Feints, refrains and unfinished business. 2025 in review

And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
Mathew Arnold, Dover Beach

We called 2024 a “year of everything, everywhere, all at once”, and it earned the name. Crises collided, news arrived faster than we could process it, and the world seemed to exist in a state of constant shock. 2025 did not bring relief. Instead, the chaos began to settle. Wars dragged on, political divides hardened, social tensions deepened, and technology reshaped how we saw and understood it all.

It was the year the world stopped exploding in real time and started being what it had already become: messy, uneven, morally complicated, and stubbornly persistent. A year, indeed, in a world of echoes, refrains and unfinished business. And we spent the year watching power bargain brazenly in plain sight, trying to describe what was happening while it unfolded around us.

From Gaza to Ukraine, Sudan to Syria, from America’s self-inflicted fracture to Australia’s sudden wake-up call on Bondi Bondi, 2025 forced a reckoning: the world did not pause, but it did sort itself – deciding what we would notice, what we would ignore, and what we would learn to live with. Alongside human crises came the continuing advance of AI and chatbots, and the dominion of the algorithms that now govern attention, proving that disruption can be structural as well as geopolitical.

Gaza: War, Then “Ceasefire”

The war in Gaza dominated the year internationally and here in Australia, even as attention ebbed and flowed. Military operations continued for months, followed eventually by a “ceasefire” – a word doing far more work than it should or even justified. Fighting paused, hostages living and dead were returned and prisoners released, but the devastation remained: tens of thousands dead, cities demolished, humanitarian catastrophe unresolved. And the causes of the consequences standing still amidst the ruins and the rubble.

Western governments continued to back Israel while expressing concern for civilians, a contradiction that grew harder to defend, while street protests and online anger seethed all across the world. At the same time, antisemitism surged globally, often hiding behind the language of anti-Zionism. Two realities existed together, and too many people insisted on choosing only one.

By the end of the year, the war had not been resolved – merely frozen. Trust in Western moral leadership had been badly damaged, and Israelis and Palestinians remain in bitter limbo.

See Gaza sunrise or false dawn? Spectacle or Strategy

Iran, Israel and America’s bunker busters

Long-simmering tensions between Israel and Iran spilled into open conflict. What had once been indirect – proxies, cyberattacks, covert strikes – became visible. A brief but destructive war of missile exchanges ended with the United States asserting ordinance, deterrence and control.

The episode was brief but telling. It showed that America still reaches for its guns quickly, even as it struggles to define long-term goals. Another line was crossed, then quickly absorbed into the background of “normal” geopolitics.

Russia, Ukraine and Trump’s “Peace”

Ukraine entered 2025 mired in stalemate. Front lines barely moved. Casualties continued to mount. Western support held, but with clear signs of fatigue. And Donald Trump’s re-emergence reshaped the conversation. His promise to deliver instant “peace” reframed the war not as a question of justice or sovereignty, but of exhaustion. Peace was no longer about what Ukraine deserved, but about what the world was tired of sustaining and what the “art of the deal” could deliver.

The war didn’t end. It simply became something many wanted to stop thinking about. Not Ukraine and Russia, but. The carnage continues.

Donald Trump’s one-way crush on Vladimir gave us the one of the+most cringeworthy moments in global politics – Trump greeting the Russian president in Alaska: As the US president rolled out the red carpet for the world’s most dangerous autocrat, Russia’s attack on Ukraine accelerated. Trump got precisely nothing out of the meeting, except for the chance to hang out with a gangster he so obviously admires and of whom he is embarrassingly in awe.

Syria: Free, but stranded at the crossroads

A year after Assad’s fall, Syria remained unstable and unresolved. The regime was gone, but the future was unclear. Old sectarian tensions resurfaced, often in bloodshed, new power struggles emerged, powerful neighbours staked claims and  justice for past crimes remained distant.

Syria in 2025 was neither a success story nor a collapse – but suspended between heaven and hell, a country trying to exist after catastrophe with the rest of the world largely moving on.

See Between heaven and hell … Syria at the Crossroads

Women in Damascus celebrate the fall of the Assad regime

Sudan: what genocide actually looks like

Sudan’s civil war continued with little international attention. Mass killing, ethnic cleansing, famine, and displacement unfolded slowly and relentlessly. This was genocide without spectacle. No clear narrative. No sustained outrage. It showed how mass atrocity can now occur not in secrecy, but in plain sight – and still be ignored.

see The most nihilistic war ever …Sudan’s waking nightmare

America: a country divided against itself

The United States spent 2025 deeply divided, with no sign of healing. Pew Research polling showed that seven out of ten republicans think that the opposite side is immoral while six of ten democrats thinks the same of their rivals.

Trump’s return to power sharpened those divisions. His administration governed aggressively: mass deportations, punitive tariffs, the dismantling of foreign aid, political retribution, and pressure on democratic institutions. The country looked inward and outward at the same time – less cooperative, more transactional, more openly nationalist. Democratic norms eroded not overnight, but through constant stress and disregard. With three years still to run and the tell-tale midterms approaching, allies and cronies are adjusting, bickering rivals are taking notes, and uncertainty has become the defining feature of American leadership. Meanwhile, #47 is slapping his name on everything he can christen, from bitcoins to battleships.

See, for light relief, Danger Angel … the ballad of Laura Loomer 

Monroe Redux: the return of “the Ugly American”

US foreign policy took on a blunt, old-fashioned tone. Pressure on Canada and Mexico increased. Talk of annexing Greenland resurfaced. Venezuela, caught in the maw of Yanqui bullying and bluster, waits nervously for Washington’s next move. The administration promised imminent land operations – and then bombed Nigeria! The revival of the old Monroe Doctrine felt, as baseball wizz Yogi Berra once remarked, like déjà vu all over again, not as strategy, but as instinct. Influence asserted, consultation discarded. The “ugly American” was back, and unapologetic.

See Tales of Yankee power … Why Venezuela, and why now?

Europe at a inflection point

Europe in 2025 didn’t collapse, as many pundits suggested it might, but it shifted. Far-right ideas gained ground even where far-right parties didn’t win and remained, for now, on the fringes albeit closer to electoral success. Borders tightened; policies hardened; street protests proliferated – against immigration and against Israel, Support for Ukraine continued, but cautiously. The continent stood at a crossroads: still committed to liberal values in theory, but increasingly selective in practice.

Uncle Sam’s  cold-shoulder

Rumbling away in the background throughout year was the quiet but  cumulative alienation of America’s allies. Not with a single rupture, but through a thousand small slights. transactional diplomacy dressed up as realism, alliances treated as invoices rather than covenants, multilateralism dismissed as weakness. Europe learned that security guarantees come with a mood swing; the Middle East heard policy announced via spectacle; Asia watched reassurance coexist uneasily with unpredictability.

The new dispensation was illustrated by the Trump National Security Strategy. It is at once candid and contradictory: it outlines a narrower, realist vision of American interests, emphasising sovereignty, burden-sharing, industrial renewal, and strategic clarity, yet it is riddled with silences, evasions, and tensions between rhetoric and likely action. Allies are scolded for weakness while the document avoids naming Russia’s aggression, underplays China, and projects American cultural anxieties onto Europe. These contradictions expose both strategic incoherence and the limits of paper doctrine against presidential temperament, leaving Europe facing an irreversible rupture in trust and revealing a strategy as much about America’s insecurities as its actual global posture.

The post-WW2 order has not so much been dismantled as shrugged at, and indeed, shrugged off. Trust eroded not because the United States has withdrawn from the world, but because it has remained present without being reliable, and presumed itself to be in charge. Power, exercised loudly but inconsistently, has discovered an old truth: allies can endure disagreement, but they struggle with contempt.

Australia in 2025 … high flight and crash landing

Though beset by a multitude of crises – the cost of living, housing, health and education services – the Albanese Labor government was returned comfortably in May, helped by a divided, incoherent, and seemingly out of touch opposition. For the rest the year, federal politics felt strangely frictionless with policy drift passing for stability. The Coalition remained locked in internal conflict, unable to present a credible alternative. The Greens, chastened by electoral defeat and in many formerly friendly quarters, ideological disillusionment, treaded water.

But beneath the surface, social cohesion frayed. Immigration debates sharpened. Antisemitism rose noticeably, no longer something Australians could pretend belonged elsewhere. Attacks on Jewish Australians forced a reckoning many had avoided and hoped would resolve once the tremors of the war in Gaza had ameliorated. Until 6.47pm on 7th December, a beautiful evening on Sydney’s iconic Bondi Beach. Sudden, brutal and in our summer playground, sectarian violence shattered the sense of distance Australians often feel from global disorder. At that moment, politics stopped feeling abstract. The world, with all its instability, barged in and brought the country down to earth.

See This Is What It Looks Like

Lifesavers on Bondi Beach, 20 December 2025. Edwina Pickles

Featured photograph and above:

A handful of bodies on Bondi Beach, and behind them, the howling infinite of expectation, obligation, and the careful rationing of human empathy. The smallness of the beach against the vastness of consequences. On December 20, 2025, Bondi’s iconic lifesavers formed a line stretching the entire length of the beach -silent, solemn, a nation visibly in mourning. Similar tributes unfolded from Perth to Byron Bay, gestures of unity in the face of a shock that touched the whole country.

The Year of the Chatbot: Promise, Power, and Risk

And now, a break from the doom and gloom …

2025 was the year when artificial intelligence became part of daily life. Chatbots ceased to be experimental and became integral, transforming from novelty to utility seemingly overnight. People used it to write, research, translate, plan, argue, comfort, and persuade; institutions and individuals adopted it instinctively. Setting tone as much as content, the ‘bots have lowered barriers to knowledge, sharpened thinking, and helped people articulate ideas they might otherwise struggle to express. Used well, they amplified curiosity rather than replace it.

The opportunities are obvious – but so are the risks. Systems that can clarify complexity can also flatten it. Chatbots sound confident even when wrong, smooth over disagreement, and made language cleaner, calmer, and more persuasive – but not necessarily truer. They reinforce confirmation bias, outrage, and tribal certainty, generating arguments instantly and flooding the zone with plausible-sounding text. As information has became faster, cheaper, and less reliable, Certainty has spread more easily than truth, so truth has to work much harder.

Dependence is subtler but real. Outsourcing thinking – summaries instead of reading, answers instead of wrestling – did not make humans stupid, but less patient. Nuance, doubt, and slow understanding became harder to justify in a world optimised for speed. Yet conversely, man people still seek context, history, and complexity. Used deliberately, AI could slow the pace, map contradictions, and hold multiple truths at once.

By the end of 2025, the question was no longer whether AI would shape public life – it already had. The real question is whether humans would use it as a shortcut, or as a discipline. The technology is neutral. The danger – and the promise – lies in how much thinking we are willing to give up, and how much responsibility we are prepared to keep.

See The promise and the peril of ChatGPT 

Algorithm and blues

Alongside the chatbot sat a quieter, more insidious force: the algorithm itself. By 2025 it no longer simply organised information – it governed attention. What people saw, felt, and argued about was shaped less by importance than by engagement. To borrow from 20th century philosopher and communication theorist and educator Marshall McLuhan, the meme had become the message. Complex realities were compressed into images, slogans, clips, and talking points designed not to inform but to travel. The algorithm rewarded speed over reflection, certainty over doubt, heat over light. Politics, war, and grief were all flattened into content, stripped of context, and ranked by performance. What mattered most was not what was true or necessary, but what disseminated.

Passion without Wisdom

I wrote during the year that we seemed “full of passionate intensity” – Yeats’ phrase still apt in the twenty first century- but increasingly short on wisdom and insight. 2025 confirmed it. Anger was everywhere, empathy highly selective, certainty worn like armour. People felt deeply but thought narrowly. Moral energy surged but rarely slowed into understanding. The problem was not indifference; it was excess – too much feeling, too little reflection. In that environment, nuance looked like weakness and patience like complicity. What was missing was not information, but judgement – the harder work of holding contradiction, of resisting instant conclusions, of allowing complexity to temper conviction. Passion was abundant. Insight, increasingly rare.

Looking Toward 2026

Looking back on 2025, it seems that there  were no endings, neither happy or sad. Just a promise, it seems, of more of the same. The year didn’t solve anything. It clarified things. And if it clarified anything, it was that the world has grown adept at managing, ignoring, or absorbing what it cannot fix. It revealed a world adjusting to permanent instability. In this year of echoes, refrains, and unfinished sentences.

Passion, intensity, and outrage were abundant, but patience, wisdom, and insight remained scarce. Democracies strained under internal and external pressures. Wars lingered unresolved. Technology reshaped thought and attention.

Some argue that hope springs eternal, that yet, even amid the drift and the fractures, glimpses of understanding and resistance persisted, that although the world has settled into its chaos, we can be riders on the storm. But, I fear, 2026 arrives not as break, a failsafe, a safety valve, but as continuation. It looms as a test of endurance rather than transformation.  In my somnolent frame of mind, I’ve reached again for my Yeats. “Things fall apart; the centre cannot hold; mere anarchy is loosed upon the world, the blood-dimmed tide is loosed …”

After the chaos of 2024 and the hardening of 2025, the question is no longer what might go wrong. It’s what we’re prepared to live with.

And so we come to what In That Howling Infinite wrote in 2025.

What we wrote in 2025

It was a year that refused neat endings.

It began in a wasteland – Gaza as moral ground zero – and moved, restlessly, through revolutions real and imagined: Trump as symptom and accelerant, Putin as a man racing his own shadow, Syria forever at the crossroads where history idles and then accelerates without warning. Gaza returned, again and again, sunrise and false dawn, as spectacle and strategy; Sudan burned in near silence; Venezuela re-entered the frame as empire’s backyard as the US disinterred its Monrovian legacy. In That Howling Infinite featured pieces on each of these – several in many cases , twenty in all, plus a few of relevance to them, including an overview of journalist Robert Fisk’s last book (The Night of Power – Robert Fisk’s bitter epilogue). A broadranging historical piece written in the previous year and deferred, Modern history is built upon exodus and displacement, provided a corrective of sorts to the distorted narratives that have emerged in recent years due to a dearth of historical knowledge and the partisan weaponisation of words. 

It was almost as light relief that we turned to other subjects. Of particular interest was AI. Approaching remorselessly yet almost unrecognised in recent years, it banged a loud gong and crept from curiosity to condition, from tool to weather system, quietly rewriting the newsroom, the internet, and the idea of authorship. ChatGPT and other chatbots appeared not as saviours but as promise and peril in equal measure. By year end, we were fretting about using ChatGPT too much and regarding it as something to moderate like alcohol or fatty foods. We published three pieces on the subject in what seemed like rapid succession, and then pestered out – sucked into the machinery, I fear.

What with so much else attracting our attention, we nevertheless managed to find time for some history – including a  particularly enthralling and indeed iconoclastic book on the fall of the Ottoman Empire; the story of an Anzac brigade lost in Greece in 1942; “the Lucky Country” revisited after half a century;  and a piece long in the pipeline on the iconic singer and activist Paul Robeson.

In August, as on a whim, for light relief, we summoned up a nostalgic old Seekers’ song from the mid-sixties, a time when the world was on fire with war and rage much as it is today, but for us young folk back in the day, a time of hope and hedonism. For us, the carnival, clearly, is not over. The machinery is still whirring, the music still loud, and the lights still on. History is insisting on one more turn of the wheel, and the dawn, so often promised, so frequently invoked, has not yet broken.

January
The Gaza War … there are no winners in a wasteland
The way we were … reevaluating the Lucky Country

February
Let’s turn Gaza into Mar e Largo
Trump’s Second Coming … the new American Revolution
Cold Wind in Damascus … Syria at the crossroads

March
Trumps Revolution… he can destroy but he cannot create
Where have all the big books gone?
Putin’s War … an ageing autocrat seeks his place in history

April
The Trump Revolution … I run the country and the world
The Fall of the Ottoman Empire and the birth of Türkiye
Let Stalk Strine .. a lexicon of Australian as it was spoken (maybe)

May
The phantom of liberty … the paradoxes of conservativism
Shadows in search of a name … requiem for a war
The continuing battle for Australia’s history

July
A mighty voice … the odyssey of Paul Robeson

August
109 years of Mein Kampf … the book that ravaged a continent
High above the dawn is breaking … the unlikely origin of a poo song

September
Gaza sunrise or false dawn? Trump’s peace plan
Gaza sunrise or false dawn? Spectacle or Strategy
Will there ever be a Palestinian state?
Why Osana bin lost the battle but won the war
The Night of Power … Robert Fisks bitter epilogue
The promise and peril of ChatGPT
Who wrote this? The newsroom’s AI dilemma

October
AI and the future of the internet
Danger Angel … the ballad of Laura Loomer

November
A forgotten Anzac story in Greece’s bloody history
The most nihilistic war ever … Sudan’s waking nightmare
Answering the call … National Service in Britain 1945-1963
Tales of Yankee Power … at play in Americas backyard

December
Delo Kirova – the Kirov Case … a Soviet murder mystery
Between heaven and hell … Syria at the crossroads
This Is What It Looks Like
Tales of Yankee power … Why Venezuela, and why now?
Marco Rubio’s Venezuelan bargain

Read out reviews of prior years:

That was the year that was – retrospectives

A song for 2026: Lost love at world’s end …

It is our custom to conclude our annual wrap with a particular song that caught our attention during the year. Last year, we chose Tears for Fears’ Mad World.  It would be quite appropriate for 2025. But no repeats! so here is something very different. An outwardly melancholy song that is, in the most ineffable way quite uplifting. that’s what we reckon, anyway …

The Ticket Taker is on the surface a love song for the apocalypse; and it’s it’s one of the prettiest, most lyrically interesting songs I’ve heard in a long while. I could almost hear late-period Leonard Cohen and his choir of angels.

The apocalypse is both backdrop and metaphor. We’re not sure which. Is it really about a world ending, or just about the private ruin of a man left behind by love and fortune. The lyrics are opaque enough to evade final meaning, but resonant enough to keep circling back, like the ferry itself, between hope and futility. A love song, yes, but also a confession of entrapment: the gambler’s hope, the ark one cannot board.

The “Ticket Taker” song was written by Ben Miller and Jeff Prystowsky and is featured on The Low Anthem’s album Oh My God, Charlie Darwin. It features on Robert Plant’s latest foray into roots music – this time with English band Saving Grace. This flawless duet with Suzi Dian is mesmerising and magical.

Jeff will tell you that the song is “pure fiction,” that Ben “just made it up one day” – but fiction, as we know, has a way of smuggling deeper truths than fact dares admit.

Tonight’s the night when the waters rise
You’re groping in the dark
The ticket takers count the men who can afford the ark
The ticket takers will not board, for the ticket takers are tied
For five and change an hour, they will count the passers-by

They say the sky’s the limit, but the sky’s about to fall
Down come all them record books, cradle and all
They say before he bit it that the boxer felt no pain
But somewhere there’s a gambling man with a ticket in the rain

Mary Anne, I know I’m a long shot
But Mary Anne, what else have you got?
I am a ticket taker, many tickets have I torn
And I will be your ark, we will float above the storm

Many years have passed in this river town, I’ve sailed through many traps
I keep a stock of weapons should society collapse
I keep a stock of ammo, one of oil, and one of gold
I keep a place for Mary Anne, soon she will come home

Mary Anne, I know I’m a long shot
But Mary Anne, what else have you got?
I am a ticket taker, many tickets have I torn
And I will be your ark, we will float above the storm

Mary Anne, I know I’m a long shot
But Mary Anne, what else have you got?
I am a ticket taker, many tickets have I torn
And I will be your ark

Answering the call – national service in Britain 1945-63

And I guess that’s why they call it the blues
Time on my hands could be time spent with you
Elton John

My sweetheart is a soldier as handsome as can be
But suddenly they sent him away across the sea
So patiently I waited until his leave was due
Then wrote and said, my darling,
I’ll tell you what to do:
Come to the station, jump from the train
March at the double down lover’s lane
Then in the glen where the roses entwine
Lay down your arms
And surrender to mine
Geoff Downes, John Payne and Gregory Hart

Not long after the unfortunate and former British Prime Minister Rishi Sunak appeared to be pandering to older voters by campaigning to bring back national service for Britain’s youth, an article appeared in the e-zine Unherd entitled “National values … grasping for something that doesn’t exist” by regular columnist Terry Eagleton. He wrote:

“Right-wingers … have a disreputable history of picking on that particular cohort. The young, and not just those of Muslim persuasion, are more likely to question the conventional mores of the time than the middle-aged, which is why they make a lot of conservatives uneasy. Maybe national service will get them to shape up. This is really quite a smart idea from a Tory standpoint, since many of the values which young people in Britain are wary of are military in origin … they are cultural traits rather than basic moral values. Loyalty, team-spirit, toughness, honour, character, valour, austerity, self-discipline, leadership, physical prowess: the nation divides between those like the present monarch who consider these values utterly vital, and those who think they have their origin in a tiny, unrepresentative sector of society (the officer class, public schools, Boy Scouts and so on), and stem ultimately from Britain’s repressive colonial history”.

Sunak’s call triggered some sympathetic martial bugles here DownUnder. There were letters to the editor aplenty in Australian newspapers, including our own Coffs Harbour News of the Area (an actual printed newspaper too). I couldn’t resist writing a response – and it was actually published:

“There’s been a couple of letters recently suggesting that national service would be a suitable panacea for the problems of delinquent youth, and another by Bellingen’s Warren Tindall (an old pal of mine, by the bye) on the “perils of national service”, reminding us that whingeing about the younger generation is timeless and generational. The notion appears to appeal to folk of a certain age who lament the lack of respect, discipline and Australian values (whatever that means) amongst Australian youth – the “knock some sense into them” law and order types who would like disorderly young folk to be “out of sight and out of mind”, and effectively, someone else’s problem. They naively believe that the induction of potentially underage and recalcitrant youths would somehow contribute to our defense manpower shortfalls and bolster our military preparedness. On the contrary, the conscription of unwilling and probably unfit recruits, and the time, effort and money needed to render them of use in any military capacity is are the last things a proficient defense force needs.

In countries culturally and politically unaccustomed to national service, conscription has historically been considered a burden on the forces. In western countries with national service – most notably the Scandinavian and Baltics, and Israel – young people grow up with the expectation of service and the national duty that implies, and are culturally and temperamentally prepared for it by the time they come of age. It is not a military trainer’s job or even skill set to “instil a sense of purpose”, teach “physical and mental coping skills” or “positive career paths” or “train responsible human beings”, whilst “reducing our prison population” seems like something like Vladimir Putin would do”.

All this brings me to British author Richard Vinen’s enthralling book National Service in Britain 1945-1963. It charts the institution’s origins, administration, and social consequences, painting a vivid picture of postwar Britain negotiating the uneasy transition from empire to welfare state, revealing how conscription shaped not only military efficiency but the habits, ambitions, and identities of an entire generation – a cultural imprint whose echoes still surface in debates about civic duty, and national identity.

Reading it a while back, I recalled the promotional video for the Elton John song quoted above with its nostalgic visual narrative of young lovers separated by a call to duty, including footage of young army conscripts and of the early British rock ‘n roll era. I also recalled the BBC serial Lipstick on Your Collar – a particular favourite of mine; A romantic pop song Lay down your arms featured in its finale. [More on Potter’s story below] Both dramatise a decade and more of British social history that few recall today when over two million young men were conscripted to serve in the armed forces for up to two years, and sometimes more, at a critical time in their social, intellectual and emotional development.

We republish below a comprehensive overview by Davenport-Hines But first, here are a some of my own recollections, and themes explored by Vinen that are not covered therein.

A grave new world 

After the Second World War (1939-45), the young men of Britain were called upon to meet new challenges facing the country in a rapidly changing world – the Cold War between the USA and its European allies, and the Soviet Union.

The post-war world was a tenuous time for the old empires. Whilst old King Canute demonstrated his inability to control the tides, when Britain faced emergent and powerful nationalist movements, it sought to reassert its control in de facto colonies as far-flung as Egypt and Palestine, Cyprus and Kenya; and together with France and the Netherlands, actually fought to reclaim and hold on to their “possessions” (a term that reflected a mindset as much as political reality) that had fallen to the Japanese. Portugal, Spain and Belgium likewise fought to prevent their subject peoples breaking loose. Few outposts of empire endure today. 

The decision to repurpose wartime conscription in 1947 was a response to these challenges and also to the threats presented by the Soviet Union and a multitude of communist-inspired and Soviet-nourished national liberation movements. And yet, only a very small proportion of conscripts served overseas – and most who did were stationed in what was then West Germany and isolated and divided Berlin.

To meet the military manpower needs of this grave new world, the National Service, a standardised form of peacetime conscription, was introduced in 1947 for all able-bodied men between the ages of 18 and 21. Nowadays, when all sorts of evasion, dodges, and exceptions are common in society at large, it is hard to imagine a nationwide system in which all were actually deemed eligible, lord or landless, toff or tough, brains or bozo, had to serve. endured and was endured for over a decade; its abolition was announced in 1957 but continued until 1960, and the last conscripts were not demobbed until 1963. Every fortnight some 6,000 youths were conscripted, with a total of 2,301,000 called up over the sixteen years.

And then it was over, not with a bang but with a series of whimpers, stuttering indecisively to a close, leaving few traces on the cultural topography of late twentieth century Britain. Whilst many soon to be famous authors, playwrights, producers and musicians served, only a few wrote of their experiences. Nor did many other conscripts, although Woodfield Publishing carries a range of memoirs by ordinary men who resolved to record their experiences for posterity. The most important films and television programs about National service were comedies. Carry on Sergeant, which appeared in 1958 was the first and the most innocent of the long “carry on“ series. It was filmed at a real army camp.

There was no tangible ‘outcome’ to National service. There was no single conflict that ended in victory or defeat. There were none of the collective events – bonfires, parties, mutinies – that marked the end of the two world wars. It was ‘ending’ almost soon as it began because individual men were demobilized every two weeks. They went back to work – in the tight labor market of 1950s some of them started jobs on the Monday after they were demobilized – and to marriage and families in the dour but brightening fifties. It was not until they retired in the 1990s that most of the former servicemen had much time to reflect on their youth – which is why national service was so little discussed in the three decades after it ended.

Setting a date for the end of conscription was awkward. No one wanted to be the last conscript. There was a danger that the whole system might come to an end in “a most ragged and unsatisfactory manner” if men knew the precise day on which was ceased to operate, especially since as officials recognized, they would not have the resources to track down and prosecute evaders once the machinery of National service had been put into mothballs.

Though the last years of national service were uncomfortable for many conscripts, in someways, they were even worse for regulars particular, particularly for regular officers in the army. The tone of civil-military relations changed. when the first peace time conscripts had been called up, the army still had some of the prestige that went with victory in the second world war and with the military traditions of the Empire …

Those who regarded themselves as defenders of the interest of the army, had implied that peace time. conscription was a burden for the forces and look forward to the day when a well trained well paid and dedicated professionals were combined comprise a lean flexible and hard, hitting army. At least, in the short term this did not happen, and the end of conscription went with an undignified period when middle-aged officers scrambled to hold onto their jobs.

In one sense conscription was just one aspect of a British illusion of great power status, an illusion few people outside Britain, and perhaps a few people outside the British governing classes, believed or cared about

As Vinen reminds us in his enthralling story, the public’s historical memory of the institution imperceptibly faded from the national consciousness once it had ended, once parents no longer fretted about their sons being called up and once young men no longer needed to be anxious about interrupting or postponing careers and higher education. High rates of employment, rising incomes and standards of living during the fifties and early sixties, the attractions of consumerism and new forms of mass entertainment, and the lowering of Cold War tensions with the death of Josef Stalin, gave rise to fresh and less war-like circumstances and expectations.

The end of national service coincided with the beginning of the cultural era now known as the sixties (which actually lasted from about 1963 until about 1973). Changes in British society in the 1960s would have made it increasingly difficult to call men up even if the government wished to do so. It was a time remembered for self-consciously irreverent attitudes towards the British establishment, the class system, the almost casual racism of the past, and indeed history itself. It manifested the in theatrical reviews of the early sixties like Beyond the Fringe and the scatological and iconoclastic Private Eye magazine, and also the so-called youth culture which revolved about fashion and pop music.

In 1964, a year after National Service finally ended, a British band called the Barron Knights recorded an awful parody medley called Call Up The Groups which imagined many popular British groups being conscripted. It was hammy and cringeworthy then and it has not aged well, but when listened to sixty years on, it seems like an irreverent dated relic of Britain’s stuttering “farewell to arms”.

The very last line of Vinen’s book says it all: the culture in which national service existed belongs to a different age. To repurpose LP Hartley’s well used line, the past was another country where people thought and did things differently.

Descent from Glory

As noted in our introduction, present day advocates of conscription – or “national service”, which soothes the sting of compulsion – argue that it would encourage young people to “shape up”, to inculcate in them those treasured values that many of a certain age believe have been lost in the tide of modernity – to reiterate, like patriotism, loyalty, respect, honour, character, valour, leadership, toughness, self-discipline and physical prowess. And yet, the society that existed in those postwar years, and the values it espoused and revered, are long gone. The historical, political, social and cultural conditions that rendered national service universally acceptable no longer exist.

The British Empire had created a political culture that took greatness for granted and victory in the Second World War had reinforced this, even as it eroded the resources with which great power might be supported. The leaders of both political parties shared this culture as did most of the officials who advised them; and during the early years of National Service, most people of all classes accepted the shared obligation to serve, and with the memory of the war years still fresh and the Soviet and communist “threat” manifest, the populace as a whole were onboard with what could be described as official patriotism.

Most national servicemen had grown up in a period when there were no great ideological divisions in Britain. At least they were mostly young and the forces provided them with little in the way of political education. Of the small number who were actually posted overseas, many went without having much idea of what they were being sent to defend, and rarely understood what they were doing. In farflung outposts like Cyprus and Palestine, Kenya and the Far East, they were fighting people with whom they were not at war and often, as in Korea and later, in Egypt, countries that were not British possessions. The army didn’t get down to the politics what it was all about, and some national servicemen appear to have thought about the political significance of their actions at Suez, or in Malaya only years after the event.

Regular Army officers introducing themselves to conscripts would advise to tell them that the British preferred the term national service to conscription, because, to quote Vinen, “that is what it is “a service to the nation, each national serviceman contributes towards giving the nation, strong and efficient army”.  Judged on an international perspective, however, the most striking thing about national service is, that was not actually very national

And yet, the military authorities never tried to instill patriotism.

Often, particularly in new states many ethnicities and religious affiliations and little social cohesion, military service is regarded as a “school of nation” inculcating presumptive national loyalty, values, interests. This was not the intent of the designers of national service. It was not intended to inculcate patriotic feelings. Nor was it really designed to foster manly martial virtues. Service for most conscripts was monotonous and seemingly pointless, whilst stories of bullying and mistreatment were common. One serviceman, Peter Burns, noted in a memoir years later: “In the old phrase, I went in a boy and came out a man, but not a very nice man”. He did not elaborate further.  

It was manpower first and foremost, “boots on the ground” and potentially, on the battlefield – though technological innovation was rendering “serried ranks” redundant. Military authorities, determined to make things easier for themselves, were reluctant to call up, as a War Office report put it “a social group that is poorly integrated in the nation. For example, barrow boys, gypsies, the racing community, Liverpool Irish, foreign communities in London, the Glasgow community from which the gangs are recruited, etcetera … “. Indeed, the forces were probably glad to be rid of some of their potential and actual delinquent conscripts. 

Conscription was never applied in the part of the United Kingdom where the largest number of people was likely not to feel themselves British: Northern Ireland. In Scotland and Wales, there was a small amount of overtly nationalist opposition to fighting for a ‘foreign’ government. more important was the general sense that conscription did not fit with the social structure of either Wales or Scotland. The Welsh dislike of the armed forces, rooted in chapel going respectability, was very different from the antipathy to army discipline that was associated with some working-class Scotsman. Sometimes the single word that aroused most terror in the war office was Glasgow”. 

National service did not create a more homogenous and disciplined society – on the contrary, it worked partly because Britain, mainland Britain at least, was already homogenous and disciplined.

But there were the outliers. As Vinen writes: “Would that substantial group of men of Irish origin living in mainland Britain have been called up during the northern Irish troubles? What would the forces have done about non-white immigrants? Black Britons were not excluded from national service, but given how rare such men were, it is significant that they were quite common amongst those that officers regarded as ‘difficult’. The British army recruited 2000 West Indians in 1960, partly to make the shortfall that sprang from the imminent end of national service. However, the authorities decided that coloured soldiers should not make up more than 2% of the strength of any corps”.

Lipstick on your collar … national service through Potter’s prism

Lipstick on Your Collar is a 1993 British TV serial written by the late socialist playwright Dennis Potter, acclaimed for his television dramas The Singing Detective, Karaoke and Cold Lazarus. He also wrote the brilliant screenplay for the film adaption of Martin Cruz-Smith’s most excellent novel Gorky Park, itself, in my opinion, one of the best ever film adaptations of a novel.

Potter was a national service conscript along with many soon to be well-known British politicians, sportsmen, authors, poets, playwrights and performing artists – including Rolling Stones bass player, former RAF private, Bill Wyman, iconic actor and national treasure Michael Caine, late actors Sean Connery and Michael Gambon, onetime Conservative Party firebrand Michael Heseltine, and the  ‘Angry Young Men’ of letters Allan Sillitoe, John Braine, Arnold Wesker and Joe Orton.

The story is for the most part set in a British Military Intelligence Office in Whitehall during 1956.  A small group of foreign affairs analysts find their quiet existence is disrupted by the Suez Crisis. A young conscript is completing his national service as a translator of Russian documents, but bored with his job, he passes time in fantasy daydreams in which his very straight colleagues break into contemporary hit songs. The character is portrayed by a young  Ewan McGregor went on to movie fame in Star Wars and other major films. His fellow language clerk is a clumsy Welsh intellectual and admirer Russian poets and playwrights – Pushkin and Chekov in particular- whose academic career has been interrupted by his call up. collar.

The subtext is the conflict between the old order, as represented by the middle-aged and-patriotic regular army officers, the conscripted ‘other ranks’ as portrayed by the two privates, and the new ‘rock ‘n roll’ generation, illustrated her by dance halls, coffee bars, and ‘fifties American popular music.

Denis Potter studied at Ministry of Defence’s Russian Language School. Apparently, those few conscripts who graduated as interpreters and translators were regarded as the crême de la crême of conscripts. Often, trainees would put on concerts of Russian songs and plays for their own amusement. A natural linguist, he’d learned Russian whilst undergoing compulsory national service in the fifties. One such graduate was Tom Springfield, the elder brother of diva Dusty Springfield. He borrowed the melody of The Seeker’s timeless song The Carnival is Over from Stenka Razin a traditional Russian folk tune that told the tale of a drunken seventeenth century Cossack rebel who threw his Persian bride of one night over the side of his boat into the Volga River when his men accused him of going soft. Tom changed the story entirely though he retained a nautical riff and cast the star-crossed lovers as the theatre characters Pierrot and Columbine rather than casting them overboard. See High above the dawn is waiting” … the unlikely origin of a pop song


Boomers born at the right time

For the sake of this story, let’s jump back to 1945, the year a six year long worldwide war ended. As an early piece in In That Howlng Infinite wrote:

“And what a year that was! With peacetime restored, the British electorate immediately voted out its esteemed and beloved war leader, Winston Churchill, and bought Labour’s promise of a democratic socialism. In his excellent documentary The Spirit of ‘45, film maker Ken Loach describes the nationalisation of public services and industries and their subsequent privatization three decades later. His interviewees provide poignant anecdotes about the poverty of the 1930s, the dangerous and exploitative working conditions, poor housing, and abysmal health care, and the renewed sense of purpose and optimism a the end of the war and Labour’s landslide victory. He recounts the subsequent expansion of the welfare state, with its free to all medical service and the nationalization of significant parts of the British economy, most notably, electricity, the railways, and the mines. The Attlee government was elected due to a general belief that nothing would or could be as it had been before. Britain had pulled together to win the war; now, it would transform the peace.

But for ordinary folk, life in the immediate postwar years wasn’t that rosy. Britain emerged from the war victorious and though brave, physically battered and financially broke, its towns and factories in disrepair, and it’s people coming to terms with a not so brave new world of disappointed expectations and ongoing privation. Rationing, introduced early in the war on most foodstuffs and consumer items, remained in place and was only gradually lifted until its end in 1954.”

If we’re born in forties and early fifties, and look back, to our childhoods or to contemporary photographs and films, there is a patina of austerity and drabness. It was mirrored in how people dressed and in the fashions of the time. During the conflict and long after, clothing and colour were rationed due to the shortage of fabrics and of dyes as industry and manufacturing were directed to “essential industries” contributing to the war effort. This is why images of the time look so monochrome, or when colourized all blacks, browns and greys. Until the technicolor explosion that is now synonymous with the “swinging sixties”, enabled by the invention of new, often synthetic fabrics and an insurrectionist generation of designers, artists, and entrepreneurs.

I was born at the right time in the right place. I missed the Second World War, and arrived to be blessed with the benefits of the National Health Service – launched by Labour health minister Aneurin Bevan on 5th July 1948 – which had had at its heart three core principles: that it met the needs of everyone, that it be free at the point of delivery, and that it be based on clinical need, not ability to pay – and The Education Act , or ‘Butler Act’, of 1944 which promised and then delivered ‘secondary education for all’. I was too young to do National Service in the fifties, and caught the wondrous wave of the sixties in all its freewheeling, rumbustious glory, whilst Harold Wilson kept us potentially eligible conscripts out of America’s Asian war in Vietnam.

When I was a nipper, the Second World War was tangible. I born less than four years after the fighting finished. It was nearer than Vietnam, Iraq, Afghanistan, and even Northern Ireland are today. We just called it “The War”. We had family, friends and relations who had lived through it, fought in it, and died in it, as had many of the schoolmasters who taught us. Many wore scars and infirmities from the war, and some bore invisible wounds.

We played war-games on bombed-out “wasteland”. Rationing continued into the fifties, so it constrained our lifestyles. War stories were ubiquitous, on the screen and in print; James Bond had served in the war, as had George Smiley. In the boys’ comics, gallant British Tommies invariably overcame superior numbers of Germans, who were portrayed as mindless automatons and referred to contemptuously as ‘Krauts’ or ‘Jerries’. In the sixties, we built Airfix warplanes, battleships and fighting vehicles.

Conscription was reintroduced in 1948 to maintain what remained of Britain’s imperial dream; young men in uniform were always around whilst older cousins and friends’ big brothers had to do their national service. Little wonder that the war’s echoes reverberated through our imaginations, pastimes and preoccupations.

My own memories of National Service are are just fleeting images of young relatives in army uniforms and of school pals mentioning that their brothers or uncles were doing their bit. To us children, it was relatively unobtrusive and taken for granted. I commenced grammar school in September 1960 at a time when many grammar schools imitated the practise of public schools with a military training outfit called the CCF or Combined Cadet Force. Once a week, toy soldiers would strut about school in khaki attire. Prefects, another practise borrowed from public schools (along with the term “fags” for first and second formers – though none the servile duties immortalised in that fabulous movie If) were naturally officer-cadets. And they would march up and down the square with real guns! No ammo, but. I was already a Boy Scout by then and that was enough of matters martial and patriotic for me. And my Irish folks said “No!”

Whether by design or coincidence, by 1963, conscription and our school CCF were no more. And I did not notice the passing of either.

We were taught and accepted the narrative that wartime prime minister Winston Churchill had promulgated: that the period after the fall of France, when Britain had stood alone against the Axis powers, had been our finest hour and that the eventual defeat of Nazi Germany made all the sacrifices worthwhile. We also accepted His word for his pivotal role in it. “History will be kind to me”, he famously wrote, “for I shall write it”.  And we were inculcated with the values that he fostered and indeed, personified: courage, duty, obedience, self-denial, reticence, restraint – the qualities that had won the war, or at least had enabled Britons to survive it. This is what being a man meant, then. 

The are not values that resonate today. By the beginning of the sixties, “the times were a’changin’”, slowly but surely. Changes in British society in the 1960s would have made it increasingly difficult to call men up even if the government wished to do so. Rising levels of education, and also, of affluence wrought changes in attitudes and ambitions. The fifties gave rise to the phenomenon of “the teenager”, an American concept that took off in drab Britain as rationing came gradually to an end and as life in general took on more colour and excitement – young people were less accepting of authority, discipline, and ageing and anachronistic concepts of Queen and Country – and as the songs at the head if this post illustrate, love was always in the air …

Rather than keeping a stiff upper lip, we are encouraged to show our emotions; rather than keeping it in, we are supposed to let it all out. Like most of us today, I share these modern, peacetime values; yet I retain a respect for the men of my father’s generation. Without them, our lives would have been very different.

The world was much smaller then

In those days, young people did not travel too much, and accordingly, did not move far from their economic and social circles. Vinen notes that schools and later, universities, were for many, the most important gatehouses on the social frontiers. Until then, few folk got close enough to see the middle class or conversely, the working class closeup. The eleven plus was the border crossing where children who’d come through primary school together were filtered off onto different paths.

My recollections concur totally regional differences were less pronounced in primary school where children were drawn from a particular locality, where even Scottish, Welsh and Irish accents were to a degree diluted and normalized by schoolmates. My Roman Catholic primary school in Yardley Wood in south Birmingham was located between middle- and working-class neighbourhoods, the former on the eastern side of Trittiford Road, the latter on the west and south, so we were a socially mixed bunch. But Catholics all. Of Irish parentage, went through primary school without mixing socially with non-Catholics. Secondary schools drawing on a wider yet still local catchment saw more familiarization with differences accents, often of a social character. But it was in tertiary education that young people came into continued contact with contemporaries and teachers from all over the country and even from abroad.

Conscription in the Anglosphere post 1945

The following is a brief overview of postwar conscription in Australia and the United Sates, particularly with reference to its introduction in the light of these countries’ controversial involvement in the Vietnam War. Britain sat this one out – to the great relief of myself and my peers, who were all of conscription age and had no inclination to take part in America’s Asian war – although US President Lyndon B Johnson endeavoured unsuccessfully to strongarm and indeed blackmail British Prime Minister Harold Wilson into committing British troops to the conflict. A more comprehensive overview of conscription in the Eastern and Western blocs during and after the Cold War is provided in an addendum at the end of this post.

Britain had done away with military service in 1963; Belgium did so in 1992. France in 1997 and Germany 2011, between 2004 and 2011, a vast swathe of Europe did away with national service. Only Denmark, Estonia, Finland, Cyprus, Greece, Austria and Switzerland have never abandoned conscription.

In Australia, I’d meet veterans who’d been conscripted for the Vietnam War through the notorious, discriminatory birthday ballot – a method actually rejected by the British government as inequitable, unfair, and contrary to the notion of universal obligation.

It was introduced in April 1964 primarily to meet the challenges if of the Indonesian “confrontasi” and the emerging threats from communism in Asia and Australia’s overseas commitment to Cold War allies. Tensions were increasing between North and South Vietnam by May 1965, and as an ally of the US, Australia agreed to allow national servicemen to be sent overseas to Vietnam.

Australia sent over 60,000 military personnel to Indochina between 1962 and 1972, including large combat units and conscripts under the National Service Scheme. Most 20-year-old Australian men had to register for national service between 1965 and 1972, and 15,300 ‘nashos’ as they were called were conscripted into. More than 200 died and at least 1,200 were wounded on active duty.

Conscription was generally supported by Australians. Polls showed widespread support for the policy. Parents saw it as a way of instilling discipline in their sons, as well as teaching valuable life skills. At the time, the Australian media portrayed conscription in a positive way. Army life and national service were generally praised. The army was not so enthusiastic. Instead, it argued the need for skilled tradesmen and officers and not what it considered a ragtag selection of semi trained men. Public support waned after the first conscripts were killed, stirring the anti-war movement. Australia’s last combat troops came home from Vietnam in March 1972, and the national service scheme ended that December after the election of the Whitlam Labor government.

Like Britain, Canada did not enter the Vietnam War. New Zealand, the last of the ”Five Eyes” allies did, for similar geopolitical reasons to Australia’s.There was domestic opposition, but never on the scale or intensity of Australia’s anti-Vietnam movement. New Zealand’s total deployment was around 3,500 personnel over the whole war, but all of them were volunteers. There was no conscription in NZ and therefore not the same resentment about people being forced into service – major driver of Australian protests. The protest narrative focused on the morality and legitimacy of the war, not the injustice of conscription.

While in both countries, the conservative governments framed Vietnam as part of the Cold War “forward defence” strategy and alliance obligations (SEATO, ANZUS). the scale and visibility of the commitment in NZ were smaller, and the government carefully emphasised the limited nature of the force.

Early in the war, like in Australia, public opinion was more favourable toward involvement, partly due to alliance loyalties and the perception of a communist threat in Asia. Opposition grew in the late 1960s and early 1970s, particularly among students, churches, and parts of the Labour Party –  but large street protests only became common toward the end, especially around 1970–72. There was no equivalent of the huge moratorium marches across the Tasman.  NZ began winding down combat deployments earlier than Australia; the infantry company was withdrawn in late 1971, with only a small training team remaining until 1972. The Labour government elected in 1972 (Norman Kirk) quickly ended remaining involvement. It never became the same national political crisis that it did in Australia, but it did, help cement a more independent foreign policy during the 1970s–80s, culminating in the nuclear-free policy and tensions with the US.

America’s Vietnam conscription experience was combustible and cathartic. Between 1964 and 1973, the U.S. military drafted 2.2 million American men out of an eligible pool of 27 million. All men of draft age (born January 1, 1944, to December 31, 1950) who shared a birthday would be called to serve at once.

Although only 25 percent of the military force in the combat zones were draftees, the system of conscription caused many young American men to volunteer for the armed forces in order to have more of a choice of which division in the military they would serve. While many soldiers did support the war, at least initially, to others the draft seemed like a death sentence: being sent to a war and fight for a cause that they did not believe in. Some sought refuge in college or parental deferments; others intentionally failed aptitude tests or otherwise evaded; thousands fled to Canada; the politically connected sought refuge in the National Guard; and a growing number engaged in direct resistance. Antiwar activists viewed the draft as immoral and the only means for the government to continue the war with fresh soldiers. Ironically, as the draft continued to fuel the war effort, it also intensified the antiwar cause. Although the Selective Service’s deferment system meant that men of lower socioeconomic standing were most likely to be sent to the front lines, no one was completely safe from the draft. Almost every American was either eligible to go to war or knew someone who was.

© Paul Hemphill 2024.  All rights reserved

Global areas of operation for National Servicemen, 1947-63

National Service: Conscription in Britain 1945-1963 

The forgotten history of Britain’s peacetime conscription

Fifty years ago, at the dawn of the cultural revolution of the 60s, there had never been so many ex-soldiers and ex-sailors in British history. Mods and peaceniks were reacting against generations that had been mobilised during two world wars. Yet the militarisation of British society was not just the outcome of war. Under the National Service Act, introduced in 1947, healthy males aged 18 or over were obliged to serve in the armed forces for 18 months. After the outbreak of the Korean war in 1950, the length of service was raised to two years – more onerous than elsewhere in Europe. In practice national service was a catch-all for men born between 1927 and 1939 whose childhoods had already been overcast by economic depression, wartime bombing and evacuation. Although its abolition was announced in 1957, it continued until 1960, and the last conscripts were not demobbed until 1963.

Every fortnight some 6,000 youths were conscripted, with a total of 2,301,000 called up over this period. The army took 1,132,872 and the RAF much of the rest, leaving relatively few sailors. After discharge, conscripts remained on the reserve force for another four years, and were liable to recall in the event of an emergency. Many drilled men became conformist and respectful of authority, but others reacted to their experiences with a lifetime of insubordination and resentment. National service did not cause the upheaval or leave the distressed aftermath of the US draft in the Vietnam war, but the significance of the forgotten militarisation of mid-20th century Britain is enduring.

National Servicemen relax in the NAAFI canteen at Weybourne Camp, April 1954

In an era when it was hard to recruit enough regular soldiers to meet Britain’s commitments in Europe, the Middle East, Africa and Asia, conscripts trained to police regions occupied by the British after the war, to provide a reserve of troops who could be called up in any future major conflict, and they were available for immediate deployment, notably in the decolonisation wars in Malaya, Kenya and Cyprus. Most of them were not yet old enough to vote (voting age was only lowered from 21 to 18 in 1970) and felt disempowered. They had scant pay, and provided a cut-price way for Britain to maintain its illusory great power status. But withdrawing this number of fit youngsters from the economy at a time of labour shortage harmed British post-war reconstruction.

Vinen admits that he could write a whole chapter on a Conservative MP’s claim that he was offered a commission because an officer spotted that he was circumcised and concluded that he must be a public school boy. In turn, a reviewer could write a monograph on Vinen’s book, which is chock-a-block with important themes, provocative ideas, arresting stories, heartbreak and good jokes.

Nowadays we commemorate the launch of the National Health Service as promoting a historically unprecedented mentality whereby a benign state provided its citizens with social benefits rather than treating them as subjects serving the needs of the nation. The National Service Act was the negative counterpart of the NHS, whereby civilians were dragooned into compliance with the demands of the state. Its chief proponent was Field Marshal Montgomery, the posturing bully who was in a permanent panic of denial about his repressed homosexuality, and hoped to use military service to mould national character towards chaste combative virility. For many conscripts their sense of the state was not the benign NHS but the bullying of national service square-bashing.

Generally, though, national service was not intended as an instrument of social discipline. It was disliked not only by antimilitarists and left-wingers, but by middle-of-the-road people because it disrupted the lives of their sons in a period when there was full employment for the working classes. Welsh chapel-going traditions were hostile to conscription. Working-class Scotsmen fought army discipline. As Vinen writes, “Sometimes the single word that aroused most terror in the War Office was ‘Glasgow’.” Regular army officers resented national service, especially during its early years, because the need to train a constantly renewed stream of conscripts was dull, repetitive and diminished “real soldiering”.

The Church of England, unlike the nonconformists and the Catholics, encouraged its clergy to undertake national service. Anglicanism and “manly morality” were promoted together by the military authorities. An army guide of 1947 declared, “the sexual appetite was implanted in man for the lawful use in Wedlock”. Yet Christian morality had minimal influence on the sex lives of conscripts. Rather, says Vinen, national servicemen, as opposed to regular soldiers, believed in “that greatest of all postwar virtues: deferred gratification”. His findings support Claire Langhamer’s wonderful study The English in Love (2013) in showing how strongly young men of the 1950s were romantics who believed in love at first sight, idealised virginity and had sweet dreams of domestic bliss within the institution of marriage. The discomfort and violence of military life, the lack of privacy and the mindless rules imposed without consent produced a generation that cherished intimacy and non-confrontation. Most conscripts came from families where defiance of the law was inconceivable. Yet the armed forces gave innumerable opportunities for non-commissioned officers and clerks to exploit conscripts, pilfer stores and make dodgy deals. Many conscripts learned how to duck and dive, to break rules and subvert authority. One RAF clerk issued instructions that officers must count the number of flies stuck to flypapers at all bases. Such experiences chipped away at the law-abiding, respectful traditions of Britain before peacetime conscription.

Vinen depicts “the hellish chaos of basic training”: its violence, verbal savagery, the dumb misery of military drills, the horrors of bayonet practice. Several young men killed themselves during training – usually by hanging from a lavatory cistern, because “the shithouse” was the only place that gave a moment’s privacy – but suicide statistics seem to have been doctored by officials. Sergeants with booming voices and curling moustaches were fabled figures, but it was corporals who gave the orders in training – many were malevolent, sadistic figures. Vinen gives numerous instances of cruelty, both in training and in combat. These include the massacre in 1948 by a Scots Guards patrol – mainly national servicemen – of 24 Chinese labourers on a Malaysian rubber plantation, killings and mutilations in Kenya and a rampage by troops in Cyprus after two British servicemen’s wives were shot. A serviceman described: “wholesale rape and looting and murder”, including “a 13 year old girl raped and killed in a cage”.

Royal Engineers homeward bound from Suez on the SS ‘Dilwara’, 1954

National Service may prove to be the most original social history book of 2014. It is written with cool, elegant lucidity and there are neither ideological tricks nor obscure jargon. The book is bigger than its ostensible subject, embracing class, masculinity, sexuality, compliance, rebellion, combat atrocities, petty crime, notions of national identity, group solidarity, the fallibility of memory and what it means to be a man.

How National Service introduced in 1949 saw more than two million young men take up military roles 

  • Males aged between 17 and 21 were conscripted between 1949 and 1960
  • Initially recruits had to serve for 18 months, but this was extended to two years
  • Did YOU do National Service? Email harry.s.howard@mailonline.co.uk

Harry Howard, History Correspondent, Daily Mail, 31st August 2023

Between 1949 and 1960, more than two million men aged between 17 and 21 were conscripted into the armed forces as part of National Service.

Among them were acting legend Michael Caine, boxing champion Henry Cooper and former Conservative leadership contender Michael Heseltine.

Only those who failed the medical or who worked in the three ‘essential’ industries of coalmining, farming and the merchant navy were exempt.

This week, Commons Leader and former Defense SecretaryPenny Mordaunt backed a National Service-style scheme that could see every 16-year-old in Britain sign up.

The proposals – mooted by think-tank Onward – would not be compulsory, but youths would have to opt out if they did not want to join. As many as 600,000 youngsters could be involved.

Between 1949 and 1960, more than two million men aged between 17 and 21 were conscripted into the armed forces as part of National Service. Above: Triplets Allan, Brian and Dennis Kirkby (front, left to right) reporting with other recruits at North Frith Barracks, Hampshire, in 1953

Triplets Allan, Brian and Dennis Kirkby (front, left to right) reporting with other recruits at North Frith Barracks, Hampshire, in 1953

Michael Caine (back row, fourth from left) was among the men who were called up. He served in the Royal Fusiliers from from April 1952 and ended up fighting in the Korean War

Michael Caine (back row, fourth from left) was among the men who were called up. He served in the Royal Fusiliers from from April 1952 and ended up fighting in the Korean War
The British Empire – although diminishing – still existed and both Germany and Japan were still occupied following the end of the Second World War.

Ministers also wanted to re-establish British influence in the world, including in the Middle East.

Further manpower demands were imposed by the Cold War with the Soviet Union, whilst Indian independence in 1947 meant Britain no longer had the huge Indian Army to call upon.

Those who were conscripted as part of National Service would have to sleep 20 to a room in ramshackle barracks, with little heating, primitive toilets and poor washing facilities.

They would be woken at 5.30am and spent hours marching on the parade ground, with afternoons taken up by field or rifle training, ten-mile runs and obstacle courses.

Recruits spent their evenings cleaning the barracks, their kit and their rifles in a routine that was known as ‘the bull’.

Former boxing champion Sir Henry Cooper (pictured left with his twin brother George), who died in 2011, spent two years in the Army after representing Great Britain at the 1952 Olympic Games in Helsinki

Former boxing champion Sir Henry Cooper (pictured left with his twin brother George), who died in 2011, spent two years in the Army after representing Great Britain at the 1952 Olympic Games

Sir Henry Cooper (left) is seen on a training jog with other recruits during his National Service

Sir Henry Cooper (left) is seen on a training jog with other recruits during his National Service

Former Conservative minister Michael Heseltine, 90, was called up for National Service but served for just nine months before obtaining leave to stand as a Tory candidate in the 1959 election. Above: Lord Heseltine (middle row, fifth from right) with fellow conscripts at Caterham Guards Depot in 1959

Former Conservative minister Michael Heseltine, was called up but served for just nine months before obtaining leave to stand as a Tory candidate in the 1959 election: (middle row, fifth from right) with fellow conscripts at Caterham Guards Depot in 1959

National Service conscripts are seen at a depot in Kingston upon Thames in 1953

Conscripts are seen at a depot in Kingston upon Thames in 1953
National Servicemen at a depot in Kingston upon Thames enjoy a smoke as a comrade examines his rifle in 1953

National Servicemen at a depot in Kingston upon Thames enjoy a smoke as a comrade examines his rifle in 1953

National Servicemen are seen marching at a depot in Kingston upon Thames

National Servicemen are seen marching at a depot in Kingston upon Thames

National Servicemen are seen training with the Royal Air Force at RAF Booker in Buckinghamshire in 1951

National Servicemen training with the Royal Air Force at RAF Booker in Buckinghamshire in 1951

Punishments for any slip in standards included being confined to barracks, washing latrines or peeling potatoes.

Recruits also had little chance to see their families. They were given just 14 days’ leave for every eight months of service.

Basic pay in 1949 was 28 shillings (£1.40) a week, much less than the average weekly wage of around £8.

But the men still had to buy all their own razor blades, shaving soap, boot polish, haircuts, dusters and Brasso for polishing any buckles and badges.

If any kit was lost, recruits would have to pay for it twice. Once to replace it and once as a fine.

After finishing basic training, conscripts were posted to regiments both at home and abroad. Overseas postings included Germany, Cyprus and the Middle East.

Other National Servicemen who went on to become household names include Oliver Reed, Tony Hancock, and Bill Wyman of the Rolling Stones

Around 125,000 National Servicemen were deployed to war zones such as the conflict in Korea and 395 lost their lives in combat.

Others saw action in Malaya and during the Suez Crisis in 1956.

Although for some the experience of serving was a negative one, many National Service veterans look back fondly on the period.

They often formed bonds that have stayed with them ever since.

During his stint in the Royal Fusiliers, which began in 1952, Sir Michael, now 90, served in the Korean War.

He recalled his experiences in an interview with the Daily Mail in 1987.

Commenting on the tactics employed by the enemy, he told of ‘attack after attack, you would find their bodies in groups of four’.

‘We heard them talking and we knew they had sussed us…Our officer shouted run and by chance we ran towards the Chinese. Which is what saved us; in the dark we lost each other,’ he added.

Lord Heseltine, 90, served for just nine months before obtaining leave to stand as a Tory candidate in the 1959 election and then getting his solicitor to persuade the War Office that he did not need to return to the barracks.

Sir Bobby, 85, combined his football career at Manchester United with a stint in the Army in the mid 1950s.

He served with the Royal Army Ordnance Corps in Shrewsbury, meaning he could still play football at the weekend.

Former boxing champion Sir Henry Cooper, who died in 2011, spent two years in the Army after representing Great Britain at the 1952 Olympic Games in Helsinki.

Eighteen-year-old conscripts on parade at the Royal West Kent Depot in Maidstone, Kent, having been called up for National Service, November 195

Eighteen-year-old conscripts on parade at the Royal West Kent Depot , November 1955

Teenagers conscripted for national service line up at the Royal West Kent Depot in Maidstone for their inoculations in November 1954

Teenagers line up at the Royal West Kent Depot in Maidstone forinoculations in November 1954

Major General Sir Reginald Laurence Scoones of the British Army takes the salute at the passing-out parade of 32 National Service and regular recruits from the depot of the Royal Fusiliers (City of London Regiment) at the Tower of London, October 17, 1958

Major General Sir Reginald Laurence Scoones of the British Army takes the salute at the passing-out parade of 32 National Service and regular recruits from the depot of the Royal Fusiliers (City of London Regiment) at the Tower of London, October 17, 1958

National Service recruits who have entered the Army are seen lined up in 1952

National Service recruits  lined up in 1952

He joined up with his twin brother George. Recalling his first day, Sir Henry previously said: ‘Well, it’s all a bit nerve-wracking because we didn’t know what to expect.

‘We went to Blackdown where we did our basic training.

‘We had to have medicals, strip off in front of doctors, put our arms up and they stuck a needle, one in our shoulder, one in our arm, and we wondered what was going on.’

He added: ‘They were hard on you in those days. Thank God we were a little bit better than a lot of the ordinary guys.

‘We were very fit because we’d been training as amateur boxers so the physical fitness side didn’t bother us at all.’

Sir Henry was crowned Army Boxing Association champion two years’ running and went on to win the Imperial Services Boxing Association title.

In the late 1950s it was decided to bring National Service to an end, in part because of the burden it placed on the Army and the fact that workers were being drained from the economy.

Rifleman E Akid showing National Service recruits a captured Korean flag at the Royal Ulster Rifles Depot in Ballymena, County Antrim, Northern Ireland

Rifleman E Akid showing National Service recruits a captured Korean flag at the Royal Ulster Rifles Depot in Ballymena, County Antrim, Northern Ireland

Yorkshiremen are seen in 1956 posing for a group photo before they entered the armed forces for their National Service

Yorkshiremen a posing for a group photo before they entered the armed forces 1955
A group of national servicemen in the canteen at their barracks, November 1954

A group of national servicemen in the canteen at their barracks, November 1954

Swansea Town and Wales international footballer Cliff Jones serving his National Service at with the Kings Troop Royal Horse Artillery regiment of the British Army. Here he is having his rifle inspected at the St John's Wood barracks, October 14, 1957

Swansea Town and Wales international footballer Cliff Jones serving his National Service at with the Kings Troop Royal Horse Artillery regiment of the British Army. Here he is having his rifle inspected at the St John’s Wood barracks, October 14, 1957

Recruits are seen taking part in an assault course in 1955 after being called up for National Service

Recruits taking part in an assault course in 1955

The last recruits entered the armed forces in November 1960, with their service coming to an end in 1963.

The last man to be discharged was Second Lieutenant Richard Vaughan of the Royal Army Pay Corps, who departed on June 14, 1963.

Ms Mordaunt enthusiastically endorsed the blueprint for the new National Service-style scheme yesterday in an article for the Telegraph, saying it would foster the ‘goodwill and community spirit, energy and imagination’ of teens.

She also insisted it could promote ‘good mental health and resilience’ after the upheaval of the Covid crisis.

Addendum – Around the World

Britain 1945–1962

  • Name: National Service (post‑WWII call‑up)
  • Period: Men born from 1927–1939 were called; effective peacetime service formally ran 1947 to 1960 for new call‑ups, with final discharges in 1963 (legal end often cited as 1960–62 depending on measure). (Double‑check exact administrative end dates for your footnote.)
  • Age at call‑up: typically around 18–20 (varied).
  • Length of service: initially 18 months (later raised to 2 years during Korean War era, then cut back to 18 months by the 1950s).
  • Exemptions/deferrals: students, those in reserved occupations, medical unfitness, and conscientious objectors (who faced tribunals and could receive civilian or non‑combatant service).
  • Context: early Cold War, Korean War, decolonisation operations; political consensus for a peacetime force to meet global commitments. Abolished as Britain moved to a smaller professional army and as political pressure mounted against peacetime conscription.

Comparative snapshot: selected Western & allied countries (1945 → present)

Note: “Present” means status as of mid‑2024 unless otherwise noted. Please ask if you want this converted into a formal table with citations.

France

  • Post‑1945 pattern: Mandatory service re‑established after WWII; heavily used during the Indochina and Algerian wars.
  • Length: historically 18–28 months at various times.
  • End/suspension: Standing conscription ended in 1996 (President Chirac suspended the appel). France shifted to a professional army; short mandatory civic training (Journée Défense et Citoyenneté) remains.
  • Notes: Algeria and decolonisation had big effects on French policy and public debate.

Federal Republic of Germany (West Germany) / GDR (East Germany)

  • West Germany (FRG): Introduced conscription in 1956 (Bundeswehr). Length and rules changed over decades. Suspended in 2011 (modern Bundeswehr since then volunteer‑based; conscription remains in law but de facto suspended). Alternative civilian service existed.
  • East Germany (GDR): Conscription existed until German reunification in 1990.
  • Notes: Reunification led to integration and later suspension in unified Germany.

Italy

  • Post‑1945: Universal conscription throughout Cold War.
  • End/suspension: 2005 (Italy moved to an all‑volunteer force).
  • Notes: Length and structure varied; alternative civilian service for conscientious objectors established in the 1970s.

Spain

  • Post‑Franco transition: Conscription continued during Francoist era and into the transition.
  • End/suspension: Abolished in the early 2000s (commonly cited as 2001), moving to a professional force.

Netherlands

  • Post‑1945: Conscription kept for Cold War.
  • Status: Compulsory service suspended in 1996 (military became professional; registration obligations remain in law).
  • Notes: Like many NATO states, transitioned in the 1990s.

Sweden

  • Post‑1945: Long tradition of universal conscription.
  • Suspension and reintroduction: Suspended in 2010, reintroduced in 2017 (partial, gender‑neutral selective conscription) in response to regional security concerns.
  • Notes: Good example of 21st‑century reintroduction.

Norway

  • Status: Conscription continued after WWII and remains active; Norway extended recruitment to women (practical gender‑neutral service).
  • Notes: Nordic model with broad reserve obligations.

Finland

  • Status: Conscription has been continuous since WWII and remains active; long service and comprehensive reserves are central to defence doctrine.
  • Notes: Key example of a small state with universal conscription for territorial defence.

Switzerland

  • Status: Active conscription for men with militia model; long tradition dating well before 1945 and continuing to present.
  • Notes: Extensive reserve system; alternative service exists.

Greece

  • Status: Conscription has persisted; length and requirements have varied but it remains active (security focus with Turkey as contextual factor).
  • Notes: Frequently among the longer service lengths in Europe.

Turkey

  • Status: Mandatory military service continues; important political and social role.
  • Notes: One of the larger countries with longstanding conscription.

Israel

  • Status: Conscription active and central to society (included here though not in “Western Europe”).
  • Notes: Universal for men and women; unique labour/defence mix.

United States

  • Post‑1945: Draft (Selective Service) used during Korea and Vietnam (peacetime draft active through early 1970s).
  • End/suspension: All‑volunteer force established in 1973; Selective Service registration remains mandatory for men (no draft since 1973).
  • Notes: US is important precedent for transition to volunteerism.

Canada

  • Post‑1945: Canada did not maintain peacetime conscription after WWII (it had conscription in WWII and limited measures in WWI). No peacetime universal conscription for most of the Cold War.
  • Notes: Canada used volunteers and reserves; National Service not used after WWII.

Australia

  • Pattern: Australia used selective/periodic national service schemes post‑1945: e.g. conscription for Korean War era? (there were early 1950s programmes) and notably 1964–1972 conscription for the Vietnam War (National Service Scheme) — abolished in 1972.
  • Status today: All‑volunteer force.
  • Notes: Australia shows intermittent use tied to specific conflicts and governments.

New Zealand

  • New Zealand’s post-1945 conscription story is short and quite different from Britain’s or Australia’s. Compulsory military training (CMT) existed during the war; at the end of WWII, conscription was wound down but not entirely abandoned.
  • In 1949, New Zealand reintroduced Compulsory Military Training for men aged 18–26. This wasn’t the same as Britain’s two-year full-time National Service — instead, recruits did a few months’ full-time training (initially 14 weeks), followed by years in the reserves with annual camps. New Zealand’s 1949–1958 scheme was short-term training + reserves rather than Britain
  • Korean War period: CMT supplied trained reservists but no direct mass call-up for the Korean front; active service was still voluntary.
  • Abolition: The peacetime CMT scheme was abolished in 1958 by the Labour government (Walter Nash PM), in part due to cost and a belief that a small professional army plus reserves would suffice.
  • Later conscription: No peacetime conscription after 1958. During the Vietnam War, New Zealand’s forces were all-volunteer (unlike Australia’s mixed volunteer/conscription model).
  • Current status: No conscription; military is all-volunteer.

Cross‑cutting themes & political context

  1. Cold War & immediate post‑war security environment — NATO, Warsaw Pact, and decolonisation shaped demand for mass armies in 1940s–1960s.
  2. Colonial wars and conscription politics — France (Indochina/Algeria) and Britain (Malayan Emergency, Suez, later emergencies) faced public controversy and political consequences.
  3. Economic costs vs. professionalisation — By the 1990s many democracies shifted to volunteer forces to improve quality, reduce political resistance, and cut costs; the end of the Cold War accelerated this.
  4. Social effects & demographics — Education deferments, social class effects, and the experience of the working class vs. middle class; conscription often politicised by student movements (e.g., US/Vietnam).
  5. Conscientious objection & alternatives — Growth of legal alternatives, tribunals, civilian service provisions from the 1950s–1980s onward.
  6. Reserves, mobilization policy & territorial defence — Nordic and Swiss models retained conscription because of territorial defence doctrines; small states with perceived existential threats (Finland, Israel, Greece, Turkey) kept universal systems.
  7. Gender & conscription — Mostly male‑only until the 21st century; some states (e.g., Norway) expanded to gender‑neutral service in recent years.
  8. Legal suspension vs. abolition — Some countries (Netherlands, Germany) suspended conscription or kept the law on the books; others formally abolished it.

The USSR and the Warsaw Bloc (1945–1991)

The Soviet bloc had a very different conscription story to that of Western democracies, both in duration and in the political role of the draft. Here’s a condensed but detailed overview for the USSR, post-Soviet Russia, and Eastern Europe from 1945 to present:

  • Status: Universal male conscription was a central feature of Soviet defence. It had existed since before WWII and continued uninterrupted until the USSR dissolved in 1991.
  • Length:
    • Immediately after WWII: usually 3 years in the army, longer in the navy.
    • Reduced slightly in the late 1950s–60s (Khrushchev era) to about 2 years army / 3 years navy, which remained the basic Cold War standard.
  • Scope: All able-bodied men aged roughly 18–27; women could be drafted in wartime but were not subject to peacetime call-up.
  • Exemptions: Health grounds, some students (especially in priority fields), certain ethnic minority exemptions in early post-war years.
  • Role:
    • Central to the USSR’s massive standing force, supporting Warsaw Pact commitments.
    • Ideological as well as military — military service was seen as a key Soviet citizenship duty.
  • Notes: Discipline was often harsh, with hazing (dedovshchina) a chronic problem; conscripts served both in domestic garrisons and abroad (e.g., Eastern Europe, Afghanistan).

Post-Soviet Russia (1991–present)

  • 1990s: Conscription continued under the Russian Federation; legal term reduced in the 2000s from 2 years to 1 year (army) under reforms completed around 2008.
  • Exemptions/avoidance: Student deferments remain; draft evasion became common in the 1990s/2000s due to unpopular wars (Chechnya).
  • Current status: Conscription still active (as of 2024); men aged 18–30 serve 1 year. In wartime (e.g., Ukraine 2022–), the Kremlin has also mobilised reservists and in some cases extended service.
  • Differences from USSR: Smaller total force, more reliance on contract soldiers (kontraktniki), but conscription is still a key manpower source.

Eastern Europe – Warsaw Pact members (1945–1991)

  • General pattern: Every Warsaw Pact state maintained conscription for men during the Cold War; service length typically 18–36 months.
  • Common features:
    • Universal or near-universal male service, with medical and limited educational exemptions.
    • Conscripts formed the backbone of armed forces aligned with the USSR.
    • Political indoctrination part of military training.
  • Examples:
    • Poland: 2–3 years service until 1980s; some reductions late in the Cold War.
    • East Germany (GDR): Introduced conscription in 1962 (before that it was nominally voluntary); 18 months army service; alternative service existed from 1964 (construction units for conscientious objectors).
    • Czechoslovakia: 2 years for most of the Cold War; universal male service.
    • Bulgaria, Hungary, Romania: 18–24 months typical; service deeply integrated into socialist “citizen duty” ideology.

Post-1991 – Eastern Europe after communism

Ended or suspended conscription (most NATO-aligned former Warsaw Pact states)

  • Poland: Suspended 2009 (professional force; registration remains).
  • Czech Republic: Suspended 2005.
  • Slovakia: Suspended 2006.
  • Hungary: Suspended 2004.
  • Romania: Suspended 2007.
  • Bulgaria: Suspended 2008.

Retained or reintroduced conscription

  • Estonia, Latvia, Lithuania:
    • Lithuania suspended in 2008, reintroduced in 2015 due to Russian aggression in Ukraine/Crimea.
    • Estonia and Latvia have maintained or reintroduced forms of conscription (Latvia restarted in 2023).
  • Belarus: Maintained continuous conscription (close Russian ally).
  • Ukraine: Maintained conscription post-1991; partially suspended in 2013, reinstated in 2014 after Crimea; now fully mobilised for war.

Key contrasts with Western Europe/Britain

  • Longevity: USSR and its satellites kept conscription far longer, with no 1960s/70s abolition wave seen in Western Europe.
  • Purpose: In the East, conscription was linked not just to military manpower but to political indoctrination and socialist identity.
  • Transition after 1991: Most former Warsaw Pact states that joined NATO abolished conscription by the late 2000s, while Russia and some post-Soviet states retained it.
  • Resurgence: Some Eastern states (Baltics, Ukraine) have reintroduced or strengthened conscription due to perceived Russian threat — a trend not mirrored in Western Europe except in Sweden.

Key comparative themes

  1. Duration & timing: Britain’s National Service was a comparatively short post‑war peacetime draft (roughly late‑1940s → early‑1960s) vs. the Soviet bloc’s continuous Cold War conscription and the patchwork Western transition to volunteerism from the 1970s–2000s.
  2. Purpose & doctrine: Western shifts towards professional forces were driven by expeditionary/NATO interoperability, cost/quality debates and changing public opinion; Eastern conscription prioritized territorial mass, political control and bloc commitments.
  3. Colonial/operational effects: Colonial wars (France, Britain) made conscription politically salient; in contrast, Moscow used conscripts for garrisoning client states.
  4. Political contestation & social impact: Student movements, anti‑war activism (Vietnam, Algeria, late‑1960s), and changing labour/economic expectations shaped abolitionist pressure in the West; in the East, conscription was harder to contest publicly under single‑party regimes.
  5. Resurgence & selective reintroduction: Recent security shocks (Russia’s actions 2014–present) have prompted reintroduction or reinforcement of conscription in parts of Eastern Europe; Sweden’s 2017 reintroduction demonstrates the flexible, security‑driven character of modern conscription policy.
  6. Legal suspension vs formal abolition: Some countries suspended conscription (kept the law on the books) while others formally abolished it — an important distinction when discussing future reintroduction.

The phantom of liberty … the paradoxes of conservatism

Economist and commentator Henry Ergas wrote in The Australian recently: “With the Trump revolution wreaking havoc on conservative movements worldwide and the election rout leaving Liberals stunned, Australian conservatism faces an identity crisis it no longer can afford to ignore. Understanding its divergence from overseas traditions is vital to recovering and redefining the distinctive voice it needs to deal with the latest threat to its existence.”  I have repolished it below.
Personally, I find the crisis in contemporary conservatism, particularly as it pertains to Australia politics, fascinating. Here it is in danger descending into a culture of grievance and of populism (- defined as the quest for simple solutions to complex problems).

These fast-moving times are shaky ground for the creed. People are losing faith in institutions; the church no longer has moral influence; the social norms that once tied the community together are changing at lightning speed. Even many within what can be classified as the centre-right acknowledge  what might be described as the conservative movement is apparently on the back foot, scrambling to define itself by what it opposes rather than what it believes, plagued by self-doubt and confusion as to what to believe what to stand up for.

As younger voters in the Anglo-sphere veer away from conservative parties, old warhorses and young fogeys, an incongruous, anachronistic cabal of reactionaries if ever there was one, desperately seek relevance and comfort as they endeavour to beat back what they see as the rising tide of progressivism and the proliferation of what they condemned as “woke” – a portmanteau word for whatever that dislike and disdain in politics and society’s at large.

“Conservatism” is an intriguing concept. It can broadly be translated as “traditional” values, and can embrace a varied spectrum of “isms”, including authoritarianism, hierarchy, nationalism, nativism and ethnocentrism, and also, en passant, religiosity, homophobia, and indeed, anything deemed antithetical to the old, tried and true ways. In a general sense, it has gained traction across much of the world as people yearn for order and stability and belonging and identity that western-style liberalism with its ecumenical emphasis on identity, equity and diversity cannot satisfy. Many highlight what they see as to the erosion of national institutions, of Western culture and even morality itself. Some advocate a national conservatism that hold nations to be distinctive and to seek to protect this distinctiveness.

It is in essence an atavistic worldview, one which harks back to the ways of thinking and acting of a former time and a yearning for “la recherche du temps perdu”. In its modern manifestations, it is in many ways a belligerent, intolerant creed, quite distinct from the late 18th century English parliamentarian Edmund Burke’s benchmark conservatism, namely the preservation of principles of the past which emerge from “the nature of things by time, custom, succession, accumulation, permutation and improvement of property”, and in which institutions and customs were rendered sacred by longevity and continual use. The comfort of continuity, in fact.

And it is different to what perennial Australian prime minister Robert Menzies was alluding when he formed the Australian Liberal Party in 1945: “a healthy and proud sense of continuity, is one of the greatest steadying influences and a superb element of sanity in a mad world… “ in his Forgotten People speech of 1942, he invoked homes material, homes human and homes spiritual – the homes humans can live in and where families can be enriched spiritually – rather than the merits of some cold ideology. It was a uniquely reassuring doctrine for homely, ordinary folk opposed to change or frightened by it.

In his essay, “Why I Became A Conservative“, the late British philosopher Roger Scruton wrote that the romantic core of the creed was the search for the “lost experience of home”, the dream of a childhood that cannot ever be fully recaptured, but can be “regained and remodelled, to reward us for all the toil of separation through which we are condemned by our original transgression”. At the heart of conservatism, in other words, is love: love for things that exist or existed and must be saved.

In his introduction to A Political Philosophy, Scruton wrote: “the conservation of our shared resources — social, material, economic and spiritual — and resistance to social entropy in all its forms”. His conservatism was, above all, conservationist: constant care for institutions, customs, and family. His debt to Edmund Burke: society is a contract between the living, the dead and the unborn; a “civil association among neighbours” is superior to state intervention; “the most important thing a human being can do is to settle down, make a home and pass it on to one’s children”.

There is something quite benign about these concepts of conservatism. In stark contrast, conservatism that is gaining traction in many countries, particularly in eastern Europe, but also on the MAGA movement in the United States and on the far-right in Western Europe and also, Australia is a cold, atavistic and embittered beast. Populist in its nature, it appeals primarily to those who favour the reassuring hand of a paternal authority figure who is able to promise those aforementioned simple solutions to the modern world’s bewildering array of complex problems. Freethinkers, individuals, and all of heterodox opinions and practices, political, social, biological or spiritual – beware!

© Paul Hemphill 2025. All rights reserved

Disclaimer: the only thing this post has to do with Spanish director Luis Buñuel’s 1974 surrealist comedy drama Le Fantôme de la liberté is its title, although like the film, it challenges pre-conceived notions about the stability of social mores and reality.

See also in In That Howling Infinite, A Political World – thoughts and themes

Existential dilemma: the great conservative split

With the Trump revolution wreaking havoc on conservative movements worldwide and the election rout leaving Liberals stunned, Australian conservatism faces an identity crisis it no longer can afford to ignore.

Henry Ergas and Alex McDermott, The Australian 10 May 2025

The Trump revolution is wreaking havoc on conservative movements worldwide. Artwork: Frank Ling

In the aftermath of last weekend’s devastating election loss it is easy to write off conservatism in Australia. This wouldn’t be for the first time. As historian Keith Hancock observed in Australia (1930), conservative, in this country, has always been a term of abuse, implying that its target is an out-and-out reactionary.

There is nonetheless a profound paradox. Although conservative may be a term of abuse, Australian politics has long had a marked conservative vein, even as its chief protagonists have studiously avoided the descriptor. A hardy perennial, with a distinctive voice that contrasts with overseas conservatism, the conservative instinct in Australia has run deep, dominating federal politics for decades – and recovering, time and again, from setbacks that had been claimed to foreshadow its demise.

Now, however, with the Trump revolution wreaking havoc on conservative movements worldwide and the election rout leaving Liberals stunned, Australian conservatism faces an identity crisis it no longer can afford to ignore. Understanding its divergence from overseas traditions is vital to recovering and redefining the distinctive voice it needs to deal with the latest threat to its existence.

US President Donald Trump and Vice-President JD Vance. Picture: AP

US President Donald Trump and Vice-President JD Vance. Picture: AP

In part, that identity crisis reflects the factor that has made for conservatism’s enduring success: its infinite adaptability. Indeed, the term defies easy definition, just as the groups to which it has been applied defy ready categorisation, making the conservative identity inherently labile.

As Paul de Serville, a historian of Australian and British conservatism, has observed, every party that has emerged to represent conservatism’s interests and beliefs across the past 350 years “is a study in contradiction between opposing traditions and schools of thought”.

Even its founding parent, the movement that eventually became the Conservative Party in Britain, has “died or lain dormant” numerous times, split at least twice, and never settled on any singular set of policies, ideas and beliefs. Its capacity to incorporate diverse elements has in fact been one of its defining qualities. After all, “what other party has elected a Jewish novelist (Disraeli) to lead a group of wordless squires? Or a grocer’s daughter (Thatcher) to rule a sulky band of Tory Wets?”

But beneath the shifting terrain of cultural and political battlegrounds, there are in British conser­vatism some identifiable commitments. Originally, the commitment was above all to tradition. Born in the turmoil of the English civil war, the Tories (a term derived from the Middle English slang for outlaw) stood for loyalty to the Church of England and the crown. Unapologetic royalists, their clergy defended the church against the Puritans while stressing the values of family, home and nationhood. Over time, however, the primary emphasis of British conservatism changed into a commitment to the virtue of prudence.

Often associated with a sense of human limitations and the impossibility of achieving utopia, British conservatism became the embodiment of a Western intellectual tradition that extends back at least as far as St Augustine.

Former British Prime Minister Boris Johnson picture in 2019, led a populist style Conservative Party. Picture: AFP

Former British Prime Minister Boris Johnson led a populist style Conservative Party. AFP

Conservatism in the US had a starkly different origin and trajectory. Far from being a reaction to the threat of change, it was a by-product of the American Revolution’s fight against the crown. Initially, what it sought to conserve was the ideal of a “mixed constitution” whose myriad checks and balances could prevent the development of an overmighty state. That coexisted with the agrarian conservatism of the south that feared, above all, the centralism that might abolish slavery and privilege northern manufacturers over southern primary exporters. Together, those foundations fuelled the development of a staunchly conservative, often highly formalistic legalism whose power – unrivalled in any other Western country – grew with the ascendancy of the Supreme Court.

But as early as the 1820s that version of conservatism faced a powerful challenge from Andrew Jackson’s radical populism. Jacksonian populism had more than its fair share of incoherence but its grassroots pugnacity spawned one of US politics’ most enduring and certainly most distinctive notions: the spectre of a “deep state” that was liberty’s greatest enemy.

Permeated by a Manichean friend-enemy dynamic that distinguishes what American historian Richard Hofstadter famously called the “paranoid style” in US politics, the Jacksonians portrayed the federal government as far worse than overbearing: having been hijacked by the enemies of the common man, it was an actively malevolent force hiding behind the facade of law and order. Only by dismantling it could freedom be preserved.

Former US President Andrew Jackson. Jacksonian populism spawned one of US politics’ most enduring and distinctive notions: the spectre of a ‘deep state’. Picture: News Corp

Former US President Andrew Jackson

The Jacksonians left a deep imprint on the American right and most notably on its rhetoric, but they never entirely conquered the field. The somewhat rigid constitutional conservatism that had preceded Jacksonianism survived and, inspired by intellectual leaders such as Supreme Court associate justice Antonin Scalia, flourished.

At the same time, many other varieties of conservatism appeared and at times reappeared after having gone into abeyance.

For instance, Vice-President JD Vance’scommitment to an intensely moralistic vision of politics – that privileges honest labour over endless consumption, security at home over adventures overseas, family and local community over wider notions of society – renews a Catholic tradition that had waned as the ethnic communities that were its original bearers assimilated into the American mainstream.

Vice-President JD Vance’s commitment to an intensely moralistic vision of politics renews a Catholic tradition that had waned. Picture: AFP

Vice-President JD Vance

In that sense American conservatism was always as mutable, open-ended and diverse as the US itself. But for all of that diversity, the nature of the presidential contest periodically forced its differing elements to coalesce around a leader who somehow embodied the spirit of the times.

Seen in that perspective, Donald Trump’s ascendancy reflects the triumphant resurgence of the movement’s radical populist streak.

As with all populisms, Trump’s message jumbles together contradictory, even irreconcilable, components. But it isn’t intended as a coherent intellectual project – it is not a politics of ideas that Trump pursues but of emotive response and instantaneous impact.

Even less is it a politics of cautious pragmatism, as was the conservatism of Republicans George HW Bush or John McCain, who also channelled one of American patriotism’s many styles. And least of all is it, like Vance’s, a politics of high moral purpose. Rather, it is a politics of personal power, deployed, often arbitrarily, to purposes that can change unpredictably from day to day.

That it is not to deny that there runs through Trump’s project American conservatism’s golden thread: the goal of restoring what his supporters view as the freedoms that were the original promise of the American founding and, later, the American Revolution.

But much as was the case with the Jacksonians, that goal is to be achieved by demolishing existing institutions, which are cast as having betrayed the original promise, rather than through their cautious reform. Trumpism’s intensely antinomian character is starkly antagonistic to the American tradition of constitutional conservatism, which is why a number of unquestionably conservative scholars are challenging the administration’s actions in the courts. At the same time, its messianic quality, imbued with visions of future glory, breeds a fanaticism entirely alien to the British conservative tradition.

Trumpism breeds a fanaticism entirely alien to the British and Australian conservative tradition. Picture: AFP

Trumpism breeds a fanaticism alien to the British and Australian conservative tradition. AFP

It is entirely alien to the Australian conservative tradition too. Here the greatest difference lies in the fact the Australian political ethos has not seen the state as the enemy, much less as a malignant force. It has been regarded instead as a tool to be effectively used to benefit the people and help them flourish.

That difference from the US has profound historical roots. America’s initial European settlement occurred in the 1600s, a period distinguished in Britain by what became known as the “Old Corruption”. Government offices were chiefly sinecures, officially apportioned rackets for personal gain, propping up an oligarchy whose favours were openly for sale.

In contrast, European settlement in Australia and New Zealand began as sweeping reforms to Britain’s system of government were taking hold. For the first time it was becoming possible to treat the government as a utility, dispensing valued benefits, rather than as a lurking predator. Colonial governors’ administrations, while not without their own rackety aspects, were shaped by changes reducing royal patronage and improving government accountability. As Australian historian John Hirst argued, that laid the seeds of an enduring respect for impersonal authority, exercised, at least in theory, in the pursuit of prosperity and good order.

There were, for sure, periodic outbreaks of radical opposition. But the Australian approach was almost always to absorb the conflict by institutionalising its protagonists. Embedding the agitators within the system they were fighting against, that solution traded moderation for tangible gains.

For example, violent class war and mass strikes in the 1890s Depression culminated in the birth of the ALP as an official parliamentary party, changing laws and winning government. Later, the Arbitration Court became run largely by what had been the warring parties – the infamous “industrial relations club”, as columnist Gerard Henderson called it. In exchange for prestigious sinecures, the former enemies descended into what Hancock derided as a “pettifogging” legalism that suffocated the radicals.

Equally, landless gold-diggers demanded the squatters’ leases be ripped up, and stormed Victoria’s parliament in the 1850s. The Land Selection Acts in the subsequent decades established a regional population of often struggling farmers whose 20th-century political incarnation took the form of country parties.

Those parties not only secured “protection all round” in the 1920s, along with significant direct subsidies; they also ensured the establishment of marketing boards to which party worthies were invariably appointed. And much the same could be said of the Tariff Board, which shaped manufacturing protection for decades.

The corollary of that solution was a particular type of conservatism. Yes, in the early years of settlement there had been “real” conservatives of the Tory variety. But when self-government began, they were rudely jostled aside. Australian conservatism would not draw its strength from them.

It was instead the middle class that provided the dominating motifs of enduring Australian conservative strength. It isn’t difficult to understand why. The “workingman’s paradise” was a place where ordinary settlers and working men could get ahead, not rags-to-riches style, as the American dream pitched it, but enough to acquire comfort, leisure and independence.

Australian wages had been essentially the highest in the world since first settlement and the political victory of liberalism, which occurred during the 1850s gold rushes, ensured free markets and social mobility. To become an independent small business owner, to own your own home, to provide for your family, your children – this was the dream, and in Australia they by and large found it.

The conservatism that resulted from that success story incorporated the liberal beliefs and practices that proved so decisively triumphant in the colonial context. Historian Zachary Gorman observes that liberalism’s 19th-century victory in Australia was so comprehensive it became “less of a clear agenda and more of a pervasive political culture”. No longer conservatism’s upstart challenger as in Britain, liberalism here almost instantaneously became the established mainstream – it became what needed to be protected, as well as what conservatives sought to conserve.

Australian conservatism, then, sprang not out of reverence for the past or social hierarchy but from attachment to the enjoyments and freedoms of ordinary life that the most liberal polity in the world encouraged to flourish. It kept faith with ordinary experience and the socially durable values of an open society.

It soon came to shape the whole of the centre-right, underpinning both the twin liberal traditions of early 20th-century Australian life – the neo-Gladstonian free trade liberalism typified by NSW’s Henry Parkes, George Reid and Joseph Carruthers and the Deakenite liberalism protectionist Victoria championed.

More pragmatic and willing to innovate than, say, Britain’s Home Counties conservatism, Australian conservatism was dispositional rather than traditionalist – as a byproduct of urban, aspirational, middle-class Australia, generally inspired by the hope of improvement, it had no difficulty accommodating an uninterest in the past. The attachment to steady improvement was the important thing.

Robert Menzies’ pitch in his justly famous “Forgotten People” broadcast in 1942 captures this spirit perhaps better than any other significant Australian political testament. In it Menzies speaks directly to the attachment to the home and the family as the cornerstone of the “real life of the nation … in the homes of people who are nameless and unadvertised, and who … see in their children their greatest contribution to the immortality of their race”.

Accompanying that emphasis on home and family is a classically conservative sense of continuity.

“It’s only when we realise that we are a part of a great procession,” Menzies declared in laying the foundation stone of the National Library of Australia two months after he retired in March 1966, “that we’re not just here today and gone tomorrow, that we draw strength from the past and we may transmit some strength to the future.”

Across several decades of political leadership Menzies’ speeches pulsed with phrases that exemplified this disposition. His governments have been “sensible and honest”. He speaks “in realistic terms”, sustained “by an unshake­able belief in the good sense and honesty of our people”.

It was the constant undercurrent of hope and aspiration that gave Robert Menzies’ conservatism its distinctive flavour. Former PM Robert Menzies is pictured in 1941. Picture: Herald Sun

 Former PM Robert Menzies is pictured in 1941. Picture: Herald Sun

Yet this stress on continuity in Menzies’ rhetoric complemented rather than contradicted a commitment to what he referred to as “solid progress”. This country was a settler society built by successive waves of migrants; since its earliest days, its life had been saturated with optimism: Australia, said Menzies, was “our young and vigorous land”, still embarking on its glad, confident morning.

It was the constant undercurrent of hope and aspiration that gave Menzies’ conservatism its distinctive flavour, making it more explicitly geared to the confident expectation of future possibility than its European or American counterparts.

And it was precisely because it was so oriented to progress that the term conservative was generally avoided by the movement he forged, even as a conservative disposition bubbled along beneath its immediate surface, and was mirrored in electoral preferences of voters – not simply by voting right of centre but by giving governments a second term even if their first had been somewhat disappointing, and by regularly knocking back proposed constitutional changes.

However, those two elements – continuity and change – were uneasy bedfellows: continuity could, and eventually did, act as an obstacle to indispensable change.

The institutionalisation of conflict through entities such as the arbitration tribunals and the Tariff Board had, for decades, moderated conflict – but only at the price of inefficiencies that became ever more unsustainable as the world economy globalised in the 1970s and 80s. At that point, Australian conservatism entered into a prolonged crisis, torn between the deeply embedded value of caution and the equally strong value of adaptation.

It was easy to repeat Edmund Burke’s axiom that “A state without the means of some change, is without the means of its own conservation”; but effecting sweeping change without destroying the party’s unity was of an entirely different order of difficulty.

Nothing more clearly highlighted the dilemma than Liberal leader John Hewson’s Fightback – a call to arms that was as close as the movement ever came to a truly Thatcherite policy revolution. Its failure had many causes but one was the complete absence of the sense of continuity and stability that has always been dear to the Australian middle class.

It lacked, too, the high Gladstonian moral clarity that Margaret Thatcher articulated in her heroic campaign to reverse Britain’s slide to socialised mediocrity. In fact, Thatcher’s argument for the moral basis of capitalism had far more in common with Menzies’ creed of “lifters not leaners” than with Hewson’s “economic rationalism”.

Former British PM Margaret Thatcher addresses an election rally for Conservative Party leader William Hague in 2001. Picture: AP

Former British PM Margaret Thatcher2001. Picture: AP

What was needed was a new synthesis. As Menzies had, John Howard, the first Liberal leader to actively identify himself as a conservative, provided it.

Nigel Lawson, who served as the Thatcher government’s most consequential chancellor of the exchequer, once commented that whereas “Harold Macmillan had a contempt for the (Conservative) party, Alec Home tolerated it, and Ted Heath loathed it, Margaret (Thatcher) genuinely liked it. She felt a communion with it.” Exactly the same could be said about Howard: his scrupulous respect for his party’s traditional ethos helped him succeed for as long as he did.

That is not to deny that Howard at times pursued dramatic change – a GST, industrial relations reform, gun ownership – but the approach was rarely radical in style, much less revolutionary in tone. It is telling that the one reform that failed was Work Choices, which went furthest in dismantling existing institutions. And it is telling, too, that subsequent Coalition governments tinkered with the arrangements Labor put in its place rather than seeking their wholesale removal.

Now the synthesis Howard forged between conservation and change is yet again under extreme stress. So, too, are its electoral foundations, as the bases of politics undergo a profound transformation.

Because of Australian conservatism’s pragmatic nature, marshalling broad alliances against those forces and movements that endanger the foundations of the polity has always been its signature approach. Finding some common ground among its constituents, each of those alliances combined the shared opposition to an adversary with a positive program based on overlapping, if not entirely shared, values. The way Liberals, free-traders and protectionists alike rallied alongside Conservatives when threatened by a new common enemy, the ALP in the early 20th century, is a classic example.

John Howard pictured in 1996 after claiming victory for the Coalition. His scrupulous respect for his party’s traditional ethos helped him succeed for as long as he did. Picture: Michael Jones

John Howard pictured in 1996 after claiming victory for the Coalition. Picture: Michael Jones

However, the dominant force in contemporary politics is fragmentation: the centrifugal pressures that make coalitions hard to assemble but easy to destroy have become ever stronger as social media and identity politics shatter politics’ traditional alignments.

The centre-right is far from being immune from those tendencies, as the emergence of the teals shows. And they are compounded by the pressures of Trumpian populism, which is as hostile to the compromises coalition-building entails as it is to inherited institutions. The only coalitions Trumpism can forge are those that aggregate resentments: against the arrogance of the “progressives”, the abuses of power that occurred during the pandemic, the perception that common values are denigrated and despised.

To use a phrase American constitutional lawyer Greg Lukianoff and social psychologist Jonathan Haidt coined for the left, Trumpism’s dominant mode of action is “common-enemy politics”, with the adversary being the principal factor unifying its disparate parts. There are no shared values, nor any shared aspirations; the glue comes from shared hatreds.

But intransigent oppositionalism is no basis for a viable politics. Regardless of what Trump’s Australian acolytes believe, its transposition to this country would make for a future of repeated failure.

Rather, for a broader alliance to be possible again, a new synthesis is needed. Australia’s two greatest prime ministers, Menzies and Howard, suggest the way. Both exemplified a social conservatism that drew from the distinctively Australian emphasis on the conservative temperament over and above distinctive philosophical creed. Both forged a synthesis that combined an attachment to liberal principles with a commitment to large-scale changes needed to underwrite prolonged prosperity and progress.

Now, after the rout of last weekend’s election, that synthesis desperately needs to be redefined.

In the end, politics is about argument and arguments are about ideas. When politics seems so entirely bereft of them, Australian conservatives have no choice but to think again.

Henry Ergas is a columnist with The Australian. Alex McDermott is an independent historian.

Al Stewart’s Soho (needless to say …)

Soho feeds the needs and hides the deeds, the mind that bleeds
Disenchanted, downstream in the night
Soho hears the lies, the twisted cries, the lonely sighs
Till she seems lost in dreams
Al Stewart, Soho (needless to say) (1973)

Whenever I recall London’s Soho in the sixties, I always think about my bedsitter days in the city in the early seventies and also, British singer-songwriter Al Stewart’s over-orchestrated but quite excellent debut album of 1967, Bedsitter Images. 

My bedsitter images

My bedsitter images

You could say that I knew Al Stewart’s London ‘ere I first knew London. I bought the album when, as a sixth former, I first saw him perform at the famous Jug o’ Punch folk club in Digbeth, Birmingham, run by The Ian Campbell Folk Group.  I’d go there regularly with my schoolmates – we saw some great singers, including a young Joni Mitchell in the summer of 1968 – it was love at first sight, and I bought her first album there too: Songs from a Seagull). Al may have autographed his record – I can’t recall. It was stolen from my bedsit room in Reading in 1970 along with many of my favourite discs – including that one of Joni’s.

Maybe it’s about what here in Australia – borrowing from our indigenous compatriots – we might call “spirit of place”: the association with the streets within a hop, skip and an amble from Old Compton Street out into Shaftsbury Avenue and that bookshop in Charing Cross Road, the opening verse of the second track Swiss Cottage Manoeuvres, and that flat in Swiss Cottage, a suburb I used to frequent in the seventies when several of my friends lived there. You can listen to the whole of album below.

In a trawl through my back pages (OK! Enough with the Bob Dylan already!), wrote of my early encounters with Soho:

”As a sixth former, I’d often hitch to “swinging” London for the weekend, to explore the capital and visit folk and jazz clubs, kipping in shop door-ways and underground car parks under cardboard and napping wrapped in newspapers, and eating at Wimpy bars and Lyons teas houses”.

And naturally, I discovered Soho, a bright, colourful and disreputable warren of narrow streets behind the theatre-strip of Shaftesbury Avenue, with its mix of cafés, trattorias, delicatessen, book shops and strip clubs – and Carnaby Street, internationally famous by then as the fashion mecca and the “place to be” of “Swinging London”.

“… the motorway from Birmingham to London was a road well-traveled. In my final year at Moseley Grammar, I’d often hitch down to London for a weekend with pals who’d gone there before. We’d hang out at cheap and cheerful Pollo’s Italian restaurant in Old Compton Street in Soho and the Coach and Horses across the road, and go to Cousins folk and blues joint in a cellar in nearby Greek Street, and the 101 Jazz Club off Oxford Street. Bunjies folk cafè and Ronnie Scott’s jazz club were just around the corner. After a meal or a pint, I’d often catch the last tube to the end of the line closest to the M1. I can’t recall how many times I headed off into the night; and there were always drivers on the road at the witching hour. I guess many folks “get the urge for going”, as Joni sang back then, “and they had to go …” And in those generous times, people were happy to offer a lift to a wayfaring stranger – gentle souls who would not leave strays stranded by the dark wayside; lonesome folks seeking company and conversation in the dark night of the soul; curious people wondering why a young man would hitch the highways in the middle of the English night”. There’s more in  Ciao Pollo di Soho – the café at the end of the M1.

Pollo. The café at the end of the motorway

I saw a werewolf with a Chinese menu in his hand, walking the streets of Soho in the rain. Warren Zevon

There was something vicarious in ithe seedy, needy, greedy vibe of the priapic songs on Al’s follow up albums. An old friend and Al Stewart fanboy who has now passed on called them aural masturbation. Although there were many “love chronicles”, the title track of his second album, Al also wrote about melancholy middle aged suburban couples, historical events and more, with the odd foray into poetic mysticism, self-reflection, and also, nonsense. And some excellent instrumentals – he is an imaginative and flamboyant guitarist. My flat mates and I were all fans of Al back then, and went to most of his gigs when he played in London. Here’s one of our favourite ‘history’ songs:

In the early seventies, when a girlfriend started going out with Al, I actually got to know him for a brief while. Indeed, once, when he played in Birmingham Town Hall, me and a couple of pals drove up to my old hometown to see him, and after the show, invited him back to my folks’ place for a late night fry up. My mom reckoned he need fattening up. And afterwards, she and Al sat in the kitchen for a couple of hours talking about pop music. “I love Cat Stevens”, mom said. “Oh, I much prefer the Incredible String Band”, said Al. “Oh, they’re very weird, but Paul like them!” She said. Then they got talking about Mick Jagger. And my dad, in the sitting room, said to us others gathered there, and referring to Al’s stature, said “there’s not much to him is there!”. Strange but nice how you recall these little things. The folks have passed on a long time ago …


Afterthought – Clifton in the Rain

Whilst I always associate Al Stewart with London and Soho, my favourite song is set in a Bristol suburb. Released in 1970, it is gentle, lyrical, and paints a beautiful picture of English weather – and it features the gorgeous Jaqueline Bisset.

The rain came down like beads
Bouncing on the noses of the
People from the train
A flock of salty ears
Sparkled in the traffic lights
Feet squelched soggy leaves across the grain
I took my love to Clifton in the rain

And all along the way
Wanderers in overcoats with
Collars on parade
And steaming in the night
The listeners in the Troubadour
Guitar player weaves a willow strain
I took my love to Clifton in the rain

Jacqueline Bisset
I saw your movie
Wondered if you really felt that way
Do you ever fear
The images of Hollywood
Have you felt a shadow of its pain
I thought of you in Clifton in the rain

There’s a nice retrospective on the Troubadour Folk Club in Bristol here:

English actress Jaqueline Bisset

Something About London

Ciao Pollo di Soho – the café at the end of the M1

Wystan and Christopher’s excellent adventure

As evening fell the day’s oppression lifted
Far peaks came into focus, it had rained.
Across wide lawns and cultured flowers drifted
The conversation of the highly trained.
Two gardeners watched them pass and priced their shoes
A chauffeur waited, reading in the drive
For them to finish their exchange of views.
It seemed a picture of the private life.
Far off, no matter what good they intended
The armies waited for a verbal error
With all the instruments for causing pain
And on the issue of their charm depended
A land laid waste, its towns in terror
And all its young men slain.
Embassy, WH Auden, from Journey to a War

In 1938, English writers WH Auden and  Christopher Isherwood were commissioned by their publishers to write a travel book about the East. Auden was already established as one of Britain’s foremost poets whilst his friend and onetime lover Isherwood was acclaimed as an author and dramatist. His Berlin Stories, two novels set in the last days of the Weimar Republic and today acclaimed as classics of modern fiction; the semi autobiographical Goodbye to Berlin (1939) inspired the remarkable musical Cabaret (1966).

By adventurous choice they went to China for six months, their journey coinciding with Imperial Japan’s brutal invasion. American poet and educator Mildred Boie, reviewing the book for Atlantic in November 1939, takes up the story:  

“With the good fortune of famous and attractive young men they were helped and shown about by everybody from coolies to ambassadors, journalists to generals. They behaved, as they observed and wrote (to judge from the diary), with the engaging frankness and immaturity of English schoolboys, with the ingenious confidence and casual incompleteness of amateurs. But these qualities are inadequate for reporting war, for evaluating life and death in so desperate and disastrously complicated a country as China. The authors were not only amateurs as foreign correspondents, they were also dilettantes: they played at getting to the front, at taking notes on slums, at dashing from formal garden parties to meetings with intellectuals and busy military and diplomatic leaders. They suffered almost as much, certainly as consciously, from blisters, constipation, boredom, sleeplessness, and hangovers as from the shape of poverty, the taste of fear, the sight and smell of death. They were always safe, always outside.” 

Collectively, perhaps, we most resemble a group of characters in one of Jules Verne’s stories about lunatic English explorers. 

War is bombing an already disused arsenal, missing it and killing a few old women. War is lying in a stable with a gangrenous leg. War is drinking hot water in a barn and worrying about one’s wife. War is a handful of lost and terrified men in the mountains, shooting at something moving in the undergrowth. War is waiting for days with nothing to do; shouting down a dead telephone; going without sleep, or sex, or a wash. War is untidy, inefficient, obscure, and largely a matter of chance. 

On their safe return, the pair put together Journey to a War, travel book in prose and verse that was published in 1939. The book is in three parts: a series of poems by Auden describing his and Isherwood’s journey to China in 1938; a “Travel-Diary” by Isherwood (including material first drafted by Auden) about their travels in China itself, and their observations of the Sino-Japanese War; and “In Time of War: A Sonnet Sequence with a Verse Commentary” by Auden, with reflections on the contemporary world and their experiences in China. The book also contains a selection of photographs by Auden.

I am never much good at defending the British Empire, even when drunk
Christopher Isherwood

I republish below an excellent article in the blog Books and Boots – Reflections on Books and Art. It provides a more detailed background to the genesis of the book, setting the geopolitical scene, describing  Auden’s  anticlimactic and, it would seem, personally disappointing visit to Spain during its civil war, and the poetry within.

See also in In That Howling Infinite, Better read than dead … books, poetry and reading


WH Auden and Christopher Isherwood

Journey To A War by W.H. Auden and Christopher Isherwood (1939)

When we awoke early next morning the train was crossing a wide valley of paddy fields. The rising sun struck its beams across the surfaces of innumerable miniature lakes; in the middle distance farmhouses seemed actually to be floating on water. Here and there a low mound rose a few feet above the level of the plain, with a weed-grown, ruinous pagoda, standing upon it, visible for miles around. Peasants with water-buffaloes were industriously ploughing their arable liquid into a thick, brown soup.
(Journey To A War, p.191)

Collectively, perhaps, we most resemble a group of characters in one of Jules Verne’s stories about lunatic English explorers. (p.104)

The Sino-Japanese War

In July 1937 – exactly a year after the start of the Spanish Civil War – Japan attacked China. It was hardly a surprise. In 1931 the so-called ‘Mukden Incident’ had helped spark the Japanese invasion of Manchuria (the large area to the north east of China, just above Beijing). The Chinese were defeated and Japan created a new puppet state, Manchukuo (setting up the last Qing emperor as its puppet ruler) through which to rule Manchuria.

Going further back, in 1894–1895 China, then still under the rule of the Qing dynasty, was defeated by Japan in what came to be called the First Sino-Japanese War. China had been forced to cede Taiwan to Japan and to recognise the independence of Korea which had, in classical times, been under Chinese domination.

In other words, for 40 years the rising power of militaristic, modernising Japan had been slowly nibbling away at rotten China, seizing Taiwan, Korea and Manchuria. Now the military junta in Tokyo decided the time was right to take another bite, engineered an ‘incident’ at the Marco Polo bridge on the trade route to Beijing, and used this as a pretext to attack Beijing in the north and Shanghai in the south.

Thus there was quite a lot of military and political history to get to grips with in order to understand the situation in China, but what made it even more confusing was the fact that China itself was a divided nation. First, the nominal government – the Chinese Nationalist Party or Kuomintang under its leader Chiang Kai-shek – had only with difficulty put down or paid off the powerful warlords who for decades had ruled local regions of China after the collapse of the Qing Dynasty in 1911.

But second, Chiang faced stiff competition from the Chinese Communist Party. The two parties had lived in uneasy alliance until Chiang staged a massacre of communists in Shanghai in 1927 which brought the tension between Chinese nationalists and communists into the open.

It was the three-way destabilisation of China during this period – warlords v. Nationalists v. Communists – which had helped Japan invade and take over Manchuria. Prompted by the 1937 Japanese attack the Nationalists and Communists formed an uneasy alliance.

Auden in Spain

Meanwhile, back in Europe, the great political issue of the age was the Spanish Civil War which began when General Franco led a military uprising against the democratically elected government in July 1936. Like many high-minded, middle class liberals, Auden and Isherwood both felt the time had come to put their money where their mouths were. Auden did actually travel to Spain in January 1937 and was there till March, apparently trying to volunteer to drive an ambulance in the medical service. Instead, red tape and the communists who were increasingly running the Republican forces apparently blocked him from getting a useful job. He tried to help out at the radio station but discovered its broadcasts were weak and there were no vacancies.

Frustrated and embarrassed, Auden was back in England by mid-March 1937. The long-term impact of the trip was his own surprise at how much it upset him to see the churches of Barcelona which had all been torched and gutted by a furious radical populace as symbols of oppression. Auden was shocked, and then shocked at his reaction. Wasn’t he meant to be a socialist, a communist even, like lots of other writers of his generation? The Spain trip was the start of the slow process of realisation which was to lead him back to overt Christian faith in the 1940s.

Also Auden saw at first hand the infighting on the Republican side between the communist party slavishly obeying Stalin’s orders, and the more radical Trotskyite and Anarchist parties who, later in 1937, it would crush. Later he paid credit to George Orwell’s book Homage To Catalonia for explaining the complex political manoeuvring far better than he could have. But watching the Republicans fight among themselves made him realise it was far from being a simple case of black and white, of Democracy against Fascism.

So by March 1938 Auden had returned to Britain, where he was uncharacteristically silent about his experiences, and got on with writing, editing new works for publication (not least an edition of his play The Ascent of F6 and Letters From Iceland).

Meanwhile, Christopher Isherwood was living in Paris managing his on-again, off-again relationship with his German boyfriend Heinz. And although he had accommodated Auden on an overnight stop in the French capital and waved him off on the train south to Spain, Isherwood hadn’t lifted a finger for the Great Cause.

Then, in June 1937, Auden’s American publisher, Bennet Cerf of Random House, had suggested that after the reasonable sales of his travel book about Iceland, maybe Auden would be interested in writing another travel book, this time travelling to the East. Isherwood was a good suggestion as collaborator because they had just worked closely on the stage play, The Ascent of F6 and had begun work on a successor, which was to end up becoming the pay On The Frontier. The pair were considering the travel idea when the Japanese attacked China, quickly took Beijing and besieged Shanghai.

At once they seized on this as the subject of the journey and the book. Neither had really engaged with the war in Spain; travelling east would be a way to make amends and to report on what many people considered to be the Eastern Front of what was developing into a worldwide war between Fascism (in this case Japan) and Democracy (in this case the Chinese Nationalists).

China also had the attraction that, unlike Spain, it wouldn’t be stuffed full of eminent literary figures falling over themselves to write poems and plays and novels and speeches. Spain had been a very competitive environment for a writer. Far fewer people knew or cared about China: it would be their own little war.

And so Auden and Isherwood left England in January 1938, boat from Dover then training it across France, then taking a boat from Marseilles to Hong Kong, via Egypt, Colombo and Singapore.

Journey to a War

Journey To A War is not as good as Letter From Iceland, it’s less high spirited and funny. There isn’t a big linking poem like Letter To Lord Byron to pull it together, and there isn’t the variety of all the different prose and verse forms Auden and MacNeice cooked up for the earlier book.

Instead it overwhelmingly consists of Isherwood’s very long prose diary of what happened to them and what they saw in their three months journey around unoccupied China.

The book opens with a series of sonnets and this was the form Auden chose to give the book poetic unity – sonnets, after all, lend themselves to sequences which develop themes and ideas, notably the Sonnets of Shakespeare, or his contemporaries Spencer and Sidney. There’s a collection of half a dozen of them right at the start, which give quick impressions of places they visited en route to China (Macau, Hong Kong). Then, 250 pages of Isherwood prose later, there’s the sonnet sequence titled In Time of War.

But instead of the bright and extrovert tone of Letters From Iceland, Auden’s sonnets are often obscure. They are clearly addressing some kind of important issues but it’s not always clear what. This is because they are very personal and inward-looking. Auden is clearly wrestling with his sense of liberal guilt. The results are rather gloomy. Spain had disillusioned him immensely. He went to Spain thinking the forces of Evil were objective and external. But his first-hand experience of the internecine bickering on the Republican side quickly showed him there is no Good Side, there are no Heroes. History is made by all of us and so – all of us are to blame for what happens. Travel as far as you want, you’re only running away from the truth. If we want to cure the world, it is we ourselves that we need to cure first.

Where does this journey look which the watcher upon the quay,
Standing under his evil star, so bitterly envies,
As the mountains swim away with slow calm strokes
And the gulls abandon their vow? Does it promise a juster life?

Alone with his heart at last, does the fortunate traveler find
In the vague touch of a breeze, the fickle flash of a wave,
Proofs that somewhere exists, really, the Good Place,
Convincing as those that children find in stones and holes?

No, he discovers nothing: he does not want to arrive.
His journey is false, his unreal excitement really an illness
On a false island where the heart cannot act and will not suffer:
He condones his fever; he is weaker than he thought; his weakness is real…

(from The Voyage by W.H. Auden)

‘An illness on a false island’ which is clearly England, a place ‘where the heart cannot act’. The traveller is trying to escape himself but cannot and glumly realises ‘he is weaker than he thought’. Or the thumping final couplet of the sonnet about Hong Kong:

We cannot postulate a General Will;
For what we are, we have ourselves to blame.

Isherwood’s diary

Luckily, the prose sections of the book are written by Isherwood and these are much more fun. He keeps up the giggling schoolboy persona of the novel he’d recently published, Mr Norris Changes Trains (1935), he notes the way the Chinese pronounce their names Au Dung and Y Hsaio Wu, he sounds wide-eyed and optimistic. He hadn’t seen what Auden had seen in Spain, wasn’t struggling with the same doubts.

On February 28 1938 they leave Hong Kong by steamer for Canton and Isherwood finds everyone and everything hilarious. Look a Japanese gunboat! Listen, the sound of bombs falling! He has same facility for the disarmingly blunt image which he deploys in the Berlin stories. The mayor of Canton (Mr Tsang Yan-fu) is always beaming, has a face like a melon with a slice cut out of it. After dinner the Chinese general entertains them by singing Chinese opera, showing how different characters are given different tones and registers (‘the romantic hero emits a sound like a midnight cat’).

He refers to the whole trip as a dream and as a landscape from Alice in Wonderland – they expected Chinese people to behave as in a Gilbert & Sullivan opera and had rehearsed elaborate compliments, and are disarmed when they’re much more down to earth. The train journey on through Hunan province is boring, the tea tastes of fish, they amuse themselves by reading out an Anthony Trollope novel or singing in mock operatic voices.

But this sense of unreality which dogs them is simply because both of them didn’t have a clue what was going on, what was at stake, the military situation,  had never seen fighting or battle and weren’t proper journalists. They were privileged dilettantes, ‘mere trippers’, as Isherwood shamefacedly explains when they meet real war correspondents at a press conference (p.53).

In Hankow the Consul gives them Chiang, a middle-aged man with the manners of a perfect butler to be their guide. They attend the official war briefings alongside American and Australian journalists, they meet Mr Donald, Chiang Kai-shek’s military adviser, the German adviser General von Falkenhausen, Agnes Smedley, Madame Chiang Kai-shek herself, and with delight are reunited with Robert Capa, the soon-to-be legendary American war photographer who’d they’d met on the boat out. They attend traditional Chinese opera, which Isherwood observes with the eye of a professional playwright.

They catch the train to Cheng-chow which has been repeatedly bombed by the Japanese, capably looked after by their ‘boy’, Chiang. They are heading north on the train when they learn that Kwei-teh has fallen, nonetheless they decide to press on to Kai-feng. With them is an exuberant and seasoned American doctor, McClure, who takes them to watch some operations. They walk round the stinking foetid town. They go to the public baths which stink of urine. Then they catch a train to Sü-chow. And then onto Li Kwo Yi where they argue with Chinese commanding officers (General Chang Tschen) to allow them to go right up to the front line, a town divided by the Great Canal.

If you’ve no idea where any of these places are, join the club. I was reading an old edition but, even so, it had no map at all of any part of the journey. Which is ludicrous. The only map anywhere appears to have been on the front cover of the hardback edition, replaced (uselessly) by an anti-war cartoon on the paperback editions, and even this doesn’t show their actual route.

First US edition (publ. Random House)

With no indication where any of these places are, unless you are prepared to read it with an atlas open at your side, Isherwood’s long prose text becomes a stream of clever observations largely divorced from their context. Even an atlas is not that useful given that Isherwood uses the old form of the placenames, all of which, along with most people’s names, have changed. Thus Sian, capital of Shen-si province, is now Xian, capital of Shaanxi Province, Sü-chow is now Suzhou, and so on.

We are intended to enjoy the surreal aspects of travelling in a deeply foreign land – the village restaurant which was papered entirely with pages of American tabloid magazines, and so covered with photos of gangsters and revelations about fashionable divorcees (p.126); or the expensive hotel in Sian whose menu included ‘Hat cake’ and ‘FF potatoes’ (p.141). Beheading is a common punishment because the Chinese believe a body needs to be complete to enter the afterlife. They meet lots of tough and brave American missionaries, mostly from the American south.

Finally, back in Hankow (Hankou) they become part of polite society again, are invited to a party of Chinese intellectuals, a party given by the British admiral and consul, where they meet the legendary travel writer Peter Fleming and his actress wife Celia Johnson, the British ambassador Archibald Kerr, the American communist-supporting journalist, Agnes Smedley (p.156). Fleming pops up a lot later at their hotel in Tunki, and is too suave, handsome and self-assured to possibly be real.

Militarily, Journey To A War confirms the opinions of the modern histories of the war I’ve read, namely that the Nationalist side was hampered by corruption, bad leadership and, above all, lack of arms & ammunition. When they retook cities which had been under communist influence the Chiang’s Nationalists realised they needed some kind of ideology which matched the communists’ emphasis on a pure life and so, in 1934, invented the New Life Movement i.e. stricter morals, which Madame Chiang politely explains.

Isherwood notices the large number of White Russian exiles, often running shops, come down in the world. This reminds me of the Russian nanny J.G. Ballard had during his boyhood in 1930s Shanghai, as described in his autobiography Miracles of Life.

From pages 100 to 150 or so our intrepid duo had hoped to approach the front line in the north and had crept up to it in a few places, but ultimately refused permission to go further, to visit the Eighth Route Army, and so have come by boat back down the Yangtze River to Hankou. Now they plan to travel south-east towards the other main front, where the Japanese have taken Shanghai and Nanjing.

On the Emperor of Japan’s birthday there is a particularly large air-raid on Hankow and they make themselves comfortable on the hotel lawn to watch it. The Arsenal across the river takes a pasting and they go to see the corpses. 500 were killed. Nice Emperor of Japan.

They take a river steamer to Kiukiang and stay at the extraordinary luxury hotel named Journey’s End and run by the wonderfully eccentric Mr Charleton. They catch the train from Kiukiang to Nanchang, stay there a few days, then the train on to Kin-hwa (modern Jinhua). Here they are horrified to discover their arrival has been anticipated and they are treated like minor royalty, including a trip to the best restaurant in town with 12 of the city’s top dignitaries.

Auden and I developed a private game: it was a point of honour to praise most warmly the dishes you liked least. ‘Delicious,’ Auden murmured, as he munched what was, apparently, a small sponge soaked in glue. I replied by devouring, with smiles of exquisite pleasure, an orange which taste of bitter aloes and contained, at its centre, a large weevil. (p.195)

They are taken by car to the town of Tunki. They try to get permission to push on to see the front near the Tai Lake, They have to cope with the officious newspaperman, A.W. Kao. This man gives a brisk confident explanation of what’s happening at the front. Neither Auden nor Isherwood believe it. Isherwood’s explanation describes scenes they’ve seen on their visit, but also hints at what Auden might have seen on his (mysterious) trip to civil war Spain. Auden is given a speech defining the nature of modern war:

War is bombing an already disused arsenal, missing it and killing a few old women. War is lying in a stable with a gangrenous leg. War is drinking hot water in a barn and worrying about one’s wife. War is a handful of lost and terrified men in the mountains, shooting at something moving in the undergrowth. War is waiting for days with nothing to do; shouting down a dead telephone; going without sleep, or sex, or a wash. War is untidy, inefficient, obscure, and largely a matter of chance. (p.202)

Peter Fleming turns up looking gorgeous, professional, highly motivated, speaking good Chinese. He attends briefings, manages the locals with perfect manners. They organise an outing towards the front, with sedan chairs, bearers, two or three local notables (T.Y. Liu, A.W. Kao, Mr Ching, Major Yang, Shien), Fleming is indefatigable. On they plod to Siaofeng, Ti-pu and Meiki. Here the atmosphere is very restless, the miltary authorities are visibly unhappy to see them, half their own Chinese want to get away. The spend a troubled night, with people coming and going at the military headquarters where they’ve bivouaced and, after breakfast, they give in to the Chinese badgering, turn about, and retrace their steps. Twelve hours later the town of Meiki fell to the Japanese. On they plod up a steep hillside, carried by coolies, and down the precipitous other side, down to Tien-mu-shan and then by car to Yu-tsien (p.229).

We stopped to get petrol near a restaurant where they were cooking bamboo in all its forms – including the strips used for making chairs. That, I thought, is so typical of this country. Nothing is specifically either eatable or uneatable. You could being munching a hat, or bite a mouthful out of a wall; equally, you could build a hut with the food provided at lunch. Everything is everything. (p.230)

Isherwood hates Chinese food and, eventually, Auden agrees. At Kin-hwa Fleming leaves them. It’s a shame they’ve ended up getting on famously. It’s interesting that both Auden and Isherwood initially were against him because he went to Eton. The narcissism of minor differences knows no limits.

They say goodbye to all the people they’ve met in Kin-hwa and set off by bus for Wenchow. They take a river steamer from Wenchow to Shanghai.

Arrival in Shanghai on 25 May signals the end of their adventures. They stay in the chaotic, colourful, corrupt city till 12 June. Fascinating to think that over in his house in the International Settlement, young James Graham Ballard was playing with his toy soldiers, dreaming about flying and laying the grounds for one of the most distinctive and bizarre voices in post-war fiction.

And Isherwood confirms the strange, deliriously surreal atmosphere of a Chinese city which had been invaded and conquered by the Japanese, who had destroyed a good deal of the Chinese city but left the International and the French Settlements intact. They attend receptions at the British Embassy, are the guest of a British businessman hosting high-level Japs.

There is no doubt Auden and Isherwood hate the Japanese, can’t see the flag hanging everywhere without thinking about all the times in the past four months when they’ve ducked into cover as Japanese bombers rumbled overhead and fighters swooped to strafe the roads.

This is the only section of this long book with real bite. Isherwood interviews a British factory inspector who describes the appalling conditions Chinese workers endure and notes that they’ll all be made much worse by the Japanese conquerors.

Schoolboys

It’s a truism to point out that the Auden Generation was deeply marked by its experience of English public schools, but it is still striking to see how often the first analogy they reach for is from their jolly public schools, endless comparisons with school speeches and prize days and headmasters.

  • Under the camera’s eye [Chiang kai-shek] stiffened visibly like a schoolboy who is warned to hold himself upright (p.68)
  • Mission-doctors [we were told] were obliged to smoke in secret, like schoolboys (p.88)
  • They scattered over the fields, shouting to each other, laughing, turning somersaults, like schoolboys arriving at the scene of a Sunday school picnic (p.142)
  • The admiral, with his great thrusting naked chin… and the Consul-General, looking like a white-haired schoolboy, receive their guests. (p.156)
  • [Mr A.O. Kao] has a smooth, adolescent face, whose natural charm is spoiled by a perpetual pout and by his fussy school-prefect’s air of authority (p.201)
  • Producing a pencil, postulating our interest as a matter of course, he drew highroads, shaded in towns, arrowed troop movements; lecturing us like the brilliant sixth-form boy who takes the juniors in history while the headmaster is away. (p.200)
  • The cling and huddle in the new disaster
    Like children sent to school (p.278)
  • With those whose brains are empty as a school in August (p.291)

The photos

At the end of the huge slab of 250 pages of solid text, the book then had 31 pages of badly reproduced black and white photos taken by Auden. In fact there are 2 per page, so that’s 62 snaps in all.

I don’t think there’s any getting round the fact that they’re average to poor. Some are portraits of people they met, notably Chiang kai-shek and Madame Chiang, Chou en-lai of the communists, and celebrities such as Peter Fleming the dashing travel writer and Robert Capa the handsome war photographer. A dozen or more named people, Chinese, missionaries and so on. And then lots of anonymous soldiers and scenes, the dead from an air raid, the derailed steam train, coolies in poverty, a Japanese prisoner of war, a Japanese soldier keeping guard in Shanghai, Auden with soldiers in a trench and so on.

Remarkably, few if any of these seem to be online. I can’t imagine they’re particularly valuable and their only purpose would be to publicise the book and promote Auden and Isherwood’s writings generally, so I can’t imagine why the copyright holders have banned them. If I owned them, I’d create a proper annotated online gallery for students and fans to refer to.

In Time of War

The book then contains a sequence of 27 sonnets by Auden titled In Time of War. In later collections he retitled them Sonnets from China. They are, on the whole, tiresomely oracular, allegorical and obscure. The earlier ones seem to be retelling elements of the Bible, Genesis etc as if recapitulating the early history of mankind. These then somehow morph into the ills of modern society with its bombers.

But one of them stands out from the rest because it reports real details and rises to real angry eloquence.

Here war is simple like a monument:
A telephone is speaking to a man;
Flags on a map assert that troops were sent;
A boy brings milk in bowls. There is a plan

For living men in terror of their lives,
Who thirst at nine who were to thirst at noon,
And can be lost and are, and miss their wives,
And, unlike an idea, can die too soon.

But ideas can be true although men die,
And we can watch a thousand faces
Made active by one lie:

And maps can really point to places
Where life is evil now:
Nanking; Dachau.

(Sonnet XVI from In Time of War)

Those last lines have stayed with me all my life. Nanking. Dachau. The darkness at the heart of the twentieth century.

Commentary

The last thing in the book is a long poem in triplets, from pages 289 to 301 and titled simply Commentary.

It’s a sort of rewrite of Spain, again giving a hawk’s eye view of history and society, the world and human evolution. It starts off describing what they’ve seen in Auden’s characteristic sweeping style, leaping from one brightly described detail to another, before wandering off to give snapshots of great thinkers from Plato to Hegel.

But at quite a few points voices emerge to deliver speeches. Then, on the last page, the Commentary becomes extremely didactic, ending with a speech by the Voice of Man, no less, the kind of speech he turned out by the score for his plays and choruses and earlier 1930s poems.

But in this context it seems inadequate to the vast and catastrophic war in China which they have just glimpsed, and which was to last for another seven years (till Japan’s defeat in 1945) and was itself followed by the bitter civil war (1945-48) which was only ended by the triumph of Mao Zedong’s communist party early in 1949.

The Japanese invasion of 1937 turned out to be just the start of a decade of terror and atrocity, and Auden’s response is to have the ‘Voice of Man’ preach:

O teach me to outgrow my madness.

It’s better to be sane than mad, or liked than dreaded;
It’s better to sit down to nice meals than nasty;
It’s better to sleep two than single; it’s better to be happy.

Ruffle the perfect manners of the frozen heart,
And once again compel it to be awkward and alive,
To all it suffered once a silent witness.

Clear from the head the masses of impressive rubble;
Rally the lost and trembling forces of the will,
Gather them up and let them loose upon the earth,

Till they construct at last a human justice,
The contribution of our star, within a shadow
Of which uplifting, loving, and constraining power
All other reasons may rejoice and operate.

It yet another of his prayers, deliberately personal in scale, addressed mostly to chums from public school, fellow poets, friendly dons and reviewers. It is calling on people who are already well-fed, well-educated and mostly decent chaps to be a bit more decent, if that’s alright. But ‘ruffling up your perfect manners’ wasn’t going to stop Franco or the Japs, Hitler or Stalin.

It is ironic of Auden to ask people to remove from their heads ‘impressive rubble’, which I take to mean the luggage of an expensive education in the arts – as that is precisely what he was going to use to make a living out of for the next 35 years and which was to underpin and inform all his later works.

And there are numerous small but characteristic examples of learnèd wit it here, such as when they light a fire which is so smokey that it forces them out of the room and Auden wittily remarks, ‘Better to die like Zola than Captain Scott’ (i.e. of smoke asphyxiation rather than from freezing).

In this respect the Commentary is another grand speech which, like the grand speeches in the plays he’d just written with Isherwood, was, in the end, addressed to himself. Once again, as with Spain, Auden has used a huge historical event to conduct a lengthy self-analysis.

Auden’s contemporary readers were impressed, as ever, by his style and fluency but, as ever, critical of his strange inability to engage with anything outside himself and, specifically, to rise to the occasion of such a massive historical event.

Half way through the text Isherwood tells a story about Auden’s complete conviction that the train they’re on won’t be shot at by the Japanese, whose lines they are going to travel very close to. Sure enough the train emerges on to a stretch of line where it is clearly visible from the forward Japanese lines, which they know to contain heavy artillery, and so they pass a few minutes of terror, petrified that the Japanese might start shelling any second. In the event, there is no shelling, and the train veers away to safety. ‘See. I told you so,’ says Auden, and Isherwood reflects that there’s no arguing with ‘the complacency of a mystic’.

It’s a joke at his old mate’s expense and yet I thought, yes – complacency – in Auden’s case complacency means undeviating confidence in his own mind and art to hold off, inspect and analyse. He creates a rhetoric of concern but it is nothing more than that, a poet’s rhetoric, fine to admire but which changes nothing.

And he knew this, had realised it during the trip to Spain, and had lost heart in the political verse of the 1930s. The pair returned from China via America, where all mod cons were laid on by his American publishers and Auden realised that here was a much bigger, richer, more relaxed, open, friendly and less politically pressurised environment in which to think and write.

He returned to England just long enough to wind up his affairs, pack his bags, then in January 1939 he and Isherwood sailed back to the States which would become his home for the next 30 years, and set about rewriting or suppressing many of his most striking poems from the troubled Thirties, trying to rewrite and then censor what he came to think of as his own dishonesty, pursuing a quest for his own personal version of The Truth.


Related links

1930s reviews

Journey To A War by W.H. Auden and Christopher Isherwood (1939)

Blue remembered hills … memories of an old pal

That is the land of lost content,
I see it shining plain,
The happy highways where I went
And cannot come again
From The Shropshire Lad. AE Houseman

A few days ago, a Facebook message popped up out of the blue from England. It was from the niece of a friend – the daughter of his sister Jean. Heather wrote that they’d like to hear some stories of our time together. Predictably, as it so often is in these declining years, memories came flooding back.

Dave Shaw died suddenly of a brain hemorrhage in in the town of Pershore, Worcestershire, on Saturday 5th January 2013 at the age of 64. He was farewelled at his beloved Pershore Abbey, an historic church I knew well from many visits to his home, on Wednesday 23rd January. I hadn’t seen him since my visit to England in the summer of 2005, and I learnt of his passing by accident. My mother passed away in Nottingham at the end of January, and as Dave would often drop in and visit her when he passed through Birmingham, I rang him up to tell him of her death. I tried his home many times without answer, so I reckoned I’d contact Pershore Council to get in touch with him. My google inquiries ended up at The Evesham Journal, a local Worcestershire newspaper. And that’s when I learned that he had gone.

The following is an expanded version of a piece published in the Evesham Journal on1st February 2013

Our back pages

Dave was my oldest friend –  from when we entered Moseley Grammar School in Birmingham in September 1960.

Moseley Grammar School, Birmingham

Through the Sixties, we came of age together, shared music, frequented folk clubs, did pub crawls through Birmingham, went to Birmingham City football matches (we were Blues fans and not supporters of Aston Villa, the other Brummie team) and hitchhiked to CND rallies and folk festivals. When we left Brum in 1967 and lived in other cities, we visited each other often and always remained in touch. Although I moved to Australia in 1978, I travelled to Pershore every time I returned to England and caught up with him and his family. One time, Dave came out to Australia. There’s a couple  of pictures here of that trip, featuring Dave, myself, my ex, Libby, and her sister Mary Jane, who was once a famous singer here in Australia but, sadly, took her own life in 1990. It must’ve been about 1982 as Libby and I separated the following year.

But let’s go back to the days when school chums became friends, the time when you began to address your mates by their christian names and not by surname, as was customary in grammar schools back then. Back to the Sixth Form when we began to “put off childish things” and as much as we could in our provincial and underage circumstances, “got with” the sixties zeitgeist and engaged with the wider world. We read the poetry of the American Beat Poets, our own Mersey Poets and John Lennon. We listened to the music, and particularly Bob Dylan. During school holidays, four of us, Dave, Peter Bussey, Malcom Easthope and myself, would go to the Jug o’ Punch in Digbeth run by the celebrated Ian Campbell Folk Group, to drink bitter, sing along to folk songs and listen to the likes of The Dubliners, Al Steward and Roy Harper, and, sigh, a young, gorgeous and melodious Joni Mitchell. We’d meet once a week at the Golden Eagle in Hill Street to talk politics and poetry, and read our own juvenile verse, before heading off to other pubs in the Birmingham CBD.

In those days, it was cool for teenagers to ride motor scooters – if they could get their parents permission. Several of my pals owned one, including Dave who’d bought a second hand lambretta. I recall this today because it reminded me of one of our better-heeled chums who had a brand new model. His dad was a publican, and one time, he threw a party at his father’s pub in Coventry and a mob of us got a lift there from another student who’d actually owned a car – a rare thing in those days. It came back to me today how that party ended for me and Dave. We both got very drunk, I tripped and sprained my ankle, and as we were driven back to Brum, I was sprawled in the back seat, and Dave, sitting beside me, chucked up. That wasn’t the last time I injured myself whilst inebriated. I can’t recall Dave getting as rat-arsed again. 

Later, we graduated to cannabis, and would toke at each other’s homes on weekends – one time, we hired a rowboat in Stratford on Avon and spent a stoned afternoon on the river. So Wind in the Willows. One lovely early summer’s day in 1969 when “we happy few, we band of brothers” camped out in my room at Reading uni, and dropped acid by the lake in nearby Whiteknights Park. It was a strange, trippy day, during which there was a police bust on my hall of residence, and we watched in amaze as people rushed down to the lake and threw many unidentified objects therein.

Fast forward to the eighties …

Though settled in Australia, I visited England often, and always took time out to catch up with Dave in either Birmingham or Pershore. When I was performing at folk clubs in 1987 and 1988, he acted as my local contact person. He also introduced me to his old friend Stan Banks, who’d served in World War II a bomb aimer and photographer on the night raids over Germany. On retirement from school teaching, Stan dedicated himself to the peace movement – which was how Dave came to meet him. Stan shared with us many enthralling and harrowing tales of his flying days.

Dave and I shared a common interest in the environment, cultural heritage and wildlife and we would exchange news on our endeavours. When we’d visit Pershore, he’d always take us out on a ramble or a drive to some out of the way place with an archaic name and take in a few nice country pubs on the way. On one visit, he gave me an instruction sheet for building boxes to shelter micro-bats. We have five of them around our home in northern New South Wales, and several of them are occupied all year around.

Green and progressive in word and deed, and dedicated to Pershore, Dave served as a Town Councillor for twenty-two years. Whenever we’d walk around town together or enter shops and pubs, folk would be always coming up to talk to him. At his funeral, the flag atop the abbey was flown at half-mast for the first time ever whilst fellow councillor Chris Parson praised him as “a giant of a man” – which I found apt but amusing considering Dave was short and slight of stature.

The feature photograph of him with his binoculars and bird book outside the glorious Pershore Abbey is a beautiful way to remember him.

Norman Linsday Gallery and Museum, Faulconbridge, NSW

Dave meets the Boyd Family, Palm Beach, NSW

When Heather read this story, she wrote:

“That is absolutely beautiful! Thank you so much, I hope you had as much pleasure from writing that as I did reading it. I laughed out loud and cried. Lovely. My mum will love this. ❤️ p.s I knew all along he was a stoner!! And with that asthma too? What was he like? I miss him a lot. X”

I replied:

“A lovely bloke. A gentle, laid back soul who was always in a calm, good mood. I recall a time when he visited me in London just as I was about to head off to the Middle East. I’d just had a typhoid shot and  was as sick as a dog – and he’d come all this way to see me off. He was so cool about it. What will be will be. Que sera sera! Did you know he was fluent in Spanish. It was one of his passions. He had Portuguese too, and I believe some Russian. I went through a “Russian phase” too in the early seventies, but ended up in the Middle East instead, by accident, and learned Arabic. Still learning. It’s effing difficult if you don’t have a gift for languages, but it keeps the old brain active.

Heather:

Sounds just like the Dave I knew. I am glad I found one person who he went to the Blues with him as I always wondered. Did you know we put some of his ashes at St. Andrews? Yes he was a language genius wasn’t he? Yes he was a language genius I think. Apparently he could get by in about 9 languages but he was very humble about it.

The ‘sixties … memories of London and Ireland

Dave is referenced many times in In That Howling Infinite, though, for privacy reasons, not by name. I also dedicated one of my poetry books to him: Tabula Rasa – Early Days. Below are a couple of extracts that are specifically talking about Dave.

“As I wrote in a recent trawl through my back pages, Song of the Road – my hitchhiking days: “… that motorway from Brum to London was a road well-traveled. In my final year at Moseley Grammar, I’d often hitch down to London for a weekend with pals who’d gone there before. We’d hang out at cheap and cheerful Pollo’s Italian restaurant in Old Compton Street in Soho and the Coach and Horses across the road and go to Cousin’s folk and blues joint in a cellar in nearby Greek Street, and the 101 Jazz Club off Oxford Street. Bunjies folk café and Ronnie Scott’s jazz club were just around the corner. After a meal or a pint, I’d often catch the last tube to the end of the line closest to the M1. I can’t recall how many times I headed off into the night; and there were always drivers on the road at the witching hour. I guess many folks “get the urge for going”, as Joni sang back then, “and they had to go …” And in those generous times, people were happy to offer a lift to a wayfaring stranger – gentle souls who would not leave strays stranded by the dark wayside; lonesome folks seeking company and conversation in the dark night of the soul; curious people wondering why a young man would hitch the highways in the middle of the English night. Yes, Café Pollo was indeed a significant landmark of my London days:. From Ciao Pollo di Soho – the cafe at the end of the M1

“In the summer of 1969, my brother and I and an old chum spent several weeks in an Enniscorthy that looked and felt like it had not changed since Aunty Mary’s day – so well portrayed in the academy award nominated film Brooklyn. Dressed as we were in hippie garb and sporting long locks, we cut incongruous figures in the pubs and at the local hop, and were so unsuccessful hitchhiking around the county that we walked many a long Irish mile. We hiked to Killane, Sean Kelly’s country, and inspired by the song, climbed upwards though heath and hedge to the top of Mount Leinster. We stayed at 13 Patrick Street and spent a lot of time sitting up on Vinegar Hill, beneath its round tower, looking down on the River Slaney and the town beyond. My brother was a keen photographer, and he took the following picture”. Thats Dave on the left, and me on the right. From The Boys of Wexford – memory and memoir 

“On Vinegar Hill o’er the pleasant Slaney”

And a final vignette, also featured in Song of the Road,from 1970, I think: 

One glorious English summer I arranged to meet up with my late pal Dave Shaw in Cambridge, where he was attending a summer school at the University, and go to the celebrated Cambridge Folk Festival. I clocked off from my work on the motorway, got home, just ten minutes away – I said we were close! – showered and packed, and headed to the Clock Garage roundabout and put out my thumb. I took the M1 to London’s North Circular, and cut across to the A10 (there was no M11 in those days) and, And, my stars were alignment on this night ride, arrived at Dave’s digs in time for breakfast.I don’t remember much of the festival bill, but American folk diva Odetta was singing, and also, our idol, Roy Harper, England’s high priest of angst.

I had to leave Cambridge around Sunday lunchtime, after Roy’s last set, to return to Brum for work on Monday. Rather than head back down to London, to save time – a quixotic idea when you are hitching – I decided to cut cross-country to connect with the M1 at Newport Pagnell – in those days before GPS and route planners, a cheap, creased road map from WH Smith was the best we had, plus a good sense of direction, fair weather and loads of luck. And such are the movements of the cosmos, that my one and only only ride took me to, yes, what was then the bucolic village of Newport Pagnell. It was one of those summer evenings in England, when the days are long, the air warm and languorous, and the light, luminous. Birds were singing and church bells were ringing for evensong, and in my mind’s ear, I’d like to imagine that cows were lowing and sheep were bleating. One could almost feel an ode coming on. So there I was, once more, at the services on-ramp, hitching a ride to Birmingham , and hopping aboard an old Land Rover for what was the slowest and noisiest ride ever – which took me almost to my door”.

Ciao Pollo di Soho – the café at the end of the M1

The Boys of Wexford – memory and memoir

Song of the Road (1) – my hitchhiking days

“When we were younger, time appeared to move more slowly than in our later years. It is in our nature to imagine and indeed, re-imagine our salad days as the best of times and the worst of times. But looking back through our back pages, these years was perhaps no better or worse, no more significant or seminal than any era fore or aft. Like objects seen through the rear-view mirror, memories always seem a lot closer and bigger. When I’ve revisited roads and streets where I grew up, playing or sauntering or rolling home with a skinful in the pale moonlight, they are no way as wide, long or spacious as they are to the mind’s eye. Vivid memories can distort time, making you feel that that weren’t that long ago”. From Blue remembered hills – a land of lost contentment 

Blue remembered hills – a land of lost contentment

Over the Hills and Far Away

 

I’m not the martial type and have no temperament, time nor tolerance for militarism as a political creed, but one of my favourite folk music records is a 1970, long out of print vinyl album called Songs and Music of the Redcoats. Never re-issued on CD, it is hard to find – but English folksinger Martyn Wyndham-Read kindly sent me a copy a decade or two ago. Its sequel, The Valiant Sailor: Songs & Ballads of Nelson’s Navy, followed in 1973.

The songs range from the English Civil War to the Boer War, in which the red coat was replaced by khaki, and all the wars between. The War of the Spanish Succession, the Seven Years War (in America, the French and Indian War), the American War of Independence, the French Revolutionary War, the Crimean and Afghan Wars, the Indian Mutiny, the Sudan wars, and the South African War. Standouts for me are The Girl I Left Behind Me,  which dates back to 1758,  The British Soldier, with its ominous line, “we marched into Kabul and we took the Balar Hizar”, Soldiers of the Queen, which enjoyed immense popularity during the South African War, and in latter days, in the film Breaker Morant, and Stand to Your Glasses Steady, a memento mori of the prevalence of death, most often from disease, in the service of the East India Company. The featured image is from Stanley Kubrick’s 1975 film Barry Lyndon, set during the Seven Years War.

But my favourite was Over the Hills and Far Away.

Then let us list and march, I say …

This traditional English marching song has been around for four centuries, probably originating during the War of the Spanish Succession. It was published in Thomas D’Urfey’s Wit and Mirth, or Pills to Purge Melancholy in 1706 and appeared in The Recruiting Officer in 1706, a comedy by George Farquhar, and in John Gay’s The Beggar’s Opera in 1728. The lyrics refer to the War of the Spanish Succession (1701-1714), the Duke of Marlborough, and Queen Anne of England (1665 -1714).

It recalls a time when poor men joined the army out of need and the rich for glory, and when many a young man “took the king’s shilling” or bought an officer’s commission to fight in foreign wars for king or queen and country and to perish far away from home in “far away places with strange sounding names”.

So far away from home: the last stand of the 44th Foot at Gandamak during the disastrous First Afghan War of 1842.

It was very popular in Colonial and Revolutionary America, with both sides singing their own versions. The song remained popular throughout the British Empire although nowadays, its melody serving as an orchestral leitmotif in many movies, including the 1940 Hollywood classic, Northwest Passage which starred Spencer Tracy as Major Robert Rogers, leading is Rangers through French lines during the Seven Years War (1756-1763) to attack an Indian village allied to the French. But it largely faded from public consciousness, until its use in the television adaptation of Bernard Cornwell’s Sharpe series of the 1990s about the green-jacketed Rifles soldiers. I’ve heard the tune is also used in Morris dancing.

British Soldier 1702, Robert Payton gallery: http://orloprat.deviantart.com

Winter Soldier 1702, Robert Payton

Batlle scene from Waterloo, 1970

The song may have actually originated in a nursery rhyme. Tom, Tom, the Piper’s Son” mentions a piper who knows only one tune, this one, although the children’s rhyme may have itself may have started actually started its life on the stagy, written for but not included) in Thomas D’Urfey’s 1698 play The Campaigners. This is the version we sang in primary school in late fifties Birmingham:

Tom, Tom, the piper’s son,
He learnt to play when he was young,
The only tune that he could play
Was ‘over the hills and far away’;
Over the hills and a great way off,
The wind shall blow my top-knot off.

The words have changed over the years, the only consistent element in early versions being the title line and the tune. D’Urfey’s and Gay’s versions both refer to lovers, while Farquhar’s version refers to fleeing overseas to join the army, whilst Gay’s lyrics reference transportation and indentured labour in the American colonies – which is an altogether different and largely untold story.

MacHeath:
Were I laid on Greenland’s coast,
And in my arms embrac’d my lass;
Warm amidst eternal frost,
Too soon the half year’s night would pass.
And I would love you all the day.
Ev’ry night would kiss and play,
If with me you’d fondly stray
Over the hills and far away.

Polly:
Were I sold on Indian soil,
Soon as the burning day was clos’d,
I could mock the sultry toil
When on my charmer’s breast repos’d.
I would love you all the day.
Ev’ry night would kiss and play,
If with me you’d fondly stray
Over the hills and far away.

My favourite version is by English folksinger Martin Wyndham-Read. Based on Farquar’s song, it is well sung with a melodic and measured martial fife or flute accompaniments. Wyndham-Read renders it wistful, poignant, nostalgic, romantic even. It is in itself a perfect recruitment advertisement, part patriotic, part propaganda – the two often operate in unison – promising not only financial reward to folk in straightened circumstances, but camaraderie in a noble purpose, and to riff the Bard of Avon, a “happy few”, a “band of brothers”.

Hark now the drums beat up again
For all true soldier gentlemen,
Then let us list and march, I say,
Over the Hills and far away.

(Chorus)
Over the hills and o’er the main
To Flanders, Portugal and Spain,
Queen Anne commands and we’ll obey,
Over the hills and far away.

All gentlemen that have a mind,
To serve the queen that’s good and kind,
Come list and enter into pay,
Then over the hills and far away.

No more from sound of drum retreat,
While Marlborough and Galway beat
The French and Spaniards every day,
When over the hills and far away.

The song is at 5.18 on the YouTube video below. It is a recording of the full album, so indulge yourselves and listen to it in its entirety. The Sharpe version, below, is also based on Farquhar’s, acquiring new lyrics for successive episodes. It was recorded by John Tams who played Dan Hagman in the series.

If I should fall to rise no more
As many comrades did before
Then ask the fifes and drums to play
Over the Hills and Far Away

Postscript- Irish soldiers

By happenstance, as I was completing this post, I was reading The Great Hunger, published in 1962, by English historian Cecil Woodham-Smith (well known back in the day for The Reason Why, her acclaimed story of the Charge of the Light Brigade). It is, she wrote, “a curious contradiction, not very often remembered by England, that for many generations, the private soldiers of the British Army were largely Irish. The Irish have natural endowments for war, courage, daring, love of excitement and conflict; McCauley described Ireland as “an exhaustible nursery of the finest soldiers”. Poverty and lack of opportunity at home made the soldier’s shilling a day, and the chance of foreign Service, attractive to the Irishman; and the armies of which England is proud, the troops who broke the power of Napoleon in the Peninsula and defeated him at Waterloo, which fought on the scorching plains of India, stormed the heights of the Alma in the Crimean campaign, and planted the British flag in every quarter of the globe in a hundred forgotten engagements, were largely, indeed in many cases, mainly Irish”.

It has been estimated that during the American War of Independence, 16% of the rank and file in the British Army, and 31% of the commissioned officers, were Irishmen. There were indeed Irishmen fighting on both sides (Scots too, as portrayed in the final few series of that entertaining Highland fling, Outlander). In following years, the Irish would swell the ranks to the extent that by 1813 the British Army’s total manpower was estimated to be half English, a sixth Scottish and a third Irish.

For other posts about folk song in In That Howling Infinite, see: The Boys of Wexford – memory and memoir; Mo Ghile Mear in Irish myth and melody; O’Donnell Abú – the Red Earl and history in a song; Over the sea to Skye, and Outlander – if I didna hae bad luck, I’d hae no luck at all …

In addition to Songs and Music of the Redcoats and The Valiant Sailor: Songs & Ballads of Nelson’s Navy, I would also highly recommend Strawhead’s 1987 album Law Lies Bleeding (see below). My own marching song, The Marching Song of the New Republic is also included below.

© Paul Hemphill 2024.  All rights reserved.

Blue remembered hills – a land of lost contentment

Let everyone debate the true reality
I’d rather see the world the way it used to be”
A little bit of freedom’s all we lack
So catch me if you can I’m goin’ back
Carole King and Gerry Goffin as sung by Dusty Springfield

Blue Remembered Hills

Into my heart an air that kills from yon far country blows:
What are those blue remembered hills,
What spires, what farms are those?

That is the land of lost content,
I see it shining plain,
The happy highways where I went
And cannot come again

From The Shropshire Lad. AE Houseman

Houseman’s famous poem looks back at childhood as a “land of lost content”; when you are a child you are innocent, and you don’t have a care in the world. He says that childhood is a “happy highway where I went and cannot come again”, implying that they are the best years of your life but that you can never go back there. When the late British playwright Dennis Potter took the poem and turned it in to a play about a group of children on their school holidays in the Forest of Dean in Gloucester, he was asking if childhood is indeed such a land of lost content and are children really so innocent.

“Nostalgia”, literally the pain associated with the thought of home, or homesickness, is derived from the Greek “nostos”, a theme used in Ancient Greek literature – most notably in Homer’s Odyssey –  involving an epic hero returning home after a long time away, often by sea. In Ancient Greek society, it was deemed a high level of heroism or greatness for those who managed to return. The Greeks compared the feeling to the pain of an old wound, a twinge in the heart more potent than memory alone. The Odyssey reveals the deepest longings and tensions of the human soul and the fundamental structure of the journey of life: nostalgia for a home that our younger selves took for granted, and bittersweet return to people and places that have changed forever.

But nostalgia isn’t all it’s cracked out to be. And indeed, it can bring out the worst in us becoming a millstone of bitterness and regret strung about the necks of discontented souls who drift off into a maze of memories, meanings and emotions.

In the seventeenth century, many considered it an illness that was curable, and could be treated with opium or with trip to the countryside. Other scholars of the phenomenon have noted that until the nineteenth century it was regarded as more a geographical longing than a temporal one, homesickness for a place rather than for an era. American author and essayist Thomas Mallon  wrote in a review in New Yorker: “In the same seventeenth century that prescribed methods of relief for nostalgia, writers like the poet John Milton and Robert Burton, who actually wrote a book called The Anatomy of Melancholy. went hunting for twinges of wistfulness as if these were magic mushrooms. Through the centuries, it has been regarded sometimes a harmless solace and occasionally, as a dangerous indulgence, a mental quicksand in which we allow the past to drown the present”.

Nostalgia’s pain can be exquisite, and many of those susceptible to it have sought to cultivate rather than banish the condition. But even if we do not dive in and get lost in the past, it is nevertheless built into us consciously or subliminally. We practice it culturally all of the time. It is often more triggered by the elemental senses, smell and taste and touch, than the sights and sounds from which constant revivals of fashion and music are constructed. Which, I guess, is why folk still flock to ever recycled retreads of the musicals of Andrew Lloyd Webber. 

The film Casablanca has probably inspired more feelings of nostalgia than any other movie, no matter that its famous song insists that “the fundamental things apply time goes by”. Likewise Yesterday, , the most covered song in history with well over two  thousand iterations: “Yesterday, my troubles seemed so far away.  Now it looks as though they’re here to stay.  Oh, I believe in yesterday”.  As Paul sings in the “outro”, “mmm-mmm-mmm-mmm, hmm-hmm”. I reckon he played us softies like a fiddle. “Oh, it makes you wonder”, exclaims Robert Plant in Stairway to Heaven, another opaquely nostalgic piece

Comedians have been know to lampoon nostalgia. Monty Python’s famous “Four Yorkshiremen” sketch is an absurdist riff on nostalgia itself, its quartet of old codgers wallowing in pseudo-memories of deprivation and competing for pride of place with the sheer awfulness of the pasts that they invent. Australian comic Rodney Rude went outrageously further. Go google.

And then there are “memberberries”. These featured in the long running American TV show South Park in 2016 as a purple sentient grape like-fruit that rots the brain with fake nostalgia. They evoke feelings of nostalgia in those who eat them, recalling pop culture icons that engender comforting feelings for the supposedly good times of the past. They almost constantly talk about things people remember fondly, particularly the original Star Wars trilogy. They always phrase their reminiscing as “member…?” They also make conservative comments, like recalling when marriage was only between a man and Ronald Reagan. “Member when there weren’t so many Mexicans?” They appear seem to be indestructible as one was seen burned by a torch and acid, and electrified with little to no effects, but, can be squished, eaten, and shot. Their exact origin remains unknown, but they are believed to date back to Ancient Rome.

But seriously, nostalgia is like a “pathology” that  presents as an inability to move forward and accept change. As technology frog-marches us into the future, we keep a constant backward glance. 

Personal genealogical research, German academic and cultural historian Tobias Becker reminds us in his recent  Yesterday- A New History of Nostalgia that it is the third most common use of the internet after shopping and pornography. Some of those pursuing it, he notes, are just casually curious,. Others are taking what feels like refuge in an earlier time, or seeking a more solid sense of an ethnic identity that can shape their own outlooks and politics.

And this is where it can get dangerous because the word itself can be weaponised. People on the left often insist that people overtly inclined to nostalgia are really seeking a fig leaf for their own racism. Folk of the right cleave to the revival of glory days of old, whether they existed or not, which at its most extreme can be used as a battle cry in the “war against woke”, “replacement theory” and the likes of the MAGA movement, and even Brexit.

Thomas Mallon, quoted above, provides what I consider a fair explanation for this present day fascination, and to some, preoccupation, with our past. Nostalgia, he reckons, goes much deeper than just an idea or concept. So deep in fact “that one wonders if it isn’t a neurological condition, something fundamental and immune to the vagaries of history. As people begin living beyond their Biblical allotment of seventy years, they experience the first exaggerated panics over forgetting a name or a date, which is usually remedied by a Google search. But then comes the growing realization that short-term memory has nothing like the staying power of the long-term variety. Mentally, the seven ages of man speed up their full-circling, until the past’s sovereignty over the present is complete. The further along one gets, the more one understands that the past is indeed another country, and that, moreover, it is home. Long-term memory’s domination of short may be a hardwired consolation that nature and biology have mercifully installed in us”.

Margaret Thatcher, however, often she might have invoked her hardworking grocer father, generally regarded the past as a place where she wouldn’t be caught dead (she was happier sitting atop a bulldozer or a tank).

[For a broader, academic discussion of the topic see The Future of Nostalgia by the late American cultural theorist and artist Svetlana Boyd (Basic Books, New York 2001 or this précis http://monumenttotransformation.org/atlas-of-transformation/html/n/nostalgia/nostalgia-svetlana-boym.html  She wrote about two kinds of nostalgia: restorative nostalgia, which is an attempt to restore the past, and reflective nostalgia, which focuses on longing, loss and the instability of memory. I don’t want to be 17 again – that starry-eyed slacker! – but neither would I wish that self away. Then there’s Bulgarian author and essayist Maria Popova’s analogy that we are all our ages “stacked within the current self like Russian nesting dolls, not to be outgrown but to be tenderly incorporated”.]

A warm inner glow

What happened to the boy I was?
Why did he run away?
And leave me old and thinking, like
There’d be no yesterday?
Spike Milligan, Indian Boyhood

There’s nothing inherently or intrinsically wrong with nostalgia. Nostalgia is not just wanting to go back to something that no longer exists, but wanting to go back to something because it no longer exists. It’s not just that the past is another country, to borrow JP Hartley’s famous aphorism, where they did things differently, as did we, they perceived and thought things differently too. Whilst we rejoice in “the good old days” of our youth, like the parable of the blind wise men examining an elephant, our perspective is coloured by our experiences and our circumstances before, during and after, and the expectations and assumptions, prejudices and predilections that these engendered.

When we were younger, time appeared to move more slowly than in our later years. It is in our nature to imagine and indeed, re-imagine our salad days as the best of times and the worst of times. But looking back through our back pages, these years was perhaps no better or worse, no more significant or seminal than any era fore or aft. Like objects seen through the rear-view mirror, memories always seem a lot closer and bigger. When I’ve revisited roads and streets where I grew up, playing or sauntering or rolling home with a skinful in the pale moonlight, they are no way as wide, long or spacious as they are to the mind’s eye.

Vivid memories can distort time, making you feel that that weren’t that long ago. It’s not easy to let go of what you can’t forget, particularly if your imagine yourself in a perpetual winter of discontent in which everything passes and everything changes, and the pace, the degree and the contours of change are difficult to comprehend, leaving you feeling discombobulated, disassociated and maybe, even, a little disappointed. But we do, however, enhance our depth of perception and perspective and accordingly, our understanding.

Yet, memories are fallible at the best of times, and the way we narrate our own lives can often be partial versions of the truth. Whether our images of worse-but-better times are accurate, or just scrappy patchworks of meme, myth and memory, they are deeply ingrained.

But with most things, it’s all a matter of proportion.

call it memory, call it geography, call it
the vast landscape of childhood or night—a thing
disappearing—a country turning into a map.
Stav Poleg, Memory and Geography

Sunbathing in Banalities

When we talk about the past, we always reveal something about the present. It is hard to imagine a more intriguing or overlooked body of evidence for assessing recent British social history than the Facebook groups that have proliferated in the last couple of decades as young folk have surrendered the Facebook social media space to us “boomers”. These nostalgia communities have flourished on Facebook as its user base has grown ever older in the past decade.

It may not be “representative” in any quantifiable way, but the sample size is vast, and the memes are a canvas for a whole range of contemporary insecurities and collective memories. History might be written by the winners, but anyone can share a post on Facebook. It has given us something like a more chaotic, 21st-century version of Mass Observation, that treasure trove of vox populi reportage from the ‘thirties onwards.

Though there is nothing generationally unique in the desire to bask in the banalities of our pasts, there are now many Facebook groups devoted to commemorating the same mundane aspects of life. They’re not necessarily rivals – many folk subscribe to several. British groups include The Yesteryears Revisited, Do You Remember This?, I Grew Up In The 1970s, The British Nostalgic Bible, and One Hundred and Ten Percent British. Together, these Facebook groups have close to 2 million members: more than the official pages for the Labour Party, the Conservatives and the Lib Dems combined. The baby boomer nostalgia industrial complex is thriving.

I am a member of several such groups. My favourites are Midland Memories, celebrating where I grew up in Birmingham and it’s environs; Swinging Sixties London, rejoicing in those generous times of music, colour and adventure; Yesterday’s Britain, It was a Better Britain, which i believe is now defunct, was long on nostalgia and short on tolerance for “the new “, but had wonderful pictures; and three fabulous Hippie Trail groups which are a kind of virtual “school reunion” for now superannuated former rovers like myself and many friends who journeyed overland to India and beyond in the sixties and seventies.

On these blue remembered hills, there are no births, marriages or deaths, no wars, no world-historic events, no great men and women of history. There is no post asking “who remembers the Cuban missile crisis?” or “who remembers the sinking of the Belgrano?” Or even, given the recent broadcasting of deliciously subversive The Crown, “where were you when you heard that Prince Di had died?”  Those questions are too remote from ordinary life. Instead, we have “Who remembers ….? … bin men, street cleaners, milkmen and coal men, dinky toys and chocolate bars, gramophones, Dixon of Dock Green and Listen With Mother. We truly are … The Village Green Preservation Society:

We are the Sherlock Holmes English Speaking Vernacular
Help save Fu Manchu, Moriarty and Dracula
We are the Office Block Persecution Affinity
God save little shops, china cups and virginity
We are the Skyscraper condemnation Affiliate
God save Tudor houses, antique tables and billiards …
Preserving the old ways from being abused
Protecting the new ways for me and for you
What more can we do?
Ray Davies, The Kinks

The “proper binmen(the featured picture of this post) and like memes are popular to a degree that may feel initially baffling. They attract phenomenal interest and enthusiasm from older Britons on Facebook, where a whole constellation of meanings and memories are projected on to them: pride, anger, resentment, weariness, ennui and fond, at times very touching, personal recollection. They embody a lost postwar idyll – and often, in many people’s imaginations, point to a decline in the fortunes of a once-proud and powerful nation and its national character, as seen in what is perceived as the apparently appalling state of their modern-day counterparts, and indeed, society as a whole, which is rotten in spirit, character and service.

The gripes of wrath

There used to be trams
Not very quick got you from place to place
But now there’s just jams, half a mile thick
Stay in the human race, I’m walking
They’ve stuck parking meters outside our door to greet us
No, Fings ain’t wot they used t’be
Monkeys flying around the moon
We’ll be up there wiv ’em soon
Fings ain’t wot they used t’be
Once our beer was froffy, but now its froffy coffee
No fings ain’t wot they used t’be
Lionel Bart, as sung by Max Bygraves

This was actually the title song of a 1959 musical produced by British playwright Joan Littlewood with songs by Lionel Bart (of Oliver fame). It launched the career of “Carry On …” star Barbara Windsor. The Carry On films, featuring the cream of contemporary British comedy, were themselves an audiovisual time capsule of a simpler time with their contrived plot lines, slapstick humour and “nudge nudge wink wink” innuendo.

It is a revelation to observe how lovely snaps of the past and “the way we were” (yet another retroflective weepy) can so easily trigger the rantings of “grumpy old white folk” against “wokey snowflakes”. The past was not better or worse than the present. It was just different and we held different views, perceptions, prejudices and, as importantly, expectations. And maybe, it is disappointed expectations and the realities of ageing that engender a jaundiced view of today’s world. To quote American baseball ace Yogi Berra, “the future ain’t what it used to be”.

Those were days when boys were boys, girls were girls, and  “when chips were chips”, not microchips, and preferably with lashings of salt and vinegar and wrapped up in newspaper. These, like so much else, were much better then.

“Everyone knew their place”, lament some aging nostalgists. One member of a “memories” group shared: “In those days we had capital punishment, homosexuals were jailed, and prison was not like a holiday camp. Hardly any illegal immigrants, most children were brought up in a family with two parents who were allowed to discipline their children if necessary. The woke brigade did not exist and snowflakes only fell from the sky in the winter” Another wrote of “a lack of discipline in all walks of society, therefore lack of respect. Too many immigrants from the 50s on, not heeding Mr Powell’s wise words. Glad I’m old and won’t be here in 20 years time; I feel sorry for generations to come. Certain areas are already like the lawless, drug-fuelled, murderous parts of the Caribbean. You can never bring back those wonderful early post war times portrayed in that picture”. And another: “No wokey snowflakes, no oil protesters, no green loonies, people being allowed to get on with their lives. Happy days!” Also, while we’re at it, let’s reclaim well-loved and once casually used words like “gay”, “queer” and “fag” and many others that mean something else, usually unpleasant, today. And we never did get an answer to Spike Milligan’s Goon Show query: “What’s become of that crispy bacon we had before the war, ey

Back in those days, we were “a gentler, kinder more law abiding and respectful society”. There was respect, you read. “Men were men and women were women. Streets were cleaner, as was our language. Policemen were politer. There were no litter, no wogs, no tattoos”. There was no intrusive and onerous health and safety regulations, so kiddies could play on the spotless streets and on unfenced and cluttered bombsites without fear of accident and stranger danger, and almost ever face you’d see was white, and you could actually see those faces

The right wing has an advantage in appealing to dislocated and atomised people: It doesn’t have to provide a compelling view of the future. All it needs is a romantic conception of the past, to which it can offer the false promise of return. When people are scared and full of despair, “let’s go back to the way things were” is a potent message, especially for those with memories of happier times. Those were invariably remembered as socially cohesive – and white.

Ever since then, to quote another song, “It’s been a hard days night …”

Many folk comment about the absence of coloured faces, hijabs, etcetera in old photos, and rant about “the invasion”. They blame “the government” for introducing mass immigration. Hardly surprising when half the government are immigrants themselves”. Some add that politicians ought to to be indigenous – whatever that means as indigeneity is a murky subject. One states that any politician should be an indigenous person . “What idiot first allowed immigrants to take office. Us ordinary folk know they don’t give a hoot for their own people they are in it for themselves and power trip and I’m talking about our own indigenous MPs as for the others …Can you imagine Brits going to Asian countries and being elected to the three highest offices in their government?it just would not happen, but here is does. this is why were are the state we are in”.

When a group member declared “time take the country back!”, I cheekily replied “where to? 1950?”

“There was a time”, someone wrote, “a time when the Sceptred Isle [that came from the Bard of Avon] was full of proper born and bred British folk … who had been through two world wars … Fought for this country … got married had two lovely white children, a boy wearing boys’ things a girl wearing girls’ things … No doubt husband still slogging away twelve hours a day down some coal pit, not sunning himself on some Caribbean island … Showed respect to king and queen … Armed forces … Police and doctors … And discipline was enforced in school and home … There was conscription and hanging and children called out “mum and and dad, auntie and uncle” … A policeman, doctor, teacher were Sir or Miss or Mrs … church on Sunday .. Christening, Confirmation, Holy Matrimony. The priest was a Vicar for the CofE … Vicar was called “Father” there were no women vicars … Catholics were tolerated but the Irish were a problem … I could go on reminiscing but it’s time for my meds and an afternoon nap … GOD SAVE THE KING and GOD SAVE THIS SEPTIC ISLE …

At this point, I realized that this stream of unconsciousness was probably a wind-up. But it encapsulated perfectly a mindset of disconsolate misery. We are not only surrounded by the ghosts of Old Britain – and here in Australia by a comparable cohort – but also by its living dead, the remnants and survivals, the attitudes and assumptions, the fallacies and fears, the nostalgia and the neurosis. As American author William Faulkner wrote, “the past is never past. It is always with us”.

Glory days

I could tell you my adventures—beginning from this morning,” said Alice a little timidly; “but it’s no use going back to yesterday, because I was a different person then.
Lewis Carroll, Alice’s Adventures in Wonderland

And so, the past takes on the appearance of a mythical landscape, and escapist fantasy even, of the monoculture, the civility, the cleanliness of minds, hearts, and places, the abiding sense of order, the and the idea – or the lie, more like, that if things were better run nowadays, we can retreat to it.

The following comment to an article like this one in my favourite e-zine Unherd on 3rd October 2023 put it thus: “… as my generation has aged and the future hasn’t perhaps turned out as well as our parents would have hoped, we have created a slightly cartoonish overly sentimental narrative that harks back to ‘our’ glory days. But of course, they weren’t our glory days at all – they were the glory days of our parents”. WH Auden said it similarly in a sonnet of 1938:

Some could not like or change the young and mourn for
Some wounded myth that once made children good,
Some lost a world they never understood,
Some saw too clearly all that man was born for.

There were never any “good old days”, really. There was poverty, slum dwellings, inequality, intolerance, deference, corporal and capital punishment. Things might seem bad today, but social, medical and technological change and growing awareness and concern for others have made life better overall. The “freedom” of those “good old days” was an illusion. Step out of line, be you female, gay or Red, long-haired or “other”, and you were taunted, cold-shouldered, black-balled or bullied. Homosexuals were jailed. “It was hard”, one member once commented, “but respectful of community. To which I replied: “…yeah, but no, but … there was always an “other”. Irish, Catholics, travelers, beatniks, teddy boys, gays, West Indians

As for everyone “knowing their place”, my place would’ve been at the bottom if not for the social and political change, including free healthcare and education, that enabled working class children to grow up healthy and ambitious.

And what’s with the discipline thing? One group member commented that the banning of corporal punishment in schools was “the start of the rot”, whatever that meant to him (yes, it’s usually males who seem dig a bit of biffo against school children – you see it often on social media when schoolies walk out on climate strikes). I never relished the ruler, cane or gym pump (which I endured, infrequently, fortunately).

Corporal punishment was often administered by teachers who enjoyed meting it out – that it was a power thing, and arguably, at times psycho-sexual. In short, child abuse. I was caned and slippered on several occasions, not for indiscipline at all but for academic performance. The teachers inflicting it were known to be bullies but the powers that be tolerated it because such measures were for “our own good” and didn’t cause long term harm. The “it made a man of me” school are possibly retrofitting their childhood experience to suit their contemporary grumpiness.

The “this will hurt me more than it hurts you”, “it’s for your own good”, and “spare the rod …” etcetera, left me cold. Nor the likes of “manners maketh the man”. I can’t say that this made a “man” of me! That, I put down to the National Health Service, free public education right through to sixth form and scholarships to university – and public libraries.

[As an aside, Fintan O’Toole’s “personal” history of modern Ireland, We don’t know ourselves, describes the horrific abuse meted out on generations of Irish children by church run schools, children’s homes and reformatories – to which the authorities turned a blind eye, and which the public tacitly condoned with its silence. O’Toole is mostly definitely in the “corporal punishment is potentially sadism or sado-masochism” camp]

When it comes to modern devices and distractions, folk hark back with a “we didn’t have … and ….” and “we had to made do with …” To which I reply “we would’ve if we could’ve if it had been invented”. Which is probably the case as we boomers took enthusiastically to music cassettes and cds, Walkman and PCs, mobile phones and smart TVs. Odds are the group members are typing their griping on an iPad or iPhone or similar.

I get it that, for some folk, there is an atavistic, rueful longing for the good old days, a golden age when things were simpler albeit less comfortable, when folk were respectful and deferential, and appreciative of the achievements and sacrifices of their fellow countrymen and, at times, women. otherwise”. But, those “seasons in the sun” were, to quote Boz, “… the worst of times and the best of times”. They were then and now is now.

Think I’m going down to the well tonight
And I’m going to drink ’til I get my fill
And I hope when I get old, I don’t sit around thinking about it
But I probably will
Yeah, just sitting back
Trying to recapture a little of the glory of
Well, the time slips away
Leaves you with nothing, mister, but boring stories of
Glory days
They’ll pass you by, glory days
In the wink of a young girl’s eye, glory days
Bruce Springsteen

A glass half full

“So what? Yes, things change. I’ve noticed. Yes”, wrote British stand-up comic, satirist, writer, and broadcaster Simon Evans, in Quillette, 2nd March 2023. “The sands of time will run through the hourglass and the desert winds will blow away the dust of my bones and raze my vainglorious monuments to the ground. Big deal. I like change. New things replace the old and the world would be boring were it not so”.

Indeed! To riff once more on Charles Dickens, the past and the present are no better or worse, just different. Times change. Things change. We change. I was born in 1949, grew up in the fifties and came of age in the sixties. “Then” was good. It is now 2023, and “now” is good too. Back “then”, I could never have imagined today. 

I’m a glass half full person, and also, a keen participant on social media nostalgie. Not because I’m embittered or regretful, but rather, I derive great enjoyment from basking in “les temps perdu”. Things change, for change they must – and not all change is for the best. To some changes, I am reconciled. Others sadden me, but I have accepted that it is less than politic and also quite pointless to complain.

The “good old days” narratives that “we might’ve been poor, but we were happy” and that simpler, slower-moving times were better than today’s fast-paced, economically and socially and culturally changing world, might be comforting, but may not be realistic ones. Yes, we recall that might’ve been happier, more contented even, as Houseman might’ve thought, and our world seemed bigger and brighter, like objects seen through the rear-view mirror, as noted above; but we were young and naïve and everything was new to us. We looked about ourselves with fresh and un-taught eyes and minds. Back then, we may have been young gods and goddesses, and the open road was laid out before us.

And yet, give me today any day for all its faults, challenges and complications – and its cultural and technological advances. In truth my wife and I would not be here now if not for modern medicine. And that might well be the problem when it comes to our present “civilization and its discontents” (that’s from my old friend Nietzsche). In olden days we’d’ve been dust by now and wouldn’t have had to go through this existential “vale of tears”.

If, like dear dead Dusty, my school boy crush, who opened this piece, I’d like think that if I could go back “to the things I learned so well in my youth, those days when I was young enough to know the truth”,  I’d like to take with me my twenty first century septuagenarian sense and sensibility, sans the world-weary cynicism and physical inconveniences of my age and aging – and my iPad. Forget the phone!

And every day can be my magic carpet ride

On a personal note, back in those dear gone days, I was a Roman Catholic and my folks were paddies and went to a school that was secular with a very strong CofE ethos. Boy Scout, Senior Scout. Working class, obedient to a degree but never deferential to the powers that be, republican from an early age, socialist when I reached the age of independence, though with half-informed thinking, got into fabulous music, went to uni, had sex, did drugs, hitchhiked, travelled the hippy trail, dodged the slings and arrows of outrageous fortune, and even worked for the MoD, emigrated to Australia, where, through hard yakka and a shitload of good fortune, I did quite well for myself. So I’ll admit that my up-beat perspective of today is to a very large degree due to my good fortune. Not that I’ve been especially astute, canny, and opportunistic, but rather, I’ve been lucky with the hands that have been dealt me throughout my life.

And that went right back to the beginning. As I have written often before, my brothers and I grew up in a a comfortable, happy home with loving parents and a great aunt, “with free medical treatment for all our ailments, and free optical and dental care. I still have crooked teeth – no fancy orthodontics on the NHS – but I have all my teeth still. And my eyesight. We were educated, for free. This came in during the war with the Butler Act. So, thanks to the Welfare State, we were housed and healthy enough to get to primary school and beyond. Once there, we had free books, free pens and paper, and compulsory sport, and doctors and nurses would turn up on a regular basis to check our vitals. When we came out the other side, we were free to make our own choices, and chart our own course through the reefs and shoals of life. And thus, we were able to reach the glorious ‘sixties ready to rock ‘n roll”.

The Spirit of ’45

Back in the days gone by

My memories are my greatest riches
From back in the days gone by ,,,…
Time moves on like a melody, and
I can hear those memories sing
Larkin Poe, Tears of Blue and Gold (2020)

Yes, my formative years were the sixties, and I wouldn’t have missed them for quids (not that I’d had anything to do with being born at the right time in the right place), when, if we wished, we were able to break free of the surly bonds of the past. I have written earlier:

“Cynics say that most people who remember the sixties were not there. Well, I was, and I remember it all so well. And was it as great as they say? Yes it was, to me at any rate. But in reality, the story of the ‘swinging sixties’ has grown with the telling. In the closing scene of The Man Who Shot Liberty Valance, the journalist says: “This is the West, sir. When the legend becomes fact, print the legend”. And much of what has been remembered, written, and said about those years has followed that maxim.

This was indeed a decade of change and ferment. Values changed, morals changed, habits changed, clothes changed, music changed (the best music ever, many have argued). The way people looked at the world and thought about it. We often look back and remark that a supernova of creativity burst over the western world during those years, the likes of which was not seen before and has never been seen again. And nowhere more so than in decadent, decaying, depressing, old England, trapped in tradition, class, and prejudice.

And yet, this revolution road was walked by but a few. The greater proportion of the populace, young and old alike, carried on as if nothing untoward was happening. Following in their fathers’ footsteps, faithful to social and economic scripts written before their time, possessed of neither time, means, opportunity or inclination to indulge in the sensual, intellectual, artistic and political playground that was accessible to students and socialites of that generation. People were more affluent, no doubt, more comfortable in a maslovian sense, more socially mobile, better educated (a relative term, this), but overall, not overly adventurous. And truth be said, many of the social and political changes that are said to epitomize the ‘sixties, were well underway during the ‘fifties and even earlier or did not reach true fruition until the decades that followed.

But for we few, we happy few, in our own private Idahos, our little self-important backwaters of intellectual and cultural elitism, times were indeed a’changin”.

London was the “scene”, and then only the West End. The rest of the was still pretty drab and monochrome. But everywhere, clothes and music started to brighten things up.

With these metaphorical themes, so then did the threads unravel, so began a journey that is now drawing to a conclusion. These were the moments I occupied, looking out onto England, but imagining the wider world. And then, from the far side of the world, where the journey will most likely end, in the midst of an Australian forest. Here we are then, with the world literally at our fingertips, as we look out onto a world that is smaller, more knowledgeable, more prejudiced, less wise, more dangerous, more enthreatened, but as ever, beautiful, unfathomable, and magical. And at times like these, perhaps like Banjo, “I somehow fancy that I’d like to change with Clancy” as he “sees the vision splendid of the sunlit plains extended, and at night, the wondrous glory of the everlasting stars”. And hope that like the Bobster, we shall “dance beneath the diamond sky with one hand waving free, silhouetted by the sea, circled by the circus sand, with all memory and fate driven deep beneath the waves”. But let’s leave the last words to AA Milne as we bid farewell forever to The House at Pooh Corner: “wherever they go, and whatever happens to them on the way, in that enchanted place on the top of the Forest, a little boy and his Bear will always be playing”.

Back In The Day

The beat goes on

When we reminisce about our “salad days”, they’re nothing more emotionally satisfying than the music we listened to; it is a portal to those times because there is nothing like songs and music from our past for unlocking memories. As the old crooner used to sing, those “magic moments” provided us with our very own soundtrack, a veritable code that even today, connects us to our contemporaries.

One constant nostalgist Facebook meme is the audio cassette tape. It inaugurated an era when it was possible to control one’s private soundscape, something we all take for granted now. It was cheap, portable, easy to use, and eminently shareable. It could live in the footwell of the a car or the bottom of a backpack. And was thrilling to those of us raised on vinyl. Suddenly, anyone with a cheap tape player could record music and share it. With its advent of the audio cassette, many of us took to compiling party tapes and car tapes of favourite songs to mark our passage from adolescence to adulthood, tapes that we would share with friends and also, with the objects of our young emotions and affections.

Nowadays, we have more ways to access music than at any time in history and a whole world of unfamiliar styles to explore, aided by instant access if we desire, to platforms like You Tube. And yet, there has been research to show that our willingness to explore new or unfamiliar music declines with age. It’s as if we believe, like American songwriter and musician Bob Seger: “today’s music ain’t got the same soul; like that old time rock ‘n’ roll”. There appears to be a consensus that people are highly likely to have their taste shaped by the music they first encounter in adolescence when our brains have developed to the point where we can fully process what we’re hearing, whilst the new experiences and heightened emotions of those years create strong and lasting bonds of memory based on pleasures past.

Donovan and Jenny Boyd wear the love like heaven

Farewell Middle Earth 

I’ll leave my conclusion to American writer, artist and Druid (yes), Cerri Lee:

I suddenly realized it is a profound and overwhelming sense of loss for their world and mine that I feel as the Elves sail away from the Grey Havens. When the Elves leave, they take with them the enchantment from the land, something dies in it and I am left on the shores of Middle Earth amidst a fading beauty, as they sail on into the distance. The realization that now humans will have no restraints in their actions and will push forward the rise of mechanism, commerce on a global scale, and a discarding of anything that even looks like ‘fluffy’ thinking. My Middle Earth will never be the same again and I am constantly mourning its passing through this story. It leads me to wonder if some part of that feeling is what drove Tolkien to write his story.

As a fifty something woman I am starting to feel my age in the way I think. Occasionally I fall pray to the “In my day” ‘rose-tinted’ view of how things were ‘back in the day’. I don’t really think times were ever any better as such, no, definitely not better. But maybe the problems seemed more understandable, more bite sized and chewable. In truth they were not, but memory is a funny thing, as we all know, it can warp and change how we view the past.

I know that things on the global scale have always been complicated, difficult and a fine tightrope walk between warring factions, people in famine and glut, all striving for a peaceful coexistence. It is only the access to media coverage that bring the problems so close to home leaving me with the sense that I am standing before the Black Gates of Mordor, with the armies of the enemy massing on the other side and the Great Eye glaring down on me from his Tower.

© Paul Hemphill 2023.  All rights reserved

Finally I understand why Tolkien’s Elves make me cry

McGoohan’s Blues – sunbathing in the rain

All along the ancient wastes the thin reflections spin
That gather all the times and tides at once we love within
That build the edges round the shrouds that cloud the setting sun
And carry us to other days and other days to one

Roy Harper, The Same Old Rock, Stormcock

It must’ve been May 1969. A cold, wet and windy day in Hull, Yorkshire. I’d hitch-hiked from Reading in Berkshire to London and then northwards on the A1 to visit an old school chum in the Humberside port city. And it is there, in a student share house that I first dropped Mescaline, a derivative of peyote, an hallucinogenic psychotropic favoured by Mexican shamans of yore. In our circles, it was prized for its visual and aural delights rather than the more ”head trip”, mood-manipulating and psychologically unpredictable and potentially unsettling lysergic acid. And that evening, headphones on, I first listened to McGoohan’s Blues.

This eighteen minute digression from the concept if not the plot of an iconic if indecipherable ‘sixties’ television series (that’s the featured picture), was the penultimate track on Folkjokeopus, the third album of English folk singer, songwriter and acoustic guitarist extraordinaire Roy Harper. The song was indeed the whole point of Folkjokeopus – its raison d’être- the rest of the album was predominantly light-weight, comedic psychedelia – with the exception of the bleak and bitter but nevertheless captivating “love gone wrong” song She’s The One.

Wikipedia and generic music sites tell us that Folkjokeopus was released in June 1969, but more hip sources reckon it was released on May Day – and my memory concurs with that because Spring sprung as I was hitching homeward, and I reveled in the record all summer long.

Though I’d been going to folk clubs for several years, I’d not heard much of Roy Harper apart from a throwaway hippie-vaudeville track from his second album on The Rock Machine Turns You On, one of the many popular ”sampler” albums of that. The best was CBS’ double album gatefold Fill Your Head With Rock (loosely defined – it included Leonard Cohen and Laura Nyro).

Sunbathing in the rain …

And how does it feel with your god strapped to your wrist?
And him leading you such a chase …

Roy Harper, How Does It Feel, Flat Baroque and Berserk 

So, there was I, on Humberside in a space “somewhere between Heaven and Woolworths”, to borrow from contemporary Mersey poet Brian Patten, who I was into at the time, listening to a sprawling and bawling, angry, eighteen minute solo acoustic guitar-driven folkie rant against capitalism, consumerism, hedonism, religion, conformity, ignorance, deceit, hypocrisy, the system, the establishment, the plutocracy, the banks, the media, the baubles and bibles, modern life … everything really. You can’t fight the manipulated, oppressive, powerless, pointless and utter futility of it all – as the song unfolds, you start out questioning, but you end up obeying.

The singer had indeed become the eponymous Prisoner, yearning for liberty but trapped in a deceptively bucolic and scenic and yet sinister “village” that is in reality an open-air jail – kind of nightmare Butlins Holiday Camp (beloved yet satirised by a generation of Britons) with all attempts at escape foiled. It was in fact filmed in Portmeirion in North Wales, a town that has developed a robust tourist industry on the back of the cult classic.

Patrick McGoohan and Virginia Maskell in  The Prisoner

Roy Harper was twenty-eight years of age and already a jaded veteran of the folk-circuit and ad bitter divorcee with heavy personal baggage, a wee son he dotes on and chips on both shoulders (well-balanced, I suppose) raging against the machine. His is a seemingly nihilistic anomie with no direction home, denouncing “the deceit of my friends the betrayals of which I am part …” He sees himself as an outsider, “the festive consumer who end up consumed by the feast”, but nevertheless questioning “the rules and the codes and the system that keeps them in chains, which is where they belong with no poems, no love and no brains”.

This is reflected in many of his songs from that era, most particularly those featured on his fifth and to many, his best album, Stormcock, released in May 1971; and this led me then and always to regard him a kind of high priest of Anglo angst.

There’s this from 1970’s Flat, Baroque and Berserk, already quoted above:

And how does it feel to be the master’s right hand nose?
How does it feel to be lieutenant?
And how does it feel to be stood on someone’s toes?
With a leech bleeding you for rent
When you say you want a bit more rank
You wanna be a big wheel
You can feel magnified if you hide in your pride
It’s not real
And how does it feel with a white flag in your fist?
How does it feel to have two faces?
And how does it feel with your god strapped to your wrist?
And him leading you such a chase

During my many, many years on the hamster wheel as the mater’s right-hand nose, I would often remember often that penultimate line.

In 1969, Roy had a few more years on the clock than me. I was twenty. A naïf, ingenue, whatever, at the end of the beginning of my journey. I was optimistic, adventurous, devil-may-care, inexperienced with people and their variegated behaviours, untainted by pride and prejudice, and in retrospect unfamiliar with the bitterness and vitriol that he injected into his song. But I guess I “got it”, understood what he was saying to me through those headphones in the sanctum of my “trip” – yeah, that’s where I was at that point in time, for the want of a better description. Though I was aware of what he was preaching, I’d had precious little direct experience – those lessons were down the road apiece, and not that far away either. But that’s another tale … long story short, I was radical when I first heard the song. I remain so half a century hence. And. I still “get it”!

The title of this article, by the way, is taken from an entertaining an informative book by Welsh author Gwyneth Lewis: Sunbathing in the Rain – a cheerful book about depression. This is not to suggest that Roy Harper is actually a depressive – but he’s certainly a master of writing excruciatingly sad, depressing and borderline nihilistic songs and delivering them with an angry, emotional intensity. Having seen him perform live many many times over the following five years, I recall that many times he would deliver rambling and even disjointed introductions and extended soliloquies that taxed his audience’s patience and forbearance. I once walked out at the interval during a gig at the Royal Albert Hall even though he was accompanied by guitar icon and Led Zeppelin alumni Jimmy Page. The songs did indeed mirror the man.

Roy in his seventies, still rockin’ in the free world

But, back to Hull and my headphones …

Having ridden the rollercoaster through the seemingly stream of consciousness rant for some ten minutes, Roy imperceptibly segues into a lyrical, calmer (though still edgy) and quieter mood, a dreamy, trippy vision of hope and resilience, suggesting that despite all the difficulties and diversions, the compromises and cop outs that went with being enveloped, embedded, trapped even, in the system, there is still hope for a better future. And climaxes in a folk-rock coda cum apotheosis.

The band kicked in – and so did the mescaline. Listening today, the band’s entry entrance feels contrived and ponderous, but in my mind’s eye, I can still recall the multicoloured images that flashed across bay closed eyelids. Disneyesque “Fantasia” forms of many ebbed and flowed, shape-shifted and morphed with the music and the lyrics. Rivers and rainbows, fairies and fires, sunrise and sunset, galaxies and stars.

Under the toadstool lover down by the dream
Everything flowing over rainbows downstream
Silver the turning water flying away
I’ll come to see you sooner I’m on my way
And there’s a mirror that I’m looking straight through
And I get it
And there’s a doorway that I’m ducking into
To forget it
But flashing just beyond the sky
The shattering midnight gathers
And reminding me behind my mind
The earth quakes, the sun flakes flutter

Over the mountain fairground
Candy flies stay
Under the moonshine fountain
I’m on my way
Lemon tree blossom ladies
Poured my tea
After the blue sky breezes following me
There’s a river that I’m making it with
And I know it
And I’m floating to I don’t care where
I just go it
But flashing just beyond the sky
The shattering midnight gathers
And reminding me behind my mind
The earth quakes, the sun flakes flutter

Daffodil April petal hiding the game
Forests of restless chessmen life is the same
Tides in the sand sun lover watching us dream
Covered in stars and clover rainbows downstream
And the question in the great big underneath is forever
And the fanfare that I’m forcing through my teeth answers “Never”
But flashing just beyond the sky
The shattering midnight gathers
And reminding me behind my mind
The earth quakes, the sun flakes flutter …

But it was not Roy’s way to end on a brighter note. As with all trips, there is often a comedown:

The pumpkin coach and the rags approach
And the wind is devouring the ashes

Words and images such as those McGoohan’s apotheosis were commonplace back in those days, when Marc Bolan could warble “My people were fair, and had sky in their hair, but now they’re content to wear crowns stars on their brows“. We thoroughly understood that and empathized. And we marveled at the Scottish bard who could pen ‘The Minotaur’s Song‘ and ‘Job’s Tears‘, and then run off with Old Father Hubbard. But then didn’t we all in the days when Tolkien was king, and elves and ents walked amongst us. So when Roy went gambolling through toadstools and daffodils, fairgrounds and fountains, that was just the way it was back then in that Middle Earth between Shangri La and the real world that we’d have to re-enter sooner or later – which I did adventurously two years later.

… down through the years

I dropped mescaline and acid many times over the next few months but though I longed to repeat it, never again did I recreate that very first journey. By year’s end, I’d done with both, and by the end of the eighties, was done with dope. But I remember it still over half a century down the road and I still get flashbacks and glimpses of those fantastical images … How does the great song by that Irish band go?

Unicorns and cannonballs, palaces and piers
Trumpets, towers, and tenements, wide oceans full of tears
Flags, rags, ferry boats, scimitars and scarves
Every precious dream and vision underneath the stars
Yes, you climbed on the ladder with the wind in your sails
You came like a comet blazing your trail
Too high, too far, too soon
You saw the whole of the moon

And what happened next? I graduated, travelled, moved on, and following Roy’s lead, wrote lengthy, opaque songs well over ten minutes long with sonic, narrative and lyrical transitions just like he had done on Folkjokeopus and Stormcock. These include London John and Christopher Columbus in the seventies, and in latter days In That Howling Infinite which gave its name to this blog, an allegorical saga of a Mad Sea Captain and a White Whale, the dystopian E Lucivan le Stelle, and the irreverent O Jerusalem.

I’ve harked back to Roy Harper in several posts in In That Howling Infinite. There’s When An Old Cricketer Leaves The Crease, a eulogy to one of my oldest friends, an avid cricketer who passed last year; and Back in the Day, a chronicle of roots and fruits.  And for more stories like these in In That Howling Infinite, see Tall Tales, Small Stories, Eulogies and Epiphanies.

As for Roy Harpe, he is eighty three, with some thirty albums under belt. He was still touring in 2019, but is now officially retired’, and living in a secluded corner of Ireland,

© Paul Hemphill 2023 All rights reserved

The complete lyrics of McGoohan’s Blues follow the song below.

“I am not a number. I am a free man!” What was The Prisoner?

A Facebook group called Silver Screen Hub posted the following on 26 May 2025:

“What kind of mad genius builds a show like The Prisoner and drops it on 1967 television like a philosophical hand grenade? Patrick McGoohan, that’s who—a man too intense to play James Bond (he turned it down), yet too restless to stay in the spy-fi comfort zone of Danger Man. So he created something far weirder, more provocative, and utterly uncategorizable. The Prisoner  is what happens when a Cold War paranoia thriller gets hijacked by Kafka, Orwell, and a pinch of Lewis Carroll, then force-fed into a psychedelic blender. It starts like an espionage mystery, but by the end, we’re in a surreal, existential theme park ride where the rails vanish and the ride turns inward.

For the first batch of episodes, the hook is clean: Number Six resigns from British Intelligence for reasons unknown. He’s abducted and wakes up in the Village, a whimsically sinister resort-like prison where everyone has a number, no one uses names, and nothing is quite as it seems. Each new Number Two—those middle managers of manipulation—takes their turn trying to crack the riddle of his resignation. Why did he quit? Was he going to defect? Is he a threat, or just an enigma wrapped in a black turtleneck? It’s a classic “information is power” game, and Six refuses to play. That stubborn defiance—his relentless “I am not a number, I am a free man!”- is more than a catchphrase. It is the moral engine of the show.

But as the series barrels toward its final episodes, the narrative glue begins to melt. “Fall Out,” the finale, detonates any sense of traditional resolution. Suddenly we’re dealing with masked judges, dancing robed figures, Beatles songs, and an underground lair that feels like Monty Python got hired to direct 1984. The reveal—that Number One is, in fact, Number Six himself (or at least his own darker self)—doesn’t just bend the show’s premise, it vaporizes it. What began as a battle of wills between prisoner and captors transforms into a full-blown identity crisis. We’re left not with answers, but with allegory, ambiguity, and the unnerving suspicion that the Village isn’t just a place. It’s a condition.

So, why was Number Six in the Village? The surface-level answer is: because he quit and they couldn’t risk what he knew. But that’s just the narrative scaffolding. McGoohan had bigger fish to fry—he wasn’t interested in tidy spy plots. The Village, in the end, is less about geography and more about psychology. It’s conformity. It’s societal pressure. It’s the quiet terror of losing your individuality in a world that insists you define yourself by the systems you serve. Number Six’s imprisonment is the cost of his nonconformity—and maybe, his own unresolved ego. In that light, the final episodes aren’t incoherent so much as unflinchingly internal.

What makes The Prisoner brilliant—and infuriating—is that it never lets you settle. It evolves from a stylish spy series into a metaphysical character study, then swerves into satirical opera. No one episode is like the next. “The Chimes of Big Ben” feels like *Mission: Impossible* with better tailoring; “Living in Harmony” is a Western pastiche with mind control; “Once Upon a Time” is a claustrophobic descent into madness. And “Fall Out”? That’s McGoohan lighting the whole set on fire while cackling in Esperanto. The studio was stunned. Audiences were baffled. And fifty years later, we’re still unpacking it.

In Hollywood, that kind of swing-for-the-fences storytelling is rare, especially in an era when networks wanted neat resolutions and smiling leads. McGoohan didn’t care. He wrote, directed, and performed with the fevered conviction of a man trying to warn the world about something too dangerous to name. If Number Six is trapped in the Village, it’s because we all are. Our habits, our fears, our roles—we build our own prisons.T he Prisoner just had the guts to show us the bars.”

McGoohan’s Blues

Nicky my child he stands there with the wind in his hair
Wondering whether the water the wind of the where
I fear that someday he might ask me if mine is the blame
And I’ve got no reply save to tell him it’s all just a game
And Heather and I lay together and I was in love
She weighted up the gains and the losses and gave me the shove
The fear of mankind’s untogetherness pounds in my heart
The deceit of my friends the betrayals of which I am part
And O how the sea she roars with laughter
And howls with the dancing wind
To see my two feet standing here questioning

And I’m just a social experiment tailored to size
I’ve tried out the national machine and the welfare surprise
I’m the rich man the poor man the peace man the war man the beast
The festive consumer who ends up consumed in the feast
And my fife eyed promoter is clutching two birds in the bush
He’s a thief he’s as bad as the joker they’re both in the rush
He’s telling me Ghandi was handy and Jesus sold his ring
(Dunno who to, God maybe)
“And everyone knows dat dis dough’s gonna make me de king”

And O how the sea she roars with laughter
And howls with the dancing wind
To see my two feet standing here questioning

Meanwhile the ticket collectors are punching their holes
Into your memories your journeys and into your souls
Your life sentence starts and the judge hands you down a spare wig
Saying: “Get out of that and goodbye old boy have a good gig”
And the town label makers stare down with their gallery eyes
And point with computer stained fingers each time you arise
To the rules and the codes and the system that keeps them in chains
Which is where they belong with no poems no love and no brains

And O how the sea she roars with laughter
And howls with the dancing wind
To see my two feet standing there questioning

Meanwhile the TV commercials are sweeping the day
Brainwashing innocent kids into thinking their way
The wet politicians and clergymen have much to say
Defending desires of the sheep they are leading astray
And Ma’s favourite pop star is forcing a grin he’s a smash
Obliging the soft-headed viewers to act just as flash
The village TV hooks its victims on give away cash
The addicts are numbers who serve to perpetuate trash

And O how the sea she roars with laughter
And howls with the dancing wind
To see my stupid poetry shuffleing

And the bankers and tycoons and hoarders of money and art
Full up with baubles and bibles and full of no heart
Who travel first class on a pleasure excursion to fame
Are the eyes that are guiding society’s ludicrous aim
And the village is making its Sunday collection in church
The church wobbles ‘twixt hell and heaven’s crumbling perch
Unnoticed the money box loudly endorses the shame
As the world that Christ fought is supported by using his name

And O how the sea she roars with laughter
And howls with the dancing wind
To see my stupid poetry burbling

And the pin-striped sardine-cum-magician is packed in his train
Censoring all of the censorship filling his brain
He glares through his armour-plate vision and says “Hmm, insane”
The prisoner is taking his shoes off to walk in the rain
And the luminous green prima donna is sniffing the sky
She daren’t tread the earth that she’s smelling her birth was too high
Her bank balance castle is built on opinion and fear
Which is all she allows within three hundred miles of her ear

And O how the sea she roars with laughter
And howls with the dancing wind
To see my stupid poetry burbling

And I’ve seen all your pedestal values your good and your bad
If you really believe them your passing is going to be hard
And I’ve thought through our thought and I know that its blind silly season
Occurs when our reasoning is trying to fathom a reason
And if you really know it’s all a joke but you’re just putting me on
Well it’s sure a good act that you’ve got ‘cos you never let on
But if all of that supersale overkill world is for real
Well there’s nowhere to go kid so you might as well start to freewheel

And O how the sea she roars with laughter
And howls with the dancing wind
To see my two feet standing there burbling

And I had this dream in here same time as standing awake
These various visions rushed through as I giggled and quaked
The distant guns thunder my end and I duck for a while
Auntie Lily is handing me candy she chuckles I smile
And our village is where I was born and it’s where I will die
And I’ll never be able to leave it whatever I try
The ebb and the flow of the forces of life pass me by
Which is all that I’ll know from my birth to my last gasping sigh

And O how the sea she roars with laughter
And howls with the dancing wind
To see the dying lying there obeying

My age and my time
The blood fire wine and rhyme
That fills my dream reminds me of an atom in a bubble on a wave
That held its breath for one sweet second then was popped and disappeared
Into fruitful futilities meaningless meaning
Meaningless meaning

Under the toadstool lover down by the dream
Everything flowing over rainbows downstream
Silver the turning water flying away
I’ll come to see you sooner I’m on my way
And there’s a mirror that I’m looking straight through
And I get it
And there’s a doorway that I’m ducking into
To forget it
But flashing just beyond the sky the shattering midnight gathers
And reminding me behind my mind the earth quakes the sun flakes flutter

Over the mountain fairground
Candy flies stay
Under the moonshine fountain
I’m on my way
Lemon tree blossom ladies
Poured my tea
After the blue sky breezes following me
There’s a river that I’m making it with
And I know it
And I’m floating to I don’t care where
I just go it
But flashing just beyond the sky the shattering midnight gathers
And reminding me behind my mind the earth quakes the sun flakes flutter

Daffodil April petal hiding the game
Forests of restless chessmen life is the same
Tides in the sand sun lover watching us dream
Covered in stars and clover rainbows downstream
And the question in the great big underneath is forever
And the fanfare that I’m forcing through my teeth answers “Never”
But the flashing just beyond the sky the shattering midnight gathers
And reminding me behind my mind the earth quakes the sun flakes flutter

The pumpkin coach and the rags approach and the wind is devouring the ashes

The Rite Stuff – the coronation’s pomp and circumstance

… remember in this country of yours that every man, woman and child who sees you will remember it with joy – remember it in the words of that 17th century poet who wrote these lines, “I did but see her passing by and yet I’ll love her till I die”.
Australian Prime Minister Sir Robert Menzies to Queen Elizabeth, Melbourne, 1963.

Watching a coronation is the constitutional equivalent of visiting a zoo, and finding a Triceratops in one of the enclosures.
British historian Tom Holland

The United Kingdom is alone in Europe in marking the accession of a new monarch with a coronation. Indeed, no monarchy can lay claim to a longer lineage – one reaching back it is said to the Bronze Age and rooted in history and religion, and also magic and superstition. Inside Westminster Abbey, ­audiences will be encouraged to follow six phases of what is essentially a medieval rite, some of it dating back to Anglo-Saxon kingship: the recognition, oath, anointing, investiture (which includes the crowning), enthronement and homage. Britain is indeed the only ­European monarchy to retain a religious ceremony.

So, anyone expecting that the upcoming coronation of King Charles III and Queen Camilla would be a thoroughly modern affair suited to the 21st Century is likely to be disappointed.

One significant innovation, however, is that millions of other Commonwealth citizens attending coronation events and watching on television will be asked to cry out and swear allegiance to the King with the public given an active role in the ancient ceremony for the first time in history.

King Charles III’s coronation service – the first for a British monarch in 70 years – has been modernised to include the first-ever Homage of the People and will also include faith leaders from Jewish, Hindu, Sikh, Muslim and Buddhist communities to better represent the make-up of modern Commonwealth countries. A new homage was written to allow “a chorus of millions of voices” to be “enabled for the first time in history to participate in this solemn and joyful moment”, Lambeth Palace – the office of the Archbishop, announced. The Archbishop of Canterbury will call upon “all persons of goodwill in The United Kingdom of Great Britain and Northern Ireland, and of the other Realms and the Territories to make their homage, in heart and voice, to their undoubted King, defender of all … a great cry around the nation and around the world of support for the King” from those watching on television, online or gathered in the open air at big screens.

…. our strength in ages past

As these two highly entertaining and most informative articles makes clear, whilst the guest list is much shorter than that of past right royal enthronements, in the interests of public health bad safety, we are told.  There will be no silk stockings and knee breeches for the King or any of the peerage; the number The length of the ceremony has been shortened, for economy and impatient news cycle. The banquets and street parties have been exhorted to eat quiche, a nod to HM’s vegetarianism. The old times are by no means a’changin’. But, rites and rituals historically and hysterically archaic and arcane will prevail as will the imprimatur of the deity, the unctuous sanction of the demographically diminished Church of England and the rights and privileges of the theoretically hereditary aristocracy are upheld in time-honoured, anachronistic fashion.

The first is written by Australian constitutional expert Anne Twomey who has taken time off from her busy day-job explaining defending the coming referendum on the Indigenous and Torres Strait Island Voice to Parliament.  the second, by Observer columnist Catherine Bennett describes the amazing and unforetold apotheosis of soon to be Queen Camilla, Charle’s longtime paramour.

But first, a brief forward from celebrated/celebrity Anglo-Australian barrister and author Geoffrey Robertson. He is no fan of royalty, and is possessed of a sharp pen and a wit to match:

“In London, plans for the coronation of the King and Queen of Australia proceed apace. The ceremony is entirely unnecessary because Charles has been our lawful king from the moment of his mother’s death. This event has no meaning in law; it is merely a superstitious rite whereby God is supposed to anoint the King to run the Church of England, a church to which, according to our last census, only 9.8 per cent of Australians adhere. [Indeed, some 40% of Britain’s profess to having no religion, whilst Christianity accounts for a large diminishing proportion of believers in a celestial deity]

But sadly we will not see the most important bit, the spiritual centre of the ceremony, which the palace has decided must be censored. This is the divine appointment itself. Suddenly, in a Pythonesque moment, into the abbey will rush a team of Knights of the Garter carrying a large tent, which they will erect to cover the King and Queen, the Queen’s hairdresser, and the Archbishop of Canterbury. Inside, unseen by the public, the King will change into a white shirt and be anointed with holy oil – on his head, his breast, and his hands – ladled from the coronation spoon. The holy oil has already been mixed in Jerusalem, with the traditional ambergris eliminated reportedly because the King supports “save the whales”.
The Queen is then anointed on her head, and the royal hairdresser steps forward to clean her up. The King quick-changes back into his purple robes, and the divinely appointed monarchs step out of the canopy and back into view for Charles to swear the coronation oath, “to maintain the Protestant Reformed religion and preserve inviolably the settlement of the Church of England”. The King is at last allowed to sit on his throne (it’s only built for one) holding his orb and sceptre, to “receive homage” from the audience. It is uncertain whether Prime Minister Anthony Albanese will manage to swear to be “your liegeman of life and limb and of earthly worship, to live and die against all manner of folks, so help me God”.
Amen!

Meanwhile, down under …

On Saturday, when the Archbishop of Canterbury conducts the coronation at Westminster Abbey, he will not just be crowning Charles as the King of England, but the King of Australia as well – though we Aussies will not be granted a three day holiday for the occasion like our British cousins.

Australians should never underestimate Charles III’s deep emotional connection to this country.

When the late Queen was crowned in 1953, she promised “to govern the peoples of the United Kingdom of Great Britain and Northern Ireland, Canada, Australia, New Zealand, the Union of South Africa, Pakistan and Ceylon, and of [Her] Possessions and the other Territories to any of them belonging or pertaining, according to their respective laws and customs”. These were the nations which at the time were British dominions, and constituted what is still called “the Realm”, i.e. the countries which recognised the sovereign as their head of state.

The words of the coronation oath that Charles will take are briefer. As there are now 15 Realm nations (of which Australia is one), it has been decided not to list them all individually. His majesty’s promise will be to govern “the Peoples of the United Kingdom of Great Britain and Northern Ireland, [His] other Realms and the Territories to any of them belonging or pertaining”.

And thereafter, to reprise, we will be exhorted to pledge homage “in heart and voice, to our undoubted King, defender of all … “

On matters monarchical, read also in In That Howling Infinite, The Crown – the view from Down Under; Beyond Wolf Hall (1) – Revolution Road, Beyond Wolf Hall (2) – Icarus ascending, and Bringing it all back home – the missing mosaic and other ‘stolen’ stuff 

Expect arcane pomp during King Charles III’s coronation

Anne Twomey, The Weekend Australian, 22nd April 2023

What can we expect from Charles’ coronation? Picture: AFP

The right to brandish a wand, bear a golden spur or produce a right-handed scarlet glove is more likely to conjure associations with Hogwarts than Westminster Abbey. Yet these rights have been bitterly fought over by British families for centuries, leading to a tense wait for the email summons to fulfil their dynastic destinies at the upcoming coronation.

The Sovereign’s Orb was made from gold in the 17th century.
The Sovereign’s Orb, made from gold in the 17th century.
St Edward’s Crown will be used to crown the King. It was made for King Charles II in 1661, as a replacement for the medieval crown which had been melted down in 1649.
St Edward’s Crown, used to crown the King was made for King Charles II in 1661
to replace the medieval  one melted down in 1649 under Oliver Cromwell.

For King Charles III, it will be quite the dilemma. Does he cut out the historical rights and duties of ancient British families to perform particular services at the coronation, such as the King’s Champion, so he can present a modern, relevant monarchy to the world? Or would doing so set the monarchy adrift from the history that justifies its existence?

It seems he is taking a halfway approach, with some of the eccentric pomp and drama surviving, while other roles have been swept away into the dustpan of history.

The golden spurs

One of the most fought-over roles has been to carry the golden spurs and present them to the King, touching them against his ankles.

The gold, leather and velvet spurs symbolise knighthood, and they were altered in 1820 for King George IV.
The gold, leather and velvet spurs symbolise knighthood

Spurs were first presented at the coronation of Richard the Lion­heart at Westminster Abbey on September 3, 1189. They symbolised his chivalry and his valour as a knight. John Marshal was accorded the honour of presenting them, and this honour has been passed down to his descendants.

The chronicler of Richard’s coronation recorded that there were “evil omens” at the service, including a bat that swooped around the king during the ceremony and a mysterious pealing of bells. Richard survived another decade until dying from battle wounds in 1199.

But the evil omen may have attached itself to the bearer of the spurs, as his line of descendants was sometimes disrupted, with one heir suffering summary execution after having been accused of sorcery in the 14th century and another being killed in a tournament. Second marriages and failures to produce male heirs resulted in disputes about which branch of the family had inherited its coronation rights.

Queen Elizabeth II on her Coronation Day, 1953 by Cecil Beaton.
Queen Elizabeth II on her Coronation Day, 1953 by Cecil Beaton.

In the 19th century, the role was dominated by the redoubtable Barbara, Baroness Grey de Ruthyn, a notable fossil collector and geologist, who carried the spurs with aplomb at the coronations of George IV, William IV and Queen Victoria. But her two marriages and a surfeit of daughters who were co-heirs led to a messy chain of inheritance, with four families fighting for the coronation honour ever since.

These disputes were resolved before each coronation by a court of claims, where barristers armed with large scrolls of family trees would battle it out before eminent judges. In 1902, the court held that none of the three claimants had proved their right to carry the spurs at the coronation of Edward VII, and left it to the king to decide. He diplomatically decided that Baron Grey de Ruthyn could carry one spur and the Earl of Loudoun could carry the other. The same division was applied at the coronation of George V.

But in 1936 the coronation court of claims inconveniently found that three claimants had established their claim – Lord Hastings, the Earl of Loudoun and Lord Churston. King George VI, probably wishing he had three legs, found he could not divide two spurs into three and appointed Lord Hastings and Lord Churston to carry one spur each. The same decision was made in 1953 at the coronation of Queen Elizabeth II.

So who would win the right to carry the golden spurs at the coronation of King Charles III? The elderly Lord Churston died in February and the role instead has gone to Lord Hastings, a retired actor and farmer, along with the Earl of Loudoun, an Australian who lives in Wangaratta in Victoria. Each will carry one of the golden spurs.

As the Earl of Loudoun presents his spur, he might indulge a passing thought about how it could have been him on the throne. Some historians have argued that King Edward IV was illegitimate and that the throne should therefore have been passed down a different line to the current Earl of Loudoun.

But while his family still claims the right to present the golden spurs at the coronation, it does not make any claim to the throne.

Coronation of George IV in Westminster Hall: The Champion's Challenge, 1897. Picture: Print Collector/Getty Images
Coronation of George IV in Westminster Hall: The Champion’s Challenge 1897. 

The King’s Champion

If the earl did challenge the King’s right to the throne, he could have to face in mortal combat a retired accountant and farmer, Francis Dymoke, who is the King’s Champion. This role, which he traces back to an ancestor who aided William the Conqueror, is actually attached to the ownership of his family home, the manor of Scrivelsby. Anyone who owns the land is the lord of the manor and is therefore the King’s Champion.

It would be interesting to see how a real estate agent would price this unusual land attribute, but as the Dymoke family has held on to the land for many centuries the role of King’s Champion has remained in the family.

Originally it entailed wearing full armour and riding a horse into the coronation banquet in Westminster Hall. The champion would throw down a gauntlet three times in a challenge to anyone who disputed the king’s title. If the challenge was accepted, there was an obligation to fight to the death. The sight was so impressive, however, that no one ever challenged the champion, although one wonders whether any “sovereign citizens” today might take up the gauntlet.

British Bangladeshis welcome the King and Queen on a visit to Brick Lane in February. Picture: Reuters/The Times
British Bangladeshis welcome the King and Queen on a visit to Brick Lane in February

The greater challenge for the champion was to find a horse that could back out of Westminster Hall without facing its rear-end towards the king, knocking over any tables or defecating over the diners. The last champion to perform this feat at the banquet hired a circus horse that had been trained to walk backwards. But it is claimed that as soon as the horse heard applause from the guests, it assumed it was in the circus and started performing circus tricks, much to the consternation of the man in armour seeking to maintain his balance and the solemnity of the occasion.

As the banquet is no longer held, this picturesque role has ceased. But the King’s Champion was instead given the duty of carrying the Standard of England in the 1937 coronation and the Union Flag at the 1953 coronation.

While the current champion filled in his online form to claim his place, the most recent announcement by the Coronation Claims Office (which replaced the coronation court of claims) made no mention of a role for the King’s Champion. Perhaps the champion’s day is done, or maybe he will get back on the horse.

Queen Camilla. Picture: Imageplotter/Alamy/The Times
Queen Camilla. The Times

The scarlet glove

Another duty that attaches to the ownership of land is to provide a scarlet glove for the King’s right hand and to support his arm while he holds the royal sceptre during the coronation ceremony. This duty attaches to the lord of the manor of Worksop. From the coronation of Charles II, the owner of the land was the Duke of Norfolk, but in 1840 part of the land was sold to the Duke of Newcastle.

There was a dispute about whether he owned the right part of the land to claim the glove duty, but in 1902 the court of claims decided that he did, and the duke’s family fulfilled this role in the coronations of 1902, 1911 and 1937.

But by 1953 the duke had passed ownership of the land to a family company. The court of claims decided that only an individual, as lord of the manor, could provide the glove and support the king’s arm, so the Duke of Newcastle was excluded.

The manor of Worksop was later sold and it is unknown who owns it and whether they have made a claim to exercise their glove duty. If a prominent footballer, Russian oligarch or a pop singer is seen propping up the King’s elbow during the coronation, you will now know why.

Wands

Elizabeth II holds the royal sceptre at her coronation in 1953. Picture: Topical Press Agency/Getty/The Times
Elizabeth II holds the royal sceptre at her coronation in 1953 

The most dramatic moment at the end of the funeral rites for Queen Elizabeth II was when the Lord Chamberlain broke his wand of office and placed it on the queen’s coffin as it was interred.

But a coronation marks the beginning of a reign, so there are plenty of wands, rods, batons and sticks on display, including St Edward’s staff.

So far, we know that the Lord High Constable of Scotland, the Earl of Erroll, has won his right to carry a silver baton tipped at each end with gold.

The Sovereign's Sceptre with Cross.
The Sovereign’s Sceptre with Cross.
The Sovereign’s Ring, left, and Queen Consort’s Ring.
The Sovereign’s Ring, left, and Queen Consort’s Ring.

The Lord Mayor of London, who traditionally carries the crystal mace, will participate. In addition, the Usher of the White Rod (as distinct from the Usher of the Black Rod, who is a parliamentary officer, and the Ushers of the Green Rod, Scarlet Rod, Blue Rod and Purple Rod who serve the royal household) has been invited to attend.

As for the white wand, it is traditionally wielded by the Lord High Steward of Ireland, but the Coronation Claims Office may have exercised the modern-day equivalent of the disarming spell Expelliarmus, leaving him wandless. We must await the coronation spectacle to find out.

Anne Twomey is a professor emerita at the University of Sydney and a constitutional expert.

As Charles is bestowed with mystical powers, so much for a secular coronation

The Guardian, 16th April 2023
The Church of England is doing its best to turn the new king and queen into latter-day deities

In 1996 more than half of England’s bishops thought Camilla and Charles should never marry. When, in 2005, they did, in a register office, 73% of those polled were opposed to her becoming queen. Although the late queen then denied Camilla the bespoke name checks in Anglican worship enjoyed (until their withdrawal in 1996) by Charles’s first wife, she did enjoy inclusion in regular state prayers for “all the royal family”, followed by her 2022 orison upgrade, one that can still shock unwary congregants out of a spiritual reverie: “Almighty God, the fountain of all goodness, we humbly beseech thee to bless Camilla the Queen Consort.

Now, after a transformation that might in more primitive times have been considered miraculous, the Church of England invites us in its new booklet, Daily Prayers for the Coronation of King Charles III, to celebrate Camilla’s “calling to a life of public service”. Church of Ireland liturgists beseech – or challenge – God, in another Camilla prayer, to “make her an example of virtue and godliness”. If this dismays Diana loyalists unable to forget the rottweiler years, Camilla’s acolytes could reasonably argue that a similar delay in St Augustine’s calling only added to his appeal. There may be hope, yet, for Prince Andrew.

Whatever the final shape of the coronation, traditionalists who fear – as recently reported – that Charles wants some all-faithsy sort of variations on the old template, should surely take heart from the conviction, as testified by feats of prayer-composition alone, with which the Church of England has assumed ownership of the rite. (Not forgetting the king’s probable awareness that a more modest or ecumenical coronation would likely come at considerable cost in Camilla homage.)

While the palace states, vaguely, that the ceremony “will reflect the monarch’s role today”, a letter from the archbishops of Canterbury and York reminds clergy that the ornate enthronement is a religious event: “through it we receive from Jesus”. Though, in a more easily observable transaction, it also receives from the king, in visibly enhanced status, while his mystical authority is, in return, supplied by the clergy in a style that might have verged on the obsequious at the Restoration.

In today’s new coronation prayer we are invited to pray, for example, on behalf of “thy chosen servant Charles our King and Governor”, “that we and all his subjects (duly considering whose authority he hath) may faithfully serve honour and humbly obey him”. A prayer for journalists, in particular, to remember, next time they are denied information on whatever finances he hath concealed.

Repeated arguments for a much edited or secular coronation, citing dwindling Christian belief as well as protagonists less obviously creditable than was Elizabeth in 1953, appear to have dented neither the church’s coronation ambitions nor the palace’s matching enthusiasm for spiritual choreography and knick-knacks. Only the Koh-i-noor has been sacrificed, to be sensitively replaced at the religious ceremony by the largest diamond in the world, the South African Cullinan. With decorative crosses over them, such jewels “remind us”, the prayerbook explains to the untutored, “that Jesus Christ is king over all”.

A royal guide to the “sacred regalia” confidently ignores the possibility that the non-religious, now outnumbering Christians in England and Wales, might find its inventory of treasures, if not absurd, roughly as meaningful as museum labels speculating on the importance of some prehistoric grave-good. Which is not to say that I wouldn’t like my own eagle-shaped chrism-dispenser with convenient removable head; “the oil is poured through an aperture in the beak”.

Non-believers must simply accept that, say, Camilla’s 3ft ivory rod with a dove “symbolic of the Holy Ghost” is too critical to national reverence to allow substitution with a replica more suited to the same nation’s acquired aversion to ivory. That this rod was brand-new on its introduction in 1685 merely underlines, to the devout, the still greater sacredness of an older spoon used in the anointing process. And that this year’s olive oil is literally from the Mount of Olives demonstrates, says the archbishop of Canterbury, “the deep historic link between the Coronation, the Bible and the Holy Land”.

If these links fail to convince younger, more secular, more republican-minded subjects, they may not automatically impress older ones whose presumed pro-Charles tendencies are potentially offset by long memories. Anyone who can recall him, aged 32, smirking “Whatever ‘in love’ means” at the 19-year-old Diana, may think there are worthier objects of prayer. And when did the virtuous Camilla, famously lazy and still a sucker for £735-a-night wellness retreats, start reminding clerics of King Solomon? Or is the deep religious message of the coronation one that the last queen’s conduct helped for so long to obscure: that with heredity in charge, the Church of England is never safe from supreme governance by a future version of Prince Andrew?

Either way, even given the accepted difficulties of picking spiritual leaders, it might have been wise for a church dedicated to the poor to invite fellow professionals to share the responsibility of anointing an irascible billionaire, however docile Charles might currently appear.

No wonder some of the coronation prayers read like a cry for help.

Day 27, “Self-control”: “As we remember the important tasks set before our King, and the challenges he will face, we pray that the fruit of self-control, which informs all our actions and decisions, will give him patience and strength…”

Amen.

Catherine Bennett is an Observer columnist