Small Stories – A Tale of Twin Pines

One of the pleasures of moving to the Australian bush and living in Bellingen Shire is discovering its often overlooked history. This is the story of Twin Pines. Not as dippy as Twin Peaks, nor as sinister as Wayward Pines, it is a story of ordinary people doing extraordinary things.

When I first came to this land,
I was not a wealthy man,
So I built myself a shack,
And I did what I could.

I called my shack
Break My Back,
But the land was sweet and good,
And I did what I could.

When I first came to this land,
I was not a wealthy man.
So I built myself a farm.
I did what I could.

Prologue

We in Bellingen Shire , some ten kilometers west of the seaside town of Urunga on the mid north coast of New South Wales. The Tarkeeth Forest lies between the Bellinger and Kalang Rivers, and these are connected tidally to the ocean at Urunga – the only place in Australia where two rivers meet the ocean together. The forest rises from the rivers on either side of the Fernmount Range, the easternmost extension of the Great Dividing Range that spans the eastern edge of our island continent. Above and between the two rivers, it is a rain-harvesting, filtration and stabilization ecosystem vital to the waterways and wetlands around them, and is a habitat for bird, reptilian, mammalian and marsupial wildlife, including koalas, wallabies, echidnas, quolls, goannas, owls, fruit doves and cockatoos. The east-west Fernmount Range Trail is an ancient highway called the Yildaan Dreaming Track. It led from the plains beyond the Dorrigo massif to what is now the seaside town of Urunga, known then to the Gumbaynggirr people as a “place of plenty”. The first people would descend the spurs on the north and south flanks of the range to fishing and ceremonies on the riverside. The Tarkeeth Forest therefore contains areas of significant indigenous culture, recalling song lines and stories of the Dreamtime, places of ceremony, of birth and burial, and of atrocity.

The Fells of Twin Pines

Exploring the history of the forest, I chanced across Lloyd Fell’s story of the Fell Family Farm. This was located close to the present Twin Pines Trail, just east of Fells Road on South Arm Road, and west of the new bridge across the Kalang. It’s a great story of how the road got its name, and of how, in the late 19th century, Moses Lacey, the first selector, ran a store on the river bank. How back then, there was no road along the river, the South Arm (of the Bellinger), and access to farms along the river was by small jetties. South Arm Road was built to serve a quarry, now disused, just west of the present Fell’s Road.

Lloyd tells the story of how in 1926, New Zealand farmer, solo-yachtsman, and returned ANZAC Chris Fell first saw the land that became the family farm, purchasing it from Moses’s deceased estate for a thousand pounds. Chris was impressed by the two mature pines that stood on either side of the track leading to a rough timber house that already stood there – and these gave the farm its name. He cleared the bush, felling and hauling timber (helped by his neighbour Bennett’s bullock team) until he had sufficient land and capital to run cattle. In time, he built up a prosperous dairy business and cattle stud, and he and his wife Laura, a Sydneysider from a well-to-do Vaucluse family, raised their three children there. It was a hard life on the land back then – one of dedication, hard work, and perseverance. Power did not come to the South Arm until 1959. Many in the Shire still remember Chris and Laura and indeed, went to school with Lloyd, Bill and Margaret. When the kids were young, they went to the small Tarkeeth school house located just west of the present Fells Road junction. There are quite a few folk who remember attending the little school before its closure in 1972. Indeed, since I published the story on a local FaceBook page, and a former pupil published a picture of the Tarkeeth School’s “Class of ’68”, old aquaintances and school chums have reconnected with each other. Here is the History of Tarkeeth School. It can be obtained from Bellingen Museum,

Twin Pines is no more. When Chris could no longer work the farm, Bill took over the business. In 1966, with changes in the dairy industry rendering to business unprofitable, he sold it to the Errington family.They sold it shortly afterwards to Australian Paper Mills who in the early ’80s, sold it to State Forests – now the Forestry Corporation. APM cleared the land and established a flooded gum plantation thereon and on adjacent blocks – today’s Tarkeeth State Forest. That plantation is now being aggressively harvested – clear felled, actually – a matter of considerable concern to us locals and to many in the Shire. in the South, the forest comes right down to the Kalang River, and this too is a cause for concern as the harvesting and reforestation operations involve clearfelling, burning and spraying with herbicide. The consequences of an extreme weather event could be dire.

The farm house was not demolished. When the plantation was established, but was destroyed by fire years later. The school was sold to an Erik Johannsen who lived there for many years with a collection of animals. Tragically, he ended his own life after setting fire to the school. Fells Road puts the family name on the map, and whilst the Errintons did not linger here long, they are remembered in Erringtons Trail, a well-maintained forest track linking South Arm Road to the Fernmount Range Trail and thence the Bellinger Valley. Bennett the bullocky has a trail named for him too. Walking through the Forest Corp plantation, you can still just make out the place where the house stood. There is an old dam in the heart of the bush where tomatoes were once grown. In the the forest, amongst the plantation trees and native regrowth, you will come upon large, old angophera, grey gum, bloodwood and black butt habitat trees, their broad, spreading branches indicating that these once grew in open pasture.

The pines are still there, some ten metres in from South Arm Road. They are not on what is now the Twin Pines Trail, but at the beginning of a trail just to the east of it. A pair of big and beautiful hoop pines. And next to one of them, an old gate post, a dumb signpost to a a vanished past. Furthermore, they have had loads of babies. There are small hoop pines close to their parents, and eastwards along the road towards the new bridge over the Kalang. Nature never sleeps.

Hoop pines at Twin Pines, Tarkeeth

Nothing remains of the Fells farm except some old fence posts, but standing there, it is easy to imagine what it would have been like in those days. But one thing has not changed. Walk into the bush halfway between the pines and Eastern Trail, you will see what Chris Fells discovered back in the ‘thirties:

“Down on the left as you looked out of the house, there was an especially thick, almost impenetrable circle of bush surrounding a small lagoon. Within this, was a haven for all kinds of wildlife such as bandicoots, native possums, snakes, frogs, and and a great assortment of birds: parrots, kingfishers, kookaburras, currawongs, black ducks, bowerbirds, honey-eaters, and by the water itself, the beautiful egrets, ibis and spoonbills. If you peep into the lagoon from the road, its great white paperbark trees, knee-deep in thick green water, gave it an air of mystery and magic”.

And indeed, as the photographs below show, the Tarkeeth Lagoon is still quite special. Folk who grew up on South Arm Road and explored the area as children, still remember the mystery of the place. Those animals and birds still live in the Tarkeeth, but the tall paperbarks have long since fallen and lie as moss and epiphyte-covered sculptures beside the water.

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Read the full story of Twin Pines here in Lloyd Fell’s small but captivating book:

Click to access TwinPinesStory.pdf

Local historian John Lean’s new book “Settlers of South Bellingen and the Lower South Arm”, his “Settlers of the Upper South Arm and Spicketts Creek”, and also, “The History Of Tarkeeth Public School” are available at the Bellingen and Urunga museums.

For other posts in our Small Stories series of ordinary folk doing extraordinary things, see: The schools of the Tarkeeth, another tale from our neck of the woods; The Odyssey of Assid Corban, the story of a Lebanese migrant to New Zealand, and The Monarch of the Sea, the rollicking tale of an unlikely “pirate king”. There is also  No Bull! a true though somewhat overwrought local saga of battling bovines – set in Bonville, not far north of us.

Chris Fell – The ANZAC Story

A century ago, on 31st October 1917, the Australian Light Horse charged the Turkish trenches during the Battle of Beersheba in one of history’s last great cavalry charges. The 31 light horsemen who fell are buried in the Beersheba War Cemetery along with 116 British and New Zealand soldiers who perished in the Beersheba battle. There are 1,241 graves in the military cemetery, soldiers being brought in from other Great War Middle East battlefields. It is a tranquil, poignant, and beautiful place in the Negev Desert, where the bodies of young men from Australia and New Zealand and from the shires of England, Ireland, Scotland and Wales were laid to rest. “Lest we forget”.

In his ebook The Twin Pines Story, Lloyd Fell tells how his father served as a mounted machine gunner with the New Zealand forces in the Gaza ampaign of late 1917. His war record reports that he was one of the machine gunners who fought through the day before the famous charge to knock out the Turkish machine guns on the strategic al Saba Hill east of Beersheba. Had these fortifications not been overrun, the Light Horse  would have been prevented from advancing on the wells. Afterwards, the machine gunners and their Kiwi mates took part in a bayonet charge against the enemy.

As Jean Bou wrote in The Weekend Australian:
“The New Zealand brigade was sent against Tel el Saba, but this steep-sided hill with terraced entrenchments was formidable. The dismounted horsemen, with the limited fire support of their machine-gunners and the attached horse artillery batteries, had to slowly suppress the enemy defences and edge their way forward. Chauvel sent light horse to assist, but as the afternoon crawled on, success remained elusive. Eventually the weight of fire kept the defenders’ heads down enough that the New Zealanders were able to make a final assault. The hill was taken and the eastern approach to Beersheba opened, but nightfall was approaching.
See:
http://specialreports.theaustralian.com.au/888793/a-remarkable-feat-of-arms/

Beersheba War Cemetery, Israel

This post opened with that great troubadour Pete Seeger singing Oscar Brand’s celebrated pioneer song. I conclude with his rendering of David Mallet’s tribute to the simple life.

Inch by inch, row by row,
Gonna make this garden grow.
Gonna mulch it deep and low,
Gonna make it fertile ground.

Pullin’ weeds and pickin’ stones,
We are made of dreams and bones
Need spot to call my own
Cause the time is close at hand

Postscript – About Bellingen

We have been visiting Bellingen Shire for the last thirty years, and moved a house onto our bush block over twenty years ago. Bellingen, the Bellinger Valley on the Mid North Coast of New South Wales, is well known as a picturesque, well-preserved (founded in 1870) country town. In former times, it was the centre of a thriving dairy and timber industry, and more recently, as a popular tourist spot between the university city of Armidale and the country music capital of Tamworth to the west, and the Pacific “holiday coast” of Coffs Harbour, Sawtell, Urunga, and Nambucca Heads, to the east, with their sand, surf and sun.

Between the two is the Great Dividing Range, the rolling, high country escarpment of the New England Plateau with its gorges and waterfalls, and the world-heritage Dorrigo National Park with it timeless, untouched rainforests – a “land that time forgot”. And linking them all, the old trunk road, aptly if touristically named Waterfall Way.

Bellingen is popular for its cafes and coffee shops, craft industries and shops, music festivals, and federation facades. It’s visual appeal, and it’s bucolic rural environs have seen the town used on many occasions as a film location. In the seventies, it was a Mecca for young people seeking an alternative lifestyle. The hills thereabout are still scattered with cooperatives and communes, or, in local council-speak, multiple occupancies. In the old days, no love was lost between the “hippies” and the farmers and loggers, and politics were dominated by the rural, conservative “born to rule” National and Country Party. Nowadays, it’s heir, the National Party still dominates the political scene, but its clear majorities decrease fractionally election by election, and by the turn of the century, there may no longer be a National Party member. But demographics do change, as does society. The hippies’ children and the farmers’ kids grew up together, attended the high school together, played, partied, and paired together, and now, there are grand children and great grandchildren.

As the timber and dairy industry has declined, Bellingen’s economy has changed. Once exclusively agrarian – including a time as one of the prime producers of cannabis sativa – tourism now plays a vital role. Bellingen advertises itself to visitors and to present and future residents as a clean, green and sustainable shire. Nature’s wonderland, from its golden beaches to its mountain rainforests and waterfalls. A Tourist Heaven with a cornucopia of recreational activities for young and old – from lazy bathing and picnicking to energetic rambling and trecking, camping and climbing, canoeing and fishing. A cultural mecca with many cafes, live music, craft and artisan shops, and music and writers’ festivals.

Two years ago, the online magazine Traveller published a breathless paean to “the bohemian town that is heaven on earth’. Happy traveller Sheriden Rhodes wrote: Some places are so beautiful; it feels like holy ground. For me, Bellingen has always had that consecrated feeling. It’s obvious, given the name the early pioneers gave the Promised Land, a scenic 10 minute-drive from Bellingen’s township itself. Here the land is so abundantly verdant and fruitful; it literally drips with milk and honey. It’s a place so special the fortunate locals that call it home, including its most famous residents George Negus and David Helfgott would much rather keep all to themselves”.

This is the marketing spin hyped up by the council, the chamber of commerce, and real estate and B&B interests. The reality is somewhat different. Bellingen and the “Holiday Coast” generally have seen a large influx of city folk seeking a different lifestyle for themselves and their children, and also of retirees seeking rural or seaside tranquility – in such numbers that Coffs Harbour and its seaside satellites have become in many ways the Costa Geriatrica.

Many newcomers are not fully aware that the Coffs Coast generally is one of the poorest areas of rural New South Wales. Statistics for youth unemployment and senior poverty are among the highest in the state with all the attendant economic, social and psychological impacts as evidenced by high rates of depression, domestic violence and substance abuse. Health and transport services outside the urban centres are  pretty poor. Rising property values and high rents price low-income families and singles out of the market. Decreasing profit margins have forced many of those attractive cafes and coffee shops to close.

Nor is the clean, green, sustainable shire as picture perfect as the brochures portray It. There is environmental degradation with clear-felling and land-clearing, and flammable, monoculture, woodchip-bound eucalyptus plantations that encircle Bellingen – a potential fire bomb primed to explode during one of our scorching, hot dry summers. There is generational degradation of the Bellinger’s banks and the graveling up of its once deep depths. And there the encroachment and expansion of water-hungry, pesticide and herbicide reliant blueberry farms,

But on the right side of the ledger, we in the Shire are indeed blessed by Mother Nature. The coastline boasts magnicent headlands and promontories, and long, pristine and often deserted beaches. The World Heritage Gondwana rainforests are a national treasure, and surrounding national parks truly are a natural wonderland. We never tire of the drive from Urunga to Armidale via Waterfall Way, as it crosses the Great Dividing Range and the New England Plateau. The Kalang River as it flows beside South Arm Road and between the Tarkeeth and Newry State Forests is itself one of the Shire’s hidden and largely unvisited secrets, a haven for fishermen, canoeist and all who love mucking about in boats.

Compared to many places on this planet, we’ve really not much to complain about …


That was the year that was – from New Orleans to Jerusalem.

Its been a diverse year In That Howling Infinite. We have traveled, to quote Bob Dylan, “all the way from New Orleans to Jerusalem” – and to many other places in between. Vikings and Roman legionaries; Bob Dylan, Jackson Browne and Bruce Cockburn; Britain in the ‘forties and Paris in the ‘fifties; America, the Levant, and even Wonderland. By Year’s end a million souls will have journeyed to Europe from the war-ravaged lands of the Middle East, and my final posts for the year contemplate what it might mean for refugees who find to safe haven in Australia.

Here is a retrospective.

The year began with a short piece on recent archeological discoveries in Jerusalem that strongly suggested that the Via Dolorosa that Jesus trode on his final journey to Golgotha was the wrong route, and that instead, it began just inside of the Jaffa Gate. I took a light-hearted look at the Jerusalem Syndrome, a mental condition involving the presence of religiously-themed obsessive ideas, delusions and other psychoses triggered by a visit to The Holy City.

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I read but one piece of fiction this year – a sad admission from a lifelong bibliophile – but this one book was probably one of the best I have read: The Incorrigible Optimists Club , winner of the prestigious Prix de Goncourt, by Jean Michel Guenassia. It is set in Paris’ Rive Gauche, as the ‘fifties gives way to the ‘sixties; as the crooners makes way for rock n’roll; as the Cold War divides a continent, sending dissidents and refugees fleeing to a safe haven in Paris; as the Algerian war divides and destroys families: and as the seeds of ‘les evenments de Mai 1968’ are sown in the hearts and souls of France’s young people. It is a coming of age book, of young hopes and fears, love and loss, a book about writers and reading, and the magic and power of the written word in prose and poetry.

Le Lion de Belfort

March saw the passing of my old friend Dermott Ryder, chronicler and luminary of the Folk Music revival in Sydney in the early ‘seventies. Dermott’s Last Ride is my tribute to him. And April was a month of anniversaries and remembrance. Forty years since the outbreak of the Lebanese Civil War, and the centenary of the landings of the ANZACs at Gallipoli. Pity the Nation takes its title from Robert Fisk’s tombstone of a book on the long war; and he had taken it from a poem written in 1934 by Khalil Gibran, Lebanon’s most celebrated poet, a poem that was both a prophetic testament and a testimony of times to come: “Pity the nation divided into fragments, each fragment deeming itself a nation”. The Watchers of the Water is a song about Gallipoli sing by a Turkish solder.

May saw two diverse pieces of social history. The Spirit of 45  takes personal perspective of British filmmaker Ken Loach’s documentary of the excitement and optimism that followed the Labour Party’s election victory at the end of World War II. This laid the foundation stone for the British welfare state. Bob Dylan’s Americana discusses the meaning and significance of the lyrics and the imagery of Dylan’s early ‘eighties masterpiece Blind Willie McTell, a harrowing journey through America’s dark heart.

In June, we visited Yorkshire and in London, conjuring up memories and historical connections. Harald Went A Viking is a saga about the first of two kings to die on English soil in the late summer of 1066, and the adventures that took him from Norway to Constantinople and Jerusalem and finally, to Yorkshire. Roman Wall Blues takes its title from WH Auden’s poem about a homesick and grumpy legionnaire on Hadrian’s Wall, and contemplates the lives of the ethnically polyglot soldiery who defended the Empire’s borders. And June saw another famous anniversary, the Bicentennial of the momentous and bloody Battle of Waterloo. The Long Road to Waterloo prefaces a song for the men who, after twenty six long years of war, never came home.

Painting of the Battle of Stamford Bridge by Peter Nicolai Arbo, depicting King Harald Hardrada hit in the neck by an arrow

Battle of Stamford Bridge, depicting King Harald Hardrada hit in the neck by an arrow

In July, controversy erupted in the Land of the Free over the flying of the Confederate Flag in states that were once part of Old Dixie. The dead hand of the Civil War reached out and touched the hearts of Americans and their friends throughout the world in the wake of yet another mass shooting. This time, a young man gunned down worshippers at prayer. That the victims were folk of colour, and the shooter, a young white extremist, reopened wounds that have never really healed. Rebel Yell surmises that The South will always be with us, in our thoughts, in our historical memory, in our art and literature, our books and films, and our favourite music.

September marked the one hundred and fiftieth anniversary of the publication of Lewis Carroll’s timeless, fabulist masterpiece Alice In WonderlandGo Ask Alice, I Think She’ll Know reproduces Australian  critic Peter Craven’s masterful celebration of Alice 150. The title belongs to the mesmerizing Grace Slick of Jefferson Airplane who cut through to the rabbit chase channeling the long-gone Lewis in a psychedelic musical masterpiece.

Alice

On an infinitely sadder note, Ruins and Bones is a tribute to the memory of Syrian archeologist Khaled Muhammed al Asaad, murdered by ISIS in August 2015, and of Palmyra, the ‘Pearl of the Desert’.

Allende’s Desk and Osama’s Pyjamas is a brief commentary on the extension  of American military power and the pathology of demons and demonization. Tales of Yankee Power looks at American foreign policy during the 1980s from the perspective of the songs of Jackson Browne and Bruce Cockburn.

November’s Children of the Revolution looks at the events that led up to the beginning of the Syrian Civil War, and the early days before it became too dangerous to gather on the streets, when men, women and children would parade in public places, waving the flag of the old Syria, the one that flew before the Assad clan seized power in 1966. Canny camera men could take media-friendly shots of photogenic little girls in face makeup looking sad, vulnerable and defiant. Those days of hope are long gone.

A highlight of this past year has been my work as a volunteer with the Humanitarian Settlement Services programme. The HSS’ mission is to assist newly arrived refugees to settle in Australia. In No Going Home I endeavour to imagine the refugee journey. Hejira is a sequel of sorts and, indeed, a happy ending.

Happy New Year to these prospective New Australians, and to all my readers. May 2016 be fortunate and fulfilling.

Palmyra, viewed from Tadmor

Palmyra, viewed from Tadmor

The Watchers Of The Water

A song about Gallipoli, sung by a Turkish soldier

Once upon a war…

Monday 25th April is Australia and New Zealand’s national day of remembrance for all Anzac solders killed and wounded in their nation’s wars, and to honour servicemen and women past and present. At first, the Anzacs fought in the British Empire’s Wars, beginning with the Boer War, and then through two World Wars. From the mid -twentieth century, they have fought and died in what could ostensibly be called America’s wars even though these were waged under UN, EU or western alliance auspices: Korea, Gulf Wars II and III, Afghanistan, and the current interventions in Syria and Iraq. Incidentally, Australian veterans commanded mercenary forces hired by Saudi Arabia and the United Arab Emirates that laid waste to towns and villages in Yemen during its recent civil way – with the help of American and British weaponry.

At the heart of the Anzac Day remembrance is the Australian and New Zealand Army Corps’ role the Dardanelles campaign of 1915-16, Winston Churchill’s grandiose and ill-conceived plan to take the Ottoman Empire out of the war by seizing the strategic strait between the Black Sea and the Mediterranean, thereby threatening Istanbul, the Ottoman capital. It was a military failure. From the initial seaborne assault to the evacuation, it lasted eight months and cost 114,000 lives with 230,000 wounded.

In 1915, Australians greeted the landings at Gallipoli with unbridled enthusiasm as a nation-making event. But it wasn’t long before they were counting the dreadful cost. More than 8000 Australians died during the Gallipoli campaign. As a loyal member of the British Empire, Australia eventually sent 330,000 men overseas to fight for the King. Volunteers all, not all of them white men – despite the authorities policy of recruiting only Australians of Anglo-Celtic stock, their ranks included many indigenous, Chinese and others. By the time the war ended in 1918, 60,000 of them were dead. As the late historian Ken Inglis once pointed out: “If we count as family a person’s parents, children, siblings, aunts and uncles and cousins, then every second Australian family was bereaved by the war.

[As for the Anzac Day march], I’d say only returned people could march. And then the day would come, I’d hope, when there’d be the last person marching, the last survivor as it were. And I’d think what a great day that would be … because it would mean we’d been at peace for a long time. And that’s what those men in the First World War were fighting for.”
Bill Gammage, historian and author of The Broken Years.

Gallipoli is cited as the crucible of Australian nationhood, but the Anzacs’ part in the doomed campaign was but a sideshow of the wider campaign. Although it is celebrated in Australian song and story, it was the Ottomans’ most significant victory in the war that was to destroy the seven hundred year old Ottoman Empire secure the reputation of its most successful general Mustafa Kemal, who as Ataturk, became the founder of modern Turkey.

Some thirty four thousand British soldiers died on the peninsula, including 3,400 Irishmen, and ten thousand Frenchmen – many of these latter being “colonial” troops from West and North Africa. Australia lost near on ten thousand and NZ three. Some 1,400 Indian soldiers perished for the King Emperor. Fifty seven thousand allied soldiers died, and seventy five thousand were wounded. The Ottoman army lost fifty seven thousand men, and one hundred and seven thousand were wounded (although these figures are probably much higher). An overlooked fact is that some two thirds of the “Turkish” solders in Kemal’s division were actually Arabs from present day Syria, Israel and Palestine – and  a small number of European Jews who had settled there and who as Ottoman citizens were subject to conscription.

Gallipoli was indeed a multicultural microcosm of a world at war.

Whilst the flower of antipodean youth is said to have perished on Gallipoli’s fatal shore, this was just the overture. Anzac troops were despatched to the Western Front, and between 1919 and 1918, 45,000 Aussies died there and 124,000 were wounded.

Once upon a war, the Dardanelles Campaign of 1915-16 was a sideshow to the bigger theatres of the Eastern and Western Fronts. To some, it was a reminder that they could not stomach Winston Churchill for this was said to be his greatest stuff up in a career replete with such (although they would admit that he more than exonerated himself his and Britain’s Finest Hour). For many Australians and New Zealanders, it was a national baptism of fire, of youthful sacrifice on the altar of Empire. And notwithstanding the  military defeat and retreat, the folly and foolhardiness, in the harrowing adversity and heroism, lay the bones of a young country’s enduring creation myth.
Former soldier James Brown, Anzac’s  Long Shadow

There are abundant primary and secondary sources relating to the Dardanelles campaign and the Anzacs, but here is a wiki primer: Gallipoli Campaign

The genesis of a song …

Back in the last century, before ANZAC Day became the secular Christmas that it has become, before marketing people and populist politicians saw its commercial and political potential, before the fatal shore became a crowded place of annual pilgrimage, my Turkish friend, the late Naim Mehmet Turfan, gave me a grainy picture of a Turkish soldier at Gelibolu carrying a large howitzer shell on his back. Then there was this great film by Australian director Peter Weir, starring young Mel Gibson and Mark Lee. There were these images of small boats approaching a dark and alien shore, of Lighthorsemen sadly farewelling their Walers as they embarked as infantry, and of the doomed Colonel Barton humming along to a gramophone recording of Bizet’s beautiful duet from The Pearl Fishers, ‘Au fond du temple saint’ before joining his men in the forlorn hope of The Nek.

There were other melodies I could never quite get out of my head. One I first heard in a musical in Beirut before that magical city entered its Dark Ages  –  Al Mahatta, written by the famous Rabbani Brothers and starring the Lebanese diva Fayrouz. And The Foggy Dew, one of the most lyrical and poignant of the Irish rebel songs:

Right proudly high over Dublin town, they hung out the flag of war. ‘Twas better to die ‘neath that Irish sky than at Suvla or at Sud el Bar…Twas England bade our Wild Geese go that small nations might be free,  But their lonely graves are by Suvla’s waves or the fringe of the grey North Sea.

Over three thousand Irishmen died at Gallipoli.

The song grew out of these many inspirations.

It was first performed in public by HuldreFolk in the closing concert of Coffs Harbour Folk Festival at the RSL on Australia Day 1984. When we had finished, there was absolutely silence in the hall. Then a voice cried out “the sky didn’t fall down!”, and the hall erupted with applause.

And here is HukdreFolk’s rendering of Russian poet Yevtushenko’s account of the parade of German prisoners of war through the streets of Moscow in 1941, juxtaposed with The Watchers of the Water.

Anthem for Doomed Youth
Wilfred Owen

What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles’ rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,—
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.

What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls’ brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.