Cha … Cha … Changes

There would be later times (1965, 67, 69…) but I remember the first time. 1962. Having hitched through Europe and arriving in Istanbul. That special feeling. From Sultan Ahmed looking across the Bosporus towards the East, unknown roads and places and in the far distance a very vague idea of India…. Istanbul as a gateway to other worlds and new adventures….I was a young man drifting and dreaming, there were no guidebooks and I had not met anybody who had done the journey or heard stories from the road ahead….. The world was open, and I was ready….
Torben Huss, photographer

Haydarpasha Gan, late November 1972.

The last station on the line, and the end of Asia, after a twenty four hour train journey across Anatolia, from Teheran, including a wintry ferry ride across Lake Van, in the East, in the company of an idiosyncratic and proselytizing German pastor and a Pakistani student. The student and I quickly converted to Lutheranism just to shut him up.

There were no bridges across the Bosphorus in those days. Just the ferry that met the train to take us across to the Golden Horn to Eminou. And thence, a walk up to Sultanahmet, with the address of a doss house given to me by someone I’d met in Meshad near the Persian-Afghani border. A space on a floor for a few lira a night.

And then several weeks in Istanbul on two dollars a day, sleeping on the floor at what today would be called a backpacker’s hostel, broke and waiting for money to be sent from England. Weeks spent wandering the streets, wondering at the mosques and markets, getting stoned (dangerously in those days – remember ‘Midnight Express’?) in the Hippodrome, and dining cheaply morning, noon and night at the Pudding Shop.

Forty years on, and naturally, things have changed in many ways. Haydarpasha is closed for renovations and a rail link crosses the Bosphorus by undersea tunnel. There are now are two impressive suspension bridges.

Asian Istanbul, more of a sleepy suburb then, with some fine buildings scattered along the shore, is now a metropolis in its own right. And Istanbul is a city of thirteen million people.

The Pudding Shop is now world-famous on account of its hippie credentials and sells all kinds of good Turkish tucker, but a shadow of its former simplicity. Where once there thronged ragged and rangey adventurers on their journey east or west, tourists of all nations gather en masse.

The Pudding Shop 1969

Turkey in general, and Istanbul in particular, is now the place to be and the town to see – in these troubles times, it is a safe ‘Middle Eastern’ holiday destination, and a big cross on the cruise map. Almost every day, a fleet of giant liners ties up on the Yesilkoy quay. And their cargo soon materializes in Sultanahmet to view the BIg Four: the Blue Mosque, Aya Sofya, Topkapi Seray, and the Grand Bazaar. No time for the simple grandeur of the Sulaymaniyah Mosque, the other-worldliness of Byzantine Emperor Justinian’s vast underground cistern, or the aromatic gorgeousness of the Spice Bazaar down by the quays of Eminou.

Though no longer the exotic, half-east-half-west departure lounge for the old hippie trail, Istanbul is still a contradiction of past and present, trash and treasure, modernity and medaevilism. The dialectic is still evident, and maybe more so, between the ever changing now and the ever-present then, in the forever magical monuments and mosques, in the contrast between the modern young Turks in their western gaberdine and the many muhajibiin and well-covered conservatives.

Scratch Istanbul’s surface, and you will find a tangle of medieval streets and 21st Century traffic jams, bad drivers, and worse pavements. Walkers watch out!

And there is a poorer, working class, and even rural Istanbul. Suburbs just off the tourist map, where old men gather outside chai shops smoking, chatting and playing cards, and where women are rarely seen – when they do, most are covered.

Many Turks have come in from rural areas, and are still clad in traditional garb. There are now hundreds, maybe thousands of Syrian refugees in Istanbul now, seeking shelter from the storm in their sad and devastated homeland, and other Arabs fleeing the bitter winter that has followed the Arab Spring. Some rent apartments for their families, others beg in the streets.

As we walked along the highway that boarders the ancient walls and the Bosphorus, a speeding car hit an elderly Syria as he was crossing the dangerous road. We and his distraught family rushed to his aid, and mercifully he was unharmed but in shock, and did not want an ambulance. We placed him in a the comfortable position and I advised the young men with him in Arabic to keep a watch over him and to watch his eyes.

In contrast to these wandering souls, well-heeled Gulf Arabs arrive with too much money and too little taste. Istanbul is viewed as more stable, cosmopolitan, and naughty than tense and tenuous Beirut, and these wealthy visitors often seek to buy property here.

All the contrasts and contradictions are presently being played out in the politics and economics of this modern Turkey, and in the street protests, tear gas, and riot gear across the Golden Horn, up the hill around Taksim and Gezi Park, and across the suspension bridge. Partisans of Prime Minister (now presiden) Erdogan bump up against the Gulenists, followers of an exiled but influential dissident, and against the ever-ardent bearers of Kemal Ataturk’s torch. Folks still revere him as the Father of The Turks, but times change, some say, and so then must Ataturk, although the old man must spin some in his revered grave.

People say that Turkey is a divided nation right now. And this is manifested in accusations of creeping Islamization, counter-accusations of occidental decadence and depravity, allegations of corruption and cronyism, and street violence and police brutality. Back into November 1972, Military Rule was the norm, and dissent was silenced. Turkey was Asian, and Middle Eastern. Now the country still straddles east and west, coughing the European Union with much leas enthusiasms than hitherto or and presenting as the go-between ‘twixt The West and and Iran, and with the volatile lands to the south.

For better or ill, how things have changed.

© Paul Hemphill 2014.  All rights reserved

Torben Huss, Eminonu 1965

For other posts about Turkey in In That Howling Infinite, see: People watching in Sultanahmet, Sailing to Byzantium, Ottoman Redux – an alternative history and The Watchers of the Water  

People Watching In Sultanahmet

‘If you know your history, then you know where you coming from. Then you wouldn’t have to ask me who the ‘eck do I think I am’. Bob Marley, Buffalo Soldiers.

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People watching in Sultanahmet on a wet Saturday afternoon in Spring.

It’s very like people watching in Newtown, Sydney.

The history of Istanbul, of Turkey, of the Turkish people, is written in the faces of the passersby. There is no pure Turk, just as there is no pure Arab, Jew, Slav, Celt, or Caucasian. Indeed, you see them all passing by. And it has been raining these past two days. The umbrella sellers are making a killing with their see-through parapluies. Everyone, tourists and locals alike are sporting them.

The weekend is promenade time. Families parade up and down, past the pastry and kebab shops, the hawkers and the hustlers. Young men sidle by with their girls, girls walk out with their honeys. Groups of girlfriends, and boy-groups gather and gaggle and gossip. Western folk and eastern folk. This is where east and west meet, literally, figuratively, ethnically, and yes, geographically. And it is written on the faces and in the garb of the perambulating populace.

Sunday in the park

Muhajibabes in beautiful scarves (the Great Bazaar is chocka with wonderful day cashmeres and pashminas – there is no excuse for drabness). “Mandy, Mother of Brian” in vast and bulbous black. Ladies in full cover, some dark and exotic, and mysteriously alluring, and others that make me think that they are doing us all a favour (non-PC, but there you go). I just saw a clown with green hair and a red nose. Fashionistas and paysans. And the many, many ordinary folk, old, young, and babes in arms, enjoying the weekend. All oblivious to the feral dogs and cats that roam through these parts.

There are no pubs on every corner. There are no rows of wine bars. There are no ice-cream and yoghurt shops (though we did find a good bar just across from the square in front of Hagia Sophia).

Oh, it makes you wonder.

For other posts about Turkey in In That Howling Infinite, see: 

 

Sailing to Byzantium, Ottoman Redux – an alternative history, Cha-cha-cha-changes and The Watchers of the Water  

Bombs and Babies

The Atlantic, Sept 9th 2016

Syrian children have been subjected to “unspeakable” suffering in nearly five years of civil war, with the Government and its allies responsible for countless killings, maiming and torture, and the opposition for recruiting youngsters for combat and using terror tactics in civilian areas, according to the first United Nations report on the issue.   See:  http://www.un.org/apps/news/story.asp?NewsID=47077#.UvKrOWKSzE0

Reports and pictures out of Damascus and Aleppo of the use of barrel bombs, and sarin and chlorine gas on civilian neighbourhoods, I am reminded of Chaim Nachman Bialik’s poem, Al haShehita (On the Slaughter), about the Kishinev Pogrom in the spring of 1903:

And cursèd be he that saith: avenge this! Such vengeance for blood of babe and maiden Hath yet to be wrought by Satan.

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In A Short History of The Rise and Fall Of The West, I wrote of how, in Pity The Nation, his tombstone of a book about Lebanon’s civil war, and Israel’s intervention therein, the redoubtable journalist Robert Fisk writes of a Lebanese doctor, Amal Shamaa: “I had to take the babies and put them in buckets of water to put out the flames. When I took them out half an hour after, they were still burning. Even in the mortuary, they smouldered for hours”. “Next morning”, Fisk continues, “Amal Shamaa took the tiny corpses out of the mortuary for burial. To her horror, they again burst into flames”. Such is the effect of phosphorous shells on mortals. Made in America, used on Arabs, by Jews. But it happens anywhere and everywhere, inflicted by anyone on everyone.

What’s Bob Got To Do With It?

 

Or, ‘How I  came to  write songs and play guitar’

I was in love with Dusty Springfield. In the drear tea-time of my adolescent soul, I worshiped her truly, madly, deeply. Tiny girl, big hair, panda eyes, hands moving like a beckoning siren. I just had to hear “da da da da da da” and then “I don’t know what it is that makes me love you so…” and I was hers for the next two and a half minutes. Until…

It was one of those beautiful late-spring evenings that you would get in the England of youthful memory. The evening sun poured through the gothic stained glass windows of the school library – it was one of those schools. A group of lower sixth lads, budding intellectuals all, as lower sixth tended to be, gathered for a ‘desert island disks” show-and tell of their favourite records.

Mine was Wishin’ and Hopin” by you know who. Then it was on to the next. Clunk, hiss, electric guitar intro, and: “My love she speaks like silence, without ideas or violence, she doesn’t have to say she’s faithful, but she’s true like ice, like fire…” I was gone, far gone. So was Dusty.

I bought a guitar. A clunky, eastern European thing. I tried Blowin’in the Wind, but what came out was unrecognisable. My dad said he’d break it over my head. One day, that tipping point was reached. It sounded indeed like Blowin’ in the Wind, or something similar. I was away, and the rest, as they say, was hearsay.