and early twentieth centuries, what we’ve been seeing in cities around the world is that antisemitism is the devil that never goes away. One could also ask whether anti-Zionism is but an old hatred clad in new clothes. One phenomenon of anti-Semitism is its ­ability to mutate over history: from religious hatred to ethnic hatred to hatred of Israel in any form. If the marchers want a two-state ­solution, a pathway to peace, they do not say so. They chant “From the river to the sea”, which is a call for ethnic cleansing at best, and genocide at worst, though many do not know the name of the river, or the name of the sea.

Hamas recorded and broadcast the images of its atrocities on October 7 to make sure Israel and the world knew exactly what it had done. Israel has struck back hard on Gaza, killing many civilians in the densely populated region to reach Hamas targets. The Palestinian authorities say over 10,000 civilians have been killed, over a third of them children, and about two-thirds of Gaza’s 2.3 million people have been made homeless, unable to escape the territory. As tens of thousands flee and the bodies pile up, the brief moment of sympathy for Israel has receded and a tide of anti-Jewish sentiment is rising around the world.

International political theorist Arta Moeini wrote in Unherd on 4th November: “The moment Hamas carried out its heinous terror attacks against Israel, the war in Gaza was instantly globalised, reverberating in the hearts and minds of people oceans away who were neither Israeli nor Gazan. Millions on social media picked a side, proudly displaying their solidarity flags and condemning their opponents as either evil terrorists or genocidal oppressors. Both foreign states and populations assumed reflexive positions, railing against antisemitism or settler-colonialism and identifying with the “victims” in a Manichaean struggle that cares little for historical context, nuance or open debate. They became virtual participants in the conflict, as if their own lives and futures depended on it, cancelling and dehumanizing their opposition other just as the most extreme Hamasi Islamist or Israeli Zionist would do”.

In western, Liberal-democratic countries with some of the largest Jewish communities there are mass marches with open calls to kill Jews; there is the defacement and removal of posters of hostages being held in Gaza; and Israel is being held responsible by mainstream politicians and media figures for war crimes committed by Hamas; and there’s a flood of antisemitic poison on social media. It appears to have given permission for progressive activists to clothe antisemitism as anti-colonialism, and indeed, an alibi to say the most racist of things, and yet to retain all innocence in their own minds. And the more morally certain people are that they are right, the easier it is for them to miss their own complicity.

Rare is the criticism of the less savoury aspects of Muslim religion and society, like its patriarchal authoritarianism, its latent misogyny, and its antisemitism and homophobia. The intersectional narrative inhaled by activists, giving comfort to the “oppressed” legitimizes unspeakable cruelty against the “oppressor”. Hence, we have the sublimation of antisemitism into support and justification for the atrocities of the Hamas. [Pogrom, by the way, is a Russian-Yiddish word derived from “to destroy by violence]

Many people, particularly on the left, have forgotten or just ignore what triggered the latest bloody episode in the long running bloody saga. If you deliberately target civilians, regardless of your ideology, religion or ethnicity, you have lost all moral authority whatsoever. There are no excuses, no mitigations and no explanations. You have become the very thing you purport to hate.

For sure, an almost sixty year long occupation of the West Bank and the ongoing blockade of Gaza are criminal, and Israel’s behaviour thereby, is inexcusable. We can argue forever whether it is justifiable or necessary. But remember that in Gaza, the Hamas is a quasi-government, and a reactionary, exclusivist outfit with a “post-Israel” vision that will produce an ethnically cleansed theocratic dictatorship. And when it launched its troops on the kibbutzs of the Negev twith orders to behave like Da’ish, murdering kids at a music festival killing, raping, mutilating, and abducting unarmed men, women, children and babies, the opprobrium inevitably and unfortunately attaches to all Palestinians.

It is not helped when in the West Bank and elsewhere, such “bravery” is celebrated with sweets, ululation and “happy shots”, when people in a crowd in the forecourt of the iconic Sydney Opera House chant from the river to the sea” and “gas the Jews”, and social media is awash with memes that display but limited knowledge of the history and politics of the Middle East.

The Hamas now holds some 250 Israeli men, women and children captive in Gaza, adding to over two million Palestinians that are serving as human shields against what it knew would be inevitable Israeli vengeance. It has reportedly three months of supplies in its tunnels whilst above them, the Gazans run out of gas, food and water and medical facilities are brought to a standstill. Hundreds of thousands of civilians are now caught in a crossfire of Hamas’ making. There are reports that the Hamas is preventing Gazans from leaving, determined to use them as human shields, and has actually fired on fleeing convoys. They need to be protected, but how? We need to seek justice for Palestinians without glorifying unspeakable violence.

Luxury beliefs and historical illiteracy 

The term “luxury beliefs” was coined to describe how privileged progressives like to traffic in a kind of unhinged extremist rhetoric. Partly, it’s a byproduct of their insulation from ever having to experience the practical impact of what they advocate. When people in Australia chant “from the river to the sea”, and “gas the Jews”, relatively few are saying this because they have a material interest in obliterating the real Israel and rendering the land “Judenfrei” (remember that word!) More have no particular animus toward Jewish people – they just don’t care about them. But most are moved by a desire to weaken what Israel symbolizes: the US.

Many left-wing impressions are coloured by a an antipathy for the policies of the United States, an antipathy that for many was born of the Vietnam War and was perpetuated by America’s interference in the affairs of nations large and small since then – and of course, America’s strong ideological and military support for Israel. Uncle Sam certainly does have a case to answer. There’s no denying the hundreds of thousands, millions maybe, of bodies of men, women and children that could be laid at the foot of Abe Lincoln’s huge statue in Washington DC. But giving aid and comfort to a regime that is antithetical to your beliefs and also your lifestyle does not compute. It is an ideological stance uninformed by knowledge and awareness of the nature of the Israeli and Palestinian entities, their peoples, and their cultures in the 21st Century. None of these are what they were in the nineteen seventies and eighties.

Writing in The Australian on 29th October, commentator Gemma Tognini wrote: “As I watched mainly white, middle-class privileged (in the truest sense of that word, not the co-opted, cheapened version) people parade themselves around as soft apologists for a declared terror organization, I felt despair. How? How did we get here? … What’s been on display on university campuses since October 7 has been terrifying in its historical illiteracy, lack of humanity and ideological zealotry”.

It’s worthwhile quoting what else she had to say about such “luxury beliefs”:

“… This is the soft generation. Their grandparents fought type 2 diabetes, not Nazism. It was reported that (perhaps unsurprisingly) the University of Sydney Student Representative Council urged students to “stand against oppression … until Palestine is free”. Let me tell you one thing I’m willing to bet on. Not one of them would volunteer to go help the cause. Not one of them would give up their Uber eats, days at the pub and total freedom to go live in a place where being gay is an offence punishable by death, fewer than 20 per cent of women are allowed to work and more than 20 per cent of women are married under the age of 17. Good luck wearing a bikini or your active wear in downtown Gaza.

And then, there’s a punchline: “… this conflict in the Middle East, this visceral, existential attack on Israel, and on Jewish people the world over, seems to have ripped something open to reveal an ideological hatred that I don’t understand. It’s a good impetus to raise the voting age, to be honest. If your response to the fact that the Arab states are refusing to take refugees, that Egypt won’t open its northern border for the same reason, is “Israel’s committing genocide”, then sorry, you’re not intellectually agile enough to be in the conversation … If it were 1400 young people barbarically slaughtered anywhere else in the world, if it were any other ethnic cohort, these same junior cowards, and the universities they attend, would be condemning the act and the actors”

I couldn’t say it better, particularly her allusion to “historical illiteracy, lack of humanity and ideological zealotry”. Many people out there in the world of university politics, social media, and reflex virtue signalling, have, for a variety of reasons a limited, even cursory knowledge of the roots and fruits of intractable conflicts that originated decades, centuries, millennia ago. As the late Israeli Amos Oz explained in his excellent book, How to Cure a Fanatic, Arabs and Jews typically understand each other far better than westerners understand either of them. Cost-free wisdom from western liberals is so often pathetically ill-informed and bathing in self-righteousness.

Russia’s invasion of Ukraine did not originate in 2022 or 2014 or even 1991 when Ukraine departed the defunct Soviet Union. The wars of the Yugoslav secession did not begin when Serbia attacked the newly independent states of Slovenia, Croatia, Bosnia and Kosovo from 1991. The seeds of the Syrian civil war were sown well before 2011. So too with the story of Israel and Palestine, one of the world’s most intractable conflicts, did not begin on October 7th.

A war of words 

Understanding is not enhanced when a conflict morphs into a battle of words as well as weapons, the words invariably loaded with emotional and ideological weight. Enter the old adage “one person’s terrorist in another’s freedom fighter. The Hamas calls itself al muqawamah, resistance – it’s the “m” in its acronymic name – see below) as also does Hezbollah, which means literally Party of God (though the deity him/herself has no say in the matter). Türkiye’s opportunistic president calls Hamas fighters mujahidin, holy warriors, a name that recalls Afghanistan resistance to Russia’s invasion in the eighties. Whilst some refer to a terrorist attack, many pro-Palestinian groups have called it an intifada, as have memes and posters put up by “progressives” recalling the two earlier risings against the occupation, implying that it was the work of freedom fighters resisting colonialism. Some have even called for a “global intifada”, though against what and whom is unclear.

Then there’s the sad semantics around other descriptors, each loaded with partisanship and emotion. Self-defense. Proportionate or disproportionate response. Collective punishment. Moral equivalence. Human shields. Hostages. Refugees. Collateral damage. Just war. War crimes. Genocide. Justice, Revenge. Warriors. Executioners. Shahidiin (or martyrs). Thugs. Pick a side, pick your vocabulary to suit. It makes you wish for the now depleted ammo of syntax like “shock and awe” and “war on terror” – though we’re getting plenty of both right now as “we sit back and watch while the death count gets higher”.

Only two things are certain: antisemitism is the devil that has never gone away, and everything is broken.

As Leonard Cohen sang, “There is no decent place to stand in a massacre”.

Meanwhile, in the corridors of power

On 24th October, Antonio Gutierrez, the perennially exasperated and disappointed secretary general of the United Nations, told the Security Council that “it is important to also recognize the attacks by Hamas did not happen in a vacuum. The Palestinian people have been subjected to 56 years of suffocating occupation. They have seen their land steadily devoured by settlements and plagued by violence; their economy stifled; their people displaced, and their homes demolished.

Truth be told, it has indeed been the past that has brought us to this. Lost in the miasma of violence is the fact that Israel has occupied the West Bank for 56 years and, along with Egypt, maintained  a cordon sanitaire around the Gaza Strip. Prominent features of life for Palestinians in these areas are violence, dispossession, and dehumanization. Under these circumstances, there are few Palestinians who regard resistance as illegitimate. The ‘Hamas attack was a reaction to many things, including settler attacks on and evictions of Palestinians in the West Bank; attacks on Muslim and Christian holy sites by Israeli extremists; and Israel’s normalization with Arab countries, that is seen as an attempt by Israeli Prime Minister Benjamin Netanyahu to “liquidate” Palestinian rights and the Palestinian cause.

“But” as Guterres then stressed, “the grievances of the Palestinian people cannot justify the appalling attacks by Hamas.  And those appalling attacks cannot justify the collective punishment of the Palestinian people”. Their hopes for a political solution to their plight have been vanishing”.

Israel’s delegate was predictably enraged. But Guterres’ statement at least condemned the Hamas – unlike a UN General Assembly resolution a few days later which condemned Israel for its collective punishment of defenseless Gazans whilst completely ignoring the direct causus bellum. Making no reference to the barbarous attack by the Hamas was an absurdist denial of reality, as if Israel had decided to bomb Gaza on a whim, unprovoked.

Like Guterres, politicians across the western world endeavour to straddle the barbed wire fence, calling almost out of habit for the elusive “two state solution” as a panacea for the Palestinians’ plight. But in reality, there can be no two-state solution when an immovable and irredentist Hamas remains as a powerful if beleaguered “third state”. As Australian prime minister Anthony Albanese stated, “we have picked a side against Hamas. And we did that very clearly and unequivocally because the actions of Hamas are against the interests of both the Israeli population, clearly, but also against the interests of Palestinians”.

Calls for a ceasefire by world leaders and humanitarian organization’s go unheeded in the stark reality that a ceasefire would effectively give the Hamas the justification to declare victory whist permitting the mortal threat it poses to Israel to continue. Israel knows that if its response to the terrorists is unconvincing, the attacks on it on all sides will redouble. The sharp rise in global antisemitism reminds Jewish people that they may never be truly safe anywhere., and this intensifies, rather than weakens, the desire for a defendable homeland.

The Hamas and together with the ineffectual, corrupt and discredited Palestinian Authority which ostensibly governs the West Bank, and Hezbollah, the Lebanese paramilitary force on Israel’s northern border, most Arab states, Iran, and their western and southern sympathizers blame the situation on the historical behaviour and present policies of Israel and the US, implying that really, Israel had it coming.

There is much discussion in the mainstream media about what comes next if the Hamas is destroyed or effectively neutered and Gaza is “liberated” from its thrall. Should the IDF reinstate the occupation it ended two decades ago? Should Israel hand the enclave over to the Palestinian Authority, to use a decidedly un-Muslim analogy, organize a piss up in a brewery? Or should the UN, or at a stretch, the Arab League, a club of autocrats and tyrants, assume military and political administration until it can be reincorporated into a reformed and workable Palestine?

And even then, should any of these scenarios work out, would Israel be in the mood to make nice? The Hamas pogrom has not helped Palestinians in besieged Gaza, nor will it help those in the occupied West Bank who have been subjected to IDF incursions and vigilante violence by angry settlers. Nor will it encourage Israel to moderate its draconian policies and end the occupation.

Little mention has been made, both before and after outbreak of war of what may have been going on in the PA’s domain. The old, ineffectual and rejected Mahmoud Abbas, “emir” of Palestine, in the eighteenth year of his four-year term, is ill and probably dying, so there is a power struggle already underway in what are in fact three Palestines, Gaza, the West Bank, and the Diaspora (principally Syria, Lebanon and Jordan) over the succession. Meanwhile, Iran and its proxy, Hezbollah are stirring the pot, whilst even the Yemeni Houthis, who you’d think were busy with their own nasty civil war, the third strand, with Hezbollah and the Hamas of Iran’s “Axis of Resistance”, are lobbying missiles Israel’s way up the Red Sea.

The whole thing is a bloody mess (literally and figuratively) and the implications for Israel, Palestine and others unpredictable. The violence reminded me of the Lebanese civil war, and particularly, of Maronite Christian militia’s massacre of Palestinians in Sabra and Chatila (ironically, with Israeli connivance) in 1982. I am reminded also of Chaim Nachman Bialik’s poem, Al haShehita (On the Slaughter), about the Kishinev Pogrom in present day Moldova in the spring of 1903:

And cursèd be he that saith: avenge this! Such vengeance for blood of babe and maiden Hath yet to be wrought by Satan.

Whosoever sows the wind reaps the whirlwind.

Rafah, Gaza

From the river to the sea, Palestine will be free 

It is much more than a snappy chant. The Hamas’ stated goal is the “liberation” of what is presently Israel and the expulsion annihilation of its people, and it pays little heed for the suffering of the people of Gaza – Hamas leader Moussa Abu Marzouk, for example, in a recent interview on Russia Today’s Arabic channel, told an interviewer that his movement had not built bomb shelters in Gaza for its population because it was the job of the UN and the “occupation” – that is, Israel – to look after the civilians of the Strip.

In an interview on October 24, 2 on Lebanon’s LBC TV. Ghazi Hamad of the Hamas political bureau declared that the Hamas, was prepared to repeat the October 7 “Al-Aqsa Flood” Operation time and again until Israel is annihilated. He added that Palestinians are willing to pay the price and that they are “proud to sacrifice martyrs.” He said that Palestinians are the victims of the occupation, therefore no one should blame them for the events of October 7 or anything else, adding: “Everything we do is justified.”

Some extracts:

“We must teach Israel a lesson, and we will do this again and again. The Al-Aqsa Flood is just the first time, and there will be a second, a third, a fourth, because we have the determination, the resolve, and the capabilities to fight. Will we have to pay a price? Yes, and we are ready to pay it. We are called a nation of martyrs, and we are proud to sacrifice martyrs”.

“We did not want to harm civilians, but there were complications on the ground, and there was a party in the area, with [civilian] population … It was a large area, across 40 kilometres”.

“The existence of Israel is illogical. The existence of Israel is what causes all that pain, blood, and tears. It is Israel, not us. We are the victims of the occupation. Period. Therefore, nobody should blame us for the things we do. On October 7, October 10, October the millionth – everything we do is justified”.

Hamad: “The occupation must come to an end … I am talking about all the Palestinian lands”
News anchor: “Does that mean the annihilation of Israel?”
Hamad: “Yes, of course”.

If the Arabs put down their weapons today, there would be no more violence. If the Jews put down their weapons today, there would be no more Israel.
Golda Meir, Israeli prime minister, 1973

© Paul Hemphill 2023 All rights reserved

Note: al Hamas is the Arabic word for ‘zeal’ and also, an acronym for Ḥarakah al-Muqāwamah al-ʾIslāmiyyah, the “Islamic Resistance Movement”; Hezbollah means ‘Party of God’.

For more on antisemitism in In That Howling Infinite, see: Little Sir Hugh – Old England’s Jewish Question; and The Shoah and America’s Shame – Ken Burns’ sorrowful masterpiece 

For more on Palestine and Israel in In That Howling Infinite, see: A Middle East Miscellany

Addendum – poster wars

Why are Americans tearing down posters of children held hostage by Hamas?

Linda Dayan wrote in Haaretz on 26th October:

Those removing flyers may not be ready to look into the eyes of ‘the other side’ and acknowledge that they are people. But the consequences of this lack of introspection go far beyond posters

If you’re a Jew on Instagram, you’ve probably seen a particular genre of video going around: a shaky phone camera follows a person, either in a big city or on a college campus, as they tear down posters bearing the names and faces of Israeli civilians kidnapped by Hamas.

Sometimes they’re smiling, sometimes they’re defiant, sometimes they hide their faces from the person filming them. In one, the person says “kalba” (the Arabic word for bitch) while tearing down a flyer. In another, a man holding a wad of posters says he is doing so because “Jews in Israel – I mean, the Israeli government – are bombing Gaza.” When the cameraman asks, in a thick Israeli accent, why Hamas killed babies and even pets, he responds: “I can’t explain what people filled with rage do.”

Channel 12’s Yuna Leibzon tweeted photos from New York of posters that had been defaced – instead of “kidnapped,” they now read “occupier.” (If the person who did this is not Algonquian, I have unfortunate news for them about their own status.)

It is clear that the posters rouse discomfort in these people, and not in the “this could have been me” way that many Jews view them. Some, like the aforementioned man, look into the faces of abducted children and see the airstrikes that followed. Others have mentally transformed them into human embodiments of the occupation. A few accounts state that the people tearing down the posters do not believe that Hamas took hostages at all.

The people kidnapped by Hamas, much like the October 7 atrocities, represent a kink in a very clear narrative thread. The people holding tight to this thread might not be ready to face the realization that not all acts are justified so long as they bear the banner of “resistance.” They might not be ready to hold the idea that it’s okay to say out loud that the occupation is wrong, but so is holding an infant hostage. They might not be ready to look into the eyes of “the other side,” and acknowledge that they are people.

But the consequences of this lack of introspection go far beyond posters and posing. After a silent vigil in which they held photos of the kidnapping victims, Jewish students at the Cooper Union had to barricade themselves into the library as anti-Israel protesters stormed the building. The Anti-Defamation League reported 193 antisemitic incidents since October 7 – a 21 percent spike in the United States. A University of California, Davis, professor posted online against “all these Zionist journalists who spread propaganda and misinformation,” and noted that their children are vulnerable.

It is good, correct and just to stand up for Palestinians, to make the plight of Gazan civilians known, to mourn for the innocent lives lost. None of that demands erasing the reality of Hamas’ campaign of kidnapping and murder. And none of that demands harassing, threatening and attacking Jewish institutions and individuals, wherever they may be.

Of course, this may not be about Palestinians at all: Alawi and Shi’ite students in America did not have to barricade themselves in after Bashar Assad’s airstrikes on the Yarmouk Palestinian refugee camp. And in that case, perhaps these people can leave the Palestinians out of such campaigns, and be open about the narratives and ideologies that drive them to erase the faces of our children.

A defaced poster depicting a woman held captive by Hamas is seen as people attend a pro-Palestinian rally as part of a walkout by New York University students

Authors Note

Whenever In That Howling Infinite posts commentaries such as this, people ask why I rarely forward my own opinion on the issues I am presenting or discussing. On the contrary, I would argue that my views are fairly transparent in in the subjects I chose to engage with, the words I use, and the vein in which I use them. 

The following is an updated version of a postscript I wrote six years ago after I’d last visited Israel. It does not mention in detail the events since then, including the Israel’s rapprochement with its autocratic neighbours, the political paralysis that has afflicted Israeli politics for several years, and the war now being wages in the besieged enclave of Gaza. The rest still holds true.

With respect to my numerous posts about Israel and Palestine, and the Middle East in general, I  come to my conclusions from a political science and sociology perspective – that’s where my academic experience came from – and a background in conflict resolution, supported by study and travel. If I do on occasions display any particular bias, it originates in my longtime interest, understanding and affection for the history, politics, and culture of the region, of its geography and archeology, and of its people of all faiths and nationalities.

I believe that the systematic dispossession of almost a million Palestinians and the destruction of half of their towns and villages in 1948 is Israel’s original sin. It is the primal stain that colours and corrupts all that followed. And yet, if not for the actions, often daring, often brave, often questionable, and often deplorable, of the politicians and soldiers of 1948 – and of the generations that followed –  Israel would not exist today. This paradox is addressed sympathetically by Avi Shalit In My Promised Land, referred to above, and scathingly by ‘new history’ scholar Ilan Pappe in The Ethnic Cleansing of Palestine.   

The Occupation, fifty-six years old this year, which grew out of the unexpectedly total victory of June 1967, has taken on strategic, ideological and indeed messianic dimensions by many in the  Israeli government and political elite. It compounded the original sin, deepened the primal stain, released the demons of messianic fervour, and wounded Israel’s soul. The settlements locked the nation into the colonialist project. With the close call of the Yom Kippur War, the violence and murder of the first and second Intifadat, and present Palestinian jacquerie, Israel’s heart has not just hardened, it has become sclerotic.

I admit that I have always been sympathetic towards Israel – from my first visit in 1972. I’ve travelled its length and breadth and also visited the major Palestinian cities of the West Bank. But mine is not a blinkered viewpoint. I am deeply critical of Israeli politics and policies and have no respect for many of its leaders. Yet there are hundreds of thousands of Israelis who oppose the present government and long for justice and peace. And if – a very big “if” – Arab Israelis and the Israeli left could work together, they could obtain a majority in the Knesset and change Israel’s politics.

Meanwhile, Binyamin Netanyahu and his nationalist coalition allies call all the shots, the Israelis continue to control and exploit the land, its people, and its resources, whilst varying degrees of annexation are on the cards. The settlements are an abomination, as are the policies and practices of the state and its occupying army. There’s no escaping these facts.

But I am likewise critical of Palestinian governance, politics and politicians. The Hamas and the PA are on the nose in their respective fiefdoms, and if a moderate “third force” were to arise – and survive, because sure as hell, they would risk being murdered – Palestinians who just want a quiet, normal life, adequate services, and opportunities for their children, and Israelis who want likewise, might – just might – reject their extremist, dogmatic, entrenched leaders and reach some form of modus vivendi.

Palestinians themselves have to take control of their own lives, kick out their corrupt leaders, cease inculcating their children with hatred and jihadism, and use all that international good will and dollars to build a viable economy that can provide jobs, opportunities, and security, economic and physical to the people. Only this way will they be inoculated against cronyism, corruption and extremism. And yet, the dead hand of a moribund, patriarchal, conservative and ethnocentric culture holds them back – but that is the subject of another, future discussion for In That Howling Infinite.

Today, the ‘powers that be’, defenders and beneficiaries of a status quo that looks more like a cul de sac, predominate over a dispiriting array of competing, clamouring factions, left, right, nationalist, secular, tribal, Haredi, and Islamist alike. New, young, brace, local voices in both Israel and Palestine, are not heard.

So what happens next?

I get that question too. And I am perennially reluctant to venture an answer beyond one that runs like “on the one hand…but then on the other”.  I inevitably fall back on Robert Fisk’s response to the same question with regard to the calamitous freezing over of the Arab Spring and the fall and rise again of the same old autocrats and tyrants: “my crystal ball is broken”. It’s a cop out, really, but just as cogent as that famous line in that UK spy drama Spooks: “What’s going to happen to me?” “Bad things!”

One thing is for sure: as songwriter Warren Zevon sang, “the hurt gets worse, and the heart get harder”.

October 8th, 2017, and 6th November 2023

The new anti-Semitism looks a lot like the old hatred

The current wave of anti-Jewish hostility did not originate with the Gaza war, and its horrors. It has been building for decades.

Anti-Israel signs are held at a Palestine rally in Melbourne’s CBD. Picture: NCA NewsWire / David Crosling

Anti-Israel signs are held at a Palestine rally in Melbourne’s CBD. Picture: NCA NewsWire / David Crosling

Since the Hamas mass terrorist attack on October 7 and Israel’s military response, we have witnessed an explosion of anti-Jewish hatred. It is frequently mixed in with legitimate expressions of support for Palestinian civilians suffering the terrible violence of a protracted conflict. The Netanyahu government’s conduct of the war is certainly a reasonable target for trenchant criticism, including by Israel’s own citizens.

The combination of these themes makes the public response to the Gaza war complex and difficult to process. For most Jews it is nothing short of a continuing nightmare.

Deep anti-Semitism has been on vivid display in certain parts of the movement leading the anti-Israel protests. This has been explicit in celebrations of Hamas and its terrorist massacre of Israeli civilians as a heroic act of resistance, together with calls for such attacks to be repeated. This has been paired with simultaneous insistence, in some quarters, that no atrocities were committed. The dual response is reminiscent of a certain type of Holocaust denial. On one hand the mass violence that the Nazis committed against European Jewry is justified as a response to the odious behaviour of the Jews, and the threat that they posed to their host societies. On the other the historical reality of the Nazi genocide is questioned, or it is denied entirely.

Shalom Lappin.

Shalom Lappin.

The New Antisemitism by Shalom Lappin

The New Antisemitism by Shalom Lappin

Some anti-Israel demonstrations have skidded into violent assaults on local Jewish communities, and harassment of Jewish students on campuses around the world. Boycotts, exclusions, and “political” acceptability tests in the academic, publishing and entertainment worlds are now common phenomena. They recall darker periods of Jewish history. No other diaspora ethnic group associated with a country run by a widely censured regime is subject to this sort of marginalisation.

When racists target Muslims, or other immigrant groups after terrorist attacks, or the misdeeds of a foreign government, broad segments of public opinion, particularly on the liberal left, defend the victims of prejudice, precisely as they should. By contrast, attacks on Jews are explained away as possibly misguided expressions of fully comprehensible outrage at Israel’s egregious behaviour.

The current wave of anti-Jewish hostility did not originate with the Gaza war, and its horrors. It has been building for decades, as indicated by the steady annual increase in anti-Semitic incidents across the globe, at least since 2000. This has now become a flood. It is the result of deeper economic and political forces that have undermined the social contract that once defined the post-war era. A sharp rise in economic inequality within countries across the world is a major factor driving the unravelling of the post-war era. The unconstrained globalisation of financial markets and trade has been largely responsible for the skewed within-country (as opposed to between-country) distribution of wealth. It is creating a cleavage of populations into a comparatively small group of wealthy beneficiaries of economic growth, and increasingly large groups of people who endure a declining standard of living and jarring social dislocation. This disaffection has provided the basis for a variety of extremist anti-globalisation movements that exploit identity politics as the focus of their reaction to the chaos and instability that is attending the collapse of the post-war order.

A pro-Palestine activist in New York. Picture: AFP

A pro-Palestine activist in New York. Picture: AFP

These movements thrive on the sense of powerlessness among electorates. This is feeding a breakdown of mainstream political institutions, which are increasingly perceived as unable to respond effectively to the pressing problems that people are contending with in their daily lives. Polarisation between far-right and far-left anti-globalisation movements has now become a defining feature in the political life of many countries, with traditional centrist parties fading into irrelevance in a variety of places. The alliance of much of the far left with radical Islamist movements (also a form of anti-globalist, identity-focused reaction) has accentuated this clash. The nature of the alliance has come sharply into view in the course of the ongoing anti-Israel protests over the past 10 months.

The far-right threat has emerged in recent European elections, in Trump’s current presidential campaign, and in the current riots sweeping the UK. It is also apparent in the authoritarian regimes that control Russia, Hungary and Turkey, as well as in Modi’s Hindu nationalist government.

Anti-Semitism is a central feature of the anti-globalisation movements of the far right, the far left and radical Islamism. This is due to the fact that it is deeply entrenched within both Western and Middle Eastern cultures. It encodes myths of power and conspiracy that provide simple, satisfying answers to complex problems in times of severe crisis. It turns on the notion that the Jews are an illicit collectivity whose continued existence as a group obstructs the realisation of the respective (and mutually incompatible) utopian programs to which each of these movements is dedicated.

Anti-Semitism was marginalised in the West during the post-war period. It has now flooded back into mainstream discourse as a potent factor in mobilising support for totalising ideologies across the political spectrum. In its capacity to cross political boundaries from right to left, anti-Semitism is a unique form of racism. To identify it properly, it is necessary to understand its history throughout the millennia that it has plagued the societies where it has taken root. It is essential to recognise its very specific expression as a reaction to the current political and social crisis. It is also important to combat it in its current manifestation, rather than through the backward-looking ideologies of the past.

For the most part the gate keepers of liberal opinion and the custodians of public discourse have simply stepped aside while anti-Jewish campaigns, often packaged as “anti-Zionism”, have been raging in their institutions. They issue pious incantations of their commitment to banishing racism, gender discrimination, anti-Semitism and Islamophobia, while doing nothing to implement this commitment in the current crisis. They take strong action against assaults on other embattled ethnic minorities and gender groups, as ought to be the case. They assume the role of neutral moderators when such attacks are launched against Jews. They frequently sanitise these attacks as an exercise of the right to free speech, even when this speech crosses into active incitement to hatred and violence.

The current wave of anti-Jewish racism is not only a threat to Jews. It is a challenge to the survival of democracy and the viability of liberal values. Political leaders are singularly failing to address this threat, and the forces that have produced it. They are largely content to step back and allow the manifestations of anti-Semitism to multiply, as long as the appearance of public peace is maintained. In fact, this peace is increasingly frayed. The extremist movements that converge on the Jews as the source of their problems have much larger agendas. They seek to transform the social order in their own image, overturning the foundations of liberal democracy.

In treating anti-Semitism as a parochial development, threatening only Jews, current political and cultural leaders are allowing large swathes of public life to be taken over by movements that are determined to overturn democracy. Recent history is littered with precedents that warn of the dangers involved in ignoring the larger threat that anti-Semitism presages. By failing to address these movements, and the deeper causes of the crisis that generated them, political and cultural leaders in the West risk repeating past historical errors that have led to disastrous consequences. It is long past time to address this issue honestly and effectively. To start to do so requires that we acknowledge the extent of the problem, and that we describe it accurately. Most people who shape mainstream opinion in the West have yet to take this initial step.

Shalom Lappin’s The New Antisemitism (Polity Books, 1 September) investigates the upsurge of anti-Jewish racism now manifest across the world

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Silencing The Voice – the Anatomy of a No voter

It takes love over gold
And mind over matter
To do what you do that you must
When the things that you hold
Can fall and be shattered
Or run through your fingers like dust
Mark Knopfler, Dire Straits

The vibe in Bellingen town on the mid north coast of New South Wales during our months of campaigning for Yes and right up to 6pm on Saturday was such that you’d think we’d brought it home. But that was our hearts and hopes speaking – our heads were well aware that we were in trouble. The Yes vote in the two Bellingen booths was at the last count 66% – much like inner city Sydney and Melbourne – but alas we were just a cork bobbing in a rough sea of No. The overall national count was 60% No, an almost mirror image, whilst our federal electorate Cowper, with 67% No, was one of the highest in the country. In 1967, it recorded the lowest Yes vote. Plus ça change, plus c’est la même chose

Like the campaign and media coverage leading up to 14 October, the poll reflected and exposed pre-existing divisions in our society, economy and politics, each melding into each other: Inner city versus outer suburbs, cities versus the regions, younger versus older, affluent versus the less well-off, educated versus less educated, black versus white (and even, black versus black) and the the so-called black armband and the white blindfold narratives of our history. Aboriginal communities wanted the Voice, but suburban and regional Australia rejected it. Even a large number of Labor and Green Party supporters cast No votes. The further one got from the cities, the more Australia said No.

Are we a nervous, frightened nation unwilling to look back, and unable to look forward? Perhaps a less accusatory explanation is that most Aussies are not feeling too generous right now, and that they don’t want to give our First Nation fellow-citizens what they perceive is more than anybody else gets. And we allowed politics and politicians’ interests to erode Australians’ inherent goodwill. We were, it seems easy prey. As Peter Hartcher wrote in Sunday’s online Sydney Morning Herald:

“The giant Gulliver of Australian goodwill allowed itself to be immobilized by a hundred petty Lilliputian doubts and fears, turning five years of Yes into a decisive No. Most Australian adults were unable to sustain their natural big-heartedness when it was beset by an unrelenting storm of hostility and suspicion. John Howard, for instance, urged people to vote No because of the need to “maintain the rage”. What on earth does the former prime minister have to be so angry about? What is it about a disadvantaged minority comprising 3 per cent of the population that demands a sustained national rage? … Political combat overtakes rationality and, regrettably, it easily overwhelms innate human goodwill. The No campaign will be very pleased with itself for so easily frightening and befuddling the electorate out of its inherent good intentions. Australia could be forgiven for being embarrassed.”

Bernard Keane of Crikey was less constrained:

“The Voice, according to the No campaign, is a threat to white Australians – a threat mostly unarticulated, but some particularly racist No campaigners have gone there, saying it will impose reparations, or dispossess Australians of their property. The message of the No campaign, from Peter Dutton and former Liberal leaders like Howard and Abbott, is: be scared. There is always someone out to get you, to take something of yours, to get something you don’t have. You’re the victim. Indigenous peoples are just the latest in a long line of people trying to do you over, with the help of an “elite” that hates you. Live in fear, and huddle in resentment”.

Spruiking the Voice at market stalls over the last three months and visiting many booths in our shire, copping shouts of both encouragement and expletive laden opprobrium, and reading-up on a variety of media, here are some observations by myself and others. Each can apply to one or to many No voters, though not necessary to all.

There were, after all, many, many fair-minded, thoughtful and well-meaning voters who sincerely believed that the Voice was not the way to go, and they would most likely have voted for the constitutional recognition of our First Nations people if it had stood alone as the referendum question – notwithstanding that symbolic recognition by itself was not what the 250 delegates to the First Nations National Constitutional Convention of Australia Aboriginal and Torres Strait Islander leaders asked for in the Uluṟu Statement from the Heart six long years ago.

But all reflect in some way the mindset of a change-averse, suspicious and nervous nation.

Many No voters …
  1. Thought that the Voice went too far and was too powerful – some arguing that it would be litigious and would grind government to a standstill whilst others claimed it would invite indigenous intervention in all areas of policy
  2. Thought that the Voice didn’t go far enough and wasn’t powerful enough – that it was potentially impotent
  3. Thought that it would threaten their property ownership – the cry  “they’ll come after our homes!” echoed claims raised during the Mabo days
  4. Thought that it would take away native title rights from aboriginals (with help from the UN, one person told us)
  5. Thought that a mere 3.5% of the population would control our government (some people actually think the percentage is much greater than that)
  6. Thought that a Voice would lead to a treaty, “pay the rent” and reparations – a bridge too far
  7. Thought a Voice would “divide us” and render one group “more equal than others” – as if we weren’t divided and unequal already as anyone with a skerrick of awareness of Australian history, politics and society would know (but pundits believe that in the end, this was the prime factor in the No victory)
  8. Didn’t understand what they were voting for and didn’t care – lack of knowledge and interest in our political system among so many people is quite worrying.
  9. Didn’t get the Voice model – there were many who didn’t understand it and also many who did and had valid questions on detail and proces
  10. Had little or no knowledge or interest in Australia’s history since 1788
  11. Didn’t have any idea of the process First Nations people went through to arrive at the Statement from the Heart
  12. Were disgruntled with and don’t trust governments, and are basically anti any and everything.- some, like the International Socialists urged a boycott arguing that each side represented a capitalist plot
  13. Thought compulsory voting is a chore and a bore – and is seen by some as anti democraticWe’re rusted on LNP voters who like Dutton, want to take paint off the Labor government
  14. Were PHON, PUP and UAP people; antipodean Trumpistas and Putinophiles, RWNJs, QAnon, anti vaxxers and other conspiritualists; and sovereign citizens (who do not recognize the Australian state at all – “we are all individuals!”, and each man “is an island unto himself”, to reverse the John Donne aphorism
  15. Were Blak Sovereignty indigenous and their white supporters who do not recognize what they see as the colonialist state and demand sovereignty of their own – and ironically, these now claim the outcome as a victory as it will have established their credentials and even attract disappointed and disillusioned Yes voters to their cause. What might have seemed like a cul de sac may one day become a reality
  16. Were misinformed, gullible, naive and easily misled by opportunists, misinformation and downright lies, and came up with the most fantastical scenarios and ridiculous assumptions
  17. Were selfishly thinking that by depriving others of something they’d be better off, that aboriginals get too much already, that they get more than everybody else, and if they get more, they’ll waste it
  18. Were more concerned about money than anything else – we are going through straightened economic times right now with seemingly insolvable cost of living, health  and housing crises – and that it will negatively affect themselves
  19. Weren’t impressed when their rock idols Farnsey, Barnsey and the Oils supported the Voice in song and statement. As left wing columnist Julie Szego noted in a nuanced piece in my favourite  e-zine Unherd, the use of You’re the Voice “was intended to rouse the already converted into evangelical fervour — nostalgic Gen X’ers like me dutifully blubbered – but talkback callers expressed their displeasure at the soundtrack to their youth enlisted in the service of a partisan cause”
  20. Weren’t influenced by our indigenous sports icons Cathy Freeman, Nova Peris, Ash Barty and Yvonne Goolagong Cawley advocating for a Yes vote – and weren’t impressed that the major sporting codes all signed up to Yes
  21. Certainly weren’t impressed when banks and other large corporations put their shareholders’ money into the Yes  campaign – though large donors to No, including Gina Rhinehart, Australia’s richest person, kept their largesse out of the public eye (taking advantage of our lax laws on political donations)
  22. Weren’t put off by the company they had been keeping, including the likes of old Tory warhorses like John Howard and Tony Abbot, the discredited Scott Morrison, the aforementioned Gina, Rupert Murdoch, Pauline Hanson, Alan Jones, Peta Credlin, and an almost unanimous coven of Sky at Night opinionistas
  23. Didn’t have any idea of the process First Nations people went through in 2017 to arrive at the Uluṟu Statement from the Heart (see our prior article The Uluru Statement from the Heart‘)
  24. Believed that The Voice was cooked up by the Albanese Labor government and Aboriginal elites (whoever they are) otherwise know as the so-called “Canberra Voice” – these same people probably deride aboriginals for being uneducated and that when they do get an education, deride them as elites
  25. Were smug and paternalistic, thinking they know exactly what First Nations people need – and that is certainly not A Voice – even though they haven’t been within cooee of or spoken to an aboriginal in their lives
  26. Labor and Green supporters who subscribed to some but not all of the above

What next?

As the indigenous leaders of the Yes23 campaign take time out for refection and grieving, I guess we can now all go back to feeling good about ourselves and our nation, or, as former PM John Howard described it a couple of decades ago, “relaxed and comfortable”.

Questions will most certainly be asked. How did the high levels of support for the Voice slide so far? Why wasn’t there a better response to misinformation? Why couldn’t the falsehoods be sufficiently countered? Why were so many still unsure about this simple proposition? As for some other form of constitutional recognition, as suggested by Dutton, that seems far-fetched without the support of Indigenous Australians. And Labor is in no mood right now to bowl up another referendum on anything, either this term or next. So, while the political caravan moves on, the problems for Indigenous Australians will remain.

This will probably be my last word on the Indigenous Voice to Parliament in In That Howling Infinite (though, of course, never say never!). I’ll leave you with these words of the late Margaret Thatcher on the night she became prime minister of the United Kingdom in May 1979:

“I would just like to remember some words of St. Francis of Assisi which I think are really just particularly apt at the moment. ‘Where there is discord, may we bring harmony. Where there is error, may we bring truth. Where there is doubt, may we bring faith. And where there is despair, may we bring hope’ …  . and to all …. people – howsoever they voted – may I say this. Now that the election is over, may we get together and strive to serve and strengthen the country of which we’re so proud to be a part … There is now work to be done’.

We know what happened next …

Relaxed and Comfortable

© Paul Hemphill 2023 All rights reserved

See also other articles on the Voice to Parliament in In That Howling Infinite, including The Uluru Statement from the Heart, Hopes and fears – the morning after the referendum for The Voice, and A Voice crying in the wilderness

Postscript: on referendums

“Until Saturday, we had not had a referendum for 24 years, and since Saturday, no successful referendum for 45 years. They have become sport for opposition governments to gain political points and a petri dish for propagating misinformation and conspiracy theories. In a hyper-partisan and post-truth world, the prospects of referendum success now depend more than ever on an elusive spirit of bipartisan cooperation”.
Anne Twoomey, constitutional lawyer, SMH 17th October 2023

 

Hopes and fears – the morning after the referendum for The Voice

“We remember emotions … long after the details have faded. For the potency of emotion is barnacled on memory … and I know I’ll remember forever how I will feel when the vote for an Indigenous voice to parliament is declared. Win or lose”. Nikki Gemmell, The Weekend Australian, 23rd September 2023

“At a time when surveys tell us our sense of national pride is falling to alarming levels, we need to ask whether rejecting a voice would help us feel proud of our nation or fuel the growing sense of disconnection”. Chris Kenny, The Weekend Australian, 23rd September 2023

In July, I wrote in A Voice crying in the wilderness:

“Peter Dutton declared  that “the Prime Minister is saying to Australians ‘just vote for this on the vibe”. And yet, it is the “vibe” that will get The Voice over the line. Perhaps the good heart will prevail Australia-wide on polling day and those “better angels of our nature” will engender trust in our indigenous and also political leaders to deliver an outcome that dispels the prevailing doubt, distrust and divisiveness, and exorcise the dark heart that endures still in our history, our culture and our society. Because if the referendum goes down, none of us will feel too good the morning after …

The divisiveness of this referendum will probably be felt for years to come. The polarization it has brought into the open (for some would argue that it has already been there as illustrated by our perennialcukrure and history wars) is a path from which it is notoriously hard to turn back. Whether you were  “Yes” or  “No” may well will be a key marker of political identity? Will it also some to symbolize Australia’s great continental divide?

Sky after Dark and News Corp opinionista Chris Kenny, who is almost alone among his colleagues in speaking out in support of the Indigenous and Torres Strait Islander Voice to Parliament, wrote today of the daunting prospect of a No vote on October 14th, and what it might mean for our country and how we feel about it, and also, about ourselves as Australians. To help readers scale The Australian’s pay-wall, I republish it below.

Here are some cogent points from his article:

“When we wake on Sunday, October 15, it will be too late to reconsider …

First and foremost, a No victory would have repudiated Indigenous aspiration, rejecting a proposal for constitutional recognition and non-binding representation formulated after decades of consideration and consultation. This would not so much be a setback for reconciliation but a roadblock that will take many years to get around …

Would a No vote resolve a single issue or merely delay our attempts to resolve them? Would it make us a better nation, or anchor us to unflattering elements of our past?

Would a Yes victory give us a sense of accomplishment and set us on a course for improvement? Would a Yes vote rejuvenate reconciliation and wrap our arms around Indigenous Australians and their challenges?

Would a Yes victory display a bigger, more optimistic and accepting country? Would a No vote confirm us as a frightened, insular and small-minded nation?

While the No leadership would presumably counsel against celebrations in favour of making sober pronouncements about preventing a constitutional mistake, there would likely be outbreaks of triumphalism from many No supporters if they defeat the referendum proposal.

This would create a harrowing contrast with a mournful Yes camp and the reality of Indigenous Australians feeling rejected in their own country.

Where Yes would have provided a path forward, with immediate work to be done to legislate, construct and implement the voice, defeat will lead to nothing. The task ahead will be simply a return to the status quo, the failed status quo.

Indigenous people, communities and organisations understandably would feel dispirited. Whatever the merits of the respective campaigns, negative politics again would have proven more effective than positive advocacy – a misleading scare campaign would have thwarted a carefully devised and constitutionally conservative reform.

A nation that has been talking the talk on reconciliation would have been revealed as too timid to walk the walk.

We would have spent decades of consideration and consultation to come up with the desired constitutional amendment, and then strangely rejected it.

A country in which all sides of politics say they want reconciliation, representation and recognition would have deliberately refused to give Indigenous people a guaranteed say on matters affecting them. We would have become, for a time at least, the scared weird little country”.

Read the full article below, but first, Back to Gemmell:

“Once upon a time I was tremendously naive. I assumed the Voice would bring Australia together, in joy and healing; that it would mark a new waypoint of maturity in the evolution of our nation. In simpler times I dreamed that the vision of an advisory body on Indigenous affairs, painstakingly devised over 15 long years, would be agreed to, and a new era of nationhood would be ushered in.

The proposal felt necessary, suturing, for all of us. It felt like a proposal that went some way towards lifting the corrosive weight of past wrongs. Considered and careful, it seemed a simple request: for an Indigenous committee to be able to advise parliament on Indigenous issues, without being able to make laws or control funding. Yet what a sour-spirited campaign we’ve seen from the forces determined to scupper this vision …

More than 80 per cent of Indigenous people support this voice proposal. The idea came directly from Aboriginal communities, not politicians. I cannot imagine the broken hearts among many of them if this proposal isn’t carried; it would feel like a soul blow, along with all the other soul blows over generations, that would reverberate for years to come.

Once I dreamt of a feeling of great national pride, and relief, following a successful vote for the Voice. Now I worry there’ll be despair and disbelief among many, that in the end it came to this. And anger. Towards one of its scupperers-in-chief most of all. I feel certain Mr Dutton will never become prime minister if the No vote prevails. Be careful what you wish for, sir. The feeling towards you will linger, long after the specifics have faded”.

Press Gallery journalist of the year David Crow observed in the Sydney Morning Herald on 19th June, “The Voice is more than recognition because Indigenous leaders wanted practical change. The terrible suffering of First Australians over 235 years gave those leaders good cause to demand a right to consult on federal decisions, even at the risk of a tragic setback for reconciliation if the referendum fails. Practical change is ultimately about power, and the polls suggest many Australians do not want to give Indigenous people more power. It is too soon to be sure”.

A gloomy prospect, eh?

See other related stories in In That Howling Infinite: 

No vote would confirm us as a frightened, insular nation

The Weekend Australian, 23rd September 2023
If Australia votes No, the task ahead will be simply a return to the status quo, the failed status quo, writes Chris Kenny. Picture: NCA NewsWire / Morgan Sette

A morning is looming for this nation, just three weeks away, that warrants attention from all voters entrusted with a historic choice.

My worry is that, instead of Ron­ald Reagan’s Morning in America, the dawn after the voice referendum will herald Kris Kristofferson’s Sunday Morning Coming Down. We owe it to ourselves to think carefully about what a No vote would say and do in this country. When we wake on Sunday, October 15, it will be too late to reconsider.

First and foremost, a No victory would have repudiated Indigenous aspiration, rejecting a proposal for constitutional recognition and non-binding representation formulated after decades of consideration and consultation. This would not so much be a setback for reconciliation but a roadblock that will take many years to get around.

Similar to how the same-sex marriage plebiscite overwhelmed the gay and lesbian communities with a sense of acceptance and inclusion, a No victory would represent a fend-off to our Indigenous population. They were promised recognition, engaged in good faith to find a suitable path, made their considered request to the nation, and their fellow citizens will have slammed a door in their face.

And why? To save the nation from the risk of entrenched racial division? Or to deliver an ephemeral partisan win?

After a No victory (the phrase seems like an oxymoron) we would face a vacuum, with Labor, Greens and Liberal voice supporters left defeated and impotent, and the Coalition leadership promising more of the same – although weirdly, a vague promise of some kind of legislated voice in the future. If the referendum is defeated, we would be a discombobulated, dispirited and divided federation for some time to come.

Offers of a second referendum would be seen as a cruel joke. The option of bipartisan support for purely symbolic recognition in the preamble would be the epitome of condescension – telling Indigenous Australians we have rejected their voice but propose, instead, something less, something we are prepared to give, not because it is worthy but because it is easy.

Beads and trinkets.

This strikes to the heart of the reconciliation bargain. Reconciliation is about making good and restoring friendly relations – it is about compromise. Just as apologies require acceptance, reconciliation demands concession from all sides.

Indigenous people have provided a road map to put the sins and trauma of the past behind us and forge a future together. The No campaign rejects this because they believe they will lose something, or risk losing something. This seems selfish and paranoid given we are talking about only a constitutional guarantee to have some kind of body giving Indigenous people a non-binding say on issues that affect them.

What the No campaign is saying is that they want reconciliation without compromise or cost. They want reconciliation where the aggrieved party is given nothing, not even a constitutional protection that injustices cannot easily be perpetrated against them again.

This represents a shrivelled view of this nation’s history and future. The No campaign wants our political architecture to curl up like an echidna under attack, remaining defensive and prickly until the Indigenous issues go away.

If we put aside the deceptive scare campaigns from the No side, which pretends the voice will have real power rather than merely an advisory platform, there is an even uglier aspect to the voice opposition. The campaign has increasingly morphed into an opportunity to vent grievances against any aspect of Indigenous people’s place in our society.

The No advocates now argue that if you do not like welcomes to country, you should vote No to a voice. If you think a lot of money is wasted on Indigenous programs, vote No. If you think Indigenous people should not be given additional opportunities for university, jobs or contracts, vote No. If you think we hear too much about Indigenous culture and history, vote No. If you oppose treaties, Vote No. And if you do not want to shift the date of Australia Day, vote No.

This has become a grab-bag of anti-Indigenous grievance, which makes it the worst manifestation of politics this nation has seen in living memory.

But it is also a collection of issues that will continue to be debated and tackled, whether we have an Indigenous voice or not – which makes the argument inane.

There is a harsh, resentful and divisive element in the debate. And we must be able to call it out without the shrill cries that we are accusing others of racism or demonising people for their views.

It is clear many voters do not want to be troubled by Indigenous issues or aspirations. They might have little or no contact with Indigenous people or problems and want it all to go away. That is a benign and plausible interpretation of what seems to be a visceral rejection of the voice proposition.

These sentiments are not reason enough to vote No. And it should be beneath the No campaign to attempt to exploit them.

Voting No will not make anything go away, except a voice.

Nyunggai Warren Mundine. Picture: NCA NewsWire / Morgan Sette
Nyunggai Warren Mundine. Picture: NCA NewsWire / Morgan Sette

Prominent No campaigner Nyunggai Warren Mundine, for instance, wants to shift the date of Australia Day and supports treaties and other agreements between Indigenous groups and governments. And state governments are negotiating treaties and establishing voices regardless.

Yet the No campaign creates irrational fear about treaties and Australia Day. If the No case wins, Mundine and others still will advocate for treaties and shifting Australia Day. So, what is the scare campaign about?

The lead No campaigner, opposition Indigenous Australians spokeswoman Jacinta Nampijinpa Price, is a brave advocate. I have helped to platform her determined efforts to give voice to grassroots Indigenous people for many years, helping her to become a national voice.

Price began speaking up for Indigenous Australians, for her community, as an Alice Springs councillor and entered federal politics to become a voice for the “silent victims” in Indigenous communities. So it is paradoxical that her robust politicking is probably the most influential factor in threatening a permanent Indigenous voice.

Her good intentions are beyond question; Price, her family and supporters believe a voice will amplify the views of the wrong people – the same Indigenous leadership she and her family have battled for years.

This novice senator and rising political star is campaigning against the possibility of a bad voice – yet the Coalition promises to legislate a voice, go figure.

The alternative was for the Coalition to throw in their lot with the voice and ensure it is effective and driven by grassroots concerns – practical rather than ideological. We will never know what might have been.

Taken to its logical conclusion, this fear of the voice running astray is a surrender that would have thwarted the creation of our Federation in the 1890s. Any representative or governance model requires constant engagement and vigilance to protect the complacent mainstream from the activism of the ideologues.

The Coalition decided instead to make this a partisan contest. While Anthony Albanese must wear his share of blame for the failure of bipartisanship, it is rich indeed for the Coalition to blame Labor for the division when it deliberately chose to make this a defining debate between the major parties.

If it is successful, the No campaigners would have done nothing but preserve a situation that the entire nation knows is grossly unsatisfactory. How would history judge them?

We should consider what this does to our sense of worth as a nation. At a time when surveys tell us our sense of national pride is falling to alarming levels, we need to ask whether rejecting a voice would help us feel proud of our nation or fuel the growing sense of disconnection.

Would a No vote resolve a single issue or merely delay our attempts to resolve them? Would it make us a better nation, or anchor us to unflattering elements of our past?

Would a Yes victory give us a sense of accomplishment and set us on a course for improvement? Would a Yes vote rejuvenate reconciliation and wrap our arms around Indigenous Australians and their challenges?

Would a Yes victory display a bigger, more optimistic and accepting country? Would a No vote confirm us as a frightened, insular and small-minded nation?

While the No leadership would presumably counsel against celebrations in favour of making sober pronouncements about preventing a constitutional mistake, there would likely be outbreaks of triumphalism from many No supporters if they defeat the referendum proposal.

This would create a harrowing contrast with a mournful Yes camp and the reality of Indigenous Australians feeling rejected in their own country.

Where Yes would have provided a path forward, with immediate work to be done to legislate, construct and implement the voice, defeat will lead to nothing. The task ahead will be simply a return to the status quo, the failed status quo.

Indigenous people, communities and organisations understandably would feel dispirited. Whatever the merits of the respective campaigns, negative politics again would have proven more effective than positive advocacy – a misleading scare campaign would have thwarted a carefully devised and constitutionally conservative reform.

A nation that has been talking the talk on reconciliation would have been revealed as too timid to walk the walk.

We would have spent decades of consideration and consultation to come up with the desired constitutional amendment, and then strangely rejected it.

A country in which all sides of politics say they want reconciliation, representation and recognition would have deliberately refused to give Indigenous people a guaranteed say on matters affecting them. We would have become, for a time at least, the scared weird little country.

Outlander – if I didna hae bad luck, I’d hae no luck at all …

History can’t be trusted
Brianna Randall

It’s good I’m Scottish. I’m Scottish. I am Scottish.
I can complain about things, I can really complain about things.

Peter Capaldi, the Twelfth Doctor, discovers he has a Scottish accent

The pipes, the pipes are calling …

Well, after nearly a decade, we heard them at last and surrendered to Outlander  

The promise of exotic Celtic locations, steamy sex scenes, and graphic violence was too irresistible – all this and the fact that we’d run out of tempting things to watch on Foxtel, SBS and Netflix … And so we settled down to what would be eight  seasons of the celebrated time-shifting highland fling (before bingeing on Game of Thrones for the umpteenth time. By happenstance, the final episodes dropped on Netflix on the same day as GoT’s imaginative prequel The House of the Dragons – a fine time for fantasy fans. 

If you’re into stories with eye-candy, period costume, great music, loads of gratuitous violence and soft porn garnished with some history, this one’s for you. It’s a bit like reading Playboy for the stories.

And, of course, there’s time-travel, a perennial fantasy and science fiction trope. Nor is time travel involving Scotland original. The many incarnations of Doctor Who have made many visits to Scotland during their adventures. Way back in 1966 The Highlanders saw Patrick Troughton’s Second Doctor arrive in the Scottish Highlands in 1746 just after the Battle of Culloden. It was here that The Doctor met Jamie McCrimmon (actually, Yorkshire actor, Frazer Hines), a piper of the Clan MacLeod who would go on to be a regular and popular companion to the Doctor. Since then, there have been four Scottish Doctors and many Scottish lead characters. American author Diana Gabaldon says she created the Outlander stories (on which the series is based – there are nine of them) after watching Hines in Doctor Who and based her leading man on him. Hines actually has a role in the 21st century Doctor,  Season 1, episode 11.

Fraser Hines as Jamie, 1966

The Whovian Paradox

So, here we were, time-hopping back and forth between 1745 and 1945, the ‘45 Scottish Highland rising and the end of WWII, and then, the American colonies before and during the American War of Independence, the late nineteen sixties and early eighties. The traffic at the magical stone rings of Craigh na Dun, somewhere near Inverness (they’re actually on Lewis in the Outer Hebrides) and North Carolina (apparently, they’re styrofoam) reaches rush hour proportions as one, two, one again, three and four, family members and other sundry “travelers” pass to and fro’.

The title of this piece, as everybody ought to know, is borrowed from the old blues song Born Under A  Bad Sign, immortalised, of course by the best rock trio ever, Cream. It describes a narrative arc which follows a “Groundhog Day” formula. The heroine Clare Fraser late of 1945, a former WWII battlefield nurse, after landing in the Scottish Highlands in 1744, is over ensuing years captured by British Army Redcoats, press-ganged by the Royal Navy, arrested by colonial vigilantes, almost burnt for a witch by superstitious puritans, has sex with Bonnie Prince Charlie, and is serially rescued in the nick of time by her husband, rebellious and handsome highlander Jamie Fraser. Jamie is captured, arrested, flogged, enslaved, kidnapped and worse, and is rescued, in the nick of time by his resilient spouse. This happens numerous times, with sundry villains outwitted, overcome and served their just desserts – with plenty of time to spare for many interminable sex-scenes (why take five minutes of screen time when you’ve seven seasons to fill), and one excruciatingly graphic and gratuitous episode of sexual violence which, counting flashbacks, must’ve taken up to a hour or more of screen time. It must have caused consumer conniptions because by series seven, the show runners had seriously toned down the adult content.

Their ill-starred son in law Roger Mackenzie endures a similar helter-skelter ride as he embarks on a literal “hero’s journey” from academic and folksinger to preacher to late twentieth century “househusband” – his adventures including being press-ganged by pirates, “sold” to native Americans, and fighting successively for the British army and the insurgent Continental Army. 

For all the back and forth, the melodramatic fol-de-rol, the surfeit of rumpy-pumpy and violence, and the gorgeous highland and American scenery, as a historical and well-costumed drama, it presents a well-researched and historically accurate – if simplified – portrayal of society and politics leading up to the Jacobite Rebellion of 1745-46, including a brutal reenactment of the Battle of Culloden, the last battle fought on British soil, and the American Revolutionary War, of the French court at Versailles, of medical techniques in the 18th Century (Clare is an experienced battlefield nurse and qualified twentieth century doctor), and of the original sins that still haunt the United States today: the institution of slavery and the fate of the indigenous Americans. There are many historical characters including an unflattering portrayal of Bonnie Prince Charlie, the leader of the Jacobite forces, and a more sympathetic George Washington (but not his alleged wooden teeth). There is also a brief cameo for the not yet treasonous Benedict Arnold. 

There was an original and to my mind amusing walk-on role which may have gone over the heads of most viewers, particularly as no reference is made to her back story. When Charles Stewart was on the run after Culloden, he was aided in his flight by minor aristocrat Flora MacDonald who was subsequently arrested for her role and consigned to the Tower of London, but later amnestied. She married an army captain also named McDonald, and they emigrated to the American colonies, where she is fleetingly introduced to our Jamie at a society soirée. Her captain actually served with the British forces during the American War of Independence, and as a result, their property was confiscated. They relocated to Canada and soon, after, returned to Scotland. 

One early criticism I had of Outlander was that the highlanders all spoke Scottish Gaelic. Not that I’ve a problem with the tongue because it’s a beautiful language and I wish I could’ve learned Gaelic in the past – it was my Irish mother’s native tongue, though she lost it after years of living in England. But because there were no subtitles. I realized very soon that this was intentional as it emphasised just how alien the whole scene must’ve been to English Claire, now dependent upon Jamie, who, like Mel Gibson’s William Wallace, was multilingual, and a handful of bilingual clansmen to understand what was being said around and about her. Jamie’s pet name for her is Sassenach, meaning foreigner or, indeed, Outlander, derived from the English saxonīs or saxons, and used by Catholic highlanders for protestants of the Anglican persuasion. By the second season, to borrow from Jamie, I “dinnae fash”.

Many books and films of the fantasy genre have endeavoured to resolve what one could call the Whovian Paradox – the desire to go back and change history for the better. But, as the ever-regenerating Doctor himself always cautioned his constantly changing and ever-enthusiastic companions, you can’t just go back and alter history.  We’ve seen it often in films like Terminator, 12 Monkeys and Looper.  For all its melodrama and conjecture, Outlander manages to weave, at times clumsily, through the conundrums and contradictions. But no spoilers here … 

Songs of Rebellion 

Now, let’s talk about the music. The Outlander books by Diana Gabaldon make constant references to songs and music from the periods in which the stories are set, be these eighteenth century Scotland and America or the twentieth century. The series’ soundtrack created by American composer and musician Bear McCreary works well in providing a sense of place and time. As an old folkie of Celtic blood, I enjoyed hearing snippets of songs and tunes that I’ve known since childhood, including Marie’s Wedding and Johnny Cope.

The main theme, in the opening TikTok’s, and as a leitmotif throughout story  is the ersatz Jacobite song Over The Sea to Skye. It’s a grand old song, and I’ve written about it before:

There are many folk songs that we are convinced are authentically “traditional”, composed in the days gone by an unknown hand and passed down to us by word of mouth and then, perhaps, by broadsheets and handbills, rustic kitchens and Victorian parlours, until finally pressed into vinyl during the mid-twentieth century folk revival. And yet many such songs were indeed written by poets and songwriters of variable fame. One such is The Skye Boat Song. 

This famous song is one of many inspired by the Scottish Jacobite Rising against Protestant England’s rule in 1745. It recalls the journey of Prince Charles Edward Stuart, “Bonny Prince Charlie”, from Benbecula to the Isle of Skye as he evaded capture by government troops after his defeat at the Battle of Culloden in 1746. The Jacobite Rebellion was sparked by many political, cultural and economic factors. but essentially, it was a dynastic civil war. 

Songwriter and philanthropist Sir Harold Boulton, 2nd Baronet composed the lyrics to an air collected by Anne Campbelle MacLeod in the 1870s. According to Andrew Kuntz, a collector of folk music lore, MacLeod was on a trip to the isle of Skye and was being rowed over Loch Coruisk (Coire Uisg, the “Cauldron of Waters”) when the rowers broke into a Gaelic rowing song “Cuachag nan Craobh” (“The Cuckoo in the Grove”). MacLeod set down what she remembered of the air, with the intention of using it later in a book she was to co-author with Boulton.

It was first published in 1884 Around 1885 the famed author Robert Louis Stevenson, considering Boulton’s lyrics words “ unworthy”, composed verses “more in harmony with the plaintive tune”. Purged of Jacobite content, these mentioned neither Charlie nor Culloden.

Boulton’s is the one that endured, along with the sentimental perspective Bonny Prince Charlie

But historical fact has never dimmed the popularity of the song. It is often played as a slow lullaby or waltz in many and varied contexts including soundtracks, including Outlander (adapting the text of the text Robert Lewis Stevenson’s poem “Sing Me a Song of a Lad That Is Gone” (1892).

Billow and breeze, islands and seas,
Mountains of rain and sun,
All that was good, all that was fair,
All that was me is gone.

The rendering of the song changes through the seasons, with female and male solos, a capella and choral. The most poignant is that of season 7, featuring as it does Irish singer Sinéad O’Connor, who passed away this July , not long after the season aired fir the first time. Listen to it below. 

There was another piece that was used to excellent and atmospheric effect in the lead up to the Battle of Culloden. Bear McCreary has written: “To properly underscore these episodes, I needed a song that was written during the Jacobite uprising as opposed to after it, a song that makes no comment about loss, only promises of victory.
 I turned to famed Scottish composer and music historian John Purser, who was gracious with his time and assembled a collection a historically-accurate songs for me. I was immediately drawn to the soaring melody in Moch Sa Mhadainn, song composed by Scottish Gaelic poet Alasdair mac Mghaighstir Alasdair (known in English as Alexander MacDonald), a member of Clan MacDonald of Clanranald). A celebrated poet of the Jacobite era, Alasdair composed this song upon hearing the news that Prince Charles Edward Stuart had landed at Glenfinnan. That was perfect!  When Jamie opens the letter in “The Fox’s Lair” and learns he has been roped into the revolution, this song was actually being composed somewhere in Scotland at that very moment.“ Moch sa Mhadainn ‘s Mi a’ Dùsgadh (Early As I Awaken), also known as Oran Eile Don Phrionnsa (Song to the Prince) or Clan Ranald’s Welcome. I have published it at the end of this post.

A Scottish footnote

The two Scottish rebellions of the 18th century were as much civil wars as insurrections against the English Crown. Lowland Scots of the south were against the highlanders of the north. Catholics fought Presbyterians – but many Protestants fought the Crown, a legacy perhaps of the English Civil War, Cromwell’s Commonwealth, the Restoration in the previous century. Clan chiefs allied themselves to the Crown or to the Jacobite cause based upon family ties and self interest. The Crown’s forces at Culloden contained many Scottish soldiers, including senior commanders. Irish Catholic forces who had no love for protestant England fought on the side of the Jacobites. The forces who tracked down the rebels after the battle were often Scots, as were the soldiers and officers carrying out the reprisals and infamous Highland Clearances that followed – the latter being dictated by economics as much as politics, often in the interests of Glasgow and Edinburgh landowners who wanted the land cleared of residents so they could run lucrative sheep farms. A larger than life character like the celebrated Rob Roy MacGregor was very much a charming scoundrel who always had some sort of scheme going, and like most clan leaders, he had contacts in the highest places, including the palace.

I recently rewatched a televisual recreation of the battle of Culloden that I’d first seen in 1964 by British film maker Peter Watkins. For its time, it was a well-balanced account, featuring “interviews” with the principal protagonists on both sides, an engrossing narrative, and some pretty harrowing scenes of the carnage inflicted on the Highland forces by the well-armed and well-trained Redcoats. There is a link to the full film below. 

The Jacobite Rebellion itself was sparked by many political, cultural and economic factors. but essentially, it was a dynastic civil war. The battle on Culloden Moor dashed for two and a half centuries the Scots’ dreams of independence. Charles Edward Stuart, the “Young Pretender” to the Protestant Hanoverian English throne that once belonged to the Roman Catholic Stuart clan, fled into exile in France. And that’s where he remained, although his last resting place is in the crypt of Saint Peter’s Basilica in Rome – an ironic ending for this could’ve been champion of Catholic hopes. Bonny Prince Charlie had many romantic and rousing songs written about him. But in reality he wasn’t the dashing, gallant leader that the songs portrayed and that the Scots and their Celtic Irish allies yearned for. He was an indecisive and vacillating leader who thought himself much cleverer and popular than he actually was. portrayal in Outlander is most unflattering. When the going got rough, he got going – and left the the Scots and Irish who supported him with blood and treasure to the tender mercies of the Sassenach foe”.

And yet, the songs live on to this day, most notably in The Skye Boat Song, Mo Gile Mear, Will Ye No Come Back Again. The old and well-recorded favourite Óró sé do bheatha ‘bhaile has also been associated with the Jacobite cause as Séarlas Óg (“Young Charles” in Gaelic). The poet Padraig Pearse, leader of the doomed intifada we know as the Easter Rising of 1916, added new verses, and so the song entered the rebel canon.

Thou art the choicest of all rulers
Here’s a health to thy returning,
Charlie His the royal blood unmingled
Great the modesty in his visage
Moch Sa Mhadainn (Song to the Prince)

The Jacobites: ‘Don’t let romanticism obscure the threat they posed

Alison Campsie, 19th Nov 2020

The Battle of Culloden as depicted by Swiss painter David Morier, who was paid a pension by the Duke of Cumberland, the commander of the British Army at the battle. PIC: Creative Commons.
The Battle of Culloden, David Morier, who was paid a pension by the Duke of Cumberland, the commander of the British Army at the battle. PIC: Creative Commons.

The romanticism of Jacobites should not obscure the threat they posed to the British Army in the years following the Battle of Culloden, a leading historian has said.

They soldiers were stationed in 400 cantonment camps – from forts to staging posts – from Lerwick to the Western Isles and from Aberdeen to Gretna, with 60 patrols remaining in Scotland a decade after the battle.

 
Professor Pittock, in an online lecture hosted by History Scotland magazine, said: “Although Jacobitism became romanticized, that romanticism should not be obscured by its reality.
 
“Its reality was that it had to be contained so extensively in such a prolonged way and so completely.”
 
He added: “Although the Jacobites became romanticised the romanticisation was itself a reaction to the seriousness of the threat it was seen as posing at the time.

“Romanticism kept the Jacobites alive but it also kept it at a safe distance.”

Prof Pittock noted that around 1,000 Jacobites died at Culloden with another 2,000 killed in the days that followed given the army’s ‘licence to kill’ supporters of the cause.

Soldiers were paid 16 guineas for the capture of Jacobite colours and 2s and 6d for every Jacobite musket or broadsword seized, Prof Pittock said.

He added that Cumberland and his commanders rotated their soldiers every three months in order to prevent connections being forged with local people.

 

Their longer term role was to police ‘Highland dress’, protect the collection of taxes and “overawe the local population”.

But residents chose not to help the soldiers in some cases with a report from Glen Dessary noting that ‘the people are unwilling to part with any provisions’ for the forces.

Desertions were not uncommon, with two deserters from Pulteney’s Regiment sentenced to death. However, it was decided that one should be spared, with a roll of a dice determining who should live, research by Prof Pittock found.

He pointed to the building of Fort George at Arderseir, which served as a British Army garrison from 1757, which cost around £2m to build at a time when Britain was heading into the Seven Years War while servicing a massive national debt.

“What that should tell us that whatever people might think about the Jacobite cause being romanticised, or it being wrong, it was not what their enemies thought at the time,” Prof Pittock added.

“That is extremely important. You cannot understand Jacobitism by looking down the wrong end of a telescope,” he said.

Details of the British Army occupation of Scotland following Culloden have also been brought to light by the Stennis Historical Society, which has researched and digitised hundreds of records of cantonment camps set up across the country post-Culloden.

The Jacobites who fought on after Culloden

The Scotsman, 16th Apr 2019

The battle was lost, the rising was over, and the rebels were told by their leader to go home. But for hundreds of Jacobites, the fight was still on, despite their defeat at the Battle of Culloden, with many remaining armed and engaged long after Bonnie Prince Charlie went on the run on April 16, 1746.

Around 1000 Jacobites ­gathered the following day at Ruthven ­Barracks, where a written order from Prince Charles Edward Stuart told them to “seek their own safety” and disband,

But, for many, surrendering was too dangerous an option, according to Professor Murray ­Pittock, ­historian and pro-vice principal of Glasgow University.

As time went on, the risks of Jacobites handing themselves in became clear.

Prof Pittock said: “The mood of the Ruthven meetings was downcast. Many fought on to avoid capture or because the risk of surrendering was high.

“To see how the British Army is dealing with people, there is not really a lot of incentive to go home. They think they will be at more risk.

“In June, a number of Jacobites went into Fort William after the British government ­promised six weeks’ immunity. Captain Scott drowned them in a salmon net.”

Jacobites engaged in low-level disruption, raiding and ­protection of vulnerable tenantry as well as recruitment to the Irish Brigade and probably Scottish regiments in French service, including Ecossais Royales.

Assassinations of unpopular ­government officers or sympathizers were also recorded. The British government still considered the Jacobite threat to be “major” at this time with around 12,000 to 13,000 soldiers deployed across the entire country – from Berwick and Stranraer to Elgin, Forres, Stonehaven, Inverbervie and Montrose – by the end of August 1746.

As government forces mobilized, significant units of armed Jacobites continued to appear in the field, said Prof Pittock, who is due to publish a book on the British Army between 1746 and 1760.

At the end of April, 120 armed MacGregor men were recorded in Balqhuidder after marching home ‘colours flying and pipes playing’ with the Army unwilling to tackle or pursue Jacobite units that maintained discipline, Prof Pittock said.

One battalion of Lochiel’s ­regiment was still operational in May – as were 500 men under ­Clanranald. Orkney remained under Jacobite control until late that month and, despite British attacks, four local Jacobite lairds remained successfully hidden.

Clans made concerted attempts to resist Cumberland and his men with around a dozen chiefs meeting at Mortlaig in early May.

“At the meeting… they entered into a bond for their mutual defence and agreed never to lay down their arms, or make a general peace without the consent of the whole,” according to an 1832 account by James Browne.

“By the bond of association, the chiefs agreed…to raise on behalf of the prince and in defense of their country, as many able-bodied armed men as they could on their respective properties.”

Around 600 men gathered later that month across the north and west but the clans “ultimately did not have the time or morale to raise or retain enough men in the field,” Prof Pittock said.

Although a unified response failed to materialize, Jacobites remained active across Scotland. Jacobite expresses – the non-stop delivery of letters by horse – continued until August. A British regiment was deployed across Banffshire in the summer of 1746 with insurgents reported in Argyll that September.

Arms were surrendered in the Mearns right into the summer of 1748.

“British atrocities may have been carried out against innocent ­victims, but there were plenty of continuing Jacobite threats,” Prof Pittock said.

© Paul Hemphill 2023 All rights reserved

Over the sea to Skye

Mo Ghile Mear – Irish myth and melody

The Uluru Statement from the Heart

The Uluru Statement from the Heart, the foundation of the Indigenous and Torres Strait Islander Voice to Parliament is a beautiful thing. Whatever the outcome of Australia’s referendum on August 14th 2023, it will take its place as one if our nation’s iconic documents.

It is brief and written in plain, lyrical and, in my opinion, very moving English. It speaks of the past, the present and the future, of our history and our national story, and of our land, our ‘country’, ancient and modern – how we see ourselves as Australians, and how we’d like to see ourselves as viewed by outsiders. It allows us to reflect on our nation’s colonial past and our future.

Reading it closely and carefully – it is less than an A4 page in length – a reasonable person of good heart and good will can find therein answers to most of the questions that are being raised by warring sides of the Voice debate in a fog of hyperbole, disinformation, ignorance and recrimination. But the reader must first clear his or her head of the sturm und drang (literally storm and stress), fear and loathing and partisan positions that have been established over the last six months. I do not intend to engage in further polemics here – the media, mainstream, social and anti-social are covering this already – but rather, I’ll refer you to the internet links listed at the end of this post.

Slow train coming … 

The Statement from the Heart  is the outcome of the deliberations of 250 delegates to the First Nations National Constitutional Convention of Australia Aboriginal and Torres Strait Islander leaders held over four days near Uluru in Central Australia in May 2017. It forms the basis for the question that will be out to The Australian electorate on Saturday 14th November 2023 – just six weeks away:

A Proposed Law: to alter the Constitution to recognise the First Peoples of Australia by establishing an Aboriginal and Torres Strait Islander Voice.

Do you approve this proposed alteration?

Professor Henry Reynolds, an Australian historian whose primary work has focused on the frontier conflict between European settlers and Indigenous Australians, wrote yesterday:

“To seek the source of the twin pillars of the 2017 Uluru Statement from the Heart – a Voice to Parliament and a makarrata, or treaty – we need to go back to the referendum of 1967 and the assumption of federal powers over Indigenous policy … The Voice to Parliament, which now meets ignorance and misunderstanding, has been with us for more than 50 years, although the bodies varied in name, structure and longevity, The only difference was the desire for entrenchment in the Constitution”.

Decades in the making, coming after two centuries of struggle for recognition and justice, The Statement from the Heart is an invitation from this group of First Nations people to non-Indigenous Australians calling for substantive reform to help realise Indigenous rights, through the establishment of an Indigenous Voice to Parliament and a Makarrata Commission.

Makarrata is a multi-layered Yolngu word describing a process of conflict resolution, peacemaking and justice, or a coming together after a struggle”, and delegates said that it “captures our aspirations for a fair and truthful relationship with the people of Australia”, and that the Makarrata Commission would supervise a process of agreement-making (treaty)  and truth telling between governments and First Nations.

Reynolds reminds us that “the authors of the Uluru statement declared a makarrata was the “culmination of our agenda”, a proposal likely to be far more controversial than The Voice. But it, too, is an idea that has been seriously considered for more than 40 years. The Aboriginal Treaty Committee was founded in April 1979 and led by a group of prominent figures including Dr H C Coombs, Judith Wright and Charles Rowley. Launching it in an address on ABC radio, Coombs called for compensation for the loss of traditional land and disruption of traditional ways of life and the right of Indigenous people to “control their own affairs”.

The Statement from the Heart calls for structural reforms, both in recognition of the continuing sovereignty of Indigenous peoples and to address structural “powerlessness” that has led to severe disparities between Indigenous and non-Indigenous Australians. It calls for the creation of two new institutions; a constitutionally protected First Nations Voice and a Makarrata Commission, to oversee agreement-making and truth-telling between governments and First Nations.

These reforms can be summarized as Voice, Treaty and Truth.

Voice – a constitutionally enshrined representative mechanism to provide expert advice to Parliament about laws and policies that affect Aboriginal and Torres Strait Islander peoples.

Treaty – a process of agreement-making between governments and First Nations peoples that acknowledges the historical and contemporary cultural rights and interests of First Peoples by formally recognizing sovereignty, and that land was never ceded.

Truth – a comprehensive process to expose the full extent of injustices experienced by Aboriginal and Torres Strait Islander peoples, to enable shared understanding of Australia’s colonial history and its contemporary impacts.

The Uluru Statement from the Heart

We, gathered at the 2017 National Constitutional Convention, coming from all points of the southern sky, make this statement from the heart:
 
Our Aboriginal and Torres Strait Islander tribes were the first sovereign Nations of the Australian continent and its adjacent islands, and possessed it under our own laws and customs. This our ancestors did, according to the reckoning of our culture, from the Creation, according to the common law from ‘time immemorial’, and according to science more than 60,000 years ago.
 
This sovereignty is a spiritual notion: the ancestral tie between the land, or ‘mother nature’, and the Aboriginal and Torres Strait Islander peoples who were born therefrom, remain attached thereto, and must one day return thither to be united with our ancestors. This link is the basis of the ownership of the soil, or better, of sovereignty. It has never been ceded or extinguished, and co-exists with the sovereignty of the Crown.
 
How could it be otherwise? That peoples possessed a land for sixty millennia and this sacred link disappears from world history in merely the last two hundred years?
 
With substantive constitutional change and structural reform, we believe this ancient sovereignty can shine through as a fuller expression of Australia’s nationhood.
 
Proportionally, we are the most incarcerated people on the planet. We are not an innately criminal people. Our children are aliened from their families at unprecedented rates. This cannot be because we have no love for them. And our youth languish in detention in obscene numbers. They should be our hope for the future.
 
These dimensions of our crisis tell plainly the structural nature of our problem. This is the torment of our powerlessness.
 
We seek constitutional reforms to empower our people and take a rightful place in our own country. When we have power over our destiny our children will flourish. They will walk in two worlds and their culture will be a gift to their country.
 
We call for the establishment of a First Nations Voice enshrined in the Constitution.
Makarrata is the culmination of our agenda: the coming together after a struggle. It captures our aspirations for a fair and truthful relationship with the people of Australia and a better future for our children based on justice and self-determination.
 
We seek a Makarrata Commission to supervise a process of agreement-making between governments and First Nations and truth-telling about our history.
 
In 1967 we were counted, in 2017 we seek to be heard. We leave base camp and start our trek across this vast country. We invite you to walk with us in a movement of the Australian people for a better future.

The Makarrata Project
 

The Makarrata Project is the twelfth studio album by Australian band Midnight Oil, released on 30 October 2020. The track Uluru Statement from the Heart / Come on Down” features the band and well-known indigenous Australians Pat Anderson, Stan Grant, Adam Goodes, Ursula Yovich and Troy Cassar-Daley. 

See other related stories in In That Howling Infinite: 

If you can bear to hear the truth you’ve spoken … the emptiness of “No”

This is a critical group of voters, whose natural generosity may be undermined by the dog-whistle of division. Their votes will deliver or doom the referendum. Greg Craven.

This referendum is a genuine, good idea to simply get it right. Bill Shorten

The title of this piece is borrowed from the poem by Rudyard Kipling that has served as the source of inspirational manuals, mottos and memes for over a century. It has inspired songs, stories, plays and films – my favourite being Lindsay Anderson’s 1968 anarchist fantasy set in a tyrannical English public school.

Sky after Dark and News Corp opinionista Chris Kenny is almost alone among his colleagues in speaking out in support of the Indigenous and Torres Strait Islander Voice to Parliament. To help readers scale The Australian’s pay-wall, I republish here his advice not to be fooled by the No campaign’s shallow and disingenuous scare tactics. To paraphrase Kipling’s poem, the words of both the referendum and the Uluru Statement from The Heart from which it sprang are “twisted by knaves to make a trap” for the ill-informed and disinterested.

This comes as in the same weekend edition Janet Albrechtsen, one of News’ several No camp tricoteuses * recycles her customary legal arguments (she was a lawyer after all in a past life, though according to a friend of mine who actually worked with her back then, “she thinks she’s much cleverer than she is”). She wrote, disingenuously riffing on the anniversary of Martin Luther King’s seminal “I have a dream” speech – how even the martyred MLK spoke of a land in which there was no distinction between black and white (with the benefi of hindsight, we know how well that dream worked out):

“Australians, without a scintilla of legal training, understand we are inserting into our Constitution brand-new special rights given to a group of people simply because of their race. It is something entirely different to anything in the Constitution right now. By placing this squarely in the Constitution, many Australians understand the High Court will be the ultimate determinant of those rights, not the parliament”.

A dog-whistle if ever I heard one, dressed up in lawyer-speak. Most Australians know sweet FA about our constitution, and their knowledge of our political institutions and the laws which govern them is likewise limited. Moreover, the Voice will not impinge on the lives of most Australians, and yet it’ll mean an enormous amount to First Australians.

Kenny is not alone in The Australian’s pages, however. Conservative expert in constitutional law, Greg Craven, whom I have featured several times in this blog’,  provides a cogent rebuttal of many of the No campaign’s claimsprovides a cogent rebuttal of many of the No campaign’s claims, explaining how the High Court will cleave to constitutional realities and not to conservative fears and fantasies:

“… it is a constitutional principle that powers of the federal parliament should be interpreted broadly. This is a legal fact, rather than the clueless constitutional riffing of senior No campaigners such as Nyunggai Warren Mundine and Senator Jacinta Nampijinpa Price …constitutional provisions are to be interpreted as a whole, not cut and diced for media opportunities. The proposed amendment does not just give parliament power to make laws about the voice. It gives specific capacity to make laws about its composition, functions, powers and procedures. Every one of these envelopes enables parliament to make laws firmly locating the voice within proper constitutional and political limits … make a law compelling the voice to give priority to practical improvements rather than international frolics.

Worried the voice will be an exclus­ive clan of excessively remunerated, over-budgeted bur­eau­crats? Make laws requiring strong qualifications for members, forcing membership to be turned over at regular intervals, mandating modest remuneration, setting overall budget limits, confining staff numbers and banning business-class flights.

Worried about endless, expensive inquiries that could go anywhere, without focus and evidence? Make laws imposing reporting times and parameters for inquiries, mandating that they be based on documented evidence, and making the whole operation subject to the normal assurance measures for government action: the auditor-general, Freedom of Information, administrative review and the criticism of the person who makes the tea.

The court will give parliament the full extent of its power, but no more. It will give proper constitutional respect to the voice, but nothing extra. This is real adherence to the Constitution, not peddling constitutional zombies”.

Craven wrote in The Australian on 12 August 2023:

“Indigenous citizens will have no new powers or constitutional rights. They will have no differential status. Unlike in Canada and the US, there will be no unique Indigenous privileges. There simply will be a means for ­Indigenous people to express collective views to Canberra …The No case is misleading in maintaining the law never differentiates between groups of people based on disadvantage. Multiple equal opportunity Acts, let alone special laws for disabled people, stand out. Will we repeal them?

…The irony is that there is indeed a dramatic division between Indigenous and non-Indigenous Australians, but it is not constitutional, nor does it favour Indigenous citizens. Indigenous people suffer social and economic disadvantage that would see white Australians rise in armed revolt … Preaching against ­division, it divides by pretending to non-Indigenous Australians that Indigenous Australian are getting a cushy, special deal …

Resentment is always a bad base for policy. Logically, one group loses nothing when it is unaffected by modest change assisting some other, profoundly disadvantaged group. Their gain is nobody’s loss. But as a cynical promotion of division, the politics of grudge is highly attractive. Given encouragement, some proportion of people will feel neglected and disadvantaged by the voice. In practice, these will be Australians most exposed to economic hardship through social background or lack and opportunity. .

… Constitutionally, the greatest division and inequality in Australia is that every state gets the same 12 senators, regardless of population. Tasmania gets more places per ­person than Victoria. This is real power, not a constitutionalised chat. It is irrelevant that it was part of the Federation package. The principle is the same”

Recently, Mark Speakman, NSW Leader of the Opposition, former NSW Attorney General and Solicitor General weighed in:

“I don’t see this amendment as racist because, at the end of the day, it is an advisory body that has no constitutional entitlement to be consulted; is not a third chamber; and has no veto rights over legislation or decisions”.

He is is clear-eyed that the Voice is not a “magic wand”, but after decades of failures to close the gap between Indigenous and non-Indigenous Australians, something has to give.  A Voice enshrined in the Constitution offers a pathway forward, he says. “There’s a real possibility it will make no difference. But you’re not running a criminal trial trying to prove beyond reasonable doubt that the Voice will work. You’re weighing up the pros and cons and probabilities. “And other things being equal, we’ll be better off with a Voice like this than without one.” (Sydney Morning Herald 12 August 2023).

Chris Kenny is convinced that is about the politics.

It is almost a tribal thing. Almost two-thirds of Coalition voters oppose altering the Constitution to establish an Aboriginal and Torres Strait Islander Voice, according to July’s Resolve poll. Only 17 per cent are in favour. Near one-in-five Coalition voters remain undecided. As recent analyses of election result illustrate, young and even middle-aged voters are deserting the Coalition in droves – and most women overall, parking their votes with Labor, the Grrens abd the Teal independents.

If the coalition introduced a referendum identical to this on it own initiative – an unlikely prospect, I know, given it had a decade to do so, but chose to do nothing- its boosters in the media, including its News Corp enablersand the Sky After Dark cabal, would be standing in its corner. If the Prime Minister decided that he’d replace a constitutional Voice with a legislated one, as indeed as he has “advocated” – though his National Party counterpart begged to differ – the part room would probably oppose it, as it has done with nearly everything the Labor govern has put up.

Kenny writes:

“The historically significant reconciliation project of the Indigenous voice has now been seized as a partisan, political weapon to be used against the federal Labor government – any doubt about that was removed this week. Senior Coalition figures now see defeating the referendum as their primary political priority to inflict political damage on the Prime Minister.

It is that ugly. It is that cynical … Yet think of what the Coalition might willingly trash in its hard-hearted ploy to take some bark off Anthony Albanese. Decades of Indigenous advocacy and consultation, including by Coalition governments, driven by the noblest of intentions, are being dis­respected. Imperilling reconciliation for partisan advantage is hardcore. Yet this week the opposition led question time with scares about the voice and attempted to censure the Prime Minister, accusing him of running a secret agenda to undermine the nation’s future” (The Australian, 5th August 2023)

And so, here we are on the eve of the “actual” Yes campaign, and we are out on the street and at our local markets handing out information and answering questions on The Voice to Parliament. The vibe is good. You’d think we were home and hosed, but we know therein is a lot of wishful thinking. There’s still way t. I’ll leave the last word to Rudyard who is incidentally one of my favourite poets: “If you can fill the unforgiving minute with sixty seconds’ worth of distance run …”  we certainly shall. But, win or lose, neither those who vote Yes or those who vote No will feel too good on the morning after.

* Tricoteuses is French for a knitting women. The term is most often used in its historical sense as a nickname for the women who supported French Revolution and sat beside the guillotine during public executions of the Reign of Terror, supposedly continuing to knit.

© Paul Hemphill 2023 All rights reserved

See other related stories in In That Howling Infinite: 

Martin Sparrow’s Blues; The Frontier Wars – Australia’s heart of darkness ; Dark Deeds in a Sunny Land – a poet’s memorial to a forgotten crime ; We oughtn’t to fear an Indigenous Voice – but we do; Warrior woman – the trials and triumphs of Marcia Langton 

A Voice crying in the wilderness

 


Indigenous voice to parliament: Busting eight myths of the No campaign

Chris Kenny, The Weekend Australian, August 26, 2023

The No campaign is designed to generate anxiety, writes Chris Kenny. Pictured: prominent No campaigner and Coalition Senator Jacinta Nampijinpa Price. Picture: Kevin Farmer

No campaigner and Coalition Senator Jacinta Nampijinpa Price

It was a simple interest in the truth that first entangled me in Indigenous issues almost 30 years ago. Back then I helped to expose the fabrication of the Hindmarsh Island secret women’s business and was scarified by the Keating Labor government, the ABC, Indigenous groups, environmental organisations, activist churches and every other arm of the broader green left.

It was a tough time, but it triggered a royal commission which exposed the episode, vindicated my reporting and endorsed the evidence and integrity of the Ngarrindjeri women who had called out the prostitution of their heritage. “Reconciliation starts with the truth,” said the late Beryl Kropinyeri, one of those courageous and wonderful women back in 1995.

Three decades later, my longstanding support for an Indigenous voice has seen me cross swords with many from the conservative side of the political debate. And again, in a different way, truth is central.

The referendum debate has been toxic at times, on both sides. The aim of the Yes case is to reassure, and the No case aims to heighten fears. I cannot deal with the myriad minor lies and distortions arising day by day but let me outline what I see as some of the major myths of the No campaign:

1 The voice “inserts race” into the Constitution.

This is a blatant mistruth. Race has been in the Constitution since Federation and still exists in two clauses, including under the so-called “race power”. The voice does not mention race (surely an outdated concept) but would ensure that when the government makes special laws or policies ­relating to Indigenous people (ironically, under that existing race power) then Indigenous people will at least have had the opportunity to offer their views.

2 The voice will deliver a treaty, reparations and more.

These claims form the heart of the scare campaign and deliberately ignore the most central ­element of the voice – it will have no legal power, it is advisory only and cannot implement any law or policy. The No campaign persistently raises extreme demands made by activists and pretends they will be delivered through the voice, even though the voice can deliver nothing.

Because it is only advisory, the effectiveness of the voice will be directly linked to the quality of its ideas. If the voice makes wild recommendations, governments will easily ignore it; whereas if it makes sensible recommendations, the voice will carry some weight. Either way, all the power of implementation rests with government and parliament, so the scares are baseless.

3 The Uluru Statement from the Heart is more than one page long.

The Indigenous consensus for a voice is expressed in the 2017 Uluru Statement, which has become the foundational document for political action. Anthony Albanese committed to “implement it in full” – in other words, he has committed to three elements, of voice, truth and Makaratta (a Yolngu word for agreement-making after disputes). The No campaign has used this to raise fears about treaties but then, earlier this month, they suddenly claimed there was a longer, secret version of the statement, explicitly mentioning treaties and reparations, so Labor had signed up to a more radical agenda.

The claim is false. The documents they refer to are background papers and meeting summaries from consultations leading up to Uluru. They have been public all along (including during five years of Coalition government) and no one has signed up to them. The No campaigners have rejected what is obvious from reading the papers, selectively quoting one of the authors, Megan Davis, and ignoring her clarification – Davis had urged people to read these documents to understand the Uluru statement and her choice of words was poor, but so much for secrecy. The “longer” statement claim is a confection aimed at sustaining a scare campaign but, incredibly, some persist with it.

[The Statement From The Heart is published in full at the end of this post]

4 The voice will divide the nation.

The No campaign argues the 1967 referendum ensured Indigenous Australians were “recognised as part of the population” and that a voice will “enshrine division” in the Constitution. This ignores how the main change in 1967 gave the federal government power to make special policies and laws for Indigenous people. Since, we have seen laws, policies, organisations, and government ministers specifically focused on Indigenous Australians – for good or ill. The voice push recognises this power is still required – to manage native title and cultural heritage issues, for instance, and to close the gap. But it proposes that to help ensure these powers are used effectively and not against the interests of Indigenous people, a representative body should provide non-binding advice to government. To characterise this as divisive is to turn practical reality on its head; alternatively, we would remove division by repealing the race power, abolishing native title and cultural heritage laws, scrapping the Indigenous affairs department (NIAA), axing the Indigenous portfolio, and removing every program and project specific to Indigenous communities. The notion is absurd. Given these special provisions must stay, allowing Indigenous people to provide advice on these matters is not divisive but inclusive – nothing more than a fair go.

Yes campaigner Noel Pearson. Picture: Getty Images
Yes campaigner Noel Pearson. 

5 The voice is an elite forum or a “Canberra voice”.

This, too, is the opposite to reality. It accurately describes the Indigenous advisory councils that Labor and Liberal governments appointed in the past – under Tony Abbott such a forum was headed by Warren Mundine. These hand-picked bodies have been the epitome of a “Canberra voice” and Indigenous people have had no say on membership.

The voice proposal aims to provide an advisory body chosen by Indigenous people in communities around the country, so that the federal government hears ideas from grassroots communities. The whole thrust of the voice proposal, including under the detailed work I was involved in under the Morrison Coalition government, is to provide local representatives from disparate communities.

6 The voice is overreach beyond recognition.

A constant refrain from No advocates is that the voice is overreach and they would support a simple statement of recognition in the Constitution. This ignores the fact voters were given this choice in the 1999 republic referendum when a constitutional preamble was put, including the words, “honouring Aborigines and Torres Strait Islanders, the nation’s first people, for their deep kinship with their lands and for their ancient and continuing cultures which enrich the life of our country”. It was rejected. Bipartisan support for recognition was kicked along again by John Howard in 2007, and subsequent political and Indigenous consultations settled on the voice as the preferred means of constitutional recognition. If the current proposal is defeated it will be a rejection of the only form of recognition on offer, and a repudiation of Indigenous aspiration for recognition.

Reconciliation cannot progress meaningfully if non-Indigenous Australia declares it will offer constitutional recognition only on its own minimalist terms – a modern version of trinkets and beads.

7   The voice allows 3 per cent of the population to hold sway over the rest.

This myth flips power balance and victim status on their heads. The idea that redressing disadvantage and a lack of agency for our most downtrodden cohort is a threat to the more successful majority is a perversion. To begin, the constitutional wording ensures the voice can make representations only on matters relating to Indigenous people, and even if opponents argue this could be liberally interpreted to cover virtually any government decision, nothing changes the fact the voice is advisory only.

So the idea the voice is a threat to the nation is to create resentment where there should be none. The proposal aims to redress imbalance, not create it. The voice could lead to some difficult political debates, so be it, but all power remains with parliament and the executive.

8 The voice will not fix Indigenous traumas or close the gap.

This argument is desperate but common. It sidesteps the important issues of justice, recognition, and future safeguards by feigning an overarching concern for contemporary outcomes. Opponents assert that a voice would not fix law and order problems in Alice Springs or end domestic ­violence trauma in Indigenous communities. None of us knows. What we do know is that these problems exist now, and current policies have failed.

A voice could provide the grassroots insights and ideas to make a difference, or it could fail like everything else. But the critics cannot pretend to know the outcomes of a consultative body that has not yet been tried.

One of the most prospective aspects of the voice, which ­conservatives should embrace, is that it would give Indigenous communities not only some input, but a share of responsibility for delivering outcomes. It takes away the excuse, if you like, of a lack of agency.

There have been failures on both sides of the voice debate. Early on, leading Yes campaigners engaged in personal abuse, and emotional blackmail remains a recurring theme.

The No campaign is designed to generate anxiety. Without fear, they have no persuasive arguments, especially given that the Coalition has long argued a voice is worthwhile (the only proviso that it is not mandated in the Constitution).

It is a tall ask to scare people about mandating the legislation of a voice when you propose to legislate a voice under existing powers anyway. But so far it is working.

The debate has hardly been front of mind for mainstream voters, so the next six weeks will be crucial.

No doubt the myths will still be peddled. Opponents are intent on baring their teeth at a toothless body.

The Uluru Statement From The Heart

We, gathered at the 2017 National Constitutional Convention, coming from all points of the southern sky, make this statement from the heart:

Our Aboriginal and Torres Strait Islander tribes were the first sovereign Nations of the Australian continent and its adjacent islands, and possessed it under our own laws and customs. This our ancestors did, according to the reckoning of our culture, from the Creation, according to the common law from ‘time immemorial’, and according to science more than 60,000 years ago.

This sovereignty is a spiritual notion: the ancestral tie between the land, or ‘mother nature’, and the Aboriginal and Torres Strait Islander peoples who were born therefrom, remain attached thereto, and must one day return thither to be united with our ancestors. This link is the basis of the ownership of the soil, or better, of sovereignty. It has never been ceded or extinguished, and co-exists with the sovereignty of the Crown.

How could it be otherwise? That peoples possessed a land for sixty millennia and this sacred link disappears from world history in merely the last two hundred years?

With substantive constitutional change and structural reform, we believe this ancient sovereignty can shine through as a fuller expression of Australia’s nationhood.

Proportionally, we are the most incarcerated people on the planet. We are not an innately criminal people. Our children are aliened from their families at unprecedented rates. This cannot be because we have no love for them. And our youth languish in detention in obscene numbers. They should be our hope for the future.

These dimensions of our crisis tell plainly the structural nature of our problem. This is the torment of our powerlessness.

We seek constitutional reforms to empower our people and take a rightful place in our own country. When we have power over our destiny our children will flourish. They will walk in two worlds and their culture will be a gift to their country.

We call for the establishment of a First Nations Voice enshrined in the Constitution.
Makarrata is the culmination of our agenda: the coming together after a struggle. It captures our aspirations for a fair and truthful relationship with the people of Australia and a better future for our children based on justice and self-determination.

We seek a Makarrata Commission to supervise a process of agreement-making between governments and First Nations and truth-telling about our history.

In 1967 we were counted, in 2017 we seek to be heard. We leave base camp and start our trek across this vast country. We invite you to walk with us in a movement of the Australian people for a better future

McGoohan’s Blues – sunbathing in the rain

All along the ancient wastes the thin reflections spin
That gather all the times and tides at once we love within
That build the edges round the shrouds that cloud the setting sun
And carry us to other days and other days to one

Roy Harper, The Same Old Rock, Stormcock

It must’ve been May 1969. A cold, wet and windy day in Hull, Yorkshire. I’d hitch-hiked from Reading in Berkshire to London and then northwards on the A1 to visit an old school chum in the Humberside port city. And it is there, in a student share house that I first dropped Mescaline, a derivative of peyote, an hallucinogenic psychotropic favoured by Mexican shamans of yore. In our circles, it was prized for its visual and aural delights rather than the more ”head trip”, mood-manipulating and psychologically unpredictable and potentially unsettling lysergic acid. And that evening, headphones on, I first listened to McGoohan’s Blues.

This eighteen minute digression from the concept if not the plot of an iconic if indecipherable ‘sixties’ television series (that’s the featured picture), was the penultimate track on Folkjokeopus, the third album of English folk singer, songwriter and acoustic guitarist extraordinaire Roy Harper. The song was indeed the whole point of Folkjokeopus – its raison d’être- the rest of the album was predominantly light-weight, comedic psychedelia – with the exception of the bleak and bitter but nevertheless captivating “love gone wrong” song She’s The One.

Wikipedia and generic music sites tell us that Folkjokeopus was released in June 1969, but more hip sources reckon it was released on May Day – and my memory concurs with that because Spring sprung as I was hitching homeward, and I reveled in the record all summer long.

Though I’d been going to folk clubs for several years, I’d not heard much of Roy Harper apart from a throwaway hippie-vaudeville track from his second album on The Rock Machine Turns You On, one of the many popular ”sampler” albums of that. The best was CBS’ double album gatefold Fill Your Head With Rock (loosely defined – it included Leonard Cohen and Laura Nyro).

Sunbathing in the rain …

And how does it feel with your god strapped to your wrist?
And him leading you such a chase …

Roy Harper, How Does It Feel, Flat Baroque and Berserk 

So, there was I, on Humberside in a space “somewhere between Heaven and Woolworths”, to borrow from contemporary Mersey poet Brian Patten, who I was into at the time, listening to a sprawling and bawling, angry, eighteen minute solo acoustic guitar-driven folkie rant against capitalism, consumerism, hedonism, religion, conformity, ignorance, deceit, hypocrisy, the system, the establishment, the plutocracy, the banks, the media, the baubles and bibles, modern life … everything really. You can’t fight the manipulated, oppressive, powerless, pointless and utter futility of it all – as the song unfolds, you start out questioning, but you end up obeying.

The singer had indeed become the eponymous Prisoner, yearning for liberty but trapped in a deceptively bucolic and scenic and yet sinister “village” that is in reality an open-air jail – kind of nightmare Butlins Holiday Camp (beloved yet satirised by a generation of Britons) with all attempts at escape foiled. It was in fact filmed in Portmeirion in North Wales, a town that has developed a robust tourist industry on the back of the cult classic.

Patrick McGoohan and Virginia Maskell in  The Prisoner

Roy Harper was twenty-eight years of age and already a jaded veteran of the folk-circuit and ad bitter divorcee with heavy personal baggage, a wee son he dotes on and chips on both shoulders (well-balanced, I suppose) raging against the machine. His is a seemingly nihilistic anomie with no direction home, denouncing “the deceit of my friends the betrayals of which I am part …” He sees himself as an outsider, “the festive consumer who end up consumed by the feast”, but nevertheless questioning “the rules and the codes and the system that keeps them in chains, which is where they belong with no poems, no love and no brains”.

This is reflected in many of his songs from that era, most particularly those featured on his fifth and to many, his best album, Stormcock, released in May 1971; and this led me then and always to regard him a kind of high priest of Anglo angst.

There’s this from 1970’s Flat, Baroque and Berserk, already quoted above:

And how does it feel to be the master’s right hand nose?
How does it feel to be lieutenant?
And how does it feel to be stood on someone’s toes?
With a leech bleeding you for rent
When you say you want a bit more rank
You wanna be a big wheel
You can feel magnified if you hide in your pride
It’s not real
And how does it feel with a white flag in your fist?
How does it feel to have two faces?
And how does it feel with your god strapped to your wrist?
And him leading you such a chase

During my many, many years on the hamster wheel as the mater’s right-hand nose, I would often remember often that penultimate line.

In 1969, Roy had a few more years on the clock than me. I was twenty. A naïf, ingenue, whatever, at the end of the beginning of my journey. I was optimistic, adventurous, devil-may-care, inexperienced with people and their variegated behaviours, untainted by pride and prejudice, and in retrospect unfamiliar with the bitterness and vitriol that he injected into his song. But I guess I “got it”, understood what he was saying to me through those headphones in the sanctum of my “trip” – yeah, that’s where I was at that point in time, for the want of a better description. Though I was aware of what he was preaching, I’d had precious little direct experience – those lessons were down the road apiece, and not that far away either. But that’s another tale … long story short, I was radical when I first heard the song. I remain so half a century hence. And. I still “get it”!

The title of this article, by the way, is taken from an entertaining an informative book by Welsh author Gwyneth Lewis: Sunbathing in the Rain – a cheerful book about depression. This is not to suggest that Roy Harper is actually a depressive – but he’s certainly a master of writing excruciatingly sad, depressing and borderline nihilistic songs and delivering them with an angry, emotional intensity. Having seen him perform live many many times over the following five years, I recall that many times he would deliver rambling and even disjointed introductions and extended soliloquies that taxed his audience’s patience and forbearance. I once walked out at the interval during a gig at the Royal Albert Hall even though he was accompanied by guitar icon and Led Zeppelin alumni Jimmy Page. The songs did indeed mirror the man.

Roy in his seventies, still rockin’ in the free world

But, back to Hull and my headphones …

Having ridden the rollercoaster through the seemingly stream of consciousness rant for some ten minutes, Roy imperceptibly segues into a lyrical, calmer (though still edgy) and quieter mood, a dreamy, trippy vision of hope and resilience, suggesting that despite all the difficulties and diversions, the compromises and cop outs that went with being enveloped, embedded, trapped even, in the system, there is still hope for a better future. And climaxes in a folk-rock coda cum apotheosis.

The band kicked in – and so did the mescaline. Listening today, the band’s entry entrance feels contrived and ponderous, but in my mind’s eye, I can still recall the multicoloured images that flashed across bay closed eyelids. Disneyesque “Fantasia” forms of many ebbed and flowed, shape-shifted and morphed with the music and the lyrics. Rivers and rainbows, fairies and fires, sunrise and sunset, galaxies and stars.

Under the toadstool lover down by the dream
Everything flowing over rainbows downstream
Silver the turning water flying away
I’ll come to see you sooner I’m on my way
And there’s a mirror that I’m looking straight through
And I get it
And there’s a doorway that I’m ducking into
To forget it
But flashing just beyond the sky
The shattering midnight gathers
And reminding me behind my mind
The earth quakes, the sun flakes flutter

Over the mountain fairground
Candy flies stay
Under the moonshine fountain
I’m on my way
Lemon tree blossom ladies
Poured my tea
After the blue sky breezes following me
There’s a river that I’m making it with
And I know it
And I’m floating to I don’t care where
I just go it
But flashing just beyond the sky
The shattering midnight gathers
And reminding me behind my mind
The earth quakes, the sun flakes flutter

Daffodil April petal hiding the game
Forests of restless chessmen life is the same
Tides in the sand sun lover watching us dream
Covered in stars and clover rainbows downstream
And the question in the great big underneath is forever
And the fanfare that I’m forcing through my teeth answers “Never”
But flashing just beyond the sky
The shattering midnight gathers
And reminding me behind my mind
The earth quakes, the sun flakes flutter …

But it was not Roy’s way to end on a brighter note. As with all trips, there is often a comedown:

The pumpkin coach and the rags approach
And the wind is devouring the ashes

Words and images such as those McGoohan’s apotheosis were commonplace back in those days, when Marc Bolan could warble “My people were fair, and had sky in their hair, but now they’re content to wear crowns stars on their brows“. We thoroughly understood that and empathized. And we marveled at the Scottish bard who could pen ‘The Minotaur’s Song‘ and ‘Job’s Tears‘, and then run off with Old Father Hubbard. But then didn’t we all in the days when Tolkien was king, and elves and ents walked amongst us. So when Roy went gambolling through toadstools and daffodils, fairgrounds and fountains, that was just the way it was back then in that Middle Earth between Shangri La and the real world that we’d have to re-enter sooner or later – which I did adventurously two years later.

… down through the years

I dropped mescaline and acid many times over the next few months but though I longed to repeat it, never again did I recreate that very first journey. By year’s end, I’d done with both, and by the end of the eighties, was done with dope. But I remember it still over half a century down the road and I still get flashbacks and glimpses of those fantastical images … How does the great song by that Irish band go?

Unicorns and cannonballs, palaces and piers
Trumpets, towers, and tenements, wide oceans full of tears
Flags, rags, ferry boats, scimitars and scarves
Every precious dream and vision underneath the stars
Yes, you climbed on the ladder with the wind in your sails
You came like a comet blazing your trail
Too high, too far, too soon
You saw the whole of the moon

And what happened next? I graduated, travelled, moved on, and following Roy’s lead, wrote lengthy, opaque songs well over ten minutes long with sonic, narrative and lyrical transitions just like he had done on Folkjokeopus and Stormcock. These include London John and Christopher Columbus in the seventies, and in latter days In That Howling Infinite which gave its name to this blog, an allegorical saga of a Mad Sea Captain and a White Whale, the dystopian E Lucivan le Stelle, and the irreverent O Jerusalem.

I’ve harked back to Roy Harper in several posts in In That Howling Infinite. There’s When An Old Cricketer Leaves The Crease, a eulogy to one of my oldest friends, an avid cricketer who passed last year; and Back in the Day, a chronicle of roots and fruits.  And for more stories like these in In That Howling Infinite, see Tall Tales, Small Stories, Eulogies and Epiphanies.

As for Roy Harpe, he is eighty three, with some thirty albums under belt. He was still touring in 2019, but is now officially retired’, and living in a secluded corner of Ireland,

© Paul Hemphill 2023 All rights reserved

The complete lyrics of McGoohan’s Blues follow the song below.

“I am not a number. I am a free man!” What was The Prisoner?

A Facebook group called Silver Screen Hub posted the following on 26 May 2025:

“What kind of mad genius builds a show like The Prisoner and drops it on 1967 television like a philosophical hand grenade? Patrick McGoohan, that’s who—a man too intense to play James Bond (he turned it down), yet too restless to stay in the spy-fi comfort zone of Danger Man. So he created something far weirder, more provocative, and utterly uncategorizable. The Prisoner  is what happens when a Cold War paranoia thriller gets hijacked by Kafka, Orwell, and a pinch of Lewis Carroll, then force-fed into a psychedelic blender. It starts like an espionage mystery, but by the end, we’re in a surreal, existential theme park ride where the rails vanish and the ride turns inward.

For the first batch of episodes, the hook is clean: Number Six resigns from British Intelligence for reasons unknown. He’s abducted and wakes up in the Village, a whimsically sinister resort-like prison where everyone has a number, no one uses names, and nothing is quite as it seems. Each new Number Two—those middle managers of manipulation—takes their turn trying to crack the riddle of his resignation. Why did he quit? Was he going to defect? Is he a threat, or just an enigma wrapped in a black turtleneck? It’s a classic “information is power” game, and Six refuses to play. That stubborn defiance—his relentless “I am not a number, I am a free man!”- is more than a catchphrase. It is the moral engine of the show.

But as the series barrels toward its final episodes, the narrative glue begins to melt. “Fall Out,” the finale, detonates any sense of traditional resolution. Suddenly we’re dealing with masked judges, dancing robed figures, Beatles songs, and an underground lair that feels like Monty Python got hired to direct 1984. The reveal—that Number One is, in fact, Number Six himself (or at least his own darker self)—doesn’t just bend the show’s premise, it vaporizes it. What began as a battle of wills between prisoner and captors transforms into a full-blown identity crisis. We’re left not with answers, but with allegory, ambiguity, and the unnerving suspicion that the Village isn’t just a place. It’s a condition.

So, why was Number Six in the Village? The surface-level answer is: because he quit and they couldn’t risk what he knew. But that’s just the narrative scaffolding. McGoohan had bigger fish to fry—he wasn’t interested in tidy spy plots. The Village, in the end, is less about geography and more about psychology. It’s conformity. It’s societal pressure. It’s the quiet terror of losing your individuality in a world that insists you define yourself by the systems you serve. Number Six’s imprisonment is the cost of his nonconformity—and maybe, his own unresolved ego. In that light, the final episodes aren’t incoherent so much as unflinchingly internal.

What makes The Prisoner brilliant—and infuriating—is that it never lets you settle. It evolves from a stylish spy series into a metaphysical character study, then swerves into satirical opera. No one episode is like the next. “The Chimes of Big Ben” feels like *Mission: Impossible* with better tailoring; “Living in Harmony” is a Western pastiche with mind control; “Once Upon a Time” is a claustrophobic descent into madness. And “Fall Out”? That’s McGoohan lighting the whole set on fire while cackling in Esperanto. The studio was stunned. Audiences were baffled. And fifty years later, we’re still unpacking it.

In Hollywood, that kind of swing-for-the-fences storytelling is rare, especially in an era when networks wanted neat resolutions and smiling leads. McGoohan didn’t care. He wrote, directed, and performed with the fevered conviction of a man trying to warn the world about something too dangerous to name. If Number Six is trapped in the Village, it’s because we all are. Our habits, our fears, our roles—we build our own prisons.T he Prisoner just had the guts to show us the bars.”

McGoohan’s Blues

Nicky my child he stands there with the wind in his hair
Wondering whether the water the wind of the where
I fear that someday he might ask me if mine is the blame
And I’ve got no reply save to tell him it’s all just a game
And Heather and I lay together and I was in love
She weighted up the gains and the losses and gave me the shove
The fear of mankind’s untogetherness pounds in my heart
The deceit of my friends the betrayals of which I am part
And O how the sea she roars with laughter
And howls with the dancing wind
To see my two feet standing here questioning

And I’m just a social experiment tailored to size
I’ve tried out the national machine and the welfare surprise
I’m the rich man the poor man the peace man the war man the beast
The festive consumer who ends up consumed in the feast
And my fife eyed promoter is clutching two birds in the bush
He’s a thief he’s as bad as the joker they’re both in the rush
He’s telling me Ghandi was handy and Jesus sold his ring
(Dunno who to, God maybe)
“And everyone knows dat dis dough’s gonna make me de king”

And O how the sea she roars with laughter
And howls with the dancing wind
To see my two feet standing here questioning

Meanwhile the ticket collectors are punching their holes
Into your memories your journeys and into your souls
Your life sentence starts and the judge hands you down a spare wig
Saying: “Get out of that and goodbye old boy have a good gig”
And the town label makers stare down with their gallery eyes
And point with computer stained fingers each time you arise
To the rules and the codes and the system that keeps them in chains
Which is where they belong with no poems no love and no brains

And O how the sea she roars with laughter
And howls with the dancing wind
To see my two feet standing there questioning

Meanwhile the TV commercials are sweeping the day
Brainwashing innocent kids into thinking their way
The wet politicians and clergymen have much to say
Defending desires of the sheep they are leading astray
And Ma’s favourite pop star is forcing a grin he’s a smash
Obliging the soft-headed viewers to act just as flash
The village TV hooks its victims on give away cash
The addicts are numbers who serve to perpetuate trash

And O how the sea she roars with laughter
And howls with the dancing wind
To see my stupid poetry shuffleing

And the bankers and tycoons and hoarders of money and art
Full up with baubles and bibles and full of no heart
Who travel first class on a pleasure excursion to fame
Are the eyes that are guiding society’s ludicrous aim
And the village is making its Sunday collection in church
The church wobbles ‘twixt hell and heaven’s crumbling perch
Unnoticed the money box loudly endorses the shame
As the world that Christ fought is supported by using his name

And O how the sea she roars with laughter
And howls with the dancing wind
To see my stupid poetry burbling

And the pin-striped sardine-cum-magician is packed in his train
Censoring all of the censorship filling his brain
He glares through his armour-plate vision and says “Hmm, insane”
The prisoner is taking his shoes off to walk in the rain
And the luminous green prima donna is sniffing the sky
She daren’t tread the earth that she’s smelling her birth was too high
Her bank balance castle is built on opinion and fear
Which is all she allows within three hundred miles of her ear

And O how the sea she roars with laughter
And howls with the dancing wind
To see my stupid poetry burbling

And I’ve seen all your pedestal values your good and your bad
If you really believe them your passing is going to be hard
And I’ve thought through our thought and I know that its blind silly season
Occurs when our reasoning is trying to fathom a reason
And if you really know it’s all a joke but you’re just putting me on
Well it’s sure a good act that you’ve got ‘cos you never let on
But if all of that supersale overkill world is for real
Well there’s nowhere to go kid so you might as well start to freewheel

And O how the sea she roars with laughter
And howls with the dancing wind
To see my two feet standing there burbling

And I had this dream in here same time as standing awake
These various visions rushed through as I giggled and quaked
The distant guns thunder my end and I duck for a while
Auntie Lily is handing me candy she chuckles I smile
And our village is where I was born and it’s where I will die
And I’ll never be able to leave it whatever I try
The ebb and the flow of the forces of life pass me by
Which is all that I’ll know from my birth to my last gasping sigh

And O how the sea she roars with laughter
And howls with the dancing wind
To see the dying lying there obeying

My age and my time
The blood fire wine and rhyme
That fills my dream reminds me of an atom in a bubble on a wave
That held its breath for one sweet second then was popped and disappeared
Into fruitful futilities meaningless meaning
Meaningless meaning

Under the toadstool lover down by the dream
Everything flowing over rainbows downstream
Silver the turning water flying away
I’ll come to see you sooner I’m on my way
And there’s a mirror that I’m looking straight through
And I get it
And there’s a doorway that I’m ducking into
To forget it
But flashing just beyond the sky the shattering midnight gathers
And reminding me behind my mind the earth quakes the sun flakes flutter

Over the mountain fairground
Candy flies stay
Under the moonshine fountain
I’m on my way
Lemon tree blossom ladies
Poured my tea
After the blue sky breezes following me
There’s a river that I’m making it with
And I know it
And I’m floating to I don’t care where
I just go it
But flashing just beyond the sky the shattering midnight gathers
And reminding me behind my mind the earth quakes the sun flakes flutter

Daffodil April petal hiding the game
Forests of restless chessmen life is the same
Tides in the sand sun lover watching us dream
Covered in stars and clover rainbows downstream
And the question in the great big underneath is forever
And the fanfare that I’m forcing through my teeth answers “Never”
But the flashing just beyond the sky the shattering midnight gathers
And reminding me behind my mind the earth quakes the sun flakes flutter

The pumpkin coach and the rags approach and the wind is devouring the ashes

So far away from home – the Diggers who fought in Spain

The Spanish Civil War was long, brutal and bloody, and medieval in its savagery. It was a war of armies and of militias, of men and women, of skirmishes and set-piece battles, of massacres and reprisals, and of wars within wars. It saw cities besieged and starved into surrender and towns destroyed by bombers and heavy artillery. It cut a swathe across the country leaving scars that endure to this day.

It became a proxy war for three dictators – Hitler, Mussolini and Stalin – who dispatched men and machines to fight under false flags in what would appear in retrospect to be a rehearsal for wars to come. It was a magnet for idealists and activists of disparate political creeds and from many lands who were to fight and die on both sides, including the celebrated International Brigades. It lured writers and poets who were to chronicle its confusion and carnage, including Ernest Hemingway, George Orwell, WH Auden, André Malraux and Arthur Koastler. Many perished, the most famous being the Spanish poet Federico García Lorca, murdered by Nationalist militia and buried in an unmarked grave, one of many unquiet graves scattered throughout the land.

We republish below a remarkable story of that long forgotten army in a long-forgotten war, and also, an article about the International Brigades.

See also, in In That Howling Infinite, Las Treces Rosas – Spain’s Unquiet Graves

I am the enemy you killed – Wilfred Owen’s solemn testament

If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

Poet Wilfred Owen died on 4 November 1918 – seven days before the guns fell silent in the war that people though would end all wars – as it turned out, the Treaty of Versailles became the peace that ended all peace.

That “old Lie,” from which his most famous poem Dulce et Decorum Est takes its title, comes from the Roman poet Horace. No bitter irony was intended, though, as Horace beseeched Romans to embrace the cleansing fire of a noble death.

In a brief article in the e-zine Quillette, titled The End of War Poetry, Simon British stand-up comic, satirist, writer, and broadcaster Simon Evans wrote:  “Privately, I still find the idea of young men gladly ploughing themselves back into the earth of their homeland unbearably moving. But after Owen, recreating such an ecstatic embrace of death in the service of a greater cause became as impossible as nailing Christ back onto the cross, or rather, nailing that cross back onto the wall”.

As Evans observes, the First World War at least gave us some of the most cherished and painfully beautiful verse in our history. “Poetry bubbled from the trenches in France as abundantly as methane, oaths, and blisters … [and] central to earlier war poetry was the tension between the terror, devastation, and death on one hand, and the opportunity for virtues like loyalty and honour on the other”.

Contemplating explanations, he writes that a junior officer’s prospects of survival were considerably worse than those of his men. According to one account, as little as six weeks. That might explain the poetry. Such a violently diminished life expectancy must have focused the mind wonderfully. World War Two was—on that score at least—considerably more democratic and egalitarian … By 1939, the culture had shifted for officers and men alike. The practice of soldiers carrying a slim volume of Browning or Keats, and of aspiring to emulate whoever was in their pockets, had passed. In 1914, the available persona of the poet was still vital—or seems so now, in sepia vignette. He was the sensitive man quietly scratching a wet match against sandpaper and putting it to a candle, careful not to wake the slumbering cattle. Ignoring the grotesque shadows that leapt in the dug-out, he would unfold his notebook, its neat ruled lines like trenches in which the words would hunker, later pressed against his breast as a Talisman once returned to his pocket. Working slowly through his exhaustion and his tobacco ration, setting down his impressions in bottled ink, striving with purpose to resolve the lunacy and the oceans of spilt blood just a few dark yards away”.

Second lieutenant Wilfred Owen, 25 years of age, was one of the last to die in a war that claimed 20 million dead and 20 million injured.  At least for the past half-centur­y, his poems have served as a prism through which the so-called Great War is viewed. But, despite being anthologised by his friend Siegfried Sassoon in 1920 and Edmund Blunden a decade later, they did not enter popular parlance until pacifist composer Benjamin Britten incorporated some of Owen’s most pot­ent verses in his War Requiem, written for the 1962 inauguration of the restored Coventry Cathedral

Gassed, John Singer Sargent 1919

Owen entered Britain’s national curriculum during the 1960s, and eventually the high school curricula of Commonwealth nations, which is where I first encountered him – and I was shocked by his viscer­al descriptions and implicit denunciations of war. He did not dwell on the causes but seemed to suggest that the sheer awfulness of military conflict between nations had stripped away all justifications.

“There had been many wars before, of course, but none where the poet was the soldier and, therefore, the intimate witness. This war was the rendering of wounds, both flesh and spiritual, by words”.

We republish below two excellent articles on Wilfred Owen and the poets of the First World War.

Othe posts in In That Howling Infinite: Dulce et Decorum est – the death of Wilfred Owen. A Son Goes To War – the grief of Rudyard Kipling and November 1918 – the counterfeit peace

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.

Gas! GAS! Quick, boys!—An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime.—
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.

In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

Qurba-n قُرْبان

Sacrifice -Rayner Hoff, Anzac Memorial, Hyde Park, Sydney

War poet Wilfred Owen: sweet and honourable lie 

Artwork: Sturt Krygsman.

Artwork: Sturt Krygsman.

Mahir Ali, Weekend Australian, 10th November 2018

During a visit to London in 1920, Bengali poet, philosopher and polem­icist Rabindranath Tagore receive­d an unexpected letter from a Mrs Susan Owen. She wished to share some information about her favourite son.

“It is nearly two years ago, that my dear eldest son went out to the War for the last time,” she wrote, “and the day he said Goodbye to me … my poet son said these wonderful words of yours … ‘when I leave, let these be my parting words: what my eyes have seen, what my life received, are unsurpassable’. And when his pocket book came back to me — I found these words written in his dear writing — with your name beneath.”

Tagore was something of a celebrity in Britain at the time, a white-bearded Indian sage who bore a resemblance to the then recently ­deceased Leo Tolstoy. He had won the Nobel Prize in Literature in 1913 on the strength, essentially, of Gitanjali, a collection of poetry he had translated from the original Bengali with the assistance of William Butler Yeats, which is the source for the aphorism that appealed to Owen’s son. That son, Wilfred, is likely to have perceived rather differently from Tagore the context of what each of them considered “unsurpassable”.

It is equally likely that the young Englishman was unfamiliar with Tagore’s thought-provoking critique of nationalism as well as the poem, compos­ed on the last day of the 19th century, that demonstrates a remarkable prescience about the maelstrom that sneaked up on Europe shortly afterwards:

The last sun of the century sets amidst the blood red clouds of the West and the whirlwind of hatred The naked passion of self-love of Nations, in its drunken delirium of greed, is dancing to the clash of steel and the howling verses of vengeance The hungry self of Nation shall burst in a violence of fury from its own shameless feeding For it has made the world its food …

A plate from <i>Poems by Wilfred Owen </i>(1920).

               A plate from Poems by Wilfred Owen (1920)

Wilfred Owen’s final foray into that maelstrom came in August 1918. He won a Military Cross shortly afterwards. But while the Armistice Day bells pealed on November 11, his family received a telegram informing them that Wilfred had been killed a week earlier — 100 years ago last Sunday — while leading the men under his command across the Sambre-Oise canal at Ors.

The second lieutenant was 25, his longevity abbreviated by a year even in comparison with the life span of his favourite predecessor poet, John Keats.

Unlike all too many of his contemporaries, though, Owen did not exactl­y die in vain. At least for the past half-centur­y, his poems have served as a prism through which the so-called Great War is viewed. But, despite being anthologised by his friend Siegfried Sassoon in 1920 and Edmund Blunden a decade later, they did not enter popular parlance until pacifist composer Benjamin Britten incorporated some of Owen’s most pot­ent verses in his War Requiem, written for the 1962 inauguration of the restored Coventry Cathedral.

Coincidentally, about the same time, a fellow composer appropriated a contemporary young poet’s verses as the centrepiece of his 13th symphony: Dmitri Shostakovich immortalised Yevgen­y Yevtushenko’s poem Babi Yar, which catapults from a reflection on an egregiously atrocious component of the Judeocide that accompa­nied World War II into a searing condem­nation of anti-Semitism. It also serves as a reminder that the “war to end all wars” not only did nothing of the kind but in fact sowed the seeds for an even more outrageous bloodbath.

Owen entered Britain’s national curriculum during the 1960s, and eventually the curricula of Commonwealth nations, which is where I first encountered him and was blown away by his viscer­al descriptions and implicit denunciations of war. He did not dwell on the causes but seemed to suggest that the sheer awfulness of military conflict between nations stripped away all justifications.

The alliteration and onomatopoeia of the sonnet Anthem for Doomed Youth made a powerful impression, but so did the realisat­ion that “those who die as cattle” were by no means restricted to Gallipoli or the Somme, and that “the stuttering rifles’ rapid rattle” continued to “patter out” all too many “hasty orisons”.

Dulce et Decorum Est stands out not only for nailing Horace’s destructive untruth about the value of patriotic sacrifice but also because gas attac­ks against unsuspecting victims remain par for the course on Middle Eastern battlefields — notably in Syria, where chlorine, used to such devastating effect in World War I, continues to serve as a favourite weapon for the Assad regim­e and some of its opponents.

Owen pictured a gas attack on a retreating column of comrades in which just one fails to fit “the clumsy (helmet) just in time”. “In all my dreams, before my helpless sight, / He plunges at me, guttering, choking, drowning,” he declares, comparing the soldier’s “hanging face” to “the devil’s sick of sin”, before going in for the kill, so to speak:

If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

The Latin translates as “it is sweet and honoura­ble to die for one’s country”, and Owen’s oeuvre offers incontrovertible evidence to the contrary.

He goes much further in Futility, whose title has been cited by scholars as a key to framing contemporary conceptions of the conflict. Yet in this poem Owen is questioning not just the war but the very point of life on earth. Again, it’s based on a single casualty, a human being the sun can no longer manage to revive after having roused it for so many years. “Was it for this the clay grew tall?” the poet asks: “O what made fatuous sunbeams toil / To break earth’s sleep at all?”

Then there’s Strange Meeting, a reinforcement of the trope whereby warriors in the battlefield come up against a foe who is a doppel­ganger, as in Bob Dylan’s relatively obscu­re early song John Brown, where the narrat­or informs his mother: “But the thing that scared me most was when my enemy came close / And I saw that his face looked just like mine.” In Owen’s case, the resemblance is not physical but spiritual, in a poem replete with the half-rhymes that distinguished his style; groined/groaned, moan/mourn, spoiled/spilled, mystery/mastery and so on.

He escapes “down some profound dull ­tunnel” to a “sullen hall”, and by the “dead smile” of an inmate who greets him “with piteou­s recognition in fixed eyes” knows that “we stood in Hell”. Back in the day, those socia­l democrats (synonymous at the time with socialists and communists) who had not fallen into the patriotic trap tended to describe a bayonet as “a weapon with a worker at both ends”. Owen sees a blade with a poet at both ends: “Whatever hope is yours, / Was my life also,” his new acquaintance tells him. “I went hunting wild / After the wildest beauty in the world … For by my glee might many men have laughed, / And of my weeping something had been left, / Which must die now. I mean the truth untold, / The pity of war, the pity war distilled­.” The poem concludes thus:

I am the enemy you killed, my friend.
I knew you in this dark: for so you frowned
Yesterday through me as you jabbed and killed.
I parried; but my hands were loath and cold.
Let us sleep now …

In The Parable of the Old Man and the Young, meanwhile, Owen subverts a key narrat­ive from the Old Testament to formul­ate his angst. An angel intervenes as Abraham prepares to murder his firstborn, Isaac, and offer­s a ram instead. “But the old man would not so, but slew his son / And half the seed of Europe one by one.” It’s unlikely he would have quarrelled with American “singer-journalist” Phil Ochs’s declaration almost a half-century later: “It’s always the old to lead us to the war / It’s always the young to fall / Now look at all we’ve won with the sabre and the gun / Tell me is it worth it all …”

It wasn’t, of course, just the seed of Europe that perished in the early 20th-century carnag­e. We never cease to be reminded how Australia answered the call — and paid proportionat­ely a higher price than any other country in what purportedly served as a nation­-building cull. Its effort was voluntary, a precursor to almost every Western-waged war through the 20th century and beyond — from Korea to Vietnam, Afghanistan and Iraq — to which our nation has contributed its young blood, chiefly as a means of ingratiating itself with its imperial “protectors”, and partly by regurgi­tating “the old Lie”.

But plenty of countries that were still colonie­s in 1914 also contributed their spawn — a million men in India’s case, as reflected in Trench Brothers, a play premiered in Brighton a couple of weeks ago. Besides, the Ottoman Empire was a participant, on Germany’s side, in the Great War, so substantial parts of the Middle East were not immune to the conflict. And the war’s last shots were fired in southern Africa, where the imperial urge had drawn several European nations, including Britain and Germany.

Owen wasn’t a conscientious objector by nature. As a Shropshire lad he was deeply religio­us, to the extent that initially the liturgy trumped his second love, poetry, and for a time he was expected to join the clergy. But better sense prevailed, and he was teaching in France when the war broke out. He returned home, joined up and underwent training, but wasn’t cast into the cauldron until January 1917. He was back home by midsummer, after having been blown out of a trench into a well. He recuperated at Craiglockhart Hospital near Edinburgh, a facility for the shell-­shocked, or those with what today would be designated as post-traumatic stress disorder.

It was there that he encountered Sassoon, an army captain who had been dispatched partly as means of silencing his increasingly trenchant anti-war propaganda.

Owen was familiar with the poetry of Sassoon, who was six years older, and tentatively approached him for an autograph before sharing his own efforts at wartime verse. In response, Sassoon combined constructive criticism with a great deal of encouragement, and soon enough the pent-up poems began pouring out of Owen.

Almost all of his best-known poems surface­d during the year or so between then and his demise, most of them emotions re­collected during the relative tranquillity of sojourn­s in his homeland. Among the first was The Send-Off, in which he compares soldiers on an outward bound train, their “faces grimly gay”, with “wrongs hushed-up”. He goes on to ask: “Shall they return to beating of great bells / In wild train-loads? / A few, a few, to few for drums and yells, // May creep back, silent, to villag­e wells, / Up half-known roads.”

In Exposure, we encounter frozen corpses as: “The burying-party, picks and shovels in ­shaking grasp, / Pause over half-known faces. All their eyes are ice, / But nothing happens.” In Mental Cases, there is the devastating verse: “Surely we have perished/ Sleeping, and walk hell; but who these hellish?”

In a draft preface to a planned 1919 collection of his verse, Owen wrote: “Above all, this book is not concerned with Poetry. The subject of it is War, and the pity of War. The Poetry is in the pity. Yet these elegies are to this generation in no sense consolatory. They may be to the next. All the poet can do to-day is to warn.’’

Less than 30 years later, Wilfred Burchett, the Australian who became the first Western journalist to witness the devastation of Hirosh­ima, prefaced his accoun­t with the words: “I write this as a warning to the world.”

Unheeded warnings remain one of the drivin­g forces of history’s chariot wheels, clogged as they are with much blood, but who can sensibly argue that they ought not to have been articulated? Who can say when we will ever learn, but it’s unlikely Owen would have disputed his contemporary Robert Graves’s reflectio­n on November 11, 1918:

When the days of rejoicing are over,
When the flags are stowed safely away,
They will dream of another ‘War to end Wars’
And another wild Armistice Day

Poets in action: How writers captured the horrors of the Great War

Warwick McFadyen, Sydney Morning Herald 2nd 

One hundred years ago today, Wilfred Owen, poet and soldier, had 24 hours to live. On November 4, 1918, Owen and his men were trying to cross a canal near Ors in France. As Owen was walking among his men, offering encouragement, German machine guns burst into action. Owen fell. He was one of the last to die in a war that claimed 20 million dead and 20 million injured. He was promoted to lieutenant the next day.

In the cruellest twist, Owen’s mother in Shrewsbury received the telegram of his death on November 11, Armistice Day, as the bells were ringing for peace.

A generation of young men marched to the front in World War I, often singing and with cheerful abandon, at least in the beginning, to be slaughtered.

Poetry would mourn the loss of a singular talent, whose star was just beginning to light the sky. Owen had seen but a handful of his poems in print before his death, aged 25. He had written all we have, in little more than 12 months, from August 1917.

The first collection, edited by Siegfried Sassoon, was published in 1920, and then in 1931 appeared an expanded collection. In the latter edition, editor Edmund Blunden wrote that Owen “was a poet without classifications of war and peace. Had he lived, his humanity would have continued to encounter great and moving themes, the painful sometimes, sometimes the beautiful, and his art would have matched his vision.”

Wilfred Owen had seen but a handful of his poems in print before his death, aged 25.

Apart from what are regarded as classics such as Anthem for Doomed Youth and Dulce Et Decorum Est, it is Owen’s preface to the collection that is as famous as the poems: “Above all I am not concerned with Poetry/ My subject is War, and the pity of War/ The Poetry is in the pity/ Yet these elegies are to this generation in no sense consolatory/ They may be to the next/ All a poet can do today is warn/ That is why the true Poets must be truthful.”

The First World War was a charnel house. A generation of young men marched to the front, often singing and with cheerful abandon, at least in the beginning, to be slaughtered. Poetry, unlike any time before or since, was the vehicle for their voices and those of bystanders. At first, it was celebratory, but as the days of carnage rolled on and on, truth came to be heard.

There had been many wars before, of course, but none where the poet was the soldier and, therefore, the intimate witness. This war was the rendering of wounds, both flesh and spiritual, by words.

Robert Giddings, in The War Poets, writes that “before 1914, when poets dealt with war it was to render it exotically or historically removed from immediate experience. War, in the hands of Macaulay, Tennyson, Arnold, Newboult and Aytoun, had all the conviction of modern television costume drama. There were two outstanding exceptions – Rudyard Kipling and Thomas Hardy.”

<i>Anthem for Doomed Youth</I> by Wilfred Owen is regarded as a classic.
    Anthem for Doomed Youth, World Archive 

The primacy of the poet in people’s lives a century ago can be seen in the immediate bringing into action of writers to support war aims. On September 2, 1914, only five weeks after war was declared, The Times, published a letter from the Poet Laureate, Robert Bridges, in which he likened the good soldiers of empire fighting the Devil. The image of the soldier as Christ was popular in these early stages, as was the theory that war was a necessary purification of nations. The government’s Propaganda Bureau enlisted writers such as Arthur Conan Doyle and G.K. Chesterton to promote Britain’s war aims. It took the pre-eminent war poet Sassoon to use the figure of Christ in a heightened awareness of spirit, flesh and suffering that had nothing to do with patriotism.

Professor Tim Kendall, in Poetry of the First World War, writes that during the war “poetry became established as the barometer for the nation’s values: the greater the civilisation, the greater its poetic heritage”. He believes that the “close identification of war poetry with a British national character persists to the present day”.

Siegfried Sassoon was among the poets who showed that there was art in death and suffering.
Siegfried Sassoon 

As to Australia’s war effort in poetry, despite more than 415,000 men enlisting (from a population of fewer than 5 million) with 60,000 killed and more than 150,000 injured or taken prisoner, the results hardly trouble the margins of anthologies.

As Geoff Page noted in Shadows from Fire: Poems and Photographs of Australians in the Great War, the literary efforts of those Australians with direct experience in the war were less than memorable. His intention with the book was to juxtapose recent poems “with Australians poems actually written during the conflict”.

“On closer examination, however, I found the quality of these latter poems to be depressingly low – especially when contrasted with those of the English war poets: Owen, Sassoon and Rosenberg . . . It rapidly became apparent that a much more appropriate and powerful record of the conflict could be found among the contemporary photographs held by the Australian War Memorial. These speak with a directness and truth seldom attempted, at that time, by our poets.”

By the end of 1914, two anthologies of wartime verse had been published. Many poets in the early years were no more than writers of patriotic doggerel. The Georgian movement, of pastoral whimsy, and gentle beauty, had found a cause in which to celebrate England. The modernism that had slowly been growing in Europe had not permeated English literary minds, but in the aftermath of the war it blossomed, seen no more so than in T.S. Eliot’s The Waste Land, published in 1922.

Dominic Hibberd and John Onions, in their book The Winter of the World, cite the work of historian Catherine Reilly in which she records 2225 British writers who experienced the war, and published poems of their experience. A quarter of the writers were women. By contrast Westminster Abbey honours 16 poets of WWI, all men: Richard Aldington, Laurence Binyon, Edmund Blunden, Rupert Brooke (“If I should die, think only this of me: That there’s some corner of a foreign field that is for ever England”), Wilfred Gibson, Robert Graves, Julian Grenfell, Ivor Gurney, David Jones, Robert Nichols, Owen, Sir Herbert Read, Isaac Rosenberg, Sassoon, Charles Sorley and Edward Thomas.

Since suffering and death were universal there were no frontiers in the writing of it, geographically, with Austrian Georg Trakl, German Alfred Lichtenstein, Italian Giuseppe Ungaretti, Canadian John McCrae and Frenchmen Guillaume Apollinaire and Henri Barbusse, or in gender, Edith Sitwell, Margaret Sackville, Alice Meynell and Vera Brittain, whose Testament of Youth is regarded as a masterpiece of the period.

This was the flowering that has not been captured again. The poets of the Second World War do not go much beyond Keith Douglas and Paul Celan.

It seems curious and strange now, but the biggest barricade to the acceptance of the war poets in the immediate years after came from the towering figure of Nobel Laureate W.B. Yeats.

The Oxford Book of Modern Verse 1892-1935, published in 1936, was edited by Yeats. It contained nothing from the war. Yeats defended his decision thus: “In poems that had for a time considerable fame, written in the first person, they made suffering their own. I have rejected these poems . . . passive suffering is not a theme for poetry. In all the great tragedies, tragedy is a joy to the man who dies, in Greece the tragic chorus danced. If war is necessary, or necessary in our time and place, it is best to forget its suffering, as we do the discomforts of fever, remembering our comfort at midnight when our temperature fell.”

Yeats was wrong, comprehensively so. But the glory was that Owen, Sassoon, Thomas, Rosenberg et al showed that there was art in death and suffering. The war poets found in the desolation of France and in the ruined bodies and spirits in hospital wards, a voice transcendent. Theirs was the fundamental expression of what it meant – still means – to be human. And there was a warning, but as history turned, no one was listening.

“Out there, we’ve walked quite friendly up to death;/ Sat down and eaten with him, cool and bland,/ Pardoned his spilling mess tins in our hand./ We’ve sniffed the green thick odour of his breath,/ Our eyes wept, but our courage didn’t writhe./ He’s spat at us with bullets and he’s coughed/ Shrapnel. We chorused when he sang aloft;/ We whistled while he shaved us with his scythe.” (The Next War, Wilfred Owen)

Siegfried Sassoon wrote in his diary of November 11: “The war is ended. It is impossible to realise. I got to London about 6.30 and found masses of people in streets and congested Tubes, all waving flags and making fools of themselves – an outburst of mob patriotism. It was a wretched wet night, and very mild. It is a loathsome ending to the loathsome tragedy of the last four years.”