No man could kill him – but his heart did. Anon
My old friend and Huldrefolk founder member, George Hofsteters, Yuri The Storyteller, passed away peacefully in his sleep yesterday morning, 9th July 2014.
Passing strangest is Yuri’s passing. He had such a life force. He was a force of nature, even, the kind of person you’d think would outlive us all. And it was ironic that he who raged so long against the establishment should go so quietly into the night. I would have expected a contrarian like Yuri to have been lynched by a mob of irate god-botherers.
Yuri’s departure brought me back to the dying decades of the last century, when the shadowy and iconoclastic HuldreFolk appeared out of nowhere with their unique combination of stories and songs, and then almost as suddenly, disappeared into the mists of memory.
I was playing at the celebrated Three Weeds Folk Club in Rozelle in the spring of 1983, performing a cover of Roman poet Meniscus Diabetes‘ popular song Roman Holiday. I was distracted by a cackling in the front row; and there was Yuri, laughing his head off. After my set, we got together and swapped notes on life, the universe and everything. Fate would have it that celebrated bandurist Victor Mishalow was also on the bill that night. And Yuri and I were enthralled by the magic of the Carlingford Cossack’s grand instrument.
Yuri told us he was a Russian Storyteller, and that he was performing at the Humanist Society the following Tuesday. “Come along and play some songs and tunes”, he said. And so we did. Yuri enthralled us with his spirited rendering of Alfred Noyes’ The Highwayman. And it was there, in Shepherd Street, Surrey Hills, that HuldreFolk was born. Over the next two years, HuldreFolk, named for the mythical and mystical ‘hidden people’ of Icelandic legend, played throughout Australia.
One such occasion was the very first time I visited Coffs Harbour, a seaside graveyard with lights on the mid north holiday coast of New South Wales, sometimes known as the Costa Geriatrica (as fate would have it, we now live in the forest some forty clicks away from there). Looking for a parking space outside the venue, Yuri cut into a space ahead of a car that had already bagged that spot. A few minutes later, the occupants of the car approached us, looking mean and moody. Tall, broad and hairy, they looked like bad news. Yuri was unperturbed. “My mate Paul is a black belt in karate”, he chirped …
On a return visit to Coffs Harbour, he and Victor Mishalow got a gig performing on the back of a flatbed truck in the mall for a smattering of disinterested passers-by. When they’d finished, the organiser asked Yuri how much they wanted, “Two hundred dollars”, Yuri said. Before the paymaster could reply, Yuri added: “Each!” And they got it.
Yuri could be a proper bastard sometimes.
Although HuldreFolk pursued their own paths and projects, during the following decades, they would pop up in unexpected places, like their namesakes, in ones, twos, threes, and on occasions with guest HuldreFolkies. Their last outing as a trio was in October 2007 at the North By Northwest Poetry And Folk Club. Google the videos on YouTube.
Such was his energy, after a series of concerts, I’d need several months away from him to recover. Whenever we had to do a road trip, Yuri would tell jokes non-stop – it was as if they were on a loop. Once he’d finished his repertoire, he’d automatically start again.
Whenever HuldreFolk worked together, their collaborations were creative and at times, crazy.
Listen to Victor’s haunting bandura arrangements behind many of Yuri’s stories, the bravado of ‘The Ballad of Boreslav’ and the wackiness of ‘The Song Of The Volga Shearers’. Back in the day when I was performing ‘I Still Call Mongolia Home’, ‘Brave Goliath’, and ‘Roman Holiday’, Yuri would say: “There has never been as song about the Spanish Inquisition. Why don’t you write one”. Or, “How about a song about the Vikings?” The rest, of course, is hysterical.
We would always introduce George as “The One And Only Yuri The Storyteller”. Watch him on You Tube reciting the epical ‘McArthur’s Fart’ or the poignant ‘Claudy’, and telling the magical story of ‘The Algonquin Cinderella’ or the faerie ‘Green Lady’, and you will see that he really was.
Goodbye old friend.
Blast from the past
On 28th October 2013, Yuri posted on the HuldreFolk Facebook page:
Hi, Amigo!
You’ve done a great job on the Huldrefolk page, I’m with you 100% and will support at every opportunity. Could not be on your side more if I was Eddie Obeid. Now here comes the ‘but’. It’s only a tiny elephant in a big room.
It’s been quite a while since we’ve trod the boards together. Obviously neither of us will get the applause or the audiences we once had and sensibly, we should be content to let someone else drive the celebrity bus. We once had the opportunity to be bigger than the Kingston Trio and Tiny Tim together, but the choices that were made ensured we would never be plagued by the paparazzi. Yet I do believe we have influenced others with the idea we once spearheaded. Story, song, music are being metamorphosed in countless variations. I’m glad we had something to do with that.
Today, however, I’m puzzled at why one would go to the trouble of going to the ‘Pet Cemetary’ of entertainment to resurrect on social media a tired old dinosaur that is hardly remembered, let alone noticed by all but a small coterie of moth eaten folkies whose perception of “Macarthur’ is deemed akin to ‘high culture’. Traditional folktales, I’m afraid, will always belong in the musty archives and forgotten bookshops. They are a relic. Fossils belong in museums. But then, being the sentimental bastard that my nature dictates me to be, I hope you get something nice and rewarding for your efforts. If it’s sentiment before oblivion, light the fuse. Cheers!
Yuri’s race had less than a year to run when he penned this piece.
In many ways, he was right – a cruel man but fair, as they say.
But what times we had!






