A historian talks about Palestine’s deep history

History is rarely as tidy as the stories we tell about it. Places acquire names long before they acquire nations; peoples inherit memories they did not themselves create; languages, religions and identities change without ever quite erasing what came before. Palestine may be one of the world’s most conspicuous examples of this historical palimpsest, a place where ancient geography, successive civilisations and modern national identities have become so entangled that disentangling them can itself seem political.

That is partly why I have always valued William Dalrymple. He is a historian who understands that the past is inhabited by people, not merely populated by dates and events. His recent conversation about Palestine prompted me to revisit not only what he said, but what he left unsaid: the complicated process by which a population became a people, a geographical name acquired a modern national meaning, and history became memory – and memory, in turn, became identity.

It also led me back to a broader fascination of mine: the relationship between history, travel and place, and to writers who understand that landscapes are not backdrops to history but repositories of it.

The featured image at the head of this post? When last In Ramallah, de facto administrative “capital” of that part of the West Bank governed  by the  Palestinian Authority – Area A of the Oslo dispensation – we visited the cultural centre of Dar Zahran, a beautifully restored Ottoman house just south of the city. By fortunate serendipity, Dar Zahran was hosting a small exhibition of paintings by the late Palestinian artist Ismail Shammout. This large painting pictures the skyline of Jerusalem – Al Quds with its mosques and churches and the infinite variety of the Palestinian people, was front and centre. [In In That Howling Infinite, see Visualizing the Palestinian Return – the art of Ismail Shammout]

Talking about Palestine and Palestinians

There are some historians whose books I buy almost automatically. British historian William Dalrymple is one of them. I have read many of his works over the years, from his debut, In Xanadu, through From the Holy Mountain, The Last Mughal, Return of a King and The Anarchy (see, in In That Howling Infinite, Bad company – how Britain conquered India, the story of the rise and fall of the notoriously rapacious British East India Company).

Dalrymple is well-educated, well-read, and well-travelled, having had his boots on the ground and its dust on those boots. He is what we call a “popular” historian and not an academic in the narrow sense, writing with enthusiasm, empathy, and the authority of someone who has visited the places he describes. And, to borrow from Bob Dylan, he knows his song well before he starts singing. His aim, refreshingly, is to educate, not to inculcate.

What has always appealed to me is not simply the depth of his scholarship but his refusal to become anyone’s court historian. His admirers come from different directions, and his critics do too. The old Empire loyalists dislike him because he writes unflinchingly about the violence and arrogance of imperialism. Progressives often embrace him for precisely that reason, yet they, too, sometimes seem disappointed when he refuses to enlist in their causes. Dalrymple has always struck me as someone who hoes his own row. He follows the evidence where it leads rather than where his audience might wish it to go.

That quality was on full display in his recent interview with Palestinian journalist and British resident Ahmed Alnaouq on the chat show Palestine Deep Dive, discussing his forthcoming, and as yet unfinished, book on the Palestinians. I encourage reader to take the time to watch the video below before reading the detailed appraisal that follows; but the time poor may nevertheless find it of interest.

To anyone familiar with the history of the region, little of the story itself is unfamiliar. Nor, contrary to some popular assumptions, has this history been ignored by Israeli historians. Ilan Pappé’s A History of Modern Palestine remains one of the best examples of a history that restores Palestinians to the centre of their own story, particularly those who rarely appear in conventional political histories: the villagers who cultivated the land, often on estates owned by absentee urban families or tribal elites who harvested much of the wealth.

That, perhaps, is the real significance of Dalrymple’s project. It belongs not simply to Middle Eastern history but to the much broader revolution that historians call social history. For centuries history was largely the story of rulers, wars, dynasties and diplomacy. Ordinary people appeared only fleetingly. Their lives belonged, if anywhere, to anthropology or sociology. Only relatively recently have historians begun asking what history looked like from the fields rather than the palaces.

Yet there is another trap which Dalrymple carefully avoids.

It has become fashionable to speak of the inhabitants of Palestine as though they constituted an unchanged people stretching seamlessly from biblical times until today. That is no more convincing than similar claims made by almost any nation.

Palestine has always been one of the great crossroads of civilisation. Long before the Philistines and the Hebrews there were other peoples. Afterwards came Assyrians, Babylonians, Persians, Greeks, Romans, Arabs, Crusaders, Mamluks, Ottomans and countless others, accompanied not merely by armies but by settlers, merchants, pilgrims, labourers and refugees. Even in the late Ottoman and British Mandate periods, economic opportunity attracted migrants from throughout the Levant. The Suez Canal, the expansion of Haifa, the Hauran railway, and later British infrastructure projects all drew workers from neighbouring lands. Family names such as al-Misri, al-Shami, Homsi and Halabi quietly preserve those journeys.

And yet Dalrymple is equally correct when he points to the growing body of genetic evidence demonstrating profound continuities across the centuries. Human populations do not simply replace one another like changing tenants. They absorb, intermingle and endure. DNA reveals not racial purity but remarkable persistence.

One aspect of the interview that particularly caught my attention was Dalrymple’s discussion of religion – not as an immutable badge of identity but as another thread in the long weaving of Palestinian society. Conversion, he observed, was rarely a single dramatic event. More often it was gradual, pragmatic and deeply human. Families embraced Christianity under Byzantine rule, Islam under the Caliphates and the Ottomans, sometimes from conviction, sometimes because new rulers brought new opportunities, and often because children simply inherited the world into which they were born. Nor was the movement one way. Jews became Christians; Christians became Muslims; communities adapted over centuries rather than changing overnight.

Language followed much the same path. Arabic became not merely the language of religion but of administration, commerce, literature and everyday life. It gradually supplanted earlier tongues without erasing the peoples who spoke them. Identity, like language itself, accumulated layer upon layer.

His brief reference to Yossef Rapoport’s Becoming Arab particularly caught my attention because I suspect it offers an important clue to the intellectual architecture of the book he is writing Rapoport’s central thesis is that peoples are not born fully formed; they become. It exercised a profound influence on my own essay One Land, Two Peoples: History, Memory, Continuity, and Inheritance. See also, Becoming Arab … the myth of fingerprints

There is a quiet subversiveness in Becoming Arab because it quietly removes the ladder that every competing nationalism insists upon climbing. By demonstrating that Arab identity in medieval Palestine emerged through a long process of linguistic, cultural and social transformation rather than existing unchanged since antiquity, Rapoport undermines the comforting assumption that any modern national identity is primordial and immutable. The implication extends well beyond Palestinians. Jews, too, have continually reinvented themselves through exile, diaspora, return and statehood. Israelis and Palestinians alike remain peoples in the making.

Belonging, then, rests less upon ancient blood than upon lived continuity, accumulated memory and attachment to place. Rapoport gently redirects us away from the sterile question, “Who was here first?”, towards the infinitely richer question, “How do people come to belong?” It is an insight I have found equally illuminating when thinking about the British, the Americans, and even the tangled histories of Russians and Ukrainians. It also underpins what I have elsewhere called the “myth of fingerprints”: the mistaken belief that nations possess fixed and immutable identities when, in truth, every people is a palimpsest, written and rewritten over centuries without ever completely erasing what came before.

Dalrymple also highlighted the remarkable role of churches and monasteries across successive eras – Byzantine, Arab, Ottoman and British. They were far more than places of worship. They were centres of learning, repositories of manuscripts, guardians of memory and, eventually, pioneers of modern education. During the Mandate years, Christian schools became among the first institutions to embrace European models of education. It is therefore hardly surprising that Christian Arabs were disproportionately represented among the intellectual architects of both Arab nationalism and the emerging Palestinian national movement. This, too, complicates the modern tendency to reduce the story to a simple contest between Jews and Muslims. The reality, as always, is richer and more textured.

Dalrymple’s passing reference to George Antonius was equally telling. Antonius remains one of the most poignant figures of the Mandate years. Urbane, multilingual and deeply cultivated, he believed there remained a path towards accommodation between Arab and Jewish aspirations. Alongside moderates such as Musa Alami, he searched for political middle ground as extremism steadily crowded out compromise. Increasingly isolated, distrusted by radicals on both sides and ultimately ignored by the great powers, he watched the possibility of reconciliation slip away. He died in Jerusalem in 1942, disappointed and politically alone. There is something profoundly melancholy about his story. Men such as Antonius devoted their lives to preventing the catastrophe that would later be remembered as the Nakba. History tends to remember the militants, the revolutionaries and the generals; it is far less generous to the moderates who failed. Yet, with the benefit of hindsight, it is often those failed moderates who seem to have understood the coming tragedy most clearly. [See The first Intifada … Palestine 1936]

There is, however, a significant historical link missing from Dalrymple’s account.

To speak of Palestinians as a people with a distinctive heritage, history and culture is entirely legitimate, but it also raises the prior question of when and how that collective identity emerged. The people we now call Palestinians did not arrive in Palestine as a discrete nation from elsewhere; they emerged over centuries from the settled populations of the region, predominantly Arabic-speaking Muslims and Christians alongside smaller Jewish and other communities, whose identities under Ottoman rule were more likely to be local, familial, religious, Ottoman or broadly Arab than specifically Palestinian. A modern Palestinian national consciousness crystallised only in the late nineteenth and, more decisively, the first half of the twentieth century, amid the decline of the Ottoman Empire, the rise of Arab nationalism, British rule, Zionist immigration and the intensifying struggle over the land.

Nor should “Palestine” itself be confused with a Palestinian nation: the name is far older, deriving ultimately from Greek and Roman Palaestina and subsequently used in various forms by Roman, Byzantine, Islamic and European writers; under the Ottomans, the territory was not a sovereign province or nation-state called Palestine but was divided among administrative districts. None of this makes Palestinian identity artificial. Like most modern national identities, it is both modern and genuine, rooted in an older population and a deeply layered attachment to place.

Perhaps Dalrymple simply takes this history as read. More likely, it is unmentioned because the interviewer did not ask about it. He does write about it in a piece published in The Guardian in August 2025 (republished below). But his readers and particularly an audience hearing a relatively compressed interview – may not. When the process by which a people acquired a modern national identity is left unstated, audiences tend to fill the gap with their own assumptions: some hearing an ancient, continuous Palestinian nation, others an identity recently invented from nothing. Both are historical distortions. The point is not to diminish Palestinian peoplehood but to locate it accurately: between the much older history of the land and the modern political history that transformed its inhabitants into distinct national communities.

As with Israeli identity, Palestinian identity belongs to the modern age while drawing upon memories, attachments, communities and histories that are considerably older. That distinction is essential if the Palestinian story is to be understood rather than simply enlisted in one of the competing narratives of the conflict.

It was telling that, despite repeated invitations from his interviewer, Dalrymple steadfastly refused to enter the contemporary ideological battlefield. He would not be drawn into pronouncements about settler colonialism, the legitimacy of Israel or competing national claims. He remained a historian.

Dalrymple displayed the same intellectual discipline when discussion turned towards the future. His interviewer clearly hoped he would venture predictions. He declined. Historians, he observed, can tell us what happened; they are far less qualified to say what will happen. The future delights in making fools of prophets.

Anthony Eden supposedly reduced politics to three words: “Events, dear boy, events.” Orwell supplied the darker warning through the Ministry of Truth: “Who controls the past controls the future. Who controls the present controls the past.” That remains one of the great cautions against allowing history to become merely another instrument of political mobilisation. Less bleakly, Robert Fisk – another writer I greatly admired – offered the wisest answer of all: “My crystal ball is broken.” Those who confidently predict the future almost invariably discover that history has other ideas. [See The Night of Power – Robert Fisk’s bitter epilogue ]

One curiosity remained with me after the interview. Dalrymple remarked upon young Israeli soldiers carrying rifles almost everywhere, yet the obvious question went unexplored: why? I have wondered about this myself ever since my first visit to Israel. I can still picture my late friend Avi’s rifle standing against the hallway wall in his parents’ home in Ramat Gan after he returned from reserve duty during the 1973 war. On my most recent visit I asked Israelis directly. Unless a weapon can be securely stored, soldiers are required to keep it with them. Our friend Shmuel’s son, serving as an army medic, once absent-mindedly left his rifle on a military bus after an exhausting exercise. His reward was several weeks in military prison. What appears to outsiders as a symbol of militarisation is, to many Israelis, simply one more expression of a society shaped by permanent insecurity.

Dalrymple also refers to the annual Jerusalem Day march, an event that commemorates the IDF’s capture of the Old City in June 1967 and the “unification” of the city. We happened to witness similar scenes ourselves near the Western Wall only days beforehand. They were ugly, confronting and impossible to dismiss as merely social media caricature.

I look forward to reading the finished book. Not because I expect it to settle the argument—history almost never does—but because the best historians enlarge rather than narrow our understanding. They remind us that identities are not fossils buried in the earth waiting to be excavated, but living things, fashioned over centuries by conquest and coexistence, faith and language, migration and memory. They leave us with fewer slogans and more questions; fewer certainties and greater humility. In an age increasingly addicted to binaries, that may be the most subversive act of all.

Travelers’  tales

There is a thread that runs through much of my writing, though I did not always recognise it at the time. It is a thread woven from history, travel, memory and place, and it connects figures as seemingly disparate as Jan Morris, Robert Fisk and William Dalrymple. They are very different writers, with different perspectives and different temperaments, but they share a quality that I have always valued: they do not simply describe places; they allow places to speak.

During my early encounters with the history and culture of the Middle East at London’s School of Oriental and African Studies – the “Madrasat al-Jawāsīs”, the “School of Spies”, as Arab friends would jokingly call it – I became fascinated by a trio of British writers whose books transported me into the worlds they described.described. Gertrude Bell, Freya Stark and Jan Morris each approached the region differently, yet all possessed that rare ability to convey not merely information but atmosphere: the smells of markets, the rhythms of streets, the weight of history embedded in landscapes.

Jan Morris was perhaps the greatest exponent of this art. Her genius was not merely as a chronicler of empire, nor simply as a travel writer, but as someone who understood that places possess personalities. She once wrote, “All my life I have felt in places, in landscapes as in cities, an allure that seems to me actually sexual, purer but no less exciting than the sexuality of the body.” It is a remarkable observation because it captures something that many travellers experience but few can articulate: that certain landscapes exert a pull beyond geography, that cities and countries can possess a kind of emotional and even sensual presence.

Bell, the archaeologist, traveller and administrator sometimes called the “Queen of the Desert”, was present at the creation of the modern Middle East after the First World War. Stark travelled through the region in the middle decades of the twentieth century, recording a world already beginning to disappear. James Morris, later Jan Morris, chronicled the rise and decline of British imperial confidence and the uncertain transition into a post-imperial age.

What makes Jan Morris such a fascinating figure is that her personal transformation occurred alongside the transformation of Britain itself. The end of Empire and the discovery of a new identity unfolded in parallel. The writer who chronicled the fading grandeur of British power was also undergoing a profound reimagining of self. Her Pax Britannica trilogy remains an extraordinary work, though it is also deeply complicated. Morris’s relationship with empire was neither a simple condemnation nor an uncomplicated celebration. She recognised its violence and arrogance, yet she was also fascinated by its energy, ambition and sense of adventure. Empire, in her telling, was a vast human drama: magnificent, destructive, creative and cruel.

The Suez Crisis of 1956 represented the moment when that imperial illusion finally collapsed. Morris described it as a kind of tombstone for British power and a crisis of British masculinity. The old confidence had disappeared. The imperial actor who had once imagined himself striding across the world stage was suddenly confronted with his own limitations. “Old forces were dying and new energies emerging,” she wrote. “Patterns that had seemed permanent were falling into chaos.” That insight resonates far beyond Britain. History repeatedly teaches us that identities and institutions which appear permanent are often temporary arrangements. Empires, nations and cultures are not fixed monuments but living things, constantly being reshaped by events.

This is why William Dalrymple’s work has always appealed to me. Like Morris, he understands that history is not simply about dates, battles and rulers. It is about people in places. His great strength is that he belongs to no faction. He follows the evidence, and he makes his own judgments. He resists the temptation to reduce history to contemporary political arguments. Instead, he explored the deeper processes by which societies and identities emerge.

As we have noted above, his observations intersect with Yossef Rapoport’s Becoming Arab, a work that has greatly influenced my own thinking. Rapoport challenges the assumption that national identities are ancient, fixed and immutable. Arab identity in Palestine, he argues, emerged through centuries of linguistic, cultural and social development. This does not diminish Palestinian identity; rather, it explains how all identities are formed.

The same applies elsewhere. Jewish identity has also evolved through exile, diaspora, return and statehood. British identity, American identity, Russian identity and Ukrainian identity are all products of history rather than timeless inheritances. Peoples are not fingerprints stamped permanently into existence. They are palimpsests, written and rewritten across generations, retaining traces of what came before while continually becoming something new.

This is also why Dalrymple’s observations about religion are significant. Faith, like language, is not simply inherited unchanged through the centuries. Communities converted, adapted and transformed. Jews became Christians, Christians became Muslims, and Arabic gradually became the dominant language of administration, commerce and culture. Churches and monasteries served not only as places of worship but as centres of learning and memory. During the British Mandate, as we have noted above, Christian schools were among the pioneers of modern education, and Christian Arabs played a disproportionately important role in the development of Arab nationalism and Palestinian political consciousness.

Again, the lesson is one of complexity. The history of Palestine cannot be reduced to simple categories. It is a story of migration and continuity, faith and adaptation, conflict and coexistence.

A personal coda

I make no comparison between my own experiences and those of writers such as Morris or Dalrymple, who devoted years of their lives to the places they studied. My own travels have been measured in days and weeks rather than prolonged residence, and I possess neither their linguistic gifts nor their local knowledge. Yet they have taught me some of the same lessons.

Over the years I have wandered through mosques and basilicas, monasteries and synagogues, castles and catacombs, museums and markets. I have traced the layers of history in weathered stones, walked streets that have changed little for centuries, and watched successive civilisations leave their marks upon the same landscape. Everywhere, the faces, languages and faiths have reminded me that history is one of mixture rather than purity, continuity rather than replacement. it is this extraordinary diversity that makes these lands so compelling.

Israel and Palestine affected me more deeply than almost anywhere else. I have read widely, but books can only take one so far. I have stood at checkpoints, seen the separation barrier close up and, witnessed the daily inconveniences, restrictions and humiliations that accompany life under occupation. Equally, I have spoken with Israelis and Palestinians whose lives have been shaped by generations of fear and insecurity, and come to understand, even if not always to agree with, the fears that underpin so many aspects of everyday life. By design, good fortune or simple caution, I have never witnessed the violence itself. But I have seen enough to understand that both peoples live with histories that cannot simply be dismissed.

Travel has not made me an idealist, nor has it turned me into a partisan. If anything, it has left me increasingly suspicious of certainties. The longer one spends amidst places where history is layered one civilisation upon another, the harder it becomes to accept simple stories about pure origins, immutable identities, uniquely righteous causes, and uncomplicated heroes and villains. Reality is almost always more complicated – and more human – than that.

Perhaps that is the enduring lesson of writers like Jan Morris, Robert Fisk and William Dalrymple. They remind us that landscapes have longer memories than nations, that stones often preserve truths that politics attempts to conceal, and that history is rarely a straight line. It is a conversation across centuries, written by countless hands.

In the forward to East – an Arab anthology, republished below, I wrote: “these are the lands of testament and prophecy, of sacrifice and sacrament, of seers and sages, of vision and vicissitude”. Their histories are “carved in stone, mysteries locked in stone”. And perhaps that is why they continue to draw us back: because beneath every empire, every ideology and every argument lie the enduring traces of ordinary human beings who lived, loved, fought, worshipped and dreamed in the same places we walk today.

Paul Hemphill and In That Howling Infinite, August 2026

For more on the Middle East in In That Howling Infinite see: A Middle East Miscellany and East – an Arab anthology; and, most recently: Maps, memory, and the myth of fingerprints.

Eastward, aye, he wandered

Forward to East – an Arab anthology  of poems by Paul Hemphill
In these troubled times, I look back on a part of the world that has captivated much of my intellectual life. I was drawn to the Middle East in another age, when it was the land of myth and magic, of dreamers and adventurers, of quixotic tilters at windmills, of pioneers who would make the deserts bloom, of dissemblers and deceivers bearing false promises. The ancient lands of the Bible, the fabled realm of A Thousand and One Nights, the restless quests of Richard Burton, Charles Doughty, and TE Lawrence; the pulp-fiction fantasies of Frank Herbert, James Michener, and Leon Uris; the celluloid myths of Peter O’Toole, Omar Sharif, and Paul Newman.
These are the lands of testament and prophecy, of sacrifice and sacrament, of seers and sages, of vision and vicissitude, of warriors and holy men. The spiritual and the temporal have melded here since time immemorial. We still see the remnants of ancient empires and the echoes of their faiths. We can chart their decline and fall in monuments and mausoleums, in the “tumbled towers and fallen stones, broken statues, empty tombs,” where “ghosts of commoners and kings walk the walls and catacombs of the castles and the shrines.” Histories carved in stone, mysteries locked in stone, as “canyons and castles pass ageless and ageing and captive in time.”
I first travelled through these lands when the gaze of our Western world was directed elsewhere. The big stories then were the Vietnam quagmire and the Cold War, words made flesh when Brezhnev’s Red Army euthanised the Prague Spring – much as Nikita Kruschev crushed Hungary’s short lived revolution a decade earlier. Then plucky little Israel – that’s how the world viewed the Jewish state back in the day – made its pre-emptive blitzkrieg against the braggadocio of Egypt, and the dubious martial prowess of Syria, Jordan, and Iraq, and put the Middle East back in the news again.
And there it has stayed, with hijackings, hostages, terrorism, the Oil Crisis and OPEC, civil war and invasion in Lebanon, Gulf Wars One, Two, and Three, the Twin Towers, the Wars of American Vengeance. And so to the present day, the brief Arab Spring giving way to a long and bloody Arab Winter, and the demolition of the Sykes-Picot dispensation with Daish’s redrawing of the map of the Middle East, the Abraham Accords with their promise of Arab-Israeli “normalisation” – an opaque and controversial word in this box canyon of false hopes – the fall of the Assad regime and the prospect of a revived Syria, and, in the endgame of many Israeli incursions into Hamas’ Gaza autocracy, the pogrom of October 7 and Israel’s biblical vengeance.
There is a place for dissertations on the state of the world and the tectonic movements that continue to reverberate and ricochet through these most antique of lands. And this is not one. But they have been the inspiration for much of my writing, and this volume is an anthology of those pieces. And unavoidably, they reflect and comment upon ideas and incidents, actions and accidents, memories and monuments.
I wear the weave of history like a second skin, as though each stone, each ruin, each sun-baked wadi, each vibrant soul has pressed itself into my being. As the Irish novelist John Banville wrote, “the past beats inside me like a second heart,” and in these lands, it beats with a particular resonance – ancient and immediate, mythic and human. The Middle East is not merely a subject of study or a theatre for politics; it is a history and geography I have walked through, a landscape I have viewed, a culture I have carried with me in the dust of its deserts, in the sounds and scents of its streets, in the quiet of its mosques, churches and synagogues, and its ruins.
My poems and songs have mirrored what I have carried in memory, and carry still. The cadence of markets and mosques, the call to prayer, the silence of the canyons. the desert wind, remind me that these lands live not only in history books but in lived, sung, remembered experience of all who have passed through They recall centuries of triumph and loss. The past is not distant; it rises in waves, song lines across stone and sand, linking the footsteps of pilgrims, soldiers, merchants, and wanderers with my own.
I know the Old Cities of Jerusalem and Damascus like my own neighbourhood. I’ve promenaded down the Street Called Straight and the Suq Al Hammadiyeh many times; shopped in the ancient Aleppo Souk – before it was destroyed; walked though the deserted Dead Cities of the North – which became later refuge for the homeless; climbed the Masada massif twice, once in the full heat of high summer, and again one time in predawn darkness to watch the sunrise over the Dead Sea and Moab; traveled overland through the Judean Desert to the old monastery of Mar Saba Stood; stood atop the battlements of Krak de Chevaliers; slept a ledge overlooking Petra, the Rose City and walked the Siq both ways three times; rode in a jeep through the canyons of Wadi Rum; traveled on the famous Nairn Express from Damascus to Baghdad, and an old bus through the Khyber Pass; stood by the Euphrates at Babylon, the Nile at Karnak, and the Ganges at burning ghat of Varenesi; visited Palmyra and watched the sunset atop Qala’at Fakhe al Din al Ma’ani.
All of these, now memories, carry the stories of centuries: the echo of prophets, conquerors, poets, and common folk whose lives have risen and fallen in patterns invisible yet inscribed in every wall, every minaret, every crumbling mosaic. The present weighs upon them as heavily as the past: geopolitics, ideology, oil, invasion, and resistance all leave their marks, mingling with the dust of empires long gone. Yet amid it all, the pulse of life persists—bright, stubborn, and singin – reminding me that beauty and despair coexist in ways the mind alone can scarcely contain.
These lands, as I first knew them, were the lands of story, legend, and lore; of pilgrims and explorers; of warriors and sages. And now, reading, writing and singing their echoes through books, prose and verse, I understand that memory, imagination, and presence are inseparable. One cannot approach the Middle East without the awareness that history is embodied, tactile, insistent: in the sun upon skin, the dust on boots, the voices of markets, mosques, and alleys, and in the pull of ruins that hold the ghosts of kings and commoners alike.
Writing about the Middle East, I am reminded that story, song, and memory intertwine. The poems and songs I carry are part of this landscape, as much as the stones and winds themselves, shaping how I see, feel, and reflect. Their cadence is my compass, their imagery my guide, the echoes, the pulse of lands that refuse abstraction. Here, history and the present are inseparable; the past is alive in the dust, the stone, the sun, and the song.
I wear its dust, I carry its past, I feel its presence. In prose and in song, in memory and in presence, I am tethered to these lands. And in this tethering, I find the resonance that drives the writing in this anthology: an awareness of the Middle East not as a distant object but as a living, breathing interlocutor, shaping thought, reflection, and imagination with the weight, warmth, and insistence of centuries.
Decades later, I wrote about my early travels in Tanks for the memory – how Brezhnev changed my life.It encapsulates very much how I travelled in those gone days:

“I’d like to think that perhaps it is something intrinsically part of my software – an ability to adapt, accept, empathize, and, as far as it is indeed possible for a stranger, to become one with the scenery and slip into the machinery, and, to put it bluntly, take it all at face value. As a “stranger in a strange land”, I accepted what I saw, observed, heard and learned, moved on – to quote American beat poet Lawrence Ferlinghetti – like “a mirror walking down a strange street’. For this is how I traveled in those roving years, leaving very little by way of words and pictures of my travelling. All I saw, heard, observed, felt and learned was mostly stashed away on my own, internal hard-drive to be accessed in latter years – waiting, perhaps, for the advent of social media, blogs and highly portable electronic devices”.

For more about these journeys, see Song of the Road (2) – The Accidental Traveller

One of the oldest urban centres: Gaza’s rich history in ruins

The Guardian,17 Oct 2025

In October 2025, William Dalrymple wrote this  fine piece on the long, entangled history of Gaza in The Guardian, publicizing a forthcoming multi-episode series on his excellent Empire podcast. He wrote of how the territory’s ancient heritage has too often been ignored. As we mourn incalculable human losses, learning about its past can help us better understand the present

As a ceasefire brings a measure of peace to the Dresden-like hellscape that Gaza has become, it is time to take stock of all that has been lost. The human cost of what the UN commission of inquiry recognises as a genocide is of course incalculable, but fewer are aware of how much rich history and archaeology has also been destroyed in these horrific months. This is bolstered by the widespread assumption that Gaza was little more than a huge refugee camp built on a recently settled portion of desert. That is quite wrong. In reality Gaza it is one of the oldest urban centres on the planet.

Golda Meir famously declared that “there was no such thing as Palestinians”, but the reality is very different. Palestine is actually one of humanity’s oldest toponyms, and records of a people named after it are as old as literacy itself. Palestine was an established name for the coast between Egypt and Phoenicia since at least the second millennium BCE: the ancient Egyptian texts refer to “Peleset” from about 1450BCE, Assyrians inscriptions to the “Palashtu” c800BCE, and Herodotus c480BCE to “Παλαιστίνη” (Palaistinē). This was all brought home to me as I worked, with my co-presenter Anita Anand, on a 12-part series on Gaza’s history for the Empire podcast.

Gaza was first referenced as a strategic prize in an Egyptian inscription of Thutmose III in the 15th century BCE, where it is referred to as Ghazzati. It is also one of the most fought-over and contested spaces: for more than 4,000 years this area has been an ethnically mixed crossroads, linking Africa with Asia, and the desert with the Mediterranean. It has also been a crucial strategic and economic hub: an often incredibly rich and prosperous port from which the spices, incense, perfumes and wines of western Asia were exported to Greece and Rome, the end of the caravan route from Arabia via Petra. As well as a fortress guarding the strategically crucial route leading from the eastern Mediterranean coastline to Egypt.

Travellers who visited Gaza over the centuries have often remarked on the fecundity of its vegetation and the diversity of its agriculture, both of which are the products of its underground waters and the Mediterranean climate. It is this that enabled Gaza to grow the excellent grapes that for many centuries were made into a much celebrated sweet wine, the Château d’Yquem of the classical world. An exhibition of the salvaged antiquities of Gaza currently showing at the Institut du Monde Arabe in Paris opens with a fabulous display of the distinctive “torpedo jars” in which the Gazans exported their wine. As late as the sixth century AD, these amphorae were reaching both Merovingian France and Anglo-Saxon England.

Each successive power in the Middle East has always wanted to own Gaza, and to conquer it, and over the centuries we hear of a succession of empires – first the Egyptians, Assyrians, Babylonians, Persians, Greeks and Romans, and later the Umayyads, Mamluks, Turks and the British – coming through and fighting to seize it. More difficult to see in the chronicles of conquests and sieges are the locals who have always lived hereabouts, century after century, whose faith has slowly evolved from paganism to all three of the Abrahamic faiths, and whose dominant language has moved from Aramaic to Greek then from Greek to Arabic.

Archaeology shows that the DNA of the different peoples who lived here has remained fairly consistent throughout the centuries: the modern inhabitants of this land, both Jewish and Palestinian, share much the same mix of DNA groups as the peoples who lived here in the bronze age, and whose skeletons have been tested in contemporary labs. The small Samaritan and Palestinian Christian minorities, the latter descendants of the first Christians, exhibit genetic patterns that are especially close to those extracted from ancient skeletons.

Although the town remained a robust centre of paganism long after many other cities in the region, its beachfront was also the home to the earliest monasteries of Palestine, as followers of St Antony of Egypt migrated there bringing the monastic movement to the Levant; soon “the desert became a city” as monasteries sprang up across the region. In 406 the Empress Eudoxia provided the funds for a cathedral for Gaza, and by the end of the sixth century, the celebrated church of St Sergius was built.

The Arab conquest used to be considered a major turning point in the region’s history, but according to many historians and archaeologists who specialise in this period, the conquest is almost invisible archaeologically. Surviving documents from the period indicate that for many years after, Gaza continued as an administrative centre of the region, and Greek-speaking Christians continued to run the bureaucracy. The son and grandson of two of the early chancellors of the Ummayad Caliphs, St John of Damascus, ended his life in the monastery of Mar Saba not very far from Gaza in the Judean desert. In time, the inhabitants of Palestine accepted the language, government and religion of their new masters; but it was a gradual process of transition, over many centuries, not a sudden catastrophic end of civilisation. The Arab conquerors were a small military elite; the local people remained much the same.

The site of Saint Hilarion monastery, Deir al-Balah, June 8, 2022. Mahmud Hams/AFP/Getty 

Gaza continued to flourish through the Crusader period, when it was given over to the Knights Templar to guard the frontier with Egypt; and even more so after the Mamluks expelled the Crusaders and filled Gaza with fine mosques and caravanserais. During the Ottoman period, Jaffa and Acre took over from Gaza as the most prosperous ports of the region, out of which Galilee cotton and Jaffa oranges were exported; but Gaza remained an important regional centre.

Though Gaza now dominates news bulletins for the worst reasons, it is a place about which we have traditionally learned remarkably little; we are not taught its story in movies or TV documentaries, let alone as part of formal education. Yet it is something we obviously badly need to know in order to grasp current events.

This month sees the publication of several new books addressing that absence. As well as the catalogue of the brilliant Paris exhibition, Trésors sauvés de Gaza: 5,000 ans d’histoire (Saved Treasures of Gaza: 5,000 Years of History) historian Anne Irfan has just produced an excellent primer, A Short History of the Gaza Strip, while Jean-Pierre Filiu has published a supplement to his wonderful Gaza: A Historycalled A Historian in Gaza. In it, he writes: “The Gaza I knew, and whose length and breadth I’ve travelled, has ceased to exist.” All three count as essential reading for those hungry to know more about this ancient territory so as to better understand the current, desperate chapter in its history.

A Short History of the Gaza Strip by Anne Irfan (Simon & Schuster, £18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.

A Historian in Gaza by Jean-Pierre Filiu (C Hurst & Co Publishers, £16.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.

 

The Geography of Faith: America and the Gospel of Power

America is a country where you can drive from Damascus to Jerusalem via Jericho and Bethlehem without leaving the United States. Its map is littered with biblical names – geography of faith transplanted onto a new continent.

That was no accident. From the Puritans’ “city upon a hill” to Manifest Destiny and today’s Christian nationalism, Americans have repeatedly imagined their country as something more than a nation: a providential project, a New Jerusalem, a civilisation with a sacred inheritance.

But there is another America – the constitutional America, deliberately wary of the fusion of church and state; the pluralist America in which Christianity is one inheritance among many; and the America whose power is increasingly viewed abroad with scepticism.

This essay explores the curious convergence of a renewed intellectual interest in Christianity and Western civilisation, the muscular Christianity of the contemporary American Right, the crusader imagery of its warriors, the spectacle of the television evangelist, and the extraordinary political theology surrounding the Trump era.

At the heart of it is a simple question: what happens when a nation with immense material power begins to clothe that power in sacred language?

New Jerusalem

Look at a map of the United States and you can almost read the Bible in the place names. Bethlehem appears here, Jerusalem there; Jericho, Damascus, Nazareth, Salem, Shiloh, Zion, Hebron, Canaan, Goshen, Galilee, Gilead and Lebanon are scattered across the American landscape. Some are little more than dots on a map; others grew into substantial towns and cities. Together they form something more than a collection of quaint biblical echoes. They constitute a kind of geography of faith: a continent renamed, in part, through the vocabulary of Scripture.

America did not merely settle a new continent. It imagined itself within an ancient story.

The idea goes back to the earliest European settlers, particularly the Puritans, whose understanding of the New World was saturated with the language of Exodus, covenant, wilderness and the Promised Land. The voyage across the Atlantic could be imagined as an escape from bondage. The wilderness became a place of testing. The new settlement could become a covenanted community. America was not simply somewhere to live; it might become somewhere to begin again.

John Winthrop’s famous 1630 sermon, A Model of Christian Charity, gave the idea one of its enduring metaphors: the new community would be “as a city upon a hill”, watched by the world. The original meaning was less a declaration of American superiority than a warning about American responsibility. A people claiming a covenant with God would be judged by how it behaved.

Over time, however, the warning became a boast. The city upon the hill became the shining city upon the hill; the beacon became a claim to exceptionalism; and the American experiment acquired an increasingly providential character. The United States came to imagine itself not merely as a nation among nations but as a nation with a special mission.

This is one reason the idea of a New Jerusalem has such a deep resonance in the American imagination. The Book of Revelation promises a new heaven and a new earth, with the New Jerusalem descending from heaven. The old order passes away; the world is renewed; God dwells among humanity. It is the ultimate story of restoration.

America was, in a secular and political sense, another version of the same story: the old world left behind, a new world discovered, history apparently offering a second chance.

Europe had its cathedrals, dynasties, wars and accumulated centuries. America had the wilderness and the future.

And the wilderness was not empty.

That is where the mythology becomes more complicated. The promised land was already inhabited. The New Jerusalem was built through the displacement and dispossession of Native peoples. The language of Providence accompanied conquest. Manifest Destiny transformed territorial expansion into something that could be understood not simply as geopolitical ambition but as providential destiny.

The American frontier was therefore conquered with the Bible as much as the gun. The gun supplied the means; the Bible supplied, for many, the story.

This should not be reduced to cynical propaganda. Many of the people who settled the frontier genuinely believed that Providence was guiding them. They read their lives through Scripture. They named their settlements after biblical places. They understood victory and defeat, drought and harvest, migration and death within a scriptural framework. The preacher and the gunfighter could inhabit the same cultural universe.

The extraordinary thing is how durable that religious imagination has proved. The United States has repeatedly retold its national story in the language of fall, decline, threat, renewal and redemption. The names and metaphors change, but the narrative structure persists.

America sins; America suffers; America forgets itself; America is threatened; America awakens; America is restored.

It is almost a biblical narrative translated into political mythology.

From the city on the hill to muscular Christianity

This is the historical backdrop against which the contemporary revival of Christian language in American conservatism needs to be understood. It did not begin with Donald Trump, nor is it reducible to the phenomenon now labelled “Christian nationalism”. There has always been an American civil religion in which God, nation, freedom, sacrifice and destiny overlap.

What is new is the intensity with which some contemporary conservatives are seeking to recover Christianity not simply as private belief but as an explicit source of civilisational identity.

There has been, in parallel, an intellectual rediscovery of the Christian inheritance among thinkers who are not conventionally understood as theologians. British historian and co-host of the popular podcast The Rest is History, Tom Holland’s Dominion is perhaps the best-known example. His argument is essentially historical: many of the moral assumptions that modern secular Westerners regard as self-evidently universal – the dignity of the individual, the moral significance of the weak, equality before God, concern for the marginalised and suspicion of arbitrary power – were profoundly shaped by Christianity. See in In That Howling Infinite, Getting back to the garden – Tom Holland’s Dominion. The illustration at the head of this essay is taken from the cover of this thought-provoking book.

Historian Niall Ferguson and others have approached the question from somewhat different directions, examining the decline of Western confidence, the institutions and habits that made the West successful, and the possibility that societies can lose the cultural foundations that sustain them.

There is much to respect in this argument. Christianity did profoundly shape the moral and intellectual architecture of Western civilisation. To deny that is to indulge in a curious form of historical amnesia. But there is a distinction worth preserving between Christianity as an inheritance and Christianity as a political identity.

The West is Christian in its historical formation, but it is not only Christian. It is also Greek and Roman, Jewish and Islamic in important respects, Renaissance and Reformation, Enlightenment and scientific, liberal and socialist. Its civilisation emerged through argument as much as inheritance. Indeed, one of the defining characteristics of the West may be its capacity to argue with itself.

The danger begins when recognition of the Christian inheritance becomes a claim to Christian superiority, and when civilisational confidence becomes civilisational self-certainty.

For there is an awkward historical fact that every honest account of Western civilisation has to accommodate: the civilisation that produced the Sermon on the Mount also produced religious persecution, slavery, colonialism, racial theories, imperial conquest and industrialised warfare. It proclaimed universal human dignity while repeatedly deciding that some humans were more equal than others.

The West has produced some extraordinary moral ideals. It has also repeatedly failed to live up to them. That is not an argument against the ideals. Quite the reverse. It is an argument for taking them seriously.

JD Vance, Marco Rubio and the recovery of a sacred inheritance

The contemporary American conservative project – propagated by the current Us administration- therefore has an interesting intellectual spectrum.

At one end is the civilisational argument: the West has forgotten its inheritance and must recover confidence in the ideas and institutions that made it what it is. Christianity is not necessarily proposed as a state religion but as the moral and cultural foundation of Western civilisation.

The Catholic dimension is particularly interesting. The conversion of vice-president JD Vance, for example, has given his political thought an intellectual vocabulary that differs from the older Reaganite fusion of individual liberty, free markets and traditional morality. Catholic social thought permits a critique of atomised individualism and places greater emphasis upon family, community, solidarity, responsibility and the common good.

Secretary of State Marco Rubio’s formulation is similarly civilisational. His argument for Western renewal encompasses reindustrialisation, secure borders, a more restrained conception of the international order and, most importantly, recognition of what he describes as the Christian “sacred inheritance”.

This is not necessarily the same thing as theocracy. It is an argument that a civilisation requires more than institutions and material prosperity. It needs a moral vocabulary, a sense of purpose and some conception of the good.

That proposition is not absurd. Indeed, the secular West has been wrestling with precisely this problem for decades: What happens when a society loses the stories that once gave meaning to sacrifice, obligation, family, citizenship and responsibility?

But then comes the other end of the spectrum: muscular Christianity.

Come the Crusader

Here the intellectual argument becomes physical.

The language is martial. The imagery is martial. The body itself becomes part of the message: warrior tattoos, biblical inscriptions, fighter jets, missiles, military ceremony, prayer and the rhetoric of providence.

The Defence Secretary Pete Hegseth’s invocation of the Psalm, “Blessed be the Lord, my rock, who trains my hands for war and my fingers for battle”, is emblematic. Christianity is no longer merely being invoked as the moral inheritance of a civilisation. It is being placed beside the instruments of American military power.

There is a long tradition of Christian soldiers, Christian chaplains and religiously motivated warriors. Christianity has never been pacifist in any simple historical sense. The just-war tradition emerged precisely because Christians had to confront the moral problem of political violence.

But just-war thinking is an attempt to restrain power. It is not a licence to sanctify it. The distinction is crucial.

A soldier may quite properly pray before battle. A soldier may believe that God gives him courage. But when the institutions of the state begin to present military action in explicitly sacred terms, a different question arises: is God being invoked as a source of personal conscience, or as a source of political legitimacy?

The difference between “I believe this war is just” and “God has sanctioned this war” is enormous. The first is political conviction. The second approaches theological authority.

And once the military becomes wrapped in sacred language, the danger is that the moral uncertainty inherent in war disappears. The enemy is no longer merely an adversary whose motives and humanity must be understood. He becomes an obstacle in a providential drama.

That is where the crusader metaphor becomes more than colourful rhetoric. The crusader did not merely fight. He fought under a sacred sign.

Television evangelists and the politics of spectacle

There is another strand of American religious culture that belongs in this story: the television evangelist.

The old televangelists perfected a distinctive synthesis of faith and spectacle. Religion became mass entertainment, personal testimony became political mobilisation, the preacher became a celebrity and the audience became a constituency. The language was often intensely personal: belief, victory, persecution, redemption, prosperity, enemies and deliverance.

It is difficult not to see an echo of that culture in contemporary American politics.

President Donald Trump is not, in any conventional sense, an ideological theologian. He is transactional, improvisational and instinctively theatrical – and narcissistic, vindictive and profane to boot. His politics are based less upon a coherent doctrine than upon loyalty, grievance, performance, personal authority and the promise of restoration.

Yet he has proved extraordinarily compatible with the religious imagination of parts of the American Right. The convergence is almost anthropological. The televangelist says: You have been betrayed. The world is against you. I understand your grievance. Follow me and we can restore what has been lost. The populist politician says much the same thing, replacing salvation with national restoration.

There is consequently an uneasy resemblance between the culture of the television evangelist and the politics of Trumpism: personality, spectacle, grievance, loyalty, money, performance and the promise of redemption.

The difference, of course, is that the televangelist claims to speak for God while the politician claims to speak for the people. When those two claims begin to reinforce one another, however, politics acquires some of the characteristics of religion. It acquires saints and sinners, martyrs and enemies, rituals and sacred gatherings, heretics and converts, betrayal and redemption.

That phenomenon was visible in the extraordinary response to the murder and memorialisation of the charismatic, popular and divisive conservative activist Charlie Kirk. The point is not whether the grief manifested across the rightwing media-verse was sincere – it plainly was – nor whether the religious language was genuine. It was both. The more interesting observation is that the death of a political activist can be absorbed into a larger narrative of sacrifice, persecution, martyrdom and national renewal.

This is where political movements can begin to acquire a religious emotional architecture.

And it is worth being careful here. Political martyrdom is not uniquely Christian. Communists, fascists, nationalists, revolutionaries and liberation movements have all created martyrs. But Christianity supplies an especially powerful vocabulary of sacrifice, blood, witness, redemption and resurrection. The political temptation is obvious.

The American paradox

And yet all of this muscular Christianity, civilisational renewal and providential rhetoric is unfolding against a remarkable backdrop: America itself is deeply divided about what America is.

It is one of the most diverse societies on earth. It contains multiple religious traditions and enormous numbers of people who are secular or non-religious. Its politics have become intensely polarised. Its cultural conflicts are increasingly existential in tone.

Christian nationalism therefore confronts a paradox of its own making. It seeks to define a pluralistic country through one of its historical traditions. It can say, with considerable historical justification, that Christianity helped shape America. But it cannot simply turn that historical fact into a constitutional proposition that America belongs to Christians.

The American founding contains a deliberate tension here. Religion was important to the cultural environment in which the Republic developed, but the Constitution did not establish a Christian state. The genius – and perhaps the fragility – of the American experiment was that a profoundly religious society attempted to construct a political order in which different religions, and ultimately non-belief, could coexist.

The city upon the hill was never a single-denomination clubhouse.

That makes the contemporary rhetoric of Christian nationalism both understandable and problematic. It is partly a response to a genuine sense of cultural dislocation: secularisation, demographic change, immigration, declining institutional trust, economic insecurity, the collapse of older forms of community and the sense among many people that the country they knew has disappeared.

Grievances require ideology before they become political mobilisation. Christian nationalism can provide that ideology. It offers an explanation of what has gone wrong and a story about how it might be repaired. But the story can become dangerous when “America” and “Christianity” are treated as interchangeable terms. For then criticism of America can begin to sound like criticism of Christianity, and criticism of Christianity can be interpreted as hostility to America.

That is not a recipe for pluralism.

The constitutional counterweight

There is an important American corrective to all this biblical geography and civilisational rhetoric: the Constitution. America may have imagined itself as a chosen people building a city upon a hill, but the republic’s founders did not establish a Christian state. The First Amendment famously prohibited Congress from establishing a religion while protecting the free exercise of religion. That distinction was fundamental. Religion was not to be banished from public life; neither was the state to acquire a church.

This is one of the great American paradoxes. The country was profoundly shaped by Christianity, yet its constitutional architecture deliberately separated religious authority from governmental authority. The separation of church and state was not an act of hostility towards religion. It was, among other things, a recognition that a society of competing faiths could not remain free if the state became the arbiter of religious truth.

The distinction matters today because it separates two propositions that are increasingly liable to be conflated. The first is historical: Christianity profoundly influenced the formation of American institutions, habits and moral assumptions. The second is political: therefore, the American state should embody Christianity. The first is plainly defensible; the second is precisely the proposition against which the constitutional settlement was designed to provide some protection.

There is an irony here that reaches beyond America. The Christian tradition itself contains a long and complicated argument about the proper relationship between spiritual and temporal power. “Render unto Caesar” is not a complete constitutional theory, but it establishes a distinction that has proved remarkably fertile. Christianity may speak to the conscience of the citizen without becoming the official ideology of the state.

And perhaps this is where the larger philosophical movement: the extraordinary evolution of Western thought from an admiration for the mighty to an ethic increasingly concerned with the meek. The ancient world admired strength, glory, conquest and heroic virtue. Achilles is the archetype, particularly for the likes of Hegseth (absent, of course, the arguably homoerotic Patroclus undertone): muscled and magnificent, wrathful, proud and formidable. Christianity did something extraordinarily disruptive to that moral hierarchy. The mighty are sidelined,  placing the weak, the poor, the humble and the suffering much closer to the centre of moral concern.

The Sermon on the Mount turned the conventional hierarchy upside down. Blessed are not necessarily the conquerors, the powerful and the triumphant, but the meek, the merciful and the peacemakers. Over centuries that moral inversion seeped, unevenly and imperfectly, into Western law, politics and social thought. It eventually became possible to imagine that the legitimacy of power should be measured not simply by what the powerful can accomplish, but by how they treat those without power.

That is a remarkable development in the history of political civilisation. And it provides an interesting test for contemporary muscular Christianity. The question is not whether Christianity can coexist with strength. Of course it can; Christianity has done so for two millennia. The more searching question is whether the Christian inheritance is being invoked to restrain power or to sanctify it.

That distinction brings us back to the Constitution. The American founders did not solve the problem of religion and power, but they constructed a political system in which neither church nor state was supposed to possess the whole truth. The republic was to remain secular in its institutions precisely so that its citizens could remain religious — or not religious — in their consciences.

The city upon the hill, in other words, was never meant to be a theocracy. It was an experiment in self-government.

And perhaps that is one of the more enduring contributions of the American experiment to the Western story: not the claim that America had discovered the New Jerusalem, but the much more modest proposition that people of different faiths could attempt to build a political community without first agreeing upon God.

What the rest of the world sees

There is also an international dimension that American civilisational rhetoric can easily overlook.

The United States remains the world’s pre-eminent military power, one of its largest economies and the centre of an extraordinary network of alliances and institutions. Its technology, universities, culture, financial system and military reach remain formidable.

But power and credibility are not the same thing. A hegemon can compel without inspiring.

And American power depends upon something more intangible than aircraft carriers and dollars: other countries must believe that American commitments mean something, that alliances are durable, that Washington understands the difference between interest and principle, and that its rhetoric about democracy, freedom and the rules-based order has some relationship to its conduct. That is where the present moment becomes particularly awkward.

When the world’s most powerful democracy speaks in the language of Christian civilisation while its president behaves, to a sceptical foreign observer, like a transactional television personality – opportunistic, self-promoting, bullying and apparently indifferent to ideological consistency – the result can be a peculiar dissonance.

The United States says values. The world watches behaviour. America says leadership. Others see transaction. America invokes faith. Others wonder whether they should still have faith in America.

That word “faith” is not accidental. International relations has its own definition. Alliances depend upon confidence. Treaties depend upon credibility. Soft power depends upon the willingness of others to believe that the power being exercised is legitimate, or at least predictable. But once confidence begins to disappear, it is remarkably difficult to restore.

And this is where the Christian rhetoric can become counterproductive. If America presents itself not simply as a powerful state but as the guardian of Western civilisation and Christian values, it raises the moral expectations by which its conduct will be judged. If it invokes God, the world can ask whether its conduct reflects the qualities attributed to God. If it invokes civilisation, the world can ask whether its conduct is civilised. If it invokes the rules-based order, the world can ask whether the rules apply to Washington as well as to everybody else.

The higher the rhetoric, the greater the distance when behaviour falls short.

An American pontiff  in Washington’s shadow

The election of an American pope adds an extraordinary complication.

Pope Leo XIV is, by definition, an American product of the culture, but he does not belong to America in the political sense. The Catholic Church is universal, and the papacy represents an authority that transcends national interest.

His evident reservations about aspects of the Trump administration, particularly its treatment of migrants and its harder-edged nationalism, are therefore significant. The Pope cannot simply be absorbed into the American civilisational project because Catholicism itself contains a competing conception of universality.

That is perhaps one reason the current “Catholic moment” is so interesting. American Catholicism is simultaneously being courted by the nationalist Right and reminded by its own universal tradition that Christianity is larger than the nation. The Pope’s position effectively asks a question that Christian nationalism finds difficult to answer: where does Christian allegiance end and national allegiance begin?

The answer cannot simply be “wherever America says it does” because the Christian faith, at least in its Catholic conception, does not stop at the border. Nor does the stranger cease to be a human being when he crosses it.

The return to faith  – and a Mahatma moment

In the intellectual world, therefore, something genuinely important is happening beneath the politics.

A number of intellectually serious people are rediscovering Christianity because they have come to understand that the supposedly secular values of the modern West are not as self-explanatory as they once assumed. They are asking where ideas of human dignity, equality, compassion, sacrifice and moral obligation came from, and whether a civilisation can sustain them once it forgets their genealogy. This is a worthwhile conversation, but there is a danger in turning it into a story of Western vindication.

The West has an extraordinary inheritance. It also has an extraordinary record of failing to live up to it.

This is where an  apocryphal quip by Mahatma Gandhi becomes unexpectedly useful. Asked what he thought of Western civilisation, Gandhi is supposed to have replied: “I think it would be a good idea.” He almost certainly did not say it. But the joke survives because it captures something profound.

The West has produced ideals of extraordinary moral power. It has also spent much of its history demonstrating how difficult those ideals are to practise. The point is not to discard the inheritance. Quite the opposite. It is to take it seriously enough to judge ourselves by it.

Perhaps the proper response to the rediscovery of Western civilisation is therefore neither triumphalism nor self-loathing, but gratitude without complacency – acknowledging the Christian foundations of much Western moral thought without pretending that Christianity has a monopoly on virtue. We can recognise the achievements of the West without denying the violence that accompanied them. We can defend liberal democracy without pretending that every Western action has been liberal or democratic.

And perhaps the deepest lesson of the Christian inheritance is that being “chosen” is not a certificate of moral superiority. The biblical prophets spent an extraordinary amount of time telling their own people that God’s favour did not exempt them from judgement.

Indeed, the Bible that gave America its language of Exodus, Promised Land and Manifest Destiny also gave it the prophets. And the prophets were not particularly polite to powerful people who believed themselves righteous. They asked who was being excluded, who was being oppressed, how the stranger was being treated, what happened to the poor, the widow and the orphan, and what became of justice when power convinced itself that it was acting in the name of God.

That is why the phrase “What would Jesus do?” has more bite than its sometimes saccharine popular usage suggests. It is not merely a question about personal kindness. Applied seriously to statecraft, war and national power, it becomes an interrogation of the entire project.

What would Jesus make of the stranger at the border? What would he make of the poor? What would he make of vengeance? What would he make of the worship of strength? What would he make of the powerful congratulating themselves on their righteousness? What would he make of the Sermon on the Mount?

And, most awkwardly for the muscular Christian, what would he make of: “Blessed are the peacemakers”?

The great American story may therefore not be that America is the New Jerusalem. It is that America has repeatedly imagined itself becoming one. The city upon the hill was an aspiration before it became a boast. The New Jerusalem is an eschatological promise, not a national certificate. Civilisation is something to be practised, not possessed.

Which brings us back to that wonderfully mischievous Gandhi line. “Western civilisation?” “It would be a good idea.”

Perhaps that is the most useful way of understanding the contemporary return to faith. Christianity may indeed be one of the great sources of the moral vocabulary by which the West understands itself. But the test of a civilisation is not the grandeur of its inheritance. It is what it does with it.

The Bible gave America a map, a mythology and a moral vocabulary. The gun helped conquer the continent. The Constitution tried to establish the rules by which its people might live together. The pulpit supplied the language of providence. The television evangelist transformed faith into spectacle. The politician discovered the mobilising power of grievance, identity and redemption. The soldier discovered that Scripture could be placed beside the missile.

And now the most powerful country on earth is once again asking the world to believe in its exceptional mission. The world, understandably, is watching what it does.

Perhaps that is the ultimate irony of the city upon the hill. The higher the hill, the more visible the conduct of those who live upon it. And if America wants to invoke the Bible as its civilisational inheritance, it inherits not only the stories of Exodus and conquest, but the uncomfortable questions of the prophets.

Or, to put it in the irreverent vernacular of an old, sceptical observer:

What would Jesus do?

Paul Hemphill and In That Howling Infinite, August 2026

This essay was written in conversation with books I’ve read, ideas formed and half-formed, and, more recently, in sustained dialogue with an AI language model, which contributed to drafting, phrasing, and conceptual articulation. What appears here is not unmediated thought, but considered thought: selected, tested, revised and revised again, and owned.

See also in In That Howling InfiniteA Political World – Thoughts and Themes, The Wrath to Come. Gone With the Wind and America’s Big Lie and My country, ‘tis of Thee – on matters American

My country, ’tis of thee – on matters American

 

 

 

 

Beside Strange Waters

I have admired Pink Floyd since the sixties. I still thrill to the memory of sitting in the darkness on Parliament Hill in the fall of 1968 as the  lights of the city sparkled below us and as jet planes roared overhead on their descent to Heathrow airport to the accompaniment of Interstellar Overdrive and Careful With That Axe, Eugene. The Dark Side of the Moon remains, in my view, one of the greatest albums ever recorded: musically adventurous, philosophically rich, endlessly rewarding. Like much of Floyd’s best work, it explores madness, alienation, mortality and power with extraordinary subtlety.

That subtlety is precisely what seems missing from co-founder Roger Waters’ contemporary activism. Flying inflatable pigs adorned with Stars of David or swastika imagery; describing Israel as uniquely evil; dismissing inconvenient evidence about the atrocities of October 7, 2026; and denouncing former colleagues as idiots. All this may generate headlines, but they lack the complexity of the art that made him and Pink Floyd famous.

Perhaps that is the enduring irony. David Gilmour rarely pretended to be a political philosopher. Waters plainly believes he is one. Yet the songs they created together endure precisely because they resisted simplistic moral binaries. The Dark Side of the Moon recognises that human beings are contradictory creatures, capable of love and cruelty, sanity and madness, empathy and tribalism. Waters’ current politics increasingly divide humanity into those who possess truth and those who have been brainwashed.

The Haaretz article republished below unintentionally illustrates another uncomfortable truth. In 2006 Waters was still embraced by most Israelis despite his criticisms. Today he is regarded by many not merely as a critic of Israel but as someone who has crossed into demonisation. Whether one agrees with that judgement or not, the shift is real. His critics see not an artist speaking truth to power but a man whose empathy has become radically selective.

The music, however, remains untouched. It is still magnificent. One can treasure the album while concluding that its principal lyricist has become, to borrow one of his own titles, rather more comfortably certain than comfortably numb. The  younger Roger Waters asked us to question authority. The contemporary Roger Waters often seems to demand that we accept his own. That is a curious destination for one of rock’s greatest sceptics.

The dark side of Roger Waters

This is a fascinating article, not because it settles anything – it manifestly does not – but because it captures Roger Waters almost in the raw.  Israeli music journalist Ben Shalev deserves credit for largely getting out of the way and letting his subject speak. The result is both revealing and, at times, deeply unsettling.

The article begins as a piece of rock-and-roll history. In 2006, Waters agreed to perform in Israel but, under pressure from the fledgling Boycott, Divestment and Sanctions (BDS) movement, cancelled the planned Tel Aviv concert and instead performed in Neve Shalom (Wahat al-Salam), the Jewish-Arab “Oasis of Peace” village near Latrun. The move required an extraordinary logistical effort: a chickpea field became a wheat field, then an amphitheatre for some 60,000 people. Traffic collapsed, helicopters ferried the wealthy, and the concert itself – a performance of The Dark Side of the Moon – became one of the largest and most memorable rock events Israel has ever hosted.

Around this entertaining backstage story swirl competing memories. Did Waters himself suggest Neve Shalom? Was it promoter Shuki Weiss? Did Waters witness armed Israeli soldiers at the separation barrier or not? Did security concerns prevent him attending a peace gathering, or did he simply go shopping? Almost every anecdote has two or three incompatible versions. Shalev wisely resists deciding who is right. Memory, ideology and self-mythologising have become inseparable.

The more interesting story is Waters’ own political evolution. He describes 2006 as the beginning of his radicalisation, crediting Qatari-Palestinian activist Omar Barghouti and the nascent BDS movement with opening his eyes to what he now regards as Zionism’s original sin. He claims his deceased father’s letters from British Mandatory Palestine anticipated these concerns decades earlier. Since then, he says, he has concluded not merely that Israeli governments have committed grave wrongs, but that Israel itself – and Zionism as such – is “a failed experiment.”

At that point the interview changes register entirely. It ceases to be about a concert and becomes a prolonged political jeremiad. Waters insists Israelis have been comprehensively brainwashed, dismisses Israeli society as morally corrupted, embraces armed struggle as historically necessary, rejects Nick Cave’s argument for cultural engagement, and repeats claims about October 7 that have been extensively challenged by independent investigations. His denial that Hamas committed rapes, despite substantial evidence collected by UN investigators, journalists and Israeli forensic teams, inevitably overwhelms everything else he says. Whether one is sympathetic to Palestinian suffering or highly critical of Israeli policy, this is where many readers simply stop listening.

That is perhaps the tragedy of Roger Waters. He undoubtedly possesses genuine moral passion. The anti-authoritarian themes running through Animals, The Wall and Dark Side of the Moon were always political, even when listeners preferred to hear only the music. But somewhere along the way, righteous anger seems to have hardened into absolute certainty. There is almost no room left for ambiguity, self-doubt or tragedy. Israelis become collectively brainwashed; Palestinians collectively embody resistance; every contradictory fact is assimilated into a single explanatory framework.

It is an oddly totalising worldview from a man who once warned us against “thought control.”

Postscript

On 4th September 2026, The Times of Israel Israel reported that Roger Waters, “a far-left conspiracist who has long been accused of antisemitism”, was scheduled to headline a New York City conference run by a group that raises conspiracies about the September 11, 2001 terror attack. “Waters and the group organizing the conference, the International Center for 9/11 Justice, have raised false allegations that Israel was involved in the al-Qaeda terror attacks”.

According to The Times, “The group identifies with the “truth movement” that raises alternative explanations for the attacks and calls the attacks an “inside job” orchestrated by the US government with assistance from Israel and other countries”. “9/11 was the first step in the plan for US-Israel hegemony in the Middle East,” the group said earlier this year.

The Times notes that Waters has endorsed conspiracy theories about the September 11, 2001, attacks, telling Tucker Carlson in July that the towers fell due to “controlled demolitions. “It fell down because it was demolished, and the question is, ‘Who placed the explosives in it? Who pressed the button?’” he said. He alleged Israelis had foreknowledge of the attacks, saying, “They were dancing around, sort of congratulating themselves”. He has also raised conspiracies or denied atrocities related to Hamas’s October 2023 invasion of Israel and has a history of anti-Jewish rhetoric.

Paul Hemphill, August 2026

For more on the Middle East in in That Howling Infinite, see A Middle East Miscellany.

Roger Waters: ‘My Songs That Israelis Love Are About Truth and Love. Israel Is the Complete Opposite’

Twenty years after his performance in the Jewish-Arab village of Neve Shalom, Roger Waters recounts his version of what really happened there – and what has changed for him since. ‘They went from, ‘Waaaah! Roger, Pink Floyd, we love you’ – to ‘What the fuck is he talking about?”

June 18, 2026

Roger Waters: "Israel is a failed experiment."
Shortly after 10 P.M. on June 22, 2006, as Roger Waters’ concert in the Jewish-Arab Israeli village of Neve Shalom was in full swing, a member of the production team mistakenly believed that police were preparing to arrest the Pink Floyd legend.

The employee, a member of Israeli producer Shuki Weiss’ team, thought he had heard over the radio that Waters would be arrested on suspicion of damaging IDF property the moment he stepped offstage. He alerted Amir Feingold, who was in charge of security for the production.

Already under immense pressure as the concert drew to a close and 60,000 attendees prepared to leave, Feingold took the report seriously. “We called the Jerusalem District commander, who was at the site, and asked him to look into it,” he recalls.

“Listen, we know how easily the police arrest people. Look at what’s happening today with protest activists.”

That was in 2006. The minister responsible for the police was not Ben-Gvir.

“If there was the slightest chance something would go wrong, we wanted to make sure it didn’t happen. The district commander reassured us. He said, ‘I’m with you.’ At the same time, Shuki and I went to Waters’ manager and told him, ‘Listen, here’s the situation. There could be problems.’ As soon as Waters got off stage, we put him in a car, even before giving the order to turn on the lights in the facility. Shuki said a few words to the audience while the man was already on his way to Ben-Gurion International Airport, escorted by special police patrol unit vans.”

רוג'ר ווטרס גרפיטי
Rogers Waters spraying graffiti on the separation wall, 2006.  Credit: AP

The story about the complaint against Waters is an insignificant anecdote, but it illustrates how much Israeli reality has changed in the 20 years since that performance.

In 2006, Ben-Gvir was a serial offender who belonged to the lunatic, ostracized fringes of the far-right, far outside the bounds of public legitimacy. Today, he is the national security minister. Waters is the one who has moved far beyond the bounds of Israeli legitimacy in the past two decades. In 2006, he was still a huge cultural hero, unconditionally loved and admired. His arrival in the country was seen as a historic event.

Israelis’ attitude toward Waters has, as is well known, totally changed since then. First, he has been a vocal and tireless advocate for the cultural boycott against Israel, as part of the boycott, divestment and sanctions movement. Then, he denied the scale of the Hamas massacre on October 7.

Pink Floyd’s music is still very much loved in the country, but Waters himself is probably among the most hated people in Israel. The possibility of him setting foot in the country today is beyond imagination. This makes the memories of his performance here, exactly 20 years ago, particularly charged and interesting.

What does Waters himself remember from that visit to Israel and the performance in Neve Shalom? What is the most significant thing that stuck with him?

“Very, very comfortable, shabby chic white sofas arranged backstage. Not the most meaningful memory, but you said, how do you remember it? But the main memory, obviously, is the memory of when I made the little speech at the end where I said, you are the generation of young Israelis who must make peace with your neighbors and blah blah blah,” Waters says in a Zoom interview from his New York home.

He then mimics a screaming, fawning audience: “They went from, ‘Waaaah! Roger, Pink Floyd, we love you’ – to ‘What the fuck is he talking about?’ Wow. It was something of a surprise. I went back the next year and I learned a lot more about Israeli psychology. But that first year, it was still a bit of a surprise.”

Waters is not precise with the timing: He returned three years later, in 2009.

Was the change in audience reaction really that extreme?

“It went from ecstasy to silent horror in a split second. And I thought, whoa, that was by far the most important bit. The rest was just a gig, with an adoring audience.”

Israel is waiting for Roger

One need not accept Waters’ recollection. I asked several people who were there how they remembered that moment. Some didn’t recall Waters’ statement at all. Others said the audience reacted supportively. No one remembered a reserved response, certainly not “silent horror.”

A significant discrepancy between different accounts of the same events characterizes the entire story of Waters’ performance and his 2006 visit to Israel. Whose idea was it to move the concert from its original venue in Yarkon Park to Neve Shalom’s chickpea field? What did Waters see during his visit to the separation barrier? Why didn’t he attend the meeting organized for him with intellectuals and peace activists?

The answer to all these questions is: It depends on whom you ask. So we asked. To mark 20 years since the most complex and charged performance in the history of international rock concerts in Israel, we will try to tell its story in the most reliable and interesting way.

This story has two protagonists: Waters and producer Shuki Weiss. In the 1970s, before Weiss became one of the country’s biggest concert producers, he managed record stores in Tel Aviv and was one of those responsible for introducing Pink Floyd’s music to Israelis. Later, when he owned the Dan Cinema Club in Tel Aviv, he used to hold record listening evenings there. One time he played “The Wall.”

“People would come to listen,” he recalls. “Many people.”

In the early 1980s, Weiss and Miron Rechtman, the owner of the Betty Bam event equipment company, bought the sound system that Pink Floyd used on its “The Wall” tour. In the mid-1980s, Weiss tried in vain to bring David Gilmour, Pink Floyd’s guitarist, to Israel as a solo artist. Toward the end of the 1980s, after Waters had left the band, he negotiated to bring Pink Floyd to perform in the country in its trio lineup (Gilmour, keyboardist Rick Wright and drummer Nick Mason. But that attempt also failed.

The crowd waiting for Waters to perform. The concert caused a traffic nightmare.

The crowd waiting for Waters to perform. Credit: Oren Levin

“I stalked them, so to speak,” he says.

In early 2006, Weiss learned that Waters was planning a world tour based on the album “The Dark Side of the Moon.”

“I went to London, met his agent, and offered a huge sum, much more than he received anywhere else,” Weiss recalls. After the contract was signed and the planned performance in Yarkon Park was announced, he traveled to Paris for a brief meeting with Waters. “I told him that Israel was excited for him,” he says. “He was perfectly fine.” Weiss says ticket sales were excellent, with 35,000 sold three months before the show.

A couple of weeks later, Weiss was vacationing with his family in the Netherlands, when Waters’ manager, Mark Fenwick, called him. He told Weiss that pro-Palestinian activists were exerting heavy pressure on Waters. A few hours later, Fenwick called again to say that Waters had decided to cancel the performance.

“I got lots of emails from my brothers and sisters after the announcement of Hayarkon Park. But the important one was from Omar Barghouti,” Waters recalls about changing his mind, referring to one of the founders of the BDS movement. “We had a conversation, and then I eventually cancelled Hayarkon Park. Organizing this concert instead was a compromise with Omar and with the rest of the people who had just started the BDS movement, because obviously even doing Neve Shalom broke the boundaries of the cultural boycott.”

Waters describes that exchange as “a huge moment” in his political thinking.

“You know, in this song that Mona Miari and I have just released, a re-imagination of my song ‘Comfortably Numb,’ I sing, ‘We never knew about the Nakba. I was only 5 years old in ’48.’ And we didn’t,” he says. “And the lie that is Zionism had been spread all over the world since the Second World War. So I wasn’t alone. Very, very few people quite got it.”

Waters says that one of the few people who “got it” before the war was his father.

Shuki Weiss giving an interview ahead of the Rogers Water concert in 2006.
Shuki Weiss giving an interview ahead of the concert. Credit: Oren Levin

“My father taught at St. George’s School in Jerusalem from 1934 to 1936,” he says. “And he wrote letters home to my grandmother, which I have, saying how worried he was about the influx of American money, mainly, to buy up land, and about the establishment of the settlements that he saw going on, and how desperately worried and concerned he was,” he recounts, referring to the pre-state Jewish communities. “Of course, he was killed in the war, so I never got to talk to him about these things. but it’s a fascinating fact.”

Following the deepening of his awareness of the Israeli-Palestinian conflict due to the appeal of the BDS movement, Waters made his second visit in 2009. “My travels around the occupied territories … were deeply, deeply moving and very informative,” he says. “I’ve tried never to shut my mouth from that moment. And things have only got worse, obviously, except that it’s becoming clearer and clearer to the vast majority of people all over the world now that this is a failed experiment, and it should be stopped.”

What is the failed experiment?

“Israel is the failed experiment. Zionism is the failed experiment. and this is becoming increasingly a position taken up by a huge majority of human beings all over the world, because we witness and are appalled by the horrific policies of the state of Israel in its massacre of the indigenous people whose land it stole in order to create itself. And so it’s a terrible, terrible, terrible tragedy, and it remains to be seen: Will I see the end of the story in my lifetime? Probably not. I’m 82 years old.”

פותחת
Waters performing in Neve Shalom in 2006.  Credit: Assaf Evron

Field of wheat

In response to Waters’ decision to cancel the Yarkon Park concert, the most monumental improvisation in the history of performances in Israel occurred. Thanks to the move to Neve Shalom, Weiss says he was called “The King of the Chickpea Field” for years by people in the global music industry.

“When Waters’ manager informed me of the cancellation, I told him: ‘What if I move the show to a place for Jews and Arabs?’ I don’t know where that came from,” Weiss says. ‘I knew Neve Shalom. David Broza’s grandfather was one of the first residents there. I had done performances there many years before this show, events for peace. But nothing of this magnitude. Performances for a few thousand people. I had no idea if a huge concert could be held there. I left my family in the Netherlands and returned to Israel. That night, Waters’ manager called me back and said: ‘We checked what Neve Shalom is. If you can do it there, and if you invite Arabs to the show and arrange meetings with peace activists, we’re in.’ I told him: ‘Yes, yes, yes.”

Rayek Rizek, a Neve Shalom resident, offers a different version of the events that led to the Neve Shalom performance. “Sometime in late March 2006, I heard two employees in the community’s secretariat talking about Roger Waters,” recalls Rizek who was the community’s secretary general in 2006. “I’ve loved Pink Floyd since high school. I still listen to them today. When I was studying at university in the United States, around when “Animals” (the band’s 1977 album) came out, I missed a performance of theirs in Houston. By the time I managed to look for a ticket, everything was sold out. I was very sorry,” Rizek says as an aside.

“So when I heard the employees in the office talking about Waters, I asked what was going on. They said his manager had sent us an email. Waters was interested in Neve Shalom and was asking for information about the village,” he says. “As soon as I saw I had a direct connection with the manager, I sat down and wrote him a long email telling him about Neve Shalom and inviting him to hold the concert with us. I didn’t know about the pressure being exerted on him. Two days later, Shuki Weiss came to the village and told me, ‘This morning, Waters’ manager called me and asked about the possibility of moving the concert to Neve Shalom.’ I imagine the manager received my letter and understood that such a possibility existed.”

Rizek’s version doesn’t necessarily contradict Weiss’s entirely. Perhaps Weiss suggested the idea to Waters’ manager, and then the manager sent an email to Neve Shalom. But it’s also possible that the initial email to Neve Shalom was sent to explore the option of holding some separate activity in the community. In this scenario, when the Yarkon gig was canceled amid Rizek’s offer to hold a concert in Neve Shalom, Waters and his manager adopted the proposal. Rizek recounts that during one of the preliminary meetings with police officers at the event site, one of the commanders got annoyed over some details and asked, “‘Why are we even holding the concert here? Why didn’t it stay in Tel Aviv?'”

Rizek recalls: “Shuki looked at me and told the commander: ‘Blame him.’ As for me, all I did was send a letter.”

Waters himself doesn’t remember the history of the concert’s move to Neve Shalom. “Shuki Weiss, bless him, he’s just another promoter,” he says with a smile. “I don’t know him at all. I wouldn’t trust him as far as I can spit.”

On the other hand, he stresses, “I loved the idea of Neve Shalom, of this agricultural community.” He says fondly: “It’s like this is the dream that we have of how Palestine could go, could go back to being, where everybody lives together, and there’s no supremacists, there’s no racism. Whatever it may be that has caused this great catastrophe, there was none of that in Neve Shalom. I hope it’s still doing well.”

Flyers for the Roger Waters concert in Israel

Flyers for the Roger Waters concert in Israel Credit: Oren Levin

Weiss picked the new concert site’s location with Giora Porter, who designed the producer’s concert venues for many years. “There was only one area that came into consideration, with a certain slope, a kind of natural amphitheater,” Porter recalls. “It was a chickpea field owned by two brothers from one of the local moshavim. I located the field owners and said: ‘I want to buy your chickpeas.’ They said: ‘Okay, we’ll harvest in May.’ I said: ‘No, now.’ They understood they could make a killing off me. I bought the chickpea field, the crop they wouldn’t harvest, for $100,000. They were nice guys, but they knew how to bargain.”

“But there was a problem with the crappy soil in the Latrun area,” Porter says. “Exposed soil in June is all dust. It’s terrible. I suggested sowing grass, but the moshav resident said: ‘No, that will ruin my land.’ I said: ‘I can’t do a show on dirt.’ I think he was the one who suggested sowing wheat. He said: ‘It’ll sprout and be green like grass.’ So we went to see wheat sprouting elsewhere. I told him: ‘It’s terribly sparse.’ He said: ‘We’ll double sow it, increase the density.’ And that’s what he did. Shuki paid for it. And that entire huge area turned green within days. It was a miracle.”

Weiss and Porter recount that various state authorities created numerous difficulties for the show. The Israel Antiquities Authority remembered that salvage excavations needed to be carried out on the site and delayed the work. The Israel Land Authority charged several hundred thousand shekels to rezone the land for commercial use, even if only for one night. Meanwhile, the Health Ministry prohibited watering the compound with reclaimed water and forced Weiss to bring tankers. “It didn’t matter that we used reclaimed water at night, but I showed them we had tankers,” Weiss says.

“Quite cunning bodies,” Porter says of the authorities that created difficulties and collected payments. Weiss adds, laughing: “They know their job. That’s governance!”

Weiss and Amir Feingold, who was his security officer, have mostly praise for the police’s conduct. Some officers, Weiss says, were Pink Floyd fans. The event morphed into a kind of national project that the police wished to see succeed. There was, however, a dispute over the number of paid police officers the production was required to fund. The Jerusalem District commander demanded 1,000, including several dozen detectives to hunt for pot smokers among the crowd.

“We argued with them about it,” Feingold recalls. “I told the district commander: ‘In the end, it’s rock and roll. Are you bringing 80 detectives to arrest the pot smokers? Let them enjoy themselves.” The police, he says, complied and eased the demands.

Waters landed in Israel two days before the concert. The morning after his arrival, he visited the separation barrier near Bethlehem, where he protested against its construction with spray paint and words. Weiss says Waters gave interviews after his visit in which he said he was shocked to see “soldiers with drawn weapons” near the wall.

“A lie. There wasn’t a single soldier there, certainly not with drawn weapons,” Weiss says. Feingold, who accompanied Waters’ entourage on the trip to the wall, confirms no soldiers were present.

קהל אנשים צופים רוג'ר ווטרז ווטרס

Fans at the concert in 2006. Most did not arrive by helicopter: Assaf Evron

No-show in Neve Shalom

Waters laughs when he hears this claim. “So which story rings truer, Shuki Weiss’ story, no weapons, no soldiers, just a nice wall, or my story? I’ll tell you which one is true: my story,” he insists. “Shuki Weiss is a lying schmuck, obviously. I’m sure he’s very smiley, and he likes to make a lot of money. Good luck to him, but he’s just making stuff up.”

Another claim by Weiss concerns Waters’ non-attendance at an event organized in his honor in Neve Shalom. It was to be a meeting with intellectuals, peace activists, and village residents. Singer David Broza “helped me bring artists, writers, very serious people,” Weiss recalls. “They brought an olive tree for him to plant. There was a children’s orchestra. Tons of excitement. Everyone was already there, but he wasn’t. No Roger. They called him. He didn’t answer. His manager didn’t know where he was. In the end, David planted the tree in his place. Later it turned out he went to Kikar Hamedina to buy jewelry for his partner.”

Not only an olive tree was prepared for Waters, but also a sculpture of the famous prism from the cover of “The Dark Side of the Moon,” Rayek Rizek recounts. “I went to an artist in the Rehovot area, he told me 20,000 shekels ($4,500 in 2006). In the end, we made it from marble-coated concrete. It cost 4,000 shekels. Shuki paid,” Rizek says. “We waited and waited. In the end, someone on Waters’ behalf came and said he couldn’t come. There were too many people.”

Weiss says Waters was a no-show in Neve Shalom the day before the concert, but the event took place the afternoon of the show. “He was supposed to go to the community from the backstage area,” Feingold says. “His security guard came and looked around. I told him: ‘Tell me what you need. We’ll sort it out.’ He didn’t say a word and left. Later, he announced, ‘We’re not coming.’ I don’t know if he or Waters decided. He just said, ‘Security problems.’ What security problems? First-graders and 30 other people from the left. Where was the threat?”

Rogers says “of course” he didn’t come. “You don’t do anything on a gig day, except the gig,” he says. “I’m glad I’ve had this career and that I’ve been able to do multiple shows all over the world to fabulous audiences, but it’s very rare to do other things on show days.”

“And I’m absolutely, totally against the Nick Cave school of thought that, oh, we should all go and talk to people in meetings and that’ll do it,” he stresses, parodying hippie naivete. “No, it fucking won’t, you prick. No people has ever freed themselves without armed struggle, ever. It just doesn’t happen. It reminds me of the best interview that any of us have ever seen. (Palestinian writer) Ghassan Kanafani gave that fabulous interview where he talks about the conversation between the hatchet and the neck. What a wonderful writer.” He adds, referring to one of Kanafani’s books, “I can still remember almost every word in ‘Returning to Haifa.'”

A few weeks after the Neve Shalom concert, Waters wrote Rizek. “Dear Rayek, I’m deeply saddened that I was unable to plant the olive tree, but our efforts to reach the site were thwarted by the sheer numbers of people surrounding the vehicle in which I was travelling,” he wrote. “I know how upset you are that this did not take place and I hope that will not blight the memory of our visit to your land.” It sounds like something Waters would write, not his agent or manager.

“You see, Ben? I’m not just evil,” Waters comments.

The wheat field that replaced the chickpea field near Neve Shalom, 2006.
The wheat field that replaced the chickpea field near Neve Shalom, Oren Levin

When I sent him an email a few weeks ago asking if he would agree to be interviewed for this article, I didn’t expect a positive answer. But it was positive and even cordial. When I told him during the Zoom call that I was pleasantly surprised, and that the conventional wisdom here is that he has no desire for dialogue with Israelis, certainly not after October 7, he responded: “Yes, I am. I’m just having one with you now.”

However, some things he said were difficult to hear and didn’t seem very open-minded.

“You, as a country, Israeli people have been brainwashed, and consequently you are now subjects, nationals of the most evil thing that has happened in the world since the Nazis and the Second World War. And you can’t seem to grasp it, and that is so sad,” he said.

“You used the two magic words: Gideon and Levy,” he continued, referring to my email mentioning Gideon Levy as my Haaretz colleague. “It’s only these words that got you the ability to get to me, and even Gideon got the whole October 7th thing wrong. We almost fell out over it, because he was so brainwashed. He believed all that crap about burning babies and raping women and stuff, and it’s all complete nonsense, and everybody knows it’s complete and utter nonsense. There was no rape by Hamas on October the 7th. However, there have been documented multiple rapes by the IDF, of men and women and children.”

After pushing back that I did believe these things happened, I asked Waters to change the subject. It was unbearable to hear him say these things. I knew that any attempt to continue responding to him would blow up the interview. But he continued.

“Your position is indefensible, and no amount of talking intelligently to any of you is going to change any of this. You’ve been Ben-Gvir’d until you can’t accept any reason,” he retorted. “Your state, Israel, is psychotic, psychopathic, criminally insane, and the only way out of it is for you to re-establish connection with the rest of the human race. Stop thinking that you are superior in some way and should rule the world, and join in with the community of the part of the world you’re living in. Until you do that, you are doomed, but you may well drag the rest of the world down with you. You know, it wouldn’t surprise me at all if suddenly some lunatic was to drop a nuclear bomb on Iran or something, and that’s the end of the world. You, Israel, and the United States, the U.K., France and Germany, and all the people in that cabal are dragging the whole globe towards its extinction, extinction of all life on the planet. And that’s what I complain about. It’s not weird to complain about that.”

Aviv Geffen arrives by chopper

Back to the concert, enormous traffic jams formed on the way to Neve Shalom in the afternoon and evening, and on the way from it that night. “The biggest traffic jam of 2006, perhaps of the entire decade,” Feingold asserts.

“A massive transportation failure. To this day, people are still stuck there trying to get out,” Porter laughs. Still, he acknowledges the huge traffic jams were unavoidable. “That’s the geography. We invested a lot in finding access roads, dirt roads,” he says. “We rented entire fields from nearby kibbutzim and leveled them for parking. And still, in the end, everything converged on one turn off the main road. Like everyone coming to Tel Aviv in the morning. It’s an unmanageable rush hour.”

דיויד גילמור

David Gilmour. “He’s dumb as shit.” Credit: Gregorio Borgia/AP

So, did you bear responsibility for the failure, or did you say “it couldn’t be prevented”?

“Both,” Porter says.

Those who didn’t suffer from the traffic jams were the affluent who could afford 3,000 shekels for helicopter transport to the concert venue. A special helicopter line operated from Sde Dov airport in Tel Aviv. “Rani Rahav rented two helicopters for himself and the group that came with him,” Weiss says, referring to the PR consultant. “Aviv Geffen also arrived by helicopter. They told me afterward: ‘You don’t understand what a sight unfolded before us from above. It was worth every shekel.”

As for the concert, the quadraphonic sound was excellent. The superb backing band, which included acclaimed guitarists Snowy White and Dave Kilminster, was flawless. Waters occasionally used playback or excellent backing vocalists. It wasn’t a spontaneous or surprising performance, but it was clearly going to be that way. For the fortunate few who had the luck to see Pink Floyd perform, it was necessarily a diluted version. (Weiss is one of them, saying, “It was a poor man’s Pink Floyd. It wasn’t the real thing.”). But a straw poll I took last week among people who were there suggests that the enjoyment was complete, overwhelming and enthusiastic.

Musician Oded Tamsoot came to the concert from Ma’ale Gamla in the Golan Heights. “The entire event, the performance itself, was an amazing experience, beyond imagination,” he says. A year later, he formed the Pink Floyd tribute band Ummagumma.

Yael Ori, a former teacher and kindergarten teacher from Jerusalem, says Pink Floyd’s messages, which deeply influenced her as a teenager, inspired her to choose the teaching profession. “My high school was a nightmare,” she says. “I decided I wanted to be a teacher so my children wouldn’t suffer what I suffered.” Singing “We don’t need no education” with Waters and the masses was a wonderful experience, she says.

Dvir Zhorno from Jerusalem was 16. “The concert’s timing was perfect for me. It was shortly after I discovered Pink Floyd and started delving into their music,” says Zhorno, now a finance professional. “After the show, I heard critiques that he performed the songs exactly as they were on the albums, but that style suited me. That’s what I wanted to hear. ‘The Great Gig in the Sky’ live, exactly like on the album – it was awesome.”

David Broza at the tree planting ceremony at Neve Shalom. He was the default replacement for Waters.
David Broza at the tree planting ceremony at Neve Shalom. Credit: Oren Levin

Truth and love, lies and hate

Toward the end of the interview, I asked Waters what he thought about the enormous, unbridgeable gap between the deep love hundreds of thousands of Israelis feel for Pink Floyd’s music and the extreme hatred most Israelis feel toward him, his views and his statements.

“This is their problem,” he sighs. “All my work, all that work that they love, all those songs I wrote for Pink Floyd – “Shine On You Crazy Diamond,” “Comfortably Numb,” “Wish You Were Here,” – are all about truth and love. And all of my work that I do now is about truth and love. The State of Israel and what the children of Israel are taught to believe from the minute they’re grown up is the exact opposite. You’ve been brought up to believe the lies about October 7th. That’s not true. That’s just pure evil lies. And you’ve been taught to hate Arabs and Palestinians. That’s the opposite of love. So you live in a world that’s built on lies and hatred. … My music is built on love and truth, and that’s why there’s a dichotomy – oh, we love his music, but we hate him.

“I’m so sorry that even talking to you, I can see that you have been brainwashed, my brother Ben, completely. And I know you’re laughing at me now, but it’s really not funny. It’s sad. Israel is the saddest thing on earth, with the possible exception of the Trump White House. It’s sad because human beings are better than this. There is a capacity within every human soul for an attachment to love and truth. So for us to be persuaded that lies and hatred are a better alternative is why I go on working and expressing myself in my great songs.

“You think that ‘Dark Side of the Moon’ and ‘The Wall’ and ‘Animals’ weren’t political? Are you fucking stupid? Yes, they are stupid. If they don’t get that, they’re very, very stupid. You can’t really blame them. There were people in the band who don’t get it. David Gilmour doesn’t get it. He’s dumb as shit. He never understood a single bit of any of it. … That’s why he was miserable. And he was miserable with the band, because he never understood what I was doing.”

Waters started to say another sentence but then stopped and said: “Well, no, I’m not gonna [there]. Good luck with getting them to print any of this.”

Thank you very much.

“You’re welcome. Thank you for still having a smile on your face at the end of this conversation.”

Maps, memory, and the myth of fingerprints

Palestine Mapped. From the River to the Sea in Early Geographic Thought
Thomas Suárez

Tom Suarez is one of the most meticulous and careful researchers on Palestine and Zionism although he is relatively unknown. His first book, which the Zionists did their best to prevent being publicized, disrupting his speaking tours, The State of Terror was a majestic tour de force of the Zionist terrorism that created the Israeli state and their strategies for the future ethnic cleansing of Palestine.

Suarez’s second book, ‘Palestine Hijacked – How Zionism Forged an Apartheid State from the River to the Sea’ was another tour de force. As Ilan Pappe wrote, Suarez showed how “The use of terror was deliberate and sustained, carried out or supported by the same leaders who then established and led the Israeli state. We are still living this history: The book proves that Israel’s regime of Apartheid against the Palestinians and the continued expropriation of their country are not the result of complex historical circumstances, but the intended, singular goal of Zionism since its beginning.

It is not surprising that Suarez’s latest book is in the tradition of his previous books even if it concentrates mainly on the visual rather than the verbal.

Palestine Mapped guides the reader through the Greek and Roman concepts of Palestine, the various medieval Mediterranean civilizations and the European Christian “Holy Land” mapping that has dominated since the Reformation and continues to inform modern political thought. This isn’t simply a book about cartography or map making but how notions of the ‘Holy Land’ and Palestine informed the maps and visual representations that were produced.

 

 

 

 

 

 

 

 

 

 

 

 

A beautifully illustrated book on the mapping of the river to the sea might seem a luxury disconnect given that Palestinians are being massacred daily. Suárez is very much aware of this. He explains in his Introduction why the ongoing genocide in fact makes the topic all the more relevant. Perhaps key to this is the subtitle’s final word, geographic thought.

Much of the West’s fanatical support for Israel is rooted in Evangelical messianism, the psychosis (to use the author’s word) that the Israeli state is the place in the Biblical Genesis, “placing it apart from the realm of all other earthly nations and securing wide Christian devotion.”

Suarez argues that this collective elite and religious mindset is powered by our own geographic wiring, and that the book is intended in part as an antidote to what he calls the “mapping of the Holy Land” narrative.

al-Idrīsī, map of the Levant, mid-12th century, this copy c1250. (National Library of France; image Library of Congress)

Al-Idrīsī, map of the Levant, mid-12th century  (National Library of France; Image Library of Congress)

Since the book is organized roughly chronologically, its real-world relevancy is borne out mostly in the final chapter — though the Israeli state’s manipulation of ancient maps is already demonstrated with the sixth century ‘Madaba’ map.

The book begins with the earliest extant mapping of the Levant, that of the Greeks and Romans, then devotes two chapters to the medieval period. The first addresses mapping by Europeans in which Palestine is a focus: those from the distance of the Church, and that of on-the-scene pilgrims.

The interior of the Church of St. George, Madaba, Jordan. Part of the floor is the remains of a mid-6th century mosaic map of the Levant.

The interior of the Church of St. George, Madaba, Jordan, and the remains of a mid-6th century mosaic map of the Levant.

The second addresses mapping in which Palestine was not the focus, but through which the mapping — and Western perception — of Palestine nonetheless evolved: sea charts, advanced world maps, Ptolemy’s Geography, and what the author calls ‘Arabic’ mapping, a term used in place of the usual ‘Islamic’ mapping of academia, which he considers to be flawed terminology.

The book then arrives at what is described as the pivotal year of 1500. Three revolutions of the period are said to influence Palestine’s future: Europeans’ dramatically widened world view, the advent of printing, and above all, Lutheranism.

World map in the Fasciculus temporum of the Carthusian monk, Werner Rolewink, 1484. Woodcut.

World map in the Fasciculus Temporum of the Carthusian monk, Werner Rolewink, 1484. Woodcut.

The future stage is set during that century, and Suárez gives short shrift to the years 1600-1800, other than to establish the rise of proto-Zionist ideology.

European mapping of Palestine during that period is said to be stuck in a time warp, Biblically oriented no matter the variety of renderings, in stark contrast to Europe’s mapping of the rest of the world, which was a quest for the latest, the most accurate. It is, however, here that today’s manipulation of geographic thought is first addressed, because a 1714 work of one Adriaan Reland is cited today to erase Palestinians (for which Reland is said to be blameless).

The final, long chapter begins at the year 1800, at which simmering Christian Zionist ideology takes active form with the confluence of Christian millennialism, Western imperialism, and advanced mapping techniques.

The end of the century brings of course Theodor Herzl and the advent of Political Zionism. Suárez cites both Herzl’s 1896 Der Judenstaat and a map from his 1897 newsletter, Die Welt, to argue that Herzl failed to understand the opportunity Christian Evangelicalism offered his project. I’m not so sure that this is true. One of his main supporters was William Hechler, the Chaplain at Britain’s Vienna Embassy, where Herzl was living.

Star of David with a map of the eastern Mediterranean, on the heading of the weekly Die Welt, June 4, 1897.
Star of David with a map of the Eastern Mediterranean, on the heading of the weekly Die Welt, June 4, 1897.

Hechler believed firmly that the Jews must be enabled to resettle in Palestine in order to hasten the second coming of Christ. He was constantly looking forward to a fulfillment of Biblical prophecy along these lines. He presented a memorandum to Lord Salisbury, the British Prime Minister, urging him to take up the cause of the Jewish return to Palestine even before he had met Herzl or read the “Jewish State”.

Hechler had been a tutor to the Grand Duke of Baden, and he introduced Herzl to him and also to the ex-Kaiser Wilhelm II. He also accompanied Herzl to Palestine where he met Kaiser Wilhelm II in Jerusalem.

Herzl had an instructive meeting with the Grand Duke April 23 1896 in Karlsruhe and he noted in his diaries that Grand Duke

‘took my project for building a state with the utmost earnestness. His chief misgiving was that if he supported the cause, people might accuse him of anti-Semitism’.

As Francis Nicosia, the Raul Hilberg Professor of Holocaust Studies at Vermont University observed:

‘whereas today non-Jewish criticism of Zionism or the State of Israel is often dismissed as motivated by a deeper anti-Semitism, in Herzl’s day an opposite non-Jewish reaction, one of support for the Zionist idea, might have resulted in a similar reaction.’

With Herzl’s death, Zionism continued to receive the enthusiastic endorsement of Christian Zionism and its millenarian supporters. Prominent supporters included Arthur James Balfour who combined antisemitism and Zionism effortlessly.

The 1947 UN Partition map receives its due attention: the author deconstructs it as a scam intended to produce the opposite result.

Suarez analyses the manipulation of geographic thought employed by Israel’s propagandists and argues that the ‘pro-Palestine’ community defeats itself by engaging with this propaganda on its own terms.

Put in its crudest form, when Zionists say ‘there was never such a place as Palestine’, we respond with an old map in which the entire land is called ‘Palestine’, or other such ‘evidence’.

Suárez argues that this is a mistake, a trap, the result of cultural conditioning:

we are geographically hard-wired to accept [that] the ancient origins of a place-name has the power to grant or deny personhood today, to justify the expulsion of anyone to whom that geographic name is or is not attached.

This is a heavily cross-disciplinary work, and it is hard to imagine anyone with Suárez’s background in the Palestinian issue who is so experienced in the history of cartography. It strikes me that this might be a book that can bring the Palestinian issue to a wider audience: Everyone, it seems, loves old maps, and perhaps this book is the perfect Trojan Horse gift for acquaintances who believe they are fair-minded but can’t quite make the break from Israel.

The reader is disarmed by the earlier ‘apolitical’ part of the book, gradually drawn into cultural conditioning addressed in the middle part, and already long engrossed when encountering the final chapter. But it is also a cautionary work for those long active in the issue of Palestinian liberation, who, as with all aspects of the issue, often disempower themselves by responding to Israel’s propaganda on its own terms.


Tony Greenstein
Tony Greenstein is a longstanding Jewish anti-Zionist and an anti-fascist activist from Brighton. In 1982 he was a co-founder of Britain’s Palestine Solidarity Campaign. Tony was suspended from the Labour Party in 2016 and expelled in 2018 as a result of the antisemitism witch-hunt–the first Jewish person to be expelled. Tony is the author of The Fight Against Fascism in Brighton and the South Coast. He has written extensively on Palestine and Zionism for, amongst others, the Guardian’s Comment is Free, the Journal of Holy Land and Palestine Studies, Tribune and the Weekly Worker. Tony was the child of an Orthodox Jewish Rabbi and when young a member of the religious Zionist Bnei Akiva, now part of the Greater Israel movement.

Historical Atlases

My collection of Collins and Harper Collins historical falls into five broad groups:

General World History

  1. Collins Atlas of World History – Geoffrey Barraclough, Collins
  2. HarperCollins Atlas of World History – Geoffrey Barraclough, HarperCollins
  3. History of the World in Maps: The Ultimate Cartographic Exploration of Our Past – Philip Parker, Collins
  4. The Times Complete History of the World – The Times / Collins

Military, Political and European History

  1. The Times Atlas of the Second World War
  2. Atlas of the Crusades – edited by Jonathan Riley-Smith
  3. Atlas of European History

Archaeology and Exploration

  1. Past Worlds: The Times Atlas of Archaeology – also published as the HarperCollins Atlas of Archaeology
  2. The Times Atlas of World Exploration

Biblical History and Geography

  1. HarperCollins Atlas of Bible History – James B. Pritchard
  2. HarperCollins Atlas of the Bible
  3. HarperCollins Concise Atlas of the Bible

5. Biblical Geography  – Evangelical Reference

  1. NIV Atlas of the Bible –  Zondervan / HarperCollins

There are 13 titles, although a couple represent different editions or titles of essentially the same work: The Collins Atlas of World History and the HarperCollins Atlas of World History are essentially the Barraclough atlas in different editions/imprints [Henry Barraclough was a renowned  British historian, historiographer, and medievalist. I read his The Meaning of History back when I was in Sixth Form at Moseley Grammar School] Past Worlds and the HarperCollins Atlas of Archaeology anre  alternative titles/editions of the archaeological atlas. The HarperCollins Atlas of the Bible and Concise Atlas of the Bible are related but distinct editions. The  HarperCollins Atlas of Bible History is a separate, more specialised biblical-history work.

In chronological and subject breadth the collection isn’t simply a collection of history books with maps. It is almost a cartographic library of human history:

Prehistory → Archaeology → Ancient Near East → Biblical world → Greece and Rome → Christianity → Crusades → European kingdoms and empires → exploration → global history → the Second World War → the modern world.

And that perhaps explains why the physical atlases mattered to me in the first place. Their great virtue was not merely the information contained in them but the ability to see history spatially: peoples moving, empires expanding and contracting, frontiers shifting, trade and exploration routes opening, armies advancing and retreating, and religious and political worlds overlapping.

They are heavy both literally and figuratively, providing a way of understanding history that a conventional chronological narrative often cannot: history as movement across landscape and time.

Rasputin and the downfall of the Romanovs

the protagonists of 1914 were sleepwalkers, watchful but unseeing, haunted by dreams, yet blind to the reality of the horror they were about to bring into the world
Christopher Clark, The Sleepwalkers: How Europe Went to War in 1914

The mystique of the mesmerising muzhik

For readers unfamiliar with him, Grigori Rasputin was a Siberian peasant, self-styled holy man and wandering mystic who somehow found his way into the innermost circle of the last Russian imperial family. Born in 1869 in the remote village of Pokrovskoye, he possessed no formal religious training yet acquired a reputation as a healer and spiritual adviser. His influence grew largely because Tsarita Alexandra became convinced that he could alleviate the suffering of her hemophiliac son, Tsarevich Alexei, whose illness threatened both the family and the succession itself. From that point onward, Rasputin became a lightning rod for public anger, rumour and scandal. To his admirers he was a man of God; to his enemies a charlatan, sexual predator, political manipulator and symbol of everything rotten within the late Romanov regime.

History has rarely been kind to him. The very name “Rasputin” conjures images of dark-eyed depravity, hypnotic influence and imperial decadence, making him one of those figures who seem destined to play the villain in the historical imagination.

My own first encounter with him came not through history but through Hammer Horror’s gloriously lurid Rasputin: The Mad Monk (1966), in which Christopher Lee – already such a vampire icon that he’d earned the epithet “Draculee”. He played Rasputin with such operatic menace that it was not difficult to assume he must have personally engineered the fall of the Romanov dynasty between bouts of hypnotism, partying and priapic indulgence. The reality, as is so often the case, was both less theatrical and considerably more complicated. Like Boney M’s disco hit  a decade later (more on that at the end if this essay), it was great entertainment, if not necessarily great history. [In later life, Christopher Lee played a suitably malevolent Saruman in Peter Jackson’s The Lord of the Rings, resembling very much what Rasputin might have looked like had he reached old age. Lee really wanted to play Gandalf, but he was doomed to be typecast]

The mystical muzhik

Which brings us to acclaimed British historian Anthony Beevor’s latest book Rasputin and the Downfall of the Romanovs.

As happens often In That Howling Infinite, what begins as a review  ultimately becomes something larger than that. The book is the point of departure, but the essay then widens into a meditation on Russia itself and on historical continuity; and in this case, on the recurring problem of elites mistaking symptoms for causes, and on the peculiar human inability to recognise catastrophe even when its scent is already in the air.

I have read most of Anthony Beevor’s books and, on the whole, found them riveting, informative and refreshingly free of sensationalism. Stalingrad, Berlin, The Ardennes, Arnhem, Russia: Revolution and Civil War. Beevor is one of those rare historians who combines scholarship with narrative flair, making vast and complicated events accessible without sacrificing seriousness. Which is why I came to Rasputin with high expectations, and why I finished it feeling vaguely disappointed.

Not because it is a bad book. It is not. It is readable, entertaining, meticulously researched and full of fascinating material. But compared with Beevor’s finest work, it feels curiously slight: overextended and underdeveloped at the same time. There is enough material here for a long magazine essay, a television documentary; but not quite enough analytical depth to sustain a truly great work of history.

The title itself is slightly misleading. This is not really a biography of Rasputin. The so-called Mad Monk looms over the narrative like a spectral presence, but remains oddly elusive. Readers expecting a deep exploration of his Siberian origins, religious beliefs, charisma, psychology, sexuality, or the mythology that has accumulated around him often come away unsatisfied. Rasputin functions less as a subject than as a lens through which Beevor examines the final years of the Romanov court. What the book actually delivers is the story of imperial collapse between 1914 and 1917.

And what a royal court it was. Beevor presents a world populated by sycophants, grifters, mystics, opportunists, flatterers, courtiers and assorted aristocratic parasites orbiting an increasingly dysfunctional monarchy. Ministers come and go with bewildering speed. Rumours swirl through Petrograd salons. Schemes flourish and collapse. Rasputin dispenses advice, Tsarita Alexandra dispenses influence, Tsar Nicholas retreats ever further into passivity, and meanwhile the empire bleeds. All of this makes for compelling reading. Yet one gradually begins to suspect that the court is being asked to carry more explanatory weight than it can reasonably bear.

Certainly Nicholas II was an inadequate ruler and often dominated by his spouse. Certainly Alexandra was politically naïve – though that didn’t deter her from meddling: “Lovey”, she wrote to him in August 1915 while he away with his army, “I am your wall in the rear. I am here, don’t laugh at old wifey, but she has ‘trousers’ on unseen.” And both were catastrophically dependent upon Rasputin.

Certainly, the dynasty had become detached from the realities of modern Russia. But the Russian Revolution was not simply the consequence of a dysfunctional royal family making poor decisions in a palace. Russia’s problems ran far deeper than the imperial nursery. By 1917 the empire faced enormous peasant land hunger, rapid but uneven industrialisation, militant labour unrest, revolutionary traditions stretching back decades, ethnic tensions across a vast multi-national state, a fragile constitutional settlement after the failed revolution of 1905, catastrophic military losses on what we call the Eastern Front to distinguish it from the brutal stalemate on the Western one, economic breakdown, logistical paralysis and food shortages. Above all, it faced the immense pressures of total war. Even a far more capable monarch would have struggled. The Romanovs were undoubtedly part of the problem. They were not the whole problem.

Indeed, one of the ironies of Beevor’s narrative is that the closer he gets to Nicholas and Alexandra, the less convincing they become as the sole explanation for the catastrophe unfolding around them. The real story increasingly lies beyond the palace walls.

And then there is the nursery talk. The surviving correspondence between Nicholas and Alexandra is authentic, and Beevor quotes it extensively – perhaps too much. Endless references to “Sunny,” “Hubby,” “Wifey,” “baby” (the sickly heir apparent), pet names, sentimental endearments and emotional dependency reveal a couple inhabiting a private emotional universe increasingly disconnected from the realities of the empire they ruled. The first few examples are illuminating. The next fifty plus merely reinforce the point. One understands quickly enough what Beevor wishes to demonstrate: that the Tsar and Tsarina had retreated into a cocoon of domestic intimacy and religious certainty while the state around them was disintegrating. Yet repetition eventually diminishes rather than strengthens the effect.

I found myself feeling less contempt than pity, particularly for Alexandra. Beevor’s portrait is harsh, and not without justification. She was deeply unpopular even before the arrival of Rasputin. Her German origins became politically disastrous during wartime. Her interventions in ministerial appointments were often disastrous. Her faith in Rasputin was politically suicidal. Yet behind the political incompetence stood a tragic figure: a woman consumed by anxiety over a hemophiliac son whose death seemed perpetually imminent, a husband she believed had been divinely appointed, and a political system she scarcely understood. Her mistakes were enormous. Her burdens were equally profound.

The children, meanwhile, are perhaps the saddest figures in the entire story. OTMA, the Grand Duchesses Olga, Tatiana, Maria and Anastasia. The family acronym itself has become strangely poignant, a small domestic joke preserved in history. Throughout the narrative I wondered how much they understood. Did they recognise that the dynasty was already doomed? Did they understand that the empire around them was beginning to crack apart? Olga especially emerges as a fascinating figure. Many contemporaries remarked upon her intelligence and seriousness. She often appears more politically aware than either parent. Had Russia permitted female succession, might she have made a better sovereign than Nicholas? It is impossible to know, but it is difficult to avoid the conclusion that several members of the younger generation among a myriad of dukes and duchesses possessed more common sense than the adults steering the ship of state.

As for Alexei, history has wrapped him in the melancholy glow reserved for doomed children. Understandably so. Yet had he survived to inherit the throne, one suspects he would have faced the same impossible contradictions that destroyed his father: autocracy confronting modernity, privilege confronting reform, dynasty confronting history itself.

The last of the Romanovs – Tsar Nicholas and his family, murdered by the Bolsheviks in July 1918

The road to Ekaterinburg

Let papa (Nicholas II) not plan war. It will be the end of Russia and
all of us. We shall be destroyed to the last man

Grigori Rasputin July 30, 1914

But if there is a deeper weakness in Beevor’s account, it lies not with the Romanovs, but with what overshadows them. The giant elephant in the room is the First World War. Without the war, Rasputin remains an eccentric holy man from Siberia. Alexandra remains unpopular. Nicholas remains mediocre. The Romanov dynasty perhaps limps on for another decade or two. With the war, every weakness becomes fatal.

Russia entered the conflict militarily, economically, politically and socially ill-equipped for the demands of modern industrial warfare. It possessed manpower but lacked organisation. It could mobilise millions of peasants but struggled to arm, supply and transport them. Railways buckled. Food shortages worsened. Casualties mounted on a staggering scale. Most importantly, the largely peasant army itself became fertile ground for revolution. The officer corps remained socially distant from the rank-and-file. Military disasters shattered confidence. Discipline deteriorated. Radical ideas spread. By 1917 the army was not merely losing battles. It was losing faith in the system it served. When revolution finally arrived that February, not with a bang but a slow-mo disintegration, it was little wonder that, encouraged by agitators in its ranks, the Russian Army did what we like to imagine most soldiers would like to do: lay down their arms and head for home – often first shooting their officers.

This, surely, was the real story. The gossip in Petrograd salons and restaurants drawing mattered. But millions of armed peasants questioning the legitimacy of the state mattered rather more. One occasionally wishes Beevor had spent less time recounting the latest court scandal and more time examining the immense structural forces pulling the empire apart.

Because by 1916 some observers could already smell danger. The writer Mikhail Lemke, serving at Stavka, the army headquarters, captured the mood perfectly: “Oh, the holy stupidity of the Romanovs. We are moving at full speed towards some terrible abyss, a dreadful end that is not clear to anyone but is inevitable… It is clear that the finale is going to be terrifying and in its haphazard nature.” It is a remarkable observation insofar as it captures something larger than the Romanovs themselves.

History is full of such moments. Barbara Tuchman encountered them repeatedly. Christopher Clark found them among the sleepwalkers of 1914. One finds them before the collapse of Austria-Hungary, before the fall of the Ottoman Empire, before Yugoslavia’s descent into war. People sense that disaster is approaching. The clouds gather, the pressure changes, the atmosphere becomes electric, even if the precise lightning strike remains unseen.

Beevor quotes Russian poet Alexander Blok expressing something similar when he wrote of the “peculiar merry horror that sits in the Russian soul.” It is one of those observations that sounds simultaneously profound, unfair, insightful and impossible to verify. Yet it evokes a Russia that appears repeatedly in its literature and history: exuberant and despairing, mystical and brutal, comic and tragic, capable of extraordinary creativity and extraordinary destruction, often simultaneously.

Reading these passages, I found myself thinking not only of Beevor but of my university tutor Tibor Szamuely who has featured often in In That Howling Infinite. Szamuely believed that Russia punished simplification. Its history moved in circles rather than straight lines. Revolutions proclaimed liberation only to rediscover autocracy in new forms. The Romanovs fell; the Bolsheviks inherited the imperial reflexes. The Soviet Union collapsed; empire returned draped in Orthodoxy, nationalism and Eurasian destiny. Beneath the turbulence remained what he called The Russian Tradition – the title of his one and only book, now out of print: centralised power, messianic consciousness, siege mentality and the recurring sanctification of suffering.

Szamuely believed that the bloodstained drama of 1917  and beyond – the February Revolution, the Bolshevik seizure of power in November, the Civil War, the creation of the USSR and Stalinism – often obscured the deeper continuities of Russian history. He did not live to see the collapse of the Soviet Union, the rise of Vladimir Putin or the war in Ukraine, but his argument remains strikingly relevant. The frequent upheavals that have overtaken this vast continent have often produced changes that were, at bottom, superficial, leading ultimately to the intensification of old authoritarian structures under new names.

One of the more revealing moments in Beevor’s narrative comes when Alexandra writes to Nicholas on December 14, 1916: “Be firm. Russia loves to feel the whip – it’s their nature – tender love and then the iron hand to punish and guide”. The observation is deeply revealing. It suggests a view of governance fundamentally at odds with constitutional politics. Whether one accepts Szamuely’s thesis or not, one cannot help noticing the irony. The Romanovs fell. Liberal democracy survived only briefly. The whip did not disappear. It merely changed hands. Lenin’s whip proved heavier. Stalin’s heavier still. Perhaps Alexandra was disastrously wrong about her own era and yet, in some darker sense, glimpsed something enduring about Russia’s future.

And that reminded me, oddly enough, of Deadwood. One of the reasons David Milch’s masterpiece remains such extraordinary television is that it understands something many historians understand and many politicians do not: catastrophe is usually visible before it arrives. Not in its precise form, certainly. Nobody sees the exact bullet, the exact revolution, the exact market crash. But the atmosphere changes. The clouds gather. The animals become restless. And somebody, somewhere, notices. Viewers who are paying attention notice too because the background music becomes jangly and minor key.

In the episode ominously titled Suffer the Little Children, world-weary Madame Joanie Stubbs asks  the young opportunist Flora a simple question: “Can you smell danger?” Joanie, from experience, can. The fey and feckless Flora cannot. She sees only opportunity and the immediate game she is playing and fails to recognise the larger forces closing around her. The result is one of the most violent conclusions in a series notorious for its displays of wanton brutality.

The same pattern appears repeatedly in history. People like Lemke could smell danger. Alexander Blok could smell danger. Many officers, politicians, intellectuals and ordinary Russians could smell danger. But did Nicholas and Alexandra? The evidence suggests not. Or perhaps they did but convinced themselves otherwise. In that sense they resemble the tragic Flora. Not wicked. Not entirely foolish. Simply trapped within assumptions that prevented them from recognising reality. Every warning became another irritation. Every crisis was temporary. Every setback could somehow be managed through faith, loyalty and persistence. Meanwhile the empire was bleeding to death.

The Romanovs spent years mistaking symptoms for causes. Rasputin was a symptom. Ministerial instability was a symptom. Court gossip and innuendo was a symptom. The disease lay much deeper: a political system incapable of reforming itself, a society under immense strain, and a war exposing every weakness simultaneously. By 1916 the smell of danger was everywhere. The tragedy is that those best placed to act either could not smell it or convinced themselves that the storm would somehow pass.

Tsar Nicholas in captivity

Which brings us to where Beevor’s book ends. Rasputin is assassinated by nobles determined to save the dynasty itself – treating a  symptom, not the disease (see below); the Tsar abdicates in March 1917; and the last of the Romanovs and his family disappear down the melancholy railway line to Ekaterinburg and death. The curtain falls. The reader must supply the rest. And the rest matters enormously. For all their failings, Nicholas and Alexandra were not succeeded by enlightened constitutional reformers. They were succeeded by the Bolsheviks. The road that began with Rasputin’s influence at court led through revolution, civil war, famine, terror, collectivisation, purges and the Gulag.

One leaves the book with an uncomfortable thought. The Romanovs were unquestionably part of the problem. But history’s eventual solution proved vastly more destructive.

Perhaps that is the most haunting aspect of the entire story. The downfall of the Romanovs solved one set of problems and unleashed others on an unimaginable scale. The train that Lemke saw hurtling toward the abyss did indeed reach its destination. But beyond the bend in the track lay not merely revolution, but decades of violence, repression and suffering.

In the end, Rasputin and the Downfall of the Romanovs is worth reading. The story itself remains compelling. Yet it is a lesser Beevor work: repetitive where his best books are incisive, narrowly focused where his best books are panoramic, occasionally so absorbed by court intrigue that it loses sight of the immense forces gathering beyond the palace gates. Like the dynasty it describes, it becomes most interesting when viewed as part of a larger story.

And perhaps that is the final irony. Rasputin, Nicholas, Alexandra, the four princesses, poor Alexei, the plotting dukes, ambitious ministers and aristocratic parasites all occupy centre stage for a time. Yet beyond them looms the true protagonist of the drama: Russia itself – vast, restless, wounded, contradictory, moving, as it has so often moved, between reform and reaction, idealism and coercion, hope and catastrophe.

The revolution was coming regardless. The tragedy of the Romanovs was not merely that they failed to stop it. It was that, like Flora ignoring Joanie Stubbs’ warning, they scarcely seemed to understand it was happening at all. The smell of danger was everywhere. The locomotive was already gathering speed. And somewhere ahead, beyond the next bend in the track, lay Ekaterinburg, the Civil War, Stalin, the Gulag, the Soviet century and perhaps even the long shadows that still stretch across Russia today.

The passengers continued gossiping, plotting, arguing and reassuring one another. A few looked nervously out the windows. A few could smell the storm. But by then it was already too late.

Bolshevik recruiting poster 1917

Explaining Rasputin’s power – Russia’s peasant complex

Rasputin arrived in St Petersburg trailing not merely Siberian mud on his boots but centuries of Russian argument about the peasantry.

For much of the nineteenth century, Russia’s educated classes had romanticised “the people” from a respectful distance. The peasant was imagined as the keeper of Holy Russia’s soul: patient, devout, long-suffering, close to the land and somehow morally superior to the fashionable, French-speaking aristocracy that governed him. Tolstoy found wisdom amongst peasants. Dostoevsky found redemption there. Intellectuals went “to the people” in search of authenticity, only to discover that actual peasants could be suspicious, conservative, superstitious and decidedly unimpressed by visiting idealists from St Petersburg.

Out of this tension emerged the Narodniks, the great “to the people” movement of the later nineteenth century. Young idealists abandoned universities and cities and went into the countryside to live amongst the peasants, educate them, organise them and, in some cases, save them. The peasants frequently responded by assuming they were spies and reporting them to the police.

Russia has always possessed an unusual talent for disappointing its romantics

Rasputin landed squarely in this contradiction. To admirers, he was the authentic Russia that the salons had spent generations searching for: a wandering pilgrim, a holy fool, a man of the soil with the smell of birch forests and woodsmoke still clinging to him. To his enemies, he represented everything that modern Russia was supposed to leave behind: ignorance, mysticism, obscurantism and the triumph of superstition over reason.

The aristocracy had always liked peasants rather in the way that modern urbanites like farmers’ markets — as long as the mud remained somebody else’s problem. Then one of them walked into the Winter Palace and sat down with the Tsarita.

Even popular culture recognised the type. At one point, Christopher Lee’s wonderfully excessive and inebriated Rasputin, breaks into an exuberant Russian dance to Stenka Razin, the great folk lament about the rebel Cossack who throws his Persian princess into the Volga to prove his loyalty to his comrades. Watching it as a teenager, I remember thinking not of Cossacks and river pirates but: “Hang on! That’s The Carnival Is Over.”

Tom Springfield had indeed borrowed one of Russia’s most famous melodies and transformed it into a global hit for The Seekers. Russia has always had a habit of turning up unexpectedly in other people’s stories. [See, in In That Howling Infinite,“High above the dawn is waiting” … the unlikely Russian origin of an English pop song]

Rather like Rasputin himself.

The resurrection of the Romanovs

One of the enduring ironies of Russian history – and indeed of history generally- is how often “all that is old is new again.” Revolutions announce themselves as clean breaks with the past, yet the past has a habit of returning through side doors and forgotten corridors. The symbols change, the slogans change, the uniforms change, but old habits, assumptions and institutions frequently re-emerge in unexpected forms.

Russia provides perhaps the most spectacular examples.

Much attention is paid to the persistence of the autocratic state: the succession from Tsarist secret police to Cheka, NKVD, KGB and FSB; the recurring preference for centralised authority over pluralism; the enduring suspicion of foreign influence; the tendency to frame political life as an existential struggle between order and chaos. These continuities are real enough.

Yet the return of older Russia extends well beyond the machinery of coercion. One of the most remarkable developments of the post-Soviet era has been the resurrection of the Russian Orthodox Church. The institution that survived persecution, marginalisation and attempted eradication under Soviet rule has re-emerged as one of the central pillars of contemporary Russian identity. Cathedrals demolished by the Bolsheviks have been rebuilt. Religious symbolism once dismissed as superstition now appears alongside state ceremonies and military rituals. Patriarchs once monitored by the Party have become influential public figures. Patriarch Kyril , the current head of the Russian Orthodox Church is a close political and ideological ally of Putin. Orthodoxy, once pushed to the margins, has returned to the centre of Russian public life.

And with Orthodoxy has come a reconsideration of the Romanovs, murdered along with their servants (and pet dogs) by bullet and bayonet by local Bolsheviks, on Lenin’s orders it is claimed, on the night of 16th and 17th July 1918 – ostensibly to prevent their rescue by Kolchak’s White forces who were closing in on Ekaterinburg. Many of their family and friends were executed in the days and months afterwards.

For much of the Soviet period, Nicholas II occupied a relatively simple role in the official story: a weak ruler whose incompetence justified the Revolution that swept him away. Post-Soviet Russia complicated that narrative. The Romanovs gradually ceased to be merely the defeated rulers of a vanished age and became, for many Russians, symbols of national martyrdom. Nicholas and Alexandra, together with their children, were canonised as Passion Bearers. Pilgrimages developed around sites associated with their imprisonment and murder. Their deaths came to be viewed not simply as a political execution but as a spiritual tragedy and a national wound.

The process was aided by the gradual revelation of what actually happened in the cellar of the Ipatiev House in Ekaterinburg. Soviet accounts had long been evasive. The fuller story proved profoundly unsettling. The murder of Nicholas and Alexandra is one thing. The murder of Olga, Tatiana, Maria, Anastasia and the sickly Alexei is quite another. Whatever one’s judgement of the Romanov regime, if the witness statements gathered after the slaughter are reliable, it is difficult not to recoil from the sheer brutality of what occurred that night. The image of frightened young women surviving the first fusillade because jewels sewn into their clothing deflected bullets, only to be finished off with bayonets and revolvers in a chaotic mess of panic and gun-smoke possesses a dreadful power.

That sympathy has done much to reshape public memory. The Romanovs who emerge in popular imagination are often not the rulers of a vast empire but a doomed family. The focus shifts from Nicholas the inadequate monarch to Nicholas the husband and father; from Alexandra the politically disastrous empress to Alexandra the anxious mother. Martyrdom eclipses governance.

There was to be, however, no martyr’s crown for Grigori Rasputin, whom we had lost sight of when we widened the scope of our review of Beevor’s historical pot-boiler.

The death of Rasputin

To borrow from the Bard of Avon (Macbeth, that is), “nothing in his life became him like the leaving it”. Rasputin’s demise has passed into legend largely because it seems to belong less to history than to black comedy.

In December 1916 a group of aristocratic conspirators, led by Prince Felix Yusupov and Grand Duke Dmitri Pavlovich, decided that the self-styled holy man had become a mortal threat to the monarchy and must be removed. What followed has often been retold as a Gothic horror story in which Rasputin was poisoned, shot, beaten, drowned and somehow kept coming back for more.

Beevor, however, strips away much of the mythology and reveals something closer to a tragic farce. The conspirators were astonishingly amateurish, repeatedly losing control of events, contradicting one another, panicking and improvising as their carefully laid plan unravelled. Reading Beevor’s account, one is reminded less of a sinister political assassination than of a darkly comic Ealing caper performed by nervous aristocrats hopelessly out of their depth. Yet the absurdity only heightens the symbolism. Here was the Russian elite, convinced it was saving the Empire, bungling even a murder. Rasputin’s chaotic end became a grotesque metaphor for the regime itself: confused, incompetent, riddled with fantasy, and staggering towards disaster while imagining it was still in control.

No wonder it provided such irresistible material for a shonky Hammer Horror melodrama. Rasputin’s life already contained all the necessary ingredients: a mysterious peasant mystic, aristocratic decadence, rumours of hypnotic powers, political intrigue, sexual scandal and a violent death wrapped in myth and exaggeration. His assassination only added to the legend. Poison that apparently failed to work, bullets that seemed unable to stop him, panicked noblemen stumbling through a murder plot and a corpse eventually dumped into the icy Neva – it all reads less like sober history than a fever dream concocted by a screenwriter after too many vodkas.

Hammer simply leaned into the absurdity. With Christopher Lee glowering, glaring and generally chewing the scenery as only Christopher Lee could, Rasputin became less a historical figure than a gothic supervillain, somewhere between Dracula and a mad prophet. The remarkable thing is that the real story, stripped of its embellishments, remains almost as bizarre as the cinematic version. Indeed, one suspects that if a screenwriter had invented the entire affair from scratch, critics would have dismissed it as implausibly over-the-top.

History, as usual, had other ideas. And therein lies the enduring fascination of Rasputin: not merely the man himself, but the way his life and death seem perpetually suspended between fact and folklore, political history and popular mythology.


The book of the film?

Whilst reading Beevor’s account, I wondered if he had recently watched the 1971 British film Nicholas and Alexandra. It is an appealing fancy, and not an entirely implausible one.

Anthony Beevor is a serious historian, of course, and his account of the Romanovs, Rasputin, and the revolutionary years rests on decades of scholarship rather than any cinematic influence. Yet historians are also human beings, and good historians often have a keen sense of narrative, character, and scene. Reading some passages in Russia: Revolution and Civil War, one occasionally gets the feeling that Beevor can see the events unfolding before him in almost cinematic fashion.

The 1971 film Nicholas and Alexandra remains one of the most ambitious attempts ever made to dramatise the collapse of Imperial Russia. Although it was something of a commercial disappointment, it assembled a remarkable cast of British acting royalty. Michael Jayston’s Nicholas II and Janet Suzman’s Alexandra are perhaps best remembered, but the supporting cast reads like a roll-call of twentieth-century British theatre and film: Laurence Olivier as Count Witte, Michael Redgrave as Sazonov, Jack Hawkins, Harry Andrews, Timothy West, Ian Holm, and a young Brian Cox in one of his earliest screen appearances as Leon Trotsky.

Then there is Tom Baker as Rasputin: wild-eyed, bearded, charismatic, unsettling, simultaneously ridiculous and strangely compelling. It remains one of the screen’s most memorable Rasputins, capturing something of the paradox that has fascinated generations- the peasant mystic who became confidant to an empress, faith healer, political liability, and eventually a figure of near-mythic notoriety. [Tom Baker reincarnated in 1974 as the Fourth Doctor, to become the longest serving time lord in that venerable television series, and, to hark back to our opening paragraphs, like Christopher Lee, he also pitched unsuccessfully to play Gandalf in The Lord of The Rings]

As for Ian Holm, His role is actually an interesting footnote. In Nicholas and Alexandra, he played Vasily Yakovlev, the Bolshevik commander who supervised the execution of the imperial family in Ekaterinburg in July 1918. Yakovlev survived the civil war and perished during Stalin’s Great Terror in 1938 while Holm morphed into the devious cyborg Ash in Ridley Scott’s Alien (1979).

Whether Beevor recently watched the film is impossible to know. But if one were writing about the twilight of the Romanovs, it would be hard not to have the film somewhere in the back of one’s mind. For all its historical simplifications, it remains one of those grand old epics that lodged themselves in the cultural imagination.

And perhaps that is one reason the movie endures despite its reputation as a flop. It was not merely recounting history. It was staging the last act of an entire civilisation – the chandeliers still glittering, the uniforms still immaculate, the orchestra still playing, even as the floorboards beneath the Russian Empire were already beginning to crack.

When Josef met Vladimir

There is a scene in Nicholas and Alexandra that takes us down one of history’s intriguing rabbit holes where fact, folklore and political mythology sit together at the same table – perhaps even, over a pint.

It depicts the First Conference of the Russian Social Democratic Labour Party in Tampere (then part of the Grand Duchy of Finland) in December 1905. That conference is generally accepted by historians as the first documented meeting between Lenin and Stalin. Stalin himself later recalled it as their first encounter, describing how the younger Georgian revolutionary was somewhat disappointed to discover that the legendary Lenin was not the towering, commanding figure he had imagined, but rather a relatively ordinary-looking man who blended easily into the crowd.

And yet, according to a London tradition, the two had met earlier at the Crown Tavern on Clerkenwell Green, a pub situated opposite what became the headquarters of the Twentieth Century Press, where Lenin worked while editing Iskra during his London exile. The tale has enormous appeal. One can easily picture the scene: two future dictators of the twentieth century sharing a beer in a smoky London pub while discussing the fate of the Russian Empire, utterly unknown to the drinkers around them.

The problem, though, is evidence. Lenin certainly spent considerable time in Clerkenwell. Stalin certainly visited London in 1907 for the Fifth Congress of the RSDLP. Both men undoubtedly walked the same streets. The Crown Tavern proudly embraces the connection. Yet hard documentary proof that they actually sat down together there before the 1905 Finnish conference is elusive. Soviet historians, who were often eager to document Lenin’s revolutionary activities in minute detail, generally treated the Tampere meeting as the first confirmed encounter. Modern historians tend to do the same.

That does not necessarily make the pub story false. Revolutionary underground movements were not renowned for maintaining meticulous attendance records. Absence of evidence is not evidence of absence. But it does leave the tale in that charming grey zone occupied by so much historical folklore.

There is also a delicious irony in the setting. Clerkenwell Green was one of the great centres of radical politics in Victorian and Edwardian London – a place where exiles, anarchists, socialists, trade unionists and political dreamers gathered. The British Empire, then at the height of its power, provided refuge to revolutionaries who were plotting the overthrow of other empires. London was simultaneously the capital of global capitalism and a sanctuary for those dedicated to its destruction.

If Lenin and Stalin really did share a pint at the Crown Tavern, neither man could have known that within two decades one would have created the Soviet state and the other would inherit it. Nor could the Londoners around them have guessed that two obscure Russian exiles would become among the most consequential figures of the twentieth century.

That, perhaps, is why the story survives. Whether true or not, it captures the peculiar magic of history: the possibility that world-changing events sometimes begin not in palaces, parliaments or battlefields, but in an ordinary corner pub on an ordinary London afternoon.

And, finally, from the surreal to the ridiculous …When it comes to exuberant absurdity, one cannot match that of German reggae, funk and disco group Boney M.

Ra- ra-ra Rasputin

For an entire generation, Boney M’s 1978 disco hit Rasputin probably did more to shape popular perceptions of the man than any serious work of history.

It is, of course, ridiculously inaccurate. Rasputin was not literally the “lover of the Russian Queen”; there is no credible evidence that he and Alexandra were lovers, despite endless rumours at the time. Nor did he “rule the Russian land and never mind the Tsar.” Even at the height of his influence he remained more symbolic than omnipotent, a trusted adviser whose access to the imperial family far exceeded his actual political competence.

Yet the song captures something important about how Rasputin entered popular mythology. He became less a historical figure than a larger-than-life archetype: part holy man, part conman, part libertine, part political puppet-master, wrapped in an aura of sex, mystery and impending catastrophe.

It compresses a complicated story into a memorable caricature. The real Rasputin was almost certainly less powerful, less sinister and less glamorous than legend suggests. But legends endure because they tell us something about the fears and fantasies of their age. To Russians watching their empire stagger towards collapse, Rasputin became a convenient embodiment of everything that seemed wrong with the Romanov regime. To the wider world, he became the bearded mystic with hypnotic eyes, impossible appetites and nine lives.

Boney M simply took that mythology, added a disco beat with a Russian flavour, Euro-pop chorus and a dash of Cold War exoticism, and produced one of the strangest historical stories ever to hit the dance floor.

Indeed, there is a curious progression in the way many of us first encountered Rasputin. First came Christopher Lee’s wild-eyed Hammer Horror incarnation in the 1960s; then Boney M’s improbable disco supervillain in 1978; and only much later the actual historical figure lurking behind both performances. By that stage, poor old Grigori scarcely stood a chance. History had already handed him over to popular culture, where villains, mystics and monsters invariably enjoy a much longer shelf life than ordinary men.

Paul Hemphill, June 2025

For more on Russia, Ukraine and the Soviet Union in In That Howling Infinite, see Russky Mir – Russian history’s long shadow

Rasputin, Bony M (1978)

There lived a certain man in Russia long ago
He was big and strong, in his eyes a flaming glow
Most people look at him with terror and with fear
But to Moscow chicks, he was such a lovely dear
He could preach the Bible like a preacher
Full of ecstasy and fire
But he also was the kind of teacher
Women would desire

Ra-Ra-Rasputin, lover of the Russian Queen
There was a cat that really was gone
Ra-Ra-Rasputin, Russia′s greatest love machine
It was a shame how he carried on

He ruled the Russian land and never mind the Tsar
But the kazachok, he danced really wunderbar
In all affairs of state, he was the man to please
But he was real great when he had a girl to squeeze
For the Queen, he was no wheeler-dealer
Though she’d heard the things he′d done
She believed he was a holy healer
Who would heal her son

Ra-Ra-Rasputin, lover of the Russian Queen
There was a cat that really was gone
Ra-Ra-Rasputin, Russia’s greatest love machine
It was a shame how he carried on

But when his drinking, and lusting and his hunger for power
Became known to more and more people
The demands to do something about this outrageous man became louder and louder

“This man’s just gotta go,” declared his enemies
But the ladies begged, “Don′t you try to do it, please”
No doubt this Rasputin had lots of hidden charms
Though he was a brute, they just fell into his arms
Then one night some men of higher standing
Set a trap, they′re not to blame
“Come to visit us,” they kept demanding
And he really came

Ra-Ra-Rasputin, lover of the Russian Queen
They put some poison into his wine
Ra-Ra-Rasputin, Russia’s greatest love machine
He drank it all, and he said, “I feel fine”
Ra-Ra-Rasputin, lover of the Russian Queen
They didn′t quit, they wanted his head
Ra-Ra-Rasputin, Russia’s greatest love machine
And so they shot him ′til he was dead

Oh, those Russians

Writer(s): Frank Farian, Fred Jay, George Reyam

Afterword

Being a longtime student of the Middle East, and having visited Jerusalem many times, whilst assembling this essay, I was surprised to discover a direct connection between the murdered Romanovs and the Holy City. Tsarita Alexandra’s sister, the Grand Duchess Elisabeth, who was executed along with other nobility on the sane night as The Tsar and his family, and later, interred in the incongruous and ostentatiously Muscovite Church of Saint Mary Magdalene in the Garden of Gethsemane on Mount Olive – which she and her husband had helped build – and in 1982, canonised as “new martyr” of the Russian Orthodox Church Outside Russia.

The Church of St. Mary Magdalene, viewed from the walls of Jerusalem. P.Hemphill, May 2014

What’s in a word? A world of meaning and of pain

And the words that are used for to get the ship confused
Will not be understood as they’re spoken
Bob Dylan, When the Ship Comes in

When I use a word,” Humpty Dumpty tells Alice, with the serene arrogance of the ideologue, “it means just what I choose it to mean – neither more nor less.”
Lewis Carroll, Alice’s Adventures in Wonderland

State governments weigh the prohibition of potentially inflammatory phrases; lawyers parse syllables; activists insist that what is heard is not what is meant, and what is meant is not what is said. The words hover, untethered from consequence, yet curiously heavy with it. And this is where Lewis Carroll, with his disarming Edwardian whimsy, begins to feel less like a children’s author and more like a diagnostician. Alice, still tethered to an older moral physics, asks the only sensible question: whether words can, in fact, be made to mean so many different things. The answer – never quite resolved in Wonderland is being tested here and now on our streets, in own legislatures, and on our social media  feeds. For if words can be made infinitely flexible, then meaning itself becomes negotiable; and if meaning is negotiable, then so too are responsibility and harm.

More than words can say …

We like to imagine that words live quietly in dictionaries, disciplined by etymology and tamed by definition. But they do not live there. They live in history. And history leaves fingerprints.

So, what’s in a word? A root, yes. A history. A memory. A strategy. Sometimes a slur. Sometimes a lament. Often, a rhetorical shortcut. Occasionally a doorway into understanding. We pretend words are neutral. They are not. They are histories. They are wounds. They are strategies. They are prayers. They are threats. They are pleas.

What’s in a word? Enough to start a war. Enough to end a conversation. Enough, if handled carefully, to begin one. The question is not simply what a word means. It is what it does. Does it illuminate complexity, or obscure it? Does it invite argument, or pre-empt it? Does it name suffering without erasing another’s?

Words are fall differentially upon the tongue and the ears; words which some see only as incitement and which the others see only resistance. And yet, these words did not come out of nothing. They arose from lived experience. Palestinians do experience dispossession. Israelis do experience existential threat. Jews carry a historical memory of annihilation that makes the word genocide resonate differently in their ears. Palestinians carry a memory of erasure that makes Nakba less metaphor than inheritance. Each community carries memory as identity. To police to and sanction vocabulary without acknowledging origin and memory is to misunderstand both.

To study a language is to develop a kind of double hearing. You recognise when metaphor shades into innuendo—and when it darkens further into menace.

To study a language is to learn when freedom names a horizon – and when it licenses the powerful to act without restraint. To notice when peace is an aspiration – and when it is a performance designed to defer justice. To recognise when security protects life – and when it expands to govern it; when it names legitimate protection – and when it justifies suffocating control. To feel when homeland gathers memory and when it redraws the map to exclude others. To understand when return is a longing—and when it becomes an argument that displaces those already there.

To study a language is to hear when muqamawwa – resistance – signals dignity – and when it becomes a script that traps a people inside permanent defiance. To know that sumud – steadfastness—can describe dignified endurance and also calcify into the romanticisation of endless struggle. To detect when tadhāmon solidarity – binds people together—and when it flattens complexity into slogan. To recognise when itishhad – martyrdom – honours loss – and when it recruits the living into the service of the dead. To hear when terror names violence—and when it is stretched to delegitimise any form of opposition.

To study a language is to hear when history explains—and when it is curated to absolve.

For years I have studied Arabic – and its roots and patterns: how three consonants generate a constellation of meanings. And I have studied Middle Eastern history with more than academic curiosity – not as spectator sport but with what I would called metaphorical “skin in the game.” Words like jihad, intifada, nakba, aliyah, ‘awda, sumud, words that now ricochet across social media feeds and protest placards, are not abstractions or exotic imports to me. They are layered. Sedimented. They carry centuries in their syntax and sentiment. They are lived terms, argued over, felt in the mouth. And so when someone asks “What’s in a word?” I cannot pretend the answer is neutral.

Intifada. From nafada – to shake off, to shake free. Dust from a cloak. Subjugation from a people. The metaphor is physical, almost domestic. Yet in common Arabic usage, it implies resistance and uprising, and neither are peaceful or passive. In Israeli memory the word is fused to sirens, shrapnel, blown-out windows. It is impossible to hear it without recalling the Second Intifada’s exploding buses and cafés, bloody streets and scattered body parts. So when someone chants “globalise the intifada,” they may imagine solidarity with resistance; others hear a call that premises funerals. The dictionary definition is technically correct. It is also profoundly incomplete. It does not arrive alone; it brings its dead with it.

Or al Nakba. In ordinary Arabic, a misfortune. A bad year. But in Palestinian consciousness it has fossilised into 1948 – villages depopulated, olive groves left untended, families scattered, deeds and keys preserved like heirlooms. It is no longer a generic calamity; it is The Catastrophe. Say it in Ramallah and you evoke dispossession. Say it in western Jerusalem and you may hear, in reply, the memory of a war launched to strangle a newborn state. 1967 is referred to as al Naksa, the setback.

And then there is jihad — perhaps the most mistranslated word in modern political discourse. Its root, jahada, means to strive, to exert oneself. Classical Islamic thought distinguishes between inner moral striving and outward struggle that can be intellectual, and yes, armed defence under defined conditions. Yet modern movements – from anti-colonial insurgencies to nihilistic terror groups – have narrowed and weaponised it. The word has travelled. It has acquired passengers it did not originally carry. To deny that is to be naïve. To reduce it solely to “holy war” is equally ignorant.

Al ‘Awda – the return – carries a weight for Palestinians comparable to the resonance of intifada or nakba. It is not a mere political slogan; it is a moral, legal, and emotional claim bound up with exile, memory, and inheritance and the enduring hope, however fraught, of returning to one’s ancestral land. For Israelis, the concept often triggers apprehension, a fear that the abstract ideal of return could translate into demographic and existential challenge, potentially threatening the state itself. Like intifada or nakba, the word carries histories and futures simultaneously: one side sees longing and justice, the other sees danger.

Hebrew political vocabulary is no less charged. Aliyah – ascent – frames immigration as spiritual elevation. Ge’ulah -redemption – maps theology onto statehood. Am Yisrael Chai – Let Israel Live – evokes covenant, not population. Political vocabulary hums with biblical resonance. It is impossible to excise theology from nationalism in a land where scripture is mapped onto soil.

The power of these words lies not in dictionary meaning, but in the lived and imagined consequences each community projects onto them. So when commentators insist that “intifada just means struggle,” or that “Zionism just means Jewish self-determination,” they are not wrong linguistically. They are incomplete historically. Words do not live in morphology alone. They live in memory.

Let’s cast our etymological web wider and delve deeper in our dictionary and examine words that ricochet across the howling internet in these troubled times. Genocide. Ethnic cleaning. Apartheid. Settler-colonialist. Terrorist. Resistance. Each carries not only denotation but detonation and accusation. Each holds an argument inside a noun. Each is more than description; but also a moral verdict disguised as vocabulary. The German historian Reinhart Koselleck called such terms Kampfbegriffe – battle-words. Words of iron forged in particular historical furnaces, hardened by trauma, and redeployed not merely to describe reality but to shape it.

The same dynamic now saturates discussion of Israel–Palestine. Let’s not pretend that careful language will resolve a conflict this old, this layered, this saturated with grief. But careless language can only make things worse.

Call Israel a “settler-colonial state or an apartheid state” and you situate it in the moral lineage of Algeria, Rhodesia and Pretoria. Call Hamas’ October 7 assault “resistance” and you shift the frame from massacre – to revolt, or to shift the timeframe, to pogrom, the Russian word for destruction, now interpreted as referring to the organised massacres of a particular ethnic group – which, ironically, precipitated the first settlement of European Jews in what was to become Palestine. Call Gaza “genocide” and you summon Auschwitz – whether you intend to or not. Call protesters “terror sympathisers” and you evacuate the possibility of grief motivating them at all. Each move does moral work before the evidence is even considered.

It is here, amid the discourse of colonialism and statehood, that the word genocide warrants careful attention. Unlike settler-colonial or apartheid, which describe systems of domination and segregation, genocide describes intent – the deliberate aim to destroy a people as such. It is not simply a scale of death; it is a moral calculus applied to the machinery of annihilation. To deploy it is to summon not only bodies but histories, to conjure not only numbers but the moral shadow cast by deliberate erasure. In debates over land, displacement, and occupation, it is tempting to apply the term as an ethical accelerant, to compress outrage into a noun. Yet to do so responsibly requires rigor: assessment of intent, systematic targeting, and legal definition. Without that, the word risks inflation, becoming a rhetorical hammer rather than a precise lens. Each word narrows the moral aperture.

And yet, Genocide” now circulates online as hashtag and chant. It trends. It compresses argument into a single, morally incandescent noun. For many who use it in the Gaza context, it is less a legal claim than an expression of horror at the scale of devastation. It is a cry. But cries, once repeated often enough, harden into verdicts.

In Australia, we are hardly innocent of this. We live in a country still wrestling with its own founding vocabulary: terra nullius, invasion, genocide, reconciliation, Voice. These are still contested. We know – or should know – that words can both clarify and inflame. To call Australia “founded on genocide” may be defensible within certain scholarly frameworks; it is also rhetorically maximalist. It shocks the moral nerve. That shock may awaken conscience – or entrench defensiveness. Language is never inert. Words do not merely describe history; they frame it. They allocate blame. They assign virtue. They shape identity.

In That Howling Infinite has spent months untangling these labels. Is Israel a settler-colonial state? Does apartheid apply, and if so, where? Does genocide cross the threshold from metaphor into actionable accusation? Each term compresses arguments into a noun. It performs moral work before the debate even begins.

That compression is seductive. We prefer our tragedies simple: one culprit, one origin story, one clean fingerprint. Words that arrive pre-loaded with moral clarity spare us the labour of nuance. They allow passion and empathy to outrun reason and understanding – which, in an age of instant reaction, they reliably do.

Historical illiteracy compounds the problem. The conflict is older than most of its loudest commentators. Its history is layered with Ottoman legacies, British mandates, partition plans, UN resolutions, wars declared and undeclared, refugees, intifadas, failed peace processes, withdrawals, rockets, settlement blocs, religious revivals, and fractured leaderships on both sides. Yet online discourse flattens this into memes, and to pretend this can be reduced to a meme is historical illiteracy A map. A slogan. A 30-second clip untethered from context. Algorithms reward the sharpest edges. The most incendiary noun travels furthest. Nuance, by contrast, is penalised. It does not trend. It does not fit neatly into a caption. I worry about the generational shift in how these debates unfold. Previous eras had gatekeepers – flawed, certainly – but also editors who demanded sourcing, historians who insisted on chronology. Now discourse is democratised and accelerated. A meme outruns a monograph. A slogan outruns a syllabus.

The language used evolves accordingly. Rhetorical shortcuts proliferate. “From the river to the sea.” “Open-air prison.” “Terror state.” “Colonial entity.” “Death cult.” These phrases are not random; they are engineered for virality. Each word comes preloaded, historical analogies that compress decades into chantable cadences. But chants and slogans compress complexity. They must; that is their function. And that compression distorts: two national movements, two historical traumas, two competing narratives of return and belonging, reduced to a rhyme shouted through a megaphone.

And then there are the slurs: the truncations and code-words. For example, “Zio.” A syllable masquerading as political shorthand yet unmistakably functioning as ethnic hostility. Its power lies partly in deniability. It skirts the boundary of explicit antisemitism while retaining its charge. Deniable enough to evade sanction, sharp enough to wound. But we should be intellectually honest: this phenomenon is not one-directional. The same phenomenon occurs in reverse when “Islamist” becomes a catch-all smear for Muslim political expression, or when “pro-Palestinian” is lazily equated with antisemitic intent. The grammar of dehumanisation is bipartisan: collapsing an entire spectrum of political and religious identity into a caricature designed to foreclose engagement.

So, what, finally, is in a word?

Not merely meaning, but momentum. Not simply definition, but direction. Words do not sit still; they lean. They incline us toward certain conclusions before we have done the work of thinking. They smuggle history into the present tense and call it common sense. They arrive already freighted—with grief, with fear, with memory, with accusation—and we, often unwittingly, become their couriers.

The temptation, always, is to choose the word that does the most work for us—the one that collapses ambiguity, that secures the moral high ground in a single utterance. But that is precisely where language becomes most dangerous: when it relieves us of the burden of holding two truths at once; when it permits us to name one suffering in a way that erases another; when it transforms description into verdict before evidence has even entered the room.

What we do when we misuse words is not trivial. We erode precision. We inflame passions. We collapse law into slogan. We substitute moral theatre for argument. And perhaps most dangerously, we teach ourselves that the loudest noun is the truest one.

History suggests otherwise. It is rarely the loudest words that endure, but the most exacting; not the most incendiary, but the most honest about complexity. The archive is not kind to slogans. It remembers, instead, where language clarified—and where it concealed.

To speak about Israel and Palestine—indeed, to speak about any conflict so saturated with history—is to enter a linguistic minefield in which every term has a past and every past has its partisans. There is no neutral vocabulary here. Only more or less careful usage. Only degrees of awareness. Only the choice, conscious or otherwise, between illumination and incitement.

The task, then, is not to purify language—that is impossible—but to discipline ourselves in its use. To resist the seduction of the Kampfbegriff when it outpaces our understanding. To ask, each time we reach for a word: what history does it carry? What work is it doing? What—and who—does it leave out?

Because if words can start wars, they can also foreclose the possibility of ending them. And if they are capable, at their best, of opening a space for understanding, then that space is narrow, fragile, and easily collapsed by carelessness.

Language will not resolve this conflict. But without care in language, we will not even be able to speak about it honestly.

Coda

To study a language, in the end, is not simply to acquire vocabulary. It is to acquire conscience. It is to hear the echo behind the utterance—the ghost in the grammar. To recognise that every word, especially here, is a small archive: of exile and return, of fear and defiance, of prayer and propaganda. To speak, then, is to handle those archives with a certain humility, aware that one is always, in some sense, trespassing on someone else’s memory.

History suggests otherwise than our instincts: the loudest noun is rarely the truest one. The archive keeps its own counsel. It remembers where language clarified – and where it concealed.

Between the idea
And the reality
Between the motion
And the act
Falls the shadow.

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow

And in that shadow – linguistic, historical, human – words do their quiet, consequential work.

Postscript

While writing this essay – contemplating the slipperiness of words and widening the lens to the long weather system that has carried them into our mouths – I found myself returning to a simple, disquieting observation: it is no coincidence that so many of the words we have been parsing are Arabic.

It is not that Arabic words per se have become uniquely prone to distortion, nor that there is anything intrinsic to the language that invites what might loosely be called “gaslighting.” What I was circling, rather, is something more historically contingent – and more revealing.

Many of the most contested political ideas of the present moment – intifada, shahid, muqawama, even place-bound words and phrases that travel into English unchanged – are being transmitted untranslated, or only half-translated, into Western discourse. They arrive carrying dense, layered meanings shaped by decades (sometimes centuries) of conflict, theology, nationalism, and lived experience. And then, almost immediately, they are flattened, reframed, or strategically reinterpreted within a different moral and political vocabulary.

In other words, the instability I am sensing is not linguistic but translational – and beyond that, political.

There is, of course, a history to this. One thinks of how words like jihad were narrowed in Western usage to mean “holy war,” their broader theological and ethical dimensions quietly stripped away; or conversely, how certain terms are defended as benign by appeal to their most anodyne, etymological meanings, while bracketing how they are actually heard in context. The same word may present itself as metaphor, slogan, prayer, or threat – depending on who is speaking, who is listening, and what work the word is being made to do.

It is here that the instinct about Wonderland clicks back into place. The move is not uniquely Arabic; it is Humpty Dumpty’s move: control the meaning, and you control the moral frame. But the reason Arabic terms are so prominent in this moment is that the conflicts which have globalised our discourse – Israel–Palestine above all, but also Iraq, Syria, and the wider post-9/11 landscape – have carried those words into English without fully carrying their context with them. They become, in effect, linguistic migrants: visible, charged, and often unmoored.

So yes, it does say something about the modern world. Not that Arabic is uniquely problematic, but that we are living in an age where conflicts travel faster than comprehension, and where words – lifted from one history and dropped into another – become sites of struggle in their own right.

These words have crossed worlds. And in crossing, they have become unmoored enough to be contested, claimed, and weaponised. That unmooring creates opportunity: for some, to soften; for others, to sharpen; for many, to obscure.

It says something, too, about our times – about the way the Middle East has not merely intruded upon but come to dominate political, and indeed social, discourse for more than half a century; at least for as long as I have been paying attention, which is to say, for as long as I have been trying to make sense of the world and finding the same landscape returning, again and again, like a half-remembered refrain.

Let us take June 1967 as a point of departure. For a few brief weeks, the world’s gaze lifted from the humid, grinding quagmire of Indochina and fixed instead upon the sudden, almost biblical drama unfolding in the not-so-Holy Land – a war measured in days but reverberating in decades. Territory shifted, certainly; but something else shifted too: attention, imagination, the sense that this small, overburdened strip of earth had become a stage upon which the modern world would repeatedly rehearse its anxieties.

The focus has waxed and waned since, but it has never truly moved on. 1973 Oil Crisis and the realisation that the region’s tremors could rattle the global economy. The long, theatre-of-the-absurd years of hijackings and televised terror. Camp David’s fragile choreography. The Iranian Revolution, bending time backward and forward at once. The Soviet misadventure in Afghanistan. Lebanon’s fracturing. The attritional horror of the Iran–Iraq War. Kuwait and the return of great-power spectacle. Oslo’s brief, luminous promise. Then 9/11, collapsing distance altogether, followed by Afghanistan again, Iraq again – the sense of recursion, of history caught in a tightening loop.

Then the Arab Spring – hope flickering, briefly, before giving way to Syria’s abyss, to ISIS and its grotesque theatre, to the multiplication rather than the resolution of fault lines. And through it all – before it, beneath it, after it – Israel and Palestine remain: a permanent fixture in the taxonomy of torment, sans pareil, the conflict that resists conclusion, that absorbs language and returns it sharpened, refracted, or hollowed out.

It is from this long saturation – this decades-long immersion in images, slogans, translations, and retranslations – that our present arguments about words emerge. They are not sudden. They are sedimentary. Each phrase we now parse carries within it the residue of these moments, these crises, these unfinished stories.

Which is to say: when we argue about what a word means, we are never only arguing about language. We are arguing about history – compressed, contested, and still very much alive.

In That Howling Infinite, March 2026

For more on the Middle East in in That Howling Infinite, see A Middle East Miscellany.

See also, Moral capture, conditional empathy and the failure of shock, Standing on the high moral ground is hard work! ‘ Same old stone, different rock. What’s in a word?, Shaping facts to feelings – debating intellectual dishonesty

A Lexicon of Disturbing Language

(words that travel intact, and arrive with their weather still clinging to them)

What follows is not a neutral glossary – if such a thing were even possible here – but a kind of field manual for words that arrive already aflame, freighted with history, sharpened by use, carrying within them entire arguments about the world. They are not merely descriptive; they are performative. To utter them is to place a piece on the board, to tilt the frame, to summon histories that do not politely remain in the past.

Some are legal terms that have slipped their moorings and now drift through polemic. Some are borrowed intact from Arabic or Hebrew, carrying their original cadence like an echo that translation cannot quite still. Others are modern coinages – hybrids, sometimes ungainly – that try to compress entire arguments into a single, breathless label. And a few are names – of places, of movements – that have become arguments simply by being spoken.

What unites them is not agreement but charge. They are contested, elastic, often weaponised. They do not just describe reality; they compete to define it. They do not behave like ordinary vocabulary. They travel across languages without quite translating; they narrow, expand, harden, or blur as they move. They do not simply describe events; they encode perspectives on those events. To use them is not merely to speak—it is to situate oneself, however unconsciously, within a contested moral and historical landscape.

I. Catastrophe & Historical Singularity

  • Nakba (النكبة) – literally “catastrophe.” In Arabic it could name any disaster; in English it has hardened into the disaster—1948—fixed, immovable, dense with exile and keys kept as heirlooms. It no longer describes; it declares.
  • Naksa (النكسة) – “the setback,” 1967. A softer word for a different kind of loss—diminution rather than rupture. Its retention signals an internal Arab chronology, slightly askew from the familiar “Six-Day War.”
  • Shoah (שואה) – “catastrophe” or “destruction,” used specifically for the Holocaust. Left untranslated in part to preserve reverence, in part to resist the easy metaphorisation that “Holocaust” sometimes invites.
  • Holocaust – from the Greek “burnt offering” to the Nazi genocide of the Jews, and then outward into broader usage. Its expansion has given it reach—and thinned its edges.
  • Pogrom (погром) – a Russian word meaning violent devastation, carried into English with the memory of anti-Jewish attacks in Tsarist lands. “Riot” feels too incidental; pogrom carries its own geography.

II. Legal Terms, Moral Weapons

  • Genocide – a word forged in law (Lemkin, 1944), precise in definition—intent to destroy a group. In public discourse, however, it often arrives as accusation before judgment, its moral force outrunning its legal threshold.
  • Ethnic Cleansing – deliberately imprecise, emerging particularly from the Balkan Wars of the Nineties, but predating that in Türkiye after WWI,  Eastern Europe at the end of WWII, and I dia and Pakistan in 1948. Its vagueness is its power: suggestive, elastic, difficult to refute without seeming to concede.
  • Apartheid – Afrikaans for “apartness,” rooted in South Africa but now globally mobile. Once invoked, it frames the system under discussion—analogy and indictment in a single stroke.
  • Colonialism / Settler-Colonialism – analytic frameworks that, once applied, tend to fix the narrative: indigenous and invader, permanence and removal. Illuminating, but often closing off alternative readings.

III. Resistance, Struggle, Sanctification

  • Intifada (انتفاضة) – “shaking off,” like dust from a sleeve. In English it is no longer generic; it points almost unavoidably to the Palestinian uprisings of 1987 and 2000. The word carries images—stones, tyres, and checkpoints—and a moral ambiguity that shifts with the speaker.
  • Muqāwama (مقاومة) – “resistance,” yet left untranslated to avoid the bland universality of the English. Muqāwama signals a particular ideological and regional framing—Hezbollah, Hamas, dignity under pressure.
  • Ṣumūd (صمود) – “steadfastness,” though the translation feels thin. Not an event but a posture: staying, enduring, tending olive trees under threat. Translate it, and it risks becoming sentiment; leave it, and it remains an ethic.
  • Jihad (جهاد) – “struggle,” spanning the inner and the outer. In English, that range has narrowed sharply; the word arrives intact, its semantic field diminished, sharpened toward violence.
  • Shahid (شهيد) – “witness” or “martyr.” It does not merely describe death; it consecrates it. In English, its retention often signals an attempt to preserve that sacred charge.

IV. Faith, Doctrine, and Internal Tensions

  • Kāfir (كافر) – “unbeliever,” literally one who “covers” truth. A theological category that, in polemical use, hardens into insult—a boundary drawn sharply between inside and out.
  • Fitna (فتنة) – “discord,” “trial,” “temptation.” Historically tied to early Islamic civil strife, it carries a deep anxiety about internal fracture. To invoke it is often to warn: this way lies chaos.
  • Taqiyya (تقية) – a specific Shi’a doctrine allowing concealment of belief under threat. In English polemic, however, it has been stretched well beyond its doctrinal bounds—transformed into a generalised suspicion of deception.
  • Hudna (هدنة) – “truce.” Yet when retained in Arabic, it often implies something tactical, provisional—a pause rather than a peace.
  • Fatwa (فتوى) – a legal opinion within Islamic jurisprudence, part of everyday religious life. In English, especially post-Rushdie, it has narrowed into something darker—almost synonymous with a death sentence.

V. Identity, Ideology, and the Politics of Naming

  • Zionism – a 19th-century movement for Jewish self-determination. In English today, it rarely sits neutrally: liberation for some, colonialism for others. The word refracts entirely different histories.
  • Zionist – once descriptive, now often accusatory. Its meaning depends less on definition than on tone.
  • “Zio” – a clipped, abrasive form that has shed any descriptive function. It lands as insult, not argument.
  • Aliyah (עלייה) – “ascent.” More than immigration; a movement upward, spiritually and historically. The English equivalent feels earthbound by comparison.
  • Al-‘Awda (العودة) – “the return.” In ordinary Arabic, a simple going back; in Palestinian discourse, the Right of Return—dense with memory, law, and longing. It sits beside the mafteah (مفتاح, the key), object turned symbol, continuity held in the hand.
  • Settler – on its face neutral; in contested زمین, it hardens into accusation. Biography collapses into ideology.
  • Hilltop Youth – a specific Israeli subculture that has become shorthand for a certain strain of ideological extremity and violence – detail turned symbol.

VI. Totalising Labels & Historical Echoes

  • Nazi – historically precise, rhetorically promiscuous. Now shorthand for absolute evil, its overuse both amplifying and diluting its meaning.
  • Fascist – from Mussolini’s doctrine to a generalised insult; elasticity has eroded precision.
  • “Islamo-fascist” – a hybrid, polemical term attempting to map European categories onto Islamist movements. It says as much about the speaker’s framework as the subject.

VII. Organisations as Symbols

  • Hamas (حماس) – “zeal,” and acronym for Ḥarakat al-Muqāwama al-Islāmiyya. In English, it does not settle: government, militia, resistance, terrorism – meanings shift with the voice that utters it.
  • Hezbollah (حزب الله) – “Party of God.” Political party, armed movement, regional proxy; the name itself already contains a claim to divine alignment.
  • Da’ish (داعش) – acronym for al-Dawla al-Islāmiyya fī al-‘Irāq wa al-Shām (Islamic State in Iraq and the Levant). Its use, rather than “ISIS,” often signals rejection; the group dislikes the term, so naming becomes a small act of defiance.

VIII. Circulating & Mediated Words

  • Fawda (فوضى) – “chaos,” but after its journey through Hebrew and global television (Fauda), it now carries a particular aesthetic: kinetic, morally ambiguous, intelligence-driven disorder. Chaos, but stylised.
  • Blitz – from Blitzkrieg, lightning war. In English, softened into metaphor—“media blitz”—yet still faintly haunted by sirens over London.

IX. Place as Argument

  • Al-Aqsa (الأقصى) – “the farthest.” Rarely translated, because the Arabic name carries sanctity, geography, and sovereignty in one breath.
  • Al-Quds (القدس) – “the holy,” the Arabic name for Jerusalem. Its use signals perspective: a city not just inhabited, but claimed, sanctified, contested.
  • Gaza (غزة) – a place-name that has become a metonym: war, siege, suffering, المقاومة. Geography turned symbol.
  • Sabra and Shatila (صبرا وشاتيلا) – no longer merely locations; the names themselves are the event. To say them is to accuse.

Coda: The Grammar of Conflict

What began as a request to a Chat GPT – to gather, sort, define – ends, rather predictably, in something the machine cannot quite resolve. Because the instability is not in the definitions; it is in us. In the way we reach for these words, load them, deploy them, defend them. In the way a term like genocide or Zionist or shahid can close down conversation as quickly as it opens it.

These are not just words. They are positions. Each one carries a shadow text: a history remembered, a grievance asserted, a legitimacy claimed or denied. They compress time, flatten complexity, and yet—paradoxically—expand into entire moral universes the moment they are spoken.

And so the lexicon does not settle the argument; it reveals its terrain.

Between the word and the world, as ever, falls the shadow. And it is in that shadow—where meaning slips, hardens, fractures, reforms—that these battle words continue to do their work, long after they have left the mouth that uttered them.

Lay these words out like this and a pattern emerges. Some words narrow as they travel (jihad, intifada). Some harden into proper nouns (Nakba, Shoah). Some expand until they blur (fascist, genocide). Some are left untranslated to preserve their charge (ṣumūd, muqāwama, al-‘awda).MNone of them are innocent.

They do not simply describe the world; they position the speaker within it. Each word a small act of alignment, a quiet declaration of where one stands. Between what a word once held, and what it is now made to carry, between language as description, and language as argument, there falls that same, shifting shadow. And it is there, in that narrow space, that these words continue to live, and to do their work.

These words do not behave like ordinary vocabulary. They are anchored in place but mobile in use, precise in origin but elastic in deployment. They compress centuries into syllables, turning speech into stance.

To speak them is rarely innocent. Each carries a shadow text- unspoken assumptions, moral alignments, historical claims. They do not simply describe reality; they compete to author it.

And so the disturbance lies here: between what a word once meant, what it now does, and what we need it to prove. In that gap – narrow, shifting, and charged – language itself becomes a kind of battleground, where meaning is not fixed but fought over, again and again.

In That Howling Infinite, March 2026

The following is an essay published in The Australian by economist and commentator Henry Ergas, whom we have republished often in In That Howling Infinite.

Henry Ergas’s essay is essentially an argument about language, memory, and the way slogans prepare the emotional ground for violence long before violence itself occurs. His central claim is that chanting “Globalise the intifada” cannot be dismissed as harmless political speech or reduced to a neutral dictionary definition of intifada as merely “struggle” or “shaking off”. Words, he argues, accumulate historical meaning, and by now intifada is inseparable in the public imagination from the Palestinian uprisings associated with suicide bombings, bus attacks, café massacres, and the Second Intifada’s civilian bloodshed.

Many charged words once had ordinary meanings — holocaust once referred to a burnt offering, pogrom to devastation, nakba to catastrophe. But history hardens language. Certain events become so dominant that they permanently colonise a word’s emotional and moral resonance. Linguists call this “prototype entrenchment”: when people hear “Holocaust”, they do not think of ritual sacrifice; when they hear “intifada”, they do not think of generic resistance. They think of televised violence, bombings, and dead civilians. To insist otherwise is effectively to demand that language forget history.

From there he moves into the philosophy of slogans. A slogan, he argues, is not a precise sentence but a compressed moral universe: heroes, enemies, threats, permissions, identities. He argues that slogans often function through deliberate ambiguity. Their literal wording provides plausible deniability, while their implied meaning carries the emotional force. “Globalise the intifada” can be defended in polite settings as meaning “internationalise the Palestinian struggle”, yet in the street — shouted rhythmically in crowds — it evokes something far darker. The deniability is not a flaw in the slogan; it is part of its design.

The essay’s second movement is about repetition and crowds. Here Ergas draws heavily on Victor Klemperer, the Jewish diarist and philologist who documented how Nazi language gradually normalised extremism. Repetition, he argues, changes moral atmosphere. The first time a slogan shocks; the hundredth time it becomes ordinary. What was once unsayable becomes ambient, then accepted, then difficult to challenge without seeming hysterical or repressive. Language shifts incrementally until society adjusts itself around ideas it would once have recoiled from.

He then turns to crowd psychology, arguing that chants synchronise people emotionally and suppress individual hesitation. In a crowd, slogans cease merely to communicate ideas; they generate collective identity and emotional fusion. The chant creates an “us” and a “them”, and in doing so hardens moral boundaries. Chants such as “Globalise the intifada” are therefore not simply political expressions but mechanisms for creating an atmosphere in which violence becomes imaginable, permissible, even inevitable.

The essay culminates in the claim that the historical relationship between inflammatory slogans and violence is not accidental. Once a society becomes accustomed to rhetoric associated with past massacres, the gap between speech and action narrows. Ergas is careful not to claim that chanting directly causes violence in a mechanical sense; rather, he argues that it conditions people emotionally and morally to accept or rationalise it when it arrives.

Underlying the piece is a broader warning against what Ergas sees as liberal complacency about language — the comforting belief that “they’re only words”. He rejects that entirely. Words, especially ritualised and repeated words, shape moral perception. They define enemies, normalise hostility, and gradually acclimatise societies to what once seemed intolerable. His conclusion is that pretending not to hear the violent historical echoes within “Globalise the intifada” is not tolerance or sophistication, but a dangerous refusal to confront what language is doing in public life.

Chanting ‘intifada’ is a dangerous act that shortens the distance to violence

It took scarcely a moment, once “Globalise the intifada” began to be chanted on our streets and campuses, for its champions to insist the phrase meant nothing of the sort. Intifada, they patiently explained, simply meant struggle; the slogan was no more than a plea to “internationalise the cause”. According to the Palestine Action Group and its Islamist allies, who rallied in Sydney earlier this week, to claim otherwise is to misread the Arabic.

The defence is not merely intellectually dishonest; it reveals why “it is only words” is among the most dangerous sentences people permit themselves to believe.

As an Arabic noun, intifada does indeed possess an old, generic sense: a shaking, a dusting off. That is hardly unusual: holocaust once meant nothing more than a burnt offering; pogrom, in Russian, mere devastation; nakba, in Arabic, a misfortune ranging from mishap to calamity.

Words such as these begin life as ordinary common nouns. But each was claimed by a particular event: from 1945, the Holocaust; from 1987, the intifada. After that, the generic sense survives only in the dictionaries. It does not survive in the public mind.

Linguists call the process “prototype entrenchment”. The mind, hearing a word, reaches for the most vivid, most repeated, most emotionally charged instance and treats that as what the word stands for. Once the historical event has acquired that role, the bare definition recorded in the dictionary can no longer be peeled away from the moral, emotional and political charge the word has come to convey. To hear “Globalise the Holocaust” in 2026 and think “proliferate the supply of burnt offerings” is to misunderstand spoken English.

Asking language to forget history

Exactly the same is true with intifada. Its prototype, in the global imagination, is not struggle in the abstract: it is two uprisings whose iconography, indelibly embedded by the violence that broke out in September 2000, includes suicide bombings of buses, restaurants and a Passover Seder. That is what the word now carries, not at its margins but as its core. The defender of “Globalise the intifada” is in effect asking language itself to forget history. But human communication does not work that way.

The point is more general: a slogan is not a sentence, and the test of whether one has understood it is not whether one can render it in a dictionary gloss. It compresses an entire moral world – heroes, villains, demands, threats – into a phrase made for chanting and succeeds by being two things at once: precise enough to be grasped, ambiguous enough to be denied.

Paul Grice, one of the 20th century’s most important linguistic philosophers, gave the manoeuvre its name: implicature, the part of communication that travels not by what one says but by what one obviously means. To remark “I am not going to call him corrupt” is to inform the room that he is corrupt.

The structure is double-jointed: tested under cross-examination, the speaker retreats to what was literally uttered and accuses the critic of putting words in his mouth. The implicature does the work; the deniability provides the shelter. “Globalise the intifada” provides a textbook case.

A public forum, called “Why it’s right to say: globalise the intifada”, at a park in the Sydney suburb of Redfern, after City of Sydney lord mayor Clover Moore announced council had revoked the organisers’ booking of City of Sydney-owned venue.

A public forum, called “Why it’s right to say: globalise the intifada”, at a park in the Sydney suburb of Redfern, after City of Sydney lord mayor Clover Moore announced council had revoked the organisers’ booking of City of Sydney-owned venue.

Pressed in a courtroom, the chant is glossed away as “internationalise the struggle”. Chanted from a stage on a Saturday afternoon, it means burnt buses, bombed cafes, murdered children.

The audiences who hear it – on both sides – hear that second meaning with perfect clarity. A slogan that everyone really took to mean only “internationalise the struggle” would hardly stir emotions; what does the stirring is precisely the violent imagery the speaker can also deny.

The genuinely dangerous moment, however, is not the slogan in isolation; it comes once the slogan begins to repeat.

The genuinely dangerous moment, however, is not the slogan in isolation; it comes once the slogan begins to repeat.

Repetition is normalisation

Victor Klemperer, the Jewish philologist who retained his sanity during the Third Reich by recording its language in his diary, observed that the regime’s most powerful instrument was its vocabulary, not its decrees: a handful of words, drilled into daily life, did more to remake ordinary Germans than any speech. “Fanatisch”, once unambiguously pejorative, became under repetition a term of praise. “Aktion” became the bureaucratic veil behind which mass shootings disappeared – to incite an aktion was to incite the slaughter of millions of Jews, without actually saying so. Those shifts required no argument, only iteration.

Repetition is, in short, normalisation: hear a phrase once and it can shock; hear it for the 200th time and it has become part of the air we breathe. The extreme becomes ambient; the ambient, obvious; the obvious, embarrassing to question. Thus, each repetition of “Globalise the intifada” wears the menace in rather than out. The cost of saying it falls while the cost of objecting rises. What was once unsayable becomes ever easier to say.

Repetition does its most lethal work, however, not on the solitary newspaper reader but on bodies in a crowd. Slogans are designed not to be murmured but to be chanted rhythmically in unison. Once a phrase enters a crowd, it ceases to function as communication and begins to function as synchronisation. Voices align, breath aligns, sometimes feet align. Individuals shed the small frictions of doubt and hesitation that, in private, would have given them pause.

Anti-zionism group protest at Town Hall with a sign reading

Anti-zionism group protest at Town Hall with a sign reading “Globalise the Intifada”.

Sociologists call this “collective effervescence” and anyone who has been in a stadium at the right moment has felt it. What was an idea in a single skull becomes a felt fact across thousands. Disagreement is not refuted; in the passion of the moment it simply ceases to be available.

The tool that drills the hatred

This is what the pioneering scholars of mass behaviour – Gustave Le Bon, Gabriel Tarde, Emile Durkheim, Sigmund Freud, Elias Canetti – meant by a crowd “having a kind of mind”. Not a mind in the literal sense but something far more dangerous: a temporarily uniform attention, a uniform emotion and – crucially – a uniform sense of who is “us” and who is “them”. Slogans are the instrument that does the tuning: and they are, as Canetti observed in the rise of Nazi antisemitism, the tool that drills in the hatred.

Put these mechanisms together and the result is not innocent speech but the manufacture of an atmosphere. A word historically captured by a violent prototype, dressed up in a deniable paraphrase and chanted by bodies whose private hesitations have been switched off – that is the recipe by which a society talks itself into permission.

It tells one group who it is by telling it who its mortal enemy is. And it tells “the other” – nowadays “the Zios” – that they are no longer part of the moral community. It hardens the shouters against dialogue and compromise. And it thickens the air with the sense that violence, when it comes, will have been only the natural conclusion of what everyone already knew.

The historical record is unambiguous: where crowds are taught to chant a word that already names a massacre, the distance between word and violence, speech and act, never grows it shortens.

The claim that slogans are innocent has always been a flattering one because it relieves us of the duty to attend to what is being said. It allows us to continue repeating comforting platitudes about freedom of expression. But words are not inert, and chanted words least of all.

Whatever else “Globalise the intifada” may mean in the dictionary, what it means in the street is what we must be willing to hear. Pretending otherwise is not tolerance. It is how societies learn, slowly and without noticing, to live with the unforgivable.

“When we remember Zion” … what’s in a word?

Zionism derives from the Hebrew Tsiyon – Mount Zion in Jerusalem  – and symbolizes the city and the Land of Israel. The term Zionismus was coined in 1890 by Austrian Jewish writer Nathan Birnbaum, replacing “Hovevei Zion” (“Lovers of Zion”). While the Jewish attachment to Zion is ancient, dating at least to the Babylonian Exile, modern Zionism emerged in late-19th-century Europe in response to anti-Semitism and rising nationalism, formalising the aspiration for Jewish return to their ancestral homeland.

We’ve been here before – not in the streets of Melbourne and Sydney with placards and police lines, nor in the corridors of Canberra where commissions are announced – but in language. Always in language.

For months now, perhaps years, In That Howling Infinite has been circling the same contested terrain: Is Israel a settler state or a returning people? Is Palestinian nationalism resistance or rejection? Is apartheid an analytic category or an accusation? Is “from the river to the sea” a geography or a prophecy? We have spent months disentangling words precisely because they matter: settler colonialism, indigeneity, apartheid, return, self-determination. Each carries law, history, trauma, aspiration. Each can illuminate. Each can distort. [See One Land, Two Peoples: History, Memory, Continuity, and Inheritance] and Same old stone, different rock. What’s in a word?]

Now another word –  or rather, an old word under new atmospheric pressure – demands the same care: “Zionist.”

Once a self-description, a term of late-Ottoman and Mandate-era political theory, shorthand for Jewish national revival; now increasingly an epithet, flung with the casual certainty of moral indictment.

Before we continue, let us make clear that the following essay is not an attempt to rehearse the full intellectual or political history of Zionism – its nineteenth-century European origins, its varieties (labor, revisionist, religious), its entanglement with empire and nationalism, its debates over diaspora and return. Those accounts are readily available elsewhere, in libraries,  lecture halls, and  the howling internet. Nor is it an exercise in catechism, for Zionism has never commanded universal assent among Jews; from Bundists to ultra-Orthodox anti-Zionists, from liberal diasporists to post-Zionist critics within Israel itself, and among Israelis and Jews today (whom many critics of Israel and its government push to the forefront of their cause as if to demonstrate its righteousness). Jewish history and contemporary politics contains vigorous dissent from the Zionist project. Rather, what concerns us here is a narrower and more combustible phenomenon: the contemporary habit of framing Zionism not simply as mistaken or unjust, but as morally equivalent to Nazism – and the accompanying charge that Jews, through the state that claims to represent their national aspirations, are now committing genocide. It is this rhetorical escalation, and the moral confusion it both expresses and produces, that demands examination.

The escalation and confusion was evident well before October 7 2023. On streets and social media, in university classrooms and in day-to-day conversations, on placards, in memes, sprayed in graffiti, the connection between Israel and the Third Reich was being turbocharged. Zionism was no longer merely criticised; it was Nazified. Israeli policy was not compared to other nationalisms; it was collapsed into World War II. The swastika, once the emblem of genocidal antisemitism, reappeared as rhetorical prop, pasted onto flags and caricatures, deployed for shock and applause.

This escalation did not need Al Aqsa Flood and the war it precipitated to ignite it;  merely intensified what had already been normalised. The analogy, once fringe, had drifted toward the mainstream of protest culture. And it matters –  not only as prejudice, though that is present, but as a symptom of rage, symbolic power, and the moral weight the Holocaust carries in public imagination. Nazism has become shorthand for illegitimacy; to affix it to Israel is an attempt to delegitimise the state’s moral right to exist.

In an article published in the Sydney Morning Herald on 14 February, appropriately, on Saint Valentine’s Day, Jewish campaigner Danny Berkovic argues that the word has become a socially acceptable proxy for “Jew.” He begins with protests during President Isaac Herzog’s visit to Australia, where “Zionists” were denounced as malign actors and Zionism was equated with Nazism. In private, he recounts being asked whether he was paid by Israel – the old dual-loyalty trope reissued with updated stationery. When he pressed his interlocutor – should Israel exist? should it exist as a Jewish state with equal rights? – the answer was yes to both. By his definition, that made the accuser a Zionist.

Yet the word was being used as moral condemnation. The definitional battle begins there.

Berkovic offers a deliberately minimalist account. Zionism, he says, is the belief that the Jewish people have the right to self-determination in their ancestral homeland; that Israel should exist as a Jewish state; that such existence is compatible with equal citizenship for Jews, Christians, Muslims and others. It does not prescribe borders. It does not require annexation. It does not mandate support for any government. It does not preclude criticism. It is a national movement – broad, internally diverse.

On that definition, most Jews worldwide qualify. The overwhelming majority identify in some fashion with Israel’s continued existence. And so when “Zionist” is spat as a term of inherent evil – supremacist, genocidal, morally bankrupt — it does not land as abstract critique. It lands collectively. The elasticity of the word allows hostility to be expressed while retaining plausible deniability. One need not say “Jew.” One says “Zionist.”

There is truth here.  Victor Klemperer, diarist of the Third Reich, writing in the shadow of a regime that turned vocabulary into vapour and vapour into poison, warned that words can act like arsenic. Not dramatic at first. Not even noticeable. They accumulate. They settle into the bloodstream of public life. They alter what can be said – and what can be thought. Respectable language can metabolise contempt.

Nowadays, while openly targeting Jews is socially taboo; “Zionist” can provide semantic cover. Equating Zionism with Nazism is not policy analysis; it is moral theatre. Suggesting hidden financial allegiance is not debate; it is inheritance from darker grammars.

But the story does not end with etymology.

Because when critics use the term pejoratively, they are often responding not to 19th century ideologue Theodore Herzl’s pamphlet but to rightwing Israeli politician Bezalel Smotrich’s expansionist programme. The definitional struggle is not purely semantic; it is a contest over which Zionism is politically operative – and therefore morally accountable.

Zionism has never been monolithic. Herzl’s liberal nationalism, seeking refuge and recognition among nations, is not Mandate-era Revisionist Ze’ev Jabotinsky’s iron wall. Cultural Zionism is not religious messianism. Labour Zionism, draining swamps and building institutions, is not identical to today’s annexationist maximalism. Religious Zionism grafted messianic longing onto modern sovereignty. These strands coexisted uneasily, sometimes violently.

Today, some of the most visible exponents of Zionism in power advocate annexation of the West Bank, legal differentiation between populations, and a theology-inflected claim to the whole land. They call themselves Zionists. Their critics do not invent the association; they encounter it on ministerial letterhead.

So when a protester condemns “Zionists,” the referent in their mind may not be Jewish self-determination in principle, but settlement expansion, permanent occupation, the rhetoric of “from the river to the sea” in reverse –  the Greater Israel mirror-image of Palestinian maximalism. To pretend these associations are conjured ex nihilo is disingenuous.

Yet to collapse all Zionism into that current is equally disingenuous.

Here the symmetry becomes uncomfortable. Just as “Zionist” can be weaponised to mean “Jew,” “anti-Zionist” can be weaponised to mean “antisemite,” foreclosing argument before it begins. Language slides in both directions. Each side accuses the other of bad faith; sometimes each is correct.

There are further complications. 1948 is not a footnote. For Jews, it is independence wrested from catastrophe that was the Shoah; for Palestinians, it is al Nakba, literally “catastrophe”, defeat and dispossession. Zionism is not only an abstract right but a historical event –  with winners, losers, and descendants who inherit both triumph and grievance. To define it purely as self-determination is to abstract it from its consequences. To define it purely as dispossession is to erase the catastrophe from which it arose.

The phrase “Jewish state” itself contains layers. A demographic majority? A Law of Return privileging Jewish immigration? National symbols and calendar? A civic democracy with Jewish cultural character but equal citizenship? Zionists disagree among themselves. So do critics. These are arguments about the nature of nation-states in a post-imperial world – arguments not confined to Israel. They are not, in themselves, antisemitic. But good faith requires precision.

If one believes Jewish collective self-determination is uniquely illegitimate – that Israel should not exist in any form as a Jewish polity – one must reckon with how that position will be heard by Jews shaped by statelessness and genocide. If one believes Israel should exist but its current government is reckless or unjust, then “Zionist” is an inadequate synonym for critique. If one believes Zionism’s realisation has entrenched unjust domination, that critique must be articulated without collapsing into collective vilification. And if one believes Jews as a group are morally bankrupt, no semantic pirouette will disguise the prejudice.

We have often warned of mirrored absolutes – annexationist dreams on one side, eradicationist chants on the other. “From the river to the sea” answered by “Judea and Samaria forever”, which envisages an Israel from that sane river to the sea. Each imagines exclusivity; each erases the other. The danger is not solidarity per se; it is the surrender of moral complexity.

In the wake of October 7 2023 and its aftermath, a hardening has taken hold across parts of the West: a rediscovery –  sometimes embarrassed, sometimes defiant – of solidarity with Israel. The term “Zio,” once flung as an epithet in online polemic, has been reclaimed half-seriously, half-sardonically. If the mere assertion of Israel’s right to exist now qualifies one as a zealot, then so be it. But if Zionism becomes a reactive identity badge – tribal solidarity in the face of hostility – it grows thinner than its history.

Historically, it was a spectrum: cultural revival, agricultural collectivism, diplomatic manoeuvre, spiritual longing, armed struggle, parliamentary debate. Palestinian nationalism, too, emerged from late-Ottoman modernity into Mandate uncertainty and war –  not reducible to Hamas, but spanning civic pluralism and Islamist absolutism alike. Both peoples carry aspiration and fear; both narratives are real; neither is complete alone.

Words change their weather. “Zionist” now carries heat – from hatred, from anger at power, from grief, from defiance, from genuine moral outrage at war and occupation. It can be weapon. It can be shield. It can be identity. It can be accusation.

The task is not to pretend the word is pristine, nor to concede it entirely to abuse, but to insist on distinctions.

Zionism is both refuge and sovereignty. It is both survival and statecraft. It contains Tel Aviv’s liberal dissent and Hebron’s fervour; Herzl’s diplomacy and the settler’s certainty. It is Aliyah and, in tragic counterpoint, Al-A’uda –  two grammars of return spoken over the same soil. It is refuge after Auschwitz and control over al Aqsa. It is a flag raised over independence, a checkpoint on a road, and a wall bisecting the land. Sovereignty is never morally weightless.

To deny Zionism’s pluralism is to falsify it; to deny its entanglement with power is to romanticise it.

History suggests that when words are repurposed to disguise prejudice, the damage rarely stops with words. History also suggests that when words are simplified to shield power from scrutiny, resentment ferments. If “Zionist” becomes a safe word for hate, something corrosive takes root. If it becomes a talisman against scrutiny, something else corrodes.

Between those distortions lies a narrower path –  unsatisfying to partisans, necessary for anyone who believes complexity is not weakness – where language is neither weapon nor alibi, but instrument.

The land remains small. The history immense. The language – elusive, illusive – continues to do its quiet work.

Perhaps our work is to be able to speak about Jewish and Palestinian self-determination without collapsing one into caricature and the other into sanctimony. Whether we can hold two national stories – each ancient, each wounded – without converting either into absolution.

The struggle, in the end, is not over a word alone. It is over whether we are willing to let it mean more than our anger requires.

Afterword

There is a moment when any extended discussion of Israel or Zionism tips into the gravitational pull that American attorney Mike Godwin formulated in 1990 as “Godwin’s Law”: that as an online discussion lengthens, there is a high probability of a comparison to Nazis or Hitler. Conceived, in part, to curb the trivialisation of the Holocaust in the unruly early days of internet debate, the maxim has since migrated into broader political discourse, where the invocation of Hitler often signals not illumination but exhaustion – the moment when analogy replaces analysis and moral thunder substitutes for evidence. It is frequently deployed to suggest that the person reaching for the Nazi comparison has, rhetorically at least, “lost” the argument. Yet Godwin himself cautioned that the law is descriptive, not absolute. It does not predict that every exchange will end in such hyperbole, only that, as tempers fray, the temptation becomes statistically likely. Nor did he deny that some comparisons to fascism may be warranted when describing genuinely fascistic behaviour. In a debate as charged as that surrounding Zionism – where accusations of apartheid, colonialism, ethnic cleansing, and even Nazism circulate with reckless ease – Godwin’s insight serves less as a gag rule than as a warning: once the Holocaust is instrumentalised as metaphor, the space for proportion, history, and moral seriousness contracts accordingly.

This essay was written in conversation with an AI language model, which contributed to drafting, and phrasing.

See also in In That Howling Infinite, A Political World – Thoughts and Themes, and A Middle East Miscellany. and also: This Is What It Looks Like“You want it darker?” … Gaza and the devil that never went away …How the jihadi tail wags the leftist dog, The Shoah and America’s Shame – Ken Burns’ sorrowful masterpiece, and Little Sir Hugh – Old England’s Jewish Question

Read on for Berkovic’s article, and an explainer” in bullet points of the many meanings and interpretations of Zionism.

Zionism – definitions, claims, and contested meanings

In Berkovic’s minimalist framing, Zionism is:

• The belief that the Jewish people constitute a nation entitled to self-determination.
• Rooted in Jewish historical, cultural, and ancestral connection to the land of Israel.
• The view that Israel should exist as a Jewish state.
• Compatible, in principle, with equal civil and political rights for non-Jewish citizens.
• Not inherently tied to:
• Specific borders.
• Settlement expansion.
• Annexation of the West Bank.
• Opposition to a two-state solution.
• Support for any particular Israeli government.
• Compatible with criticism of Israeli policy comparable to criticism directed at other states.

In historical reality, however, Zionism has also been:

• A late-19th and early-20th century nationalist movement emerging from European antisemitism, Ottoman decline, and modern political thought.
• A spectrum of ideological strands, including:
• Liberal political Zionism (Herzl).
• Cultural Zionism (Ahad Ha’am).
• Labour/socialist Zionism (Ben-Gurion, kibbutz movement).
• Revisionist Zionism (Jabotinsky’s “iron wall”).
• Religious Zionism (messianic and covenantal interpretations of sovereignty).
• A movement inseparable in practice from land acquisition, demographic change, and eventually state formation.
• Experienced by Jews primarily as refuge, survival, and national restoration.
• Experienced by Palestinians primarily as dispossession (Nakba) and the beginning of an enduring conflict over sovereignty and land⸻

In contemporary politics, “Zionism” can function as:

• A baseline affirmation of Israel’s legitimacy as a Jewish state.
• A broad umbrella identity encompassing Israelis and diaspora Jews across the political spectrum — including fierce critics of Israeli governments.
• A label claimed by religious-nationalist and annexationist actors advocating permanent control over the West Bank.
• A reactive identity marker in the wake of October 7 — reclaimed by some who feel that even acknowledging Israel’s right to exist now invites condemnation

In contemporary polemic, “Zionist” is sometimes used as:

• A synonym for “Jew,” allowing hostility toward Jews to be expressed with plausible deniability.
• A catch-all villain category, attributing collective moral corruption rather than critiquing specific policies.
• A shorthand not for Herzl’s theory of Jewish self-determination, but for the policies of the current Israeli government or the most hard-line currents within it.

Key tensions in the definitional struggle:

• The battle is not merely semantic but political: which Zionism is operative — Herzl’s refuge, Labour’s state-building, or Smotrich’s annexationism?
• Anti-Zionism can range from policy critique to categorical rejection of Jewish self-determination; its moral meaning depends on which of these is intended.
• Equating all Zionism with supremacism erases its plural history.
• Equating all anti-Zionism with antisemitism forecloses legitimate debate about power, occupation, and equality.
• The phrase “Jewish state” itself is contested: demographic majority, civic nation with Jewish character, ethnonational preference, or religious polity?

The core unresolved duality:

• Zionism is both refuge and sovereignty.
• It is both survival after statelessness and the exercise of state power.
• It is experienced as national liberation by one people and as national catastrophe by another.

Any serious discussion must hold those tensions without collapsing them into slogan or slur.

How ‘Zionist’ became a safe word for hate

Sydney Morning Herald, February 14, 2026

At protests against Israeli President Isaac Herzog’s visit to Australia, some demonstrators directed their anger not only at Israel’s policies but at “Zionists” themselves – accusing them of malign influence in the media and government. At other recent rallies, Zionism has been equated to Nazism and terrorism.

A sign juxtaposing Zionism and Nazism is displayed at a pro-Palestinian rally last May in Melbourne.
A sign juxtaposing Zionism and Nazism is displayed at a pro-Palestinian rally last May in Melbourne. LUIS ENRIQUE ASCUI

Victor Klemperer, a Jewish academic who survived Nazi Germany, warned that words can act like tiny doses of arsenic – swallowed unnoticed, accumulating slowly, until their poison takes hold. His insight was not about shouted slogans, but about respectable language that can normalise contempt. “Zionist” has entered this territory over the past two years.

In the wake of the Bondi attack, I was involved in a public campaign for a federal royal commission into antisemitism. My role prompted a message from someone I have known for more than 20 years. Had I been paid by Israel for my advocacy, he asked. It was an offensive question. The answer was no.

What followed was more revealing. “Zionists have always been morally bankrupt with a superiority complex,” he told me.

I asked him two simple questions. Did he believe the state of Israel should continue to exist? Yes. Did he believe it should exist as a Jewish state, provided Jews, Christians, Muslims and others were given equal rights? Yes.

By the standard definition, he qualified as a Zionist. He either did not understand the term – or he was deliberately repurposing it.

People hold signs at a vigil outside the Australian consulate in New York City after the Bondi massacre.
People hold signs at a vigil outside the Australian consulate in New York City after the Bondi massacre.GETTY IMAGES

That exchange mattered not because it was especially aggressive, but because it was ordinary. It was delivered calmly, with moral certainty, and without any sense of contradiction. It revealed something that has become increasingly common: the use of the word “Zionist” not to describe a belief, but to impugn a target.

Zionism, properly understood, is not complicated. It is the belief that the Jewish people have the right to self-determination in their ancestral homeland. In practical terms, it is the idea that Israel should exist as a Jewish state. In Australia, Zionism has long been openly supported by mainstream leaders from across the political spectrum as a legitimate expression of Jewish self-determination.

 

Zionism does not dictate borders. It does not prescribe military policy. It does not require allegiance to any government, leader or political party. It does not exclude any race or religion from Israeli citizenship. It does not preclude criticism of Israel and nor does it demand support for all actions taken by the Israeli state. Expansionism is not intrinsic to it, and nor does it require opposition to a two-state solution. To be clear, criticism of Israel that is similar to that levelled against any other country cannot be regarded as antisemitic.

Like any national movement, Zionism contains a wide spectrum of political views. Many Zionists oppose Israel’s current government. Many Israelis have protested against it for years. Some of the fiercest critics of Israeli policy are Israeli citizens, who nonetheless consider themselves proudly Zionist.

This clarity matters because once a word’s meaning is hijacked, it becomes available for misuse – or abuse.

In recent years, “Zionist” has increasingly been deployed as an insult. The term Zionist is no longer used to identify an idea, but it is spat to assign blame. “Zionists” are held responsible for a wide range of evils, often without definition or limitation. In many instances, “Zionist” is used synonymously with “Jew”, while maintaining just enough ambiguity to deny that Jews are being targeted at all. So why does this substitution occur?

Because openly targeting Jews is no longer socially acceptable. “Zionist” becomes the workaround – broad enough to encompass most Jews, yet elastic enough to provide moral cover. It allows hostility to be expressed while preserving plausible deniability.

We are repeatedly told that hostility toward “Zionists” is merely political critique. But if that were true, the criticism would be of policy. Instead, “Zionists” are accused of supremacy, immorality, or inherent evil. That is not political criticism. It is collective character assassination.

This matters because Zionism is not an abstract ideology for most Jews. It is bound up with history, vulnerability and survival. For many Jews – including those deeply critical of Israel – Zionism represents the belief that Jews should not again be stateless, dependent on the goodwill of others for protection. To insist that “anti-Zionism has nothing to do with Jews” while knowing that the overwhelming majority of Jews identify in some way with Zionism is disingenuous.

At best, it ignores how the word is actually used. At worst, the ambiguity is used intentionally as cover. This is why the definitional battle matters. Hijacking the meaning of Zionism allows hatred to masquerade as politics. The federal royal commission into antisemitism must grapple with these subtleties if it is to understand Jew hatred in Australia.

Existing legal frameworks are poorly equipped to deal with language that is technically deniable yet socially corrosive. They miss the cumulative effect of rhetoric that repeatedly singles out a group under a different name.

If the commission is to be meaningful, it must confront this linguistic sleight of hand directly. It must be willing to ask whether “Zionist” has become a socially acceptable stand-in for “Jew” – a way to legitimise hostility while denying responsibility for its impact. Because when words are repurposed to disguise prejudice, history suggests the damage rarely stops with words.

Danny Berkovic is a Sydney businessman and an organiser of the bondiresponse.com petition, which pushed the Albanese government to announce a royal commission into antisemitism.

 

One Land, Two Peoples: History, Memory, Continuity, and Inheritance

It’s the Land, it is our wisdom
It’s the Land, it shines us through
It’s the Land, it feeds our children
It’s the Land, you cannot own the Land
The Land owns you
Dougie McLean, Solid Ground

This is a story about the land – and the people who have reside thereupon.

Scottish folksinger Dougie McLean’s verse captures exactly its ethos: of the land as relational, ancestral, and moral; of belonging as stewardship rather than conquest; of identity entwined with place rather than imposed upon it. “You cannot own the Land – the Land owns you” resonates with what we are about to write about overlapping inheritances, continuity, and indigeneity. The verse gives us a lyrical bearing: it allows us to frame Jewish and Palestinian attachment to the land not as a contest of exclusive ownership, but as overlapping, reciprocal, and living relationships. It legitimises the presence of both without forcing a zero-sum moral calculus.

The featured image at the head of this post? When last In Ramallah, de facto administrative “capital” of that part of the West Bank governed  by the  Palestinian Authority – Area A of the Oslo dispensation – we visited the cultural centre of Dar Zahran, a beautifully restored Ottoman house just south of the city. By fortunate serendipity, Dar Zahran was hosting a small exhibition of paintings by the late Palestinian artist Ismail Shammout. This large painting pictures the skyline of Jerusalem – Al Quds with its mosques and churches and the infinite variety of the Palestinian people, was front and centre. [In In That Howling Infinite, see Visualizing the Palestinian Return – the art of Ismail Shammout]

Forward: the Myth of Fingerprints

Watching the coverage of the Gaza war –  in mainstream commentary, on social media, in slogans chanted half a world away –  In That Howling Infinite was struck less by passion than by historical amnesia. Dates collapsed into each other. 1948 was invoked without 1917. 1967 without 1948. 2023 without Ottoman decline, Mandate ambiguity, imperial cartography, demographic upheaval. Archaeology was dismissed as propaganda; genealogy as myth; continuity as invention. A century was compressed into a headline; millennia into a meme.

We prefer our tragedies forensic.

Modern political culture trains us to search for a single print on the glass –  the moment, the document, the leader, the decision that explains everything. We want the smudge that proves who began it, who bears the primal guilt, who stands at the origin of the wound. A history with fingerprints is reassuring. It suggests that if only one actor had behaved differently – one declaration withheld, one militia restrained, one settlement not built, one massacre not committed – the catastrophe might have been avoided.

But the history of Israel and Palestine does not yield to forensic neatness.

There is no solitary fingerprint pressed into this soil. Not Balfour’s, nor Lloyd George’s. Not Haj Amin al-Husseini’s, nor Ben-Gurion’s. Not Nasser’s, not Arafat’s, not Sharon’s, not Netanyahu’s, not Hamas’s. No single impression explains the pattern. The land bears instead a dense overlay of smudged prints: empire and partition, fear and ambition, miscalculation and opportunism, exile and return, massacre and reprisal, daring and folly. Each generation has added its own layer. Each act has generated reaction; each reaction has hardened into structure; each structure has constrained the next set of choices.

The myth of fingerprints flatters our appetite for moral certainty. It allows us to say: there — that was the sin; there –  that is the villain. It relieves us of complexity. It permits outrage without introspection. It offers altitude without clarity.

Yet this conflict is cumulative. The Nakba did not occur in a vacuum. Nor did the wars that followed. Nor did the Occupation arise ex nihilo. Nor did Palestinian rejectionism or Israeli settlement expansion spring from pure malice detached from context. Nor did October 7 erupt without genealogy – however indefensible its brutality, however catastrophic its consequences. Each event is entangled with what preceded it and what followed after. Violence here is not a fingerprint; it is a palimpsest.

To say this is not to dissolve accountability. It is to resist reductionism. It is to refuse the consolations of moral monoculture – the narrowing of empathy into a single authorised grief, the shaping of facts to fit feelings, the retreat into what I have elsewhere called the box canyon of certainty. Intellectual honesty demands a more difficult posture: to hold multiple truths in tension without collapsing them into equivalence.

This land — like any homeland, like any “country” in the deeper sense First Nations Australians use the word –  holds layered attachment. It holds Jewish longing and Palestinian dispossession; British imperial design and Arab nationalist pride; secular aspiration and religious revival; survival strategy and ideological fervour. None alone explains the whole. Together they form the sediment of a century.

If this essay resists simple answers, it is because the land itself resists them. What follows is not an argument for neutrality, nor a plea for bloodless detachment. It is an attempt to describe historical continuity in a place where memory is weaponised and identity compressed into accusation. It is written in the hope – perhaps naïve, perhaps stubborn –  that understanding genealogy, archaeology, chronology, and context might slow the reflex to eliminate rather than to comprehend.

There are no clean fingerprints here. Only accumulated traces.

And the work begins by learning to see them all.

Embrace the Middle East, Sliman Mansour

Before you begin …

There is a temptation, with this land, to search for fingerprints. To press the soil for a single impression and declare: “Here  –  here is where it began. Here is the trespass. Here is the theft. Here is the wound from which every other wound must have  flowed”. But the ground does not yield so easily. It holds not one print, but many, layered and half-erased – footsteps crossing footsteps, prayers rising from ruins, stones reused and renamed. It is less a crime scene than a palimpsest: written, scraped back, written again though the old script never fully disappears.

This essay begins there. It moves slowly, because the history moves slowly. Jewish civilisation is not incidental to this terrain; it was formed there, fractured there, remembered there in exile for two millennia through liturgy and law and longing. Nor are Palestinians latecomers to their own homes; their belonging is carried in olive groves and family deeds, in village names, in the memory of 1948 spoken not as theory but as rupture.

Two continuities. Uneven in power, different in structure, but real.

Modern nationalism – that restless 19th- and 20th-century force – took older forms of attachment and hardened them into programs. Zionism emerged from European peril and Jewish memory; Palestinian nationalism emerged from Ottoman dissolution and local rootedness. Empire intervened. War intervened. Fear intervened. What might once have overlapped became mutually exclusive.

The language we now reach for –  settler colonialism, indigeneity, apartheid – illuminates some contours and obscures others. These frameworks explain structures of domination, especially in the territories occupied since 1967. Yet they often falter before the stubborn fact of Jewish historical continuity. When analysis becomes catechism, history flattens; complexity is treated as betrayal.

At the centre of the essay stand two words that mirror each other across the decades: Aliyah and al-‘Awda. Return and return. Ascent and homecoming. One largely realised in the sovereignty of a state; the other deferred, carried as al Muftah, the key, and inheritance. These are not merely political claims. They are existential longings. Each fears that recognising the other threatens its own legitimacy. Each is haunted by absence.

And then there is the present –  October 7 2023, and the devastating war that it precipitated, and the shattering of whatever fragile equilibrium once existed. Trauma does not cancel trauma; it compounds it. Israeli politics hardens toward security and annexationist imagination. Palestinian politics fragments, with religion filling the vacuum left by exhausted secular promises. The two-state solution lingers like a map no longer consulted but not yet discarded.

This is not a plea for neutrality. Nor is it a ritual balancing of grief. Power asymmetries are real. Civilian suffering is real. So too is the danger of moral monoculture –  the insistence that only one story counts, only one inheritance is authentic, only one people may speak in the language of belonging.

The land between the river and the sea has never held a single narrative. It carries more than one continuity, more than one exile, more than one claim to home. Any future worth imagining must begin by resisting erasure — of Jews, of Palestinians, of history itself.

If the essay asks anything of the reader, it is patience. A willingness to sit with more than one truth at once. A willingness to see that complexity is not evasion but reality.

The soil remembers more than we do. Are we prepared to remember with it?

Why we have written this story

This long essay was born less out of certainty than unease.

In the months following October 7 2023 and the Gaza war that followed, lasting two years and yet unresolved, we found ourselves increasingly disheartened – not only by the violence itself, but by the impoverished historical literacy that now dominates much of the public conversation. In mainstream commentary and across social media, Israel–Palestine is routinely reduced to slogans, memes, and moral shortcuts: 1948 as original sin, or 1967 as sole reference point, or 2023 as rupture unmoored from everything that came before. The deeper history – the Ottoman centuries, the layered genealogies, the archaeology underfoot, the long coexistence and long frictions of peoples and faiths – is treated as dispensable, even suspect. Ignorance is worn as conviction.

This narrowing of historical vision has consequences. It breeds existentialist and eliminationist rhetoric on all sides: claims that one people is fabricated, the other uniquely criminal; that history itself can be annulled by denunciation. It flattens complex inheritances into moral caricature, and in doing so accelerates a global coarsening of discourse – one that has travelled far beyond the region, seeding division, hatred, and a hardening of hearts across societies that once imagined themselves distant observers.

Our purpose here is modest but insistent. We want to describe, as clearly and simply as possible, the historical continuity of both Israel and Palestine: how peoples persist, inherit, adapt, and remain attached to land across conquest, conversion, exile, and return. We want to show that the land has never been empty, never singular, never owned by one story alone. And we want to counter the moral monoculture that insists this conflict can be understood, let alone solved through absolutes.

This essay does not argue for innocence. It argues against erasure. It is not an argument against passion, nor a plea for bloodless neutrality. It is written in resistance to the idea that complexity is a form of evasion, or that empathy is betrayal. If it insists on anything, it is that history matters – and that without it, moral seriousness quickly curdles into moral certainty, and certainty into something far more dangerous. A lot of  intellectual labour is required to stand on what we like to call the high ground without mistaking altitude for clarity.

As for the position of In That Howling Infinite on Israel, Palestine, and the Gaza war, it is neither declarative nor devotional; it is diagnostic. Inclined – by background, training, temperament, and long engagement with the region – to hold multiple truths in tension, it seeks to see, as the song has it, the whole of the moon. It is less interested in purity than in resisting moral monoculture and the consolations of unanimity. That stance does not claim wisdom. It claims only a refusal to outsource judgment, and a suspicion of movements that confuse volume with truth.

On Zionism, this essay treats it not as a slogan but as a historical fact with moral weight: the assertion – hard-won, contingent, flawed – that Jews are entitled to collective political existence on the same terms as other peoples. In this limited but essential sense, this blog is Zionist. It does not sanctify Israeli policy, excuse occupation, or romanticise state power. But it rejects the sleight of hand by which Israel’s existence is transformed from a political reality into a metaphysical crime – an expectation uniquely imposed upon Jews, and demanded of no other nation: justification for being.

On anti-Zionism, it is unsparing. Not because criticism of Israel is illegitimate – on the contrary, it is necessary – but because anti-Zionism increasingly operates as a categorical refusal to accept Jewish collective self-determination at all. What troubles us most is not its anger, but its certainty: its indifference to history, its appetite for erasure, its readiness to recycle older antisemitic patterns – collective guilt, inversion of victimhood, the portrayal of Jews as uniquely malignant actors – while insisting, with studied innocence, that Jews are not the subject. If not always antisemitism outright, the line separating the two is wafer-thin, and too often crossed.

At the same time, this essay is deeply critical of Israeli power: of occupation, settlement, annexationist fantasy, and the moral corrosion of permanent domination. It takes seriously the Palestinian experience of dispossession, fragmentation, humiliation, and despair – and the ways in which those conditions have fostered not only resistance, but radicalisation, sacralisation, and a narrowing of political imagination.

October 7 stands as a grim hinge. It has not only set back any prospect of reconciliation between Israelis and Palestinians for a generation; it has unleashed a wider contagion – one that has coarsened global discourse, legitimised eliminationist language, and normalised the idea that complexity itself is suspect. As Warren Zevon warned, “the hurt gets worse, and the heart gets harder”.

This essay is written against that hardening. It asks whether it is still possible to think historically, ethically, and imaginatively about a land claimed by more than one people – and whether refusing moral certainty might yet be an act not of evasion, but of responsibility.

The sections that follow are designed to stand alone and to accumulate. Each may be read independently; together they form a single, unfolding argument. Individually, they invite further inquiry. If certain themes recur – and with it, a degree of repetition – that is intentional. The history under discussion does not advance in straight lines but circles back, reappears, and insists upon review and reconsideration. The structure mirrors the subject, so repetition here is not redundancy, but return.

It is a long read, because there is much that must be said. For readers who are time-poor, what follows is a brief précis – enough, I hope, to give you the outline, and perhaps to tempt you further.

Beginnings … Naming and Continuity

If there is a place to begin, it is not with a verdict but with a name.

Names are where history first hardens into meaning. They signal continuity or rupture, belonging or exclusion, memory or erasure. In this land especially, names do not merely describe; they contend. They carry sedimented layers of empire, scripture, conquest, pilgrimage, and return. To name is already to argue – but to refuse names altogether is also to argue, and more crudely.

One of the great distortions in contemporary debate is the insistence that political legitimacy must rest on administrative tidiness: that because the Ottomans did not govern a province called “Palestine,” Palestine did not exist; or conversely, that because modern Zionism emerged in Europe, Jewish attachment to the land is a late invention rather than an ancient continuity. Both claims mistake bureaucracy for belonging, paperwork for peoplehood. Both treat history as a courtroom exhibit rather than a lived inheritance.

What endures instead – often inconveniently – is continuity without sovereignty: peoples who remain present without power, attached without permission, named and renamed by others but never entirely erased. Jews prayed toward this land long before they could govern it. Palestinians inhabited it long before they could claim it politically. Neither experience cancels the other. Both are real. Both are incomplete on their own.

To understand how these parallel attachments hardened into mutually exclusive claims requires moving slowly, historically, and without the false comfort of absolutes. It requires tracing how a land administered by empires became a land imagined by nations; how religious memory became political project; how return – Aliyah for Jews, al-‘Awda for Palestinians – came to function not merely as aspiration but as moral horizon. It also requires acknowledging how each side’s story, when pressed by trauma and fear, learned to deny the depth of the other’s.

What follows, then, is not a search for origins that absolve, but for continuities that explain. Not a competition of suffering, but an examination of how attachment becomes destiny – and how destiny, when absolutised, forecloses imagination.

The story begins, as so many arguments do, with the claim that there was “no Palestine.” And with the equal and opposite insistence that there was no Jewish return – only intrusion. Both are wrong. Both are revealing. And both point us, inevitably, to the longer history that neither slogan can contain.

The claim that “Palestinians were here before Jews” is historically imprecise – but so is the claim that Jewish antiquity erases Palestinian presence. Both are simplifications, moral absolutes that flatten centuries of layered reality into slogans. The land between the Jordan River and the Mediterranean has been inhabited continuously for millennia, by overlapping peoples, faiths, and cultures.

Jewish civilisation has deep roots here, attested by archaeology, scripture, ritual, and memory. Cities such as Jerusalem, Hebron, Shechem, Jericho, Gaza, and Jaffa are not abstractions – they are places woven into law, worship, settlement, and daily life across time, repeatedly reoccupied, referenced, and remembered. Yet these same cities have been continuously inhabited by non-Jewish populations, who over centuries became Christian, Muslim, Arabic-speaking, and eventually Palestinian in identity. The Arabic place-names that survive – Nablus, Al-Khalil, Silwan, Yafa – often preserve Hebrew, Aramaic, Greek, or Latin forms, just as London preserves its Roman past or Paris its Gaulish echoes. Continuity in place is not ownership; inheritance is layered, overlapping, and sometimes contested.

The Roman renaming of Judea as Syria Palaestina was a gesture of imperial punishment, yet even this act of erasure could not erase lived reality. Centuries later, European travelers, missionaries, cartographers, and strategists reanimated the name “Palestine,” overlaying the land with biblical imagination, imperial calculation, and the romance of Orientalism. European frameworks – strategic, moral, and aesthetic – shaped modern political consciousness long before modern political actors arrived. The Europeanisation of the Holy Land created a template into which both Jewish and Arab claims would later be poured, each seeking legitimacy and recognition.

This essay traces these interwoven threads. It begins with the names themselves – the enduring markers of settlement, memory, and linguistic survival. From there, it examines continuity and archaeological evidence, showing how material culture and living communities intersect in ways that defy simple claims of precedence. It then moves to the language of settler colonialism and the frameworks imported from European empire, exposing how interpretive categories can be mobilised to delegitimise or moralise historical presence. Finally, it engages with indigeneity – not as a racial or ethnic label, but as a language of connection, survival, and attachment to place – demonstrating how both Jewish and Palestinian identities are inseparable from the soil, the history, and the lived landscape of the land.

History here does not grant exclusive ownership. It grants memory, attachment, and responsibility. The tragedy – and the challenge – is that two peoples trace their histories into the same soil, each with legitimate claims, each bearing inherited trauma, and each constrained by a political struggle that too often demands a single story. This essay does not promise resolution. It seeks reflection: to trace the layers, to illuminate the overlaps, and to hold complexity without collapsing it into certainty.

The return of “Palestine”: naming, memory, and the politics of inheritance

One of the more persistent confusions in contemporary debate is the claim – often made with an air of finality – that “Palestine” is either an ancient, uninterrupted political reality or a wholly modern invention, conjured out of thin air in the twentieth century. Both positions flatten history into a moral ordering exercise: one name authentic, the other fraudulent; one memory legitimate, the other contrived. This is precisely how historical argument slips into a box canyon, where complexity is mistaken for weakness and certainty for truth.

The Ottoman Empire, which ruled the region from the early sixteenth century until the First World War, did not govern a province called Palestine. Its administrative logic was practical rather than symbolic. The land between the Mediterranean and the Jordan was divided among the Eyalet (later Vilayet) of Damascus, the Vilayet of Beirut, and, from 1872, the Mutasarrifate of Jerusalem, which reported directly to Istanbul. Taxes, conscription, roads, and security mattered; biblical resonance did not. In that narrow bureaucratic sense, “Palestine” did not exist.

But absence from an imperium is not the same thing as absence from historical memory. The name Palestine never vanished. It persisted in European cartography, in Christian pilgrimage literature, in Islamic geographical writing as part of Bilad al-Sham, and in the loose regional vocabulary used by locals themselves, locals who belonged to a variety of ethnicities and faiths. It survived as a cultural and geographic term rather than a sovereign one. This distinction – between administrative reality and historical imagination – is often ignored, and much mischief flows from that omission.

The decisive shift came not from Istanbul, but from Europe. From the late eighteenth century onward, the eastern Mediterranean became an object of renewed European attention. The Ottoman Empire was weakening; Britain, France, Russia, and later Germany were probing for influence. Strategic considerations – sea routes, land bridges, ports, and imperial rivalry – pulled the region into a new geopolitical frame. “Palestine” proved a convenient and evocative name for this space: recognisable, resonant, and already embedded in European mental maps.

Religion deepened this re-engagement. For European Christians, especially Protestants, Palestine was not merely a territory but the word made flesh – the physical stage of the Bible. Missionaries, biblical scholars, archaeologists, and pilgrims flooded the region in the nineteenth century. Guidebooks, maps, and sermons revived biblical place-names and overlaid them onto a living landscape. The land was read as Scripture, and Scripture was projected back onto the land. Ottoman administrative divisions were quietly bypassed in favour of a vocabulary saturated with sacred history.

This religious lens blended seamlessly with the romance of Orientalism. Painters, travel writers, and antiquarians portrayed Palestine as timeless, unchanging, and curiously suspended outside modern history. Its inhabitants appeared as figures in a tableau – colourful, ancient, but politically inert. Europe “rediscovered” Palestine by freezing it in a biblical past, a move that simultaneously elevated the land’s symbolic value and erased the modern lives unfolding upon it. Historical memory was curated selectively, with some layers illuminated and others dimmed. [In In That Howling Infinite, see Alf Layla wa Laylah – the Orient and Orientalism]

Commerce and infrastructure reinforced this process. Steamships, railways, ports, and telegraph lines tied the region more tightly to Europe. Consuls, traders, and investors spoke of Palestine as a commercial and logistical unit. The term functioned as a brand – useful, intelligible, and already freighted with meaning. Still, this was not sovereignty. It was recognition through repetition.

The First World War transformed repetition into authority. British leaders did not speak of conquering Ottoman districts; they spoke of liberating Palestine. This choice of language was not accidental. British Prime Minister David Lloyd George, a son of the Welsh chapel and steeped in biblical culture, understood the land through Scripture as much as strategy. Jerusalem mattered to him symbolically, almost providentially. The term “Palestine” resonated with the British public, aligned with long-standing European usage, and wrapped military objectives in moral narrative. In naming, power announced itself. [Regarding the Balfour Declaration, which we will come to later, see In That Howling Infinite‘s The hand that signed the paper]

The British Mandate formalised what European imagination had long rehearsed. “Palestine” became a legal entity under international law. The name appeared on stamps, coins, and passports, rendered in Arabic (Filastin) and Hebrew (Eretz-Yisrael (Palestina)). Zionist institutions were legally Palestinian; Arab inhabitants were administratively Palestinian. Only later, as national conflict sharpened, did the term become a site of rejection and contestation. What began as an externally imposed administrative label was gradually inhabited as an identity by those who lived within its bounds. [In In That Howling Infinite, see The first Intifada … Palestine 1936]

None of this means that Palestinian identity was invented wholesale by Europeans, nor that Jewish historical connection to the land is diminished or negotiable. It means something more uncomfortable and more human: that modern political identities often crystallise under pressure, shaped by imperial power, local experience, and inherited memory alike. To declare one authentic and the other fraudulent is to impose a moral hierarchy onto history itself, a hierarchy confounds understanding.

Here, the danger is not ignorance but moral certainty. Historical memory becomes a sorting mechanism: ancient equals legitimate, modern equals suspect; one story accumulates moral credit, the other moral debt. This is how history is quietly recruited into a hierarchy of hostility – not through overt hatred, but through the denial of standing. Once a people’s name is dismissed as an invention, their claims can be treated as optional.

The harder truth is that Palestine returned to political life not because the Ottomans named it, nor because Europeans fabricated it ex nihilo, but because European power needed a name that carried biblical gravity, strategic clarity, and cultural familiarity. That name was then lived into – contested, resisted, embraced, and redefined – by the people on the ground. Modernity did the rest.

History here does not issue verdicts. It records inheritances – some ancient, some imposed, some painfully recent. When we try to force it into a moral ordering system, we lose precisely what makes it useful: its capacity to show how overlapping memories can coexist long before they are weaponised against one another.

Continuity, inheritance, and the limits of proof

Few arguments in this conflict are deployed with more confidence – and less care – than the appeal to ancient place names. Lists are recited, verses quoted, etymologies traced with forensic zeal, and the conclusion announced as if self-evident: the names are Hebrew, therefore the land is Jewish; the Arabic forms are later, therefore derivative. Continuity is treated as ownership, and inheritance as exclusivity. History is reduced to a ledger.

The facts themselves are rarely in dispute. Many of the region’s towns and cities bear names that can be traced deep into antiquity, and many of those names appear in the Hebrew Bible. Shechem becomes Neapolis under Rome and Nablus in Arabic. Hebron becomes al-Khalil, preserving Abraham’s epithet, “the Friend.” Shiloah echoes in Silwan; Jaffa in Yafa; Gaza in Ghazza; Jericho in Ariha. Even where the phonetics shift, the bones of the name remain. Language remembers.

What this demonstrates – powerfully and legitimately – is continuity of place. These are not invented towns dropped onto an empty map. They are inhabited sites with long, layered histories, revisited, renamed, translated, and repurposed by successive cultures. The land has not been erased and rebooted; it has been overwritten, like a palimpsest, with earlier texts still faintly visible beneath the newer script.

But continuity of place is not the same thing as continuity of people, and neither is the same as political entitlement. Names travel across languages precisely because populations change while places endure. Arabic, like English, routinely absorbs older toponyms rather than replacing them wholesale. London keeps its Roman core; Paris its Gallic one; Istanbul carries Byzantium in its shadow. No one imagines that linguistic survival alone settles questions of sovereignty.

The Hebrew Bible is an indispensable historical source, but it is also a theological text. When biblical names are cited as proof, the argument quietly shifts registers – from history to sacred memory. That shift is not illegitimate, but it must be acknowledged. For Jews, these names encode ancestral attachment, ritual meaning, and historical consciousness. They are part of a civilisational inheritance. To deny that is dishonest.

Yet it is equally dishonest to pretend that the later Arabic names represent rupture rather than translation. Al-Khalil does not erase Hebron; it reframes it through another religious lens that also venerates Abraham. Yafa does not cancel Jaffa; it carries it forward in a new linguistic register. In many cases, Arabic usage preserved ancient names when European empires and modern nationalisms might have flattened them. [See In That Howling Infinite, Children of Abraham, a story of Hebron]

This is where the argument often slips into a moral ordering exercise. Ancient becomes authentic; later becomes suspect. One inheritance is elevated as original, the other demoted as parasitic. But history is not a queue where the first arrival gets eternal priority. It is an accumulation of lives lived in the same places under changing conditions, languages, and powers.

Archaeology reinforces this layered reality rather than resolving it. Jewish ritual baths, Hebrew inscriptions, coins, winepresses and mikvas – these are real and abundant. So too are churches, mosques, monasteries, Islamic endowments, and centuries of continuous habitation by Arabic-speaking communities. The soil, the rocks, the bricks do not adjudicate; they record.

The mistake is not in pointing out Hebrew origins. The mistake is in imagining that etymology can do moral work it was never designed to perform. Place names testify to historical depth, not to exclusive possession. They tell us that people came, stayed, left, returned, converted, translated, adapted – and named what they loved in the language they spoke.

Inheritance, in this sense, is not a single line of descent but a woven one. Jews inherit these names as memory and longing; Palestinians inherit them as lived geography and daily speech. Both inherit them honestly. Conflict arises when inheritance is mistaken for cancellation – when one story is told in order to invalidate the other.

Used carefully, place names can rescue us from the fantasy of emptiness and the lie of discontinuity. Used carelessly, they become weapons of erasure, enlisted in a hierarchy of legitimacy that history itself does not recognise. That is the box canyon: mistaking linguistic survival for moral verdict.

Names endure because people endure. The tragedy is not that the land has too many names, but that its names have been asked to carry a burden they were never meant to bear.

Settler Colonialism and the European frame: a theory migrates

The Europeanisation of the Holy Land in the nineteenth century created a template into which both Jewish and Arab claims would later be poured, each seeking recognition, legitimacy, and moral validation. Modern debates over “settler colonialism” reflect this European lens.

The contemporary description of Israel as a “settler-colonial” project did not arise organically from the Ottoman or even early Mandate experience of the land. It is a later interpretive overlay, shaped by intellectual currents that themselves emerged from Europe’s reckoning with empire. Like the modern political revival of the name “Palestine,” the settler-colonial frame is best understood not as an invention ex nihilo, but as a concept imported, adapted, and weaponised under particular historical pressures.

Settler colonialism, as a theory, was developed to explain societies such as Australia, the United States, Canada, and New Zealand – places where European settlers crossed oceans, displaced Indigenous populations, and sought not merely to rule but to replace. Its defining features are familiar: elimination rather than exploitation, permanence rather than extraction, the transformation of land into property, and the erasure – physical or cultural – of prior inhabitants. It is a powerful lens, forged in the moral aftermath of European expansion and decolonisation.

When this framework is applied to Israel, it draws much of its force from the earlier Europeanisation of Palestine itself. Once the land was reconceived through European strategic, biblical, and Orientalist eyes – as a space legible primarily to Western moral categories – it became available for reclassification within Europe’s own moral inventory. Palestine, first imagined as a biblical landscape awaiting modern administration, later became recast as a colonial theatre awaiting decolonial judgement.

The argument runs roughly as follows: Zionism was a European movement; European Jews migrated to Palestine; the project relied on imperial sponsorship; therefore Israel is a settler-colonial state. The clarity of this syllogism is precisely what makes it attractive – and what makes it misleading. It collapses different historical phenomena into a single moral category, flattening motives, origins, and outcomes into a single narrative of invasion and replacement.

What this framing often overlooks is that Zionism did not emerge from imperial confidence but from European catastrophe. Jews were not agents of a confident metropole exporting surplus population; they were refugees, outcasts, and survivors of a continent that had repeatedly expelled or exterminated them. The first Jewish arrivals were fleeing from pogroms in Poland and Ukraine. Their relationship to Europe was not one of imperial extension but of repudiation. To describe this as simply another European colonial venture is to read Jewish history backwards through a framework designed for very different cases.

At the same time, the settler-colonial critique persists because it names something real: the experience of dispossession endured by Arab Palestinians. Land was acquired, institutions were built, borders were enforced, and a new sovereign order emerged that many inhabitants experienced as imposed rather than negotiated. For Palestinians, the language of settler colonialism offers a way to translate loss into a globally recognisable moral grammar – one that resonates with other Indigenous and postcolonial struggles. In this sense, it functions less as a precise historical diagnosis than as a political vernacular of grievance.

Right-wing Israeli nationalists deploy antiquity and indigeneity to delegitimise Palestinian claims, presenting Arab presence as late, derivative, or contingent. The settler-colonial argument, in turn, delegitimises Jewish political presence by recoding it as foreign, European, and imposed. Each side selects a different temporal starting point and treats it as dispositive. Each claims history as an audit rather than an inheritance.

The danger lies in how quickly these frameworks harden into moral absolutes. Once Israel is defined as a settler-colonial state, its existence becomes a standing injustice rather than a contested reality. Decolonisation, in this register, cannot mean reform, compromise, or coexistence; it implies undoing. Conversely, once Palestinian identity is dismissed as a colonial by-product or an invention of the Mandate, Palestinian claims become negotiable at best, disposable at worst.

It is no accident that the settler-colonial frame gains traction in Western academic and activist spaces. It speaks in a language those spaces already know – one shaped by Europe’s own reckoning with empire, race, and guilt. Israel, long cast as a European outpost in the Middle East, fits neatly into this moral template. The irony is sharp: a people once excluded from Europe are now condemned as its agents.

None of this requires denying the realities of occupation, inequality, or Palestinian suffering. But it does require recognising that “settler colonialism” is not a neutral descriptor. It is a polemical category, one that orders history toward a conclusion. It answers the question before it is fully asked.

The tragedy of this debate is not that the concept is used, but that it is used as a final word rather than a starting point. When theory becomes destiny, politics becomes theology. The conflict is no longer about borders, rights, or security, but about moral existence itself.

In that sense, the settler-colonial argument is less an explanation of Israel–Palestine than a continuation of the same European framing that once reimagined the land as “Palestine” in the first place: a tendency to see the region primarily through Western categories, whether biblical or decolonial, and to sort its inhabitants accordingly.

History here resists clean typologies. It offers no immaculate victims and no unblemished founders. What it offers instead is a warning: when legitimacy is treated as a finite resource, history becomes a courtroom and memory a weapon. That is how arguments meant to liberate end up reproducing the very logic they oppose.

Indigeneity and the struggle for moral standing

In contemporary debates over Israel and Palestine, few terms carry as much moral voltage – and as much conceptual confusion – as indigeneity. Borrowed from global struggles against colonial domination, the term now circulates as a claim to moral priority: to be indigenous is to possess an ethical standing that precedes politics, a legitimacy that demands recognition rather than negotiation. But like “Palestine” and “settler colonialism,” indigeneity is not a timeless category. It is a modern political language, forged in response to empire, and its application to the Levant reveals as much about contemporary moral frameworks as it does about ancient history.

At its core, indigeneity refers not simply to being “there first,” nor to race or bloodline, but to historical continuity with pre-colonial societies, to distinct cultural and linguistic traditions, and to a sustained relationship – often spiritual as much as economic – with a particular land. It is a global identity, articulated most forcefully by peoples confronting or surviving colonial domination, and it centres resistance to dispossession rather than mere antiquity.

This definition already exposes the difficulty. The land between the Jordan and the Mediterranean is not a blank slate upon which a single indigenous identity can be inscribed. It is one of the most continuously inhabited regions on earth, layered with successive empires, religions, and populations. Pre-colonial, in this context, depends entirely on where one chooses to begin the clock.

Jewish claims to indigeneity rest on several pillars: ancient presence, religious centrality, continuous textual and ritual attachment, and demonstrable archaeological record. Judaism is not merely a faith but a civilisation rooted in a specific land, with laws, festivals, and narratives oriented toward it. Even after exile, Jewish life remained geographically tethered to the land, to Zion, through prayer, pilgrimage, and memory. Return was not a metaphor but a liturgical expectation. In this sense, Jewish indigeneity is civilisational rather than demographic – maintained across time even when population density fluctuated.

Arab Palestinian claims, by contrast, emphasise continuous physical presence and lived inheritance. Generations cultivated the land, built villages, spoke local dialects, and developed social and religious institutions in situ. Their indigeneity is experiential rather than textual, grounded in daily life rather than eschatological hope. For Palestinians, the land was not a promise deferred but a home inhabited. Dispossession, when it came, was not a theological wound but a practical and immediate one.

Both claims fit parts of the global indigeneity definition – and neither fits it perfectly. Jews are indigenous in origin but diasporic in history; Palestinians are indigenous in continuity but historically shaped by Arabisation and Islamisation, processes that themselves followed earlier imperial expansions. To insist that one of these realities cancels the other is to misunderstand what indigeneity was meant to do.

Here is where the concept begins to deform under polemical pressure. External supporters – particularly in Western activist and academic spaces – often import indigeneity frameworks developed in the Americas or Australasia and apply them mechanically to the Levant. In those contexts, the moral geometry is clearer: a distant metropole, a settler population, an indigenous society pushed to the margins. Israel–Palestine does not conform to that template, yet the language is seductive because it promises moral clarity.

Thus Jews are cast as non-indigenous Europeans, despite the Middle Eastern origins of Jewish civilisation and the presence of large Mizrahi or Eastern Jewish populations whose histories cannot be reduced to Europe. Palestinians are cast as indigenous in a singular, exclusive sense, despite the region’s long history of migration, conversion, and cultural fusion. Each simplification flatters one side while erasing inconvenient facts on the other.

What emerges is a competition for moral standing rather than a serious engagement with history. Indigeneity becomes a zero-sum status: to recognise one claim is assumed to invalidate the other. This is the same logic we have seen with place names and settler colonialism – a moral ordering of history that ranks suffering and legitimacy rather than seeking coexistence.

The irony is that indigeneity, as a global concept, was meant to protect vulnerable peoples from erasure, not to authorise it. Its ethical force lies in resisting domination and dispossession, not in adjudicating which people has the superior claim to a land saturated with overlapping inheritances.

In the Levant, indigeneity is best understood not as a verdict but as a condition: multiple communities, each with deep roots, each shaped by conquest and survival, each bearing legitimate attachments that cannot be reduced to slogans. Jews did not arrive as strangers to a foreign land; Palestinians did not materialise as historical afterthoughts. Both are native to the story of the place, even if they entered different chapters at different times.

When indigeneity is pressed into service as a weapon, it joins the hierarchy of malice and hostility – not through open hatred, but through the quiet withdrawal of legitimacy. One people’s history is declared foundational; the other’s is recoded as contingent. Once that move is made, compromise begins to look like betrayal, and coexistence like moral failure.

The harder, and more honest, conclusion is also the less satisfying one: indigeneity here does not resolve the conflict. It explains why it is so difficult to resolve. The land is not contested because one people lacks roots, but because too many roots run too deep, too close together, and too painfully intertwined.

That recognition does not end the argument. But it does prevent it from becoming a theology  – where history is scripture, identity is fate, and politics is reduced to exegesis.

Beyond religion and race: peoples, continuity, and a multiplicity of origins

A persistent misconception in discussions of the Levant is the urge to reduce its peoples to singular categories: Judaism treated as merely a religion; Palestinians treated as a race. Both simplifications obscure far more than they explain. Jewish and Palestinian identities are not fixed or monolithic; they are composite formations – layers of ancestry, culture, language, belief, and historical experience accumulated over millennia.

Judaism undeniably carries a religious dimension, but it has never been only a matter of faith. It is also an ethnic and civilisational identity, sustained across time through shared law, memory, ritual, and a sense of common origin. Even in dispersion, Jewish communities retained continuity – cultural, linguistic, and symbolic – with the Levant. Genetic studies reinforce this historical record: many Jewish populations share markers linking them to the broader Levantine gene pool, interwoven, inevitably, with the DNA of the regions where they lived for centuries. Jewish identity, then, is simultaneously ancestral and diasporic, religious and biological, local in origin and global in experience.

Palestinian identity is no less complex. Palestinians are not a singular race, but the inheritors of continuous habitation shaped by centuries of settlement, cultivation, migration, and cultural change. Their modern Arabic language and predominantly Muslim faith are historically significant layers, not immutable markers of origin. Beneath them lie older strata: Canaanites, Philistines, Hebrews, Greeks, Romans, Arabs, Crusaders, Ottomans – peoples who arrived, mixed, converted, intermarried, and remained. Palestinian identity is grounded not in racial purity but in historical presence, social continuity, and sustained attachment to land.

The broader reality is that the peoples of the Levant are interconnected rather than discrete. Ancient Levantine ancestry flows through both modern Jewish and Palestinian populations. The region has always been a mosaic, shaped by movement rather than isolation, by overlap rather than exclusion. Attempts to categorically separate Jews and Palestinians – biologically, historically, or morally – are less grounded in evidence than in polemic. They simplify a shared past in service of present-day argument.

Understanding identity in this layered way clarifies a crucial point: claims of “first,” “pure,” or exclusive belonging are historically misleading. Both Jews and Palestinians are inheritors of the land in overlapping and entangled ways. If indigeneity is understood as sustained attachment to place, culture, and memory, then it applies to both. Each carries the land in story and ritual, in family memory and embodied history. Neither people’s connection is negated by the presence of the other.

The Levant has never been static. Jewish communities absorbed influences from Egypt, Babylon, Rome, and Europe while maintaining continuity with their Levantine origins. Palestinian communities likewise carry the genetic and cultural imprints of successive civilisations layered onto a continuous local presence. Both are products of continuity through multiplicity. Both are indigenous not because they are unchanged, but because they have endured.

Recognising this multiplicity undermines the temptation to treat indigeneity as an exclusive claim. Jewish historical connection does not erase Palestinian continuity; Palestinian rootedness does not negate Jewish ancestral ties. Their histories are not competing ledgers of legitimacy. They are overlapping inheritances inscribed into the same hills, valleys, and cities. History here does not operate as a zero-sum game.

The error arises when indigeneity is weaponised – when one people’s connection is elevated only by recasting the other as foreign, derivative, or invented. This logic echoes through debates over naming, settler-colonial framing, and historical legitimacy, where memory becomes proof, ancestry becomes argument, and recognition is treated as a finite resource. Yet the historical, archaeological, cultural, and genetic record consistently resists such neat separation.

Acknowledging multiplicity shifts the conversation away from moral absolutism toward historical understanding. Multiplicity clarifies the Levant’s moral geography. To be indigenous in the Levant is to belong to a palimpsest – to carry the land in memory, culture, and body while sharing it with others who do the same. Both Jews and Palestinians meet these criteria. Both are rooted. Both are inheritors. Both bear trauma and attachment, memory and aspiration.

Both possess a need to belong, to anchor identity in soil, to maintain continuity across generations. Both are entangled with history, trauma, and memory. Both assert presence and attachment without cancelling the other. And yet politics has rendered these dreams asymmetrical: one realised in statehood, the other deferred in exile. The Levant’s moral geography demands recognition of both impulses, even where political realities frustrate fulfilment.

The broader lesson is straightforward but demanding: indigeneity does not grant exclusivity; continuity does not require erasure; ancestry does not mandate conquest. In a land shaped by layered histories, any serious moral or political imagination must reckon with overlap, entanglement, and coexistence -not pretend that one lineage can cancel another. Recognising shared yet distinct claims is not a compromise of truth. It is, rather, fidelity to historical reality itself.

Aliyah and al-‘Awda: the twin mirrors of return

The parallel dreams of Aliyah and Al-‘Awda. illustrate this entanglement. These two words embrace two histories and two dreams, and also, haunting symmetry. Each carries the weight of exile and the promise of homecoming. Both animate national imagination. Both are rooted in soil, memory, and moral inheritance. And both illustrate how deeply intertwined Jewish and Palestinian connections to the land truly are.

They are mirror dreams, shaped by different histories but animated by the same human impulse: the need to belong, to root identity in soil, and to carry continuity across generations fractured by exile and loss. Each word gathers within it a history of displacement and a promise of return; each turns geography into memory, and memory into moral claim. Together they reveal not a clash of myths, but an entanglement of inheritances embedded in the same hills, valleys, and stones.

Aliyah – literally “ascent” – is the Jewish return to Ha Aretz, the Land, at once physical and spiritual. It is pilgrimage and homecoming, covenant and geography braided together. For centuries of diaspora, Jews prayed toward Jerusalem, invoked the landscapes of scripture, and rehearsed return through ritual, law, and liturgy. Even when absence was enforced, presence was maintained in memory. Aliyah is therefore not merely migration but fulfilment: the realisation of a promise sustained across time, carried forward through text, prayer, and collective imagination.

Al-‘Awda – the Palestinian “return” – is equally profound, though shaped by a different rupture. It arises not from distant exile alone but from lived displacement: from villages depopulated in 1948, from homes lost or made unreachable under occupation, from continuity violently interrupted rather than slowly deferred. It is at once literal and symbolic, a longing for restoration and a refusal of erasure. Mahmoud Darwish, recognised as Palestine’s national poet, gave this longing its most enduring language, transforming Palestine into a moral landscape of memory and loss, where homeland becomes metaphor without ceasing to be real. In his poetry, return is not nostalgia but ethical insistence: the land remembers those who remember it.

The symbols of al-‘Awda – most famously al-muftah, the key – encode this insistence. The key appears in art, in refugee camps, in protest iconography not as a fantasy of reversal but as a declaration of continuity: doors once opened, homes once lived in, identities anchored in place even when bodies are barred from return. Like Aliyah, al-‘Awda is transmitted intergenerationally, carried in stories, photographs, olive groves, and family names that refuse to dissolve into abstraction.

Seen together, these two traditions expose a shared pattern. The land is never merely territory. It is memory made material, identity rendered geographical. Aliyah seeks reconnection with an ancestral homeland from which Jews were historically exiled; Al-‘Awda seeks restoration within a land Palestinians never wholly left. One is framed as fulfilment, the other as reclamation – but both arise from the same grammar of belonging, continuity under duress, and moral inheritance. The symmetry is haunting, even when the outcomes are radically unequal.

Politics, however, has rendered these dreams asymmetrical. Aliyah culminated in statehood; al-‘Awda remains deferred, constrained by demography, sovereignty, and an international system that has institutionalized exile without resolving it. This disparity has encouraged a zero-sum reading in which one return is treated as legitimate history and the other as an insoluble problem. Yet such framing obscures the deeper truth: attachment to land is not exclusive. Memory does not cancel memory. Longing does not negate longing.

Understanding Aliyah and al-‘Awda side by side clarifies why claims of precedence – “first,” “original,” “native” – fail to capture the moral complexity of the Levant. Indigeneity here is not a single thread but a braid: sustained attachment expressed through ritual and law on one hand, through lived presence and inherited community on the other. Jewish and Palestinian connections to the land are not mutually annihilating; they are layered, overlapping, and historically entangled.

The Levant is not a ledger in which legitimacy must be won and lost. It is a palimpsest, bearing multiple inscriptions of memory, loss, and return. Aliyah and Al-‘Awda are not opposites but reflections – each giving form to the same human need to belong, to return, to anchor the self in soil and story. The tragedy lies not in the coexistence of these dreams, but in the political imagination that insists only one may be honoured.

To recognise both is not to resolve the conflict, nor to sentimentalise it. It is simply to acknowledge the moral geography of the place itself: a land that carries more than one inheritance, more than one claim, more than one dream – and demands a capacity to hold multiplicity, even where fulfilment remains contested.

Seen this way, Aliyah and al-‘Awda are not merely parallel dreams of return, but incompatible political grammars shaped by trauma, timing, and power. Each encodes a moral claim that feels existential to those who carry it, yet threatening to those on the other side. Jewish return, forged in diaspora and catastrophe, demanded permanence and sovereignty; Palestinian return, forged in dispossession and exile, demanded reversal and restoration. Both are rooted in continuity and memory, yet when translated into politics rather than poetry, each risks negating the other. The tragedy is not that these aspirations exist, but that history arranged them to collide – each seeking justice through a vision that leaves little room for the other’s survival.

[In In That Howling Infinite, see Visualizing the Palestinian Return – the art of Ismail Shammout]

Al Mufta مفتاح

Return, continuity, and multiplicity

The mirrored impulses of Aliyah and al-‘Awda reveal a deeper pattern in the Levant: land as inheritance, memory, and moral geography, not merely as territory. Jewish Aliyah – the ascent to Ha Aretz – is rooted in centuries of diaspora experience, ritual, and ancestral memory. Palestinian al-‘Awda – the dream of return- is grounded in lived experience, collective memory, and the trauma of displacement. Both articulate belonging, both assert continuity, and both affirm a claim to presence, yet neither is reducible to exclusive ownership.

Understanding these aspirations through the lens of indigeneity clarifies the Levant’s complexity. Indigenous identity is not defined solely by ancestry or race, but by sustained attachment to place, unique culture, language, and historical continuity. Jewish communities, even after centuries in diaspora, maintained a living connection to the land through prayer, law, and cultural memory; Palestinians, continuously inhabiting villages, towns, and cities, preserve attachment through lived experience, story, and inherited community. Both meet the criteria of indigenous presence, both are rooted in the same soil, and both inherit overlapping geographies.

Multiplicity is the key. Neither Aliyah nor al-‘Awda exists in isolation; both emerge from entangled histories, migrations, and interwoven ancestries. The Levant is not a canvas for singular claims, nor a ledger for moral points. It is a palimpsest, where dreams, memory, and continuity coexist—even when politics imposes a zero-sum frame. Recognising this multiplicity transforms how we see legitimacy: it is not a finite resource to be won or lost, but a shared inheritance to be acknowledged.

In this light, the “return” is as much about imagination and moral continuity as it is about geography. The Jewish ascent, the Palestinian return, the dreams held in exile or diaspora, all testify to the same human impulse: to belong, to anchor identity in soil, and to see history not merely as a past but as an inheritance shaping the present. Both peoples carry the land in body, memory, and story; both dreams illuminate the impossibility – and the necessity – of coexistence.

Ultimately, Aliyah and al-‘Awda demonstrate that historical continuity, cultural memory, and ancestral attachment are not zero-sum. The land can carry more than one claim, more than one people, more than one dream. What is required is a moral and political imagination capable of holding multiplicity, of recognising overlapping rights, and of acknowledging that inheritance is shared, entangled, and enduring.

Why sharing the land has proved so difficult

If there is a single, stubborn question running beneath all of this, it is not who belongs, but why coexistence has proved so elusive. Two peoples, both rooted, both carrying memory, both claiming continuity – yet locked into a conflict that seems to resist every appeal to shared humanity.

One part of the answer lies not in antiquity, but in modernity – in the habits of mind carried from Europe to the eastern Mediterranean. Ilan Pappé argues, persuasively, that early Jewish settlers in Palestine, particularly in the late Ottoman and Mandate periods, largely did not see the local Arab population as a political subject. They were not the object of hatred, exactly; they were something more corrosive – irrelevant. The project was inward-facing: to build, to revive, to normalise Jewish life after centuries of vulnerability and persecution. The locals did not so much obstruct the vision as fail to register within it.

This indifference was not uniquely Jewish. It was recognisably European. The mindset closely resembled that of settlers who arrived, with their own fears and hopes, on the shores of North America, Australia, or the Cape. They came not primarily to dominate, but to begin again – to escape religious persecution, economic stagnation, or political precarity. The land appeared underused, underdeveloped, waiting. The people already there were often perceived less as political actors than as features of the landscape – present, but not decisive.

One does not need much imagination to see how this felt from the other side. To be continuous, rooted, embedded in place – and yet rendered invisible by a project unfolding around you. To watch newcomers build institutions, towns, and legal frameworks that did not include you, did not consult you, and did not imagine you as co-heirs. Even absent overt malice, this was experienced as dispossession in slow motion.

What makes the Jewish–Palestinian case especially tragic is that the settlers themselves were not an imperial metropole exporting surplus population, but a people long excluded, often brutalised, and desperate for normality. Zionism was not merely a political ideology; it was a survival strategy. Yet survival pursued without recognition of those already present reproduces—unintentionally – the very hierarchies it seeks to escape. Moral urgency crowds out moral vision. One people’s existential fear eclipses another’s lived reality.

This is where the conflict begins to harden. Palestinians experienced Zionist settlement not as return, but as arrival; not as redemption, but as replacement. Jews experienced Palestinian resistance not as indigenous defence, but as rejection of their most basic claim to safety and self-determination. Each side misread the other through the lens of its own trauma. Each interpreted the other’s actions as negation.

Once this dynamic sets in, sharing the land becomes psychologically – and then politically – extraordinarily difficult. Fear replaces curiosity. Memory becomes weaponised. Every concession feels like erasure. What began as indifference curdles into mistrust, and mistrust into moral absolutism. The box canyon narrows: only one narrative can survive; only one future can be imagined.

And yet history rarely leaves asymmetry unreciprocated.

If early Zionist indifference helped harden Palestinian resistance, Palestinian political culture also evolved in ways that increasingly mirrored the exclusivist logic it opposed. Faced with dispossession, fragmentation, and repeated defeat, Palestinian identity cohered around loss—around al Nakba as organising principle, and al-‘Awda as moral horizon. Over time, this produced not only solidarity and resilience, but also a narrowing of political imagination. Jewish presence came to be read not as layered or historical, but as entirely alien; Jewish continuity was reframed as fabrication, invention, or fraud.

This was understandable as a defensive reflex – but it came at a cost. By denying Jewish indigeneity altogether, Palestinian leadership and its external advocates adopted the same zero-sum logic they rightly condemned. Recognition became conditional, legitimacy indivisible. What began as a struggle against erasure risked becoming a project of counter-erasure. The hierarchy of malice inverted itself but did not disappear.

At the same time, the familiar settler-colonial frame begins to strain under the weight of historical complication. The early Jewish settlers were indeed overwhelmingly European in origin, language, and political culture, arriving with mental furniture shaped by Europe: nationalism, socialism, agrarian revival, and the settler imagination. In that sense, they do fit the classic profile of settler colonists, and this provides much of the grist for contemporary anti-Zionist critique. But the Yishuv did not imagine – could not have imagined—the demographic rupture that followed 1948: the arrival of nearly a million Jews expelled or forced to flee from Arab countries and Iran.

These Mizrahi Jews were not European interlopers parachuted into the Middle East. They were, to all practical purposes, Arab Jews Arabic-speaking, culturally embedded in the region, shaped by its music, food, social codes, and outlook. Their displacement from Baghdad, Cairo, Damascus, Sana’a, Fez, and Tehran was not incidental to Israel’s formation; it became constitutive of it. The state that emerged was not simply a transplanted Europe, but an improvised, often uneasy fusion of diasporas – Ashkenazi, Sephardi, Mizrahi – many of them poor, marginalised, and themselves refugees. [In In That Howling Infinite, see The Mizrahi Factor

This complicates the moral geometry. Israel becomes not a single settler project with a clear metropole and periphery, but a crowded refuge absorbing multiple expulsions at once. After more than seventy years, this reality is immediately visible to anyone who lands at Ben Gurion: Israel is not, and has not been for a long time, a “white” country, whatever the slogans suggest. That this fact is so rarely acknowledged let alone integrated into popular discourse—reveals how rigid and inattentive many contemporary moral frameworks have become.

Thus, both peoples arrived – by different routes – at a similar impasse. Each came to see itself as the true refugee of history. Each feared that recognising the other’s depth of attachment would annul its own. Each retreated into a moral box canyon of absolute narratives.

What was lost, on both sides, was the possibility of shared inheritance – of seeing the land not as a prize to be awarded, but as a burden to be carried together. The tragedy is not that two peoples loved the same land. It is that they entered modern politics with incompatible expectations shaped by Europe’s long shadow, and neither fully saw the other in time. Once mutual visibility is lost at the beginning, history has a way of compounding the error.

Understanding this does not assign guilt in tidy proportions. It asks something more demanding: to recognise how good faith, deep attachment, and legitimate claims can still produce a conflict that feels unsolvable –

not because one side is uniquely wicked, but because both became trapped in stories that left no room for the other to remain.

Only by loosening those stories – by allowing attachment to coexist without cancellation—does the land begin to re-emerge not as a zero-sum possession, but as something closer to what all indigenous traditions, in different tongues, have always known it to be: not owned, but endured; not conquered, but shared.

Why the Two-State horizon has receded – perhaps for a generation

If the two-state solution once functioned as a shared horizon – distant, hazy, but orienting -it now lies behind a wall of wreckage. Not abandoned in theory, perhaps, but rendered inert by history’s latest accelerant. October 7 2023 and the Gaza war that followed did not create the impasse; they detonated it.

The occupation, long described as “temporary,” has hardened into a permanent condition – administrative, psychological, and moral. It is no longer experienced by most Israelis as an emergency requiring resolution, but as an ambient fact of life, managed like traffic or crime. For Palestinians, it is no longer experienced as a condition awaiting negotiation, but as an enclosure tightening year by year: land eaten away by settlements, movement throttled by permits and checkpoints, political agency hollowed out by collaborators, donors, and armed factions alike. This normalisation corrodes both sides simultaneously. The occupation deforms Israel’s moral language while dissolving Palestinian political coherence. Each adapts in ways that make disentanglement harder.

In the West Bank, the ongoing “range war” in the hills and fields – the quiet violence of settler depredations, land seizures, olive groves torched, mosques and churches vandalised – has become the grinding background noise of daily life. It is rarely decisive enough to provoke international rupture, but cumulative enough to destroy trust entirely. The IDF’s role as occupying power, security guarantor, and, too often, arbiter of civilian life entrenches a system in which force substitutes for politics. The more soldiers are deployed to police civilians, the more civilian resistance becomes criminalised, and the more violence is routinised on both sides.

Yet this is only half the picture, and you are careful not to avert your gaze from the other half.

Despite the Separation Wall, despite the intelligence dragnet, despite the overwhelming asymmetry of power, there are still thousands of attacks on Israeli civilians each year—stabbings, shootings, car rammings, rockets, lone-wolf assaults. They do not threaten Israel’s existence, but they do something more corrosive: they reaffirm, daily, the belief that withdrawal invites annihilation. For Israelis shaped by the Second Intifada, and now by October 7, the line between occupation and survival has collapsed. Every concession is read as exposure. Every Palestinian death is tragic; every Israeli death is existential.

As Warren Zevon sang,”the hurt gets worse and the heart gets harder”, That lyric captures something neither UN resolutions nor peace plans ever quite grasp: trauma compounds. It does not cancel out.

October 7 shattered whatever residual belief remained among Israelis that separation could be achieved without mortal risk. Gaza – already sealed off, already written off by many Israelis as a lost cause – became proof, in their minds, that withdrawal does not end conflict, it relocates it closer to home. The war that followed, with its vast civilian toll, obliterated any remaining Palestinian faith that Israel distinguishes meaningfully between combatant and captive population. Each side now possesses fresh, blood-warm evidence for its bleakest assumptions about the other.

In this climate, the two-state solution survives mostly as rhetoric – recited by diplomats, invoked by editorial boards, but no longer animated by constituencies willing to pay its price. The Israeli electorate has moved decisively toward management over resolution: control without citizenship, security without reconciliation. The Palestinians, fragmented between a corrupt, hollowed-out Authority in the West Bank and a nihilistic, theocratic militia in Gaza, lack both legitimacy and leverage. There is no credible partner on either side capable of delivering compromise without being destroyed by their own people.

And beneath all this lies the deeper fracture you keep returning to: mutual invisibility.

Most Israelis no longer encounter Palestinians as neighbours, co-workers, or fellow citizens-in-waiting. They encounter them as threats, filtered through screens or uniforms. Most Palestinians encounter Israelis almost exclusively as soldiers, settlers, or jailers. Each people experiences the other not in ordinary human contexts, but at the sharp edge of power. This is not a soil from which compromise grows.

The two-state solution depended, at minimum, on three conditions: a belief in eventual separation, a willingness to recognise the other’s legitimacy, and a shared sense that time was running out. All three have inverted. Separation now feels dangerous. Recognition feels like surrender. And time feels abundant—because the status quo, however ugly, appears survivable.

That is why the two-state outcome is not merely stalled but suspended by psychology as much as by geography. It may yet return -but not soon, and not until a generation shaped by checkpoints, rockets, funerals, and revenge has loosened its grip on the wheel.

Until then, Israel and Palestine remain, as Avi Shalit put it, locked in a grotesque embrace: one squeezing for control, the other for breath. Trapped by each other, and by histories that have taught them, again and again, that to relent is to perish.

The tragedy is not that solutions are unknown. It is that, for now, neither side can imagine surviving the journey to them. That, more than borders or maps, is why the two-state horizon has receded – and why, in the wreckage of October 7 and Gaza, it may take a generation before it comes back into view.

The One-State Solution and the Limits of Lennonism

Among many progressives, particularly in the West, a one-state solution has acquired an almost utopian appeal. Faced with the apparent death of the two-state solution, they envisage a single democratic, secular, egalitarian state stretching from the Jordan River to the Mediterranean Sea, in which Jews and Palestinians live together as equal citizens under a common constitutional framework. It is an attractive vision. Indeed, its attraction lies precisely in its moral simplicity. If two peoples inhabit the same land, why should one enjoy rights, privileges, or national status denied to the other? Why not a state that belongs equally to all?

As a statement of principle, it is difficult to object to. As a practical political project, however, In That Howling Infinite remains deeply sceptical.

We sometimes think of the one-state solution as a form of what might be called John Lennonism. Like Lennon’s Imagine, it invites us to picture a world in which the barriers dividing human beings – nationality, religion, identity, inherited loyalties – simply fade away “… and the world will live as one”. It is, in political terms, a fantasy. Human beings have proven remarkably resistant to abandoning the identities by which they define themselves, particularly when those identities have been forged in trauma, conflict, and memory.

The obstacle is not merely political. If it were only a matter of drawing borders or writing constitutions, the conflict might have been resolved decades ago. The deeper problem is that Israeli Jews and Palestinian Arabs are not simply rival populations occupying the same territory. They are distinct national communities with different historical experiences, cultural assumptions, political traditions, and social norms.

Modern Israel, despite its many internal divisions, has evolved as a democratic state with a vigorous civil society, an independent judiciary, a highly visible secular culture, and social attitudes that often resemble those of the Mediterranean and Western worlds. Palestinian society is itself diverse and cannot be reduced to stereotypes, but it remains on average more religious, more socially conservative, and more communitarian in outlook. Questions of gender, sexuality, family structure, religion, and public morality are often approached very differently.

This is not a matter of superiority or inferiority. It is simply a recognition that cultures develop in different ways. A constitution can proclaim equality before the law; it cannot instantly reconcile competing visions of how society should be organised.

Nor is religion a secondary issue that can be neatly confined to the private sphere. The Holy Land is not merely a geographical expression. Jerusalem is sacred to Jews, Muslims, and Christians alike. The Temple Mount and Haram al-Sharif are not interchangeable pieces of real estate. Hebron is not simply another provincial town. The land itself is saturated with competing sacred histories and theological meaning. Secular liberals often underestimate the extent to which these beliefs continue to shape political reality.

Most importantly, there is the question of national identity. The majority of Israeli Jews do not regard Israel merely as the place where they happen to live. They see it as the national homeland of the Jewish people, hard won after centuries of persecution, expulsion, and ultimately the Holocaust. Most Palestinians, with equal sincerity, see themselves as a distinct people whose own homeland was fragmented, occupied, and partially lost. Neither national narrative is likely to disappear because intellectuals devise an elegant constitutional formula.

The one-state solution therefore requires something extraordinary. It asks two peoples who have spent more than a century developing separate national identities, fighting wars, enduring terrorism, experiencing occupation, displacement, and mutual fear, to place their trust in a common political project. It asks them not merely to share territory but to share sovereignty, institutions, symbols, and ultimately a vision of the future.

History offers few examples of such transformations succeeding quickly or peacefully. Lebanon, Bosnia, Cyprus, Iraq, and the former Yugoslavia serve as reminders that multinational states are often fragile even under far less traumatic circumstances. Northern Ireland, often cited as a success story, was not resolved by the disappearance of identity but by painstaking arrangements that acknowledged and accommodated competing identities rather than pretending they no longer mattered.

This is why it is understandable to remain sceptical of the one-state solution, despite understanding its moral appeal. The scepticism does not arise from hostility to coexistence, nor from a belief that Jews and Arabs are somehow incapable of living together. They have done so before, and they may yet do so again. Rather, it arises from a recognition that human beings are shaped by history, culture, religion, memory, and collective experience. These things are not easily discarded.

The tragedy of Israel and Palestine is that there are many compelling moral arguments and very few convincing practical solutions. The one-state solution may satisfy the imagination, much as Imagine satisfies the ear. But politics is not a song. States are built not from aspirations alone but from the consent, trust, and shared assumptions of the people who inhabit them. At present, those foundations appear conspicuously absent.

That may strike some as pessimistic. But it is more an attempt to see the conflict not as we wish it to be, but as it is: a struggle between two deeply rooted national communities, each carrying histories, loyalties, fears, and aspirations that cannot simply be wished away by even the noblest of ideals.

The transformation of Palestinian nationalism from secular to Islamist

Palestinian nationalism, like much Arab nationalism, was not always framed in the language of religion. In the early twentieth century, movements across the Levant. anti-colonial, anti-Zionist, and Arabist—were largely secular, rooted in a combination of local civic identity, anti-imperial sentiment, and the vision of a shared Arab polity. Leaders envisioned the liberation of Palestine and the establishment of self-governing institutions through political mobilization, diplomacy, and, at times, armed struggle, rather than religious imperatives.

Over the decades, however, the ideological contours of Palestinian nationalism shifted markedly. The repeated failures of secular parties, the political fragmentation of the Palestinian leadership, the enduring dislocations of the diaspora, and the harsh realities of occupation contributed to a turn toward religion as both a mobilizing force and a framework for justice. By the late twentieth century, Islamist movements like Hamas and Islamic Jihad had emerged not simply as religious actors, but as ideologically coherent alternatives to secular nationalism. These groups foreground jihad, martyrdom, and the religious sanctity of the land in their rhetoric, framing the struggle for Palestine as a cosmic as well as temporal obligation.

The transformation is reinforced and symbolically anchored in sites of singular significance. The Haram al-Sharif – or Al Aqsa compound – has become more than a physical locus; it is an icon, a rallying point, and a metonym for the broader struggle. Events such as the naming of military campaigns “Al Aqsa Flood,” and the explicit articulation of eschatological promises, like the “Hamas Promise of the Hereafter,” signal the intertwining of politics and theology in contemporary mobilization. For many young Palestinians, religiosity is inseparable from identity and resistance, shaping curricula, media consumption, and communal norms, and providing moral justification and existential purpose to a struggle defined by occupation, dispossession, and chronic vulnerability.

This turn toward Islamist framing cannot be understood in isolation from the broader regional context. Iran’s “Axis of Resistance” – its network of ideological, financial, and military support extending to Hezbollah, Palestinian Islamic factions, and other actors – has reinforced the sectarian and geopolitical overlay on what was once largely a nationalist struggle. Palestinian nationalism, once secular and civic, is now entangled with a wider regional contest over ideology, faith, and influence.

The result is a politics that is profoundly resistant to compromise. Where once the possibility of pragmatic negotiation might have existed under secular leadership, religious imperatives, narratives of martyrdom, and the sanctity of sacred space have complicated the landscape. The intersection of youth religiosity, ideological indoctrination, regional sponsorship, and symbolic geography means that even limited concessions are difficult to imagine without appearing sacrilegious, existentially threatening, or politically fatal.

In sum, the ideological evolution of Palestinian nationalism—from secular, civic, and political mobilization toward religiously framed struggle – illuminates why contemporary conflict cannot be understood solely through the lens of territory or governance. It is simultaneously geopolitical, generational, and spiritual, embedded in the sacred geography of the land and in the cosmology of a people who have endured loss, occupation, and existential threat. Understanding this transformation is essential to comprehending why peace is so elusive, why the Two-State Solution is increasingly improbable, and why the wounds of October 7 and the Gaza War are likely to reverberate across generations. [In In That Howling Infinite see Lebensraum Redux – Hamas’ promise of the hereafter and Al Aqsa Flood and the Hamas holy war.

Israeli religiosity, nationalism, and the hardening of intransigence

Just as Palestinian nationalism has shifted from secular civic aspiration to an Islamist, jihad-inflected orientation, Israeli politics and identity have undergone a parallel, if distinct, transformation. The early Zionist project – rooted in secular socialism, pragmatic state-building, and European Jewish cultural memory – emphasized settlement, cultivation, and defense of a Jewish homeland, but largely avoided overt messianism or religious justification for territorial claims. For decades, labor Zionism and pragmatic governance dominated the state, seeking coexistence when possible and security when necessary.

Over time, however, particularly following the 1967 war and Israel’s acquisition of the West Bank, Gaza, and East Jerusalem, a potent strain of religious-nationalist ideology gained influence. Settler movements, many infused with messianic belief, framed the West Bank and other “biblical heartlands” not as disputed territory to be negotiated but as divinely mandated inheritance. Military victory became moral vindication; the conquest of hills, valleys, and historic cities was interpreted as the fulfilment of prophecy. For many young Israelis. particularly those raised in settler communities or religious schools – attachment to the land is inseparable from divine obligation, identity, and collective destiny.

The fusion of religiosity with nationalism has been reinforced by political consolidation. Governments led by right-wing parties, often aligned with settler constituencies and religious Zionist ideologues, have enacted policies that expand settlements, prioritize security over compromise, and embed ideological imperatives into law and practice. The “Greater Israel” project is not merely strategic; it is sacred, moral, and historical. Even military service, once largely secular, now socializes many Israelis – soldiers, conscripts, and officers alike – into a worldview in which defense, occupation, and settlement are intertwined with divine sanction.

This hardening of ideology has been mirrored culturally. Public rituals, school curricula, media, and religious observance reinforce narratives of historical continuity, existential threat, and moral righteousness. Palestinian identity is often perceived through a lens of threat, suspicion, or delegitimization—echoing the zero-sum dynamics that have hardened Palestinian views in response. Generationally, the result is a cohort of Israelis for whom compromise is morally fraught, politically risky, and psychologically difficult. [In In That Howling Infinite, see A Messiah is needed – so that he will not come]

The convergence is stark. On one side, Palestinian youth are inculcated with religiosity, martyrdom, and symbolic attachment to sacred sites; on the other, Israeli youth are shaped by historical consciousness, messianic settlement ideology, and the ethos of defense and divine inheritance. Both trajectories interact with persistent violence, security operations, and cycles of attack and reprisal to produce symmetrical intransigence: each side perceives the other not merely as a political opponent, but as a moral and existential threat.

The consequence is a landscape in which “living together” is extraordinarily difficult. Generations of separation, trauma, and ideological reinforcement – accelerated and amplified by events such as the October 7 attacks and the ensuing Gaza War – have left both peoples locked in narratives of absolute moral and historical entitlement. The Two-State Solution, always tenuous, is now likely off the table for a generation, as each side’s ideological and spiritual imperatives make compromise psychologically, socially, and politically fraught. What remains is a contest over narratives, memory, sacred geography, and identity as much as over territory – a reality that ensures the conflict’s endurance, and the persistence of hurt and hardened hearts, long into the future.

A shared turn towards the sacred – and the absolute

Taken together, these parallel transformations reveal something deeply unsettling: the conflict is no longer driven primarily by negotiable political claims, but by sacred narratives that resist compromise by design. What began, on both sides, as largely secular national movements – Palestinian nationalism rooted in anti-colonial liberation, Zionism grounded in pragmatic state-building—has evolved into something more brittle and more dangerous. Land has been transfigured into destiny; territory into covenant; grievance into metaphysics. Each side now increasingly understands itself not merely as a people with rights, but as a people with a mandate. And mandates do not share easily. In this mirror-play of sacralised nationalism, each claims moral altitude, each sees concession as betrayal, and each reads the other not as a neighbour with history, but as an obstacle to redemption. This is not symmetry of guilt, but symmetry of entrapment – a narrowing corridor in which politics gives way to prophecy, and coexistence becomes heresy.

The weaponisation of Jerusalem

One of the recurring tragedies of the Israeli–Palestinian conflict has been the weaponisation of Jerusalem’s holy places. Few locations on earth carry such a concentration of religious, historical, and emotional significance. For Jews, Jerusalem is the city of King David, the site of the First and Second Temples, and the focus of centuries of prayer and longing. For Muslims, Jerusalem is al Quds, the Holy. Al-Aqsa Mosque and the Haram al-Sharif are bound to the Prophet Muhammad’s Night Journey and Ascension, making them the third holiest site in Islam. For both peoples, Jerusalem is not merely a city; it is a repository of memory, identity, and destiny.

The problem is not that these places are revered. Reverence is natural. The problem arises when sacred sites become political instruments, enlisted to mobilise populations, legitimise agendas, and elevate earthly disputes into cosmic struggles. Once that transformation occurs, compromise becomes extraordinarily difficult. Negotiations over borders, sovereignty, and security become entangled with questions of divine promise, historical grievance, and religious duty.

The modern conflict offers many examples. In Palestinian politics, Al-Aqsa has often functioned as both a religious symbol and a nationalist rallying cry. Yasser Arafat’s adoption of the term “Al-Aqsa Intifada” in 2000 helped frame a political uprising in the language of defending a sacred sanctuary. Two decades later, Hamas would take this a step further by naming the October 7 attacks Tufan al-Aqsa – the “Al-Aqsa Flood.” The implication was clear: the violence was not merely a military operation but part of a sacred struggle conducted in defence of Islam’s holy places. [See Al Aqsa Flood and the Hamas holy war]

This invocation of Al-Aqsa has proven extraordinarily powerful because Jerusalem occupies such a central place in the Palestinian imagination. Yet it has also carried a heavy cost. The language of holy war and sacred obligation can create expectations that no political settlement can satisfy. It encourages the belief that victory lies just beyond the next sacrifice, the next uprising, the next confrontation. In doing so, it can transform a complex national conflict into a perpetual religious crusade, with devastating consequences for ordinary Palestinians and Israelis alike.

A similar dynamic can be found, albeit in different forms, on the Israeli side. The City of David, located just south of the Old City walls, is not merely an archaeological site. For many Jews it represents the tangible connection between the modern Jewish state and the ancient Israelite kingdom. The Kotel – the Western Wall – serves as a living reminder of the destruction of the Second Temple and of two millennia of exile and longing. These are not abstract symbols but deeply emotional touchstones embedded in Jewish collective memory.

Most Jews experience these places primarily as sites of prayer, history, and cultural continuity. Yet for some religious-nationalists, they can also become symbols of exclusive claims and redemptive politics. Biblical history may be invoked not simply as a source of identity but as a mandate for contemporary sovereignty. Palestinians, in turn, often interpret such assertions as challenges to their own historical presence in Jerusalem and the surrounding land. Thus sacred history becomes intertwined with modern political conflict.

The result is that Jerusalem often functions as a mirror, reflecting the deepest hopes and fears of both peoples. Rumours regarding changes to the status quo at Al-Aqsa can trigger unrest across the region, and indeed, from Morocco to the Malacca Strait.  Proposals concerning Jewish prayer rights on the Temple Mount can provoke international crises. Archaeological excavations are scrutinised not merely as scientific endeavours but as political acts that have alost politicised UNESCO. Even language itself becomes contested, as competing names and narratives signal competing visions of legitimacy and belonging.

What makes the situation particularly combustible is that both peoples possess genuine historical connections to the city. Neither attachment is invented. Neither can simply be dismissed as propaganda. The challenge lies in recognising that the existence of one narrative does not invalidate the other. Yet political movements often find it easier to mobilise supporters through exclusivity than through complexity. Sacred sites become symbols not of shared history but of zero-sum ownership.

History offers many examples of holy places becoming vehicles for nationalism, irredentism, and ideological struggle. Jerusalem is perhaps the most potent example because so many sacred geographies overlap within such a small space. The danger arises when the defence of a shrine, a wall, or a mount becomes more important than the lives of the people who live around it. At that point, stone acquires greater value than flesh, and symbols begin to outweigh human beings.

The tragedy is that the religious traditions rooted in Jerusalem contain resources for a different conclusion. Jewish, Christian, and Islamic teachings all emphasise the sanctity of human life. Indeed, a well-known Islamic tradition holds that the life of a believer is more sacred in God’s sight than the Kaaba itself. Such teachings suggest that holy places should inspire humility rather than militancy, reverence rather than violence.

Yet throughout the conflict, Jerusalem’s sacred geography has too often been transformed into political ammunition. The challenge for any future peace will not be to diminish the importance of these places, but to prevent them from being used as weapons in a struggle that has already consumed far too many lives.

Last words. One land, two peoples, many inheritances

Early Zionist leaders invoked the phrase “a land without a people for a people without a land,” a formulation that sounds tidy on paper but collapses under the weight of soil, memory, and ordinary life. Lloyd George did not invent the phrase, but he embraced its logic – animated by imperial strategy, evangelical imagination, and a genuine sense of moral obligation. Jews, he believed, were a “remarkable race,” entitled to rebuild their ancient home. Yet that home already lived and breathed through generations of Arabs who tilled its soil, named its springs, and prayed in its cities. The Balfour Declaration, for all its lofty phrasing, attempted to reconcile history and aspiration, European strategy and ancestral longing – but it did so without fully pausing to accommodate the people already present. That omission was not incidental; it was foundational. [Regarding the Balfour Declaration, see In That Howling Infinite‘s The hand that signed the paper]

That unresolved tension – between return and continuity, between memory and presence, between claim and lived reality – became the defining heartbeat of the land. Names echo across centuries: Hebron and al-Khalil, Shechem and Nablus, Jaffa and Yafa. Each syllable carries strata of meaning -Hebrew, Aramaic, Greek, Latin, Arabic, conquest and conversion, exile and resettlement, survival and reinvention. Archaeology records footprints but cannot arbitrate possession. History testifies, but it does not decree. Both Jews and Palestinians inhabit these layers. Both are rooted in ways that are real, profound, and entangled,and both carry histories that cannot be wished away without violence -moral, cultural, or physical..

Modern frameworks – settler colonialism, indigeneity, even race and ethnicity – promise clarity, but clarity here often disguises moral adjudication. Jews are rendered outsiders when diaspora experience is foregrounded; Palestinians are rendered singularly indigenous when centuries of migration, conversion, and intermingling are flattened. The Levant resists such neat categories. Its peoples are mosaics: ancestry interwoven, culture layered, memory overlapping. To treat legitimacy as a zero-sum game is to misunderstand the soil itself.

What has changed – what darkens the horizon – is that this already tragic entanglement is now being refracted through absolutist religious and ideological lenses on both sides. Palestinian nationalism, once largely secular, has increasingly fused with Islamist cosmology, jihadist rhetoric, and sacralised grievance. Israeli politics, once dominated by pragmatic secular Zionism, has in turn absorbed messianic nationalism, settler theology, and the sanctification of territory. The land is no longer merely inherited; it is promised. No longer contested; it is ordained.

October 7 did not create this transformation, but it detonated it. The massacre, and the catastrophic war that followed, have not only extinguished what little remained of trust or political imagination between Israelis and Palestinians; they have radiated outward, poisoning discourse far beyond the region. They have hardened identities, licensed eliminationist rhetoric, and accelerated the global spread of moral monoculture – where outrage substitutes for understanding, and certainty for thought. For a generation at least, the two-state solution now sits not just beyond reach, but beyond belief – undermined by geography, demographics, trauma, and the collapse of faith in compromise itself.

And yet, the hardest truth remains unchanged. This conflict is not a clash of right and wrong, but of right and right – of two peoples carrying deep, legitimate attachments to the same land, each convinced that recognition of the other threatens their own survival. The tragedy is not that the land cannot sustain more than one people; it is that politics, ideology, and now theology have conspired to make that multiplicity feel impossible.

This is the context in which the two-state solution falters. Not merely because of settlements, borders, or security dilemmas – real and devastating as those are – but because the political imagination required to sustain partition has been eroded. Two states presume mutual recognition of legitimacy, not just pragmatic separation. They require each side to accept that the other’s story is not provisional, not fraudulent, not temporary. That moral groundwork has thinned, even as the physical geography has grown more entangled.

Yet the alternative – one state without mutual recognition – offers no clearer horizon. Power without legitimacy curdles into domination: legitimacy without power dissolves into grievance. Neither yields coexistence. The land does not reward absolutism. It absorbs it, layers it, and hands it back as tragedy.

The challenge of one land, two peoples is therefore not to determine who arrived first, nor to tally historical grievances like entries in a ledger. It is to imagine a politics capable of holding multiplicity without erasure, continuity without dispossession, and memory without weaponization. The land—and the histories it holds -can sustain more than one life, more than one inheritance, more than one truth.

Ownership is not the measure of legitimacy. Continuity, memory, and attachment are. Both Jewish and Palestinian peoples carry the land in body, story, ritual, and longing. Both are indigenous. Both are real. And both reveal the Levant’s most stubborn lesson: history is not a verdict, memory is not a weapon, and legitimacy is not diminished by being shared.

The challenge, then, is not to resolve history like a court case, nor to assign moral scores, nor to demand purification through denunciation. It is to recover a politics capable of holding multiplicity without erasure, continuity without dispossession, and memory without weaponisation. That task feels impossibly distant. But abandoning it altogether guarantees only one outcome: an endless tightening of the moral box canyon, where fear replaces curiosity, and every future is imagined only as the negation of another.

As Dougie MacLean sings of land and belonging, in words that echo far beyond Scotland – or Australia, or the Levant: you cannot own the land; the land owns you. The soil of Israel–Palestine has carried many peoples, many faiths, many dreams. It will outlast them all. The question is not who deserves it most, but whether those who inherit it can learn – before more generations are lost – to live upon it without turning memory into a weapon and faith into a sentence of perpetual war.

The Levant, like Australia, like all homelands marked by layered inheritance, demands the same humility – to inhabit without erasure, to remember without domination, to recognise that the soil has always carried more than one people, more than one dream, more than one future.

Coda: the Myth of Fingerprints

We began with the myth of fingerprints – the comforting fiction that history can be reduced to a single originating smudge, a primal sin from which all subsequent calamity flows.

But what this tale of two peoples and two nationalisms in one land reveals is something more complex and more unsettling.

Neither national movement was born fully formed. Both evolved under empire, war, demographic upheaval, exile, and memory. Both shifted ideologically over time –  from reformism to revolt, from socialism to religiosity, from civic aspiration to sacralised entitlement. Each radicalisation found justification in the other’s excess. Each hardened position generated its mirror. The sediment thickened.

October 7 did not appear ex nihilo, nor did the devastation that followed. They sit atop decades of unresolved grievance, failed diplomacy, ideological drift, and mutual distrust. Yet to explain is not to excuse. Genealogy clarifies causation; it does not dissolve responsibility.

The temptation remains to isolate one fingerprint – one declaration, one occupation, one uprising, one massacre – and declare it definitive. But the land bears too many impressions. Empire pressed its thumb there. National revival did too. Exile. Settlement. Insurgency. Security doctrine. Sacred text. Demography. Memory. And now algorithms and the howling internet. In our time, moral capture accelerates what history once sedimented slowly. Certainty travels faster than context. Outrage outruns chronology. Box canyons of conviction form instantly online, their walls built from curated evidence and reciprocal fear. Within them, one hears only affirmation. Height masquerades as clarity. difficult. [In In That Howling Infinite, see Moral capture and conditional empathy]

The refusal of this essay has been simple, if unfashionable: to resist singular blame, to resist moral monoculture, to resist the shaping of facts to fit feelings. Not to equalise suffering, nor to flatten power asymmetries, but to insist that intellectual honesty requires proportion, chronology, and reciprocity of scrutiny.

Two peoples with aspirations for collective self-determination. Each convinced of depth. Each carrying trauma. Each tempted, under pressure, toward absolutism.

There are no clean fingerprints here.

Only layered traces – and the continuing choice, on all sides, whether to add another.

Paul Hemphill, February 2026

This essay was written in conversation with books I’ve read, places I’ve visited, conversation, ideas formed and half-formed, and, more recently, in sustained dialogue with an AI language model, which contributed to drafting, phrasing, and conceptual articulation. What appears here is not unmediated thought, but considered thought: selected, tested, revised and revised again, and owned.

For more on the Middle East in in That Howling Infinite, see A Middle East Miscellany.

Bibliography

Sources drawn on for this essay.

Books and Memoirs

Lyons, John. Balcony in Jerusalem: Memoir of Six Years as Middle East Correspondent. Sydney: HarperCollins Australia, 2017.

Pappé, Ilan. A History of Modern Palestine: One Land, Two Peoples. Cambridge: Cambridge University Press, 2004.

Pappé, Ilan. The Ethnic Cleansing of Palestine. One World Publications, 2006.

Oren Kessler, Palestine 1936: The Great Revolt and the Roots of the Middle East Conflict (Rowman & Littlefield, 2023)

Shalit, Avi. My Promised Land: The Triumph and Tragedy of Israel. New York: Schocken Books, 2014.

Shulman, David. Kingdom of Olives and Ash: Writers Confront the Occupation. New York: New York Review Books, 2017.

Journal Articles and Essays

Darwish, Mahmoud. “The Key and the Return – Palestine as a Metaphor.” In Palestine as Metaphor. Berkeley: University of California Press, 2002.

Khalil-Habib, Nejmeh. “The Concept of Return (Al-‘Awda) in Contemporary Arabic Literature.” Nebula 5, no. 2 (2008): 41–58.

Natour, Raja. “Mahmoud Darwish and the Palestinian Narrative.” Haaretz, June 28, 2020.

Sulaimi, Samah. “Reclaiming the Homeland in Palestinian Memory and Art.” Haaretz, July 8, 2020.

Primary Historical Documents

Balfour Declaration, November 2, 1917.

Correspondence and speeches of David Lloyd George relating to Zionism, 1917–1922.

If you must say it, don’t say it in Jerusalem!

It was entitled: “Keeping Wolves from the Flock: The Case for Good Religion to Fight Anti-Semitism”. It was delivered on International Holocaust Remembrance Day on 27 January 2026 at the Binyaney Ha’uma Conference Center, Jerusalem, Israel. The presenter was former Australian prime Minister Scott Morrison. It was well received by audience, and praised by Israeli prime minister Binyamin Netanyahu. And it quickly reverberated back home.

The venue, the timing, and the company mattered. Israel, in the midst of an ongoing war and under the leadership of a government increasingly isolated internationally, was hardly a neutral stage. The event itself was framed as a moral gathering – a stand against antisemitism at a moment when Jewish communities worldwide feel newly exposed and embattled. Into this charged atmosphere stepped a deposed and disgraced Australian leader, now embarked on an international, largely ecclesiastical speaking circuit, offering prescriptions not for Israel, but for Islam in Australia.

The reaction in Australia followed well-worn grooves. Conservative outlets and commentators – most loudly those aligned with Murdoch media – cast Morrison as a truth-teller, bravely naming uncomfortable realities about radical Islam and standing up for Jewish security against a censorious, “woke” establishment that had been slow to deal with the acknowledged threat of radical Islamism. Progressive commentators, by contrast, focused on the dangers of securitising religion, the selective targeting of Muslims, exacerbating existing Islamophobia, and the symbolic violence of lecturing Australian minorities from abroad. The argument was instantly polarised, less a conversation than a mirror held up to our own media ecosystems and their predictable reflexes.

What was largely missing, however, was sustained attention to the deeper questions the speech inadvertently raised – questions that recur across debates about diversity, cohesion, and authority in plural societies. Who gets to speak about whom, and from where? How does a liberal democracy balance legitimate security concerns with religious freedom and civic trust? When does critique shade into control, and when does concern curdle into performance? And what happens when discussions about coexistence are conducted not face to face, but at altitude, before distant audiences primed for applause?

It is to those questions – rather than to the outrage or applause – that the brief following essay turns.

The politics of posturing 

There is a particular genre of speech that is recognisable before one even reaches the second paragraph. It is delivered abroad, framed as courageous, freighted with moral urgency, and aimed not so much at those ostensibly being addressed as at a wider, watching audience. Scott Morrison’s address in Israel belongs squarely in this genre. It is less a contribution to Australian social cohesion than a performance within a global culture war, delivered from a stage carefully chosen for its symbolism rather than its suitability.

Morrison, now out of office and out in the world, occupies a familiar post-political niche as he treads an international speaking circuit, heavily ecclesiastical in tone and audience, where moral clarity is prized over policy detail and applause over accountability. This matters, because the speech was not made in the Australian Parliament, not to Australian Muslims, not even in Australia. It was made in Israel – at a moment when Benjamin Netanyahu, politically cornered and morally embattled, will accept reassurance and affirmation from almost any quarter. In that sense, the speech served two purposes: it burnished Morrison’s credentials with a transnational conservative audience, and it offered Netanyahu symbolic solidarity. Australia, and Australian Muslims, were almost incidental.

The content of Morrison’s address has been widely rehearsed: calls for nationally consistent standards for Islamic institutions; accreditation and registration of imams; translation of sermons; expanded scrutiny of foreign funding; praise for Middle Eastern states that have “reasserted authority” over religious teaching. None of these ideas, taken in isolation, are wholly unthinkable. Liberal democracies already regulate religion in numerous ways – through education standards, charity law, financial transparency, and criminal statutes relating to incitement and abuse. No faith operates in a vacuum, and Islam is not exempt from the tensions between patriarchal authority and moral absolutism, and the egalitarian instincts of a secular, humanist society like Australia’s.

Nor is it controversial to observe that Islam, like Christianity before it, is engaged in a long, unfinished argument with modernity. Questions of gender, authority, pluralism, sexuality, and the limits of clerical power are not impositions from outside but live debates within Muslim communities themselves (see, in In That Howling Infinite, Islam’s house of many mansions and Educate a girl and you educate a community – exclude her and you impoverish it ). Australian Islam, however, is overwhelmingly benign, pragmatic, and law-abiding – a quiet negotiation between inherited tradition and lived reality, not a breeding ground of medieval zealotry. The men and women who left Australia to fight for ISIS were not summoned by local mosques but seduced by freelancing radicals in unregulated prayer halls algorithmic feeds, online grievance, and a search for meaning in a fractured digital world in which they find no place..

This is where Morrison’s argument begins to fray. Security agencies themselves – including ASIO director Mike Burgess – have been clear: you cannot arrest your way to social cohesion, nor spy your way to less youth radicalisation. The most rapidly evolving threats now emerge from the post-Covid morass of conspiracy theorists, anti-government paranoiacs, white nationalists, and apocalyptic survivalists – movements that often cloak themselves in Christian symbolism without any expectation that Christianity as a whole should be placed under special surveillance. To single out Islam, therefore, is not just analytically weak but politically loaded.

That loading is amplified by Morrison’s own biography. He is not a neutral secularist but an openly proselytising evangelical Christian, steeped in a tradition that would respond angrily to equivalent proposals applied to its own institutions. His political career was marked by secrecy, performative culture-war gestures, and a tendency to govern by symbolic posture rather than deliberative engagement – a style that ultimately saw him removed from office. These things do not invalidate his right to speak, but they do shape how his speech is received in his home country.

Then there is the matter of exemplars. Morrison’s citing of Saudi Arabia, the UAE, Egypt, and Jordan as models of religious regulation is not merely unfortunate; it is disqualifying. These are regimes that suppress women, persecute Christians and heterodox Muslims, criminalise dissent, and weaponise religion as an instrument of authoritarian control. They have form for dealing with Islamists like the Muslim Brotherhood with what the Americans euphemistically call “extreme prejudice”.

To invoke them while speaking the language of freedom of worship is to betray a deep confusion about the difference between liberal regulation and illiberal domination. If the aim is integration, these are strange teachers to cite.

Yet even all this misses the most important point, which is not what Morrison said but how and where he said it.

It is presumptuous to lecture Australians from abroad. It is disrespectful to address Australian Muslims without engaging them directly. And it is incendiary to do so from Israel – a place that is anything but neutral in Muslim political consciousness, and where questions of religion, power, land, and legitimacy are already saturated with pain and contestation. To speak from there is to speak over, not to; to align oneself symbolically before dialogue has even begun. No amount of policy caveating can undo that gesture.

This is where the charge of Islamophobia becomes both understandable and, paradoxically, incomplete. Morrison did not denounce Muslims as such, nor did he advocate exclusion or expulsion. But by singling out Islam, invoking authoritarian models, and delivering his critique from a stage freighted with geopolitical meaning, he helped reinforce the sense that Muslims are a problem to be managed rather than citizens to be engaged. That perception matters, because alienation is not a side effect of radicalisation; it is one of its preconditions.

The reactions to the speech followed predictable lines. British commentator Brendan O’Neill, for example, writing in The Australian, cast Morrison as a brave blasphemer, persecuted by a censorious “Islamophobia industry” – a piece of rhetorical theatre entirely consistent with Spiked’s long-standing contrarian brand and its comfortable alignment with Murdoch culture-war politics. Jacqueline Maley, writing in the Sydney Morning Herald, and the progressive wing of liberal commentary, focused on the dangers of securitisation, surveillance, and selective moral panic. Neither is wrong, exactly, but neither escapes their own political ecosystem.

What is striking is how little the speech had to do with Australia at all. It was not an attempt to build consensus, to consult, or to wrestle with the messy realities of pluralism. It was an attention-seeking intervention by a man no longer accountable to the electorate and yet nostalgic for its attention, speaking to an international audience that rewards moral certainty and civilisational framing. In that sense, the speech says less about Islam than it does about the temptations of post-power relevance.

If there is a lesson here, it is an old one. Social cohesion is not forged by speaking about communities from afar, nor by borrowing the language of security to police belief. It is built, slowly and imperfectly, through proximity, dialogue, and the unglamorous work of trust. Morrison chose distance instead. And in doing so, he turned a necessary conversation into a symbolic skirmish – one that generated headlines, applause, and division, but very little understanding. One that we hope, unrealistically alas, in today’s febrile political climate, will be forgotten sooner rather than later.

Call it concern if you like; politics has another word for speeches that travel so far to say so little at home: posturing.

For more on the Middle East in in That Howling Infinite, see A Middle East Miscellany.

Recent posts on the current state of Australian politics include Same old stone, different rock. What’s in a word?’ Shaping facts to feelings – debating intellectual dishonesty, Moral capture and conditional empathy, and Standing on the high moral ground is hard work!

Feints, refrains and unfinished business. 2025 in review

And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
Mathew Arnold, Dover Beach

We called 2024 a “year of everything, everywhere, all at once”, and it earned the name. Crises collided, news arrived faster than we could process it, and the world seemed to exist in a state of constant shock. 2025 did not bring relief. Instead, the chaos began to settle. Wars dragged on, political divides hardened, social tensions deepened, and technology reshaped how we saw and understood it all.

It was the year the world stopped exploding in real time and started being what it had already become: messy, uneven, morally complicated, and stubbornly persistent. A year, indeed, in a world of echoes, refrains and unfinished business. And we spent the year watching power bargain brazenly in plain sight, trying to describe what was happening while it unfolded around us.

From Gaza to Ukraine, Sudan to Syria, from America’s self-inflicted fracture to Australia’s sudden wake-up call on Bondi Bondi, 2025 forced a reckoning: the world did not pause, but it did sort itself – deciding what we would notice, what we would ignore, and what we would learn to live with. Alongside human crises came the continuing advance of AI and chatbots, and the dominion of the algorithms that now govern attention, proving that disruption can be structural as well as geopolitical.

Gaza: War, Then “Ceasefire”

The war in Gaza dominated the year internationally and here in Australia, even as attention ebbed and flowed. Military operations continued for months, followed eventually by a “ceasefire” – a word doing far more work than it should or even justified. Fighting paused, hostages living and dead were returned and prisoners released, but the devastation remained: tens of thousands dead, cities demolished, humanitarian catastrophe unresolved. And the causes of the consequences standing still amidst the ruins and the rubble.

Western governments continued to back Israel while expressing concern for civilians, a contradiction that grew harder to defend, while street protests and online anger seethed all across the world. At the same time, antisemitism surged globally, often hiding behind the language of anti-Zionism. Two realities existed together, and too many people insisted on choosing only one.

By the end of the year, the war had not been resolved – merely frozen. Trust in Western moral leadership had been badly damaged, and Israelis and Palestinians remain in bitter limbo.

See Gaza sunrise or false dawn? Spectacle or Strategy

Iran, Israel and America’s bunker busters

Long-simmering tensions between Israel and Iran spilled into open conflict. What had once been indirect – proxies, cyberattacks, covert strikes – became visible. A brief but destructive war of missile exchanges ended with the United States asserting ordinance, deterrence and control.

The episode was brief but telling. It showed that America still reaches for its guns quickly, even as it struggles to define long-term goals. Another line was crossed, then quickly absorbed into the background of “normal” geopolitics.

Russia, Ukraine and Trump’s “Peace”

Ukraine entered 2025 mired in stalemate. Front lines barely moved. Casualties continued to mount. Western support held, but with clear signs of fatigue. And Donald Trump’s re-emergence reshaped the conversation. His promise to deliver instant “peace” reframed the war not as a question of justice or sovereignty, but of exhaustion. Peace was no longer about what Ukraine deserved, but about what the world was tired of sustaining and what the “art of the deal” could deliver.

The war didn’t end. It simply became something many wanted to stop thinking about. Not Ukraine and Russia, but. The carnage continues.

Donald Trump’s one-way crush on Vladimir gave us the one of the+most cringeworthy moments in global politics – Trump greeting the Russian president in Alaska: As the US president rolled out the red carpet for the world’s most dangerous autocrat, Russia’s attack on Ukraine accelerated. Trump got precisely nothing out of the meeting, except for the chance to hang out with a gangster he so obviously admires and of whom he is embarrassingly in awe.

Syria: Free, but stranded at the crossroads

A year after Assad’s fall, Syria remained unstable and unresolved. The regime was gone, but the future was unclear. Old sectarian tensions resurfaced, often in bloodshed, new power struggles emerged, powerful neighbours staked claims and  justice for past crimes remained distant.

Syria in 2025 was neither a success story nor a collapse – but suspended between heaven and hell, a country trying to exist after catastrophe with the rest of the world largely moving on.

See Between heaven and hell … Syria at the Crossroads

Women in Damascus celebrate the fall of the Assad regime

Sudan: what genocide actually looks like

Sudan’s civil war continued with little international attention. Mass killing, ethnic cleansing, famine, and displacement unfolded slowly and relentlessly. This was genocide without spectacle. No clear narrative. No sustained outrage. It showed how mass atrocity can now occur not in secrecy, but in plain sight – and still be ignored.

see The most nihilistic war ever …Sudan’s waking nightmare

America: a country divided against itself

The United States spent 2025 deeply divided, with no sign of healing. Pew Research polling showed that seven out of ten republicans think that the opposite side is immoral while six of ten democrats thinks the same of their rivals.

Trump’s return to power sharpened those divisions. His administration governed aggressively: mass deportations, punitive tariffs, the dismantling of foreign aid, political retribution, and pressure on democratic institutions. The country looked inward and outward at the same time – less cooperative, more transactional, more openly nationalist. Democratic norms eroded not overnight, but through constant stress and disregard. With three years still to run and the tell-tale midterms approaching, allies and cronies are adjusting, bickering rivals are taking notes, and uncertainty has become the defining feature of American leadership. Meanwhile, #47 is slapping his name on everything he can christen, from bitcoins to battleships.

See, for light relief, Danger Angel … the ballad of Laura Loomer 

Monroe Redux: the return of “the Ugly American”

US foreign policy took on a blunt, old-fashioned tone. Pressure on Canada and Mexico increased. Talk of annexing Greenland resurfaced. Venezuela, caught in the maw of Yanqui bullying and bluster, waits nervously for Washington’s next move. The administration promised imminent land operations – and then bombed Nigeria! The revival of the old Monroe Doctrine felt, as baseball wizz Yogi Berra once remarked, like déjà vu all over again, not as strategy, but as instinct. Influence asserted, consultation discarded. The “ugly American” was back, and unapologetic.

See Tales of Yankee power … Why Venezuela, and why now?

Europe at a inflection point

Europe in 2025 didn’t collapse, as many pundits suggested it might, but it shifted. Far-right ideas gained ground even where far-right parties didn’t win and remained, for now, on the fringes albeit closer to electoral success. Borders tightened; policies hardened; street protests proliferated – against immigration and against Israel, Support for Ukraine continued, but cautiously. The continent stood at a crossroads: still committed to liberal values in theory, but increasingly selective in practice.

Uncle Sam’s  cold-shoulder

Rumbling away in the background throughout year was the quiet but  cumulative alienation of America’s allies. Not with a single rupture, but through a thousand small slights. transactional diplomacy dressed up as realism, alliances treated as invoices rather than covenants, multilateralism dismissed as weakness. Europe learned that security guarantees come with a mood swing; the Middle East heard policy announced via spectacle; Asia watched reassurance coexist uneasily with unpredictability.

The new dispensation was illustrated by the Trump National Security Strategy. It is at once candid and contradictory: it outlines a narrower, realist vision of American interests, emphasising sovereignty, burden-sharing, industrial renewal, and strategic clarity, yet it is riddled with silences, evasions, and tensions between rhetoric and likely action. Allies are scolded for weakness while the document avoids naming Russia’s aggression, underplays China, and projects American cultural anxieties onto Europe. These contradictions expose both strategic incoherence and the limits of paper doctrine against presidential temperament, leaving Europe facing an irreversible rupture in trust and revealing a strategy as much about America’s insecurities as its actual global posture.

The post-WW2 order has not so much been dismantled as shrugged at, and indeed, shrugged off. Trust eroded not because the United States has withdrawn from the world, but because it has remained present without being reliable, and presumed itself to be in charge. Power, exercised loudly but inconsistently, has discovered an old truth: allies can endure disagreement, but they struggle with contempt.

Australia in 2025 … high flight and crash landing

Though beset by a multitude of crises – the cost of living, housing, health and education services – the Albanese Labor government was returned comfortably in May, helped by a divided, incoherent, and seemingly out of touch opposition. For the rest the year, federal politics felt strangely frictionless with policy drift passing for stability. The Coalition remained locked in internal conflict, unable to present a credible alternative. The Greens, chastened by electoral defeat and in many formerly friendly quarters, ideological disillusionment, treaded water.

But beneath the surface, social cohesion frayed. Immigration debates sharpened. Antisemitism rose noticeably, no longer something Australians could pretend belonged elsewhere. Attacks on Jewish Australians forced a reckoning many had avoided and hoped would resolve once the tremors of the war in Gaza had ameliorated. Until 6.47pm on 7th December, a beautiful evening on Sydney’s iconic Bondi Beach. Sudden, brutal and in our summer playground, sectarian violence shattered the sense of distance Australians often feel from global disorder. At that moment, politics stopped feeling abstract. The world, with all its instability, barged in and brought the country down to earth.

See This Is What It Looks Like

Lifesavers on Bondi Beach, 20 December 2025. Edwina Pickles

Featured photograph and above:

A handful of bodies on Bondi Beach, and behind them, the howling infinite of expectation, obligation, and the careful rationing of human empathy. The smallness of the beach against the vastness of consequences. On December 20, 2025, Bondi’s iconic lifesavers formed a line stretching the entire length of the beach -silent, solemn, a nation visibly in mourning. Similar tributes unfolded from Perth to Byron Bay, gestures of unity in the face of a shock that touched the whole country.

The Year of the Chatbot: Promise, Power, and Risk

And now, a break from the doom and gloom …

2025 was the year when artificial intelligence became part of daily life. Chatbots ceased to be experimental and became integral, transforming from novelty to utility seemingly overnight. People used it to write, research, translate, plan, argue, comfort, and persuade; institutions and individuals adopted it instinctively. Setting tone as much as content, the ‘bots have lowered barriers to knowledge, sharpened thinking, and helped people articulate ideas they might otherwise struggle to express. Used well, they amplified curiosity rather than replace it.

The opportunities are obvious – but so are the risks. Systems that can clarify complexity can also flatten it. Chatbots sound confident even when wrong, smooth over disagreement, and made language cleaner, calmer, and more persuasive – but not necessarily truer. They reinforce confirmation bias, outrage, and tribal certainty, generating arguments instantly and flooding the zone with plausible-sounding text. As information has became faster, cheaper, and less reliable, Certainty has spread more easily than truth, so truth has to work much harder.

Dependence is subtler but real. Outsourcing thinking – summaries instead of reading, answers instead of wrestling – did not make humans stupid, but less patient. Nuance, doubt, and slow understanding became harder to justify in a world optimised for speed. Yet conversely, man people still seek context, history, and complexity. Used deliberately, AI could slow the pace, map contradictions, and hold multiple truths at once.

By the end of 2025, the question was no longer whether AI would shape public life – it already had. The real question is whether humans would use it as a shortcut, or as a discipline. The technology is neutral. The danger – and the promise – lies in how much thinking we are willing to give up, and how much responsibility we are prepared to keep.

See The promise and the peril of ChatGPT 

Algorithm and blues

Alongside the chatbot sat a quieter, more insidious force: the algorithm itself. By 2025 it no longer simply organised information – it governed attention. What people saw, felt, and argued about was shaped less by importance than by engagement. To borrow from 20th century philosopher and communication theorist and educator Marshall McLuhan, the meme had become the message. Complex realities were compressed into images, slogans, clips, and talking points designed not to inform but to travel. The algorithm rewarded speed over reflection, certainty over doubt, heat over light. Politics, war, and grief were all flattened into content, stripped of context, and ranked by performance. What mattered most was not what was true or necessary, but what disseminated.

Passion without Wisdom

I wrote during the year that we seemed “full of passionate intensity” – Yeats’ phrase still apt in the twenty first century- but increasingly short on wisdom and insight. 2025 confirmed it. Anger was everywhere, empathy highly selective, certainty worn like armour. People felt deeply but thought narrowly. Moral energy surged but rarely slowed into understanding. The problem was not indifference; it was excess – too much feeling, too little reflection. In that environment, nuance looked like weakness and patience like complicity. What was missing was not information, but judgement – the harder work of holding contradiction, of resisting instant conclusions, of allowing complexity to temper conviction. Passion was abundant. Insight, increasingly rare.

Looking Toward 2026

Looking back on 2025, it seems that there  were no endings, neither happy or sad. Just a promise, it seems, of more of the same. The year didn’t solve anything. It clarified things. And if it clarified anything, it was that the world has grown adept at managing, ignoring, or absorbing what it cannot fix. It revealed a world adjusting to permanent instability. In this year of echoes, refrains, and unfinished sentences.

Passion, intensity, and outrage were abundant, but patience, wisdom, and insight remained scarce. Democracies strained under internal and external pressures. Wars lingered unresolved. Technology reshaped thought and attention.

Some argue that hope springs eternal, that yet, even amid the drift and the fractures, glimpses of understanding and resistance persisted, that although the world has settled into its chaos, we can be riders on the storm. But, I fear, 2026 arrives not as break, a failsafe, a safety valve, but as continuation. It looms as a test of endurance rather than transformation.  In my somnolent frame of mind, I’ve reached again for my Yeats. “Things fall apart; the centre cannot hold; mere anarchy is loosed upon the world, the blood-dimmed tide is loosed …”

After the chaos of 2024 and the hardening of 2025, the question is no longer what might go wrong. It’s what we’re prepared to live with.

And so we come to what In That Howling Infinite wrote in 2025.

What we wrote in 2025

It was a year that refused neat endings.

It began in a wasteland – Gaza as moral ground zero – and moved, restlessly, through revolutions real and imagined: Trump as symptom and accelerant, Putin as a man racing his own shadow, Syria forever at the crossroads where history idles and then accelerates without warning. Gaza returned, again and again, sunrise and false dawn, as spectacle and strategy; Sudan burned in near silence; Venezuela re-entered the frame as empire’s backyard as the US disinterred its Monrovian legacy. In That Howling Infinite featured pieces on each of these – several in many cases , twenty in all, plus a few of relevance to them, including an overview of journalist Robert Fisk’s last book (The Night of Power – Robert Fisk’s bitter epilogue). A broadranging historical piece written in the previous year and deferred, Modern history is built upon exodus and displacement, provided a corrective of sorts to the distorted narratives that have emerged in recent years due to a dearth of historical knowledge and the partisan weaponisation of words. 

It was almost as light relief that we turned to other subjects. Of particular interest was AI. Approaching remorselessly yet almost unrecognised in recent years, it banged a loud gong and crept from curiosity to condition, from tool to weather system, quietly rewriting the newsroom, the internet, and the idea of authorship. ChatGPT and other chatbots appeared not as saviours but as promise and peril in equal measure. By year end, we were fretting about using ChatGPT too much and regarding it as something to moderate like alcohol or fatty foods. We published three pieces on the subject in what seemed like rapid succession, and then pestered out – sucked into the machinery, I fear.

What with so much else attracting our attention, we nevertheless managed to find time for some history – including a  particularly enthralling and indeed iconoclastic book on the fall of the Ottoman Empire; the story of an Anzac brigade lost in Greece in 1942; “the Lucky Country” revisited after half a century;  and a piece long in the pipeline on the iconic singer and activist Paul Robeson.

In August, as on a whim, for light relief, we summoned up a nostalgic old Seekers’ song from the mid-sixties, a time when the world was on fire with war and rage much as it is today, but for us young folk back in the day, a time of hope and hedonism. For us, the carnival, clearly, is not over. The machinery is still whirring, the music still loud, and the lights still on. History is insisting on one more turn of the wheel, and the dawn, so often promised, so frequently invoked, has not yet broken.

January
The Gaza War … there are no winners in a wasteland
The way we were … reevaluating the Lucky Country

February
Let’s turn Gaza into Mar e Largo
Trump’s Second Coming … the new American Revolution
Cold Wind in Damascus … Syria at the crossroads

March
Trumps Revolution… he can destroy but he cannot create
Where have all the big books gone?
Putin’s War … an ageing autocrat seeks his place in history

April
The Trump Revolution … I run the country and the world
The Fall of the Ottoman Empire and the birth of Türkiye
Let Stalk Strine .. a lexicon of Australian as it was spoken (maybe)

May
The phantom of liberty … the paradoxes of conservativism
Shadows in search of a name … requiem for a war
The continuing battle for Australia’s history

July
A mighty voice … the odyssey of Paul Robeson

August
109 years of Mein Kampf … the book that ravaged a continent
High above the dawn is breaking … the unlikely origin of a poo song

September
Gaza sunrise or false dawn? Trump’s peace plan
Gaza sunrise or false dawn? Spectacle or Strategy
Will there ever be a Palestinian state?
Why Osana bin lost the battle but won the war
The Night of Power … Robert Fisks bitter epilogue
The promise and peril of ChatGPT
Who wrote this? The newsroom’s AI dilemma

October
AI and the future of the internet
Danger Angel … the ballad of Laura Loomer

November
A forgotten Anzac story in Greece’s bloody history
The most nihilistic war ever … Sudan’s waking nightmare
Answering the call … National Service in Britain 1945-1963
Tales of Yankee Power … at play in Americas backyard

December
Delo Kirova – the Kirov Case … a Soviet murder mystery
Between heaven and hell … Syria at the crossroads
This Is What It Looks Like
Tales of Yankee power … Why Venezuela, and why now?
Marco Rubio’s Venezuelan bargain

Read out reviews of prior years:

That was the year that was – retrospectives

A song for 2026: Lost love at world’s end …

It is our custom to conclude our annual wrap with a particular song that caught our attention during the year. Last year, we chose Tears for Fears’ Mad World.  It would be quite appropriate for 2025. But no repeats! so here is something very different. An outwardly melancholy song that is, in the most ineffable way quite uplifting. that’s what we reckon, anyway …

The Ticket Taker is on the surface a love song for the apocalypse; and it’s it’s one of the prettiest, most lyrically interesting songs I’ve heard in a long while. I could almost hear late-period Leonard Cohen and his choir of angels.

The apocalypse is both backdrop and metaphor. We’re not sure which. Is it really about a world ending, or just about the private ruin of a man left behind by love and fortune. The lyrics are opaque enough to evade final meaning, but resonant enough to keep circling back, like the ferry itself, between hope and futility. A love song, yes, but also a confession of entrapment: the gambler’s hope, the ark one cannot board.

The “Ticket Taker” song was written by Ben Miller and Jeff Prystowsky and is featured on The Low Anthem’s album Oh My God, Charlie Darwin. It features on Robert Plant’s latest foray into roots music – this time with English band Saving Grace. This flawless duet with Suzi Dian is mesmerising and magical.

Jeff will tell you that the song is “pure fiction,” that Ben “just made it up one day” – but fiction, as we know, has a way of smuggling deeper truths than fact dares admit.

Tonight’s the night when the waters rise
You’re groping in the dark
The ticket takers count the men who can afford the ark
The ticket takers will not board, for the ticket takers are tied
For five and change an hour, they will count the passers-by

They say the sky’s the limit, but the sky’s about to fall
Down come all them record books, cradle and all
They say before he bit it that the boxer felt no pain
But somewhere there’s a gambling man with a ticket in the rain

Mary Anne, I know I’m a long shot
But Mary Anne, what else have you got?
I am a ticket taker, many tickets have I torn
And I will be your ark, we will float above the storm

Many years have passed in this river town, I’ve sailed through many traps
I keep a stock of weapons should society collapse
I keep a stock of ammo, one of oil, and one of gold
I keep a place for Mary Anne, soon she will come home

Mary Anne, I know I’m a long shot
But Mary Anne, what else have you got?
I am a ticket taker, many tickets have I torn
And I will be your ark, we will float above the storm

Mary Anne, I know I’m a long shot
But Mary Anne, what else have you got?
I am a ticket taker, many tickets have I torn
And I will be your ark