The first Intifada … Palestine 1936

In 1929, there is violence at the Western Wall in Jerusalem – then a narrow alley named for Buraq, the steed with a human face that bore the Prophet Mohammed on his midnight journey to Jerusalem, and not the Kotel Plaza of today. The event, which was actually called the Buraq rising was incited by rumours that Jews planned to overrun the Haram al Sharif, the third holiest site in Islam. A massacre of Jews in Hebron in the south followed. These were a bleak precursor of the wars to come.

Fast forward to mid-April 1936. Following two incidents of killing carried out in by both Arabs and Jews, an Arab National Committee declared a strike in the city of Jaffa. National Committees were formed in other Palestinian cities and representatives of Arab parties formed the “Arab Higher Committee” led by Haj Amin al-Husseini. A general strike spread throughout Palestine, accompanied by the formation of Palestinian armed groups that started attacking British forces and Jewish settlements. Thus began the “Great Palestinian Revolt. It lasted for three years.

British troops run through Jerusalem’s’ Old City during the Great Revolt

Roots and fruits 

The ongoing struggle with regard to the existence Israel and Palestine is justifiably regarded the most intractable conflict of modern times. Whilst most agree that its origins lie in the political and historical claims of two people, the Jewish Israelis and the predominantly Muslim Palestinians for control over a tiny wedge of one-time Ottoman territory between Lebanon and Syria in the north, Jordan in the east, and Egypt to the south, hemmed in by the Mediterranean Sea. There is less consensus as to when the Middle East Conflict as it has become known because of its longevity and its impact on its neighbours and the world in general, actually began.

Was it the infamous Balfour Declaration of 1917 promising a national home for Jews in an Ottoman governate already populated by Arabs, or the secretive Sykes Picot Agreement that preceded it in 1916, staking imperial Britain’ and France’s claim to political and economic influence (and oil pipelines) in the Levant? Was it the establishment of the British Mandate of Palestine after the Treaty of Sèvres of 1922 which determined the dissolution of the defeated Ottoman Empire. Or was it the end of that British mandate and the unilateral declaration of Israeli independence in 1948 and the war that immediately followed?

In his book Palestine 1936: The Great Revolt and the Roots of the Middle East Conflict (Rowman & Littlefield, 2023) Israeli journalist and author Oren Kessler argues powerfully that the events in Mandatory Palestine between 1936 and 1939 shaped the subsequent history of the conflict for Israelis and Palestinians. The book identifies what was known at the time as The Great Revolt  as the first Intifada, a popular uprising which actually sowed the seeds of the Arab military defeat of 1947-48 and the dispossession and displacement of over seven hundred thousand Palestinian Arabs, which has set the tone of the conflict for almost a century.

It is a tragic history shared with knowledge in hindsight of the decades of violence and bloodshed in the region that followed. It begins in the time before Palestine became political entity, when mainly Eastern European Jews began settling in progressively larger numbers to the consternation of the Arab populace.

The 1936 conflict stemmed from questions of how to divide the land and how to deal with the influx of Jewish people – questions that remain relevant today. In an extensive interview coinciding with the book’s publication (republished below) Kessler notes that, for the Arab residents, the problem was one of immigration and economics; for the Zionists, it was about finding a home. These two positions soon became irreconcilable issues, leading to sporadic violence and then to continual confrontation.

He believes that the Revolt is the point when both sides really came to see the conflict as zero sum. insofar that whichever community had the demographic majority in Palestine would be the one that would determine its fate. However, in the 1920s, the Jews were so far from that majority that both sides were able to postpone the final reckoning. In the 1930s, the Jews threatened to become a majority, and this was the immediate precursor to the rising. There was no way that the objective of bringing as many Jews to the land as possible could be achieved without bringing about some serious Arab pushback.

It is Kessler’s view that it was during revolt that a strong sense of Arab nationalism in Palestine extended beyond the urban elites to all corners of the country. All segments of Arab society – urban and rural, rich and poor, rival families, and even to a large extent Muslim and Christian – united in the same cause against Zionism and against its perceived enabler, the British Empire. The Arab public in Palestine was becoming increasingly politically aware and consciously perceiving itself as a distinct entity – distinct from its brethren in Syria, in large part because it has a different foe: not simply European imperialism but this very specific threat presented by Zionism.

The British government made early efforts at keeping the peace, but these proved fruitless. And when the revolt erupted in 1936, it sent a royal commission to Palestine, known to history as the Peel Commission, to examine the causes of the revolt. It proposed in effect the first ‘two state solution.’ The Emir Abdullah of Transjordan publicly accepted this plan. The main rival clan to the Husseinis, the Nashashibis, privately signaled that they were amenable – not thrilled, but amenable. And their allies held the mayorships of many important cities – Jaffa, Haifa, and even Nablus, Jenin and Tulkarem, which today are centres of militancy. And yet the Mufti makes very clear that he regards this plan as a degradation and a humiliation, and all of these erstwhile supporters of partition suddenly realise that they are against partition.

Kessler believes that this is the point at which a certain uncompromising line became the default position amongst the Arab leadership of Palestine, with dire consequences for the Palestinians themselves, and when Yishuv leader David Ben Gurion saw an opportunity to achieve his long-standing objective of creating a self-sufficient Jewish polity, one that could feed itself, house itself, defend itself, employ itself, without any help from anyone – neither British or Arabs. When the Arabs called a general strike and boycott, cut all contacts with the Jewish and British economies and closed the port of Jaffa in Spring 1936, he lobbied successfully with the British to allow the Jews to open their own port in Tel Aviv, ultimately causing a lot of economic pain to the Arabs and helping the Jews in their state-building enterprise.

This is a mosaic history, capturing the chaotic events on the ground through snippets of action. And also, the people involved. 

There are heroes and villains aplenty in this relatively untold story. The urbane and erudite nationalists Muhammed Amal and George Antonius who strive for middle ground against increasingly insurmountable odds, and who died alone and exiled having failed to head off the final showdown that is today known as Al Nakba. The farseeing, resolute, and humourless Ben Gurion and the affable, optimistic Chaim Weizmann, who became Israel’s first prime minister and president respectively. The New York born Golda Meyerson, more of a realist than either leader, who would also one day become prime minister. The irascible revisionist Vladimir Ze’ev Jabotinski, the forebear of today’s virulent rightwing nationalists

The hardliner Mufti Haj Amin al Husseini, whose uncompromising stance, malign political influence, and conspiratorial association with the Nazis set the stage for a long general strike, the Great Revolt, and ultimately, the débâcle of 1948. The flamboyant rebel leaders, Syrian Izz al Din al Qassam, who is memorialized in the name of the Hamas military wing and a Gaza-made rocket, and Fawzi al Qawuqji. Qassam was gunned down by British soldiers during the revolt whilst Qawuqji lived on to become one of the most effective militia leaders in the war of 1948, and to perish therein. Both are remembered today as Palestinian martyrs whilst the Mufti is an arguably embarrassing footnote of history. There’s an article about his relatively unremarked death at the end of this post. 

Amin al-Husseini in 1929

And in the British corner, the well-intentioned high commissioners who vainly endeavoured to reconcile the claims of two aspirant nations in one tiny land, and quixotic figures like the unorthodox soldier Ord Wingate who believed he was fulfilling prophecy by establishing the nucleus of what would become the IDF (like many charismatic British military heroes, and particularly General Gordon and Baden-Powell, both admirers and detractors regarded him a potential nut-case); and the Australian-born ex-soldier Lelland Andrews, assistant district commissioner for Galilee, who also conceived of his mission as divinely ordained. Lewis was murdered by Arab gunmen and Wingate went down in an aeroplane over Burma during WW2.

There are appearances from among many others, Lloyd George, Winton Churchill and Neville Chamberlain, Adolph Hitler and Benito Mussolini, Franklin D Eisenhower and Joseph Kennedy.

The book highlights the work of powerful British functionaries in handling early confrontations: they are memorialized for starting commissions to study the matter and to generate ideas, though many of their ideas weren’t followed or were followed to ill effect. None solved the problem, making this account of the earliest days of the conflict all the more heartbreaking.

All under the shadow of the impending Shoah, and the inevitable showdown that would culminate in al Nakba.

The road to Al Nakba

Kessler argues that the Arab social fabric and economy are completely torn and shattered by the end of this revolt that in many ways the final reckoning for Palestine between Jews and Arabs – the civil war that erupts in 1947 – is actually won by one side and lost by the other nearly a decade earlier.

The final paragraphs of Kessler’s enthralling book are worth quoting because they draw a clear line between the events of the Great Revolt and the catastrophe, al Nakba, of 1948:

“For the Jews, perhaps the greatest shift was psychological. they had withstood of powerful sustained assault and lived to tell about it. One book on Zionist leaders” thinking in this era is titled Abandonment of Illusions. The belief of material gains would bring Arab consent now naïve and, worse, dangerous. Instead, by the end of the revolt and the start of the world war, much of Palestine’s Jewish mainstream had accepted the fact that the country’s fate would ultimately be determined and maintained by force.
 
“By 1939, the Yishuv had achieved the demographic weight, control of strategic areas of land, and much of the weaponry and military organization that would be needed as a springboard for taking over the country within less than a decade”, writes the Palestinian American historian Rasheed Khalidi.
 
Khalid argues that the Palestinian catastrophe of 1947 -1949 was predicated on a series of previous failures: “a deeply divided leadership, exceedingly limited finances, no centrally organized military forces or centralized administrative organs, and no reliable allies. They faced a Jewish society in Palestine which although small relative to theirs, was political unified, had centralized para-state institutions, and was increasingly well-led and extremely highly motivated”.
 
For Palestinians, he maintains, the Nakba – the catastrophe of their military drubbing, dispossession and dispersal – was but a forgone conclusion. For them, the terrible events that bookended the year 1948 “were no more than a postlude, a tragic epilogue to the shattering defeat of 1936- 39”.
 
The Great Revolt, Kessler says, has cast its shadow over the Israeli-Palestinian conflict ever since – for the Arabs, for the Jews, and for attempts to resolve the conflict. It is still remembered by Palestinians and Israelis alike. Palestinian folk songs still celebrate the revolt, and in my he regards the. BDS movement as direct descendant of the general strike that preceded the revolt. The two-state solution that is still the international community’s favoured solution to the conflict is but a variation of that original partition plan of 1937.

In so many ways, for both Israelis and Palestinians, this revolt rages on.

© Paul Hemphill 2024.  

Kessler’s interview in Fathom e-zine follows, together with serval informative articles on the Great Revolt and its aftermath

For more on Israel and Palestine in In That Howling Infinite, see: A Middle East Miscellany

The picture at the head of this post shows British troops marching through Ibn Khatib Square in 1936 past King David’s Citadel and towards the Jaffa Gate

British policemen disperse an Arab mob during the Jaffa riots in April 1936 (The Illustrated London News)

 

Jews evacuate the Old City of Jerusalem after Arab riots in 1936.

An interview with Oren Kessler

by Oren Kessler
 
 
3365748242
Great Arab Revolt, 1936-1939
A Popular Uprising Facing a Ruthless Repression
 
In 1936, widespread Palestinian dissatisfaction with Britain’s governance erupted into open rebellion. Several key dynamics and events can be seen as setting the stage for this uprising. In Palestine, as elsewhere, the 1930s had been a time of intense economic disruption. Rural Palestinians were hit hard by debt and dispossession, and such pressures were only exacerbated by British policies and Zionist imperatives of land purchases and “Hebrew labor.” Rural to urban migration swelled Haifa and Jaffa with poor Palestinians in search of work, and new attendant forms of political organizing emerged that emphasized youth, religion, class, and ideology over older elite-based structures. Meanwhile, rising anti-Semitism—especially its state-supported variant—in Europe led to an increase of Jewish immigration, legal and illegal, in Palestine.

Unsurprisingly, the combination of these various trends produced periodic upheavals, from the 1929 al-Buraq Uprising to multicity demonstrations in 1933 against the British Mandate. In October 1935, the discovery of a shipment of arms in the Jaffa port destined for the Haganah fueled Palestinian concerns that the Zionist movement was introducing the human and military resources necessary for its state-building project under the nose of the British. Meanwhile, the popular and populist Syrian Shaykh Izzeddin al-Qassam , who preached to the slum-dwelling rural transplants near Haifa’s rail yards and who had spent the early 1930s building a cell-based paramilitary network, was killed in a firefight with British forces in November 1935. Qassam’s funeral in Haifa elicited a mass outpouring of public outrage. These events are often seen as direct predecessors of the mass Palestinian uprising that took place in 1936.

The Great Palestinian Rebellion , or the Great Arab Revolt, as this uprising came to be known, lasted for three years and can be generally divided into three phases. The first phase lasted from the spring of 1936 to July 1937. With tensions throughout Palestine running high since the fall of 1935, the revolt was ignited in mid-April 1936 when followers of Qassam attacked a convoy of trucks between Nablus and Tulkarm , killing two Jewish drivers. The next day, the  Irgun killed two Palestinian workers near Petah Tikva , and in the following days, deadly disturbances ensued in Tel Aviv and Jaffa. In Nablus, an Arab National Committee was formed and a strike was called on 19 April. National Committees in other cities echoed the call to strike, and on 25 April the Arab Higher Committee (Lajna) (AHC) was formed, chaired by Haj Amin al-Husseini , to coordinate and support a nationwide general strike, which was launched on 8 May.

The strike was widely observed and brought commercial and economic activity in the Palestinian sector to a standstill. Meanwhile, Palestinians throughout the countryside came together in armed groups to attack—at first sporadically, but with increasing organization— British and Zionist targets. Some Arab volunteers joined the rebels from outside Palestine, though their numbers remained small in this period. The British employed various tactics in an attempt to break the strike and to quell the rural insurrection. The ranks of British and Jewish policemen swelled and Palestinians were subjected to house searches, night raids, beatings, imprisonment, torture, and deportation. Large areas of Jaffa’s Old City were demolished, and the British called in military reinforcements.

Concurrent with military operations and repressive measures, the British government dispatched a commission of inquiry headed by Lord Peel to investigate the root causes of the revolt. In October 1936, under the combined pressure of British policies, other Arab heads of state, and the effects of a six-month general strike on the Palestinian population, the AHC called off the strike and agreed to appear before the Peel Commission . A period of lower intensity conflict prevailed as the Peel Commission toured the country, but tensions continued to build in anticipation of the commission’s report. In July 1937, the Peel Commission published its report, recommending Palestine’s partition into Jewish and Arab states. Dismayed by this negation of their desires and demands, the Palestinian population relaunched their armed insurgency with renewed intensity, initiating the second phase of the revolt.

This second phase, lasting from July 1937 until the fall of 1938, witnessed significant gains by the Palestinian rebels. Large swaths of the hilly Palestinian interior, including for a time the Old City of Jerusalem , fell fully under rebel control. Rebels established institutions, most significantly courts and a postal service, to replace the British Mandate structures they sought to dismantle. The British, meanwhile, imposed even harsher measures to try to quash the revolt. The AHC and all Palestinian political parties were outlawed, political and community leaders were arrested, and a number of high-profile public figures exiled. The military aspects of counterinsurgency intensified, and British tanks, airplanes, and heavy artillery were deployed throughout Palestine. The British also meted out collective punishment: thousands of Palestinians were relegated to “detention camps”; residential quarters were destroyed; schools were closed; villages were collectively fined and forced to billet British troops and police. Zionist military institutions took advantage of the situation to build up their capacities with British support. By early 1939, members of the Jewish Settlement Police (about 14,000) were subsidized, uniformed, and armed by the British government as a thinly veiled front for the Haganah, and so-called Special Night Squads  comprising Jewish and British members launched “special operations” against Palestinian villages.

The third phase of the rebellion lasted roughly from the fall of 1938 to the summer of 1939. The British dispatched another commission of inquiry, this one headed by Sir John Woodhead , to examine the technical aspects of implementing partition. In November 1938, the Woodhead Commission report concluded that partition was not practicable, marking a certain British retreat from the Peel recommendation. At the same time, however, the British launched an all-out offensive: in 1939 more Palestinians were killed, more were executed (by hanging), and nearly twice as many were detained than in 1938. Such brutality placed immense pressure on the rebels, exacerbating rifts between the political leadership of the AHC exiled in Damascus and local leadership on the ground, between rebel bands and village populations that were expected to support and supply them, and ultimately between Palestinians who remained committed to the revolt and those willing to reach a compromise with the British. British-supported Palestinian “Peace Bands” were dispatched to battle their compatriots.

In May 1939, the British government published a new White Paperthat proposed the following: Britain’s obligations to the Jewish national home had been substantially fulfilled; indefinite mass Jewish immigration to and land acquisition in Palestine would contradict Britain’s obligations to the Palestinians; within the next five years, no more than 75,000 Jews would be allowed into the country, after which Jewish immigration would be subject to “Arab acquiescence”; land transfers would be permitted in certain areas, but restricted and prohibited in others, to protect Palestinians from landlessness; and an independent unitary state would be established after ten years, conditional on favorable Palestinian-Jewish relations.

The combined impact of Britain’s military and diplomatic efforts brought the rebellion to an end in the late summer of 1939. Over the revolt’s three years, some 5,000 Palestinians had been killed and nearly 15,000 wounded. The Palestinian leadership had been exiled, assassinated, imprisoned, and made to turn against one another. At the same time, the White Paper—despite its limitations—offered certain concessions to the rebels’ demands. Whatever gains Palestinians might have made through the revolt, however, were quickly overtaken by the larger geopolitical processes of World War II , and the combined British-Zionist assault on Palestinian political and social life during the revolt had a long-lasting impact.

 
Selected Bibliography:

Anderson, Charles W. “State of Formation from Below and the Great Revolt in Palestine.” Journal of Palestine Studies 47, no. 1 (Autumn 2017): 39-55.

Hughes, Matthew. “From Law and Order to Pacification: Britain’s Suppression of the 1936–1939 Arab Revolt in Palestine.” Journal of Palestine Studies 39, no.2 (Winter 2010): 6–22.

Kanafani, Ghassan. The 1936–39 Revolt in Palestine.

Shbeib, Samih. “Poetry of Rebellion: The Life, Verse and Death of Nuh Ibrahim during the 1936–39 Revolt.” Jerusalem Quarterly 25 (Winter 2006): 65–78.

Sufian, Sandy. “Anatomy of the 1936-39 Revolt: Images of the Body in Political Cartoons of Mandatory Palestine.” Journal of Palestine Studies 37, no.2 (Winter 2008):  23–42.

Swedenburg, Ted. Memories of Revolt: The 1936–1939 Rebellion and the Palestinian National Past. Fayetteville: University of Arkansas Press, 2003.

Britain says releasing a 1941 document about Palestine might ‘undermine security’

A two-part archive, labeled “Activities of the Grand Mufti of Jerusalem” and dated 1940-1941, sits in Britain’s National Archives in Kew. This writer successfully had the first part declassified in 2014. The second part remains sealed. My 2018 attempt to have these ten pages declassified was refused on the grounds that the archive might “undermine the security of the country [Britain] and its citizens.”[1] None of its secrets are to be available until January, 2042; and if the paired file is any precedent, even in 2042 it will be released only in redacted form.

The ‘Grand Mufti’ in the archive’s heading is Haj Amin al-Husseini, the Palestinian leader whom posterity best remembers for his alignment with the Italian and German fascists; and the years 1940-1941 place him not in Palestine, but in Iraq — and if the second archive extends to late 1941, in Europe. What could possibly be hidden in a World War II document about a long-dead Nazi sympathizer that would present such a risk to British national security eight decades later, that none of it can be revealed? At present, only the UK government censors know; but the answer may have less to do with the fascists and al-Husseini than with British misdeeds in Iraq, and less to do with Britain’s national security than with its historical embarrassment.

When in 1921 votes were cast for the new Mufti of Jerusalem, Amin al-Husseini came in last among the four candidates. But votes in Palestine mattered as little then as they do now, and the British, Palestine’s novice replacement occupiers for the Ottomans, handed the post to al-Husseini. At first, he proved to be an asset to the British. But as the years passed, his opposition to Zionism, support for Palestinian nationalism, and ultimately his involvement in the 1936 Palestinian uprising, led to calls for his arrest.

Photograph labelled 'Arab demonstrations on Oct. 13 and 27, 1933. In Jerusalem and Jaffa. Return of Grand Mufti from India. Met by hundreds of cars at Gethsemane, Nov. 17, 1933.'

“ARAB DEMONSTRATIONS ON OCT. 13 AND 27, 1933. IN JERUSALEM AND JAFFA. RETURN OF GRAND MUFTI FROM INDIA. MET BY HUNDREDS OF CARS AT GETHSEMANE, NOV. 17, 1933.” LIBRARY OF CONGRESS, LC-M33- 4218.

In mid-October of 1937, he fled from hiding in Palestine to Beirut. Two years later and six weeks after the outbreak of World War II, in mid-October of 1939, he slipped to Baghdad, where his sympathies for the Italian fascists further alarmed the British. Fast-forward another two years to late 1941, and al-Husseini is in Europe, meeting with Benito Mussolini on the 27th of October, and on the 28th of November meeting with the Führer himself at the Reich Chancellery in Berlin.

Al-Husseini’s motivation for embracing the Axis was likely a combination of selfish political opportunism and the belief that the alignment would help safeguard against the takeover of Palestine by the Zionists. The reasoning, however grotesque, was the same used by Lehi (the ‘Stern Gang’) in its own attempted collaboration with the fascists: Britain was the obstacle both to Palestinian liberation, and to unbridled Zionism, and for both the Mufti and Lehi, defeating that obstacle meant embracing its enemies. Even the ‘mainstream’ David Ben-Gurion had no moral qualms about taking advantage of Britain’s struggle against the Nazis — a struggle for which his Jewish Agency was already conspicuously unhelpful — by exploiting Britain’s post-war vulnerabilities.[2]

Posterity has treated Lehi’s and the Mufti’s flirtations with the fascists quite differently. Lehi, the most fanatical of the major Zionist terror organizations, was transformed into freedom fighters, and ex-Lehi leader Yitzhak Shamir was twice elected as Israeli Prime Minister. In contrast, Zionist leaders quickly seized on al-Husseini’s past to smear not just him, but the Palestinians as a people, as Nazis.

The use of al-Husseini’s unsavory history to ‘justify’ anti-Palestinian racism continues to the present day. Most bizarrely, in 2015 Israeli Prime Minister Benjamin Netanyahu claimed that Hitler had not intended to exterminate the Jews — that is, not until al-Husseini planted the words in his ear — which translates as “got the idea from the Palestinians”. A private citizen would likely have been arrested under German law for this attempt to rewrite the Holocaust.

The mufti of Jerusalem, Sayid Amin al Husseini, meets with Hitler, November 1941.

THE MUFTI OF JERUSALEM, SAYID AMIN AL HUSSEINI, MEETS WITH HITLER, NOVEMBER 1941.

Iraq won limited independence in 1932, just before the Nazis came to power. When the Mufti ensconced himself in Iraq seven years later, the country was under nominally ‘pro-British’ Prime Ministers, and Regent ‘Abd al-Ilah for the four-year-old king, Faisal II. This uneasy British-Iraqi equilibrium ended on first day of April 1941, when four Iraqi officers known as the Golden Square, wanting full independence (and similarly aligning themselves with the fascists in the foolish belief that doing so would help them get it), staged a coup d’état. It lasted two months. British troops ousted the coup on the first day of June — and as they did, anti-Jewish riots rocked Baghdad. An estimated 180 Jewish Iraqis were killed and 240 wounded in this pogrom known as the Farhud.

Why would the momentary power vacuum of the British takeover lead to anti-Jewish terror? While doing research for my 2016 book, State of Terror, I was intrigued by the claim of one Iraqi Jewish witness, Naeim Giladi, that these ‘Arab’ riots were orchestrated by the British to justify their return to power.[3] Indeed, the riots seemed unnatural in a society where Jews had lived for two and a half millennia, and the “pro-Axis” Golden Square takeover two months earlier had not precipitated any such pogrom. Yet it was also true that Zionism had created ethnic resentment, and Giladi did not question that junior officers of the Iraqi army were involved in the violence. The evidence provided by Giladi was compelling enough to seek out clues among British source documents that were not available to him.

And that, along with the hope of shedding new light on the Mufti’s pro-fascist activities, brought me to the archive at issue and my qualified (redacted) success in getting the first part declassified– officially titled, CO 733/420/19. Not surprisingly, much of the file focused on legitimate worry over the Mufti’s dealings with the Italian fascists. Some of the British voices recorded considered him to be a serious threat to the war effort, and a report entitled “Inside Information” spoke of the Mufti’s place in an alleged “German shadow government in Arabia”. Others dismissed this as “typical of the sort of stuff which literary refugees put into their memoirs in order to make them dramatic” and suggested that the Mufti’s influence was overstated.

Whatever the case, by October 1940, the Foreign Office was considering various methods for “putting an end to the Mufti’s intrigues with the Italians”, and by mid-November,

it was decided that the only really effective means of securing a control over him [the Mufti] would be a military occupation of Iraq.

British plans of a coup were no longer mere discussion, but a plan already in progress:

We may be able to clip the Mufti’s wings when we can get a new Government in Iraq. F.O. [Foreign Office] are working on this”.

So, the British were already working on re-occupying Iraq five months before the April 1941 ‘Golden Square’ coup.

A prominent thread of the archive was: How to effect a British coup without further alienating ‘the Arab world’ in the midst of the war, beyond what the empowering of Zionism had already done? Harold MacMichael, High Commissioner for Palestine, suggested the idea “that documents incriminating the Mufti have been found in Libya” that can be used to embarrass him among his followers; but others “felt some hesitation … knowing, as we should, there was no truth in the statement.”

But frustratingly, the trail stops in late 1940; to know anything conclusive we need the second part’s forbidden ten pages: CO 733/420/19/1.

The redacted first part partially supports, or at least does not challenge, Giladi’s claim. It proves that Britain was planning regime change and sought a pretext, but gives no hint as to whether ethnic violence was to be that pretext. Interestingly, Lehi had at the time reached the same conclusion as Giladi: its Communique claimed that “Churchill’s Government is responsible for the pogrom in Baghdad”.[4]

Does the public have the right to see still-secret archives such as CO 733/420/19/1? In this case, the gatekeepers claimed to be protecting us from the Forbidden Fruit of “curiosity”: They claimed to be distinguishing between “information that would benefit the public good”, and “information that would meet public curiosity”, and decided on our behalf that this archive fit the latter.[1] We are to believe that an eight-decade-old archive on an important issue remains sealed because it would merely satisfy our lust for salacious gossip.

Perhaps no assessment of past British manipulation in Iraq would have given pause to the Blair government before signing on to the US’s vastly more catastrophic Iraqi ‘regime change’ of 2003, promoted with none of 1940’s hesitation about using forged ‘African’ documents — this time around Niger, instead of Libya. But history has not even a chance of teaching us, if its lessons are kept hidden from the people themselves.

Note: According to Giladi, the riots of 1941 “gave the Zionists in Palestine a pretext to set up a Zionist underground in Iraq” that would culminate with the (proven) Israeli false-flag ‘terrorism’ that emptied most of Iraq’s Jewish population a decade later. Documents in Kew seen by the author support this. But to be sure, the Zionists were not connected with the alleged British maneuvers of 1941.

1. Correspondence from the UK government, explaining its refusal to allow me access to CO 733/420/19/1:

Section 23(1) (security bodies and security matters): We have considered whether the balance of the public interest favours releasing or withholding this information. After careful consideration, we have determined that the public interest in releasing the information you have requested is outweighed by the public interest in maintaining the exemption. It is in the public interest that our security agencies can operate effectively in the interests of the United Kingdom, without disclosing information that would assist those determined to undermine the security of the country and its citizens.

The judiciary differentiates between information that would benefit the public good and information that would meet public curiosity. It does not consider the latter to be a ‘public interest’ in favour of disclosure. In this case, disclosure would neither meaningfully improve transparency nor assist public debate, and disclosure would not therefore benefit the public good.

2. Ben-Gurion looked ahead to when the end of the war would leave Britain militarily weakened and geographically dispersed, and economically ruined. He cited the occupation of Vilna by the Poles after World War I as a precedent for the tactic. For him, the end of WWII only presented an opportunity for the takeover of Palestine with less physical resistance; it also left Britain at the mercy of the United States for economic relief, which the Jewish Agency exploited by pressuring US politicians to make that assistance contingent on supporting Zionist claims to Palestine. At a mid-December 1945 secret meeting of the Jewish Agency Executive, Ben-Gurion stressed that “our activities should be directed from Washington and not from London”, noting that “Jewish influence in America is powerful and able to cause damage to the interests of Great Britain”, as it “depends to a great extent on America economically” and would “not be able to ignore American pressure if we succeed in bringing this pressure to bear”. He lauded Rabbi Abba Silver in the US for his aggressiveness on the issue, while noting that he was nonetheless “a little fanatical and may go too far”. (TNA, FO 1093/508). The Irgun was more direct in 1946, stating that Britain’s commuting of two terrorists’ death sentences and other accommodations to the Zionists “has been done with the sole purpose to calm American opposition against the American loan to Britain”. (TNA, KV 5-36). Meanwhile, in the US that year Rabbi Silver’s bluntness on the tactic worried Moshe Shertok (a future prime minister). Although like Ben-Gurion, Shertok said that “we shall exploit to the maximum the American pressure on the British Government”, in particular the pre-election period (and in particular New York), but urged “care and wisdom in this” so as not to give ammunition to “anti-Zionists and the anti-semites in general”. Shertok criticized Silver for saying publicly that “he and his supporters opposed the loan to be granted to the British Government”. (TNA, CO 537/1715)

3. Suárez, Thomas, State of Terror: How Terrorism Created Modern Israel[Skyscraper, 2016, and Interlink, 2017]; In Arabic, هكذا أقيمت المستعمرة [Kuwait, 2018]; in French, Comment le terrorisme a créé Israël[Investig’Action, 2019]
Giladi, Naeim, Ben-Gurion’s Scandals: How the Haganah and the Mossad Eliminated Jews [Dandelion, 2006]

4. Lehi, Communique, No. 21/41, dated 1st of August 1941

Update: This post originally referred to the “four-year-old Prime Minister, ‘Abd al-Ilah,” not the four-year-old King Faisal under Regent ‘Abd al-Ilah. Commenter Jon S. corrected us, and the post has been changed.

The day the Mufti died 

Yes, Hajj Amin al-Husayni collaborated with the Nazis, but that’s not why he was dropped from the Palestinian narrative 

Martin Kramer, Times of Israel Blogs, July 5, 202

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“To His Eminence the Grand Mufti as a memento. H. Himmler. July 4, 1943.” Israel State Archives.

Fifty years ago, on July 4, 1974, Hajj Amin al-Husayni, the “Grand Mufti” of Jerusalem, passed away in Beirut, Lebanon, at the American University Hospital. At age 79, he died of natural causes. The Mufti had faded from the headlines a decade earlier. In 1961, his name had resurfaced numerous times during the Jerusalem trial of Adolf Eichmann. But a couple of years later, the Palestinian cause gained a new face in Yasser Arafat. With that, the Mufti entered his final eclipse.

When he died, the Supreme Muslim Council in Jerusalem asked the Israeli authorities for permission to bury him in the city. Israel refused the request. Any Palestinian who wanted to attend the funeral in Lebanon would be allowed to do so, but the Mufti of Jerusalem would not be buried in Jerusalem. Instead, the Mufti was laid to rest in the Palestinian “Martyrs’ Cemetery” in Beirut.

The Mufti was appointed to his position by the British in 1921. Within the British Empire, authorities preferred to work through “native” institutions, even if they had to create them on the fly. So they established a supreme council for Palestine’s Muslims and placed the Mufti at its helm. Although he lacked religious qualifications, he came from a leading family and appeared capable of striking deals.

In fact, he used his position to oppose the Jewish “National Home” policy of the Mandate. The “Arab Revolt” of 1936 finally convinced the British that he had to go, and in 1937 he fled the country.

After a period in Lebanon, he ended up in Iraq, where he helped foment a coup against the pro-British regime. When British forces suppressed the coup, he fled again, making his way through Tehran and Rome to Berlin. There, the Nazi regime used him to stir up Arabs and Muslims against the Allies. He was photographed with Hitler and Himmler, recruited Muslims to fight for the Axis, and attempted to secure promises of independence for colonized Arabs and Muslims. None of his efforts met with much success. His role, if any, in the Holocaust is a contested matter. Hitler and his henchmen hardly needed any prompting to execute their genocidal plans. Clearly, though, the Mufti rooted for Jewish destruction from the fifty-yard line.

After the Nazi collapse, he fell into French hands and spent a year in comfortable house detention near Paris. Later, he fled to Egypt and subsequently moved in and out of Syria and Lebanon. Following the Arab debacle of 1948, Egypt established an “All Palestine Government” in the refugee-choked Gaza Strip, leaving the presidency open for the Mufti. It didn’t last long. He continued to maneuver through Arab politics, but he was yesterday’s man to a new generation of Palestinians born in exile. During the Eichmann trial, the prosecution sought to implicate the Mufti as an accomplice. Yet the Mossad never came after him, and he didn’t die a martyr’s death.

Man without a country

The Mufti was a formidable politician. In 1951, a State Department-CIA profile of him opened with this evocative enumeration of his many talents, which is worth quoting at length:

King of no country, having no army, exiled, forever poised for flight from one country to another in disguise, he has survived because of his remarkable ability to play the British against the French, the French against the British, and the Americans against both; and also because he has become a symbol among the Arabs for defending them against the Zionists. His suave penchant for intrigue, his delicate manipulation of one Arab faction against another, combined with the popularity of his slogan of a united Muslim world, has made him a symbol and a force in the Middle East that is difficult to cope with and well nigh impossible to destroy. The names of Machiavelli, Richelieu, and Metternich come to mind to describe him, yet none of these apply. Alone, without a state, he plays an international game on behalf of his fellow Muslims. That they are ungrateful, unprepared, and divided by complex and innumerable schisms, does not deter him from his dream. 

Profilers would later write similar things about Arafat, but the Mufti had none of Arafat’s cultivated dishevelment. He was manicured, even chic:

The Mufti is a man of striking appearance. Vigorous, erect, and proud, like a number of Palestinian Arabs he has pink-white skin and blue eyes. His hair and beard, formerly a foxy red, is now grey. He always wears an ankle length black robe and a tarbush wound with a spotless turban. Part of his charm lies in his deep Oriental courtesy; he sees a visitor not only to the door, but to the gate as well, and speeds him on his way with blessings. Another of his assets is his well-modulated voice and his cultured Arabic vocabulary. He can both preach and argue effectively, and is well versed in all the problems of Islam and Arab nationalism. His mystical devotion to his cause, which is indivisibly bound up with his personal and family aggrandizement, has been unflagging, and he has never deviated from his theme. For his numerous illiterate followers, such political consistency and simplicity has its advantages. The Mufti has always known well how to exploit Muslim hatred of ‘infidel’ rule. 

So why did the Mufti fade into obscurity? (By 1951, he was on his way out.) Many mistakenly believe his collaboration with Hitler and the Nazis discredited him. It didn’t. Not only did the Arabs not care, but Western governments eyed the Mufti with self-interest. The general view in foreign ministries held that he had picked the wrong side in the war, but not more than that.

The above-quoted American report expressed this view perfectly: “While the Zionists consider him slightly worse than Mephistopheles and have used him as a symbol of Nazism, this is false. He cared nothing about Nazism and did not work well with Germans. He regarded them merely as instruments to be used for his own aims.” If so, why not open a discreet line to him and let him roam the world unimpeded?

Nakba stigma

What finally discredited the Mufti in Arab opinion, where it mattered most, was his role in the 1948 war. It was a war he wanted and believed his side would win. In late 1947, the British sent someone to see if there might be some behind-the-scenes flexibility in his stance on partition, which he had completely rejected. There wasn’t. He explained:

As regards the withdrawal of British troops from Palestine, we would not mind. We do not fear the Jews, their Stern, Irgun, Haganah. We might lose at first. We would have many losses, but in the end we must win. Remember Mussolini, who talked of 8,000,000 bayonets, who bluffed the world that he had turned the macaronis back into Romans. For 21 years he made this bluff, and what happened when his Romans were put to the test? They crumbled into nothing. So with the Zionists. They will eventually crumble into nothing, and we do not fear the result, unless of course Britain or America or some other Great Power intervenes. Even then we shall fight and the Arab world will be perpetually hostile. Nor do we want you to substitute American or United Nations troops for the British. That would be even worse. We want no foreign troops. Leave us to fight it out ourselves. 

This underestimation of the Zionists proved disastrous, even more so than his overestimation of the Axis. He later wrote his memoirs, blaming “imperialist” intervention, Arab internal divisions, and world Zionist mind-control for the 1948 defeat. To no avail: his name became inseparable from the Nakba, the loss of Arab Palestine to the Jews. His reputation hit rock bottom, along with that of the other failed Arab rulers of 1948.

Upon his death in 1974, he received a grand sendoff in Beirut from the PLO. In 1970, Arafat had transferred the PLO headquarters from Jordan to Lebanon, and the funeral finalized his status as the sole leader of the Palestinian people. Four months later, Arafat addressed the world from the podium of the UN General Assembly, achieving an international legitimacy that the Mufti could never have imagined.

The PLO then dropped the Mufti from the Palestinian narrative; nothing bears his name. Even Hamas, which inherited his uncompromising rigidity and Jew-hatred, doesn’t include him in their pantheon. (Their man is Izz al-Din al-Qassam, a firebrand “martyr” killed by the British in 1935.)

If anyone still dwells on the Mufti, it’s the Israelis, including their current prime minister, who find him useful as a supposed link between the Palestinian cause and Nazism. One can understand Palestinians who push back on this; the Mufti was no Eichmann. But that doesn’t excuse Palestinian reluctance to wrestle candidly with the Mufti’s legacy. He personified the refusal to see Israel as it is and an unwillingness to imagine a compromise. Until Palestinians exorcise his ghost, it will continue to haunt them.

 

Can Lebanon free itself from Hezbollah’s grip?

Contrary to what many of the historically uniformed opponents of Israel and the US and its allies might think as they rush to judgement on the streets of western cities, the current Israeli Lebanese war (the third of that name) did not begin with the wired pagers and walkie talkies and the killing of much of Hezbollah’s leadership, including its chief, Hasan Nasrallah. It started the day after the Hamas’ murderous assault on Israel’s border communities on October 7th last year, when, ostensibly as a show of solidarity for Hamas and Gaza and with theocratic Iran’s tacit approval, the Lebanese Hezbollah began launching drones and missiles at northern Israel – some 9,000 to date – forcing the evacuation of probably up to 100, 000 citizens to safer areas to the south – where they remain to this day.

Yet, it is only now, a year later, that there are calls internationally for a ceasefire. I’ve seen glaciers move faster! Not that messianic jihadis are much into ceasefires, let alone surrender. It’s not in their doomsday DNA – they’d sooner burn down the house with themselves and their co-religionists inside, as they have done in Gaza.

There is no question that Hezbollah had it coming and that Israel’s strikes have been perfectly justifiable. Hezbollah committed a series of gross miscalculations and grievous strategic blunders. Nasrallah’s delusions of power were his undoing. Now it remains to be seen if Hezbollah can survive the devastation it has suffered in the last two weeks, and more critical for the rest of the world, if the conflict escalated into a regional war in which Israel and Its allies have to confront Iran’s “Ring of Fire”, its “Axis of Resistance” – a war that is actually now being waged on seven fronts: Gaza, the West Bank, Lebanon, Syria, Iraq, Iran – and world opinion.

Anyone who is willing to bet for or against an escalation between Israel and Iran should quit gambling. While the United States’ involvement endeavours to avert further escalation, this is like trying to put toothpaste back in the tube: theoretically possible, practically impossible. Remember the ludicrous American and Israeli concept of “escalate to de-escalate” from merely a week ago. Unpredictable developments and spiraling escalation obviously outpace analysis

Hezbollah members carry the coffins of two commanders during a funeral procession in Beirut’s southern suburbs on September 25. AP

Slouching towards Beirut

The Sydney Morning Herald provided an excellent summary of how the Shia Hezbollah came to create a parasitic state within a state and to dominate Lebanon’s politics, economy and society, outman and outgun the meagre Lebanese army, and to potentially threaten the country’s survival. Like Hamas, its Sunni counterpart in Gaza, it is an Iran-funded messianic, fundamentalist organization dedicated to the elimination of Israel, and the theocratic Islamic Republic of Iran’s most important proxy in the “Axis of Resistance” to the Jewish state and the United States and its allies, a keystone in its Ring of Fire strategy. And also like Hamas, its jihadi ideology, evident in its name, The Party of God, does not permit compromise let alone surrender.

On 27th September, Tom McTague, the political editor of the UK e-zine Unherd wrote in an article called Why Lebanon can’t be saved:

“Today, Lebanon is a dead state, eaten alive by Hezbollah’s parasitic power. The scale of the catastrophe in the country is hard to comprehend, much of it caused by the disruptive nature of Syria’s civil war. Since its neighbour’s descent into anarchic hell, some 1.5 million Syrians have sought refuge in Lebanon — a tiny country with a population of just 5 million. But, more fundamentally, with Hezbollah fighting to protect Bashar al Assad, the opposing countries — led by Saudi Arabia — began withdrawing funds from Lebanese banks. This sparked a financial crisis that left Lebanon with no money for fuel.

By spring 2020, the country had defaulted on its debts, sending it into a downward spiral which the World Bank in 2021 described as among “the top 10, possibly top three, most severe crises globally since the mid-nineteenth century”. Lebanon’s GDP plummeted by around a third, with poverty doubling from 42% to 82% in two years. At the same time, the country’s capital, Beirut, was hit by an extraordinary explosion at its port, leaving more than 300,000 homeless. By 2023 the IMF described the situation as “very dangerous” and the US was warning that the collapse of the Lebanese state was “a real possibility”.

With Iranian support, however, Hezbollah created a shadow economy almost entirely separate from this wider collapse. It could escape the energy shortages, while creating its own banks, supermarkets and electricity network. Hezbollah isn’t just a terrorist group. It is a state within a state, complete with a far more advanced army. “They may have plunged Lebanon into complete chaos, but they themselves are not chaotic at all,” as Carmit Valensi, from the Institute for National Security Studies at Tel Aviv University, told the Jerusalem Post.

Then came 7 October, after which Hezbollah tied its fate to that of the Palestinians, promising to bombard Israel with rockets until the war in Gaza was brought to a close. We have witnessed the frightening scale of its power over the past year, its bombardment forcing some 100,000 Israelis from their homes in Galilee to the safety of the Israeli heartlands around Tel Aviv. For the first time since modern Israel’s creation, the land where Jews are able to live in their own state has shrunk; the rockets are a daily reminder of the country’s extraordinary vulnerability, threatened on all sides by states who actively want it removed from the map – even from history itself. The pretense (in the walk of the Abraham Accords brokered by the US between Israel and a number of ‘friends’ Arab autocracies that the Palestinian and Lebanese questions could be contained, ignored or bypassed as part of a wider grand strategy to contain Iran has been shattered”.

The day after

Some commentators are more upbeat than McTague about Lebanon’s prospects in the event of the weakening if not outright removal of Hezbollah’s stranglehold on Lebanese life. I republish two such below.  Both acknowledge that this would not be easy.

Hezbollah’s command-and-control infrastructure is in tatters. But the Iranian control of Syria gives Hezbollah significant strategic depth, and, despite the recent losses, Hezbollah is a very large organization that is deeply woven into Lebanon’s Shia population, the largest sect in the country. But the events of the past two have seen the mystique around Hezbollah broken. Its prestige, built on “resistance” to Israel, has been irreparably damaged – not least by the revelation of how extensively Israeli spies have infiltrated its ranks. Hezbollah’s ability to dominate Lebanon is open to challenge in a way it has not been for decades. The end could well be nigh for the terrorist group.

As Israeli commentator Zvi Bar’el, wrote in Haaretz on 28 September:

“Even if Israel succeeds in destroying the entire stock of Hezbollah missiles that threaten it, the arms that remain in the organization’s hand will continue to serve as a whip threatening Lebanon’s domestic front so long as the country has no effective, equipped and trained army that can contend with Hezbollah. Iran fears that this lever is now liable to lose its power in the face of the heavy blows suffered by Hezbollah, which may lead to the Lebanese public to rear its head, considering the very heavy price it has had to pay for the war that is not its own, whose rationale has not been defense of the homeland, but assisting Hamas.

The Lebanese public and in particular the political rivals to Hezbollah, despite the sharp criticism that has intensified during the war, and in particular over the past two weeks, has still not taken to the streets to confront the organization. The political harmony between Hezbollah’s rivals has not yet ripened, their internecine revulsion and hate rivals what they feel toward Hezbollah, and there is no certainty that even in the face of the destruction of Lebanon will they be able to close ranks. Hezbollah is still demonstrating fighting ability despite the loss of its senior commanders, and the political road map that now appears optimal may disappear if a regional confrontation begins following the expected Israeli strike against Iran.

But the Lebanese have already demonstrated their power several times in the country’s recent history. In 2005, they drove the Syrian forces out of the country following the assassination of Prime Minister Rafik al-Hariri, and in 2008, they violently confronted Hezbollah in a clash that killed dozens. They have toppled governments and forced the replacement of ministers, and most of all, in contrast to Gaza, they have a country that offers a collective national structure that they believe has been undermined by Iran, by way of Hezbollah.

With more than a million Lebanese uprooted from their homes, and Hezbollah’s social and health services no longer capable of responding to the needs of the homeless and wounded, forcing the group to rely on the services of the government it aspired to replace – Iran’s strategic challenge is to prevent a situation in which the country and its people will reject, or at least erode, Hezbollah’s status as the party that determines the nation’s policy and character.’

But the way ahead is daunting. Lebanon was in dire straits even before October 7th.

An economic crisis that began in 2019 and a massive 2020 port explosion for which Hezbollah was partly responsible, have left Lebanon struggling to provide basic services such as electricity and medical care. Political divisions have left the country of 6 million without a president or functioning government for more than two years, deepening a national sense of abandonment. Reeling from years of economic dysfunction brought on by corruption and the presence of perhaps over a million refugees. A comprehensive international effort is needed to rebuild its political, economic, and military institutions. Yet critical aid and reconstruction money has been withheld precisely because of exasperation with Hezbollah’s corrupting presence in the country.

Lebanon must be freed of Hezbollah and Iran, and it should not be left up to Israel and its highly problematic Netanyahu government. The international community needs to take an active role in supporting Lebanon’s recovery and resisting Iranian interference. The UN Security Council can start the process by demanding the implementation of the United Nations Security Council resolution 1701 which was intended to resolve the 2006 Lebanon War. It was unanimously approved by the Security Council  and the Lebanese cabinet.

That resolution called for a full cessation of hostilities between Israel and Hezbollah; the withdrawal of Israeli forces from Lebanon to be replaced by Lebanese and United Nations Interim Force in Lebanon (UNIFIL) forces deploying to southern Lebanon; and the disarmament of armed groups including Hezbollah, with no armed forces other than UNIFIL and Lebanese military south of the Litani River which flows about 29 km north of the border. As of 2024, the resolution was not fully implemented. Hezbollah and other armed groups in southern Lebanon have not withdrawn at all; in particular, Hezbollah has since significantly increased their weapons capabilities

For more on Lebanon in In That Howling Infinite, see Lebanon’s WhatsAPP intifada, Pity the Nation and O Beirut – songs for a wounded city 

Hezbollah leader Hasan Nasrullah

The Day After Nasrallah: Lebanon’s Government Is Unsure How to Handle the ‘Historic Opportunity’ Ahead

With Nasrallah gone, Lebanon has a unique opportunity to envision a post-Hezbollah reality, yet the militant organization still maintains a tight grip on the country. They will not permit the government to secure a diplomatic solution acceptable to Israel.

Zvi Bar’el H

A little more than 20 years after the execution of Saddam Hussein and the end of his reign of terror, and about 13 years after the Arab Spring overthrew a number of dictators, a show of euphoria is resolutely predicting that Hezbollah Secretary General Hassan Nasrallah’s death will “change the map of the Middle East,” accompanied by proposals and work plans meant to take advantage of the opportunity to redraw that “dream map.”

The obvious starting point for this imagined renaissance is Lebanon, whose most significant political, economic and military center since the civil war ended in 1989 with the signing of the Taif Agreement, has now been damaged. The uniqueness and importance of the Taif Agreement was that it sought to shatter the confessional structure of the government that gave Christians a majority in the government and its institutions, as well as in the companies affiliated to it and in the army.

The agreement stipulated that Christians would no longer have an automatic majority in parliament, based on a population census conducted in 1932. Instead, its 128 seats would be divided equally between Christians (and other non-Muslim minorities) and Muslims, a definition that also included the Druze and the Alawite. In the important secondary division of the Muslim sects, 27 seats were allocated to Sunnis and 27 seats to Shi’ites.

At the base of this division was the aspiration that no single sect would ever be able to rule the country exclusively; for a government to be established, each sect would have to form a coalition with other sects that would share the political and economic spoils.

At the time, this structure was seen as an appropriate solution to ending the 15-year civil war. It did not build better politics in the country, but it did give Lebanon years of stability. This structure has not changed and it is not expected to change even after the removal of Nasrallah and Hezbollah’s military leaders; it is anchored in the Lebanese constitution, which no one currently intends to change.

The Taif agreement has led to the formation of trans-confessional coalitions, but they brought the country to economic collapse and to the brink of bankruptcy and political paralysis: In this situation, the rival parties cannot agree on a president, and since it is the president who appoints the prime minister it is then impossible to form a permanent government to make the critical decisions necessary to rescue the state from the crisis.

In an interview with Yossi Melman, former Mossad chief Tamir Pardo said, “The Israeli government should announce loudly and clearly that Lebanon is a single entity, and that the Lebanese government bears sole responsibility for every act of aggression that comes out of Lebanon. That the territory known to the world as Lebanon has one government, one flag and one army. That any negotiations to end the war and determine security arrangements will only take place with the Lebanese government. This war could be ended within hours from the moment Israel makes this clear and the international community acknowledges the fact that there is only one single legal entity in Lebanon.”

This is a statement that rests on admirable theoretical foundations, but they are detached from the reality of Lebanon and above all from the reality of the torn, crazy patchwork quilt known as the “Lebanese government.” It is true that any negotiations must be conducted with the Lebanese government, and that the country has “one government,” but it is a government with cabinet members who serve on behalf of Hezbollah who, together with their coalition partners from the Amal movement and, until recently, Gebran Bassil’s Christian party the Free Patriotic Movement, hold the government and the country by the throat, with or without Nasrallah. To bring about the “historic change,” Lebanon will have to hold a new general election, which at the present is about as likely as appointing a president or implementing economic reforms.
Lebanon has “one flag and one army,” but in practice it has two armies: the official one, headed by the Christian general Joseph Aoun, who has been mentioned as a candidate for the presidency; and the “Hezbollah army.” Even after all of the latter’s long- and medium-range missiles are destroyed and it no longer poses a threat to Israel, it will still have enough weapons to threaten Lebanon’s internal security and its own political rivals.
The Lebanese Army, on the other hand, is a ghost army. On paper, it has an estimated 80,000 or so soldiers, as well as a token navy and air force, lacking air defenses that could protect Lebanon’s skies from hostile attacks. Above all, it is a bankrupt army, that relies on Qatar and America for the wherewithal that allows the force to pay its soldiers their monthly wages of about $100. Many soldiers on the army’s payroll take on odd jobs in order to support their families.
Hezbollah’s fighters have no such problems. Their salaries are much higher, with a funding pipeline that relies on tremendous assistance from Iran and on the organization’s resources outside of Lebanon, without forgoing their share from the state budget.
During and before the war, Jean-Yves Le Drian, French President Emmanuel Macron’s special envoy to Lebanon, and U.S. President Joe Biden’s envoy Amos Hochstein have presented an operating plan to implement UN Security Council Resolution 1701, in particular the section that prescribes that the Lebanese Army and UNIFIL will deploy in southern Lebanon and prevent the establishment of Hezbollah forces up to the Litani River.

The plan includes recruiting, training, equipping, and arming 15,000 more men for the Lebanese Army and it even has the consent of Prime Minister Najib Mikati’s government, which announced an initial plan to recruit 5,000 “volunteers”. Paralleling the deployment of these forces, when their recruitment and training is completed, Lebanon and Israel will negotiate to mark their land border, which is supposed to neutralize Hezbollah’s grounds for pursuing the conflict with Israel.

Only one element was missing in the plan to complete its implementation: Hezbollah’s agreement. Although Nasrallah hinted that he would not oppose any decision that the Lebanese government would make on the issue of demarcating the border, he stressed that he was only prepared to discuss it after a cease-fire in Gaza. Even after his death, Hezbollah MPs and ministers will continue to be committed to this position.

It may be assumed that if the Lebanese government decides to initiate the plan with Hezbollah’s consent, the Lebanese Army or any international body that goes to Lebanon to help implement the settlement will encounter violent resistance by Hezbollah, for which they will not need long-range missiles. Assault rifles, machine guns, grenades, and IEDs will suffice.

Nonetheless, there is a chance for a turnaround and implementation of the diplomatic action plan, and it lies in establishing a strong political coalition that will adopt the French-American action plan. The key figure for this measure is the Speaker of Parliament Nabih Berri, who, until now, served as Nasrallah’s representative in all negotiating issues on settlements, a cease-fire, and contact with the West.
Berri, 86, is a veteran and sophisticated political battle fox, who has made a fortune estimated at tens of millions of dollars (other estimates mention a billion dollars), and enjoys broad support in the Shi’ite community. In the last elections, in 2022, his party won 15 seats, compared to Hezbollah’s 12.
Nasrallah’s removal may give Berri a major political edge, which if he can exploit to build a supporting coalition, he will be able to navigate Lebanon toward a diplomatic and military settlement or even finally bring about the appointment of the country’s president. And yet, even with his new position of political power, Berri cannot ignore or bypass Hezbollah’s position if he wants to implement a settlement that will satisfy Israel.
To help Berri and the Lebanese government make the “right” decision, it is possible to try and mobilize international pressure, offer financial rewards for Lebanon or threaten sanctions, but it should also be remembered that they have all been applied to Lebanon, before and during the war, without leaving their stamp on Lebanese politics.
It seems that the map of the new Middle East that will begin in post-Nasrallah Lebanon will have to find a different cartography department to draw it.

Without Hezbollah, Lebanon’s Economy Could Rise Out of the Ashes

It’s a long shot, but even amid financial crisis, dysfunctional government and brain drain, Lebanon has many of the raw materials to start over

David Rosenberg., Haaretz, Oct 1, 2024
As it turns out, things could get a lot worse. As Israelis hail a decisive victory over Hezbollah, Lebanon is being pummeled by Israeli bombs. Hundreds of thousands of residents in the south have fled for fear of Israeli airstrikes. The government – three years later, still a caretaker without a president – not only can’t defend the country, it has done nothing to help the refugees or care for the wounded. “They have no money and they have no control over what’s happening on the ground,” Mark Daou, a lawmaker, told The New York Times.
The old chestnut about Lebanon being the Switzerland of the Middle East is nothing more than a fun fact out of the distant past for the history books. The last time Beirut could boast of being a major banking center was before its civil war erupted in 1975. Today, it would be better described as the Somalia of the Middle East, with warlord No. 1 being Hezbollah.
Yet the Somalia comparison isn’t entirely fair. Amid all the dysfunction and chaos in Lebanon, there remains considerable latent potential to return to the glory days.
Rebuilding the economy will not be easy. The government is hopelessly corrupt and ineffectual, as evidenced by the fact that five years into the biggest peace-time economic collapse since the 19th century, it has not even proposed a recovery plan. It is heavily in debt and since it defaulted, can no longer tap the international financial market for funds. Infrastructure is in shambles. The state power company doesn’t come close to meeting electricity demand, leaving Lebanese to rely on private generators. The only way an ordinary Lebanese can get his or her money out of the bank is by robbing it.
In the short term, the economy may be even worse off without Hezbollah, which the hundreds of millions of dollars a year it received in Iranian funding was spent on local goods and services. Lebanon also stands to lose the export receipts from Hezbollah’s drug smuggling, arms and cigarette smuggling, and currency counterfeiting mainly in Latin America.
There is also a risk that Israel’s successful assault on Hezbollah over the past two weeks could set off a new round of sectarian fighting in Lebanon and destroy the last remnant of political stability and a functioning economy. “The demolition of Hezbollah’s capabilities will likely embolden its opponents and anti-Iranian forces within Lebanon,” Imad Salamey, an expert on Lebanon at the Lebanese American University, told Al-Jazeera television.
But the reverse could also happen: the elimination, or at least the significant weakening, of Hezbollah could remove its baleful influence and enable Lebanon to begin rebuilding its decimated economy.
Silver lining
Among other things, Lebanon would have to contend with far fewer Western sanctions, most of which are directed at Hezbollah and affiliated institutions. It is just possible that freed of Hezbollah interference, a government can finally be formed. Aid and investment from the Gulf and the West may be forthcoming for the first time in years.
Perhaps a more intense effort to find natural gas off Lebanon’s Mediterranean coast will get underway. Lebanon’s enormous diaspora – estimated at 15.4 million, almost three times the domestic population – could be a source of capital and for opening up foreign markets, just as the Jewish diaspora was for Israel in the past. There is even a silver lining to Lebanon’s feckless government, namely less government red tape and low taxes.
But in the end, Lebanon’s economic fate will depend on its people, or more precisely its human capital. Without significant natural resources or a domestic market to support industry, the future will depend on its becoming a knowledge economy, one based on technology and sophisticated services, as Tarek Ben Hassen, a Qatar University economist, proposed in a recent article.
Not surprisingly, even in 2019, before the roof caved in, Lebanon had long ceased to be a globally competitive economy. The World Economic Foundation’s Global Competitiveness Report that year ranked Lebanon 88th of 141 countries, one notch below Tunisia and one above Algeria – not the kind of neighbors a self-respecting country would want on this league table.
But on a few critical metrics, Lebanon came out looking much better. It placed 24th on graduates’ skill sets, 23rd on digital skills and 26th for imparting critical thinking in primary school teaching. And, these rankings probably understate Lebanon’s talent base: Like many countries, they are an average between a highly skilled elite and a less skilled majority. But a knowledge economy can get started with a small elite, if it is sufficiently capable.
Lebanon has another knowledge economy asset in its system of higher education. Despite all the economic and political vicissitudes of the last few years, six Lebanese universities are ranked among the world’s top 1,000 (top-ranking American University of Beirut comes in at 250), according to the QS World University Rankings for 2025.
And although it is not much in evidence these days amid economic collapse (the WEF ranked Lebanon 74th in 2019 for entrepreneurial culture), Lebanon has a long history of entrepreneurship stretching back to the days of the Phoenicians. Lebanese labor costs for engineers and the like are low. These kinds of numbers are a good foundation for a knowledge economy. The catch is that they reflect the situation as it was in 2019; since then, the collapse of the economy caused the country’s traditionally high rate of emigration to balloon 4.5-fold in 2020 and 2021. Many of those who fled were Lebanon’s best and brightest, and the young who contend with a youth unemployment rate of nearly 50 percent.
If Lebanon can get its act together, it may be able to lure many of these expatriates back. The knowledge that Hezbollah is no longer casting its shadow over the country will certainly be an incentive. The wreckage that Lebanon is today may be seen by the most ambitious and entrepreneurial as an opportunity.
With or without Hezbollah, establishing relations with Israel is unlikely. But if Lebanon were to do that and establish a warm peace involving trade, tourism and business deals, like the one between Israel and the other Abraham Accord countries, the road to a thriving economy would be that much shorter.

Welcome to Country, a symbol of mutual respect

We aknowledge the Gumbaynggirr People, the traditional custodians of the Land we are standing upon, and the Land from the Tablelands to the sea; and who have been here for over sixty-five thousand years. We also pay respect to Elders past, present and emerging of the Gumbaynggirr nation and to other Aboriginal and First Nation people present.

Today, at public gatherings and meetings, at carnivals and ceremonials, at conferences and conventions, many of us recognize and acknowledge our first peoples as the traditional owners of this land and acknowledge elders past, present and future.

Last year, among Murdoch’s myrmidons and his stablemates on Foxtel’s Sky after Dark, Chris Kenny was the only advocate for the Indigenous Voice to Parliament.

In the an opinion piece republished below, he writes: “In my view they have become a welcome and useful addition to our national culture. However, there is no reason they should be treated as some sacred rite, beyond criticism or even a laugh … In recent weeks there has been more anger and outrage rather than laughter over welcomes to country, and much of it is entirely unreasonable. It is clear some Australians resent them; we often hear people completely misconstrue the sentiment by declaring they do not want to be “welcomed to their own country”.

On the first anniversary of the unsuccessful Voice referendum, the Sydney Morning Herald reported that leading No campaign spokesperson Nyunggai Warren Mundine had said that debate on the Voice provoked a more profound national discussion about whether Indigenous people should have what he termed “special rights”. He says progressives and conservatives he spoke to during the campaign wanted practical improvements on issues such as education but were sick of gestures such as welcome to country ceremonies. “People like the concept but it goes overboard when it is every meeting at work and every plane when you land. It’s like a new religion, like the new saying of grace before meals. The Yes people haven’t realised they are actually turning people against them by overkill.”

Much of the antagonism towards Welcome to Country has indeed been fuelled by the divisive hangover of the referendum. In its aftermath, there was talk among some right-wing commentators, including former Liberal prime minister Tony Abbott, and organizations like Advance Australia, that the time had come to see off the irritatingly woke and ubiquitous welcomes and acknowledgements. The “silent majority” of Australians, they claimed, had made their view known with the resounding rejection of the Indigenous Voice to Parliament. The attacks have expanded and amplified on talkback radio and by some of Kenny’s colleagues on Sky News (particularly the opinionated and misanthropic swamp creatures of Sky After Dark) which had run a news-stream dedicated to promoting the No case.

But the reality is that these expectations have not been realized and that regardless of the unfortunate outcome of the referendum of October 14th, 2023, the Welcome to Country is alive and well among Australians of goodwill throughout our wide land.

I concur with what Kenny writes, including his admonition that the ritual ought not be overdone and inappropriate, such as in events wherein a local Indigenous representative offers an official welcome to country, and then every speaker feels the need to share their own version of recognition in well-intentioned but redundant virtue-signalling.

There are also instances where welcomes and acknowledgements can be too political and aggressive. Declaring that “sovereignty was never ceded”, or demanding that we defer to a particular culture can be interpreted as is an unwelcome and uncomfortable imposition and is not the reason people may have turned up to a particular event.

Back in July 2022, when The Voice was a hopeful prospect, the ABC’s Q&A programme was hosted by the indigenous Garma Festival in the Northern Territory. Its MC, Stan Grant, journalist, writer, academic and a Wiradjuri man, defined sovereignty in the context of the indigenous Voice to Parliament and the Uluru Statement from the Heart as a spiritual concept. White folk associate it with powers and thrones, with control over states and nations and their citizens, with ownership, particularly of territory, of land, of real estate. Country, as Kenny concludes in his opinion piece, does not mean a sovereign nation, but rather, the traditional lands of indigenous people – just as these routinely talk about going back to their traditional family regions as being “on country”.

To some Welcome to Country  might be a “woke” imposition, but to many others, it is a mark of respect and an acknowledgment of our history. To borrow from Mark Twain, reports of its death have been greatly exaggerated.

I’m quite relaxed  and comfortable about that …

For more in In That Howling Infinite on on Indigenous Australians and The Voice Referendum, see:

Welcomes to country are a mark of mutual respect

Brendan Kerin gave a brilliantly welcoming and informative speech prior to the GWS Giants and Brisbane Lions game at Sydney Olympic Park. Picture: Fox Sports

Brendan Kerin gives a Welcome to Country at Sydney Olympic Park.  Fox Sports

Welcomes to country and recognitions of traditional owners have rapidly become ubiquitous, if not universally embraced. They continue to spark unnecessary controversy and acrimony.

In my view they have become a welcome and useful addition to our national culture. However, there is no reason they should be treated as some sacred rite, beyond criticism or even a laugh.

Early on, I was sceptical and remember two decades ago, when working for then foreign minister Alexander Downer, we were at a function at the Adelaide Convention Centre, built over the city’s main railway station, and Downer was on stage waiting to speak when then Democrats senator Natasha Stott-Despoja began her remarks by recognising the “traditional owners”. It was quite a novel and woke gesture at the time, and I texted Downer asking why we needed to recognise the South Australian railways?

Boom Tish! The private quip was just to see the amusement on Downer’s face, and I wasn’t dis­appointed.

In recent weeks there has been more anger and outrage rather than laughter over welcomes to country, and much of it is entirely unreasonable. It is clear some Australians resent them; we often hear people completely misconstrue the sentiment by declaring they do not want to be “welcomed to their own country”.

Kenny acknowledges that there were rational and reasonable reasons to oppose the referendum, but “it was clear then and is perhaps even more obvious now that a sizeable minority voted no because they did not want to hear from their Indigenous compatriots again”.

A welcome to country speech is made ahead of the International Test Match between the Wallabies and Georgia at Allianz Stadium in Sydney in July. Picture: Getty

 Welcome to country speech of the International Test Match between the Wallabies and Georgia at Allianz Stadium in Sydney in July. Getty

Much of this antagonism has been fueled by the divisive hangover from the unsuccessful voice referendum. During that debate, Marcia Langton said that if the no vote prevailed it might be difficult for Indigenous elders to accept invitations to provide welcomes to country.

This understandably emotional reflection has been twisted into a promise to abandon the ceremonies if the referendum failed and thrown back at Professor Langton and Indigenous Australians ever since, with demands for the promise to be honoured. As a voice advocate, I was at pains to point out there were rational and reasonable reasons to oppose the referendum, but it was clear then and is perhaps even more obvious now that a sizeable minority voted no because they did not want to hear from their Indigenous compatriots again.

“Controversial Welcome to Country at AFL semi-final sparks bitter backlash,” screamed the Daily Mail this week after Brendan Kerin performed the ceremony at the GWS Giants versus Brisbane Lions match at Homebush. The story quoted social media posts saying: “What a disgrace, referring to BC as Before Cook and then lecturing everyone” and “Woke Joke. Australia has fallen.”

Others pointed out, in a chippy display, that there would be no AFL if Captain Cook had not voyaged to Australia. Our nation’s history is not a zero-sum equation.

The attacks were expanded and amplified on talkback radio and by some of my colleagues on Sky News. In my view, Kerin’s speech was brilliantly welcoming and informative, and genuinely aimed at explaining why these ceremonies are not about welcoming people to Australia.

Kerin said the ceremony had existed for 250,000 years BC, which he explained as “Before Cook” drawing laughs from the crowd. Sure, the figure he used was ridiculous (homo sapiens are only known to have existed for 200,000 years) but let us call that poetic license – his point was that welcome to country ceremonies existed in ancient Indigenous cultures as a way for members of one tribe or language group to gain permission to traverse or visit the country of another group.

“Within Australia we have many Aboriginal lands, and we refer to our lands as ‘country’,” Kerin said. “So it’s always a welcome to the lands you’ve gathered on – a welcome to country is not a ceremony we’ve invented to cater for white people.”

That was a terrific and generous explainer. Country does not mean a sovereign nation but the lands of that people – just as Indigenous people routinely talk about going back to their traditional family regions as being “on country”.

Dancers perform during the welcome to country before the friendly between AC Milan and AS Roma in Perth in May. Picture: Getty

Dancers perform during the welcome to country before the friendly between AC Milan and AS Roma in Perth in May. Getty

Major sporting events are occasions when these ceremonies are most appropriate; the crowd was about to enjoy a terrific game of a sport Indigenous Australians love, claim some role in creating, and excel at. And Kerin was there to welcome people, not to their nation, but to that particular region, letting them know about the ­cultural history of that place, and inviting them to have a wonderful night. It astounds me that anyone could find this anything but up­lifting, adding to the richness of the experience.

Sometimes welcomes to country are overdone and inappropriate. I have been to events where they open proceedings with a local Indigenous representative doing an official welcome to country, but then every speaker feels the need to share their own version of recognition, as if they have to tick it off for fear of being seen to boycott the gesture.

Even online meetings can ­labour under the same endless ­virtue-signalling. This sort of stuff is over the top and unnecessary, and in the end, it must be counterproductive because it generates eye-rolling or open resistance.

There are also instances where welcomes to country can be too political and aggressive. Telling us that sovereignty was never ceded, or demanding that we defer to a particular culture, is not welcoming. Especially at sporting, artistic or entertainment events, any sort of political lecturing is an unwelcome imposition – it is not the reason people have turned up.

Ancient tribal practices about visiting other tribal lands were very different and varied across the continent, so it is true that the modern welcome to country model has only been around for about 40 years. This does not delegitimise it; rather it correctly identifies it as a modern cultural evolution to help bring Indigenous and non-Indigenous Australians together.

In these pages last month, Melbourne barristers Lana Collaris and Georgina Schoff aired a spirited legal debate about whether a welcome to country is appropriate for law council meetings. My view is that it is hardly necessary in such a context.

More to the point, if people try to invest some legal weight to the custom – with references to “nationhood” and “sovereignty” – they will kill it off. I too object to the “first nations” terminology which has been imported from the US and is heavily politicised.

Welcomes to country work best and will survive best if we keep ­politics and legality right out of it. At heart, it is simply about people sharing their histories and offering a hand of friendship.

Just like toasts at birthday parties or speeches at weddings, these things are sometimes over-cooked or strike the wrong chord. Other times they just seem completely inappropriate and out of place – last year I heard a recorded welcome to country on a bus from Melbourne’s Spencer Street station to Tullamarine.

But conducted properly at the right events, this practice enriches all of us and furthers reconciliation. As I travel around Australia I find it fascinating to know which Aboriginal group covers which territory, and it is terrific that children learn this at school.

That does not mean that we need to change the names of our cities or places, and it does not mean that schools should send kids on a guilt trip. However, it does mean we can have a richer sense of our history, one that stretches at least 40,000 years BC.

When I have travelled in Ireland, for instance, I have wanted to know which county I am in and learn a little about its unique history, likewise the states of the US. And in America I have wanted to know a little about the indigenous groups, the Sioux or Lakota, Cherokee, Cheyenne and Navajo, their similarities, differences, battles, and their impact on contemporary events.

Why would we not want to know about all this in our own cities and states, in our own country? Sure, there are Indigenous activists who run extreme agendas, just as there are racist extremists who have abhorrent attitudes towards Indigenous people, but surely the overwhelming majority of us want to know each other, help each other, and respect each other.

It is that simple. Welcomes to country are a mark of mutual ­respect, and a touchstone for deeper understanding. I am hopeful and confident they will be part of our national culture for centuries to come

The Wrath to Come. Gone With the Wind and America’s Big Lie

You offspring of serpents who warned you of the wrath to come. Matthew 3:7

There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind.  Prelude to the film of Gone with The Wind (1939)

… by the time you can no longer avoid thinking about your history, it has become so complex and confusing that you can no longer think about it clearly, and your morality is what is gone with the wind.
Sarah Churchwell, The Wrath to Come (2023)

American cultural historian Sarah Churchwell’s book The Wrath to Come – Gone With the Wind and the Myth of the Lost Cause or its alternative title, the Lies America Tells (tells itself” is more accurate) is a harrowing read about slavery, America’s original sin; about the civil war fought to end it; the brief Reconstruction years that followed; the lingering stain of white supremacism and racial violence; and of how discriminatory and oppressive Jim Crow laws of the late nineteenth century survived well into the twentieth with lynch law, segregation, vote suppression and the civil rights struggles of the sixties.

The Wrath to Come is also about how historiography – how historians analyze and interpret history, and how “we, the people” recall and retell history.

She quotes author and civil rights advocate James Baldwin’s essay The White Man’s Guilt:

“White man, Hear me! History, as nearly no one seems to know, is not merely something to be read. And it does not refer merely, or even principally, to the past. On the contrary, the great force of history comes from the fact that we carry it within us, are unconsciously controlled by it in many ways, and history is literally present in all we do”.

Churchwell notes how in 1935, Black writer WEB Du Bois warned “against writing history for our pleasure and amusement, for inflating our national ego”, or “using a version of historic fact, in order to influence and educate the new generation along the way we wish”. Such propaganda history is merely “lies agreed upon”, and had enabled a toxic mixture of libel, innuendo and silence to poison the well of American historiography”.

The Wrath to Come is also very much about today. Running right through the narrative are the currents and crises that culminated in the great American unraveling that led to the storming of the Capitol on January 6, 2021 – and as we know well, are yet to be fully played out in November 2024, and, as is most likely, beyond it. January 6th was, in her opinion the actualization of what Baldwin called “the wrath to come”, the moral derangement – spinning the nation off its axis. “Beyond the bars of our foolish little cages”, she writes, “a reckoning looms, at a scale we can’t assimilate”.

As an article in the New Yorker wrote recently, the pertinent issue now is not what caused the Civil War but what we should have learned from it. “January 6, 2021, is not an equivalent date in our history to April 12, 1861, but the radical Republican leaders who lived through the Civil War understood a principle that has been lost on their successors: that, if entrusted with power, leaders who commit assaults on the national government once may well attempt to do so again”. Many commentators remind Americans of the time when Benjamin Franklin, one of the original framers of the US Constitution, was walking out of Independence Hall after the Constitutional Convention in 1787, when someone shouted out, “Doctor, what have we got? A republic or a monarchy?” To which Franklin supposedly responded, with a rejoinder at once witty and ominous: “A republic, if you can keep it.”

“The past is not a prediction” Churchwell writes, “but it is a precedent, creating the possibilities for what the future will tolerate. The American future would, it turns out, tolerate a great deal”.

Gone with the myth 

Gone with the Wind shows what white America has believed – and wanted to believe – about its own history; it’ curates and cultivates America’s great white myths about itself.

Churchwell anchors her history around one of the most well known and loved stories of the twentieth centuries – the novel and the film of Atlanta author Margaret Mitchell’s epical Gone With the Wind. But while she may be deconstructing the iconic motion picture, it is very evident that the real target of her thesis is number forty-seven, whom she sees as America’s chaos personified. Whilst describing the brief and ineffective Reconstruction years that followed the American Civil War, with its “scallywags and carpetbaggers”, she gaslights “the greatest grifter the Republic has ever seen”. Like slavers, abortion and Vietnam, Trump is an issue that divides Americans, splitting families, straining the mystic chords of memory.

Within six months of its release in June 1936, Mitchell’s tale of tangled love set against the northern invasion and fall of the Old South, sold one million copies, making it the biggest-selling American novel to that date. It won a Pulitzer Prize and National Book Award, and has sold more than 30 million copies internationally.

The 1939 film adaptation starring Vivien Leigh as willful anti-heroine Scarlett O’Hara and Clark Gable as her rakish third husband Rhett Butler, won eight Academy Awards, including best picture, best actress for Leigh and best supporting actress for African-American actress Hattie McDaniel. McDaniel portrayed Scarlett’s outspoken chief house slave, Mammy, and made film history as the first black woman to take home an Oscar (although she was colour-barred from attending the Atlanta world premier).

Churchwell mounts an excoriating critique of the novel-turned-film for its denialism of the horrors of slavery and “shameless” historical distortions about the civil war and its aftermath. Such denialism, she contends, continues to divide America today.

Churchwell’s book adds a contemporary, political twist to such criticism: she argues America’s “most famous epic romance … provides a kind of skeleton key, unlocking America’s illusions about itself” and she links its sanitized treatment of slavery and promotion of white nationalism to Trumpism and the January 6, 2021, attack on Washington’s Capitol.

“When we understand the dark truths of American experience that have been veiled by one of the nation’s favourite fantasies, we can see how the country travelled from the start of the Civil War in 1861 to parading the flag of the side that lost that war (the Confederate flag) through the US Capitol in 2021.’’

Gone with the Wind advances a misleading version of American history known as the Lost Cause. This is the notion that “the Confederacy fought the Civil War (1861–65) as a principled defense of a noble civilization (the Old South) and its democratic rights, rather than as an unprincipled defense of the white supremacist system of chattel slavery … The specific rights in question were individual states’ rights to keep and trade enslaved people, but the Lost Cause skipped that part.’’

Extending this mythology, the film’s opening title cards briefly mention slavery but also refer to the Old South – which was home to four million slaves – as “a land of Cavaliers and Cotton fields,” and a “pretty world where Gallantry took its last bow.”

Similarly, she writes that Gone with the Wind “marks a cultural breakdown, the point where mythology triumphed over history’’. Therefore, “urging the erasure of Gone with the Wind would simply reinforce that … “

“… when a nation’s myths, no longer make sense of its reality, violence erupts. That is one of the many things that has happened to America. Mythmaking and misinformation have been spinning wildly through American political discourse, so they can be hard to catcher as they float, disembodied across our conversations … Like a carnival magician, myth-making points at something with its right hand while picking our pockets, with its left stop. If we stop looking where it’s pointing, we might just manage to protect our valuables – in this case a republic, if we can keep it … It turns out that the heart of the myth, as well as its mind, and its nervous system, most of its arguments and beliefs, it’s loves and hates, it’s lies and confusions and defense mechanisms, and wish fulfilments, are all captured) for the most part in inadvertently) in America’s most famous epic romance: Gone with the Wind.

… and when a country, become so lost in dreams, that it can no longer see reality, it loses its moral sanity … This book follows American history back down into the myth, to excavate what’s been buried – not just the fact that historians have carefully been long, bringing to light … but also suppressed psycho political realities. The lies, the distortions, justifications, the half-truths, the rampant projections, the cognitive dissonances, the negations, the flat denials all the stinging truths Americans don’t want to admit about ourselves that Gone with the Wind caught like flypaper …

It has often been said that America had to imagine itself to existence. Less often remarked is the corollary, that America is, in a very real sense, mainly a story the nation tells itself. That makes the US singularly subject to the meanings of stories and myths – all nations tell stories about themselves, but America has little to hold it together beyond those stories (which is one of the reasons it fetishes its founding documents). If Gone with the Wind is one of the most popular stories America has ever told about itself, then it matters that it is a profoundly antidemocratic, and a moral horror Show … judgment has been remarkably absent from the stories we tell about ourselves.

While Churchwell hopes that Donald Trump loses the November election, she is hardly optimistic about the republic’s future.  She sees the events of the last eight years, and indeed those preceding as “portents of a much deeper dislocation in American society. For over two decades now, Americans have been battered by non-stop crises at home and abroad – from the long War on Terror to Covid and the George Floyd protests – leading to what feels like national exhaustion and a deep pessimism about the future of democracy”.

 The old revolution and The Lost Cause

Gone with the Wind took a series of historical forces, and made them seem only natural

Maybe we were on the losing side. Not quite sure it was the wrong one. 
Captain Mal Reynolds, Firefly (episode 3)

From the beginning of Donald Trump‘s campaign to the turbulent end of his presidency, debates raged about whether his supporters were motivated by economic anxiety or racial animus. But in America the two are intertwined in a system of racial capitalism.

Gone with the Wind doesn’t just romanticize that system – it eroticizes it. The Lost Cause provided a genesis for modern America’s racialized economics and paramilitary white nationalism, in which racial segregation was the supposedly logical outcome of a fight over states’ rights. But the most vicious fights over these supposedly principled stances on states’ rights have always consistently been over racial power. In fact, states’ rights are almost never invoked in a context that is distinct from race. States’ rights created a fig leaf, an alibi from which white America benefits so deeply that the denials continue to this day.

Slavery was America’s Original Sin, a stain running through its technicolor grain. Over the period of the Atlantic Slave Trade, from approximately 1526 to 1867, some 12.5 million men, women, and children were taken in captivity from Africa; 10.7 million were taken aboard ship to the New World and placed in bondage in the Americas – possibly the costliest in human life of all long-distance global migrations. Four hundred years of slavery ended in civil war and a wasteland.

America’s road to the Civil War took decades. It is beyond the scope of this article. but within a month of Lincoln’s victory in the presidential election of 1861, South Carolina took the fatal step, followed over the next few months by the secession of most of the Lower South. A month after his inauguration, the Civil War erupted with the bombardment of Fort Sumter in Charleston harbour. As Churchwell recounts it, “…. once a people decides that it cannot live together or when a citizenry divides into clearly opposed blocs, it is impossible to predict just how conflict may erupt. But to say that it cannot happen is to ignore history. Even Lincoln downplayed the threat of southern secession during the 1860 campaign, not believing until it was too late that the South ever would take such a final step”.

The American Civil War claimed more than seven hundred thousand American lives, tore a young nation apart, and its echoes reverberate still one hundred and sixty years later, reflecting unresolved political fault lines that go back two centuries. years. Though the war ended slavery, there was still another hundred years of toiling towards true freedom. As Martin Luther King said, “Lord, we ain’t what we want to be; we ain’t what we ought to be; we ain’t what were gonna be, but thank God, we ain’t where we was”.

“The white South grabbed the moral high ground and clung on for dear life – while the white North met it more than halfway. By the turn of the century the south was winning the war of ideas, its big lie accepted across the United States”.

It used to be said that the South would rise again. It did, and indeed, some reckon, the South finally won the war.

Dixie rising 

Predictably, the ghosts of the American civil war have been haunting the ongoing presidential campaign and have forced their way back into popular consciousness.

Statues depicting figures from the war – and even of founding fathers or older presidents – and even the names of the schools, military bases and streets, have increasingly become a flashpoints for a real political and cultural struggle. A low-intensity war on the past is now being waged across many states, with the effect of hardening hearts and solidifying the battle lines being drawn in the sand.

In May 2024, it was reported that the Shenandoah County School Board in Virginia would restore the names of Confederate generals Thomas “Stonewall” Jackson, Robert E. Lee and Turner Ashby to two local schools. The controversial reversal comes nearly four years after the names were changed.

“Residents speaking in favour of reverting to the Confederate names included Stuart Didawick, who noted that his family’s roots run deep in the community, where his ancestors received land grants in the decades before the American Revolution. “When you vote on the name restorations”, he asked board members, “will you listen to the opinions of woke outsiders who have for the most part no ties to the land, the history, or the culture of this county? Or will you listen to the voices of the people who elected you to represent them, the people whose families built and have sustained this county for generations?” To which a student and athlete responded: “I would have to represent a man that fought for my ancestors to be slaves,” adding that she would feel as if she’s being disrespectful both to her ancestors and her family’s values.

Another pervasive ghost of the Civil War, the battle flag of Dixie, has never gone away. It was long a favoured accessory above government buildings and at right wing rallies in The South, those former secessionists states that lay south of the Mason-Dixon Line. It played a cameo role in popular culture, flying in The Dukes of Hazzard, True Blood, and even The Walking Dead. The right to flaunt “the Stars and Bars”, an enduring symbol of the lost Confederate cause, and a rallying point for those who still believe the rebel cause to be just, those who take solace from an heroic defeat, and those who believed that “the South will rise again”, and indeed those who KNOW that the South has indeed risen again. For have not the white, right wing, God fearing, Clinton-baiting, and Obama-hating ‘Red’ states of the South conquered and colonized the American political system?

Failed Republican presidential hopeful Nikki Haley was governor of South Carolina, the first state to secede in 1861, in 2015, when in 2015, Dylann Roof, a young white supremacist who had draped himself in the Confederate flag, massacred nine African American parishioners at a Black church in Charleston, the state capital. Haley called for the removal of the Confederate flag from the grounds of the State House, where it had been hoisted in the early 1960s as a rebuke to the civil rights movement. When the flag came down, a ceremony that felt like the final surrender of the Civil War, little did we know that what we were actually witnessing that summer was the beginning of the white nationalist counter-offensive headed by Trump. In a strange quirk of history, he launched his presidential bid the very day before the Charleston massacre.

During the run up to the Republican primaries, POTUS aspirant and Florida Governor Ron DeSantis defended part of his state’s African American history curriculum standards that claimed some enslaved people developed skills that “could be applied for their personal benefit.” Flag-remover Nikki Haley omitted any mention of slavery when she was asked to explain the cause of the Civil War at a town hall event. It wasn’t until the next day that Haley acknowledged the war was “about slavery”. Both now failed candidates reflected unresolved political fault lines that go back nearly 200 years.

© Paul Hemphill 2024.  All rights reserved

In !955, Ella Fitzgerald was jailed for singing to an integrated audience in Texas

Author’s note

Last year, my favorite podcast The Rest is History broadcast a long but informative interview with Churchwell herself. The link is below. I also republish a review of the book and its content that first appeared in The Australian in April 2023, and the unique story an escaped slave who found his way to Australia and lived to tell his tale in print – an 18,000-word essay about slavery, titled The United States Governed by Six Hundred Thousand Despots. 

Such was my enthusiasm for Churchwell’s book, I transcribed many of what I considered to be memorable and cogent quotes.  They are categorized and listed immediately after the following videos.

For other posts in In That Howling Infinite about the American Civil War, see Blind Willie McTell – Bob Dylan’s Americana, Cross the Green Mountain – Bob Dylan’s Americana, Rebel Yell, Land of the fearful – home of the heavily armed, and regarding American Fascism prior to World War II, see The Shoah and America’s Shame – Ken Burns’ sorrowful masterpiece 

Like my father before me
I will work the land
And like my brother above me
Who took a rebel stand
He was just 18, proud and brave
But a Yankee laid him in his grave
I swear by the mud below my feet
You can’t raise a Kane back up
When he’s in defeat
Robbie Robertson, The Band

Churchwell quotes …

The Dixie Dreamtime

The story is cloaked in self-delusion far worse than Scarlet’s, and the film – which recognizes the novel’s flaws more clearly perpetuated these solutions out of commercial interests. This modern myth affirmed all the nation’s favorite illusions about itself, up to and including its faith in its own innocence – and then sold that bill of goods to all and sundry, making a fortune in the process. Scarlett’s blinkers are typical too – the willful ignorance in which American popular memory likes to trade. What she couldn’t or wouldn’t see is the subject of the rest of this book …

… the savage viciousness of Jim Crow produced the consoling legend of a noble land of Cavaliers, and ladies, who presided over loyal servants, with gentle benevolence, which would become America’s favourite story for decades to come. Listen closely to what a culture keeps telling itself, and you’ll know not only what’s on its mind, but what it needs to hear. Gone with the Wind told Americans that they could survive anything, especially if ignored it … the denialism of American culture (is) its refusal to face facts, to recognize that what it tells itself simply isn’t true …

Even as white Americans were sharply censoring the rise of Fascism in Europe, traveling to Spain to volunteer against Franco’s army, they were also longing for the good old days when the United States have enslaved millions of non-white Americans …

Good stock

Slavery was abolished by the war, but white supremacism was not. The problem was that white Americans could abhor slavery, and fight a war to end it, and also abhor Black people. They could believe that slavery was a moral abomination, and also believe in eugenicist racial science that claimed non-white people were biologically inferior to white people, and that racism was the natural order of things, even if slavery was not …

Gone with the Wind appeared a mere decade after the Scopes Monkey Trial took Darwinism to court to try to deny that humans will be related to apes. The immense anxiety sparked by this idea was bound up in older racist tropes which held the Black people were apes and white people were human. Proof that white people were also descended from apes challenged the racial hierarchy …

Once white people were forced to concede that they might’ve come out of jungles two, scientific gracious, and sort through that they had emerged much earlier, and how much farther and Black people

Playing along with lesser folks, taking from them what you can, and then, kicking them to the curb, is also the secret of social Darwinism, which is inextricable from the novels racism. Both preach survival of the fittest, defining fitness through biological determinism, as heritable traits that mean survivalism is a question of innate character rather than environmental good fortune These ideas are fundamentally eugenicist, claiming not only that some humans “stock” is biologically superior to others, but that such groups come racially and ethnically presorted. Presumptions of lesser and greater beings, the right of merit to rule, was at the heart of the argument: an aristocratic entitlement to title that claimed privilege was founded on inherited superiority, rather than brute force or the dumb luck of circumstance … the notion of “good stock” and “breeding” that underpinned scientific racism …

In the wake of first first world war and the Russian revolution, the “red scare” enabled the second Klan to maintained its white supremacism but expanded its list of enemies to include most foreigners, especially Catholics, Jews, eastern and southern Europeans, as well as communist, socialist and labor organizations, all of whom it generally equated. This broad, stroke nativism was strongly eugenicist, promising to protect the “pure stock” of white American Protestantism from the racial “pollution” of mixing with inferior breeds …

Heirs to the white supremacist cause, the replacement theorists, Tucker Carlson, Kyle Rittenhouse. Fox host Tucker Carlson professed to be “shocked” that “seventeen year olds with rifles decided they had to maintain order when no one else would”. This is precisely the alibi that was always offered for white supremacist violence, straight out of Gone with the Wind and the newspaper lynching reports that that accompanied it. Scapegoating makes violence redemptive, as savagery is projected onto its victims, who deserve what they’re getting. The Klan was a group shaped around projection and scapegoating. Apologists of white supremacist from Thomas Dixon and Margaret Mitchell to Tucker, Carlson and Ann Coulter to the hyper partisan mob that stormed the Capitol all insisted that they were defending “extralegal justice”, as if extralegal were not just another word for illegal …

History is endlessly revised, even when it’s been chiseled in stone. Newly discovered facts can improve our understanding of the past, and sometimes people even ask new questions about the same old facts.

… Black Americans are left arguing that they are the ones owed by a nation which is yet to redeem the promises it made to the makes to them. That is the entire import of Dr. King’s 1963 “I have a dream” speech, a metaphor of redemption that he makes explicit, and explicitly economic: “we’ve come to our national capital to cash a check”, King said, on the “promissory note” signed by the architects of our republic, a promise of “unalienable rights” to “life, liberty and the pursuit of happiness”. But America has “defaulted on this promissory note” King charged. “America has given the Negro people a bad check, a check which has come back marked “insufficient funds” .

… the seed of white grievance, a nostalgic, resentment that perceives only loss of individual power, refusing to consider the question of collective equality. Grievance is the politics of narcissism, the refusal to shift your ground, nursing your grudges, building spite into politics, while telling your enemies to move on in the interest of unity, a unity in which you do not believe, and which you have no intention of compromising.

Women’s rights and suffrage

Mitchell was outraged that Blacks could vote and women could not … Real estate was also entangled with women’s rights, as women gradually bou property and paid tax, but still could not vote. Her mother argued the women’s suffrage, and is very terms woman paid taxes, but we’re not allowed to vote drunken bums on the sidewalk because they were men that they haven’t paid a dime when titled to vote, and we are not …

White wealth through property ownership is what Gone with the Wind wants to exult – while trying, less than successfully, to ignore the role of slavery and it’s aftermath in the creation of that wealth.

Gone with the Wind Shows how the mythology of American success stories, including those of immigrants, were also inculpated in the bloody history of institutionalized slavery. The triumphalism of the end of the immigrant success story has worked to school the question of complicity, the suppose and dog in this town, making good does so at the expense, And More, senses of one, of an entire Other, racially marked, underclass.

Fascism and the kloning of the Klan

My summary: Fascism as represented by the KKK and the plethora of “clothes line” political groups distinguished by a colourful array of shirts was characterized by an American nativism, xenophobic, and white supremacist, conspiratorially anti-Semitic and anti-communist paramilitary groups, leveraging existing bigotries on behalf of state violence, consolidating power for one small group, while dehumanizing, persecuting, and annihilating – the eugenicist exultation of certain “bloodlines” of over others, white grievance displaced onto racialized enemies within.

Fascism as represented by the KKK and the plethora of “clothes line” political groups distinguished by a colourful array of shirts was characterized by an American nativism, xenophobic, and white supremacist, conspiratorially anti-Semitic and anti-communist paramilitary groups, leveraging existing bigotries on behalf of state violence, consolidating power for one small group, while dehumanizing, persecuting, and annihilating – the eugenicist exultation of certain “bloodlines” of over others, white grievance displaced onto racialized enemies within.

The affinities between the second Klan and European fascism had only grown clearer since they are simultaneous start in the early 20s, with their shared cults of paramilitary violence, legal apartheids, eugenicist, ideologies, and paranoid cultures … a mast native about the sacredness of the course, the purity of the nation, and the exultation of violence to defend against the enemy within.

… there is a strong case for the fascism of the Klan with its paramilitary violence, it’s extra-legal assertions of power, it’s uniforms and rituals, it’s love of esoterica, its nostalgic racial fantasies, its conspiracy theories, and its existential rejection of the legitimacy of any government that opposes it, as historians of fascism pointed out … It was ennobled by myths of national purity, performed by masculinist cults of the leader, and sold as the will of the people.

Robert O Paxton, in the five stages of fascism, characterized it as a politics, “marked by obsessive preoccupation with community decline, humiliation, or victimhood, and by compensatory cults of unity, energy, and purity, in which a mass based party of committed nationalist militants, working in un easy, but effective collaboration with traditional elites, abandons democratic liberties and pursues, with redemptive violence, and without ethical or legal restraints, goals of internal cleansing and external expansion“.

The Black and brown shirts of European fascism were met by America’s own clothesline politics, all declaring sympathy with European fascism and espousing the rights of the white Christian American herrenvolk to dominate their nation too. The American right wing “haberdashery brigade” includes silver shirts, white shirts, dress shirts, and gray shirts. They were joined by the black Legion, the order of ‘76 and as well as Cristo-fascist groups, including defenders of the Christian faith and the Christian Front, whose members called themselves the brown shirts. The Friends of the Hitler movement, the official Nazi Association in America, was established in 1933, eventually becoming the German American Bund.

Denialism it had nothing to do with European Fascism ….

Racial bigotry in America, the times insisted, was just unthinking in the good, old, thickheaded, prejudiced, irrational human fashion. Whether unthinking racism is preferable to thinking racism is probably immaterial to its victims, as if lynching would be less objectionable if it weren’t defended on the grounds of rationality … i.e. white supremacism was just good old thickheaded American prejudice.

If Gone with the Wind is broadly fascistic in its outlook, the lost cause is even more so, in its glorification of the confederate causus belli, the cults of its leaders of its dead, its propaganda, it’s wars for territorial expansion, and the insistence on the sacred rebirth of the nation in the ashes reconstruction, the new order founded on the ongoing defiance of the federalist government of the United States, and a fundamental rejection of pluralist democracy.

A collection of material at Ferris State’s Jim Crow Museum of Racist Memorabilia, Grand Rapids, Michigan, 2004. Jim Prichard/AP

The Grapes of Wrath

Eight months before the film premiered in Atlanta, John Steinbeck published the grapes of broth, which would become the most popular novel of 1939. Widely hailed as a testament to human endurance, the novel took its title from the battle hymn of the Republic, Julia Ward Howe’s mighty Civil War anthem …Howe’s Bible steeped language comes from the book of revelation, in invoking divine Justice, when God’s truth will force the wine of freedom from the grapes of wrath. It is an image of anger, accumulated, even cultivated, long march of times.

What defined fascist propaganda was never its lies, wrote Hannah Arendt in 1945, for all propaganda is based on lies. What distinguishes fascist lies is that they are intended to negate reality, making “that true, which, until then could only be stated as a lie”. Fascists don’t lie to deceive; they lie to change reality. Lies about the Lost Cause did just that, using fiction to displace reality until the fiction has become a reality. Soon that fiction spread beyond the cult of true believers, normalizing itself in the body, politic for the best part of the century, a cancer legitimating unreason that metastasized long ago Mythology replaced history as the arbiter of American truth.

Line is not only the Hitlerian big lie of propaganda, but a culture of perversive, lying, what a Arendt called “lying as a way of life” and “lying on principle”. It is a systematic dishonesty that destroys the collective space of historical-factual reality.

The Birth of a Nation

In February 1915, upon viewing The Birth of a Nation at a special White House screening, President Woodrow Wilson reportedly remarked, “It’s like writing history with lightning. My only regret is that it is all so terribly true. This line has appeared in numerous books and articles over the past seventy years. But it was appended twenty years after the event to add a spurious authority- from a former president no less – to the mythical account of reconstruction told in the birth of a nation that gone with the wind recycled, creating a very efficient closed circle of mythmaking.

The Birth of a Nation, by all accounts the first American blockbuster, the first historical epic, the first Hollywood film to resemble what movies are like today, premiered in Los Angeles exactly 100 years ago on Sunday. But the centennial won’t be celebratory. It will likely be awkward, sobering even — because in director D.W. Griffith’s 12-reel Civil War saga, the Ku Klux Klan members are the glorious heroes.

Since its premiere on Feb. 8, 1915, the film has been at once wildly popular and widely condemned. It inspired the revival of the KKK but also galvanized what was then a nascent NAACP into action. It helped define what cinema means for American audiences. It was the first film ever shown inside the White House.

After 100 years, it has left a complicated, powerful legacy, but a legacy of what, exactly?

“Excuses are sometimes made by scholars of film for the content, but I don’t think that for the last ten to 15 years there has been any doubt that this is an unequivocally, viciously racist film,” says Paul McEwan, Associate Professor of Media and Communications at Muhlenberg College. McEwan has been studying and writing about the history of Birth of a Nation for 12 years. “I mean, this film makes Gone With the Wind look very progressive.”

Griffith claimed to be filming history, but Birth of a Nation, based on the novel The Clansman by Thomas Dixon, features a stunning revision of Reconstruction. White actors in blackface portray members of a barbaric, sex-crazed militia of freedmen that terrorizes and disenfranchises cowering whites. Black men overtake South Carolina’s judicial system and legislature, swigging whiskey and eating fried chicken on the floor of the State House. After the blackface character Gus attempts to rape a white woman, the protagonists don their hoods and apprehend him, lynching him after their version of a fair trial. The film is ostensibly about white national reconciliation at the expense of emancipated black Americans. A title card punctuates the action toward the end of the silent film to declare, “The former enemies of North and South are united again in defense of their Aryan birthright.” Despite its objectionable content, the film remains an essential part of the discussion about American cinema because of Griffith’s pioneering technical innovations. Things that today are completely taken for granted — like close-ups, fade-outs and even varying camera angles — originated with The Birth of a Nation‘s director and crew.

From the poverty shacks, he looks from the cracks to the tracks
And the hoofbeats pound in his brain
And he’s taught how to walk in a pack
Shoot in the back
With his fist in a clinch
To hang and to lynch
To hide ‘neath the hood
To kill with no pain
Like a dog on a chain
He ain’t got no name
But it ain’t him to blame
He’s only a pawn in their game
Bob Dylan

In the courtroom of honor, the judge pounded his gavel
To show that all’s equal and that the courts are on the level
And that the strings in the books ain’t pulled and persuaded
And that even the nobles get properly handled
Once that the cops have chased after and caught ’em
And that the ladder of law has no top and no bottom
Stared at the person who killed for no reason
Who just happened to be feelin’ that way without warnin’
And he spoke through his cloak, most deep and distinguished
And handed out strongly for penalty and repentance
William Zanzinger with a six-month sentence
Bob Dylan, The Lonesome Death of Hattie Carroll

In !955, Ella Fitzgerald was jailed for singing to an integrated audience in  Houston, Texas

Goosestepping back to political relevance

Artist Barry Blitt’s “Back to the Future.” In another year of political chaos, he “looks forward to depicting the pageantry, solemnity, and awe of the upcoming Presidential election”.

A slave writes to a Sydney paper

I’m trying to imagine what it might have been like to be the editor of a little Sydney newspaper called The Empire in the 1850s when a “fugitive slave” – owned from birth by the invalid daughter of an innkeeper in North Carolina – walked through the door, asking for a copy of the US Constitution.

He wanted to write about the slavery endured by whole branches of his family, and he needed the Constitution for reference.

It seems that this actually happened in Sydney in 1855. The New York Times had a story about it on the weekend. And you’re not going to believe how that story ends.

The slave in question was John Swanson Jacobs, described by the editors of The Empire (they are sadly not named) as “a man of colour, with bright intelligent eyes, a gentle firm voice, and a style of speech decidedly American.”

Jacobs had escaped bondage and made his way to Australia where he was desperate to find somebody willing to tell the story of slavery. By chance, the editors had “the last edition of the United States’ Constitution authorised by Congress” in their offices, and they agreed to lend it to Jacobs, who returned it after a fortnight, with an 18,000 word essay about slavery, titled The United States Governed by Six Hundred Thousand Despots.

The editors of The Empire agreed to publish it, and “scarcely altered a word”.

A first-hand account of slavery by an escaped slave has been found in an Australian newspaper archive.

A first-hand account of slavery by an escaped slave has been found in an Australian newspaper archive.

“The writer is in Sydney; we understand he has been among the successful gold-diggers,” they said. “We shall be much mistaken if his narrative is not read with a lively interest.”

More than 160 years later, you are being offered the opportunity to read that essay, because it has rather amazingly been re-discovered, and published in book form, and oh, it’s so harrowing.

It begins: “I was born in Edenton, North Carolina, one of the oldest States in the Union, and had five different owners in 18 years.

“My first owner was Miss Penelope Hannablue, the invalid daughter of an innkeeper. After her death I became the property of her mother.”

He describes the slavery endured by his father: “To be a man, and not to be. A father without authority – a husband and no protector … Such is the condition of every slave throughout the United States; he owns nothing – he can claim nothing. His wife is not his – his children are not his; they can be taken from him, and sold at any minute, as far as the fleshmonger may see fit to carry them.

“Slaves are recognised as property by the law and can own nothing except at the consent of their masters.

“A slave’s wife or daughter may be insulted before his eyes with impunity; he himself may be called on to torture them, and dare not refuse. To raise his hand in their defence, is death by the law. He must bear all things and resist nothing. If he leaves his master’s premises at any time without a written permit, he is liable to be flogged; yet they say we are happy and contented.”

He describes the death of Mrs Hannablue, and the sale of her slaves: “Here they are, old and young, male and female, married and single, to be sold to the highest bidder … They began to sell off the old slaves first, as rubbish; one very old man sold for one dollar; the old cook sold for 17 dollars; from that to 1,600 dollars, which was the price of a young man who was a carpenter.

“Dr Norcom, whose daughter owned my sister, bought me for a shop boy. It would be in vain for me to attempt to give a description of my feelings while standing under the auctioneer’s hammer.”

Jacobs escaped, and spent years on a whaling ship before landing in Australia. His essay was discovered just a few years ago, by an American literary scholar, Jonathan D.S. Schroeder, who came across it while digging through the Australian online newspaper database, Trove.

It is being published by the University of Chicago Press, who says accounts of slavery by the slaves themselves are exceedingly rare, and precious. They believe that Jacob was the brother of Harriet Jacobs, whose 1861 autobiography, Incidents in the Life of a Slave Girl is revered in the US as one of the first, first-hand published accounts of slavery, and therefore a treasure, as this essay also so very clearly is. You may read the whole thing on Trove or buy the book here.

Gone with the Lost Cause: O’Hara, Butler recast as ‘homicidal white supremacists’

The 20th century’s most famous fictional lovers had ‘profoundly fascistic worldviews’, according to an author who has mounted an excoriating critique of the novel-turned-film for its denialism of the horrors of slavery.

Actors Clark Gable and Vivien Leigh in 1939 film Gone with the Wind. Picture: Supplied

Clark Gable and Vivien Leigh in Gone with the Wind

American author Margaret Mitchell expected her first and only novel, Gone With The Wind, to sell about 5000 copies. Yet from the day it was published on June 30 1936, Mitchell’s 1037-page fable about the American Civil War and the pampered, manipulative daughter of a Georgia plantation owner, was not merely a bestseller: it evolved into an enduring – and polarising – cultural phenomenon.

Within six months of its release, Mitchell’s tale of tangled love set against the northern invasion and fall of the Old South, sold one million copies, making it the biggest-selling American novel to that date. It won a Pulitzer Prize and National Book Award and has sold more than 30 million copies internationally.

The 1939 film adaptation starring Vivien Leigh as willful anti-heroine Scarlett O’Hara and Clark Gable as her rakish third husband Rhett Butler, won eight Academy Awards, including best picture, best actress for Leigh and best supporting actress for African American actress Hattie McDaniel. McDaniel portrayed Scarlett’s outspoken chief house slave, Mammy, and made film history as the first black woman to take home an Oscar.

The film’s melodramatic love story — Scarlett spends years pining for a man she cannot have — along with its elegant balls, burnt orange skies, hooped gowns and epic scenes of dead and injured Confederate troops, proved a hit with moviegoers around the world. When adjusted for inflation, Gone with the Wind, which tracks Scarlett’s journey through civil war, near-starvation, three marriages and the loss of her only child, remains the highest-grossing film of all time, ahead of Avatar and Titanic.

American author Sarah Churchwell recounts these milestones in her provocative book, The Wrath to Come: Gone with the Wind and the Lies America Tells — and goes on to mount an excoriating critique of the novel-turned-film for its denialism of the horrors of slavery and “shameless” historical distortions about the civil war and its aftermath. Such denialism, she contends, continues to divide America today.

In fact, Churchwell — one of the headline speakers at next month’s Melbourne Writers Festival — argues that society belle-turned-wily survivor, Scarlett O’Hara, and gambler turned doting father, Rhett Butler, are “homicidal white supremacists with profoundly fascistic worldviews’’. Not the kind of academic who pulls her punches, she adds that Mitchell’s novel is “about enslavers busily pretending that slavery doesn’t matter — which is pretty much the story of American history’’.

The novel and film’s depiction of loyal, happy enslaved people — neither Scarlett’s family nor their wealthy plantation neighbours mistreat their slaves — has long been criticised. “Gone with the Wind does such violence to American history that it practically lynches it,’’ black journalist Ben Davis Jr wrote in 1940.

Scarlett (Vivien Leigh) being laced into a corset by Mammy (Hattie McDaniel) in Gone With the Wind.

Scarlett (Vivien Leigh) being laced into a corset by Mammy (Hattie McDaniel)

Churchwell’s book adds a contemporary, political twist to such criticism: she argues America’s “most famous epic romance … provides a kind of skeleton key, unlocking America’s illusions about itself” and she links its sanitised treatment of slavery and promotion of white nationalism to Trumpism and the January 6, 2021 attack on Washington’s Capitol. Significantly, just months before this attack, Donald Trump invoked Gone with the Wind at a rally while complaining about the South Korean film, Parasite, winning the Best Picture Oscar. Trump said he wished America would “bring back” films like the 1939 classic: “Can we get, like, Gone with the Wind back please?’’

As an American who lives in London and writes about US culture and history, Churchwell is often asked, “What has happened to America?”, since the 2016 election of Trump as US president “dumbfounded most of the watching world’’. She writes: “When we understand the dark truths of American experience that have been veiled by one of the nation’s favourite fantasies (Gone With The Wind), we can see how the country travelled from the start of the Civil War in 1861 to parading the flag of the side that lost that war (the Confederate flag) through the US Capitol in 2021.’’

In a Zoom interview, Review asks Churchwell whether she has faced pushback over her claims Scarlett and Rhett are homicidal white supremacists. A professor of American Literature at the University of London, she grins and says: “People have noticed it.’’

She says the book hasn’t come out in the US yet – it will be published there in June – “so we’ll see what they think’’ of her revisionist history of this popular American classic.

With her curtain of long blonde hair, Churchwell cuts a glamorous figure as she delivers her rapid-fire answers, which, like her writing, are mercifully free of academic jargon. She says of her denunciation of Scarlett and Rhett: “It is a statement of fact because they both espouse white supremacism over and over and over again. So it’s not an interpretation. It is a simple description of the things that they do and the things that they say.’’

The Wrath to Come – which British critics have described as “extraordinary” and as prising opening “often jaw-dropping history’’ – documents how, when under pressure, Scarlett uses the n-word in the novel. This racial slur appears in Mitchell’s book more than 100 times but was removed from the film’s script after black cast members and activists lobbied the blockbuster’s powerful producer, David O. Selznick.

Gone With the Wind author Margaret Mitchell

In Mitchell’s novel, during one wartime crisis, Scarlett threatens to sell a young, flighty slave, Prissy, “down the river’’ and also threatens her with: “You’ll never see your mother again or anybody you know’’. Later, when Scarlett and her Tara household are facing starvation following the siege of Atlanta, she again loses her temper with Prissy, uses the n-word against her for the first time and threatens to “wear this whip out on you’’.

During Reconstruction, Scarlett refers in disparaging terms to “damned n—-r lovers” and when she starts a timber mill business, she is troubled by “free nxxxxrs’” who won’t work for her (because ex-slaves now have the right to resign). All of these racial insults are omitted or softened in the film.

As for those homicidal claims, Scarlett shoots a white Yankee deserter who invades her family’s plantation house, in self-defence, takes his money and hides the body. In the novel, she is initially shocked at her violence, but Churchwell notes how she later mused she “could have … taken sweet pleasure in the feel of his warm blood on her bare feet’’. Rhett Butler, a self-interested gambler who eventually joins the Confederacy, admits in the book he killed a Yankee soldier in a bar-room argument, and murdered a black man because “he was uppity to a lady, and what else could a Southern gentleman do?’’

Then there is the racist language of Mitchell’s novel, which is “far more extreme”, says Churchwell, “than those who haven’t read it probably imagine’’. She argues: “Gone with the Wind never once refers to Black people as people or human beings – not a single time. They are only dehumanised and generic racial categories. Black people are either (various) animals, especially all sorts of apes; or they are savages, just out of the jungle; or they are ‘slaves’, ‘blacks’, ‘darkies’, ‘pickaninnies’, ‘negroes’, ‘mulattos’, or ‘nxxxxrs’.

“ … Tara’s field hands have ‘huge black paws’ and ‘caper with delight’ at encountering Scarlett, while freed slaves run wild ‘like monkeys or small children’ after emancipation, ‘as creatures of small intelligence might naturally be expected to do’.’’

The film uses the now-objectionable term “darkies” and as mentioned above, dropped the n-word. This toning down of the book’s racism “had the perverse outcome of reinforcing the Lost Cause myth that white Southerners treated Black people courteously,’’ Churchwell argues.

For the academic and author, the novel’s racial prejudice goes beyond its extensive use of offensive words: “It’s unreflective in its racism. It thinks there’s such a thing as a willing slave without stopping to think about the fact that those two words literally mean the opposite.’’ Although slavery ended because of the Civil War, she also contends that Gone with the Wind presents America’s post-war reconstruction and new era of rights for freed slaves as a tragedy – for Scarlett, and her slave-owning plantation class.

Churchwell, who has also written cultural histories of other American icons Marilyn Monroe and The Great Gatsby, says Gone with the Wind advances a misleading version of American history known as the Lost Cause. This is the notion that “the Confederacy fought the Civil War (1861–65) as a principled defence of a noble civilisation (the Old South) and its democratic rights, rather than as an unprincipled defence of the white supremacist system of chattel slavery … The specific rights in question were individual states’ rights to keep and trade enslaved people, but the Lost Cause skipped that part.’’

Extending this mythology, the film’s opening title cards briefly mention slavery but also refer to the Old South – which was home to four million slaves – as “a land of Cavaliers and Cotton fields,” and a “pretty world where Gallantry took its last bow.”

Churchwell, who has a PhD in English and American literature from Princeton University, is not the only cultural expert to question Gone with the Wind’s use of racist terms and extreme euphemism. This month, British journalists revealed that Pan Macmillan, publisher of Mitchell’s epic, had added a detailed trigger warning to the 2022 edition, pointing out the novel “includes problematic elements including the romanticisation of a shocking era in our history and the horrors of slavery’’.

In 2020, HBO Max temporarily pulled the film in the wake of George Floyd’s murder. It has since been restored to the streaming service with accompanying videos that denounce its racial representations and examine the film’s historical context.

The African-American rapper Queen Latifah has said the film should have been permanently banned by HBO Max. “Let Gone with the Wind be gone with the wind,’’ she said. Actress and TV host Whoopi Goldberg – the second black woman to win an acting Oscar after McDaniel – disagreed. She favoured educating viewers on the film’s context, adding: “If you start pulling every film, you’re going to have to pull … a very long list of films.’’

Churchwell’s inspiration for her book, which took her five years to write, were the American and UK statue wars. “I initially envisioned it as a much shorter, faster book,’’ she says. “ … At the same time, history kept galloping forward and Gone With the Wind kept coming into the news and Donald Trump kept pushing things forward. And so it was like it had more and more to say to our moment.’’

Sarah Churchwell.

Sarah Churchwell

She does not advocate cancelling Gone with the Wind or destroying statues. She argues it is better to place key statues of controversial historical figures in museums, with accurate contextual information. Similarly, she writes that Gone with the Wind “marks a cultural breakdown, the point where mythology triumphed over history’’. Therefore, “urging the erasure of Gone with the Wind would simply reinforce that failure’’.

Mitchell disliked nostalgic characterisations of the Old South as a land of “magnolias and moonlight’’. She describes Rhett – the embodiment of masculine virility – as “dark of face, swarthy as a pirate”, and conceived of Scarlett as a not especially beautiful anti-heroine: she was perplexed when her self-centred protagonist became a national heroine. An ex-journalist from Atlanta, Mitchell saw the adoration of Scarlett as “bad for the mental and moral attitude of a nation” and once complained: “The mythical Old South has too strong a hold on their (the public’s) imaginations to be altered by the mere reading of a 1037-page book.’’

The Wrath to Come acknowledges all this but notes that while Mitchell condemns Scarlett’s failings such as her greed and lack of self-awareness, she doesn’t challenge her racism. “Her white supremacism isn’t part of what makes her not admirable for Mitchell,’’ Churchwell tells Review.

Mitchell maintained that her black characters, including Tara’s slaves Mammy, Pork and Big Sam – the latter saves Scarlett’s life when she is attacked – behaved in a more noble manner than their white mistress. “It’s true most of the black characters in the novel are admirable in the sense they’re not evil,’’ responds Churchwell. However, she says that after the Civil War, as slaves were freed, Mitchell’s text often falsely characterised them as “a danger to civilised society’’.

Published in 27 languages, the novel has often been praised as a powerful account of the effects of war on innocent civilians, especially women, and Scarlett has been seen as a proto-feminist — a selfish but determined young woman who endures the chaos of war and flouts the stifling gender conventions of her time by going into business for herself. Former Democrat first lady Eleanor Roosevelt was a fan of the book, writing that it made the lingering enmity of the south “easy to understand … even to those who haven’t understood it before”. As a result, she sympathised, she said, with southern women whose “bitterness persisted so long” against the “northern invaders”.

Churchwell writes scornfully of this: “Even a white liberal like Eleanor Roosevelt sympathised after reading the novel not with enslaved people but with the women fighting to keep them in chains. This is what it means to naturalise a value system.’’ In our interview, Churchwell says Roosevelt’s sympathetic take “was obviously very representative of the ways that Americans read the book at that time’’.

The university professor concedes Scarlett has some winning qualities: “Vivien Leigh’s portrayal of Scarlett is one of the things that makes the film quite indelible. I think it’s an incredible performance. And she takes this character who is unlikable in all kinds of ways — is kind of stupid — and makes her a lot more interesting, charming and sympathetic.’’

McDaniel’s parents had been enslaved and she famously retorted to critics of her devoted house-slave role that she had chosen between $7 a week to be a maid, or $700 a week to play a maid. Even so, on the night she made Oscars history, McDaniel was forced to sit apart from white cast members during the awards ceremony in Los Angeles. Says Churchwell: “A lot of people now have the idea of a Jim Crow segregation in the US as being something that only happened in the south, but …. a kind of an apartheid line ran all the way across the US.’’

What about the notion Mitchell was a product of the early 20th century era, and that adult readers of her saga would understand this? “It’s true up to a point,” replies Churchwell. She says Mitchell’s contemporaries, Hemingway and Fitzgerald, also reflected the casual racism of their era, but “considerably less viciously” than she did. Unlike Mitchell, who defended her right to use the n-word, “they both evolved”.

Although Leigh’s Scarlett and Gable’s Rhett were arguably 20th century film’s most recognisable lovers, Churchwell maintains that Gone with the Wind’s historical distortions are still “vastly underestimated.’’.

“The book has always been recognised as racist,’’ she says. “I certainly didn’t write the book to be like, ‘Hey, I’ve got a revelation, ‘Gone With the Wind is racist – we never knew’.

“But the more that you go into it, the more you realise that there are ways in which we still haven’t reckoned with some of the truths about their (Scarlett and Rhett’s) positions. And (this is) despite the fact that they are both homicidal white supremacists — they just are.’’

Al Aqsa Flood and the Hamas holy war

It has been said before and often, that Qatari owned Al Jazeera presents the non-Arabic speaking world with a markedly different narrative of the Gaza war to what it relays to its Arabic readers – it is the most popular news source in the Arab world, particularly among Palestinians.

Viewing or reading Al Jazeera English, you would think that Israel’s onslaught is directed entirely against the defenceless and helpless civilians of the unfortunate enclave. There are very rarely images of the militants who are engaged on a daily basis in fierce battles and deadly firefights with the IDF. Al Jazeera Arabic on the other hand, posts pictures and videos of the fighters, illustrating their courage, their resilience in the face of overwhelming odds, and their successes in the face of overwhelming military odds. 

On 13 August 2024, Al Jazeera Arabic published a series of seven articles under a forward titled The Al-Aqsa Flood and Religiosity… A New Islamic Awakening

The title refers to the pogrom of October 7 in which Islamic militants slaughtered some 1,200 Israeli men, woman and children and kidnapped over 200. It was given the name  Amaliyyat Tufān al Aqsa – Al Aqsa Flood, insofar as its purpose was to  preempt a Jewish takeover of Al Aqsa Mosque in Jerusalem, the third holiest Islamic shrine – notwithstanding the fact that nothing of the kind was happening. Israel’s angry response has been biblical in its brutality, with nine months of air and ground assault that has devastated the enclave of Gaza and, according to health officials killed more than 40,000 people (uncorroborated figures provided by the Hamas-run health authorities that include thousands of militants killed in the fighting, and persons who would have died under normal circumstances had war not broken out).

An earlier piece in In That Howling Infinite, Lebensraum Redux – Hamas’ promise of the hereafter revealed the Hamas master plan for the destruction of the state of Israel and the dispersion and disposal of its Jewish inhabitants. Statements like this and the longstanding foundational Hamas Covenant, which also calls for the eradication of Israel do not generally attract mainstream and social media interest, even after October 7.

Few have actually read the 1988 Hamas Covenant or the revised charter that was issued in 2017. The neglect is nonetheless surprising considering the clear exposition of the Islamist, genocidal intent of the Hamas and Islamic Jihad. This accords with a view held by many knowledgeable and well-informed observers and commentators that the original intent of Operation Al Aqsa Flood was to race en-masse across the Negev to the Occupied Territories and spark a general Palestinian rising which would precipitate an invasion of Israel by its Arab neighbours – a repeat of the war of 1948 without its outcome, but rather, al Nakba in reverse.  

We’ll probably never really know why this scenario was not followed through, and what may have been the outcome. Some may argue a 100km sprint across the open desert to the nearest Palestinian city, Hebron, was an impossible task. Others might surmise that the militants who descended on the borderland kibbutzim and the Nova Trance Festival to molest, maim and murder were distracted by the easy prey and the release of pent-up rage and brutal vengeance.

Al Aqsa Flood  may have failed, with only the Black Shabbat and the destruction of Gaza to show for it, but without doubt, it ignited a wildfire that has reinvigorated the Palestinian cause in the eyes of the world and severely damaged Israel’s standing on the world stage. The Hamas maintains that the ongoing carnage is justified, with many senior officials, declare in the safety of their sanctuaries in Qatar and Beirut that they’d do it all over again … and again.

The Al Jazeera series is enlightening in several respects, particularly insofar as it does not recognise the events of October 7 for what they were; and whilst acknowledging that there is a battle raging in the enclave but eschewing any reference to the carnage it is causing among the Gazan population, it presents the moral and humanitarian disaster of the Gaza war as the beginning of an Islamic enlightenment:

“Outside the military battlefield, there was another battle raging alongside the flood, which is the battle of conflicting identities that the world witnessed with the flood, and the accompanying signs of a noticeable religious awakening among young people around the world, and the restoration of the centrality of the role of religion in Arab public affairs”.

By happenstance, I read this series not long after In That Howling Infinite published A Messiah is needed – so that he will not come, which discussed the phenomenon of messianism with particular reference to the connections between the conflict and catastrophe of the Gaza war on the one hand and an emerging messianism on the other among both religious and non-religious Jew. It noted:

In the eyes of Israel’s principal foes, the so-called “Axis of Resistance”, Iran and its Islamist proxies in Palestine, Lebanon, Syria, Iraq and Yemen, the current Arab Israeli conflict is in reality a holy war with inseparable and uncompromising religious, political and military dimensions that take on a messianic character.

The irony is that increasingly in the Jewish state, the existential crisis emanating from the catastrophe of October 7 and the encirclement of the tiny country by enemies determined to wipe it off the map, has arguably fostered a messianic fervour in Israel too.

We republish the foreword to the Al Jazeera series below in both English and Arabic.

See also in In That Howling Infinite, A Middle East Miscellany:  

Al-Aqsa Flood and Religiosity …  A New Islamic Awakening?

“Outside the military battlefield, there was another battle raging alongside the flood, which is the battle of conflicting identities that the world witnessed with the flood, and the accompanying signs of a noticeable religious awakening among young people around the world, and the restoration of the centrality of the role of religion in Arab public affairs”.

What is the religious symbolism of the red cows that the Zionist settlers brought before the flood? Why did the spokesman for the Qassam Brigades denounce them in a speech? And what is the meaning of the concept of the nation in the speeches of the resistance leaders? Why did the Zionist Prime Minister invoke the story of the “Amalekites” from the Old Testament to justify the Israeli brutality in the Gaza Strip? And why do we only receive clips of resistance fighters accompanied by glorification and praise and mention of the virtue of martyrdom?

Many questions about religion and religiosity and their relationship to the flood have imposed themselves since the outbreak of the flood on October 7, 2023. From the first moments of the flood, and with the resistance members crossing the security fence of the Gaza Strip, the sounds of glorification and praise of the resistance fighters preceded the sounds of the Kalashnikovs. During the battle, the leaders of each team did not limit themselves to the military and strategic mention of the battle, but they loaded the battle itself with many religious symbols, which are no less present and important than the importance of the security, intelligence and military machine. Outside the military battlefield, there was another battle raging alongside the flood, which is the battle of conflicting identities that the world witnessed with the flood, and the accompanying signs of a noticeable religious awakening among young people around the world, and the restoration of the centrality of the role of religion in Arab public affairs.

All of this prompted us to ask the question: What is the position of religion and religiosity in the battle of the flood? This was the file titled “The Flood of Al-Aqsa and Religiosity… A New Islamic Awakening?!” which consisted of 7 articles.

The first article was an extensive article titled “From the Tortured of the Earth to the Beloved of God… How did Arab Youth Return to the Questions of Faith and Religiosity after the Events of October 7?” The work on the article took 8 months, during which we met with dozens of young people around the world between the ages of 20 and 40 to monitor the transformations of Arab youth after the flood, and the transformation of many of them from “indifference” to a state of sweeping religiosity, and sometimes even readiness to engage in the broad Islamic state, and support the Islamic resistance. All of this was monitored by the article, and their testimonies recorded the impact of the flood on them and its effect on the transformations they went through.

As for the second article, it was a conceptual article entitled “Cultural Wars and the War on Gaza… How did October 7 formulate the concept of the nation?” The article followed the conflict of identities that accompanied the flood, and how the speeches of the resistance spokesman restored the concept of “nation” and made it the heart of the battle of the flood, and how the Zionists and their allies tried to redraw the concept of the term “nation” in the past decades!

Then we delved into the third article into a forward-looking article entitled “The Flood, Prophecy, and the Hour… Welcome to the Exceptional Times!” to tell us how prophecy can have its effect on military reality? And how faith becomes a refuge for salvation for the resistance fighters when all roads are narrow, moments of foresight are absent, and work becomes based on the sites of destiny.

As for the fourth article, it was about the presence of the Zionist religious narrative on social media platforms, especially TikTok. The article “Religious Zionism on TikTok… This is how genocide was legitimized in Gaza” attempted to monitor the religious presence of Zionist figures and those influenced by them on TikTok, and how this presence helped justify the genocide with a clear conscience! The article placed this Zionist religious narrative in a comparative case with the role of Arab influencers and the religious narrative they carried during the war.

From TikTok to psychology, in the fifth article we went to reconsider Western psychology and the problem of Western standards on religion and religiosity in the article “What is faith? About Gaza and the Istisqa prayer in the summer”, which monitored the academic deficiency in Western standards of religiosity when trying to apply them to Muslim peoples. The article revealed that the case of “Gaza” remains a unique case that is difficult to frame within the material framework of the psychology of religiosity in its Western perspective.

Then we reinforced it with the sixth article, in which we returned to the impact of religion on the battlefield, which is the article “Psychology of Religiosity… The Infrastructure of Resistance in Gaza”, which attempted to draw the line between religious motivation and mental health in crises, and monitored the religious beliefs of the people of Gaza that created meaning from the womb of suffering, and concluded the article by talking about the uniqueness of Islam in drawing the path of salvation for its followers in the two cases of life or martyrdom.

Finally, we concluded with the seventh article, which tells the expansion of the circle of influence to the ends of the world by reviewing the story of an evangelical Christian Islam, and how the Gazan model of religiosity was transformed into a beacon of global guidance.

طوفان الأقصى والتدين … يقظة إسلامية جديدة؟!

مقدمة الملف ما الرمزية الدينية للبقرات الحُمر التي استجلبها المستوطنون الصهاينة قبيل الطوفان؟ ولمَ ندد بها المتحدث باسم كتائب القسام في خطاب له؟ وبأي مدلولٍ حضر مفهوم الأمة في خطابات قادة المقاومة؟ ولماذا استدعى رئيس الوزراء الصهيوني قصة “العماليق” من العهد القديم تبريرًا للوحشية الإسرائيلية على قطاع غزة؟ ولماذا لا تصلنا مقاطع مقاتلي المقاومة إلا مصحوبة بالتكبير والتهليل وذكر فضل الشهادة؟

أسئلة كثيرة حول الدين والتدين وعلاقتهما بالطوفان فرضت نفسها منذ اندلاع الطوفان في السابع من أكتوبر ٢٠٢٣. فمنذ اللحظات الأولى للطوفان، ومع عبور أفراد المقاومة السياج الأمني لغُلاف غزة كان أصوات التكبير والتهليل للمقاومين تسبق أصوات الكلاشنكوف. وفي أثناء المعركة لم يكتف قادة كل فريق بالذكر العسكري والإستراتيجي للمعركة، وإنما شحنوا المعركة ذاتها بكثير من الرمزيات الدينية، التي لا تقل في حضورها وأهميتها عن أهمية الآلة الأمنية والإستخباراتية والعسكرية. أما خارج ميدان المعركة العسكري، فكان ثمة معركة أخرى تدور رحاها إلى جوار الطوفان، وهي معركة الهويات المتصارعة التي شهدها العالم مع الطوفان، وما صاحب ذلك من بوادر استفاقة دينية ملحوظة في أوساط الشباب حول العالم، واستعادة محورية دور الدين في الشأن العام العربي.

كل ذلك دفعنا إلى طرح سؤال: ما هو موقع الدين والتدين في معركة الطوفان؟ فكان هذا الملف الذي حمل عنوان “طوفان الأقصى والتدين … يقظة إسلامية جديدة؟!” والذي تكون من 7 مواد.

كانت المادة الأولى مادة مستفيضة بعنوان “من معذبي الأرض إلى أحباب الله … كيف عاد الشباب العربي إلى سؤالي الإيمان والتديّن بعد أحداث السابع من أكتوبر” وقد استغرق العمل على المادة 8 أشهر، التقينا فيها بعشرات الشباب حول العالم من الفئة العمرية ما بين 20 إلى 40 لرصد تحولات الشباب العربي بعد الطوفان، وتحول كثير منهم من “اللامبالاة” إلى حالة التدين الجارف، بل وأحيانا التأهب للانخراط في الحالة الإسلامية الواسعة، ومناصرة المقاومة الإسلامية. كل ذلك رصدته المادة، وسجلت بشهاداتهم وقع الطوفان عليهم وأثره في التحولات التي خاضوها.

أما المادة الثانية كانت مادة مفاهيمية بعنوان “الحروب الثقافية والحرب على غزة.. كيف صاغ 7 أكتوبر مفهوم الأمة؟” تتبعت المادة صراع الهويات التي صاحب الطوفان، وكيف استعادات خطابات المتحدث باسم المقاومة مفهوم “الأمة” وجعلته في القلب من معركة الطوفان، وكيف حاول الصهاينة وحلفائهم إعادة رسم مفهوم مفردة “الأمة” في العقود الماضية!

ثم دلفنا في المادة الثالثة إلى مادة استشرافية بعنوان “الطوفان والنبوءة والساعة … مرحبًا بك في الأزمنة الاستثنائية!” لتخبرنا كيف يمكن للنبوءة أن يكون لها أثرها في الواقع العسكري؟ وكيف يصبح الإيمان ملاذ الخلاص للمقاومين عندما تضيق جميع الطرق، وتنعدم لحظات الاستشراف، ويصبح العمل على مواقع القدر.

أما المادة الرابعة فكانت عن حضور السردية الدينية الصهيونية على منصات التواصل الاجتماعي، وخاصة التيك توك. فكانت مادة “الصهيونية الدينية على “تيك توك”.. هكذا شُرّعت الإبادة في غزّة” حاولت هذه المادة رصد الحضور الديني للخامات الصهاينة والمتأثريين بهم على التيك توك، وكيف ساعد هذا الحضور على تبرير الإبادة بضمير مرتاح! ووضعت المادة هذه السردية الدينية الصهيونية ضمن حالة مقارنة مع دور المؤثريين العرب والسردية الدينية التي حملوها أثناء الحرب.

ومن التيك توك إلى علم النفس، فقد ذهبنا في المادة الخامسة إلى إعادة النظر في علم النفس الغربي وإشكالية المقايس الغربية حول الدين والتدين في مادة “ما الإيمان؟ عن غزة وصلاة الاستسقاء في الصيف” والتي رصدت النقص الأكاديمي في مقاييس التدين الغربية عند محاولة تطبيقها على الشعوب المسلمة. وكشفت المادة أن حالة “غزة” تظل حالة فريدة ومستعصية على التأطير ضمن الإطار المادي لعلم نفس التدين في منظوره الغربي.

وثم عززنا بالمادة السادسة التي عُدنا فيها إلى أثر الدين في أرض المعركة، وهي مادة “سيكولوجية التديّن.. البنية التحتيّة للمقاومة في غزة” والتي حاولت رسم الخط بين الدافع الديني والصحة النفسية في الأزمات، ورصدت المسلمات الدينية لأهل غزة والتي خَلّقَت المعنى من رحم المعاناة، وختمت المادة بالحديث عن فرادة الإسلام في رسم مسار الخلاص لأتباعه في حالتي الحياة أو الشهادة.

وأخيرًا ختمنا بالمادة السابعة، التي تحكي اتساع دائرة التأثير إلى أطراف المعمورة باستعراضنا لقصة إسلام مسيحيّ إنجيليّ، وكيف تحول نموذج التديّن الغزيّ إلى منار هداية عالميّة.

من معذبي الأرض – 1

الحروب الثقافية والحرب – 2

الطوفان والنبوءة والساعة

الصهيونية الدينية على تيك توك – 4

ما الإيمان؟ عن غزة – 5

سيكولوجية التديّن -6

قصة إسلام إنجيلي أميركي

 

 

A Messiah is needed – so that he will not come

In our more secular, rational times, we condemn those who maim and murder in the name of their god. But do not for a moment dismiss the power of religious fervour … The promise of a full remission of all sins and a place in paradise was a powerful motivator (and among some faithful, it still is).
Al Tariq al Salabiyin – the Crusaders’ Trail, In That Howling Infinite

… it would be a mistake to assume that the pattern of apocalyptic thought exists only within the framework of religious belief. Its fingerprint can also be found in secular revolutionary movements and in modern ideological worldviews
Amit Vershinsky, Israeli historian and author

Messianism, the belief in the advent of a “promised one”, a Messiah or Mahdi, who emerges as the saviour of a people and who will bring about a better world, has never gone out of fashion, particularly in the Middle East, its theological birthplace. It originated as a Zoroastrian religious belief and flowed into the Abrahamic religions, Judaism, Christianity and Islam, but other faiths also harbour messianistic proclivities. And yet, messianism can be temporal as much as spiritual, as illustrated by the ideological movements which determined the course of twentieth century history.

The yearning for an ideal leader has long been ingrained in our collective psyche: a hero, mortal or divine, who would appear at the darkest hour and lead his people through the struggle to ultimate triumph. Even though we may not personally subscribe to a spiritual belief in the end of days, it is there in our historical memory and in the myths that are often shaped by it, as the following lines, referencing Alexander the Great, Genghis Khan and King Arthur, these “once and future” kings, illustrate:

We sing such songs as we might hear
In dreams before day breaking,
As ancient echoes hide between
The slumber and the waking.
We remember,
Yes, we remember

Iskander marched this way and back
Across these battlefields of old.
Persepolis he burned and in Babylon he died,
And now, embalmed in gold,
He lies waiting.

The killer khan in death reclines
Amidst his guards and concubines,
Who died so none would ever see
The final resting place where he
Lies waiting.

And in our own imagining
The fabled, once and future king
Upon an island in a lake,
He slumbers still but will awake
One day.

Ruins and Bones, Paul Hemphill

World-renowned Critical Theorist, activist, psychoanalyst, and public Marxist intellectual, Erich Fromm (1900-1980) distinguished two kinds of messianism. One he saw as radical and progressive, the other as regressive and potentially reactionary: “prophetic messianism” and “catastrophic or apocalyptic” messianism.

Prophetic messianism, Fromm argued, conceives the messianic event as occurring within history and time and not arriving through a rupture from history and time. Regressive catastrophic messianism on the other hand sees the messianic event entering history from outside, a force majeure, and not as an outcome of human activity. He saw “prophetic messianism” as a “horizontal” longing, a longing for human-made change, and “catastrophic messianism” as a vertical” longing, a longing for an external, transcendent “saviour” (perhaps a human leader or a deterministic law governing history) that will enter history from a realm outside of human affairs.

Because prophetic messianism views the messianic event as the outcome of human progress, it encourages productive and revolutionary action, and it makes planning or “anticipatory change” possible. By contrast, because catastrophic messianism views the messianic event as the outcome of the transcendent entering history to rescue a fallen humanity, catastrophic messianism encourages passive waiting or even destructive or unnecessarily violent action aimed at speeding the coming of the apocalypse. Like the types of false hope that Fromm warns against, catastrophic messianism risks becoming quietism on the one hand or actively destructive nihilism on the other.

[These two previous paragraphs are an edited extract of a review by Dutch publishing house Brill of Erich Fromm’s Revolutionary Hope by Joan Braune, 1st January 2014}

Today, catastrophic messianism is active and influential in our world’s most enduring conflicts – the clear and present danger facing the non-Muslim world by Islamic extremism, and the current war between the predominantly Jewish State of Israel and the Islamic fundamentalist Hamas and its allies

In islamic eschatology, the end of times will portend Malhama Al-Kubra, the “last battle between the forces of light and of darkness, an apocalyptic struggle so intense that according to some Hadith narrations, were a bird to pass their flanks, it would fall down dead before reaching the end of them. Many texts say that this will take place at Dabiq in northern Syria. As testament to its relevance in contemporary Islamist thinking, the brutally fundamentalist Islamic State adopted the name for its magazine.

In the eyes of Israel’s principal foes, the so-called “Axis of Resistance”, Iran and its Islamist proxies in Palestine, Lebanon, Syria, Iraq and Yemen, the current Arab Israeli conflict is in reality a holy war with inseparable and uncompromising religious, political and military dimensions that take on a messianic character.

The irony is that increasingly in the Jewish state, the existential crisis emanating from the catastrophe of October 7 and the encirclement of the tiny country by enemies determined to wipe it off the map, has arguably fostered a messianic fervour in Israel too.

In an informative article in Haaretz, writer and historian Amit Varshizky contemplates the connections between conflict and catastrophe on the one hand and an emerging messianism on the other among both religious and non-religious Jews.

This article reminded me of British historian Norman Cohn‘s influential book The Pursuit of the Millenium which I first read in ‘seventies. Indeed, Varshinsky refers to him. Cohn’s work as a historian focused on the problem of the roots of a persecutorial fanaticism which became resurgent in modern Europe at a time when industrial progress and the spread of democracy had convinced many that modern civilization had stepped out forever from the savageries of earlier historical societies. In The Pursuit, he traced back to the distant past the pattern of chiliastic upheaval that marred the revolutionary movements of the 20th century. He had described all his work as studies on the phenomena that sought “to purify the world through the annihilation.

Vershinsky writes:

“The origins of this craving for destruction and strife reside in the belief that the coming of the Messiah will be preceded by a period of “pangs of the Messiah,” characterized by suffering and ordeals; in short, there is no redemption that is not acquired without torments. This is a basic element of political messianism, which interprets historical events in a mythic light, as the embodiment of sanctity in concrete reality … the power of this redemptive mysticism derives from the fact that it does not talk about far-reaching cosmic transformations in the order of creation, as predicted by the Prophets. It refers, rather, to messianic fulfillment within the realm of historical, concrete time, and as such it is tightly linked to human deeds … History demonstrates how apocalyptic interpretations can be created from the experience of an existential crisis, which brings to a head the everlasting tension between deficiency and the striving for fulfillment – a tension that characterizes the human condition in general. Since the start of recorded history, periods that were marked by political crises, plagues, social anxieties and collective despair have been accompanied by the rise of apocalyptic interpretations that have vested history with a new and sanctified significance and have charged the events of the hour with redemptive meaning. As Norman Cohn showed, marking a low point as a formative moment of spiritual renascence that leads to redemption is part of a recurring pattern that appears in all apocalyptic interpretations of events throughout Western history. Cosmic disorder is a precursory and necessary stage for the coming of the Messiah and the establishment of the Kingdom of God … But it would be a mistake to assume that the pattern of apocalyptic thought exists only within the framework of religious belief. Its fingerprint can also be found in secular revolutionary movements and in modern ideological worldviews”.

See also in In That Howling Infinite, A Middle East Miscellany    A Short History of the Rise and Fall of the West and Lebensraum Redux – Hamas’ promise of the hereafter

Amit Varshizky, Haaretz, Aug 3, 2024

Disasters are a fertile ground for purveyors of apocalyptic prophecies

Oil-storage facility in Hםuthi-held Hodeida, Yemen after the port was hit by Israeli planes July 20. “War advances “the purification, refining and galvanizing of the Jewish people” Rav Kook.”: AFP

Social media is flooded with clips of rabbis calculating the end times and intoxicated with salvation as they declare that we are poised at the onset of the flowering of our redemption. Rabbi Naftali Nissim, a YouTube star in-the-making, waxed poetic: “There has never been a beautiful period like this… What happened on Simhat Torah [October 7] is a prelude to redemption.” Rabbi Yaakov Maor explained that “Rafah [in Gaza] refers to ‘288 sparks’ [the numerological value of the word ‘RFH,” and a concept in kabbalistic literature]. The redemption is near!” And Rabbi Eliezer Berland, head of the Shuvu Banim group in the Breslav Hasidic sect, promised: “This is the last war before the Messiah. After this war, Messiah Son of David will come.”

But such talk is not confined to the yeshivas and the kollels (yeshivas for married men), it’s even voiced on commercial television. Dana Varon, a presenter and commentator on the right-wing Channel 14, stated, “It’s written in the Mishna: The Galilee will be destroyed and the Golan shall be emptied, and the people of the border wander from city to city, that’s the Mishna coming to realization within us literally, I’m happy about this.”

Her colleague Yinon Magal went even farther in a radio broadcast. “The feeling is that we are approaching great days. We are in a redemptive process, and prophecies are happening.” And on another occasion: “Only the Messiah [can] supplant Bibi.” Magal is a demagogue and the embodiment of narcissism, but his remarks reflect a prevailing sentiment among broad circles of the settler and Hardali (nationalist ultra-Orthodox) right, and one that has also been adopted by broad segments of the ruling party.

The sentiment itself is not new. Since the advent of religious Zionism, it has greased the movement’s ideological wheels and been the driving force of the settlement project and the vision of Greater Israel. What is new is the popularity these ideas enjoy in the present-day political and public discourse, and how they have traveled from the margins of right-wing politics into the Likud center. Prime Minister Benjamin Netanyahu, who is captive by choice of power-hungry Kahanists and other extremists, is dragging Israel into the grip of an apocalyptic ecstasy that is deepening the existing crisis and creating new conditions for realizing the messianic fantasy of conquering all the territories of the Land of Israel, replacing Israeli democracy with the kingdom of the House of David and building the Third Temple.

This accounts for the enthusiastic spirit that has gripped the messianic camp since October 7, as well as the repeated provocations on the part of individuals and groups in an attempt to ignite a conflagration in the West Bank and pull the Arabs in Israel into the blaze.

War of Gog and Magog

The origins of this craving for destruction and strife reside in the belief that the coming of the Messiah will be preceded by a period of “pangs of the Messiah,” characterized by suffering and ordeals; in short, there is no redemption that is not acquired without torments. This is a basic element of political messianism, which interprets historical events in a mythic light, as the embodiment of sanctity in concrete reality. According to this approach, the birth of Israel and the Zionist enterprise, particularly since the victory in the 1967 Six-Day War, are manifestations of emerging redemptive reality. This reading of events is based in part on tractate Berakhot in the Talmud, according to which between this world and the time of the Messiah there is only “servitude to the [foreign] kingdoms.”

Indeed, the power of this redemptive mysticism derives from the fact that it does not talk about far-reaching cosmic transformations in the order of creation, as predicted by the Prophets. It refers, rather, to messianic fulfillment within the realm of historical, concrete time, and as such it is tightly linked to human deeds. Rabbi Shlomo Aviner, the dean of Ateret Yerushalayim Yeshiva and the former rabbi of the settlement of Beit El, put it succinctly: “We assert the absolute certainty of the appearance of our redemption now. There is no barrier here of secret and hidden.”

The same applies to the present war; it needs to be seen in its biblical dimension and perceived through a messianic prism. In this sense, the history of our generation is not much different from the chronicles of the Exodus from Egypt and the conquests of Joshua. At that time, too, the events occurred by natural means and the military victories opened the age of redemption.

The Gaza war, from this perspective, is bringing closer the Jewish people’s collective redemption. Light and dark are intertwined here, destruction and revival are interlocked like revealed and concealed, and as material and spiritual reality. Accordingly, the greater the dimensions of the destruction and the devastation, so too will the spiritual transformation brought by the campaign in its wake be augmented. The war is the purgatory that will steel the spirit of the Jewish people, which is already at the stage of incipient redemption. Anyone seeking a foundation for this idea will find it in the thought of Rabbi Zvi Yehuda Kook (the son of Abraham Isaac Kook): “What is the reason for the War of Gog and Magog? Following the establishment of Israel’s sovereignty, war can possess only one purpose: the purification, refining and galvanizing of Knesset Israel [the Jewish people].”

What is the conclusion? The more that suffering increases, the more good there will be; and “the more they were oppressed, the more they increased and spread out” (Exodus 2:12). They will multiply and burst forth, for like the measure of justice, so too is the measure of mercy. And as Dana Varon noted in replying to her critics, “It’s a good sign. Because if all the bad and the wicked materialize, that is a sign that the good is also guaranteed and is arriving.”

Sanctified victims

The designation of catastrophe as a condition for salvation is not new in human history. History demonstrates how apocalyptic interpretations can be created from the experience of an existential crisis, which brings to a head the everlasting tension between deficiency and the striving for fulfillment – a tension that characterizes the human condition in general. Since the start of recorded history, periods that were marked by political crises, plagues, social anxieties and collective despair have been accompanied by the rise of apocalyptic interpretations that have vested history with a new and sanctified significance and have charged the events of the hour with redemptive meaning.
As the British historian Norman Cohn showed, marking a low point as a formative moment of spiritual renascence that leads to redemption is part of a recurring pattern that appears in all apocalyptic interpretations of events throughout Western history. Cosmic disorder is a precursory and necessary stage for the coming of the Messiah and the establishment of the Kingdom of God.

But it would be a mistake to assume that the pattern of apocalyptic thought exists only within the framework of religious belief. Its fingerprint can also be found in secular revolutionary movements and in modern ideological worldviews. Marxism, for example, is based on the assumption that history is progressing toward a final end, after which there will be no more oppression, injustice or wars. The realization of the Marxist utopia sees extreme aggravation in the living conditions of the working class as a necessary condition for world revolution, and for the formation of a classless society that will bring about the end of history.

Fascism, and German fascism in particular, preserves a central place for apocalyptic patterns of thought. In Hitler’s Third Reich, whose followers adopted the Christian eschatological concept of the “Thousand Year Reich,” extensive use was made of the narrative of fall and redemption as a means to consolidate the Nazi movement’s ideological hold on the German public. The Nazi ideologues and propagandists were successful in evoking the deepest fears of their contemporaries, and in depicting Germany’s military defeat in World War I and the national nadir as a formative moment of illumination, resurrection and renewal.

As the Nazis conceived it, the catastrophe of the war marked the watershed – it was a rupture that exposed the subversive activity of the Jews, awakened the German people to recognize its inner strength and accelerated a process of national renewal. It was precisely the destruction and the mass killing of the Great War that made it possible to formulate a new worldview and philosophy of life that was based on recognition of the vital powers of the race and the organic essence of the people (the Volk). As such, the sacrifice of the war’s fallen was vested with sanctified validity.

The totalitarian movements thus secularized the apocalyptic pattern of thought and implanted it in their worldview. They offered their believers a utopian vision that was based not on divine redemption but on scientific progress, naturalism and the sovereignty of humanity. Their followers were driven by a sense of moral eclipse and existential dread, accompanied by a call to eradicate the old world and to build on its ruins a new, orderly world. The total war, in the Nazi case, or the total revolution, in the communist case, were perceived as a necessary stage to realize the secular utopia, and made it possible to normalize the most horrific crimes and sanctify every form of violence. The historical lesson is thus clear: Every attempt to establish the Kingdom of God on earth is destined to ignite the first of in the abode of man.

Here lies the danger in striving for a politics of “total solutions,” whether on the right or on the left. That form of politics entrenches a false picture of reality and paves the way for demagogues and populist false messiahs who are adept at exploiting social distress and anxiety by appealing to the urge for redemption and the human need for absoluteness.

Not only does political messianism cast on its leaders a sanctity of religious mission that is insusceptible to doubt; it also requires the marking of enemies (or political rivals) as foes that are delaying redemption, in the spirit of the Latin phrase, “Nullus diabolus, nullus redemptor” (No devil, no redeemer). In this sense, the more powerful the messianic idea is, the greater the violence and the destruction it sows when the demand for absoluteness shatters on the rocks of reality; the height of the sublimity toward which it thrusts is matched only by the depth of the abyss into which it is liable to slide. For the more that reality declines to acquiesce to the absolutist demands of the advocates of political messianism, the greater the strength they wield to shape it in the image of their utopian visions; and the more untenable this becomes, the more they attribute their failure to an internal enemy and to the power of abstract conspiracies.

David Ben Gurion: “The Messiah has not yet come, and I do not long for the Messiah to come. The moment the Messiah will come, he will cease to be the Messiah”. Fritz Cohen / GPO

Between the absurd and the meaningful

It’s only natural for people to seek to inform their lives with meaning that transcends their temporary, ephemeral existence. It’s also natural that in periods of mourning and distress they should wish to console themselves and imbue their sacrifice and loss with cosmic meaning. Crisis and catastrophe can indeed serve as an opportunity for renewal, and there is also nothing intrinsically wrong with the longing for redemption or for the absolute that is innate in the human psyche. The danger lies in the attempt to transform redemption into a political program, and the ambition to bring the heavenly kingdom into being in this world. The demand for absolute justice always ends in injustice. Moreover, a cause that relies on unjust means can never be a just cause.
In a meeting with intellectuals and writers in October 1949, David Ben-Gurion said, “The Messiah has not yet come, and I do not long for the Messiah to come. The moment the Messiah will come, he will cease to be the Messiah. When you find the Messiah’s address in the phone book, he is no longer the Messiah. The greatness of the Messiah is that his address is unknown and it is impossible to get to him and we don’t know what kind of car he drives and whether he drives a car at all, or rides a donkey or flies on eagles’ wings. But the Messiah is needed – so that he will not come. Because the days of the Messiah are more important than the Messiah, and the Jewish people is living in the days of the Messiah, expects the days of the Messiah, believes in the days of the Messiah, and that is one of the cardinal reasons for the existence of the Jewish people.”
Those remarks can be taken at face value, but it’s desirable to understand them as a message that encapsulates universal human requirements: People need belief, vision and a guiding ideal, but as is the way with ideals, it’s certain that this too will never materialize but will remain on the utopian horizon toward which one must strive but to which one will never arrive. Humanity, thus, is fated to exist in the constant tension between want and fullness, between the absurdity and futility of life and our need for meaning, purpose and significance. That tension can be a millstone around our necks and enhance the attraction of political messianism in its diverse forms.

Accordingly, it’s a mistake to assume that the allure of messianism can be fought only with rational tools. Myth cannot be suppressed by reason, and the yearning for the absolute cannot be moderated by means of learned, logical arguments. It was Friedrich Nietzsche, of all people, the philosopher who perhaps more than any other is associated with modern atheism and the “death of God,” who maintained that the death of God does not necessarily herald the death of faith, and that the rejection of religion and a consciousness of God’s absence do not mean that the craving for the absolute has ceased to exist.

On the contrary, it is precisely the death of God, precisely his nonexistence, that keeps alive more forcefully the longing for him, and spurs man to find substitutes. Hence Nietzsche’s famous cry: “Two thousand years have come and gone – and not a single new god!” The secular individual who has been orphaned of God is fated to give birth from within to new gods that will provide a response to one’s unfulfilled religious longing. God is dead, but his shadow continues to pursue humanity and to drive people to act in numberless forms and ways.

The denial of God’s shadow and of the unrequited longing of the human psyche for the absolute are the root of the blindness of secular culture in our time, and the source of its weakness in the light of the messianic sentiment. Under the guise of post-ideological pragmatism and economical rationalism, secular liberalism has completely forsaken the psycho-religious needs of the current generation in favor of material utilitarianism, narcissistic individualism and consumerist escapism, and has abandoned the possibility of bringing into being a life of a spiritual and cultural character capable of providing a response to the basic need for meaning and self-transcendence. Secular culture may perhaps allow freedom of choice (and that’s not a little), but in itself it does not offer another positive meta-narrative, guiding idea or existential meaning in an era of consumer and technological alienation. Into this vacuum political messianism has penetrated, as it offers an answer for spiritual longings and existential anxieties.

The formulators of state-oriented Zionism, head by Ben-Gurion, understood this well. They sought to harness the religious impulse to nation building and to the formation of a new Hebrew (Jewish) identity that draws on the messianic sources but does not attach itself to their religious content and instead secularizes it. In this way the messianic tension served Ben-Gurion to forge an ideal vision of a Jewish state that would be a moral paragon and a light unto the nations.

Is a return to the fold of Ben-Gurion-style Zionism the answer? Probably not. One thing, however, is certain: besides the urgent need to separate religion and state, and to anchor Israel’s secular-liberal character in a constitution, a deep transformation is also necessary in secular culture, in education, in artistic creation and in the intellectual-spiritual life. Because in order to do battle against the messianic myth, a counter-myth is needed, one that does not lie within the realms of religion and meta-earthly redemption, but in the imperfect world of humankind. It alone is capable of providing a substitute for the temptations of the diverse types of political messianism and of providing human beings with a horizon free of all supernatural, theistic, utopian or redemptive qualities.

A Messiah is needed – so that he will not come.

Alf Layla wa Laylah – the Arabian Nights and Orientalism

How do you see my country? Dusky maidens in desert tents offering dates on golden plates? 
Algerian secret agent Mohammed Ibn Khaldun to Tom Quinn, Spooks, 2,Ep 2

How often have we heard the exclamation “it’s like something out of the Arabian Nights”? We’ve said it ourselves as we walked down the Suq al Hamadiyya in Old Damascus and al Wad and Daoud Street in Old Jerusalem, in an ersatz Bedouin tent-restaurant just down the road from Palmyra and a similar night out near Petra. It’s as if the local tourist industry folk expect us westerners to enjoy, nay, expect this kind of entertainment. 

But whereas since the translation of The Arabian Nights, we have loved the tales, we have also taken from them a distorted impression of the Middle East, a pastiche of palm trees, minarets and camels like the illustrations of the old boxes of figs and of Fry’s Turkish Delight. 

So, how did we get here?

From a historical European perspective, the East or Orient has long been perceived as an unknown, alien, and, therefore, alluring world, that has existed for centuries, even millennia. It’s spell persists to this day, enchanting, seducing, and seducing soldiers, adventurers, travelers, troublemakers, writers, artists, and musicians.

This enduring fascination with the East gave rise to the descriptor Orientalism. In art history, literature, and cultural studies it described the imitation or depiction of aspects of the Eastern world largely by writers, designers, and artists from the Western world. Since the publication Palestinian America academic Edward Said’s seminal work Orientalism (1978) much of academic discourse has begun to use the term to refer to the generally nurturing though patronizing  Western attitude toward societies in the Middle East, Asia, and North Africa.

But more on Orientalism and Edward Said later. First, we’ll take look at one of the most popular manifestations of western culture’s relationship with the East. 

One Thousand and One Nights (أَلْفُ لَيْلَةٍ وَلَيْلَةٌ‎, Alf Laylah wa-Laylah) is a collection of folk tales compiled in Arabic during medieval times in what is recognized as the Islamic Golden Age, a period of scientific, economic and cultural flourishing in the history of Islam, traditionally dated from the 8th century to the 13th century.  It known in English as The Arabian Nights – from the first English-language edition in the early eighteenth century entitled The Arabian Nights’ Entertainment. Many European translations followed, but none more racy and picaresque that of English explorer, polymath and enfant terrible Richard Burton in 1885; it was an abridged version of this, purchased from a budget book store in King Street, Sydney, that I read the first time i got to meet Mademoiselle Scheherazade. The featured image is from that book’s dust cover. 

It has been acknowledged that Burton’s gaudy and bawdy English bears little relation to the Arabic of the Nights, which tends to be plain, conversational, and even a little threadbare – in other words, the idiom of folk literature. Some would dismiss it as Orientalist camp. Others would say it was just what would be expected from the infamous translator of The Kama Sutra. His translation included virtually every tale he could find a manuscript for – as well as some that he made up, such as my personal favourite How Abu Hasan Broke Wind.  

The stories were gathered over many centuries by various authors, translators, and scholars across the Middle East and South Asia, and North Africa. They originated in ancient and medieval Arabic, Egyptian, Indian, Persian, and even Mesopotamian folklore and literature. Many were originally folk stories from the Abbasid and Mamluk eras, while others, especially the central story of Scheherazade are most likely drawn from the Pahlavi Persian work Hezār Afsān (Persian: هزار افسان‎, A Thousand Tales), which in turn contained Indian elements.  

Charting the timeline, English scholar, author and Sufi adept Robert Irwin has written: “In the 1880s and 1890s a lot of work was done on the Nights by Zotenberg and others, in the course of which a consensus view of the history of the text emerged. Most scholars agreed that the Nights was a composite work and that the earliest tales in it came from India and Persia. At some time, probably in the early 8th century, these tales were translated into Arabic under the title Alf Layla, or ‘The Thousand Nights’. This collection then formed the basis of The Thousand and One Nights. The original core of stories was quite small. Then, in Iraq in the 9th or 10th century, this original core had Arab stories added to it—among them some tales about the Caliph Harun al-Rashid. Also, perhaps from the 10th century onwards, previously independent sagas and story cycles were added to the compilation … Then, from the 13th century onwards, a further layer of stories was added in Syria and Egypt, many of these showing a preoccupation with sex, magic or low life. In the early modern period, yet more stories were added to the Egyptian collections so as to swell the bulk of the text sufficiently to bring its length up to the full 1,001 nights of storytelling promised by the book’s title”.

Sheherazade (Fine Art Images/Heritage Images via Getty Images)

The Thousand And One Arabian Nights has been so appropriated by our culture that it is a de facto member of our so-called Western Canon. It is the source of so many of our fairy tales and boy’s own adventures with its magic lamps and genies, giant birds and winged horses, flying carpets and gorgeous girls in rich silks and ethereal damask. In our pubescent days, did we not “dream of Jeannie”? 

Harem pants and turbans, belly dancers and serpentine melodies, and a “nudge, nudge, wink, wink” of vicarious naughtiness (itself a word of Indian origin) – an exotic, “orientalist” retro-zeitgeist that drew artists, poets, writers and composers to this inexhaustible source of narrative, inspiration and titillation. Recall, back in those thankfully long gone more repressed days, the risqué, soft porn imaginings of European artists, including the Pre-Raphaelites and Orientalists who also elided into similar fever dreams of Babylonian and Roman erotica. 

Musicians too got in on the act. In 1782, Wolfgang Amadeus Mozart premiered Entführung aus dem Serail, The Abduction from the Seraglio, and Gioachino Rossini presented his L’italiana in Algeri or An Italian Girl in Algiers in 1813. These lightweight comic operas featured many of the tropes that entered the cinematic lexicon in the twentieth century, and whilst musically endearing and entertaining, their Orient was a mix of slapstick and exotic, and by today’s standards, condescending in their portrayal of lascivious sultans and their flunkies so easily outwitted by occidental heroes and heroines. Much grander and imposing is Russian composer Nikolai Rimsky-Korsakov’s splendid Scheherazade suite, otherwise known as “the Sultan is coming”. There’s an orchestral rendering of this masterpiece below.

The stories rattle through English pantomimes, Hollywood fantasias, Walt Disney, and even the avant-garde Pier Paulo Pasolini: Alāʼu d-Dīn and Sindibādu l-Bahriyy (these were indeed their original names), Ali Baba and those bandits in huge pots – the inspiration and the storylines for all those boy gets girl cosplay, rom-com, adventure and fantasy films like The Thief of Baghdad and Prince of Persia, and musicals like Kismet – and many more besides, most of them ordinary and many, bad (go Google!). Baubles, bangles and beads indeed (see, below, the Clio from the film). It was a pleasant, picturesque oriental world, the Middle East as Hollywood imagined it before it hit the headlines with its oil, its tyrants, and it internecine wars, a world sans Hamas, Hezbollah, the Taliban, Da’ish and the Al Quds Brigade. 

To illustrate the potential for satire, smut and downright silliness – a veritable “Carry on In The Casbah”. The nearest the famous British comedy series came to anything like this was the one film that didn’t have “Carry on” in its title: Follow That Camel in 1967. Though based on the French Foreign Legion adventures of Beau Geste, it doesn’t waste time getting to the suq and, predictably, the generic harem and the usual, well, carry on. Apropos this, there’s a clip below from the BBC production of British playwright Denis Potter’s excellent faux-musical Lipstick on Your Collar, set during the Suez Crisis of 1956, replete with orientalist imaginings and straight-out smut. 

The Blue Sultana by Léon Bakst

The spell of the orient also lured adventurers and chancers to the canyons and the castles, the deserts and the oases of the Levant, Mesopotamia, Persia, Afghanistan and India. And, I have to declare, yours truly – not without incident but no match for derring-do of Brits who went before. Like Irwin himself, I was of a generation with no more deserts to conquer, no fabled cities to administer. See Song of the Road (2) – The Accidental Traveller. 

It’s a part of the world that has captivated much of my intellectual life for I too like many others before me was lured by the spell of the Orient.

I wrote before, in East, “I was drawn to the Middle East in another age, when it was the land of myth and magic, of dreamers and adventurers, of quixotic tilters at windmills, of pioneers who would make the deserts bloom, of dissemblers and deceivers bearing false promises. The ancient lands of the bible, the fabled realm of A Thousand and One Nights, and the restless quests of Richard Burton, Charles Doughty, and TE Lawrence. The pulp fiction fantasies of Frank Herbert, James Michener and Leon Uris, and the celluloid myths of Peter O’Toole, Omar Sharif, and Paul Newman”.

Middle East folk have taken to the stories too, and as in the West, it has inspired books, poems, plays and movies. Lebanese diva Fairuz played Scheherazade in a Beiruti musical back in the seventies, and Umm Kulthum, dead nearly five decades and still indisputably the Arab world’s most renowned and beloved singer, sang about the lass for forty minutes, which was not unusual for her, without saying too much about the story. There is a statue of Scheherazade  and the sultan on the banks of the Tigris in Baghdad. 


And yet, the whole glittering, fairytale artifice was built upon dubious foundations of misogyny and murder. 

Scrumptious Scheherazade’s “cunning plan” was nothing more or less than that of distracting Shahriya, a randy psychopath of a sultan, from dispatching her (and her sister) – as he had done with his many short-lived exes. The premise is that his former missus cheated on him with a cavalcade of lovers, including slaves and persons of colour. To use the words of an old song by latter day philosopher Hal David and his sidekick Burt Bacharach,, he resolved that he was “never gonna love again”. And no doubt, in true oriental fashion, he was fearful of rival claimants and suspicious of all, including his paramours conspiring against him. Yet, he nonetheless constantly needs to get his end in. So whomsoever he selects to join him in his boudoir – and no one says no to the sultan – gets the chop the morning after. When Schezza gets the royal nod, she is determined not to go the way of her predecessors, and to preserve the lives of future bedmates. Accordingly, she keeps his lascivious lordship so distracted with her storytelling that he will refrain from slayage because he wants to hear how her tale ends. And yes, indeed, he forswears his murderous ways and settles into connubial bliss. 

© Paul Hemphill 2024. All rights reserved

See also in In That Howling Infinite, A Middle East Miscellany

The Scribe. Ludwig Deutsche 1911

East is east and west is west

Oh, East is East, and West is West, and never the twain shall meet,
Till Earth and Sky stand presently at God’s great Judgment Seat
Rudyard Kipling, The Ballad of East and West

The term Orientalism gained its modern definition through the writing of the Palestinian academic and cultural critic Edward Said, especially his famous book Orientalism, published in 1978, which sparked controversy among scholars of Oriental studies, philosophy, and literature. It was a critique of cultural perceptions of how the Western world – primarily the white and Judeo-Christian world – perceives the East – or specifically lands and cultures that lie outside the borders of southern and southwestern Europe.

From a historical European perspective, the East has long been perceived as an unknown, alien, and, therefore, alluring world, that has existed for centuries, even millennia. The Greeks and Romans longed for the silk and spices of the East. To satisfy our human craving for the good things of life, busy trade routes stretched from China and Java to present-day Russia, Scandinavia, the Iberian Peninsula and the British Isles.

The term orient is derived from Latin, oriens meaning “east” (literally “sunrise”, from aurior, rising, and its geographical use of the word “rising” to refer to the east, where the sun rises). The term Levant is in turn derived from Old French, and Italian in origin, to refer to the lands of the rising sun – specifically the historical lands of Syria (in Roman times, specifically’ that included the modern states of Lebanon, Syria, Jordan, Israel, Palestine and most of Turkey. In its broad historical sense, it came to include Greece, the islands of the eastern Mediterranean, modern Egypt and North Africa. And with the emergence of European empires in the east, Persia, Afghanistan, India, China, and the East Indies.

Along with east, west, or west, derived, again, from Old French, via Latin, Occidentem, west, or “sky where the sun goes down”, as in occido, to go down or set, was originally synonymous with Christianity which in the Middle Ages were the states that followed the Roman Catholic faith and which for various centuries considered themselves superior to the Eastern Orthodox faith of the Byzantine Empire and the lands of Russia.

The Levant was widely used after the fifteenth century. During the two hundred years of the Crusades, during which the French knights and their retinue took control, the lands that became the crusader kingdoms were referred to as Outremer, meaning the lands beyond the sea. And through the Crusades, the love affair of Christian Europe with the East began. And it was to continue to this day, enchanting, seducing, and seducing soldiers, adventurers, travelers, troublemakers, writers, artists, and musicians.

Edward Said and Orientalism

Original cover art of Orientalism, Jean Leon Gerome’s Le charmeur de serpents, 1870

Edward Wadih Said Edward Wadih Said (November 1935 – September 24, 2003) was a Professor of Literature at Columbia University, a public intellectual, and a founder of the academic field of Postcolonial Studies. A Palestinian-American born in Mandatory Palestine, he was a citizen of the United States through his father, a US Army veteran.

Educated in British and American schools, Said applied his pedagogical and cultural perspective to highlight the gaps of cultural and political understanding between the Western world and the Eastern world, especially with regard to the Israeli-Palestinian conflict in the Middle East.

As a public intellectual Said  was a controversial member of the Palestinian National Council, due to his public criticism of Israel and Arab countries, especially the political and cultural policies of Islamic regimes that work against the national interests of their people. He called for the establishment of a Palestinian state to guarantee equal political and human rights for Palestinians in Israel, including the right to return to the homeland.

Orientalism in art history, literature, and cultural studies is the imitation or depiction of aspects of the Eastern world. These drawings are usually made by writers, designers, and artists from the Western world. In particular, Orientalist painting, more specifically depicting the ‘Middle East’, was one of the many disciplines of academic art in the nineteenth century, and the literature of Western countries showed a similar interest in Eastern themes.

Since the publication of Orientalism, much of academic discourse has begun to use the term “Orientalism” to refer to the generally nurturing Western attitude toward societies in the Middle East, Asia, and North Africa. In Said’s analysis, the West classifies these societies as static and undeveloped, thus creating a vision of Eastern culture that can be studied, photographed, and reproduced in the service of imperial power. Implicit in this is the idea that Western society is sophisticated, rational, flexible, and superior, Said writes.

His book redefines the term Orientalism to describe the Western tradition – academic and artistic – of biased interpretations of the Eastern world shaped by the cultural attitudes of European imperialism in the eighteenth and nineteenth centuries.

Said said that Orientalism as “the idea of ​​representation is a theoretical idea: the Orient is a stage in which the whole of the Orient is confined” to make the Eastern world “less intimidating to the West.” And that the developed world, and the West in the first place, is the cause of colonialism, and that Western countries and their empires arose by exploiting backward countries and extracting wealth and labor from one country to another. Academically, the book has become a foundational text for postcolonial cultural studies.

While Said’s analysis relates to Orientalism in European literature, especially French literature, the historical view identified and described can also be applied to representations of the Orient in other art forms, including visual art – most notably in Orientalist painting, which was popular among artists And with galleries during the nineteenth century, which modern scholars see as depicting myth and fantasy that has little connection with reality, and also in other art forms that come like music and film.

Such representations drew criticism as much as before and after World War II, they perpetuated the imagined trend, giving generations of Westerners a distorted impression of the Middle East adorned with palm trees, minarets, and camels like illustrations of old chests of figs and boxes of Turkish delight and serpentine melodies. Such images directly connected in Western minds with the trappings of orientalists.  

Fun, romantic and fascinating, this Middle East as imagined by artists and Hollywood – to quote from above, “harem pants and turbans, belly dancers and serpentine melodies, and a “nudge, nudge, wink, wink” of vicarious naughtiness (itself a word of Indian origin) an exotic, “orientalist” retro- zeitgeist that drew artists, poets, writers and composers to this inexhaustible source of narrative, inspiration and titillation”.

Inevitably, a backlash arose in the developing world, both in the Islamic world, and in Asian and African countries in general, and the term Western is now often used to refer to the negative views of the Western world found in Eastern societies, and is based on the nationalism that spread as a response to colonialism. Furthermore, Edward Said himself has been accused of Westernizing the West in his critique of Orientalism. He is guilty of falsely describing the West in the same way that Western scholars are accused of falsely describing the East. Said is said to have encouraged a homogenous picture of the West, which no longer consisted not only of Europe, but also of the United States, Canada and Australia which became more culturally influential over the years.

[This profile of Edward Said and Orientalistism is drawn largely from Wikipedia. For an interesting account of Robert Irwin’s take down of Said’s opus, see The man who defeated Orientalism The man who defended Orientalism]

Arguments of Monumental Importance – statuary declarations

The past is another country – they thought things differently there; and if the past shapes the present, the present also shapes the past.  Arguments of Monumental Proportions – Fallen Idols

The defacing and destruction of monuments to dead and dubious white men is back in vogue – not that the practice has ever actually gone out of style. As The Australian’s Art columnist Christopher Allen writes in an article republished below, statues have been set up as monuments to great and not so great men and removed by their enemies for a very long time. Even without considering the many precedents in antiquity, countless statues were destroyed during the French Revolution, others during the mob violence of the short-lived “Commune” government in Paris in early 1871 – including the figure of Napoleon on the Colonne Vendôme – and many more under the Nazi occupation of Paris.

Then there is the tearing down the statues of tyrants in the fall of dictatorships, from the former Soviet empire to Iraq. In those instances, the state or a despot had set up multiple effigies all over the country as symbols of power and instruments of oppression, and they were overthrown in the collective movement of popular revolution.

To paraphrase Allen, portrait monuments proliferated in more recent times, particularly in the 19th century, as a consequence of increasing prosperity, patriotism or nationalism and local municipal pride. Monarchs, politicians, leaders of national unification or liberation movements, explorers and founders of new colonies, notable scientists and writers, philanthropists and other prominent citizens were commemorated in public statuary. Arguably, too many were raised; sometimes their subjects have lost the prominence they once had; or some of their deeds may now today be considered reprehensible. An argument could be made to relocate a statue to a museum instead, but such decisions ought not be taken lightly, especially if the justification for removal and relocation are ideological or made in response to online protests and vandalism.

in Arguments of Monumental Proportions – Fallen Idols, I wrote a while back:

As an Aussie and a Brit of Irish parents, and as a history tragic, I find the long running monuments furore engrossing. Statues of famous and infamous generals, politicians and paragons of this and that grace plazas, esplanades and boulevards the world over, and their names are often given to such thoroughfares. They represent in visual and tangible form the historical memory of a nation, and as such, can generate mixed emotions reflecting the potentially conflicted legacies and loyalties of the citizenry”.  

“It is”, I wrote, “about the control of history – and who controls it. We all use history, incorporating perceptions of our national story into lessons that guide or confirm our present actions and outlooks. Our history is written not only in scholarly narratives, but also, in commemorations, in statues, flags and symbols, in the stories that children are taught about their country and their community from their earliest school years, and in the historical figure skating they are taught to remember and honour. History, it is said, is written mostly by the victors – but not always. So, the inevitable tensions between different versions of the past fosters tension and conflict, and grievance and offense in the present. Particularly in onetime colonialist and settler countries, and the lands these once ruled and exploited … All sorts of emotions, hopes and fears lie behind our various creation myths. No matter the source of our different “dream-times” we are all correct in one way or another. People wheel out the wise old “blind men and the elephant” story to illustrate how blinkered we are; but in reality, if those blind men were given more time, they would have expanded their explorations and discovered a bigger picture”.

Which brings to recent events in Hobart, in our most southern state and one of Australia’s earliest colonies and the location of many of many bloody atrocities in Australia’s Frontier Wars, and to Allen’s article which tells the tale of a nineteenth century public figure whom very few Australians have heard of and of his illicit trafficking in the remains of a decease indigenous man. 

Read also In That Howling Infinite another story of the British Empire’s sticky fingers: Bringing it all back home – the missing mosaic and other ‘stolen’ stuff  

Felling Crowther’s statue is not the way to right a historical wrong

The William Crowther statue in Franklin Square Hobart was vandalised in May 2024. Picture: Nikki Davis-Jones.

William Crowther’s statue, Franklin Square Hobart, May 2024. Nikki Davis-Jones.

No doubt many people, regardless of their political orientation, were disturbed by the recent news that a civic statue had been vandalized and destroyed under the cover of night by an anonymous gang of attackers in Hobart. The event was all the more shocking because the city council had already determined to remove the statue from its public location following controversy about the actions of the individual it celebrated.

This kind of attack, to be quite clear, has nothing in common with tearing down the statues of tyrants in the fall of dictatorships, from the former Soviet empire to Iraq. In those instances, the state or a despot had set up multiple effigies all over the country as symbols of power and instruments of oppression, and they were overthrown in the collective movement of popular revolution. In this case an individual monument to a respected citizen, erected by the community, was destroyed by a small group of zealots.

Statues have been set up as monuments to great men and removed by their enemies for a long time. Even without considering the many precedents in antiquity, countless statues were destroyed during the French Revolution, others during the mob violence of the short-lived “Commune” government in Paris in early 1871 – including the figure of Napoleon on the Colonne Vendôme – and many more under the Nazi occupation of Paris.

Statues have not always been effigies of individuals; some of the most beautiful Greek sculptures were simply of the ideal body; others represented divinities, as also in Christian, Buddhist or Hindu traditions. Portrait sculpture began in the Hellenistic kingdoms and flourished in the Roman period. After the fall of the Empire, and with the decline of all the arts, no sculptural likeness was made for a thousand years. The Renaissance rediscovered portraiture with enthusiasm, both in painting and sculpture, and over the next few centuries portraits of monarchs and other leaders became common in big cities.

Portrait monuments proliferated in more recent times, particularly in the 19th century, as a consequence of increasing prosperity, patriotism or nationalism and local municipal pride. Not only monarchs but prominent politicians, leaders of national unification or liberation movements, explorers and founders of new colonies, notable scientists and writers, philanthropists and other prominent citizens were commemorated in public statuary. Often these adorned and helped to shape the new public parks laid out for the enjoyment of populations in great modern cities.

Arguably too many of these monuments were put up, and sometimes the individuals in question have lost the prominence they once had; or some of their deeds may now be considered reprehensible. In certain cases an argument could be made to relocate a statue to a museum instead, but such decisions should not be taken lightly, especially if the grounds for removal and relocation are ideological, or made in response to the digital mob behaviour of social media.

The felled William Crowther statue in Franklin Square Hobart. Picture: Nikki Davis-Jones

The case of William Crowther (1817-85) is an interesting one. He was a member of a prominent Hobart family of doctors and natural historians, including his own father and then his son and grandson who enjoyed distinguished careers in medicine, science, war and politics over the following century. He was an expert surgeon, a keen natural scientist and an entrepreneur with important shipping and whaling interests, as well as a member of the colonial parliament and briefly premier of Tasmania. Less than four years after his death, a statue was set up by public subscription to honour an eminent fellow citizen.

Crowther is controversial because of his alleged, and it seems fairly certain, involvement in a grisly, if scientifically motivated, affair in 1869. Darwin’s great book On the Origin of Species had only appeared a decade earlier, in 1859, and scientists were eager to understand more about the comparative morphology of different human families. Tasmania held a particular interest because the Indigenous Tasmanian population differed considerably from the mainland people.

By those years, however, over a generation after the end of the Black War (1824-31), very few individuals of unmixed Tasmanian descent survived, and just one male: William Lanne (c. 1836-69) – sometimes given as Lanney or Lanné – who worked as a whaler, was well-known in Hobart, and had even been introduced by the governor to Prince Alfred, the Duke of Edinburgh in 1868. When he died of cholera in 1869, he was buried at Saint David’s Church in Hobart, where Prince Alfred had just laid the foundation stone for the present Saint David’s Cathedral (consecrated in 1874).

Lanne’s funeral was a solemn occasion, attended by a large number of Hobart citizens. The Hobart Mercury reported (March 8, 1869): “Having been duly sealed, the coffin was covered with a black opossum skin rug, fit emblem of the now extinct race to which the deceased belonged; and on this singular pall were laid a couple of native spears and waddies, round which were twined the ample folds of a Union Jack, specially provided by the shipmates of the deceased. It was then mounted upon the shoulders of four white native lads, part of the crew of the Runneymede, who volunteered to carry their Aboriginal countryman to his grave.”

Behind the scenes, however, there was a struggle to secure a “perfect” Tasmanian skeleton for scientific research; the Royal Society of Tasmania, founded in 1843 and the first Royal Society outside Britain, wrote to the government, and according to the same article in the Mercury, “The Government at once admitted their right to it, in preference to any other institution, and the Council expressed their willingness at any time to furnish casts, photographs, and all other particulars to any scientific society requiring them. Government, however, declined to sanction any interference with the body, giving positive orders that it should be decently buried.”

The William Crowther statue as it was. Picture: Chris Kidd

The William Crowther statue as it was. Chris Kidd

On the night before the burial, nonetheless, someone stole Lanne’s skull from the morgue, as the article goes on to relate: “The dead-house at the Hospital was entered on Friday night, the head was skinned and the skull carried away, and with a view to conceal this proceeding, the head of a patient who had died in the hospital on the same day, or the day previously, was similarly tampered with and the skull placed inside the scalp of the unfortunate native, the face being drawn over so as to have the appearance of completeness.”

Crowther was suspected of having carried out this mutilation because he had wanted the skeleton to go to the Royal College of Surgeons in London. The Royal Society, concerned that the rest of the body might similarly be stolen, then removed the hands and feet, partly to render the remaining skeleton less attractive to thieves. They also alerted the governor to the need to guard the grave against possible robbery, and while this was agreed on, it seems that the Hobart municipality failed to arrange watchmen; the grave was opened on the night after the funeral and the skeleton removed, leaving behind the skull that had been inserted into Lanne’s head.

It is not entirely clear who was responsible for these events, although it seems to be generally assumed that Crowther sent Lanne’s skull to the Royal College of Surgeons, who awarded him a gold medal and a fellowship. His entry in the Australian Dictionary of Biography (1969) states: “In 1860 he was appointed one of the four honorary medical officers at the Hobart General Hospital, but was suspended in March 1869 over charges of mutilating the body of William Lanney, the last male Tasmanian Aboriginal. An inquiry showed that two mutilations had taken place, the first at the Colonial Hospital, the other at the cemetery the night of the burial. Drs Crowther and G. Stokell, resident medical officer at the hospital, were suspected of the first, the Royal Society of Tasmania of the second.”

Whatever the truth, the story is gruesome, a window into another time and a world of which we can be highly critical but from which there is also much to learn. Perhaps it would have been preferable to move the statue to the Tasmanian Museum and Art Gallery, where it will no doubt now be transferred and where it can be accompanied by displays that explain what we know about the events surrounding Lanne’s death and burial.

Simply cutting the statue down, however, closes off the opportunity for reflection; erasing the traces of the past may offer short-term satisfaction, but in the long run it encourages forgetting rather than remembrance and reflection. Is it not better to understand this episode and ponder its implications than to bury it under self-indulgent slogans like “decolonize”, which was scrawled on the statue’s base?

The most fundamental principle in this and similar cases, however, is the protection of public space in a democratic society. In a figurative sense, it is imperative to protect the public space of free discourse and open debate. Today that space is more than ever under attack from ideologues of different political orientations who seek to suppress or silence those who disagree with their views.

We saw recently the attempt by a city council in the west of Sydney to ban a book on same-sex parenting; but we could equally have seen another group trying to ban a book critical of the same arrangements.

Freedom of speech means accepting that those who disagree with you have a right to argue their case.

The preservation of freedom of discourse and debate is harder than ever in the digital age; this may seem paradoxical, since social media ostensibly allows everyone to express their opinions more promiscuously than ever before. But in practice that expression is quickly drawn into various competing maelstroms in which people vie to agree with each other ever more vociferously.

The same kind of mechanics endanger the physical public spaces of the modern city, the streets and squares and parks which are shared by all its citizens and residents. This public space must be one of order and peaceful process, where people can live and work and socialise in security and as much as possible in an environment of harmony.

The public space is one of lawful communal process. If, in this case, a monument is put up by the community, any decision about moving it must also be taken by the community (albeit in a different time and context)..

It is as unacceptable for a self-appointed gang to destroy a public monument as it is for selfish residents to cut down trees that block their view or greedy developers to demolish a heritage building for commercial gain or looters to smash a shopfront during a natural disaster. We must be unequivocal in our condemnation of the violation of common space in a democratic society.

Wystan and Christopher’s excellent adventure

As evening fell the day’s oppression lifted
Far peaks came into focus, it had rained.
Across wide lawns and cultured flowers drifted
The conversation of the highly trained.
Two gardeners watched them pass and priced their shoes
A chauffeur waited, reading in the drive
For them to finish their exchange of views.
It seemed a picture of the private life.
Far off, no matter what good they intended
The armies waited for a verbal error
With all the instruments for causing pain
And on the issue of their charm depended
A land laid waste, its towns in terror
And all its young men slain.
Embassy, WH Auden, from Journey to a War

In 1938, English writers WH Auden and  Christopher Isherwood were commissioned by their publishers to write a travel book about the East. Auden was already established as one of Britain’s foremost poets whilst his friend and onetime lover Isherwood was acclaimed as an author and dramatist. His Berlin Stories, two novels set in the last days of the Weimar Republic and today acclaimed as classics of modern fiction; the semi autobiographical Goodbye to Berlin (1939) inspired the remarkable musical Cabaret (1966).

By adventurous choice they went to China for six months, their journey coinciding with Imperial Japan’s brutal invasion. American poet and educator Mildred Boie, reviewing the book for Atlantic in November 1939, takes up the story:  

“With the good fortune of famous and attractive young men they were helped and shown about by everybody from coolies to ambassadors, journalists to generals. They behaved, as they observed and wrote (to judge from the diary), with the engaging frankness and immaturity of English schoolboys, with the ingenious confidence and casual incompleteness of amateurs. But these qualities are inadequate for reporting war, for evaluating life and death in so desperate and disastrously complicated a country as China. The authors were not only amateurs as foreign correspondents, they were also dilettantes: they played at getting to the front, at taking notes on slums, at dashing from formal garden parties to meetings with intellectuals and busy military and diplomatic leaders. They suffered almost as much, certainly as consciously, from blisters, constipation, boredom, sleeplessness, and hangovers as from the shape of poverty, the taste of fear, the sight and smell of death. They were always safe, always outside.” 

Collectively, perhaps, we most resemble a group of characters in one of Jules Verne’s stories about lunatic English explorers. 

War is bombing an already disused arsenal, missing it and killing a few old women. War is lying in a stable with a gangrenous leg. War is drinking hot water in a barn and worrying about one’s wife. War is a handful of lost and terrified men in the mountains, shooting at something moving in the undergrowth. War is waiting for days with nothing to do; shouting down a dead telephone; going without sleep, or sex, or a wash. War is untidy, inefficient, obscure, and largely a matter of chance. 

On their safe return, the pair put together Journey to a War, travel book in prose and verse that was published in 1939. The book is in three parts: a series of poems by Auden describing his and Isherwood’s journey to China in 1938; a “Travel-Diary” by Isherwood (including material first drafted by Auden) about their travels in China itself, and their observations of the Sino-Japanese War; and “In Time of War: A Sonnet Sequence with a Verse Commentary” by Auden, with reflections on the contemporary world and their experiences in China. The book also contains a selection of photographs by Auden.

I am never much good at defending the British Empire, even when drunk
Christopher Isherwood

I republish below an excellent article in the blog Books and Boots – Reflections on Books and Art. It provides a more detailed background to the genesis of the book, setting the geopolitical scene, describing  Auden’s  anticlimactic and, it would seem, personally disappointing visit to Spain during its civil war, and the poetry within.

See also in In That Howling Infinite, Better read than dead … books, poetry and reading


WH Auden and Christopher Isherwood

Journey To A War by W.H. Auden and Christopher Isherwood (1939)

When we awoke early next morning the train was crossing a wide valley of paddy fields. The rising sun struck its beams across the surfaces of innumerable miniature lakes; in the middle distance farmhouses seemed actually to be floating on water. Here and there a low mound rose a few feet above the level of the plain, with a weed-grown, ruinous pagoda, standing upon it, visible for miles around. Peasants with water-buffaloes were industriously ploughing their arable liquid into a thick, brown soup.
(Journey To A War, p.191)

Collectively, perhaps, we most resemble a group of characters in one of Jules Verne’s stories about lunatic English explorers. (p.104)

The Sino-Japanese War

In July 1937 – exactly a year after the start of the Spanish Civil War – Japan attacked China. It was hardly a surprise. In 1931 the so-called ‘Mukden Incident’ had helped spark the Japanese invasion of Manchuria (the large area to the north east of China, just above Beijing). The Chinese were defeated and Japan created a new puppet state, Manchukuo (setting up the last Qing emperor as its puppet ruler) through which to rule Manchuria.

Going further back, in 1894–1895 China, then still under the rule of the Qing dynasty, was defeated by Japan in what came to be called the First Sino-Japanese War. China had been forced to cede Taiwan to Japan and to recognise the independence of Korea which had, in classical times, been under Chinese domination.

In other words, for 40 years the rising power of militaristic, modernising Japan had been slowly nibbling away at rotten China, seizing Taiwan, Korea and Manchuria. Now the military junta in Tokyo decided the time was right to take another bite, engineered an ‘incident’ at the Marco Polo bridge on the trade route to Beijing, and used this as a pretext to attack Beijing in the north and Shanghai in the south.

Thus there was quite a lot of military and political history to get to grips with in order to understand the situation in China, but what made it even more confusing was the fact that China itself was a divided nation. First, the nominal government – the Chinese Nationalist Party or Kuomintang under its leader Chiang Kai-shek – had only with difficulty put down or paid off the powerful warlords who for decades had ruled local regions of China after the collapse of the Qing Dynasty in 1911.

But second, Chiang faced stiff competition from the Chinese Communist Party. The two parties had lived in uneasy alliance until Chiang staged a massacre of communists in Shanghai in 1927 which brought the tension between Chinese nationalists and communists into the open.

It was the three-way destabilisation of China during this period – warlords v. Nationalists v. Communists – which had helped Japan invade and take over Manchuria. Prompted by the 1937 Japanese attack the Nationalists and Communists formed an uneasy alliance.

Auden in Spain

Meanwhile, back in Europe, the great political issue of the age was the Spanish Civil War which began when General Franco led a military uprising against the democratically elected government in July 1936. Like many high-minded, middle class liberals, Auden and Isherwood both felt the time had come to put their money where their mouths were. Auden did actually travel to Spain in January 1937 and was there till March, apparently trying to volunteer to drive an ambulance in the medical service. Instead, red tape and the communists who were increasingly running the Republican forces apparently blocked him from getting a useful job. He tried to help out at the radio station but discovered its broadcasts were weak and there were no vacancies.

Frustrated and embarrassed, Auden was back in England by mid-March 1937. The long-term impact of the trip was his own surprise at how much it upset him to see the churches of Barcelona which had all been torched and gutted by a furious radical populace as symbols of oppression. Auden was shocked, and then shocked at his reaction. Wasn’t he meant to be a socialist, a communist even, like lots of other writers of his generation? The Spain trip was the start of the slow process of realisation which was to lead him back to overt Christian faith in the 1940s.

Also Auden saw at first hand the infighting on the Republican side between the communist party slavishly obeying Stalin’s orders, and the more radical Trotskyite and Anarchist parties who, later in 1937, it would crush. Later he paid credit to George Orwell’s book Homage To Catalonia for explaining the complex political manoeuvring far better than he could have. But watching the Republicans fight among themselves made him realise it was far from being a simple case of black and white, of Democracy against Fascism.

So by March 1938 Auden had returned to Britain, where he was uncharacteristically silent about his experiences, and got on with writing, editing new works for publication (not least an edition of his play The Ascent of F6 and Letters From Iceland).

Meanwhile, Christopher Isherwood was living in Paris managing his on-again, off-again relationship with his German boyfriend Heinz. And although he had accommodated Auden on an overnight stop in the French capital and waved him off on the train south to Spain, Isherwood hadn’t lifted a finger for the Great Cause.

Then, in June 1937, Auden’s American publisher, Bennet Cerf of Random House, had suggested that after the reasonable sales of his travel book about Iceland, maybe Auden would be interested in writing another travel book, this time travelling to the East. Isherwood was a good suggestion as collaborator because they had just worked closely on the stage play, The Ascent of F6 and had begun work on a successor, which was to end up becoming the pay On The Frontier. The pair were considering the travel idea when the Japanese attacked China, quickly took Beijing and besieged Shanghai.

At once they seized on this as the subject of the journey and the book. Neither had really engaged with the war in Spain; travelling east would be a way to make amends and to report on what many people considered to be the Eastern Front of what was developing into a worldwide war between Fascism (in this case Japan) and Democracy (in this case the Chinese Nationalists).

China also had the attraction that, unlike Spain, it wouldn’t be stuffed full of eminent literary figures falling over themselves to write poems and plays and novels and speeches. Spain had been a very competitive environment for a writer. Far fewer people knew or cared about China: it would be their own little war.

And so Auden and Isherwood left England in January 1938, boat from Dover then training it across France, then taking a boat from Marseilles to Hong Kong, via Egypt, Colombo and Singapore.

Journey to a War

Journey To A War is not as good as Letter From Iceland, it’s less high spirited and funny. There isn’t a big linking poem like Letter To Lord Byron to pull it together, and there isn’t the variety of all the different prose and verse forms Auden and MacNeice cooked up for the earlier book.

Instead it overwhelmingly consists of Isherwood’s very long prose diary of what happened to them and what they saw in their three months journey around unoccupied China.

The book opens with a series of sonnets and this was the form Auden chose to give the book poetic unity – sonnets, after all, lend themselves to sequences which develop themes and ideas, notably the Sonnets of Shakespeare, or his contemporaries Spencer and Sidney. There’s a collection of half a dozen of them right at the start, which give quick impressions of places they visited en route to China (Macau, Hong Kong). Then, 250 pages of Isherwood prose later, there’s the sonnet sequence titled In Time of War.

But instead of the bright and extrovert tone of Letters From Iceland, Auden’s sonnets are often obscure. They are clearly addressing some kind of important issues but it’s not always clear what. This is because they are very personal and inward-looking. Auden is clearly wrestling with his sense of liberal guilt. The results are rather gloomy. Spain had disillusioned him immensely. He went to Spain thinking the forces of Evil were objective and external. But his first-hand experience of the internecine bickering on the Republican side quickly showed him there is no Good Side, there are no Heroes. History is made by all of us and so – all of us are to blame for what happens. Travel as far as you want, you’re only running away from the truth. If we want to cure the world, it is we ourselves that we need to cure first.

Where does this journey look which the watcher upon the quay,
Standing under his evil star, so bitterly envies,
As the mountains swim away with slow calm strokes
And the gulls abandon their vow? Does it promise a juster life?

Alone with his heart at last, does the fortunate traveler find
In the vague touch of a breeze, the fickle flash of a wave,
Proofs that somewhere exists, really, the Good Place,
Convincing as those that children find in stones and holes?

No, he discovers nothing: he does not want to arrive.
His journey is false, his unreal excitement really an illness
On a false island where the heart cannot act and will not suffer:
He condones his fever; he is weaker than he thought; his weakness is real…

(from The Voyage by W.H. Auden)

‘An illness on a false island’ which is clearly England, a place ‘where the heart cannot act’. The traveller is trying to escape himself but cannot and glumly realises ‘he is weaker than he thought’. Or the thumping final couplet of the sonnet about Hong Kong:

We cannot postulate a General Will;
For what we are, we have ourselves to blame.

Isherwood’s diary

Luckily, the prose sections of the book are written by Isherwood and these are much more fun. He keeps up the giggling schoolboy persona of the novel he’d recently published, Mr Norris Changes Trains (1935), he notes the way the Chinese pronounce their names Au Dung and Y Hsaio Wu, he sounds wide-eyed and optimistic. He hadn’t seen what Auden had seen in Spain, wasn’t struggling with the same doubts.

On February 28 1938 they leave Hong Kong by steamer for Canton and Isherwood finds everyone and everything hilarious. Look a Japanese gunboat! Listen, the sound of bombs falling! He has same facility for the disarmingly blunt image which he deploys in the Berlin stories. The mayor of Canton (Mr Tsang Yan-fu) is always beaming, has a face like a melon with a slice cut out of it. After dinner the Chinese general entertains them by singing Chinese opera, showing how different characters are given different tones and registers (‘the romantic hero emits a sound like a midnight cat’).

He refers to the whole trip as a dream and as a landscape from Alice in Wonderland – they expected Chinese people to behave as in a Gilbert & Sullivan opera and had rehearsed elaborate compliments, and are disarmed when they’re much more down to earth. The train journey on through Hunan province is boring, the tea tastes of fish, they amuse themselves by reading out an Anthony Trollope novel or singing in mock operatic voices.

But this sense of unreality which dogs them is simply because both of them didn’t have a clue what was going on, what was at stake, the military situation,  had never seen fighting or battle and weren’t proper journalists. They were privileged dilettantes, ‘mere trippers’, as Isherwood shamefacedly explains when they meet real war correspondents at a press conference (p.53).

In Hankow the Consul gives them Chiang, a middle-aged man with the manners of a perfect butler to be their guide. They attend the official war briefings alongside American and Australian journalists, they meet Mr Donald, Chiang Kai-shek’s military adviser, the German adviser General von Falkenhausen, Agnes Smedley, Madame Chiang Kai-shek herself, and with delight are reunited with Robert Capa, the soon-to-be legendary American war photographer who’d they’d met on the boat out. They attend traditional Chinese opera, which Isherwood observes with the eye of a professional playwright.

They catch the train to Cheng-chow which has been repeatedly bombed by the Japanese, capably looked after by their ‘boy’, Chiang. They are heading north on the train when they learn that Kwei-teh has fallen, nonetheless they decide to press on to Kai-feng. With them is an exuberant and seasoned American doctor, McClure, who takes them to watch some operations. They walk round the stinking foetid town. They go to the public baths which stink of urine. Then they catch a train to Sü-chow. And then onto Li Kwo Yi where they argue with Chinese commanding officers (General Chang Tschen) to allow them to go right up to the front line, a town divided by the Great Canal.

If you’ve no idea where any of these places are, join the club. I was reading an old edition but, even so, it had no map at all of any part of the journey. Which is ludicrous. The only map anywhere appears to have been on the front cover of the hardback edition, replaced (uselessly) by an anti-war cartoon on the paperback editions, and even this doesn’t show their actual route.

First US edition (publ. Random House)

With no indication where any of these places are, unless you are prepared to read it with an atlas open at your side, Isherwood’s long prose text becomes a stream of clever observations largely divorced from their context. Even an atlas is not that useful given that Isherwood uses the old form of the placenames, all of which, along with most people’s names, have changed. Thus Sian, capital of Shen-si province, is now Xian, capital of Shaanxi Province, Sü-chow is now Suzhou, and so on.

We are intended to enjoy the surreal aspects of travelling in a deeply foreign land – the village restaurant which was papered entirely with pages of American tabloid magazines, and so covered with photos of gangsters and revelations about fashionable divorcees (p.126); or the expensive hotel in Sian whose menu included ‘Hat cake’ and ‘FF potatoes’ (p.141). Beheading is a common punishment because the Chinese believe a body needs to be complete to enter the afterlife. They meet lots of tough and brave American missionaries, mostly from the American south.

Finally, back in Hankow (Hankou) they become part of polite society again, are invited to a party of Chinese intellectuals, a party given by the British admiral and consul, where they meet the legendary travel writer Peter Fleming and his actress wife Celia Johnson, the British ambassador Archibald Kerr, the American communist-supporting journalist, Agnes Smedley (p.156). Fleming pops up a lot later at their hotel in Tunki, and is too suave, handsome and self-assured to possibly be real.

Militarily, Journey To A War confirms the opinions of the modern histories of the war I’ve read, namely that the Nationalist side was hampered by corruption, bad leadership and, above all, lack of arms & ammunition. When they retook cities which had been under communist influence the Chiang’s Nationalists realised they needed some kind of ideology which matched the communists’ emphasis on a pure life and so, in 1934, invented the New Life Movement i.e. stricter morals, which Madame Chiang politely explains.

Isherwood notices the large number of White Russian exiles, often running shops, come down in the world. This reminds me of the Russian nanny J.G. Ballard had during his boyhood in 1930s Shanghai, as described in his autobiography Miracles of Life.

From pages 100 to 150 or so our intrepid duo had hoped to approach the front line in the north and had crept up to it in a few places, but ultimately refused permission to go further, to visit the Eighth Route Army, and so have come by boat back down the Yangtze River to Hankou. Now they plan to travel south-east towards the other main front, where the Japanese have taken Shanghai and Nanjing.

On the Emperor of Japan’s birthday there is a particularly large air-raid on Hankow and they make themselves comfortable on the hotel lawn to watch it. The Arsenal across the river takes a pasting and they go to see the corpses. 500 were killed. Nice Emperor of Japan.

They take a river steamer to Kiukiang and stay at the extraordinary luxury hotel named Journey’s End and run by the wonderfully eccentric Mr Charleton. They catch the train from Kiukiang to Nanchang, stay there a few days, then the train on to Kin-hwa (modern Jinhua). Here they are horrified to discover their arrival has been anticipated and they are treated like minor royalty, including a trip to the best restaurant in town with 12 of the city’s top dignitaries.

Auden and I developed a private game: it was a point of honour to praise most warmly the dishes you liked least. ‘Delicious,’ Auden murmured, as he munched what was, apparently, a small sponge soaked in glue. I replied by devouring, with smiles of exquisite pleasure, an orange which taste of bitter aloes and contained, at its centre, a large weevil. (p.195)

They are taken by car to the town of Tunki. They try to get permission to push on to see the front near the Tai Lake, They have to cope with the officious newspaperman, A.W. Kao. This man gives a brisk confident explanation of what’s happening at the front. Neither Auden nor Isherwood believe it. Isherwood’s explanation describes scenes they’ve seen on their visit, but also hints at what Auden might have seen on his (mysterious) trip to civil war Spain. Auden is given a speech defining the nature of modern war:

War is bombing an already disused arsenal, missing it and killing a few old women. War is lying in a stable with a gangrenous leg. War is drinking hot water in a barn and worrying about one’s wife. War is a handful of lost and terrified men in the mountains, shooting at something moving in the undergrowth. War is waiting for days with nothing to do; shouting down a dead telephone; going without sleep, or sex, or a wash. War is untidy, inefficient, obscure, and largely a matter of chance. (p.202)

Peter Fleming turns up looking gorgeous, professional, highly motivated, speaking good Chinese. He attends briefings, manages the locals with perfect manners. They organise an outing towards the front, with sedan chairs, bearers, two or three local notables (T.Y. Liu, A.W. Kao, Mr Ching, Major Yang, Shien), Fleming is indefatigable. On they plod to Siaofeng, Ti-pu and Meiki. Here the atmosphere is very restless, the miltary authorities are visibly unhappy to see them, half their own Chinese want to get away. The spend a troubled night, with people coming and going at the military headquarters where they’ve bivouaced and, after breakfast, they give in to the Chinese badgering, turn about, and retrace their steps. Twelve hours later the town of Meiki fell to the Japanese. On they plod up a steep hillside, carried by coolies, and down the precipitous other side, down to Tien-mu-shan and then by car to Yu-tsien (p.229).

We stopped to get petrol near a restaurant where they were cooking bamboo in all its forms – including the strips used for making chairs. That, I thought, is so typical of this country. Nothing is specifically either eatable or uneatable. You could being munching a hat, or bite a mouthful out of a wall; equally, you could build a hut with the food provided at lunch. Everything is everything. (p.230)

Isherwood hates Chinese food and, eventually, Auden agrees. At Kin-hwa Fleming leaves them. It’s a shame they’ve ended up getting on famously. It’s interesting that both Auden and Isherwood initially were against him because he went to Eton. The narcissism of minor differences knows no limits.

They say goodbye to all the people they’ve met in Kin-hwa and set off by bus for Wenchow. They take a river steamer from Wenchow to Shanghai.

Arrival in Shanghai on 25 May signals the end of their adventures. They stay in the chaotic, colourful, corrupt city till 12 June. Fascinating to think that over in his house in the International Settlement, young James Graham Ballard was playing with his toy soldiers, dreaming about flying and laying the grounds for one of the most distinctive and bizarre voices in post-war fiction.

And Isherwood confirms the strange, deliriously surreal atmosphere of a Chinese city which had been invaded and conquered by the Japanese, who had destroyed a good deal of the Chinese city but left the International and the French Settlements intact. They attend receptions at the British Embassy, are the guest of a British businessman hosting high-level Japs.

There is no doubt Auden and Isherwood hate the Japanese, can’t see the flag hanging everywhere without thinking about all the times in the past four months when they’ve ducked into cover as Japanese bombers rumbled overhead and fighters swooped to strafe the roads.

This is the only section of this long book with real bite. Isherwood interviews a British factory inspector who describes the appalling conditions Chinese workers endure and notes that they’ll all be made much worse by the Japanese conquerors.

Schoolboys

It’s a truism to point out that the Auden Generation was deeply marked by its experience of English public schools, but it is still striking to see how often the first analogy they reach for is from their jolly public schools, endless comparisons with school speeches and prize days and headmasters.

  • Under the camera’s eye [Chiang kai-shek] stiffened visibly like a schoolboy who is warned to hold himself upright (p.68)
  • Mission-doctors [we were told] were obliged to smoke in secret, like schoolboys (p.88)
  • They scattered over the fields, shouting to each other, laughing, turning somersaults, like schoolboys arriving at the scene of a Sunday school picnic (p.142)
  • The admiral, with his great thrusting naked chin… and the Consul-General, looking like a white-haired schoolboy, receive their guests. (p.156)
  • [Mr A.O. Kao] has a smooth, adolescent face, whose natural charm is spoiled by a perpetual pout and by his fussy school-prefect’s air of authority (p.201)
  • Producing a pencil, postulating our interest as a matter of course, he drew highroads, shaded in towns, arrowed troop movements; lecturing us like the brilliant sixth-form boy who takes the juniors in history while the headmaster is away. (p.200)
  • The cling and huddle in the new disaster
    Like children sent to school (p.278)
  • With those whose brains are empty as a school in August (p.291)

The photos

At the end of the huge slab of 250 pages of solid text, the book then had 31 pages of badly reproduced black and white photos taken by Auden. In fact there are 2 per page, so that’s 62 snaps in all.

I don’t think there’s any getting round the fact that they’re average to poor. Some are portraits of people they met, notably Chiang kai-shek and Madame Chiang, Chou en-lai of the communists, and celebrities such as Peter Fleming the dashing travel writer and Robert Capa the handsome war photographer. A dozen or more named people, Chinese, missionaries and so on. And then lots of anonymous soldiers and scenes, the dead from an air raid, the derailed steam train, coolies in poverty, a Japanese prisoner of war, a Japanese soldier keeping guard in Shanghai, Auden with soldiers in a trench and so on.

Remarkably, few if any of these seem to be online. I can’t imagine they’re particularly valuable and their only purpose would be to publicise the book and promote Auden and Isherwood’s writings generally, so I can’t imagine why the copyright holders have banned them. If I owned them, I’d create a proper annotated online gallery for students and fans to refer to.

In Time of War

The book then contains a sequence of 27 sonnets by Auden titled In Time of War. In later collections he retitled them Sonnets from China. They are, on the whole, tiresomely oracular, allegorical and obscure. The earlier ones seem to be retelling elements of the Bible, Genesis etc as if recapitulating the early history of mankind. These then somehow morph into the ills of modern society with its bombers.

But one of them stands out from the rest because it reports real details and rises to real angry eloquence.

Here war is simple like a monument:
A telephone is speaking to a man;
Flags on a map assert that troops were sent;
A boy brings milk in bowls. There is a plan

For living men in terror of their lives,
Who thirst at nine who were to thirst at noon,
And can be lost and are, and miss their wives,
And, unlike an idea, can die too soon.

But ideas can be true although men die,
And we can watch a thousand faces
Made active by one lie:

And maps can really point to places
Where life is evil now:
Nanking; Dachau.

(Sonnet XVI from In Time of War)

Those last lines have stayed with me all my life. Nanking. Dachau. The darkness at the heart of the twentieth century.

Commentary

The last thing in the book is a long poem in triplets, from pages 289 to 301 and titled simply Commentary.

It’s a sort of rewrite of Spain, again giving a hawk’s eye view of history and society, the world and human evolution. It starts off describing what they’ve seen in Auden’s characteristic sweeping style, leaping from one brightly described detail to another, before wandering off to give snapshots of great thinkers from Plato to Hegel.

But at quite a few points voices emerge to deliver speeches. Then, on the last page, the Commentary becomes extremely didactic, ending with a speech by the Voice of Man, no less, the kind of speech he turned out by the score for his plays and choruses and earlier 1930s poems.

But in this context it seems inadequate to the vast and catastrophic war in China which they have just glimpsed, and which was to last for another seven years (till Japan’s defeat in 1945) and was itself followed by the bitter civil war (1945-48) which was only ended by the triumph of Mao Zedong’s communist party early in 1949.

The Japanese invasion of 1937 turned out to be just the start of a decade of terror and atrocity, and Auden’s response is to have the ‘Voice of Man’ preach:

O teach me to outgrow my madness.

It’s better to be sane than mad, or liked than dreaded;
It’s better to sit down to nice meals than nasty;
It’s better to sleep two than single; it’s better to be happy.

Ruffle the perfect manners of the frozen heart,
And once again compel it to be awkward and alive,
To all it suffered once a silent witness.

Clear from the head the masses of impressive rubble;
Rally the lost and trembling forces of the will,
Gather them up and let them loose upon the earth,

Till they construct at last a human justice,
The contribution of our star, within a shadow
Of which uplifting, loving, and constraining power
All other reasons may rejoice and operate.

It yet another of his prayers, deliberately personal in scale, addressed mostly to chums from public school, fellow poets, friendly dons and reviewers. It is calling on people who are already well-fed, well-educated and mostly decent chaps to be a bit more decent, if that’s alright. But ‘ruffling up your perfect manners’ wasn’t going to stop Franco or the Japs, Hitler or Stalin.

It is ironic of Auden to ask people to remove from their heads ‘impressive rubble’, which I take to mean the luggage of an expensive education in the arts – as that is precisely what he was going to use to make a living out of for the next 35 years and which was to underpin and inform all his later works.

And there are numerous small but characteristic examples of learnèd wit it here, such as when they light a fire which is so smokey that it forces them out of the room and Auden wittily remarks, ‘Better to die like Zola than Captain Scott’ (i.e. of smoke asphyxiation rather than from freezing).

In this respect the Commentary is another grand speech which, like the grand speeches in the plays he’d just written with Isherwood, was, in the end, addressed to himself. Once again, as with Spain, Auden has used a huge historical event to conduct a lengthy self-analysis.

Auden’s contemporary readers were impressed, as ever, by his style and fluency but, as ever, critical of his strange inability to engage with anything outside himself and, specifically, to rise to the occasion of such a massive historical event.

Half way through the text Isherwood tells a story about Auden’s complete conviction that the train they’re on won’t be shot at by the Japanese, whose lines they are going to travel very close to. Sure enough the train emerges on to a stretch of line where it is clearly visible from the forward Japanese lines, which they know to contain heavy artillery, and so they pass a few minutes of terror, petrified that the Japanese might start shelling any second. In the event, there is no shelling, and the train veers away to safety. ‘See. I told you so,’ says Auden, and Isherwood reflects that there’s no arguing with ‘the complacency of a mystic’.

It’s a joke at his old mate’s expense and yet I thought, yes – complacency – in Auden’s case complacency means undeviating confidence in his own mind and art to hold off, inspect and analyse. He creates a rhetoric of concern but it is nothing more than that, a poet’s rhetoric, fine to admire but which changes nothing.

And he knew this, had realised it during the trip to Spain, and had lost heart in the political verse of the 1930s. The pair returned from China via America, where all mod cons were laid on by his American publishers and Auden realised that here was a much bigger, richer, more relaxed, open, friendly and less politically pressurised environment in which to think and write.

He returned to England just long enough to wind up his affairs, pack his bags, then in January 1939 he and Isherwood sailed back to the States which would become his home for the next 30 years, and set about rewriting or suppressing many of his most striking poems from the troubled Thirties, trying to rewrite and then censor what he came to think of as his own dishonesty, pursuing a quest for his own personal version of The Truth.


Related links

1930s reviews

Journey To A War by W.H. Auden and Christopher Isherwood (1939)

The Forest Wars – myths, spin and bare-faced lies

What are the roots that clutch, what branches grow
Out of this stony rubbish? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water.
TS Elliot, The Wasteland

This murky world of (the state-owned forestry industries) is at best ignorant and self-interested and at worst sinister and corrupt. Its most cynical manoeuvres involve aggressively logging forest as soon as there is a movement for its protection. Another is co-opting First Nations groups under the guise of “forestry gardening” or “cultural thinning”. Here, business-as-usual logging becomes “healing Country”, an attempt to “blackwash” a calamitous PR image … Attempts to regulate have been underfunded and politically compromised … ‘if everyone is losing, why does it continue? When the answer arrives, it is depressingly banal: government capture by vested interests.
Professor David Lindenmayer

There is little that surprises in the following review of Forest Wars by environmental scientist David Lindenmayer.

Eight years ago, In That Howling Infinite published If You Go Down to the Woods Today describing what was then happening to the forest in which we live. As logging has intensified throughout the mid-north coast over the last year, things have not changed, but rather, have gotten much, much worse. 

As we survey the desolation and devastation of state forests on the mid-north coast of New South Wales, we bear witness to his words at first hand. For years now we have witnessed the destruction of our ecosystems and critical wildlife habitat by large scale, broad acre industrial logging as harvesters as large as battle tanks camp upon the land like an occupying army. Forestry Corporation NSW’s operations on the Coffs Coast and its hinterland has left us and our precious ecosystem at the mercy of what is by any account a destructive and seemingly unaccountable extractive industry.

See also in In That Howling Infinite’s  Losing Earth series:

“Like an occupying army”

 

Tarkeeth morning, And Tarkeeth evening.
What a difference a day makes

Myths, spin and outright lies: the truth behind the logging industry

Kurt Johnson, Sydney Morning Herald 7th June 2024

The Forest Wars, by David Lindenmayer (Allen & Unwin 2024)

It was once possible to walk the 1500 kilometres from Melbourne to Brisbane enclosed in native forest. Today Australian forests have been pushed to the margins, surviving as scattered islands, logged around and through. In most states this continues, enabled by expedient myths about forest’s resilience and replaceability that have become entrenched in popular wisdom. These range from “logging is good for fire safety” to “wildlife can simply scuttle away to another tree as soon as one is felled”.

Renowned scientist David Lindenmayer confronts these fables that he was educated on as a young student in his latest offering, The Forest Wars. He is concerned with native forest, which provides a range of benefits beyond forest plantations. Tall, wet eucalypts in particular are not only habitats for native wildlife but are more resistant to fire, better sinks for carbon and can conserve clean water for cities.

Many myths rely on a neoliberal lexicon where native forests are “resources”, or “green capital” and logging can be “sustainable”. It assumes the fungibility of nature, as if one tree were as good as another. The author explains that native forests are complex ecosystems that have developed sometimes for hundreds of years, with ancients that cannot simply be bulldozed and replanted by saplings in another cycle.

Forest Wars begins with its author tracking wildlife, trudging around wet eucalypts and through mossy gullies, but soon evolves into a sustained and righteous tract as we follow him up the production line to the sheer waste at the heart of the enterprise. Another myth: old-growth forest will end as fine furniture. In fact, only four per cent becomes sawn lumber and half of that is used for beer pallets. A whopping 60 per cent is lost as waste, with most wood taken from the forest simply pulped for paper and packaging.

Scientist David Lindenmayer in Healesville.
David Lindenmayer in Healesville. Michael Clayton-Jones

The economics surrounding the destruction of native forests are obscene. State-run enterprises are loss-running, essentially charging taxpayers to destroy their own native forests. VicForests, for instance, has only once reported a profit, while Forestry Tasmania lost an eye-watering $1.3 billion in the decade from 1998. Over the years they have survived on generous loans from state treasuries that will never be repaid, with expenses that include settling lost court cases, and, in the case of VicForests, hiring a private investigator to spy on the author. “Melbourne is not Moscow,” Lindenmayer states.

This murky world is at best ignorant and self-interested and at worst sinister and corrupt. Its most cynical manoeuvres involve aggressively logging forest as soon as there is a movement for its protection. Another is co-opting First Nations groups under the guise of “forestry gardening” or “cultural thinning”. Here, business-as-usual logging becomes “healing Country”, an attempt to “blackwash” a calamitous PR image.

Attempts to regulate have been underfunded and politically compromised. In one instance the author meticulously investigates violations of logging boundaries and gradient guidelines, then submits the analysis to regulators, only to have his findings contradicted. Through an FOI request he discovers their results are nearly identical to his, entering a Kafkaesque netherworld.

Lindenmayer with a mountain brushtail possum, 2004. Rebecca Halas

The most pressing question is left to the final chapter: if everyone is losing, why does it continue? When the answer arrives, it is depressingly banal: government capture by vested interests.

To lift us from our funk, Lindenmayer offers an invigorating alternate universe. Here forests are protected and valued. They provide habitat for endangered native species, income through carbon sequestering and tourism as well as jobs in management and conservation – far more than heavily mechanised logging provides at present.

As one of the most referenced researchers, Lindenmayer is a world-renowned scientist. Yet again he demonstrates that he is also an excellent science communicator. The book’s 37 myths are mostly treated soberly and, with the aid of diagrams, dispel many popular misconceptions without a hint of condescension. The reader will permit the author wandering from hard science to rhetoric to sum up in the final myths.

I found I was more comfortable in the forest’: The scientist who took on the logging industry

To be honest, the conversation did not begin promisingly.

Everything else was going well. I managed to get there on time and Professor David Lindenmayer was waiting out the front with a cheery grin. He had suggested we go for fish, but not too fancy. I had proposed Fich, which I’d heard was good – a takeaway joint adjoining a smart seafood restaurant in Sydney’s inner west.

David Lindenmayer at lunch at Fich.

David Lindenmayer at lunch at Fich.Kate Gerachty

He looked neater than you’d expect from a bloke famous for the years he has spent deep in Australia’s oldest and wettest forests and for finding his way into the political heart of the sprawling battles fought over the industries that depend on cutting them down.

Tasmanian salmon is admired by conservationists about as much wood chipping is. The problem is, Lindenmayer explains with the sort of detail you’d expect from a scientist that the salmon are raised in great big floating pens in places like Macquarie Harbour.

There, he says, great clouds of fish poo sinks, sucking the oxygen and life out of the surrounds. Native species like the Maugon Skate, already threatened, are pushed towards extinction.

He explains that these salmon-farming fish-poo death clouds can also contain tiny parasitic worms called nematodes. A quick Wiki session later in the afternoon informs me that nematodes can be found in half the world’s population and that having travelled into space in the payload of the space shuttle Columbia, they are the first known life form to survive a virtually unprotected atmospheric descent to Earth’s surface.

Lindenmayer might be famous as (for a time) the nation’s single most-cited scientist (93,500) for his work on forests and regenerative farming, but he began his career in the water, and before that, he began to explore the natural world with his father, Bruce.

“He was a very, very difficult man to talk to,” recalls Lindenmayer when we get to the scallops.

The old man worked as a rocket scientist at the Woomera missile range and in Melbourne, helping to develop rockets and the propellant that would drive missiles into space or between continents. Eventually, disturbed by the machines’ violent potential, Bruce gave up the work and retrained as an economist.

Around this time, father and son began spending more time together, birdwatching in the bush. Men, says Lindenmayer, communicate better side-by-side, looking out at something rather than towards one another. “No bloke says, ’Let’s go and look at the sunset; they say, ‘let’s go fishing’.”

David Lindenmayer with a mountain brushtail possum in 2004.

Lindenmayer with a mountain brushtail possum in 2004. Rebecca Hallas

And so another world began to open somewhere between them. It was not just about what they saw but what they heard. Beside his father, Lindenmayer learned that the sounds birds made could reveal not just what species they were but what sex they were, what they were doing, and what was bothering them.

Those quiet moments resonated.

In the late 1970s, at school in Melbourne and then Canberra, Lindenmayer became a useful athlete, even playing for a graded football team in the Netherlands. Within a year, he realised he was not going to make it.

“I was a goalie. Everyone in the Netherlands has the perfect physique for a goalkeeper. I didn’t. I realised my hands are smaller than Donald Trump’s.” (First noted in the wild by Vanity Fair editor Grayden Carter, Trump’s small hands became a thing during the 2016 election.)

On his return to Australia, Lindenmayer dived into ecology, studying marine biology in Townsville and apprenticing himself to the famous reef ecologist Dr John “Charlie” Veron, the man who would become known as the “godfather to the corals” for his work in building the first expansive and accurate taxonomy of the Great Barrier Reef.

Lindenmayer volunteered on some of that world-leading work, trailing behind Veron underwater in Scuba gear, helping to gather and carry Veron’s coral samples. “He must have spent 10,000 hours underwater,” says Lindenmayer, who spent hundreds of hours in the sea with his mentor. He was calm, and he used less air than anyone. He must have had a set of gills or something. His breathing was incredible.”

Lindenmayer’s was not. “I found that I was more comfortable in the forest rather than in the water. I learnt I could see more in the forest than I could underwater,” he explains. “I didn’t have to concentrate on breathing.”

Our mains have arrived. Lindenmayer has ordered fish and chips and I have opted for a fish skewer. His plate lands like proper fish and chips should. The batter has erupted volcanically around the flesh, and the chips are holding up in the heat. My fish comes in spiced cubes impaled on a fat metal skewer hanging on its own scaffolding over a warm bed of flatbread, attended bowls of pickles and sauces.

It looks much like the famous beef and pork you get at Silvas, the famous old Portuguese joint a block up the road.

Reading Lindenmayer latest book (his 49th), The Forest Wars, you don’t get any sense of comfort. Lindenmayer’s description of his early work in the 1980s building a scientific baseline of how species like the Leadbeater possum, “the sweet-faced faunal emblem of Victoria”, use their habitat trees reads as deeply unpleasant.

The young scientist hauled bundles of traps and equipment, a tall ladder over one shoulder, deep into the dense understory of wattles and ferns, fallen logs and moss of Victoria’s central highlands to set traps, one for every 50 metres of forest. He soon discovered that the possums were “feisty and lighting fast” with a bite. By day’s end, his neck was garlanded with leeches, and in the shower, the water ran red “like a horror movie”.

He immediately fell in love with the work.

Lindenmayer’s work in those forests overturned how modern Australia understands them. When he began in the field, he believed, like everybody else, that trees would rejuvenate endlessly after their logging. His research shows the ecosystems they support are simply lost when they are felled.

His work reveals that rather than protecting us from fire, selective logging removes trees, drying forests out and creating highways for the infernos of the modern era. It has also shown that the animals that live in towering old trees do not move on from logged areas to reestablish themselves elsewhere but die in them when they are cut down.

Professor David Lindenmayer in a native forest near Currawon.

David Lindenmayer in a native forest near Currawon. Wolter Peeters

To establish this, Lindenmayer and the teams he has worked with over 40-odd years spent thousands of hours in the forests.

They sat in silence, watching the animals they had carefully caught, radio-tagged and released – birds, gliders and possums – return time and again to the same hollows high in the bows of the old mountain trees.