Señor, señor Can you tell me where we’re headin’? Lincoln County Road or Armageddon? Seems like I been down this way before Is there any truth in that, señor?
This story does not relate to Bob Dylan’s cryptic and nihilistic Señor (Tales of Yankee Power), from Street Legal (1978). As for the meaning of his song, well, that’s pretty hard to fathom. A cowboy fever dream, perhaps; one of those strange illusions you channel in the early morning between sleeping and waking, more about mood than meaning.
Rather, these tales refer to the United States’ troubled and troublesome historical and contemporary relationship with its Central and Latin American neighbours – and particularly, to its current crusade against Venezuela’s autocratic president Nicolás Maduro. And it is less about Venezuela than about the US itself – an empire in all but name struggling to recover its own reflection in the shifting mirror of history. The restless ghost of Manifest Destiny is still pacing the corridors of the West Wing and the State Department. The “tales of Yankee power” keep repeating because the empire cannot imagine itself without them. Each show of force, each threat of “covert operations” is a reassurance ritual, a way of proving that the old muscles still work. But as with all empires in decline, the performance reveals more fragility than strength. The Monroe Doctrine once kept others out; the Neo-Monroe Doctrine may exist only to convince America that it is still in.
In That Howling Infinite has walked this road before in a 2017 post also entitled Tales of Yankee Power, a feature on American songwriter Jackson Browne‘s1986 album Lives in the Balance. At the time critics reckoned that its contemporary content, the USA’s bloody meddling in Central America, limited its appeal and long-term significance. And yet, here in the early twentieth first century, where the wars of the Arab Dissolution dragged the world into its vortex, and Vladimir Putin’s invasion of Ukraine ended seventy five years of Pax Europa, the Great Power politics and proxy wars that taxed intellectual and actual imaginations in that seemingly distant decade jump back into the frame like some dystopian jack in the box. As Mark Twain noted, “history doesn’t repeat itself, but it does rhyme”.
Eight years after the original Tales of Yankee Power, the story hasn’t ended – it’s simply changed key. The Uncle Sam is still abroad, still restless, still convinced the hemisphere cannot manage without his supervision. Only the script has been updated: what was once called the Monroe Doctrine is now “neo”; what was once the “war on communism” is now the “war on drugs”. But the music is familiar – and derivative: in this sad world, whenever Uncle Sam (or Comrade Ivan for that matter) plays his hand, something wicked this ways comes. As Canadian songwriter Bruce Cockburn, who also condemned the North’s intervention in the politics of the South once sang, “Little spots on the horizon into gunboats grow … Whatever’s coming, there’s no place else to go, waiting for the moon to show”.
Donald Trump’s Neo-Monroe Doctrine
Yanqui wake up
Don’t you see what you’re doing
Trying to be the Pharoah of the West bringing nothing but ruin
Better start swimming
Before you begin to drown
All those petty tyrants in your pocket gonna weigh you down
Bruce Cockburn, Yanqui Go Home (1984)
Which brings us to American journalist John Masko’s insightful analysis of Trump’s Latin American policy in a recent Unherd article. It is sharp and well-informed, particularly his framing of the “Neo-Monroe Doctrine” as the ideological scaffolding for Washington’s renewed interest in its southern backyard. Yet, like most American commentators, he skips over a crucial subplot – namely, the role of the United States itself in creating the very chaos it now claims to correct. Venezuela’s “descent into shambles,” as he calls it, did not occur in a geopolitical vacuum. Sanctions, economic strangulation, and decades of covert interference were not incidental background noise but deliberate acts of policy – the slow throttling of a regime that refused to align with the hegemon’s economic and political script. Without that context, the narrative too easily morphs into a morality play about Latin American incompetence, when in truth, it’s an old imperial story of cause, consequence, and selective amnesia.
Masko’s central thesis – that Trump has revived the Roosevelt Corollary to the Monroe Doctrine – is persuasive. In Trump’s mind, security begins at home and radiates outward; when weak or corrupt neighbours threaten that security, they must be coerced or replaced. The author rightly traces this logic back to Roosevelt’s 1904 declaration that the US would “police” the Western Hemisphere, supposedly without territorial ambition but with the clear intent of monopolising intervention. From Cuba to the Dominican Republic, Guatemala to Chile, the Corollary became the moral fig leaf for American coups, invasions, and corporate extractions. Trump, Masko argues, sees himself as restoring that prerogative – a hemispheric sheriff cleaning up the neighbourhood after decades of liberal hand-wringing.
There is, however, a deeper irony in Masko’s framing. He presents Trump’s military buildup around Venezuela – F-35s in Puerto Rico, B-52s off the coast, CIA “covert” operations loudly proclaimed on television – as a return to historical normalcy, a reassertion of superpower swagger. But this conveniently ignores that America never really stopped intervening. From Plan Colombia to the Contra wars, from IMF leverage to trade sanctions, the methods simply evolved. The empire modernised; the mission never changed.
Masko paints Venezuela as a nation hollowed out by corruption, its military loyal only through fear and patronage, its once-mighty oil industry captured by criminal syndicates and foreign proxies. He’s not wrong — but he omits the pressure points that made reform or recovery almost impossible: the freezing of foreign assets, oil export bans, and a sanctions regime designed to collapse the economy under the banner of “democracy promotion.” The result is a country starving under siege, then blamed for its own starvation. It is the oldest of imperial tricks: break it, then call it broken.
The author is also curiously incurious about the demand side of America’s perpetual Latin drug war. He notes Trump’s pretext of “narco-trafficking” but fails to mention that the real market for those drugs lies not in Caracas or Bogotá, but in Chicago and Miami. As long as there is insatiable appetite and profit north of the Rio Grande, cartels will thrive no matter how many “suspect vessels” are blown out of the Caribbean. America’s own prohibitionary puritanism – the same logic that gave birth to Al Capone – continues to nourish the problem it claims to fight.
Masko’s analysis of Trump’s strategy does capture one key insight: the re-militarisation of hemispheric policy as a form of domestic theatre. Trump’s “Neo-Monroe Doctrine” is less about Venezuela per se and more about a symbolic restoration of dominance. It is the same playbook that guided the 1989 invasion of Panama, when Noriega — once Washington’s man in the canal zone – became inconvenient and was duly removed under the banner of anti-narcotics and democracy. The echo is unmistakable. Venezuela today serves as both scapegoat and proving ground: a chance for Trump to replay history, cast himself as the avenger of American sovereignty, and perhaps even seize a few oil fields in the process – though that, as always, is to be disavowed in polite company.
What Masko misses, perhaps by design, is the wider economic and ideological dimension. To call this merely an attempt to “seize Venezuelan oil” is too simple – Trump’s doctrine is more performative than acquisitive. It is about reasserting that the Western Hemisphere remains, in practice if not in name, America’s exclusive zone of influence, a region where Chinese investment and Russian advisors are not just economic competitors but existential affronts. In that sense, the “Neo-Monroe Doctrine” is less a new foreign policy than a nostalgic hallucination: the dream of a hemisphere restored to its “natural order,” where Washington’s word is law and the rest are junior partners or failed states.
And yet, the danger lies precisely in that nostalgia. Venezuela’s collapse – accelerated by sanctions and corruption alike – has left it a tinderbox of criminal fiefdoms and shattered institutions. Push too hard and you get not regime change but fragmentation. The military Masko describes as Maduro’s bulwark could just as easily splinter, leaving behind a patchwork of armed enclaves and foreign proxies – a Caribbean Libya with oil rigs.
Trump, Masko concludes, is signalling not just to Caracas but to the continent: the Roosevelt Corollary is back. America will once again “help its friends and hamper its foes.” Perhaps so. But the hemisphere has changed; the hegemon’s writ is no longer automatic. China, once a distant abstraction, now bankrolls half the region’s infrastructure. Russia, Iran, and Turkey are present in the margins. The Monroe Doctrine may have been written to keep Europeans out of America’s backyard, but the world has since moved into the neighbourhood.
What emerges, finally, from Masko’s piece is a portrait not of a coherent strategy but of imperial muscle memory – the reflex to intervene dressed up as rediscovered purpose. Trump’s “Neo-Monroe Doctrine” is at once a geopolitical manoeuvre and a campaign slogan: Make Latin America Great Again, or at least make it obedient again. The tragedy, as always, is that ordinary Venezuelans – impoverished, exiled, and exhausted – will pay the price for another American morality play performed for domestic applause.
Trump is coming for Venezuela
…John Masko, Unherd 24 October
America’s foreign policy appears to have been turned upside down. In the Middle East and Far East, which have consumed most of America’s defence planning energy over the last few decades, trade wars and diplomatic negotiations have replaced shows of military power. Meanwhile, the US is stockpiling both materiel and manpower off the shores of South America to a degree unseen in many decades.
As of this week, the US had positioned 10 F-35 fighter jets in Puerto Rico, along with three MQ-9 reaper drones. More than 4,500 Marines and sailors have taken up residence at US Southern Command in Miami, Florida. Last week, President Trump publicly announced that he was authorising CIA covert operations in Venezuela, and a group of B-52 bombers flew near Venezuela’s coast. More than five suspected drug ships, some originating in Venezuela, have been interdicted and destroyed by US forces over recent weeks.
To many in the foreign policy establishment, Trump’s fixation on squeezing Venezuelan dictator Nicolás Maduro has been an enigma. He has justified the buildup on the grounds that Maduro’s regime harbours drug producers and distributors. But when Maduro has tried to satisfy Trump — even accepting planeloads of deported Venezuelan nationals from America — Trump has rebuffed him and redoubled US pressure. Perplexed analysts are asking: what exactly is Trump trying to achieve, if nothing Maduro can offer will please him? Where can this lead except to war or a humiliating walk-back?
This reveals a fundamental misunderstanding between the Trump administration and the foreign policy establishment. Rather than focusing on the near-term risks of war in Venezuela, Trump is asking a higher-order question: What is the point of being a superpower if you can’t stop your neighbours from sneaking deadly drugs and unapproved migrants across your borders?
In Trump’s understanding, security begins at home, and then extends to the near-abroad. When weak or corrupt leaders nearby threaten the stability of the US, they must be either forced to change their behaviour, or they must be replaced. This has not been US policy for several decades, but for most of the 20th century, it was. The name of this policy was the Roosevelt Corollary to the Monroe Doctrine. What Trump is signalling in Venezuela is that the Roosevelt Corollary is back.
President Theodore Roosevelt announced the Corollary in 1904 in his Annual Address to Congress. Since the presidency of James Monroe a century earlier, it had been American policy to oppose any new colonisation or subjugation of lands in the Western Hemisphere by European powers. Monroe’s policy did not, however, provide a road map for when European countries sent ships into America’s backyard to collect debts or fight wars, as occurred during the British, Italian and German blockade of Venezuela in 1902. Determined to keep European warships out of America’s near-abroad, Roosevelt declared that US policy would be to have a monopoly over policing power in the Western seas. He further declared that it was no longer the sole purpose of the Monroe Doctrine to keep Europe out of our near-abroad; the doctrine would also now be used to protect American interests more generally. He explained: “It is always possible that wrong actions toward this nation or toward citizens of this nation… may result in our having to take action to protect our rights; but such action will not be taken with a view to territorial aggression, and it will be taken at all only with extreme reluctance.”
During the ensuing decades, the Roosevelt Corollary was periodically called upon to reestablish order in Latin American war zones and to prevent the accession of regimes dedicated to, in Roosevelt’s words, “wronging” the US. The Corollary underlay the brief US occupation of Cuba, from 1906-1909, after the Spanish-American War, two occupations of the chronically unstable Dominican Republic, and support for the Contras against the Sandinistas in Nicaragua. It also inspired the CIA-supported overthrows of Guatemalan President Jacobo Árbenz following his nationalisation of United Fruit Company lands, and of Chilean President Salvador Allende as he led that country’s mining-based economy into ruin. It was also behind America’s futile efforts — through an embargo, assassination attempts, and the failed Bay of Pigs invasion — to topple Cuban communist dictator Fidel Castro.
America’s failure to overthrow Castro, coupled with the relative untouchability of many Soviet-allied Latin regimes during the Cold War period, caused the Roosevelt Corollary to fall into disuse. The liberal internationalist order that followed the Cold War further discouraged the use of hard power to overthrow regimes hostile to American interests. But in 2025, the Trump Administration seems determined to bring it back.
Within the Roosevelt Corollary (or, as I’ve been told it’s referred to within the administration, “Neo-Monroe Doctrine”) framework, some of Trump’s harder-to-figure foreign policy actions begin to make more sense. One of these is the appointment of Cuban-American Florida Senator Marco Rubio as Secretary of State, which was perplexing alongside Trump’s more provocative foreign policy nominations of Pete Hegseth and Tulsi Gabbard. But when one considers Rubio’s knowledge of Latin America and his hawkish record on Latin American dictators in the context of the Roosevelt Corollary agenda, he fits perfectly.
Then there are Trump’s recent actions toward Argentina and Colombia, both of which would have seemed peculiarly drastic in past administrations, but represent a return to a Rooseveltian approach to doing business. For Argentine President Javier Milei, a libertarian friend of the US who faces a fiscal crunch at home, Trump recently structured a $40 billion loan package and floated a huge purchase of Argentine beef, much to the chagrin of American cattle ranchers. Colombian socialist President Gustavo Petro, on the other hand, faced a cutoff of all American aid (Colombia has received $14 billion in aid since 2000) due to his failure to address Colombian drug trafficking. In a Rooseveltian world, the President wields plenty of carrots and a big stick.
“What Trump is signalling in Venezuela is that the Roosevelt Corollary is back.”
In order to understand how Trump’s Roosevelt Corollary framework applies to Venezuela, we must first consider the state of the country today. Maduro’s Venezuela is a shambles by every possible metric: aside from its ruler’s personal security. Owing to a combination of mismanagement and corruption, Venezuela, once the wealthiest nation in Latin America, is now an economic basket case. Its economy is projected to contract by 3% this year, and inflation is at 682%. Venezuelan oil exports — the foundation of its economy — have declined by two thirds since 2012. As living standards and safety across the country have plummeted, nearly 30% of Venezuelans have left over the last 10 years, mostly for neighbouring Colombia, but many for the US (both legally and illegally).
Even with a hostile third of the country now gone, Maduro still received fewer votes for president than opposition candidate Edmundo González in last year’s election. While international organisations urged him to accept defeat, he declared victory and began a third term in office. Opposition leader María Corina Machado, whose exit polling efforts demonstrated that Maduro’s reelection was rigged, was awarded the Nobel Peace Prize for her efforts to fight the regime.
Yet while Maduro may be the world’s least legitimate leader, his position within Venezuela is still secure. As centuries of Latin American history have shown, military loyalty is the single most important requisite for regime security in the region. And while Maduro may have little else, he has that. As the Wall Street Journal has shown, Maduro has successfully “surrounded himself with a fortress of lieutenants whose fortunes and future are tied to his”. He has done this by imprisoning or exiling the disloyal, while encouraging the loyal to accept patronage jobs in state-run companies or payoffs from drug-traffickers to allow their shipments to pass. The result is a military that is just as fearful for the personal ramifications of regime failure as Maduro is himself. And in case Maduro’s reign of blackmail were to fail, there are Cuban counterintelligence officials and other paid spies installed in the ranks to detect any hint of insurrection. According to Edward Rodríguez, a defected former Venezuelan army colonel, snitching is richly rewarded with “jobs, money, cars and even homes” in a country where much of the population cannot consistently afford food.
With the government preoccupied by personal security and self-enrichment, it will surprise few that much of the official territory of Venezuela (precisely how much is unknown) is no longer under government control. Much of western Venezuela is controlled by Colombian drug-running and human-trafficking organisations like the National Liberation Army. And much of southern Venezuela is given over to feuding megabandas or organised crime rings — most infamously the gang Tren de Aragua, recently designated a foreign terrorist organisation by the US. The megabandashave outposts in Venezuela’s major cities, and all around the world, including in the US. One reason for Venezuela’s declining exports is that large parts of its major extractive industries — particularly mining — have been taken over by criminal enterprises whose activities occur off the books. These organisations control territory in the Orinoco Mining Arc in Venezuela’s southeast, where many of their mines are located.
Since Trump’s pressure campaign, Maduro has pumped out propaganda to recruit a citizen militia that can bolster the country’s depleted military. According to the Wall Street Journal, “on state television, radio and social media, announcers are telling Venezuelans that the U.S. is a rapacious Nazi-like state that wants to dig its claws into the country’s oil wealth but that the Venezuelan military, the National Bolivarian Armed Forces, are positioning to repel any invasion”. Maduro’s army currently numbers about 125,000 — a combination of military regulars and new recruits, so many of whom are above typical military age that they have been dubbed a “Dad’s Army” in the British press. According to recent reporting, the army is underfed, under-resourced, and has suffered from a significant brain-drain due to Maduro’s loyalty tests. Maduro reportedly also plans, in the event of invasion, on having the support of Colombia’s National Liberation Army — the least it can do for Caracas’ salutary neglect of its drug and human smuggling (whether before or after he delivers to Trump his proof that there’s no drug trafficking in Venezuela, one can only guess).
For the US, this all adds up to a puzzle: the Maduro regime’s continued existence directly hurts American interests, but the regime has hollowed out Venezuelan society and institutions to such a degree that regime change will probably result in further chaos, and very possibly a civil war — outcomes that also hurt American interests.
Trump has likely still concluded that regime change would help the US, but that to be effective, the muscle behind it will need to come from inside Venezuela itself. His military buildup is therefore an effort to pressure fence-sitters inside Venezuela’s military and underground political opposition (a group that still includes Machado herself) to provide that muscle. Perhaps if military brass begins to see that the Maduro regime’s days are numbered, their calculus on how best to preserve their own lives and careers will shift. There is also an outside chance that a skirmish with US forces, and a glimpse of the untenability of his position, might convince Maduro to resign or flee.
For the time being, direct covert action against Maduro’s person seems to be off the table. Ironically, we know this because of Trump’s highly irregular decision to broadcast his authorisation of CIA covert action to the world — meaning it would no longer be, well, covert. Trump’s threat of covert action, rather, functions as a nuclear bomb of psychological warfare, ensuring that every night for the foreseeable future, Maduro dreams of exploding cigars. Far more likely is covert action that assists in forming and resourcing opposition parties or militias, as the US has done in past Latin American revolutions. Conventional military strikes on Venezuela are possible but would need to be provoked. Conventional forces could also be deployed in ungoverned spaces against drug-traffickers, further underlining the impotence of the Maduro regime.
Where the Trump-Maduro standoff goes from here is hard to know. But the reasoning behind the buildup is abundantly clear, and it goes far beyond Venezuela’s drug distribution or human trafficking. It is a signal to the world, and to Latin America in particular, that American policy toward the Americas has changed. More precisely, it’s changed back from a policy of salutary neglect to an active posture in which American interests are stridently defended. As in the days of the Roosevelt Corollary, America will help its friends and hamper its foes. If a Latin American regime harms American interests, and regime change will improve the situation, America will not hesitate to affect its overthrow.
Venezuela resonates particularly with the original purpose of the Monroe Doctrine, which was to preclude European incursion into American waters. Venezuela is a long-term strategic partner of China, which relies heavily on Venezuelan oil and offers economic and political support to Venezuela internationally. Even as Venezuela has descended into ruin over the last few years, it has continued to serve as a beachhead for Chinese influence in America’s backyard. Just as President Monroe’s original doctrine intended to keep hostile foreign interference far away from American waters, President Trump’s updated Monroe Doctrine can do the same for America’s 21st-century threats.
Trump is likely gambling on the fact that Maduro’s fall would be universally popular. The rest of the world has watched in horror over the last several decades as Maduro and predecessor Hugo Chávez plunged their country into poverty and chaos. This means that if US pressure results in Maduro’s overthrow, Trump’s new Roosevelt Corollary will start out in the win column in the court of international public opinion. Whether the US stays in that column as it addresses challenges in Colombia, Peru and Argentina, only time will tell.
John Masko is a journalist based in Boston, specialising in business and international politics.
Danger angel
Comes screaming through the clouds
She’s coming for your soul, child
She’s gonna take you down
Larkin Poe
Once in a while, In That Howling Infinite is attracted to “out there” larger than life identities, and, like mainstream and social media, gives them much more oxygen than they deserve. MAGA activist and provocateur Laura Loomer is one of those. Avatar and avenging angel, she is both symptom and symbol – the female face of Donald Trump’s politics of vengeance, fuelled by entitlement, envy, and zeal. shes turned grievance into influence, outrage into profession, loyalty into performance art. Some see her as comic relief; others, as proof that moral panic now pays. Either way, she’s the perfect child of her time – restless, theatrical, and forever online. Equal parts scandal, spectacle, and self-made legend, she’s the Right’s answer to the Left’s cancel culture: a one-woman inquisition armed with a smartphone and an inexhaustible sense of grievance.
We republish below Unherd editor and reporter James Billot’s article tracing the rise of this “hit woman” of MAGA politics, the scalps she has lifted, and the theatre of fear and fandom she inhabits. It’s an entertaining but nonetheless disturbing portrait of ambition, vanity, and the politics of outrage. Billot paints her as a digital Torquemada: part gossip columnist, part bounty hunter, part true believer.
As for the title of this piece, there is indeed a Ballad of Laura Loomer. It follows the précis.
Précis: A hit job on a ‘hit woman’
Danger angel Won’t listen to your prayers She’ll drink your holy water Slip into your nightmares There’s nothing you can give her That she hasn’t already got While you might think you’ve caught her You’ve blown your only shot, look out Danger Angel!
Loomer has made herself indispensable to Donald Trump not through proximity or power, but through her peculiar genius for weaponised outrage – the art of turning suspicion into spectacle. Her method is almost monastic in its discipline. For 16 hours a day, she trawls social media for ideological impurity – anyone in government who displays insufficient loyalty to the Great Leader. The sins are various: vaccine sympathy, a whiff of neoconservatism, a stray Black Lives Matter post. The punishment is swift. She “Loomers” them – posting their misdeeds to her 1.8 million followers, tipping off the White House, and waiting for the axe to fall. According to her, dozens have been purged at her prompting: an FDA vaccine chief, an NSA lawyer, a West Point academic, defence and security staffers, and even senior Trump appointees who thought they were untouchable. It’s research as blood sport.
Billot’s portrait is gleefully surgical: the self-declared “most banned woman in the world” living in a Florida rental with four rescue dogs and a livestream habit, railing against the “Big Tech” cabal that simultaneously victimises and enriches her. She’s banned by Uber, Lyft, Twitter (then reinstated by Musk), PayPal, GoFundMe, Facebook, Venmo, and Clubhouse. Each ban becomes a badge of honour, another stripe on her martyr’s uniform. She wears persecution like perfume — and sells the bottle for $29.99 on her website.
Loomer’s life is powered by thwarted ambition. She missed out on Dartmouth, lost two congressional races, and has been repeatedly blocked from a White House role. Yet each rejection feeds her legend. Her career began in the Project Veritas circus — dressing in a burqa to “expose” voter fraud — and evolved into a full-blown performance art of paranoia. She disrupted a Trump-themed Julius Caesar production in 2017, screamed about “violence against Donald Trump”, and became a Fox News darling overnight. She has accused Casey DeSantis of faking cancer, called Islam a “cancer on humanity”, and suggested that Parkland and 9/11 were staged. Apology, for Loomer, is treason.
She calls herself an “investigative journalist”, but the investigations are really moral witch trials – improvised, viral, and frighteningly effective. She boasts that cabinet secretaries call her in panic to explain themselves before her next blast. Even those who despise her respect her reach. Her Rumble show – part soapbox, part sermon brings in $15,000 a month and features the MAGA trinity of sponsors: hair loss, erectile dysfunction, and gold. It is populism as home shopping channel.
What emerges from Billot’s piece is a grotesque yet compelling portrait: a woman who believes fear is the measure of respect; who seeks validation from a man who will never truly give it; who builds empires of influence on foundations of resentment. She is both symptom and symbol — the female face of Trump’s politics of vengeance, fuelled by a cocktail of entitlement, envy, and zeal.
The article is, yes, a hit piece – but on a hit woman who has built her fame on delivering them. It is difficult not to admire, in a perverse way, her ferocious will, her talent for narrative manipulation, her intuitive understanding of the algorithmic age: how outrage, once properly branded, can become a career. And yet, one senses that when the spotlight shifts, she will be alone again — another pawn discarded once her usefulness fades. Like all propagandists, she lives by the flame she feeds, and it will consume her soon enough.
Step outside Billot’s irony and the picture of Laura becomes at once less cartoonish and more troubling.Academic analyses of the post-2016 MAGA media sphere – by researchers at George Washington University’s Programme on Extremism, the Oxford Internet Institute, and the Pew Research Centre – suggest that Loomer is neither a fringe eccentric nor an isolated provocateur but a structural feature of the ecosystem itself: an entrepreneur of grievance, feeding and fed by a self-sustaining outrage economy.Her claim to be “the most banned woman in the world” is the cornerstone of what political scientists call the martyrdom loop- censorship begets notoriety, notoriety begets income, income sustains further provocation.Studies by the Knight Foundation and NewGuard show that de-platforming frequently increases engagement among core followers; the sense of persecution becomes the product.She is thus less an aberration than a prototype: the logical child of a system that monetises moral panic.
Her success, such as it is, also mirrors the logic of the platforms themselves.Engagement-based algorithms on X, Rumble, and Truth Social reward moral extremity; the next post must out-outrage the last.Her “hits” against officials accused of ideological impurity exemplify what information-ethics researchers call punitive virality – online denunciation with real-world consequences.When civil-service careers collapse under these pile-ons, activism becomes indistinguishable from intimidation.Even conservative outlets such as the Washington Examiner have begun to note the irony: this is cancel culture re-engineered by its own supposed opponents, a revolution now devouring itself.
Sociologically, Loomer’s self-reinvention – cosmetic transformation, performative devotion to Trump, ritual declarations of loyalty – fits a broader pattern noted by scholars of the American right: women in hyper-masculinist movements often claim power by policing the boundaries of belief more fiercely than their male counterparts.She embodies that paradox of agency and subjugation, the inquisitor disguised as devotee.Feminist media critics see in her a parody of empowerment—the female enforcer of patriarchal purity tests, punishing deviation with theatrical zeal.
Factually, her record is less about fabrication than inflation.Independent checks by Reuters, AP Fact Check, and the ADL show consistent distortion and exaggeration, but rarely outright invention.Yet every correction, every ban, every supposed silencing, only reinforces her narrative of persecution.Communication theorists have observed this since the early Trump years: to her audience, refutation is proof that she must be right.Counter-speech becomes confirmation bias, feeding the myth of suppressed truth.
Politically, she operates in the zone that historian Timothy Snyder calls sadopopulism, a political strategy where leaders inflict pain on their followers to maintain power, combining sadism (pleasure from inflicting pain) and populism (claiming to represent the common people) in a way that manipulates and controls the populace through fear, anxiety, and division – there is always an “other” to look down on and pillory. In this way ,Snyder argues in his video (see below), America can be governed without policy and with pain.
Economically, she exemplifies the gigification of politics: a freelance inquisitor in the attention marketplace, thriving precisely because trust in institutions has collapsed. Psychologically, she is a practitioner of narcissistic moralism – the conviction that outrage itself is virtue. To dismiss her as a comic sideshow, as Billot half-invites us to do, is to miss the larger point: Loomer is not exceptional but emblematic. She is the distilled essence of a system that confuses virality with validity, noise with news, emotion with evidence. She is dangerous not for what she believes but for how effectively she has turned belief into business.Remove her and another will appear, promising to keep everyone on their toes – another entrepreneur in the endless market of grievance that now passes for public life.
The above commentary was composed in collaboration with ChatGPT
Laura Loomer – American activist and provocateur – rose from the fringes of the internet to become MAGA’s self-appointed scourge, a zealot in the age of algorithms.Armed with outrage, she turned “opposition research” into ritual sacrifice, serving her King with names from the digital pyre.But every court has its fool, every prophet her reflection; and when the storm subsides, only the glow of the screen remains.This ballad is her mirror – half elegy, half exorcism, part lampoon, part lament, a hymn for the saint of spite.
She was born again in the wild news feed Where the truth and thunder rhyme With a restless greed and an aching need To be trending one more time
“Fear’s the only faith I keep” she said “And respect is just for the weak” So she chased down the treasons fathoms deep In the wastelands of the Woke
Sing a song for Laura Loomer In the glow of her laptop’s light In the name of all unholy Raise a glass to the saint of spite
She courted the King with her venomous tongue Fed him names from her digital pyre He smiled and winked and the faithful sung And the fearful fled her fire
But kingdoms built on shifting sands Fade away like snow in June She mistook his fickle favour For promises carved in runes
Sing a song for Laura Loomer In the glow of her laptop’s light In the name of all unholy Raise a glass to the saint of spite
Her dogs keep guard in the Florida rain Her livestream hums in a world of blame Each post is a rosary bead of pain And each follower whispers her name
“I’m cancelled for telling the truth” she said Though that truth was over blown It rests with the ghosts of the posts that she made And the crown she thought she’d owned
So raise a glass to the saints of spite Who confuse the glare for grace For they’re the children of the night And are locked its wild embrace
Trump’s muckraker-in-chief wants to be feared
James Billot, Unherd, 11 October 2026
The famous Italian-American crime boss Frank Costello once said, “I’m a man who believes in the law. But I also believe in a little intimidation.” It’s a sentiment that Laura Loomer, MAGA’s most notorious activist-journalist, embraces with gusto. “It’s good to be feared because you have to keep people on their toes,” she says. “You’re not going to command respect otherwise.”
No one is feared more in MAGA world than Laura Loomer. She is Donald Trump’s unofficial muckraker-in-chief, a human-sized security wand who scans for political impurities in the government workforce. As she describes it, her job as an “investigative journalist” is to root out anyone disloyal to the President, be they bureaucrats, judges, or even cabinet secretaries.
Loomer does this by spending 16 hours a day, seven days a week, researching targets on the Internet. When she finds an incriminating piece of information — BLM support, vaccine promotion, or, worst of all, neoconservatism — she will push out the news to her 1.8 million X followers. She then presents it to the President, either in person or through his staff, and days later, that person is out of a job. They have been, as she modestly puts it, “Loomered”.
Once a Right-wing internet provocateur confined to the dark corners of the internet, Loomer now wields extraordinary influence in the White House. With near-unfettered access to the President — an informal adviser whose online crusades can make or break staff careers — she proudly declares that she has claimed over “four dozen” federal employee “scalps”, and expects “hundreds” more. These might be a “good metric” for success, but there is a more important measure in her eyes: validation from Trump, her peers, and the public.
Loomer’s life, though, has been characterised by disappointment: missing out on a spot at Dartmouth University (her father’s alma mater), narrowly losing a Congressional seat twice, and most recently being passed over for a White House job. Each loss has fuelled an enduring sense of injustice — that somehow the world owes her for her misfortune.
When I speak to her, she is seething with indignation. “I am the most underappreciated and undervalued journalist in America today,” Loomer tells me. “I don’t get the respect I deserve.” It is an interesting assumption from someone who has spent the better part of a decade stretching the bounds of what can be called “journalism”. Back in her college days, Loomer worked for Project Veritas, an activist group that uses sting recordings, stunts and entrapment to create bad publicity for its targets. On the day of the 2016 presidential election, Loomer arrived at a polling station dressed in a burqa and demanded a ballot under the name Huma Abedin. Her ballot was rejected, but the lesson stuck: outrage got attention.
Nine years on, her taste for controversy is undiluted. She has seized on national tragedies to advance her own political agenda and rarely, if ever, apologises when she is in the wrong. In September this year, shortly after a gunman killed four churchgoers in Michigan, Loomer claimed, “hate against Christians is widespread in places like Michigan because the entire state is being taken over by Muslims who refuse to assimilate”. The shooter later turned out to be a Trump-supporting Republican, yet Loomer stayed silent. And weeks before Charlie Kirk’s assassination, she labelled him a “charlatan” — a charge she stands by to this day.
Trump remains a fan, describing her as “a free spirit” and a “patriot”. She boasts that the pair of them chatted just a couple of weeks ago, but when I ask for details, she affects coyness, claiming she “doesn’t want to get into specifics”. This is the President after all. “I never ask him for anything,” says Loomer, “which is probably why he likes me so much.”
“She has seized on national tragedies to advance her own political agenda and rarely, if ever, apologises when she is in the wrong.”
Loomer’s devotion to the President is total. Her work, her weight (she lost 25 pounds to look “presentable” for him), and even her Mar-a-Lago face is shaped for Trump-appeal. But it took years of relentless campaigning, cheerleading, and provocative stunts for him to even notice her. In one memorable — and eerily prescient — example, Loomer disrupted a New York City production of Julius Caesar in 2017, in which Trump was reimagined as the titular character during his first term. Onstage, she screamed: “This is violence against Donald Trump! Stop the normalisation of political violence against the Right! This is unacceptable!” While Trump never publicly acknowledged the incident, it would be hard to imagine that he did not notice the subsequent widespread Fox News coverage.
Loomer revelled in the controversy that these stunts generated, and as her profile grew, so too did her notoriety. In 2017, she was banned by Uber and Lyft for complaining about a lack of “non-Muslim” drivers. Then, in 2018, Twitter banned her for attacking Ilhan Omar as “anti Jewish”, claiming that she was a member of a religion in which “homosexuals are oppressed” and “women are abused”. The bans kept coming, but she only grew louder and more provocative. By 2021, she had been barred from at least eight platforms — Uber, Lyft, Twitter, PayPal, GoFundMe, Venmo, Facebook, and Clubhouse — for hate speech and disinformation.
“I don’t know anybody else, aside from President Trump, who has been subjected to the level of deplatforming that I’ve been subjected to,” Loomer tells me with something akin to pride. She says this is why she failed to win her two Florida Congressional races in 2020 and 2022, despite Trump’s endorsement in the latter. “I was the first candidate in federal history that was completely denied all access to social media… I would have been the youngest woman ever elected to the United States Congress in US history had I not been silenced by Big Tech.” And the outrage-generation business clearly has benefits. On her website, where you can buy “Donald Trump did nothing wrong!” and “Forever Trump” T-shirts, a $30 book is on sale called Loomered: How I became the most banned woman in the world. Free speech martyrdom seems to have a few financial perks.
Her irritation has only deepened after the Supreme Court threw out her appeal this week against Big Tech over her bans — a case so weak that both X and Meta waived their right to respond (Elon Musk reinstated her in 2022). And she is indignant about her “stolen potential”. While she languished in Palo Alto purgatory, other Right-wing podcasters made their riches. “As a woman, you’re in your prime time in your twenties and thirties, so I wasn’t able to amass a fortune and build a media empire,” she says. “What’s so special about Ben Shapiro? He’s not breaking stories. He’s just commenting on the news. He’s Jewish, I’m Jewish. He’s conservative, I’m conservative. And yet, he has a company that is worth hundreds of millions of dollars.”
But nor was Ben Shapiro going around calling himself a “proud Islamophobe” and stating that Islam is a “cancer on humanity”. He wasn’t dressing up in Burqas to vote in presidential elections either. But Loomer breezes past these awkward facts. “I carry this resentment against Big Tech with me on a daily basis,” she says. “’I’ve had professional opportunities stolen from me, I’ve also had social opportunities stolen from me.”
Despite these bans, she still records a twice-weekly Rumble show that brings in around $15,000 a month. It is filmed in the spare bedroom of her Florida Panhandle rental apartment that she shares with her boyfriend and four rescue dogs. Each show runs for around three hours and features extensive, unscripted monologues on the “EXPLOSION” of Islamic terror in Britain, along with interviews with RFK’s so-called “Tylenol whisperer” and Camp Lejeune widows. They are part crusade, part carnival and part confessional; the only breaks come in the form of MAGA’s holy trinity of ads: hair loss, erectile dysfunction, and gold.
Her broadcasts are filled with a litany of familiar gripes. She is angry that she’s not a millionaire; angry that her work is overlooked; and angry that other journalists are deemed more respectable. “I know a lot of people who don’t even have anywhere near the following that I have — people who are kind of a joke — who have been given access to Air Force One,” she says. “It makes no sense.”
All the while, Loomer swims in a river of bitterness and entitlement. Her home is the command centre for what she describes as “opposition research”, where tips pour in about Biden holdovers, closet Leftists, and anyone she considers disloyal to the President. It is a craft she learnt from Roger Stone, her mentor and a longtime GOP operative who was sentenced to 40 months in federal prison during the Russiagate investigation in 2020. The 73-year-old made his name as the “original political hitman” by unearthing damaging (and sometimes fake) information about his political opponents. It turned him into an invaluable resource for not only Trump, but his Republican predecessors too.
Loomer’s approach to politics bears all the hallmarks of Stone’s skullduggery. She has weaponised opposition research and public pressure into tools which topple officials. During one particularly productive week over the summer, she claimed three “scalps”: the Trump administration ousted FDA vaccine chief Dr. Vinay Prasad, dismissed NSA General Counsel April Falcon Doss, and revoked Jen Easterly’s appointment as chair of West Point’s social sciences department — each decision coming shortly after her public attacks.
Loomer has also shown no hesitation in taking on even the most prominent figures in Trump’s cabinet. After attacking Pam “Blondi” for her handling of the Epstein files in July, a month later, she turned her sights on RFK Jr., claiming that he was plotting a 2028 presidential run. He denied the allegations, but what happened next was classic Loomerism: the pair made amends, with RFK meeting Loomer and announcing a plan to phase out animal testing — a cause close to her heart.
“Cabinet secretaries all try to have cordial relations with me because they’re scared of getting blown up,” she says when I ask whether she maintains contact with the administration. “So there’ve been a couple of times that I’ve had them call me and say, ‘Hey, I just want to explain what happened here’ because they’re worried about the backlash.” Are they frightened of her? “Well, my receipts are bulletproof,” she says. Was it the same with RKF? “We had a few conversations,” Loomer cryptically replies.
She will even criticise the President on rare occasions. Earlier this year, Loomer attacked Trump’s decision to accept a $400 million Qatari jet for Air Force One, calling it a “stain” on the presidency. And more recently, she threatened to pull her 2026 midterm vote when Defence Secretary Pete Hegseth announced that the US had approved the establishment of a Qatari Emiri Air Force facility in Idaho. “I cannot in good conscience make any excuses for the harboring of jihadis,” she posted. “This is where I draw the line.” “America could have been so great,” she followed up. “Now we will be a Muslim country. This must be what hell feels like.”
Given this power, why then, I ask, has she not been given a White House role, let alone a press pass? She claims that Trump has offered her a job four times, but White House staff have quietly blocked it on each occasion. “It’s professional jealousy,” she says. “President Trump’s staff who don’t like the fact he likes me… They just get high on their own power and don’t let me in.” She is, she insists, the victim of small-minded gatekeeping — a misunderstood ally whose loyalty is undervalued by the petty bureaucrats who feel threatened by her power. In Loomer’s eyes, she is utterly blameless.
But there is a danger here. As she recklessly burns through the administration, tying herself so closely to the fate and fortune of one man, with no formal role or official recognition, what, then, happens when he goes? She is left with no allies, no job, no platforms, no car rides — just scorched earth. For the first time, Loomer sounds uncertain. She pauses; introspection doesn’t come naturally. “By the time Trump’s out of office, I’ll be 36 years old. And by then, I’m going to have to start thinking about other things in life. So who knows whether I’ll be doing this forever.” And then she adds, with a straight face, “the Right-wing ecosystem has also become very toxic”.
Loomer, arguably more than anyone else in this sphere, has helped stoke that toxicity. Haranguing politicians with bullhorns, filming people without their knowledge or consent, and attempting to cancel public figures online represent the Right at its worst. These are gutter politics — and that’s before we flick through the long charge sheet of particularly “provocative” statements, including that the 2018 Parkland and Santa Fe high school shootings involved crisis actors; that Casey DeSantis, wife of then presidential candidate Ron DeSantis, exaggerated her breast cancer to boost her husband’s campaign; and that 9/11 was an “inside job”.
Our conversation revealed a woman who is a cocktail of festering resentment and entitlement, who will use any new connection for her own ends. She is the classic Trump pawn: deployed for as long as she is useful, and then discarded. The President will throw her a morsel of camaraderie from time to time, but it’ll never be more than that. She’s driven by this toxic frustration. It came as no real surprise when, a day after our conversation, she texted me a photo of “independent journalists” at the White House from Trump’s press secretary, Karoline Leavitt’s account. “No invite for me though.”
Loomer will inevitably be cast out — though she doesn’t seem to know it. “I don’t aggregate news, I create the news,” she says proudly. “The President has said that he sees my content and I’m pretty much followed by every single main White House staffer and cabinet member on X.” Her content extends far beyond X, but the poison that she helped to inject now courses through America’s body politic.
… Robeson’s extraordinary career intersects with some of modernity’s worst traumas: slavery, colonialism, the Cold War, Fascism. Stalinism. These are wounds covered over and forgotten, but never fully healed. Not surprisingly, the paths Robeson walked remain full of ghosts, whose whispers we can hear if we stop to listen. They talk to the past, but they also speak to the future.
Jeff Sparrow, No Way But This. In Search of Paul Robeson (2017)
I read Jeff Sparrow’s excellent biography of the celebrated American singer and political activist Paul Robeson several years ago. I was reminded of it very recently with the publication of a book about Robeson’s visit to Australia in November 1960, a twenty-concert tour in nine cities. I have republished a review below, together with an article by Sparrow about his book, and a review of the book by commentator and literary critic Peter Craven. the featured picture is of Robeson singing for the workers constructing the Sydney Opera House.
I have always loved Paul Robeson’s songs and admired his courage and resilience in the face of prejudice and adversity. Duriung his colourful and controversial career (see the articles below), he travelled the world, including Australia and New Zealand and also, Britain. He visited England many times – it was there that my mother met him. She was working in a maternity hospital in Birmingham when he visited and sang for the doctors, nurses, helpers and patients. My mother was pregnant at the time – and, such was his charisma, that is why my name is Paul.
Paul Robeson was a 20th-century icon. He was the most famous African American of his time, and in his time, was called the most famous American in the world. His is a story of political ardour, heritage, and trauma.
The son of a former slave, he found worldwide fame as a singer and an actor, travelling from Hollywood in the USA to the West End of London, to Europe and also Communist Russia. In the sixties, he visited Australia and is long remembered for the occasion he sang the song Old Man River for the workers building the famous Sydney Opera House.
He became famous both for his cultural accomplishments and for his political activism as an educated and articulate black man in a white man’s racist world.
Educated at Rutgers College and Columbia University, he was a star athlete in his youth. His political activities began with his involvement with unemployed workers and anti-imperialist students whom he met in Britain and continued with support for the Republican cause in the Spanish Civil War and his opposition to fascism.
A respected performer, he was also a champion of social justice and equality. But he would go on to lose everything for the sake of his principles.
In the United States he became active in the civil rights movement and other social justice campaigns. His sympathies for the Soviet Union and for communism, and his criticism of the United States government and its foreign policies, caused him to be blacklisted as a communist during the McCarthy era when American politics were dominated by a wave of hatred, suspicion and racism that was very much like we see today,
Paul Robeson, the son of a slave, was a gifted linguist. He studied and spoke six languages, and sang songs from all over the world in their original language.
But his most famous song was from an American musical show from 1927 – Show Boat, by Jerome Kern and Oscar Hammerstein – called Old Man River. The song contrasted the struggles and hardships of African Americans during and after the years of slavery, with the endless, uncaring flow of the Mississippi River. It is sung the point of view of a black stevedore on a showboat, and is the most famous song from the show.
It is a paradox that a song written by Jewish Americans from the Jewish villages of Eastern Europe, the targets of prejudice and pogrom, should voice the cries of America’s down-trodden people.
When the song was first heard, America was a divided country and people of colour were segregated, abused and murdered. The plot of the musical was indeed about race, although it pulled its punches with the romantic message that love is colour-blind
It reflected America’s split personality – the land of the free, but the home of the heartless. Robeson sung the words as they were written, but later in his career, as he became more and more famous, he changed them to suit his own opinions, feelings, sentiments, and politics. So, when he sang to the workers in Sydney, Australia, his song was not one of slavery but one of resistance.
The Big Voice of the Left … Paul Robeson Resounds to this Day
Mahir Ali The Australian November 9, 2010
FIFTY years ago today, more than a decade before it was officially inaugurated, the Sydney Opera House hosted its first performance by an internationally renowned entertainer when Paul Robeson, in the midst of what turned out to be his final concert tour, sang to the construction workers during their lunch break.
Alfred Rankin, who was at the construction site on November 9, 1960, recalls this “giant of a man” enthralling the workers with his a cappella renditions of two of his signature songs, Ol’ Man River and Joe Hill.
“After he finished singing, the men climbed down from the scaffolding, gathered around him and presented him with a hard hat bearing his name,” Paul Robeson Jr writes in his biography of his father, The Undiscovered Robeson. “One of the men took off a work glove and asked Paul to sign it. The idea caught on and the men lined up. Paul stayed until he had signed a glove for each one of them.”
Workers had the best seats when Robeson sang at the Sydney Opera House, 9 November 1960
The visit, Rankin tells The Australian, was organised by the Building Workers Industrial Union of Australia and the Australian Peace Council’s Bill Morrow, a former Labor senator from Tasmania.
In a chapter on Robeson’s visit in the book Passionate Histories: Myth, Memory and Indigenous Australia, which will be launched in Sydney tomorrow, Ann Curthoys quotes the performer as saying on the day after his visit to the Opera House site: “I could see, you know, we had some differences here and there. But we hummed some songs together, and they all came up afterwards and just wanted to shake my hand and they had me sign gloves. These were tough guys and it was a very moving experience.”
In 1998, on the centenary of Robeson’s birth, former NSW minister John Aquilina told state parliament his father had been working as a carpenter at the Opera House site on November 9, 1960: “Dad told us that all the workers – carpenters, concreters and labourers – sang along and that the huge, burly men on the working site were reduced to tears by his presence and his inspiration.”
Curthoys, the Manning Clark professor of history at the Australian National University, who plans to write a book about the Robeson visit, also cites a contemporary report in The Daily Telegraph as saying that the American performer “talked to more than 250 workmen in their lunch hour, telling them they were working on a project they would be proud of one day”. [Curthoy’s book, The Last Tour: Paul and Eslanda Robeson’s visit to Australia and New Zealand, was published at last in 2025]
According to biographer Martin Duberman, Robeson wasn’t particularly enthusiastic about the offer of a tour of Australia and New Zealand from music entrepreneur D. D. O’Connor, but the idea of earning $US100,000 for a series of 20 concerts, plus extra fees for television appearances and the like, proved irresistible.
Robeson had once been one of the highest paid entertainers in the world, but from 1950 onwards he effectively had been deprived of the opportunity of earning a living. A combination of pressure from the US government and right-wing extremists meant American concert halls were closed to him, and the US State Department’s refusal to renew his passport meant he was unable to accept invitations for engagements in Europe and elsewhere. Robeson never stopped singing but was able to do so only at African-American churches and other relatively small venues. His annual income dwindled from more than $US100,000 to about $US6000.
At the time, Robeson was arguably one of the world’s best known African Americans. As a scholar at Rutgers University, he had endured all manner of taunts and physical intimidation to excel academically and as a formidable presence on the football field: alone among his Rutgers contemporaries, he was selected twice for the All-American side.
Alongside his athletic prowess, which was also displayed on the baseball field and the basketball court, he was beginning to find his voice as a bass baritone. When a degree in law from Columbia University failed to help him make much headway in the legal profession, he decided to opt for the world of entertainment, and made his mark on the stage and screen as a singer and actor.
An extended sojourn in London offered relief from the racism in his homeland and established his reputation as an entertainer, not least through leading roles in the musical Show Boat and in Othello opposite Peggy Ashcroft’s Desdemona.
(He reprised the role in a record Broadway run for a Shakespearean role in 1943 and again at Stratford-upon-Avon in 1959)
Robeson returned to the US as a star in 1939 and endeared himself to his compatriots with a cantata titled Ballad for Americans.
In the interim, he had been thoroughly politicised, not least through encounters in London with leaders of colonial liberation movements such as Kenya’s Jomo Kenyatta, Ghana’s Kwame Nkrumah and India’s Jawaharlal Nehru.
He had sung for republicans in Spain and visited the Soviet Union at the invitation of filmmaker Sergei Eisenstein.
Robeson’s refusal to reconsider his political affiliations once World War II gave way to the Cold War made him persona non grata in his homeland: his infatuation with the Soviet Union did not perceptibly pale in the face of horrific revelations about Stalinist excesses, partly because he looked on Jim Crow as his pre-eminent foe. It is therefore hardly surprising that exposure in Australia to Aboriginal woes stirred his passion.
On the day after his appearance at the Opera House site, at the initiative of Aboriginal activist and Robeson fan Faith Bandler he watched a documentary about Aborigines in the Warburton Ranges during which his sorrow turned to anger, and he vowed to return to Australia in the near future to fight for their rights. He made similar promises to the Māori in New Zealand.
But the years of persecution had taken their toll physically and psychologically: Robeson’s health broke down in 1961 and, on returning to the US in 1963, he lived the remainder of his life as a virtual recluse. He died in 1976, long after many of his once radical aspirations for African Americans had been co-opted into the civil rights mainstream. His political views remained unchanged.
It’s no wonder that, as writer and broadcaster Phillip Adams recalls, Robeson’s tour was like “a second coming” to “aspiring young lefties” in Australia.
Duberman cites Aboriginal activist Lloyd L. Davies’s poignant recollection of Robeson’s arrival in Perth on the last leg of his tour, when he made a beeline for “a group of local Aborigines shyly hanging back”.
“When he reached them, he literally gathered the nearest half dozen in his great arms.”
Davies heard one of the little girls say, almost in wonder, “Mum, he likes us.”
She would have been less surprised had she been aware of the Robeson statement that serves as his epitaph: “The artist must take sides. He must elect to fight for freedom or slavery. I have made my choice. I had no alternative.”
Left for Good – Peter Craven on Paul Robeson
The Weekend Australian. March 11 2017
What on earth impelled Jeff Sparrow, the Melbourne-based former editor of Overland and left-wing intellectual, to write a book about Paul Robeson, the great African American singer and actor?
Well, he tells us: as a young man he was transporting the libraries of a lot of old communists to a bookshop and was intrigued by how many of the books were by or about Robeson.
All of which provokes apprehension, because politics is a funny place to start with
Robeson, even if it is where you end or nearly end. Robeson was one of the greatest singers of the 20th century. When I was a little boy in the 1950s, my father used to play that velvet bottomlessly deep voice singing not only Ol’ Man River — though that was Robeson’s signature tune and his early recording of it is one of the greatest vocal performances of all time — but all manner of traditional songs. Not just the great negro spirituals (as they were known to a bygone age; Sparrow calls them slave songs) such as Go Down, Moses, but Shenandoah, No, John, No and Passing By, as well as the racketing lazy I Still Suits Me.
My mother, who was known as Sylvie and loathed her full name, which was Sylvia, said the only time she could stand it was when Robeson sang it (“Sylvia’s hair is like the night … such a face as drifts through dreams, such is Sylvia to the sight”). He had the diction of a god and the English language in his mouth sounded like a princely birthright no one could deny.
It was that which made theatre critic Kenneth Tynan say the noise Robeson made when he opened his mouth was too close to perfect for an actor. It did not stop him from doing Eugene O’Neill’s All God’s Chillun’ Got Wings or The Emperor Jones, nor an Othello in London in 1930 with Peggy Ashcroft as his Desdemona and with Sybil Thorndike as Emilia.
Robeson later did Othello in the 1940s in America with Jose Ferrer as Iago and with Uta Hagen (who created Martha in Who’s Afraid of Virginia Woolf?) as his Desdemona. He toured the country; he toured the south, which was almost inconceivable. When he was told someone had said the play had nothing to do with racial prejudice, Robeson said, “Let him play it in Memphis.”
Southern white audiences were docile until Robeson’s Othello kissed Hagen’s Desdemona: then they rioted. Robeson also made a point, at his concerts and stage shows, of insisting the audience not be segregated. James Earl Jones. who would play Robeson on the New York stage, says in his short book about Othello, “I believe Paul Robeson’s Othello is the landmark performance of the 20th century.”
Robeson would play the Moor again in 1959 at Stratford-upon-Avon. By that time, though, he had fallen foul of 1950s America. He had been called before the McCarthyist House Un-American Activities Committee. You can hear a dramatisation of his testimony with Earl Jones as Robeson, which includes an immemorial reverberation of his famous words when senator Francis E. Walter asked him why he didn’t just quit the US and live in Russia.
“Because my father was a slave and my people died to build this country, and I am going to stay here and have a part of it just like you. And no fascist-minded people will drive me from it. Is that clear?”
It’s funny how it was the real communists such as Bertolt Brecht and Robeson who handled the committee best. Still, in an extraordinary act of illiberalism, they took away his US passport and it took two years for the Supreme Court to declare in 1958 in a 5-4 decision that the secretary of state was not empowered to withdraw the passport of any American citizen on the basis of political belief.
When Paul Robeson sang at the Sydney Opera House
It was this that allowed Robeson to do his Othello in Peter Hall’s great centenary Stratford celebration along with Charles Laughton’s Lear and Laurence Olivier’s Coriolanus. It also allowed him to come to Australia. Very early on Sparrow tells the story of watching the clip of Robeson singing Ol’ Man River to construction workers in Sydney with the Opera House still a dream in the process of meeting impediments. The version Robeson sings is his own bolshie rewrite (“I must keep fightin’/ Until I’m dyin’ ”).
Well, fight he did and bolshie he was. I remember when I was a child my father telling me Robeson was a brilliant man, that he had won a sporting scholarship for American football (to Rutgers, in fact), that he’d gone on to receive a law degree (from Columbia, no less) and that he was so smart he had taught himself Russian.
But the sad bit was, according to my father, that he’d become a communist. Understandably so, my father thought, because of how the Americans treated the blacks. My father’s own radical impulses as a schoolboy had been encouraged, as Robeson’s were on a grander scale, by World War II where Uncle Joe Stalin was our ally in the war against Hitler’s fascism.
But this was the Cold War now, and a lot of people thought, with good reason, that it was behind the Iron Curtain that today’s fascists were to be found. Even if others such as the great German novelist Thomas Mann and Robeson thought they were encroaching on Capitol Hill.
Sparrow’s book No Way But This is circumscribed at every point by his primary interest in Robeson as a political figure of the Left rather than as a performer and artist.
It’s an understandable trap to fall into because Robeson was an eloquent, intelligent man of the Left and his status was also for a while there — as Sparrow rightly says — as the most famous black American on Earth. So his radicalism is both pointed and poignant.
His father, who became a Methodist minister, was born a slave and was later cruelly brought down in the world. But, unlike the old Wobblies whose bookcases he transported, Sparrow is not inward with what made Robeson famous in the first place and it shows.
No Way But This is a great title (“no way but this / killing myself, to die upon a kiss” is what Othello says when he’s dying over the body of Desdemona, whom he has killed) but Sparrow’s search for Robeson is not a great book.
As the subtitle suggests, it is a quest book but Sparrow is a bit like the Maeterlinck character cited in Joyce’s Ulysses who ends up meeting himself (whether in his Socrates or his Judas aspect) on his own doorstep. Sparrow goes to somewhere in the US associated with Robeson and meets a black-deaths-in-custody activist full of radical fervour. She introduces him to an old African-American who was in Attica jail for years. There is much reflection on the thousands of black people who were slaves on the plantations and the disproportionate number of them now in US prisons.
Yes, the figures are disquieting. No, they are not aspects of the same phenomenon even though ultimately there will be historical connections of a kind.
And so it goes. But this is a quest book that turns into a kind of travelogue in which Sparrow goes around the world meeting people who might illuminate Robeson for him but don’t do much for the reader except confirm the suspicion that the author’s range of acquaintance ought to be broader or that he should listen to people for a bit more rather than seek confirmation of his own predilections.
There are also mistakes. Sparrow seems to know nothing about the people with whom Robeson did Othello. There’s no mention of Thorndike, and when Ashcroft comes up as someone he had an affair with, Sparrow refers to the greatest actress of the Olivier generation as “a beautiful glamorous star”. Never mind that she was an actress of such stature, Judi Dench said when she played Cleopatra she could only follow Ashcroft’s phrasing by way of homage.
Sparrow also says “American actor Edmund Kean started using paler make-up for the role, a shift that corresponded with the legitimisation of plantation slavery”. Kean, who was the greatest actor of the later romantic period, was English, not American. His Othello would, I think, be more or less contemporary with William Wilberforce lobbying to have slavery made illegal. Sparrow seems to be confusing Kean with Edwin Booth, the mid-century Othello who happens to have been the brother of John Wilkes Booth, the assassin of Abraham Lincoln. But it’s still hard to see where the plantations fit in.
A few pages later — and it’s not important though it’s indicative — we hear of the rumour that Robeson was “romancing Edwina Mountbatten, Countess Mountbatten of Burma”. Well, whatever she was called in the early 1930s, it wasn’t Countess Mountbatten of Burma because her husband, Louis Mountbatten, the supreme allied commander in Southeast Asia during World War II, didn’t get the title until after the Japanese surrendered to him — guess where?
Such slips are worth belabouring only because they make you doubt Sparrow’s reliability generally. It’s worth adding, however, that his chapter about the prison house that the Soviet Union turned itself into is his most impressive. And the story of the last few years of Robeson’s life, afflicted with depression, subject to a lot of shock treatment, with recurrent suicide attempts, is deeply sad.
He felt towards the end that he had failed his people. He just didn’t know what to do. It was the melancholy talking as melancholy will.
It’s better to remember the Robeson who snapped back at someone who asked if he would join the civil rights movement: “I’ve been a part of the civil rights movement all my life.”
It’s to Sparrow’s credit that he’s fallen in love with the ghost of Robeson even if it’s only the spectral outline of that power and that glory he gives us.
Peter Craven is a cultural and literary critic
The Last Tour: Paul and Eslanda Robeson’s visit to Australia and NZ
Australians of a certain age know all about Paul Robeson’s magnificent voice. They know, too, that on a warm November day more than 60 years ago, the bass-baritone sang to 250 construction workers on the Sydney Opera House building site as the workers sat on scaffolding and stacks of timber and ate their lunch. Fewer know of Robeson’s Pro-Communist and pro-Soviet views and of how those beliefs damaged his career at home and abroad. And that’s not so surprising – as historian Ann Curthoys points out, the Cold War suppression of Robeson’s career and memory has been very effective.
Recovering the story of a man who was once the most famous African-American in the world and his equally impressive wife, Eslanda, is the task Curthoys, who grew up in an Australian communist family in the 1950s and 60s, sets herself in a new book, The Last Tour: Paul and Eslanda Robeson’s visit to Australia and New Zealand.
It follows the couple’s tour – a mix of his concerts and their public talks and media interviews – to Australia and New Zealand over October, November and December 1960. Curthoys goes further, using the seven-week tour by this celebrated singer to explore the social and political changes just beginning in post-War Australia. Her interest is “the slow transition from the Cold War era of the late 1940s and 50s, to the 60s era of the New Left, new social movements and the demand for Aboriginal rights”.
Curthoys is 79 now, but when Robeson toured she was 15 and living in Newcastle, a city the singer did not visit. Her mother, Barbara Curthoys, a well-known activist and feminist, was a fan of the singer but the trip passed the teenager by.
It was only decades later, as she researched her 2002 book on the 1965 Aboriginal Freedom Ride through regional NSW, that Curthoys connected with the story. As a university student she had taken part in the ride and moved from communism to the New Left. When she approached the subject as a historian, she realised that for some riders, their attendance at Robeson’s concerts five years earlier had been a defining moment in their “understanding of racial discrimination and Aboriginal rights”.
Curthoys has had a long career in research and teaching at the Australian National University and the University of Technology, Sydney. She’s part of a remarkable family, and not just parents Barbara and Geoffrey, who was a lecturer in chemistry at Newcastle University. Her sister Jean is a leading feminist philosopher and her husband, John Docker, has written several books on cultural history, popular culture and the history of ideas.
Curthoys began researching The Last Tour in 2007, but put it aside for another project on Indigenous Australians before resuming work on it during the Covid-19 lockdowns. Post-Robeson, she has worked with two scholars on a forthcoming book on the history of domestic violence in Australia.
The tour, she says, was really several tours rolled into one with the Robesons covering many bases – from music to Cold War politics to feminism to Aboriginal rights. It was a conservative era: Robert Menzies’ Liberals ruled federally and five of the six Australian states had conservative governments. Robeson’s presence went unremarked by governments but for fans of his music – and his ideals – the tour was a significant event that was well covered by the press, even those opposed to his views on the Soviet Union.
For some fans, it was a music tour – 20 concerts in nine cities in Australia and New Zealand, at which Robeson sang his show-stoppers, including Deep River, Go Down, Moses; We Are Climbing Jacob’s Ladder, and the song with which he is always identified, Ol’ Man River. The 62-year-old with the extraordinary voice also delivered “recitations” – a monologue from Shakespeare’s Othello, an anti-segregationist poem Freedom Train, and William Blake’s anthem, Jerusalem.
What a thrill for Australian audiences, some of whom had followed the handsome, 1.9m singer and actor since the 1920s. Even in an age of limited communications, Robeson was well-known here through films; records and radio. Curthoys notes that one indicator of his fame was the way promising Aboriginal singers in the 1930s were dubbed “Australia’s Paul Robeson”.
He was famous – and controversial. Unlike many other supporters of communist ideas, Robeson refused to break from the Soviets after the invasion of Hungary in 1958 and continued to defend Moscow. The “anti-communist repression and hysteria” that gripped the US in the McCarthy era had a profound effect on his life and career, Curthoys writes. He was cited in 1947 by the House Committee on Un-American Activities as “supporting the Communist Party and its front organisations”.
A 1949 US tour was destroyed “after mass cancelling of bookings by venue managers either vehemently opposed to his politics or afraid in such a hostile climate of being classed as communist sympathisers themselves”. Then in 1950, he lost his passport. Over the years, he would “become for communists an emblem of defiance in the face of adversity, and one of the communist world’s most prominent speakers for peace,” Curthoys writes.
Unable to travel until his passport was restored in 1958, Robeson was steadfast in his support for communist ideals. That commitment was evident in Australia when the “peace tour” – built around a series of public meetings – was as important to the singer as the popular concerts where he reached a different audience. Curthoys details a related strand – the “workers’ tour”, which involved seven informal concert performances to groups of railway workers, waterside workers and those at work on the Opera House on that November day.
She says the events revealed much about the “the nature of class in Australia and New Zealand” at a time when “strong and confident trade unions” were interested in “broad cultural concerns”. Over several weeks Robeson attracted people who loved his music alongside those who loved his politics. Far from being shunned for his pro-Soviet views, Curthoys suggests, there was support from two different audiences – music people and “left-wing people who were either pro-Soviet or not”.
Even so, the Cold War anxieties over the Soviets meant a positive reception was not necessarily assured when Paul and Eslanda flew into Sydney at midday on October 12, 1960. They were greeted by several hundred fans carrying peace banners but they faced pointed questions about the Soviet Union at the 20-minute press conference at the airport.
Robeson refused to condemn the suppression of the Hungarian uprising and media reports suggested a torrid exchange. Curthoys reviewed a tape of the press conference and says while the questioning was “a little aggressive”, the event was not as bad as reported in the media. Indeed it was “fairly friendly” albeit for a “bad patch” when Robeson refused to budge on Hungary.
That tape and others, along with newspapers and Trades Hall documentation, yielded rich material but so too did the ASIO files on the couple. At the Palace Hotel in Perth on December 2 an ASIO operative appeared to be among those at a reception organised by the communist-influenced Peace Council. Among guests were the writer (and well-known communist) Katharine Susannah Prichard and “two women by the name of Durack, who were writers and/or artists”.
Curthoys sees Robeson as a “very courageous, very intelligent, intellectual person, very thoughtful about music, about folk music, about people”, but says his commitment to the Soviet Union was a costly mistake. He had embraced Moscow when he and Eslanda visited in 1934 at the invitation of Soviet film director Sergei Eisenstein. Later, Robeson, a fluent Russian speaker, would say it was in the Soviet Union that he felt for the first time he was treated “not through the prism of race but simply as a human being”. Curthoys writes: “The excitement and validation he received during this visit would create a loyalty that later events would not dislodge and the public expression of which would damage him politically, commercially and professionally.”
The couple made several trips to the Soviet Union and accepted its political system completely. Curthoys notes: “They made no public comments about Stalin’s forced collectivisation policies that were in place during the 1930s and led to famine and the loss of millions of lives.” In Sydney Robeson was careful, but on November 5 he celebrated the forthcoming anniversary of the Russian Revolution at the Waterside Workers Federation in Sussex Street. Two days later, during his first public concert in the city, he paid tribute to the Soviet Union as “a new society”.
The Soviet Union had been a great influence but so too was the Spanish Civil War, which Curthoys says helped define his view of the political responsibilities of the artist.
“Increasingly famous as a public speaker, on 24 June, 1937, he made a huge impression at a mass rally at the Albert Hall in London sponsored by prominent figures such as WH Auden, EM Forster, Sean O’Casey, HG Wells and Virginia Woolf, held to raise financial aid for Basque child refugees from the war. In what became his most well-known and influential speech, he stressed how important it was for artists and scientists and others to take a political stand: ‘Every artist, every scientist, every writer must decide NOW where he stands. He has no alternative. There is no standing above the conflict on Olympian heights.’”
After World War II, Robeson was deeply involved in radical and anti-racism politics in the US but in 1947, as the Cold War worsened, he had had enough. He announced he intended to abandon the theatre and concert stage for two years to speak out against race hatred and prejudice. In fact he stopped stage acting for 12 years but continued to perform as a singer, often in support of political causes.
It was another 13 years before Australian audiences heard that glorious voice “live”. Australians, it seemed were primed for Paul. The tour may have been ignored by governments but during her research, Curthoys was “overwhelmed” by people “ready to assist, donating old programs, photographs, pamphlets, records, cassette tapes, invitations and other documents”.
Today, much of the Robeson image is defined by his Opera House performance on November 9 – high culture delivered, without condescension, to a building crew by a champion of the workers. Robeson, in a heavy coat, despite the warm weather, sang “from a rough concrete stage”. A PR expert could not have dreamt up a a better way to “democratise” an opera house than having the “first concert” delivered in its half- built shell. Curthoys shows how the event, no matter how memorialised now, was a small part of a tour that proved a financial and political success for the Robesons, who left Australia on December 4.
A few months later, depressed and exhausted, Robeson tried to commit suicide in Moscow. Over the next three years he was treated but could no longer perform or engage in public speaking. Curthoys notes that though his affairs with other women had strained their marriage, he and Eslanda had a common political vision and were together until her death in 1965. Robeson died on January 23, 1976 at the age of 77.
Helen Trinca’s latest book is Looking for Elizabeth: The Life of
Elizabeth Harrower (Black Inc.)
Twas in another lifetime, one of toil and blood When blackness was a virtue the road was full of mud
B Dylan, Shelter from the Storm
It is fifty years since the end of the 21 yearlong Vietnam War, the great war of my generation. Our friends Marianne Harris, partner of acclaimed photographer the late Tim Page and photo-journalist Ben Bohane have been in Cambodia and Vietnam along with many photographers and journalists who covered the conflict on all sides of the lines.
In reality, the conflict in Indochina began in 1946 when British forces handed the former French colony back to France, and the nationalist Viet Minh forced the French to surrender and withdraw in 1954. The Americans call it the Vietnam War but to the Vietnamese, it is The American War because it was the USA that came, saw and failed to conquer. No one really knows how many people perished. Civilian deaths range from 1.3 to 4.5 million, of which over 80% were Vietnamese and 7% Cambodian. American soldiers dead numbered 58,220 and wounded,153,303. The number of Vietnamese and Cambodian wounded is inestimable. An account of the war from Tim Page’s War – a photographer’s Vietnam journey is republished after the following poem.
On this anniversary, one which has been almost ignored in mainstream media, we remember all those lives lost, and the devastation inflicted on countries that were once “faraway places with strange sounding names”, as the old song goes.
A silent wall shouting for peace
The anniversary reminded me of an almost forgotten book that was published in the US back in mid ‘eighties as one of an excellent series entitled “A Day In The Life of … “ which chronicled in pictures the lives of ordinary people in major cities around the world. Uniquely, one of these was dedicated exclusively a monument, The Wall, the Vietnam Veterans’ Memorial in Washington DC – two black granite walls completed in 1982 engraved with the names of American service members who died or remain missing as a result of their service in Vietnam and Southeast Asia during the war. The book is poignant gallery of images and messages left at the memorial by loved ones and comrades, the emotional debris of that almost forgotten war that although long gone, reaches out through history with an admonishing finger: “Shadows in search of a name for victims we’ve left far behind”.
One of many anonymous notes left on the memorial pierced my heart and inspired the following poem and song:
“I shut my eyes and wouldn’t listen when they came with morning and told me that you had slipped away. I closed my mind against my thoughts, not wanting t believe you’d gone. Not dragged off, captured in the bright day’s savage madness, not overwhelmed by the dark blind angers of night, but here within the sight and sound and smell of the sea, and salty spray on gentle winds so near”.
When I read it, I thought immediately of the 19th century English poet Matthew Arnold’s On Dover Beach: “We are here as on a darkling plain, swept with confused alarms of struggle and flight, where ignorant armies clash by night”.
Shadows in Search of a Name
Echoes of honour and shame,
Phantoms of glory and fame,
Shadows in search of a name
For victims we’ve left far behind.
And all is not quite as it seems
In the dark corridors of his dreams,
In the silence of his senses,
The violence of his mind.
Storms that thunder and rain,
Lights that waver and wane,
Winds that howl out in pain,
Visions from a great height.
Time for the turmoil to cease,
A silent wall shouting for peace –
From the bright day’s savage madness,
Blind angers of night
You are the ice in my veins,
You are the age in my bones.
You are the flames in my heart
Raging out of control.
You are the blood on my hands,
You are the lies on my tongue.
You are the cries in my ears
And the eyes of my soul.
Echoes of honour and shame,
Phantoms of glory and fame.
Shadows in search of a name
For victims we’ve left far behind.
A ship is waiting for us at the dock America has trouble to be stopped We must stop Communism in that land Or freedom will start slipping through our hands. I hope and pray someday the world will learn That fires we don’t put out, will bigger burn We must save freedom now, at any cost Or someday, our own freedom will be lost.
Johnny Wright, Hello Vietnam
The Twentieth Century’s “Thirty Years War” was waged in South East Asia initially by the colonialist France, and then by neo-imperialist America. France’s war ended in defeat and ignominy for French arms and prestige, and a partition that was but a prelude to America’s Vietnam quagmire.
in his masterful documentary, The Vietnam War, acclaimed filmmaker Ken Burns narrator intoned: “America’s involvement in Vietnam began in secrecy. It ended, thirty years later, in failure, witnessed by the entire world. It was begun in good faith, by decent people, out of fateful misunderstandings, American overconfidence, and Cold War miscalculation. And it was prolonged because it seemed easier to muddle through than admit that it had been caused by tragic decisions, made by five American Presidents, belonging to both political parties”.
America’s War has since been defined as chaos without compass. It was inevitable that acclaimed historian Barbara Tuchman would chose it as one of her vignettes in The March of Folly, her celebrated study of débacles through the ages characterised by what would appear to be a single-minded determination amounting to tunnel vision that is akin to stupidity.
As Tuchman saw it, exceptionalism and manifest destiny are historically proven folly. Self-belief in American power and righteousness has historically created delusions of grandeur, obstinate attachment to unserviceable goals, stubbornness, and an inability to learn from past mistakes or even admitting error – a wooden-headedness that often sees the US persisting on erroneous paths that lead to loss of blood, treasure, reputation and moral standing.
Why did the US’ experience of backing the wrong horse in China in the forties not provide an analogy and warning in Vietnam in the fifties? Why did the experience in Vietnam not inform the it with respect to Iran right up to the fall of the Shah in 1978? And why hadn’t it learned anything when it stumbled into Salvador in the eighties? And then, of course, we arrive in the 21st century with no-exit, never-ending wars in Afghanistan and Middle East that end in retreat and betrayal with the ‘freedom-loving’ USA still backing the wrong horses by supporting autocrats and tyrants against their own people.
But, back to Vietnam …
As historian Per Yule noted in The Long Shadow: Australia’s Vietnam Veterans Since The War, the Vietnam War was based on an assortment of unproven assumptions and half truths. It wrongly identified a dictatorship as a democracy a civil war as an international conflict. Our armed forces were sent to fight in support of a corrupt military regime which received solid support only from the catholic minority and the small landowning class. Few willingly fought for the regime.
Many in the US military reckoned that if given a free hand by the administration of President Johnson, they could have prevailed against North Vietnam – by destroying it utterly with overwhelming firepower. But the US had backed the wrong side and no amount of support could make the South Vietnamese fight and die hard enough for their corrupt, incompetent, puppet government. We hear a similar rationale with regard to the the Afghan army’s rapid collapse and the US’ shambolic withdrawal from Afghanistan
The US wanted to convince the North Vietnamese that they couldn’t win on the battlefield. The North Vietnamese wanted to convince the American people that the cost in blood and treasure was too high. Both sides continued to believe that they could improve their positions through escalation and both continued to focus on military rather than political means to end the conflict. And so we were left with an almost certainly unwinnable strategy of bombing the enemy to the negotiating table when that enemy shows no willingness to negotiate under duress. The bombing campaign, code name Rolling Thunder, was described by a commentator in Ken Burns’ documentary The Vietnam War as “the dumbest campaign ever designed by a human being”.
The many names for a war lost before it began
All we need is a little determination; Men, follow me, I’ll lead on. We’re waist deep in the big muddy And the big fool says to push on.
Pete Seeger, Waist Deep in the Big Muddy
Vietnam has been called the pointless war and the needless war. In a scene in Apocalypse Now Redux, Francis Ford Coppola’s recut of his seventies epic, Having denounced his country’s folly in being surrounded and defeated in the battle of Dien Bien Phu in 1954, which precipitated the end of French colonial rule and the beginning of US involvement in Indochina, expatriate patriarch Hubert de Marais declares to his American guests: “You are fighting for the biggest nothing in history”.
It was certainly a costly war. The butchers bill was horrendous. No one really knows how many people perished. Civilian deaths range from 1.3 to 4.5 million.of which over 80% were Vietnamese and 7% Cambodian. American soldiers dead numbered 58,220 and wounded,153,303. The number of Vietnamese and Cambodian wounded is inestimable.
As for the American forces, it most certainly “the poor man’s war” – most who were perished or were maimed were not rich folks, and a disproportionate number were black. Amd the more who died, the more were sent to replace them. And like here in Australia, thecdraft caught mainly the poor and unconnected. Even as soldiers started going home, actual or attempted murder by enlisted men of their superiors increased alarmingly.
As to the monetary cost: an estimated $1 trillion in today’s dollars. But that is doubtlessly an understatement – what about the rebuilding, the rehabilitation, the recompense? Vietnam was the most heavily bombed country in history. More than 6.1 million tons of bombs were dropped, compared to 2.1 million tons in WW2. U.S. planes dumped 20 million gallons of herbicides to defoliate VietCong hiding places. It decimated 5 million acres of frostbite and 500,000 acres of farmland.
It has been called “the helicopter war” because choppers were the primary mode of ground combat and transport, and also “the television war – it’s triumphs (few) and tragedies (many) were beamed Into American homes nightly, fuelling the public’s confusion and unease about this Asian war, and eventually, the anger that forced the US government to eventually withdraw over half a million soldiers, marines, airmen and sailors and abandoning South Vietnam’s puppet government, its demoralised and abandoned army, and its unfortunate, battered and bloodied people to the tender mercies of the hardline and heartless ideologues in Hanoi.
Vietnam was also, notoriously, a pharmaceutical war. In its final year’s, as raw and reluctant draftees made up an increasing proportion of the US forces, indiscipline and substance abuse transformed, in the words of one professional soldier, an officer, a fine army into a rotten one. Alcohol, marijuana, acid, coke, heroin, and a cornucopia of pills were freely available on base, on leave in Saigon, and often, in the field, and many soldiers actually made it a business. The press too were sucked into the machinery.
And, it was a promiscuous war. So far away from home and loved ones, like warriors in all wars since time immoral, US solders took comfort and solace where they could find it. Historians, memoirists, veterans of both the French and American wars in Indochina write and talk of the beauty of the Vietnamese women. Economic deprivation and social dislocation create a flesh market supplying lonely, frightened strangers in a strange land.
It was chemical warfare – not the mustard gas of older wars, and the Zyklon B of the Nazi death camps, nor the recent wars in the Middle East, in the first Gulf War, between Iraq and Iran, and in Syria – but the broad-acre use of chemical defoliants designed to deny the enemy of jungle and forest concealment that left behind a bitter harvest, a legacy of disease, deformity and death that ricochets to this day.
And, in the United States, it was a war that divided a nation. The protest movement emerged during 1965. It grew and grew, and by the Moratorium of October 1969, it became the largest outpouring of public dissent in American history. The moratorium movement was massive and unprecedented – and peaceful. Nationwide, hundreds and hundreds of thousands of people across the US were marching. The children of politicians and officials and soldiers were also marching. They were marching not about winning or losing the war but demanding an end to the war.
It was a journalists war too, and the photographers’ War. The military had a relaxed and tolerant attitude towards the press that would seem profligate and foolhardy in today’s tightly managed and manipulated combat media. Journalists and photographers would be permitted and indeed invited along on patrols and sweeps, carrier landings, on helicopter “dust offs” (a euphemism for evacuating the wounded and the dead), and the controversial “search and destroy” operations that destroyed so many fields, villages and lives. Needless to say, the coopted fourth estate were often in harm’s way. They were taught how to use weapons and often actually did use them in self defence and, sometimes in anger. And like the officers and men with whom they worked, many were wounded and slain. More than two hundred would die covering the fighting in South East Asia.
And English photojournalist Tim Page, who ran away from boring ‘sixties Britain to the exotic East at the age of seventeen, taking the ‘overland’ route that decades later would be called ‘the Hippie Trail’, washed up in the war of our generation, and left it critically injured and indeed clinically dead in a medivac chopper.
The Vietnam War’s echoes reverberate to this day. In the United States, it has taken more than 50 years for such a traumatic defeat to fade. The deepest scars, inevitably, belong to those who suffered most. Author and Vietnam veteran Philip Caputo in the preface to his memoir A Rumor of War wrote:
“I came home from the war with the curious feeling that I had grown older than my father, who was then 51,” writes. “A man saw the heights and depths of human behaviour in Vietnam, all manner of violence and horrors so grotesque that they evoked more fascination than disgust. Once I had seen pigs eating napalm-charred corpses – a memorable sight, pigs eating roast people.”
The scars on Vietnam itself were much deeper and long lasting – on its politics, still a authoritarian communist regime; its people – millions died, were wounded or suffered long term psychological and genetic damage; and its environment – the effects of broad-acre defoliants and the damage and debris of war.
If I ruled the world
Every day would be the first day of Spring
Every heart would have a new song to sing
And we’d sing of the joy every morning would bring
If I ruled the world
Every man would be as free as a bird
Every voice would be a voice to be heard
Take my word, we would treasure each day that occurred
My world would be a beautiful place
Where we would weave such wonderful dreams
My world would wear a smile on its face
Like the man in the moon has when the moon beams
Leslie Bricusse and Cyril Ornadel
On his inauguration on January 20 2025, US President Donald Trump declared to the American people, “My fellow citizens, the golden age of America begins right now.”
Pundits and partisans right across the political spectrum, both at home and overseas, agree that Donald John Trump’s second presidential term is probably the most consequential since Franklin Delano Roosevelt. That is perhaps the only thing that they can agree on.
After 100 days in office, he is in command, testing the limits of executive power, resetting political and cultural perceptions and expectations, and reframing America’s role in the worked. But it would seem to many that having arguably declared war on America and the world, he is veering out of control.
There is almost no part of American society which has not felt the blizzard of change from the day he was sworn in. In a stand-over style that is more mob boss than head of state, he has forged a new American imperialism to project what he perceives as US interests, secure strategic assets and rebuild American economic self-sufficiency. The global trading system that has been in place for 75 years has been crippled, if not destroyed, and economists and stock markets surmise that the US economy is on the verge of crashing. America is no longer the leader of the free world because the world is no longer following America, but rather, is taking evasive action. Trump has united the people of most countries around the world around their political leadership, and yet he has not united America and Americans.
In a recent opinion piece in the Sydney Morning Herald, Bruce Wolpe, a senior fellow at the University of Sydney’s United States Studies Centre and former Congressional staffer, wrote a concise overview of Trump’s tumultuous first 100 Days. I have borrowed from it to write the following précis.
Trump is not governing by legislating but by an unprecedented exercise of executive power. He has signed fewer bills into law than any recent modern president while his 100 executive orders have triggered a tidal wave of new policies to change what the government can and cannot do. His political style of is marked by decrees coupled with complete domination of the airwaves for several hours each day, from greeting world leaders in the Oval Office to his televised cabinet meetings. For Trump, it is all streaming, all the time.as he remarked in the prime-time public takedown of the Ukrainian president in the Ovak Office, this it makes for “good television”.
On foreign policy, Trump promised groundbreaking early success on the world stage. But he has to date failed to end the wars in Ukraine and Gaza, come close to a nuclear deal with Iran , or settling the dozens of trade wars he launched against his allies. Instead, there are constant reversals in tactics and rhetoric. He has decoupled America from the wider world with ramifications which will be felt for many years, if not decades. He has treated allies like adversaries, withdrawn America from numerous global institutions and treaties, erected daunting tariff barriers on all US trading partners and slashed US foreign aid and the State Department, terminating foreign aid, vaccines and food programme. The cumulative effect has been to gravely weaken America’s ability to wield soft power at a time when China and Russia are rushing to fill the vacuum.
Aided and abetted by billionaire Elon Musk, the world’s richest man, Trump unleashed Project 2025’s sledgehammer to the bureaucracy with overriding acts of Congress to dismantle agencies and programmes, mass firings, loyalty oaths, and the seizure of databases. And, as he promised on the campaign trail, Trump is exacting vengeance on his enemies. He has called on judges who have ruled against him to be impeached. He has blacklisted law firms that worked with Democrats, or else shook them down for millions of dollars of free work. In a speech at the Department of Justice, Trump said his enemies were “scum”, that the cases brought against him were “bullshit”, that the judges who ruled against him were corrupt, his prosecutors were deranged, and that those who came after him should be imprisoned. In a war against the nation’s most prestigious universities, he is demanding their leftist woke elitism be expunged, or else research dollars and tax-free status will be eliminated. Meanwhile, he continues to target the media as the enemy of the people. The Associated Press has been excluded from presidential events; the Voice of America has been shut down; and Trump has asked the regulator to cancel the broadcast license of CBS whilst moving to defund public media’s NPR and PBS.
The Democrats in Washington meanwhile are adrift and effectively leaderless. With control of the House and the Senate, Trump dominates everything in the capital. The force, speed and scope of his administration’s actions are so intense that the Democrats cannot respond effectively. Its not as if everyone has been taken by surprise. If they had been paying attention, this is exactly what Trump and his team said they would do. It is the scale of this revolution that has put everyone into a spin. It is a time of everything happening everywhere all at once – in accordance with the MAGA mantra of “move fast and break things”.
But, say optimists, the pushback is coming. Every weekend, people are flooding the streets in cities across the country. That movement is growing. If all that Trump and his administration have let loose comes into full force but does not deliver the American miracle he promised – with recession, inflation, and chaos taking hold across the land – the midterm elections next year could be a turning point. The Democrats are in striking distance of retaking control of Congress. If so, Trump’s power may be checked and his golden age may be stillborn. And yet, nothing about Trump is certain. His approval ratings might now be at a historical low, but he has been wrongly written off many times before.
So, how did it come to this?
As the authors of the long but excellent opinion piece in The Atlantic published below explains, Donald Trump’s Second Coming began four years ago and took meticulous planning.
That’s right, it’s come to this Yes, it’s come to this And wasn’t it a long way down? Wasn’t it a strange way down?
L Cohen, Dress Rehearsal Rag
Postscript: a bad case of imperial purple …
The story goes that Roman Emperor and stoic “philosopher king” Marcus Aurelius engaged a slave to follow him as he walked around Rome; his only job, whenever his master was praised, was to whisper in his ear, “Remember, you are just a man, you are just a man”. Washington, meanwhile, is starting to resemble some of the more excruciating scenes from the BBC’s iconic sword and sandals series I Claudius.
‘Brazen transaction mixed with humbling obeisance is hardly unknown in Washington … In Trump’s Washington, the imperative has never been plainer: if you want to get ahead or stay out of trouble, praise the President as much as he praises himself … The gestures of servility come from all over. At a Cabinet meeting not long ago, Trump’s secretaries took turns: “Your vision is a turning point and inflection point in American history” (Brooke Rollins, Agriculture); “You were overwhelmingly elected by the biggest majority—Americans want you to be President” (Pam Bondi, Attorney General); “What you’re doing now is a great service to our country, but ultimately to the world” (Marco Rubio, State) … At a hearing of the House Committee on Natural Resources, where a dozen or so members were discussing the Gulf of America Act of 2025, sponsored by Marjorie Taylor Greene. Democrat congressman Jared Huffman said: “This is remarkable new stuff in this committee, just bootlicking sycophancy of the highest order,” he said. (Not long after the hearing, Huffman suggested an amendment to rename Earth “Planet Trump”.’
Illustration by Dale Stephanos. Source: Ethan Miller / Getty.
Before we begin, a primer on the science of arranging an interview with a sitting American president:
In ordinary times, reporters seeking an on-the-record encounter with the commander in chief first write an elaborate proposal. The proposal details the goals of the interview, the broad areas of concern, and the many reasons the president must, for his own good, talk to these particular reporters and not other, perfectly adequate but still lesser reporters. This pitch is then sent to White House officials. If the universe bends favorably, negotiations ensue. If the staff feel reasonably confident that the interview will somehow help their cause, they will ask the president—with trepidation, at times—to sit for the interview. Sometimes, the president will agree.
Such is what happened recently to us. We went through this process in the course of reporting the story you are reading. We made our pitch, which went like this: President Donald Trump, by virtue of winning a second term and so dramatically reshaping the country and the world, can now be considered the most consequential American leader of the 21st century, and we want to describe, in detail, how this came to be. Just four years ago, after the violent insurrection he fomented, Trump appeared to be finished. Social-media companies had banned or suspended him, and he had been repudiated by corporate donors. Republicans had denounced him, and the country was moving on to the fresh start of Joe Biden’s presidency. Then came further blows—the indictments, the civil judgments, and the endless disavowals by people who once worked for him.
And yet, here we are, months into a second Trump term. We wanted to hear, in his own words, how he’d pulled off one of the most remarkable comebacks in political history, and what lessons, if any, he’d internalized along the way.
Trump agreed to see us. We were tentatively promised a meeting and a photo shoot—likely in the Oval Office, though possibly the Lincoln Bedroom. But then, as is so often the case with this White House, everything went sideways.
The week our interview was supposed to occur, Trump posted a vituperative message on Truth Social, attacking us by name. “Ashley Parker is not capable of doing a fair and unbiased interview. She is a Radical Left Lunatic, and has been as terrible as is possible for as long as I have known her,” he wrote. “To this date, she doesn’t even know that I won the Presidency THREE times.” (That last sentence is true—Ashley Parker does not know that Trump won the presidency three times.) “Likewise, Michael Scherer has never written a fair story about me, only negative, and virtually always LIES.”
Apparently, as word of our meeting spread through Trump’s inner circle, someone had reminded him of some of the things we (specifically Ashley) had said and written that he didn’t like. We still don’t know who it was—but we immediately understood the consequences: no photo shoot, no tour of the newly redecorated Oval Office or the Lincoln Bedroom, and definitely no interview.
But we’ve both covered Trump long enough to know that his first word is rarely his final one. So at 10:45 on a Saturday morning in late March, we called him on his cellphone. (Don’t ask how we got his number. All we can say is that the White House staff have imperfect control over Trump’s personal communication devices.) The president was at the country club he owns in Bedminster, New Jersey. The number that flashed on his screen was an unfamiliar one, but he answered anyway. “Who’s calling?” he asked.
Despite his attacks on us a few days earlier, the president, evidently feeling buoyed by a week of successes, was eager to talk about his accomplishments. As we spoke, the sounds of another conversation, perhaps from a television, hummed in the background.
The president seemed exhilarated by everything he had managed to do in the first two months of his second term: He had begun a purge of diversity efforts from the federal government; granted clemency to nearly 1,600 supporterswho had participated in the invasion of the U.S. Capitol on January 6, 2021, including those caught beating police officers on camera; and signed 98 executive orders and counting (26 of them on his first day in office). He had fired independent regulators; gutted entire agencies; laid off great swaths of the federal workforce; and invoked 18th-century wartime powers to use against a criminal gang from Venezuela. He had adjusted tariffs like a DJ spinning knobs in the booth, upsetting the rhythms of global trade and inducing vertigo in the financial markets. He had raged at the leader of Ukraine, a democratic ally repelling an imperialist invasion, for not being “thankful”—and praised the leader of the invading country, Russia, as “very smart,” reversing in an instant 80 years of U.S. foreign-policy doctrine, and prompting the countries of NATO to prepare for their own defense, without the protective umbrella of American power, for the first time since 1945.
Donald Trump after being sworn in as president for his second term in the Rotunda of the United States Capitol (Shawn Thew / Reuters)
He had empowered one of his top political donors, Elon Musk, the richest man in the world, to slice away at the federal government and take control of its operating systems. He had disemboweled ethics and anti-corruption architecture installed after Watergate, and had declared that he, not the attorney general, was the nation’s chief law-enforcement officer. He had revoked Secret Service protection and security clearances from political opponents, including some facing Iranian death threats for carrying out actions Trump himself had ordered in his first term. He had announced plans to pave over part of the Rose Garden, and he had redecorated the Oval Office—gold trim and gold trophies and gold frames to go with an array of past presidential portraits, making the room look like a Palm Beach approximation of an 18th-century royal court.
Old foes were pleading for his grace. Meta—whose founder, Mark Zuckerberg, had become an enthusiastic supplicant—had paid $25 million to settle a civil lawsuit with Trump that many experts believed was meritless. Amazon’s founder, Jeff Bezos, the owner of The Washington Post, announced that he was banning his opinion writers from holding certain opinions—and then joined Trump for dinner the same night at the White House.
“He’s 100 percent. He’s been great,” the president told us, referring to Bezos. “Zuckerberg’s been great.”
We asked Trump why he thought the billionaire class was prostrating itself before him.
“It’s just a higher level of respect. I don’t know,” Trump said. “Maybe they didn’t know me at the beginning, and they know me now.”
“I mean, you saw yesterday with the law firm,” he said. He was referring to Paul, Weiss, Rifkind, Wharton & Garrison, one of the nation’s most prestigious firms, whose leader had come to the Oval Office days earlier to beg for relief from an executive order that could have crippled its business. Trump had issued the order at least partially because a former partner at the firm had in 2021 gone to work for the Manhattan District Attorney’s Office, where he was part of an investigation of the Trump Organization’s business practices. Also that week, an Ivy League institution, threatened with the cancellation of $400 million in federal funding, had agreed to overhaul its Middle Eastern–studies programs at the Trump administration’s request, while also acceding to other significant demands. “You saw yesterday with Columbia University. What do you think of the law firm? Were you shocked at that?” Trump asked us.
Yes—all of it was shocking, much of it without precedent. Legal scholars were drawing comparisons to Franklin D. Roosevelt and the early stages of the New Deal, when Congress had allowed FDR to demolish norms and greatly expand the powers of the presidency.
As ever, Trump was on the hunt for a deal. If he liked the story we wrote, he said, he might even speak with us again.
“Tell the people at The Atlantic, if they’d write good stories and truthful stories, the magazine would be hot,” he said. Perhaps the magazine can risk forgoing hotness, he suggested, because it is owned by Laurene Powell Jobs, which buffers it, he implied, from commercial imperatives. But that doesn’t guarantee anything, he warned. “You know at some point, they give up,” he said, referring to media owners generally and—we suspected—Bezos specifically. “At some point they say, No más, no más.” He laughed quietly.
Media owners weren’t the only ones on his mind. He also seemed to be referring to law firms, universities, broadcast networks, tech titans, artists, research scientists, military commanders, civil servants, moderate Republicans—all the people and institutions he expected to eventually, inevitably, submit to his will.
We asked the president if his second term felt different from his first. He said it did. “The first time, I had two things to do—run the country and survive; I had all these crooked guys,” he said. “And the second time, I run the country and the world.”
For weeks, we’d been hearing from both inside and outside the White House that the president was having more fun than he’d had in his first term. “The first time, the first weeks, it was just ‘Let’s blow this place up,’ ” Brian Ballard, a lobbyist and an ally of the president’s, had told us. “This time, he’s blowing it up with a twinkle in his eye.”
When we put this observation to Trump over the phone, he agreed. “I’m having a lot of fun, considering what I do,” he said. “You know, what I do is such serious stuff.”
EXILE
that trump now finds himself once again in a position to blow things up is astonishing, considering the depth of his fall. So much has happened so fast that the improbability of his comeback gets obscured. Perhaps no one in American history has had a political resurrection as remarkable as Donald Trump’s.
In the waning days of his first term, his approval rating stood at a pallid 34 percent. A few weeks earlier, he had watched on television while an insurrection he incited overran the Capitol; polls showed that a clear majority of Americans believed he bore responsibility for the attack. The House of Representatives had just impeached him for the second time—making him the only president to ever achieve that ignominy. And although the Senate failed to reach the two-thirds majority required for conviction, seven Republican senators voted to convict—the most members of a president’s own party to vote for an impeachment conviction in history.
Twitter and Facebook, his favorite social-media platforms, had banned or effectively silenced him, along with Instagram and YouTube. To try to reestablish direct connection with his followers, he would launch a blog, “From the Desk of Donald J. Trump.” But it gained little traction and was abandoned within weeks.
Major corporations announced that they were cutting off political contributions to officials who had supported Trump’s election lies. Deutsche Bank and Signature Bank decided to stop doing business with Trump and his companies. Perhaps most painful to the president, the PGA of America yanked its scheduled 2022 championship tournament from Trump’s Bedminster golf course. Former members of his own Cabinet and staff—people he had hired—would declare him, or had already declared him, “a moron” (Rex Tillerson, secretary of state), “more dangerous than anyone could ever imagine” (James Mattis, secretary of defense), “the most flawed person I have ever met” (John Kelly, chief of staff), and “a laughing fool” (John Bolton, national security adviser). And now longtime allies were abandoning him. Kevin McCarthy, the Republican House minority leader, had discussed pushing Trump to resign from office. On the evening of the insurrection, Senator Lindsey Graham, a compass reliably magnetized toward wherever power in the Republican Party lies, pointed away from Trump for the first time in four years. “Count me out,” Graham had declared on the Senate floor. “Enough is enough.” Rupert Murdoch, then the chairman of Fox Corporation, sent an email to a former Fox Broadcasting executive in which he declared, “We want to make Trump a non person.” Coming from Murdoch himself, the former Trump adviser Steve Bannon told us recently, “that’s a papal bull.”
On the morning of Joe Biden’s inauguration, Trump was a dozen miles southeast of the festivities, at Joint Base Andrews, preparing to depart for Florida. (Trump was the first president since Andrew Johnson, in 1869, to boycott the swearing-in of his successor.) Standing before a modest crowd, his dark overcoat a meager bulwark against the cold, the soon-to-be-former president cut a diminished figure.
Just before boarding Air Force One for the final time, to head to Mar-a-Lago, Trump spoke to those gathered to bid him farewell. “We will be back in some form,” he said, a notably modest framing from such a formerly oversize figure.
Few believed him. It didn’t even sound like he believed it himself. The Trump era was over.
Almost as soon as Trump arrived at his gilded Elba, he began plotting his return. He missed the press pool—the gaggle of reporters that tails every president—and once tried to summon it, only to be told that no such pool still existed. But it would turn out that the lack of attention in those first months—and the lack of access to social-media platforms—was a blessing. Enforced obscurity gave him the time and clarity he needed to plan his comeback.
To understand how Trump rose from the political dead, and how he set himself up to wield power in his second term, we spoke with dozens of top advisers, senior aides, allies, adversaries, and confidants. Many who talked with us did so only on the condition of anonymity, in order to be more candid or to avoid angering the president. The story they told us revealed that Trump’s time in the political wilderness is crucial to understanding the way he’s exercising power now.
He had been in Palm Beach a week when an opportunity presented itself. Trump heard that Kevin McCarthy would be in South Florida for fundraisers. Though the two men had clashed after the Capitol riot, Trump invited McCarthy to Mar-a-Lago. Even before the meeting happened, news of it leaked to The New York Times, shaking the political universe: Were Republican leaders, who had seemed so intent on purging Trump, embracing him again? When Trump and McCarthy met in person, the former president asked the minority leader who had tipped off the Times.
Donald Trump departed Washington in 2021 a pariah, twice impeached, abandoned by former allies, and banned or suspended from his favorite social-media platforms. (Photo-illustration by Paul Spella. Sources: Noam Galai / Getty; Alex Edelman / AFP / Getty; Sepia Times / Universal Images Group / Getty.)
“I know who leaked it—you did,” McCarthy replied, multiple people briefed on the exchange told us.
“It’s good for both of us,” Trump shot back.
Both men were right. McCarthy had already concluded that the path back to Republican control of the House in the 2022 midterms—and his own path to the speakership—required a unified party, one that included Trump and his MAGA base. After the meeting, each man separately released the same photo: the two of them grinning amid the ostentatious splendor of Mar-a-Lago. Trump had taken his first step toward political redemption.
It is a truism that Trump has never felt governed by the traditional rules of politics. And he has always been convinced of his own genius, his pure gut instincts. But never more so than today. The past four years have turned him into a Nietzschean cliché. Banishment, multiple indictments, a 34-count felony conviction, repeated brushes with assassins—all have combined to convince him that he is impervious to challenges that would destroy others. Those years also strengthened in him the salesman’s instinct that he can bend reality to his will—turn facts into “fake news,” make the inconceivable not just conceivable but actual, transform the Gulf of Mexico into the Gulf of America, make people believe what he’s selling in defiance of what they see with their own eyes. This is the core lesson that Trump and his acolytes internalized from the 2020 election and January 6. The real-estate mogul who branded buildings with his name everywhere from Turkey to Uruguay, who sold the “world’s greatest steaks” and the “finest” wine and “fantastic” mattresses, had mastered the alchemy of perception. Reality, to Trump, is fungible. While reporting on Trump over the past four years, we were repeatedly struck that, in failing to drive a stake directly through his heart, all of the would-be vampire slayers—Democrats, Never Trumpers, Republican-primary opponents, prosecutors, judges, media critics—only strengthened him. Which brings us to a second lesson: Trump and his team realized that they could behave with near impunity by embracing controversies and scandals that would have taken down just about any other president—as long as they showed no weakness.
Even now, Trump—who described himself to us as “a very positive thinker”—struggles to admit that his return to power was a comeback. To concede that he’d had to come back would be to admit that he had fallen in the first place.
Early in our reporting for this article, we asked the Trump loyalist and former Breitbart News editor Raheem Kassam to explain how the president had been able to bend the country, and the world, to his will. Over a meal of oysters brûlées, duck confit, and fries cooked in beef tallow at Butterworth’s, the new MAGA haunt on Capitol Hill, he responded crudely, if vividly. “He didn’t bend them to his will,” Kassam said. “He bent them over.”
When we spoke with Trump in late March, his approval ratings seemed steady, his political base apparently unshakable. Institution after institution was submitting to him—“obeying in advance,” as the historian of authoritarianism Timothy Snyder has put it. Trump was carrying out his agenda with surprisingly little resistance, even from Democrats. But in the days and weeks that followed, the patina of infallibility began to crack. At the instigation of Elon Musk’s DOGE team, critical workers had been getting fired—and then hired back. An embarrassing (and possibly illegal) operations-security snafu, in which the editor of this magazine was included on a Signal group chat that discussed imminent attack plans on Houthi targets in Yemen, made the administration look incompetent, in a fashion reminiscent of the clown-car chaos of Trump 1.0. The president’s tariff rollout was shambolic, tanking the stock market and causing even some loyalists to question him publicly. His approval rating on the economy, long a buttress of his polling support, went negative. Was this what happens when a feeling of indomitability curdles into hubris? Or was this just the next setback for Trump—some combination of Houdini and Lazarus—to recover from?
he had almost been destroyed before. After a real-estate downturn in the early 1990s, Trump found himself on the brink of financial ruin. His near bankruptcy and recovery led to his 1997 book, The Art of the Comeback. For his political advisers in exile, this book became essential reading.
The first pages list Trump’s “Top Ten Comeback Tips.” When we met one of his advisers recently, this person recounted from memory some of the rules on the list. “Rule 1 is: Play golf,” this adviser told us. “Rule 9 is: Get even.” (Rule 10, “Always have a prenuptial agreement,” seemed less applicable to politics.)
To stage a comeback, Trump would need the right staff. He had realized, in his exile, that at nearly every turn in his first term, someone on his own team—Reince Priebus, John Kelly, James Mattis, Bill Barr, Gary Cohn—had blocked him. He needed smart people who would figure out how to let him do everything that he wanted to do, in whatever way he wanted to do it. His first key hire was a political operative who had impressed the former president with her retrospective analysis of the 2020 election. Biden had won the election that year by flipping back into the Democratic column five key states—Arizona, Georgia, Michigan, Pennsylvania, and Wisconsin (along with a lone congressional district in Nebraska). One of the few bright spots for Trump in 2020 had been Florida, where he had increased his winning margin from 2016. What, Trump began asking his allies after the election, had he done right in Florida that he hadn’t done in the rest of the country?
The answer, in large part, boiled down to Susie Wiles, who had run Trump’s 2016 and 2020 campaigns in the state. Wiles, the daughter of the legendary NFL announcer Pat Summerall, is an experienced campaign operative (she was a scheduler for Ronald Reagan’s 1980 presidential campaign), who over the past three decades had developed deep Florida ties. After every campaign she runs, Wiles writes an “after action” report, documenting what worked and what didn’t. Over dinner with Trump on the patio at Mar-a-Lago in early 2021, she delivered “the Florida memo.” Soon after, he hired her to run his political operation, which eventually became his 2024 campaign.
Wiles saw that one thing that had held Trump back in 2020 was that he had not finished taking over the Republican Party during his first term. Part of Trump’s leverage had been his ability to endorse in Republican primaries—influence he was eager to reprise. “When I endorse somebody, they win,” Trump told us on the phone. “But even when I endorse them in the general election, mostly they win. It’s important.” (Now when Trump calls to pressure a fellow Republican about an issue or a vote, they are almost always grateful for his past support, or feel that they owe their seat to him.)
The Wiles process for evaluating potential endorsees—which she undertook with James Blair, now a deputy chief of staff in the White House, and Brian Jack, now a congressman representing Georgia—involved researching how they had spoken about Trump in the past. “The basic thing was their loyalty and their political viability,” one adviser told us. “So we were looking for things like: So, what did they say on J6? What did they say during the Access Hollywood tapes? What is their voting record with us?” Trump was building a coalition of loyalists, something he hadn’t sufficiently done during the first term.
Wiles had plenty of experience managing men with big personalities. But colleagues say a key reason she’s been successful working with Trump (she is now his White House chief of staff) is that she never tries to manage him. She does not imagine that she can control him, as some former top advisers attempted, and she tends not to offer advice unless specifically asked. Her primary role, as she sees it, is to set up processes to help ensure Trump’s success, and then to execute his directives, whatever they may be.
At first, Trump’s banishment from the big social-media platforms, along with mainstream media outlets’ reluctance—including Fox News’s—to give him much coverage, seemed potentially devastating. But Trump turned to the far-right platforms and activists still welcoming him. Taylor Budowich—now a White House deputy chief of staff—worked with MAGA influencers to evade the Twitter and Facebook bans: They would print out pro-Trump social-media posts; Budowich would have Trump sign the paper with his Sharpie, and then mail the signed post back to the influencer; almost invariably, the influencer would then post the signed missive, flexing their access and building their audience—while simultaneously amplifying Trump’s voice. At the same time, a video ecosystem grew up around Trump, with streaming platforms such as Right Side Broadcasting Network stepping in to cover his events when cable networks would not.
“Him being banned gave rise to people like me, because the president’s supporters followed me to find out what he was saying,” one MAGA influencer told us. “It backfired on the tech people who deplatformed him, because it platformed all of us.”
Trump, meanwhile, continued to promote the lie that he’d won the 2020 election, and that January 6 was just an ordinary Wednesday. Normal political logic suggested that this was a bad strategy. But his shamelessness, as ever, remained a strength. By repeating something frequently enough, he could slowly make it feel true, at least for his supporters.
Not long ago, we sat in Steve Bannon’s Capitol Hill rowhouse, where he records his War Room podcast, pressing him on Trump’s refusal to accept the results of the 2020 election, and his denial of what transpired on January 6. “Our reality is that we won” and that January 6 was a “fedsurrection,” Bannon said, referring to the conspiracy theory that FBI agents had incited the crowd on the Ellipse that day.
But this reality, we pointed out to Bannon, is simply not true.
“Now, here’s the interesting thing,” Bannon said. “Who’s won that argument? I think we have.”
“BE READY!”
the first televised hearing of the House select committee on January 6 was scheduled for the beginning of June 2022, and it was sure to be a spectacle that reminded viewers of the horror of the insurrection and emphasized the former president’s culpability. Trump’s team at Mar-a-Lago was desperate to distract attention from the hearing. At one point, someone proposed a brazen gambit: Trump could announce his 2024 bid for the presidency just minutes before the hearing gaveled in.
Trump’s response was telling. “I’m not ready for this,” he said. “We’re not ready for this right now.”
“That was the first moment of, like, ‘Okay, he’s not just thinking about it; he’s seriously thinking about how he wants to do it,’ ” one of his advisers told us. “He’s not going to just use it as a stunt to make a moment. He wants to win.”
Before long, Trump began emphasizing behind the scenes that he was serious. “Be ready,” he would repeat to people who had served with him the first time around. “Be ready! Be ready! We’re coming back! Be ready!”
Still, when Trump did launch his campaign, in November 2022, it did not get off to an auspicious start. Even his most fiercely supportive advisers concede that the announcement, in the form of an hour-long speech at Mar-a-Lago, was a dud.
Surprisingly few political reporters from major outlets were in attendance; it was as though the mainstream media still didn’t believe that Trump could be a viable candidate again. Worse, some members of Trump’s own family hadn’t bothered to show up. As the speech dragged on, even Fox News cut away, switching to what Bannon called “a C-level panel,” before returning for the final few minutes.
The campaign struggled to gain traction. Trump’s longtime pollster Tony Fabrizio told us that even months later, into early 2023, getting donors to attend the first big super-PAC event “was like pulling teeth.” And although Trump was now a declared presidential candidate, his team said it was still having trouble getting him booked even on shows such as Fox & Friends.
The first turning point, several advisers told us, came in February 2023. A Norfolk Southern train carrying hazardous chemicals derailed in East Palestine, Ohio, near the Pennsylvania border, spewing toxic material. Sitting in the West Palm Beach campaign headquarters one day, Trump’s team watched Joe Biden’s press secretary struggle to answer a question about the president’s plans for outreach to East Palestine. Soon after, Susie Wiles received a call from Trump’s oldest son, Don Jr., saying that his father ought to just show up there himself. When Wiles brought the suggestion to Trump, in the living room of Mar-a-Lago, his response was unequivocal: “That’s a great idea,” he enthused. “When can we go?”
Trump’s visit to East Palestine—and the footage of him buying McDonald’s for the first responders—had a potent effect. “It just reminded everyone that people still like this guy,” one adviser told us. “He’s still a draw.” Nearly two years later, Trump’s visit continued to resonate. “People are living their lives and they don’t delve that easily into policy,” a woman across the border in the swing state of Pennsylvania told our colleague George Packer before the election last fall. “All they know is that Trump was here buying everyone McDonald’s” and that Biden hadn’t visited for more than a year.
The halting start to the campaign kept Trump off the radar, giving his team time to plan. Former Trump advisers had used their years out of power to set up their own groups—America First Legal, America First Policy Institute, Center for Renewing America—to prepare for a second Trump administration.
“The people who were the true believers knew Trump was going to run again and win,” Caroline Wren, a former top Trump fundraiser, told us, adding that Trump’s policy loyalists “sat there and prepared executive orders for four years.”
The time out of the spotlight also allowed the team to build a new election strategy. By now, Trump had alienated a significant share of the voting public, and he was polling lower among some demographic groups than in previous elections. The conventional wisdom was that the criminal investigations and legal proceedings then under way would only increase that alienation. His campaign directors decided that the best tactic was to turn this problem into a strength. Chris LaCivita, who was a co–campaign manager alongside Susie Wiles and a military veteran wounded in the Gulf War in 1991, took to exhorting younger staffers with a Marine slogan: “Embrace the suck.”
The impulse to let Trump be Trump, so contrary to the instincts of much of the first-term staff, was laid out in a memo that James Blair and Tim Saler, the campaign’s lead data expert, sent to Wiles in early 2024. This became known around the campaign as the “gender memo.” “Instead of saying, ‘Look, we did two points worse with white suburban women between 2016 and 2020’ and ‘How do we get those points back?,’ what if we did it the other way?” an adviser familiar with the memo told us. “What if we said, ‘We gained eight points with non-college-educated men. What if we won them by 12?’ ”
During his brief political exile, Trump hired the campaign operative Susie Wiles. (Photo-illustration by Paul Spella. Sources: ablokhin / Getty; Tom Brenner / The Washington Post / Getty; ZUMA Press / Alamy.)
The strategy had the benefit of letting Trump be the version of himself that appealed to those men. In a moment when the Democratic Party often felt like an amalgamation of East Coast elitists, niggling scolds, and far-left activists, Trump appeared to offer judgment-free populism to a populace sick of being judged.
Trump’s own view, we were told, was more self-referential: “Why would I distance myself from my people? They love me.”
“IT MADE ME STRONGER”
on friday, may 31, 2024, the day after Trump was convicted of 34 felony charges in a New York City courtroom, the treasurer at Make America Great Again Inc., the main super PAC supporting the former president, called his boss, Taylor Budowich, with good news. A large wire transfer was incoming—a record $15 million. The call set off an internal scramble, because the bank needed the donor’s name to approve the transfer, and nobody knew who it was.
Shortly thereafter, the treasurer called back. “I’m so sorry,” he told Budowich. “I misheard him. It’s not $15 million—it’s $50 million.”
“Don’t be sorry!” Budowich said. (The donation was eventually traced to Timothy Mellon, an heir to the Mellon banking fortune.)
The Democrats assumed that Trump’s legal issues would politically neuter him. “A convicted felon is now seeking the office of the presidency,” Biden would say. But all the scandals and controversies that would have sunk a different candidate became background static. “The thing about the court cases is there were too many of them, and this is one of Trump’s superpowers—he never just breaks the law a little bit; he does it all over the place,” Sarah Longwell, a formerly Republican, anti-MAGA political strategist who regularly conducts focus groups, told us. “And as a result, there were so many court cases that it was just white noise to voters. They couldn’t tell them apart.”
The Democratic base remained outraged. Trump’s base continued to believe his claims that all the criminal investigations and January 6 hearings constituted a “witch hunt.” But for the sliver of voters who would actually decide the election, the Democratic argument that Trump was a threat to democracy was too far removed from their more urgent concerns about grocery prices. As time passed and Trump continued to rewrite history to turn insurrectionists into “patriots,” the events of January 6 receded into abstraction for many of these voters.
“If you said, ‘What’s J6?,’ it’s like, ‘What is that? Bingo? Are you playing Battleship?’ ” the adviser familiar with the gender memo told us, describing what the campaign’s voter research had found.
Trump’s felony conviction actually proved to be a boon. This did not surprise his advisers. A year earlier, in the spring of 2023, when Trump had been indicted over hush-money payments to a porn star, his support in Republican-primary polls jumped 10 points within a month, to more than 50 percent—a level it would never drop below again. In the first three months of 2023, MAGA Inc. had reported raising only about $600,000; in the three months following the indictment, the group took in nearly $13 million. “Democrats just played right into our hands,” Fabrizio, the Trump pollster, told us.
For Trump’s base, the cases were energizing, and they put his Republican-primary opponents in the difficult position of having to defend Trump against “lawfare” or risk being seen as supporting the Democrats’ position. So even while campaigning against him for the nomination, they were in effect campaigning for him.
During his 2016 campaign, Trump had ignored the traditional fundraising circuit, which increased donor skepticism of him. But during his time in the wilderness, he began to enjoy raising money. He asked advisers to schedule more call time for him with top donors. He wrote personal notes, and he regularly invited wealthy supporters and potential donors to dine with him at Mar-a-Lago. He judged generosity not by the size of the check, his allies told us, but by the size of the check relative to the donor’s net worth. He liked pressuring donors to bet on him—and watching them squirm if they hedged. Sometimes he was blunt, invoking the specter of a President Kamala Harris taking their wealth.
(“If I’m not president, you’re fucked,” he would tell a roomful of oil executives at Mar-a-Lago after the election. “Look at your profit-and-loss statements. You realize what would have happened to you if she was president? What’s wrong with you?”)
The Supreme Court decision in July 2024 regarding a legal challenge to the federal prosecution of Trump for interfering in the 2020 election gave Trump and his allies further momentum. Trump v. United States addressed the question of legal liability for a president, but Trump’s allies focused on how the Court described the presidency itself, suggesting that all the powers of the executive branch were imbued in the personage. “Unlike anyone else,” the Court wrote, “the President is a branch of government.” That the prosecution of Trump both revivified his candidacy and then gave him more executive power in his second term remains a stinging irony for Democrats.
When we talked with Trump, we asked him if he thought the criminal prosecutions had made him stronger. “Shockingly, yes,” he said. “Normally, it would knock you out. You wouldn’t even live for the next day. You know, you’d announce your resignation, and you’d go back and ‘fight for your name,’ like everybody says—you know, ‘fight for your name, go back to your family.’ ”
He paused. “Yeah, it made me stronger, made me a lot stronger.”
In the final months of the campaign, Democratic strategists working for Vice President Harris focused on seven swing states. Trump, by contrast, told aides that he wanted to put resources into picking up voters even in states he was already certain to win.
“We don’t want anyone to know—it’s a surprise—but I think we might win the popular vote,” Trump would say to his advisers. “We have got to run up the score.”
During breaks between events, his team would place calls to groups of voters in red states and put him on the line. “This is your favorite president, Donald Trump,” he’d say, before launching into brief remarks. They would make calls from the motorcade, from the campaign plane, as many as 10 a day. In this way, working around the old mass media, Trump reached thousands of voters directly.
“If there was someone in America in some state, still awake, Donald Trump would find a way to get to them,” Chris LaCivita told us.
In 2016, Trump had been so frustrated about losing the popular vote to Hillary Clinton that he’d falsely asserted, “I won the popular vote if you deduct the millions of people who voted illegally.” Eight years later, he didn’t have to pretend. As Election Night gave way to dawn in Palm Beach, Trump basked in the comprehensiveness of his victory—all seven swing states, and a strong showing in the popular-vote tally, which he ultimately won. Several aides got calls from him around 4 a.m. “You won’t believe it,” Trump crowed, according to one. “I’ve already had 20 world leaders call me. They all want to kiss my ass.”
Some time later, Trump addressed a gathering of supporters in the living room at Mar-a-Lago. During his first term people would say, “Yeah, he won, but he doesn’t have a mandate, ” Trump told the crowd. “Now they can’t say it anymore.”
THE TRANSITION
people who worked with Trump in his first term used to play a parlor game of sorts. What would happen, they wondered, if they, the human guardrails, weren’t there to correct the president’s errors, to explain to him all the things he did not know or understand, to talk him out of or slow-walk his most destructive impulses?
During his first term, he faced resistance and obstruction from all over the government: from the courts and from the Democrats, but also from Republicans in the House and Senate, who at times treated him like a floundering student. The contempt was mutual. “Paul Ryan was a stupid person,” Trump told us in March, referring to the former Republican speaker of the House. “And Mitch, Mitch wasn’t much better,” Trump said of Mitch McConnell, the former Senate Republican leader and, lately, the epicenter of GOP resistance to Trump, such as it is. But some of the most crucial pushback came from within the executive branch. At times, his chief of staff and his White House counsel declined to carry out his orders. Trump had been apoplectic when “his” Justice Department, under Jeff Sessions and Rod Rosenstein, opened an independent-counsel investigation into whether the Russians had influenced the 2016 election and whether the Trump campaign had colluded with them.
This time would be different, because he’d learned from experience. “When I did it before, I never did it, you know?” he told us. “I didn’t know people in Washington.”
On January 15, at 8 p.m., five days before the inauguration, Trump sent out an incendiary post on Truth Social. In it, he described the sorts of people his incoming administration would not be hiring—a list that included anyone who had ever worked for, in his words, “Americans for No Prosperity (headed by Charles Koch), ‘Dumb as a Rock’ John Bolton, ‘Birdbrain’ Nikki Haley, Mike Pence, disloyal Warmongerers Dick Cheney, and his Psycho daughter, Liz,” and anyone “suffering from Trump Derangement Syndrome.” For those staffing Trump’s second term, the missive was doctrine: This time, loyalty would be absolute.
In 2016, few experienced Republicans had been involved in Trump’s campaign, so the pool of presumptive loyalists to draw from was small. His incoming team also used key transition picks—Cabinet secretaries, West Wing advisers—to reassure a still-skeptical Republican Party that Trump was one of them. This produced a dysfunctional dichotomy in which Reince Priebus, a mild-mannered traditional Republican from Wisconsin, and Steve Bannon, a revolutionary hell-bent on dismantling the administrative state, shared top billing in the West Wing. The competing camps—the MAGA fire-breathers, the establishment swamp creatures, “Javanka” and the globalists—leaked relentlessly to the media and tried to knife one another. A miasma of chaos surrounded Trump, and impaired the administration’s ability to carry out its policy agenda.
But by 2024, Trump had effectively consumed the party, and he had no need to recruit traditional Republicans, if any even remained. Cliff Sims, who during Trump’s first term had served as a communications aide in the White House before going to work for the director of national intelligence, helped the transition team manage hiring for the second term. The formula for staffing the administration wasn’t hard this time, Sims told us: “Don’t hire anyone who wasn’t committed to the agenda last time.”
“I knew that Stephen Miller would ultimately run the policy operation, with immigration as a top priority,” Sims told us, referring to Trump’s senior domestic-policy adviser, who is, famously, an immigration hard-liner. “So I just asked him, ‘Who do you want? Who should prepare DHS? Who should prepare ICE? Who are the rock stars from your team? Let’s get them all rolling.’ ” Same, too, with trade. Sims called Jamieson Greer, who had served as the chief of staff to the U.S. trade representative in Trump’s first term before taking over the role himself this time around. He asked Greer who Trump’s pro-tariff “killers on trade” were. “And he’s like, ‘I’ve been sitting here hoping someone would call about this; I’ve already got a list ready,’ ” Sims told us.
Because the transition hiring for the second term harvested a uniformly loyalist crop of staffers, getting things done the way Trump wants became easier. In the first term, executive orders designed by the MAGA faction were sometimes rushed through without proper legal vetting, in an attempt to prevent a warring faction from killing the directive, someone familiar with this process told us—which made them vulnerable to court challenges. This time around, the process for generating the orders is more disciplined.
Trump’s aides and advisers also now understood the hydraulics of the government better. They’d learned, for instance, that immigration policy was not contained solely within the Department of Homeland Security, and that to curb the flow of immigrants across the southern border, they also needed to install loyalists in crucial roles at the Department of Health and Human Services. When it came to the Bureau of Western Hemisphere Affairs at the State Department, they now knew they needed MAGA diehards in key roles. This kind of knowledge would now be applied to thousands of hires across dozens of agencies.
When his cabinet nominees hit trouble in the Senate, Trump and his team were determined to test their new power. “It was ‘You’ll eat your breakfast and you’ll like it,’ ” a veteran Republican operative told us. The first major test came during the former Fox News host Pete Hegseth’s quest for confirmation as defense secretary.
Senator Joni Ernst of Iowa, a Republican, was skeptical about Hegseth’s qualifications. Ernst is the first female combat veteran to serve in the Senate; Hegseth had previously said that women should not serve in combat roles. Ernst is also a sexual-assault survivor; Hegseth has been accused of sexual assault and other misconduct, including alcohol abuse. (Hegseth has denied the accusations.) But when Ernst publicly signaled that she might not be able to support the nomination, Trump’s allies leaped into action. On private text chains, they talked about how failing to win confirmation for Hegseth was untenable. The consensus was clear: Because Matt Gaetz had already had to withdraw as Trump’s pick for attorney general, if they lost another major nominee, there would be blood in the water. Even the most controversial—Hegseth, Tulsi Gabbard, Robert F. Kennedy Jr., Kash Patel—needed to be muscled through.
Trump and his team saw the confirmation of their most controversial Cabinet nominees—Robert F. Kennedy Jr., Pete Hegseth, Tulsi Gabbard—as a chance to flex their power over the Republican Party. (Photo-illustration by Paul Spella. Sources: Rebecca Noble / Getty; Anna Moneymaker / Getty; Philip Yabut / Getty; Print Collector / Getty.)
They decided to make an example of Ernst, as a warning to other senators about what to expect if they stepped out of line. An op‑ed implicitly excoriating her appeared on Breitbart News ; Bannon and the gang on his War Room podcast hammered her relentlessly; and the powerful young conservative activist Charlie Kirk and his Turning Point USA team threatened to send resources to Iowa to oppose her reelection in 2026. Ernst’s effort to “end Pete Hegseth,” Kirk posted on X in early December, “is a direct attempt to undermine the President and his voters. Pete Hegseth is the redline. If you vote against him, primaries will ensue.”
Trump’s team knew that once the most prominent MAGA figures began their onslaught, second-tier influencers would follow. Ernst called around to Trump allies, begging them to stop the attacks. But they wouldn’t relent; she voted to confirm Hegseth.
Bill Cassidy, a Republican senator and physician from Louisiana, also briefly found himself in the hot seat as he struggled with his confirmation vote on Kennedy, a vaccine critic who has misstated scientific findings, to lead the nation’s top health agency. (Cassidy was also viewed as a problem by Trump supporters because he’d voted to convict the president for his role in the January 6 insurrection.)
Cassidy ultimately supported Kennedy’s nomination, though he maintained that the vote had nothing to do with his own reelection prospects in 2026. Afterward, in the course of general conversations about the midterms, Cassidy’s team sought Trump’s support in his upcoming GOP primary. Trump told an aide to relay to Cassidy: “I’ll think about it.” (A Trump adviser told us that, for the moment, the president and Cassidy have reached “an uneasy détente.”)
Business leaders fell more quickly in line. After the election, they descended on Mar-a-Lago.
At dinner with Silicon Valley moguls, Trump would sometimes play “Justice for All”—a song by the J6 Prison Choir that features men imprisoned for their actions on January 6 singing “The Star-Spangled Banner,” interspersed with Trump reciting the Pledge of Allegiance. One Trump adviser gleefully recounted how confused the tech billionaires appeared when “Justice for All” started, looking around for cues before inevitably rising and putting their hands over their hearts.
“The troll is strong,” the adviser told us.
The Thursday before the inauguration, a friend of Trump’s was sitting with him at Mar-a-Lago when the once and future president held up his phone to show off his recent-call log.
“Look who called in the past hour,” Trump boasted, then scrolled through a list that included Jeff Bezos, Elon Musk, Mark Zuckerberg, and Tiger Woods. Apart from Woods, all were former Trump critics who, eight years earlier, had tried to keep their distance.
SHOCK AND AWE
the start of a new presidency is a famously harried and jury-rigged affair. But Trump and his team had spent his time out of office preparing for his return. Longwell, the anti-MAGA strategist, told us—echoing something our colleague David Frum had warned about four years ago—that watching Trump’s second-term team attack the federal bureaucracy was like watching “the velociraptors who have figured out how to work the doorknobs.” Day one of the second term, the product of weeks of meticulous planning, was all about—in the Trump team’s words—“shock and awe.” “We did all the immigration and border executive orders,” an adviser told us. “If we just left it at that, all the stories would have been about what bad people we are—we’re kicking people out of this country. But then right after he signed those border executive orders, bam: the J6 pardons.” The adviser explained that, along with Trump’s multiple speeches that day and inaugural balls that evening, this meant “the media had to choose what to cover. It’s either the J6 pardons or the immigration executive orders.” This convulsion of activity, the adviser told us, was all “planned”—designed to overwhelm.
“We have everyone kind of in the barrel, like everyone’s on the spin cycle, just getting whipped around, and that’s advantageous for us,” another adviser told us.
In his first term, Trump had floated the idea of buying Greenland—speaking of it almost offhandedly as a potentially intriguing if unusual real-estate acquisition. But now, even before taking office again, he had suggested that Canada should be America’s 51st state, threatened to reclaim the Panama Canal, and vowed to gain control of Greenland—“one way or the other,” as he would later put it. He followed this during his inaugural address by invoking “manifest destiny,” the 19th-century idea that the United States has a divinely ordained right to control North America.
He added that many of the things that, in his first term, Trump had floated as provocations or trollings or idle musings are now things the president realizes he can actually do. “These are all doable,” Bannon told us. “When you’ve come back from such long odds, you clearly feel, ‘I can do anything.’ ”
In his first term, Trump and his team had not done certain things—fired key bureaucrats, upended certain alliances, overhauled various initiatives—because, as one former adviser told us, “we thought they were red-hot.
“And then you touch it,” the former adviser continued, “and you realize it’s actually not that hot.” This may be the key insight of Trump’s second term. The first time around, aides were constantly warning him that the stove was too hot. This time, no one is even telling him not to touch the stove.
Tradition holds that artists honored with lifetime-achievement awards at the Kennedy Center meet with the sitting president. During Trump’s first term, some of the most prominent artists refused to do so. He, in turn, didn’t attend a single performance there.
“I didn’t really get to go the first time, because I was always getting impeached or some bullshit, and I could never enjoy a show,” Trump said, according to an adviser familiar with the comments. But as planning for the second inauguration got under way, someone mentioned the possibility of holding an event there, impelling Trump to muse aloud about naming himself chairman of the Kennedy Center, a position that had long been held by the philanthropist and Carlyle Group founder David Rubenstein. Trump ordered, “Call David Rubenstein and tell him he’s fired.”
Overnight, Trump’s cultural remit went from queuing oldies on his iPad on the patio of Mar-a-Lago to being chairman of the Kennedy Center, one of the nation’s premier arts institutions. (Chip Somodevilla / Getty)
Some of Trump’s advisers have learned to operate by an unofficial rule: They make sure to do things after he says them twice. This is a necessary and important rule because, as one adviser explained, “he says a lot of shit.” So the second time Trump mentioned wanting to take over the Kennedy Center, his aides got to work, and in early February, Trump fired most of the board and named himself chairman. His cultural remit had gone overnight from entertaining his aides by playing oldies on his iPad on the patio of Mar-a-Lago to being chairman of the board of one of the nation’s premier arts institutions.
One of the most chaotic departures from convention has been Elon Musk’s prominent role in the administration. The disruption Musk has unleashed through DOGE, putting swaths of government “into the wood chipper,” as he described it, has tended to obscure the fact that the richest man in the world, who is one of Trump’s biggest financial donors, is attending Cabinet meetings while continuing to run his private businesses, which benefit from billions of dollars in federal contracts. The conflicts of interest here run fathoms deep. But Trump has confidently normalized all of it, even going so far as to conduct an infomercial for Tesla on the White House grounds.
In previous presidencies, Musk’s role in the administration would have been a scandal that dominated the media and congressional hearings for months. In Trump’s second term, this—by design—gets drowned out by everything else.
So, too, does Trump’s complete departure from convention regarding the Justice Department, which has historically had some independence from the president. In April, Trump ordered the DOJ to investigate Chris Krebs, who in Trump’s first term ran the Cybersecurity and Infrastructure Security Agency, which declared the 2020 election secure and Biden the legitimate winner. Trump, in short, wanted to prosecute Krebs for accepting reality. He has also made clear that he wants the attorney general to protect his supporters, including Musk, whose Tesla dealerships and charging stations have been targeted by vandals. “When I see things going on like what they’re doing to Elon, that’s terrible,” Trump told us. “That’s a terrible thing. That’s terrorism.”
Trump boasted to us of Musk’s private business successes as if they were his own. One of Musk’s companies, SpaceX, had just helped to retrieve astronauts who had been marooned for months on the International Space Station. “They don’t come out of there at some point, you know, the bones start to break down,” Trump said.
Trump marveled at the media’s coverage of the splashdown. “They said, ‘And the rocket’s coming down in the Gulf of America.’ They didn’t make a big deal. They didn’t say Trump named it,” he told us. “It was like it was old hat. And it’s been the Gulf of Mexico for hundreds of years, literally hundreds of years. The Gulf of Mexico, before our country was formed. It’s been a long time. And that’s good.”
“THAT IS NOT WHAT THEY SIGNED UP FOR”
for all of trump’s success in dominating the political sphere, Democrats have grown more optimistic that his political fortunes may be changing. Senator Elissa Slotkin of Michigan, who gave the Democratic rebuttal to Trump’s address to Congress in early March, told us that some of her constituents say their votes for Trump were born of despair. “They’ll say to me, ‘Look, it’s like I’m a Stage 4 cancer patient. My life has been getting worse, from my grandfather to my father, from my father to me, and my kids are going to do worse than me, so I need experimental chemo. Trump is my experimental chemo. It may hurt like hell. It may not work at all. But I’m at the end of my rope, and I’ll try anything.’ ”
We asked her whether now, several months into the second Trump administration, her constituents think the chemo is working. “I can’t tell you how many Trump voters have said to me, like, ‘Look, I voted for him to make the economy work. I did not vote for all of this craziness, and I certainly didn’t vote, for instance, for cuts to the VA,’ ” Slotkin said. “That is not what they signed up for.”
But in nearly every conversation we had with various Trump advisers, they told us that delivering on what people had voted for was in fact essential to holding the House and the Senate in the 2026 midterms. Trump himself has his eyes on a larger, long-term political realignment. “It’s a much different party,” he told us. “I got 38 percent of the male Black vote. Nobody knew that was possible. That’s a lot. I got 56 percent of Hispanics. How about that one? Every county along the Texas border is Hispanic. I won every one of them.” Though every single number he cited was wrong, the general thrust of his observation was correct.
Delivering on Trump’s campaign promises, his advisers told us, was the key not only to securing his legacy but to transforming the MAGA base into Republican voters for decades to come. (This project—persuading MAGA supporters to vote for Republicans even when Trump is not on the ballot—is a “central theme” of this presidency, one adviser repeatedly told us.) During the campaign and then the transition, Trump’s aides kept a shared document that meticulously cataloged and updated his promises for what he would do on day one, as well as what he’d promised to do more generally. The advisers we spoke with said that voters had absolutely known what they were asking for when they pulled the lever for Trump—and Trump’s team was determined to deliver.
But this is where the now nationally ingrained tendency to take Trump seriously but not literally may have created a disconnect between what Trump’s supporters thought they were voting for and what they are now getting, even among his most committed base. Over the years, Trump said many things that never came to fruition. Or he spoke with such hyperbole that everyone substantially discounted the reality of what he was ostensibly committing to. Or the policy implications of what he said would get obscured in the cloud of his ruminations about shark attacks and electrocutions and Hannibal Lecter—allowing voters to focus on what they liked and to ignore the riskier, more worrisome aspects of his promises. So although it’s true that Trump is delivering on commitments to impose tariffs, cut government waste, and aggressively deport immigrants, many of his voters are only now beginning to realize the effect these policies will have on their daily lives.
Several months into his second chance, the blitzkrieg of the early days continues—but it seems to be meeting more substantial resistance. Federal courts are once again blocking—or at least trying to block—Trump plans that flout the Constitution or stretch legal reasoning. The repeated rollouts and rollbacks and re-rollouts of his tariff measures have pushed the world toward an economic breaking point. (Even in the best-case scenario, any renaissance of the U.S. industrial base remains a long way off.) The Federal Reserve recently adjusted short-term-inflation projections higher, and GDP projections are getting lower. Financial analysts say the odds of a recession have risen significantly. The stock market just had its worst quarter in three years. When we talked with him in March, Trump had told us that Vladimir Putin “is going to be fine” in the Ukraine peace negotiations—but Putin has thwarted Trump’s promise of a quick deal. (“I’m trying to save a lot of lives in the world,” Trump told us. “You know, Ukraine and Russia—it’s not our lives, but it could end up in a Third World War.”)
The Signalgate fiasco appalled even a majority of Republicans. (Here Trump has so far stuck to his second-term policy of conceding essentially nothing, of never admitting weakness or a lie. To date, no one has been fired over Signalgate—though advisers we spoke with privately predicted that National Security Adviser Michael Waltz, who inadvertently added The Atlantic’s editor in chief to the attack-planning chain, would exit the administration by the end of the year, if not much sooner.) Mass anti-Trump protests, notably absent during the first two months of this term, have become more frequent, including in red states.
Even as Trump continually seeks to expand his presidential powers, he at times seems to acknowledge that they have limits. In our March conversation, he seemed frustrated at the notion that a court might try to curb his ability to deport anyone he wanted, however he wanted. Yet when we asked if he would go so far as to actively disregard a judicial order, his answer suggested that he understood the Constitution would not allow that. “I think the judge is horrible,” he said, referring to James Boasberg, the federal-district-court judge who had tried to stop deportations of Venezuelan migrants to El Salvador. But Trump then referenced the Supreme Court’s more congenial opinion in Trump v. United States, which had given him immunity from criminal prosecution for anything he does as part of his core “official” duties as president. “But I’ve had a lot of horrible judges, and I won on appeal, right? I got immunity on appeal,” he said. He told us that the Court is “going to do what’s right” when reviewing his expansive use of executive power, and he spoke with uncharacteristic charity about the Court’s Democratic appointees. “I see them at the State of the Union, things that I do, and I think they’re very good people,” he said.
When questioned, Trump has sought to evade direct responsibility for individual deportations by his administration, legal challenges to which are wending their way through the courts.
“You know, I’m not involved in that. I have many people, many layers of people that do that,” Trump told us when we asked if he was worried that he may have mistakenly deported innocent people. “I would say they are all extremely tough, dangerous people. I would say that. And, don’t forget, they came in the country illegally.”
Trump’s advisers argue that, overall, the shock-and-awe approach is working. “Think about everything that’s happened immediately on immigration,” Cliff Sims told us. “Oh, we’re just going to ship gang members to a prison in El Salvador? ‘Sure.’ We’re going to send Tom Homan”—Trump’s border czar—“to kick down the door of every criminal illegally in the country? ‘Have at it.’ It is the ultimate example of the ruthless efficiency of Trump 2.0.”
We asked Trump about the portraits on the walls of the Oval Office. Who, we wondered, had a legacy that he himself might like to have? “Ronald Reagan, I like in terms of style. But he was not good on trade—terrible on trade,” Trump replied. We pointed out that Reagan was also far more welcoming of immigrants. “Well, the toughest one in immigration was Eisenhower, believe it or not,” Trump said. “He was tough, and he just didn’t want people to come in illegally, like, you know, me. Well, I’m great on trade.”
Trump has also started talking publicly about running for a third term, which the Twenty-Second Amendment clearly prohibits. This started as joking comments with advisers—before making them, he would sometimes teasingly instruct the sober-minded Wiles, “Susie, close your ears”—but now seems to have become more serious. MAGA acolytes outside the administration have said they’ve been investigating ways of getting around the Twenty-Second Amendment, and an adviser acknowledged that if Trump thought a third term could somehow be made feasible, he would likely consider it.
We asked Trump about a rumor we’d heard that he had tasked his Justice Department with looking into the legality of his running again in 2028. He said he hadn’t, but then seemed to leave open the possibility. Was this the rare democratic norm he was unwilling to shatter? “That would be a big shattering, wouldn’t it?” he mused, laughing. “Well, maybe I’m just trying to shatter.” He noted, twice, that his supporters regularly shout for him to seek a third term, but concluded, “It’s not something that I’m looking to do. And I think it would be a very hard thing to do.” But not, it appears, a hard thing to profit from: The Trump Organization is now selling “Trump 2028” hats.
As a final question during our conversation in March, we asked the president whether he had concerns that his successor will follow his precedent and directly steer the powers of the presidency against his opponents, something he had accused Biden of doing against him. Wasn’t he laying the groundwork for an endless cycle of tit-for-tat retribution?
“Oh, I don’t know. I’ve already gone through it,” the president told us. “I got indicted five different times by five different scumbags, and they’re all looking for jobs now, so it’s one of those things. Who would have thought, right? It’s been pretty amazing.”
Three weeks after our initial phone call, the political complexion of the moment seemed to have shifted rather dramatically, and we wondered if that had changed Trump’s thinking. So we called the president’s cellphone, hoping to ask some follow-up questions. He didn’t answer. We left a voicemail.
That night, Saturday, April 12, Trump traveled from Mar-a-Lago to Miami to watch the mixed-martial-arts spectacle of UFC 314. He entered the arena like a conquering general, surrounded by a coterie of Cabinet secretaries and other high-level advisers and officials. The cheers from the adoring fans were uproarious. After some of the fights, the winner would rush to the side of the ring where Trump was sitting, to demonstrate fealty.
When the fights were over, well after midnight, Trump’s motorcade headed back to Air Force One, at the Miami airport. The next morning, one of us awoke to find that, at 1:28 a.m., the president had called, just as the pool report showed he was getting back in his motorcade. He hadn’t left a message. Had he been calling to ask if we’d seen what had transpired—the display of obeisance from these gladiators, and from his base? Or was this merely a late-night pocket dial? His team declined to clarify.
We made another appeal for an in-person interview. Later that day, an aide told us Trump was denying our request. But the rejection came with a message from the president—a message, Trump specified, only for Michael, not Ashley, with whom he was still annoyed. If the article we were working on really told the remarkable story of how he had come back from the political dead, “maybe The Atlantic will survive after all.” As is often the case with Trump, his business advice could also be interpreted as a kind of a threat.
The president had one last message for us. “What can be said?” Trump had instructed his aide to tell us. “I won the election in a landslide, and there isn’t anyone who can say anything about that. What can they write about?”
We thought we’d finished our story. But for Trump, negotiation is a perpetual state, and nine days later, he reversed himself again. We were asked to report to the Oval Office on the afternoon of April 24 for the interview we had first requested two months earlier. Trump also invited the editor in chief of this magazine, Jeffrey Goldberg, whom he had recently attacked as a “total sleazebag,” to join the meeting. Then, hours before we arrived, the president announced the interview to the world.
“I am doing this interview out of curiosity,” he wrote on Truth Social, “and as a competition with myself, just to see if it’s possible for The Atlantic to be ‘truthful.’ ” Goldberg, he added falsely, was a writer of “many fictional stories about me.” (Several White House aides, upon reading the message, joked about playing a prank on National Security Adviser Michael Waltz, the official who had accidentally added Goldberg to the Signal chat. “Tell Waltz to go into the Oval,” they dared one another, “but don’t tell him who’s in there.”)
“This will be very, very interesting,” Trump said, by way of greeting us as we approached the Resolute Desk. “You think Biden would do this? I don’t think so.”
In private, Trump often plays against the bombastic persona he projects in larger settings—at rallies, on television, on social media. He was launching a charm offensive, directed mainly at Goldberg. There was none of the name-calling or hostility he regularly levels at our magazine. He boasted about the 24-karat gold leaf he’d had imported from Palm Beach to decorate the Oval Office. “The question is: Do I do a chandelier?” he asked. “Beautiful crystal chandelier, top of the line.”
“I am in the first group, believe it or not,” he said. (This was indeed difficult to believe, we interjected.) “But a lot of people that are in the administration aren’t. They feel that I was really badly treated.” In our presence, he seemed inclined to outsource his retributive id to others. But soon after we left the Oval Office, Trump sought to exact further political revenge on his foes by directing the Justice Department to investigate ActBlue, the main Democratic fundraising platform.
When we mentioned the turmoil at the Pentagon, including recent reporting that Pete Hegseth had installed a makeup room in the building, the president smiled. “I think he’s gonna get it together,” Trump said of Hegseth. “I had a talk with him, a positive talk, but I had a talk with him.” Trump also said that Waltz was “fine” despite being “beat up” by accidentally adding Goldberg to the Signal chat. What had Trump told his staff after the controversy? “Maybe don’t use Signal, okay?”
He spoke of his opposition with earnest befuddlement, if not actual pity. “I think that the Democrats have lost their confidence in the truest sense,” he said. “I don’t think they know what they’re doing. I think they have no leader. You know, if you ask me now, I know a lot about the Democrat Party, right? I can’t tell you who their leader is. I can’t tell you that I see anybody on the horizon.”
Trump pushed back on the notion, popular among some Wall Street analysts, that financial turmoil—plummeting markets, the threat of a recession, a weakened dollar—would cause him to roll back his tariff policies. “It always affects you a little bit,” he said, but there’s no red line, no “certain number” at which he would feel compelled to change course.
We asked about the concern that his administration was pushing the country toward authoritarianism, where politicians use the power of their office to punish their enemies for speaking their minds, as Trump was attempting to do to Chris Krebs, Harvard, law firms, universities, and news outlets. He did not answer the question directly, but instead talked about how he’d been wronged.
We pressed further, again bringing up his efforts to deport undocumented immigrants without due process. What would happen, we asked, if his administration accidentally got the wrong person—a legal resident, or even an American citizen? “Let me tell you that nothing will ever be perfect in this world,” he said.
Near the end of the interview, we asked Trump why, given that he’s now definitively won a second term, he can’t just let go of the claim that he won the 2020 election.
The president told us it would “be easier” for him to just accept our assertion. But he couldn’t. “I’m a very honest person, and I believe it with all my heart,” he said. “And I believe it with fact—you know, more important than heart. I believe it with fact.”
“I’d like to say that that is reality,” Trump said. “Probably I do create some things, but I didn’t create that.”
Never mind that the votes had been counted, the court cases concluded. He was still trying to shift perceptions, make a sale, bend the world to his will.
This article appears in the June 2025 print edition with the headline “Donald Trump Is Enjoying This.”
The big books. The ambitious books, the life-changing books, the long books, the time-consuming books, the dense books. Not the “classics” because classics aren’t necessarily big and big isn’t necessarily classic (whatever that means, anyway) but the important books our culture used to produce but, today, we rarely see on bookshelves, where have they gone?
My mother used to tell me I was reading almost as soon as I could walk, and I was enrolled in libraries at an early age. In my lifetime, I’ve probably gone through tens of thousands of books of all sizes and genres. Now in my twilight years, though I still I love reading books, I would no longer regard reading as a hobby like I would be in the past, and I do not consume as many books as I did in earlier days. I often feel that I have lost the appetite for “big books” – big in the dimension and the number of pages, but not in the sense of scope and content and the literary reputation of the author. Back in day, I would tackle both the size and the sensibility of books with alacrity and and excitement, eager as I was then for knowledge and insight – those lengthy, complicated, and yes, ambitious, life-changing and time-consuming books that novelist Steve Orr name-checks in the opinion piece republished below.
As for those “big books”, I started early. Grammar School curricula mandated “set books” from the “canon” of English literature. William Shakespeare and Charles Dickens, of course, and also, among others, Christopher Marlowe, Geoffrey Chaucer, Oscar Wilde, GB Shaw, and John Steinbeck. Although we deep-dived into specific books, we were encouraged to read their other works, and more besides. So, I came to know The Iliad, The Odyssey and The Aenead, and also the French ‘greats’ Alexander Dumas and Victor Hugo. I can’t recall how I came to discover Mikhail Sholokov’s dramatic tales of the Don Cossacks, but they gave me a fascination with Russian history that has endured to this day, and introduced me to the Russian Revolution and Civil War – and socialism (see The Russian Tradition – Russia, Ukraine and Tibor Szamuely and other pieces).
During my university years, few non-fiction works of note come to mind though I’m sure I’d have read a few – including all three books of Tolkien’s trilogy which I binged on over one cold and rainy English weekend in Reading. Three years later, whilst traveling the celebrated Hippie Trail to India and back, I’d pick up random tomes in hotels and doss houses along the road. It was between Kashmir and Istanbul, I met James Joyce’s Leopold Bloom and Dostoevsky’s melancholy Prince Mishkin.
Moving to London in the early seventies, I spent hours traveling back and forth on the London Underground – always with a good book in hand. I went through phases. The Russian canon of Tolstoy, Dostoevsky, Pasternak, and Solzhenitsyn, all angst and agony, suited me well in my restless years. When my mood changed from melancholy to mellow, from the blues to the bucolic, I worked through all of Thomas Hardy’s tales of rural England, and discovered that Rudyard Kipling was much, much more than Mowgli. I encountered Milton’s fallen angel ( see Lucifer Descending … encounters with the morning star) whilst Don Quixote and Captain Ahab gave me a good literary workout. The name of this blog is taken from Moby-Dick. Meanwhile, the current best-seller lists provided many worthy reads.
Through the eighties and nineties, I would have several books on the go and would plough through several works of fiction and non-fiction each month. With the onset of the internet and the social media age, my decades long passion for history and politics superseded my fondness for a good book or two as I dedicated more of my leisure hours to news media and on-line feeds. The acquisition of an iPad in 2011 accelerated the demise of the actual printed word. I have never, however, read an e-book, and probably never will, and I buy books still, including several I would argue fitted Orr’s criteria of “big” – particularly CE Morgan’s “great American novel” The Sport of Kings and Hilary Mantel’s Wolf Hall trilogy. But since retiring to the bush, my reading capacity is down to a book every one or two months, depending in on its size.
Orr’s piece reminded me of my once prevailing but receding passion for the tangible printed word, providing not so much an obituary to the “big books” but a wake-up call.
“Maybe it’s time to commit”, he writes, “Maybe it’s time to (re-)rewire our brains to work in years, months, instead of fractions of seconds. Maybe it’s time to stop saying, “I’ll wait for the movie”. Maybe it’s time to admit we all have a little of Ahab’s obsession, Humbert’s lustings – maybe there’s a bit of Christian Stead’s controlling Sam Pollit in all us’.
“In short’, he concludes, “maybe we are the book and the book is us. Let’s admit, as Stead did when writing The Man Who Loved Children, the best way to exorcise the past is to write (and read) about it. This, as it turns out, isn’t a desirable but a necessary thing. Shall we admit, in the end, the questions the big books pose no longer interest us because we no longer interest ourselves?”
Last year, I jettisoned half of a book collection I’d accumulated over sixty years, more went this year – books that had followed me as I moved from Birmingham to Reading to London in the sixties and seventies, migrated to Australia, and moved from house to house in Sydney and finally settled in the midst of a forest in northern New South Wales.
Out went books of all formats and genres. Mementos of former passions and fashions. Relics of past courses and careers. Old school textbooks, university texts, fiction, nonfiction, dictionaries, coffee table books. I’d worked for years in publishing, so the complimentary copies alone were colossal..
I’d already culled boxes of books a decade ago when we’d last moved house and home, and this time, I was determined to downsize further. My primary criteria was that if I hadn’t looked inside the covers of a book for twenty, thirty, fifty years, then I wasn’t likely to do so in the next five, ten, twenty years I have left on this planet.
Nevertheless, I kept back five full shelves Books of poetry, some of them a century old. All-time favourite novels, including the iconic Russians, Hardy, Herbert and Heinlein. Non-fiction histories I regard with particular nostalgia or think might be of use again one day. Books about music and musicians, particularly the Beatles and the Bobster. Recent purchases. And, books I consider “rare” – a subjective descriptor that I can only explain as old books which I picked up in secondhand bookshops when I lived in London in the sixties and seventies. Some, I reckon, are actually rare!
The big books. The ambitious books, the life-changing books, the long books, the time-consuming books, the dense books. Not the “classics” because classics aren’t necessarily big and big isn’t necessarily classic (whatever that means, anyway) but the important books our culture used to produce but, today, we rarely see on bookshelves, where have they gone?
Why aren’t (many) people writing them? And more importantly, why aren’t people reading them?
This is a not a new concern. Charles Bukowski in 1990 asked: “… well, where are they?/ the Hemingways, the T.S. Eliots, the Pounds … dead, I know/ but where are the re-/ placements, where are the new/ others?’
Poet and writer Charles Bukowski.
What was a casual question back then seems to have a new urgency now.
There are lots of reasons, and I’d like to explore some of them here. I suspect technology, in its various forms, is taking over the jobs we used to trust our brains to do: critical thinking, imagination, reasoning and speech and (civilised) argument and social intercourse at a personal and public level. We say, “Oh, well, I’m too busy to tackle Anna Karenina,” then pick up our phone to check the latest tweet.
We don’t value time in the same way we used to – slow, precious, filled with good smells and sounds and ideas and meaningful things. We’re happy to waste time. Like, surely, we’ll get it back? We’re happy to fill the gap with more technology, updated phones and watches. And the result? We’ve become lazy, and lonely. We’ve privatised our inner spaces, sold off our opinions, let someone else make Pixar and Marvel dreams for us. And worse, for too many people now, everything’s about money. We’ve shat on our curiosity, given up on the daily awe that came from sensing our place in nature, the consolations and compromises that made civilisation possible, and pleasant. The result? Each new generation bleeding out its limited reserves of empathy, understanding and wisdom.
Readers seem hung up on plot. Easy plots. Familiar plots. Plots that come from and return to a screen. Problem being, the big books are about big characters: Miss Havisham, Elizabeth Hunter, Captain Ahab, Tom Joad. It takes time to build up a complex, flawed life on a page, each verb and adjective competing for the smallest breath and bit of meaning. Even when contemporary writers have a crack, readers falter, stray, give up. There’s something easier, more immediate to hand. Something involving the discovery of a body on a beach and working out how it go there. Harold Bloom: “I am not unique in my elegiac sadness at watching reading die, in the era that celebrates Stephen King and J.K. Rowling rather than Charles Dickens and Lewis Carroll.”
Ironically, it’s the loss of critics like Bloom that’s allowed the problem to fester. The loss of literary criticism generally, space in newspapers, reviews themselves (ironically, surviving in 50-word online grabs where they’re easily ignored).
Today, there are fewer places to publish extracts, to make meandering explorations that interrogate context, subtext, the way authors’ lives morph onto the page, how we needn’t make the mistakes of the past, how too many of our views are founded on faulty assumptions.
All of this might seem ho-hum: “It’s a shame but, you know, the world’s changing.”
If it wasn’t for what we risked losing. That is, the understanding of what it means to be a human on Earth, a human among millions who’ve lived and died with the same urges and joys and terrors and disappointments. How else to connect with the tribe of humanity that’s fallen through time’s long ruin? Bloom again: “We read deeply for various reasons, most of them familiar: that we cannot know enough people profoundly enough; that we need to know ourselves better.”
Keira Knightley in a scene from film Anna Karenina.
Or as Jonathan Franzen put it in How to Be Alone: “Readers and writers are united in their need for solitude … in their reach inward, via print, for a way out of loneliness.”
The very idea of reading deeply; of making connections in order to become better people (or at least remain sane, or maybe even happy). But now, visual seems to have won out over text; we have a poorer understanding of irony, sarcasm, the art of persuasion, voice, a well-turned sentence, the art of choosing the best word (even grammar, spelling); we can’t grasp complex sentences, let alone the formal language that glues so many big books together. In short, we’re out of practice. Kids grow up without books in the house, without reading role models (family, let alone politicians and public figures, having been replaced with sporty types). No one demands sustained reading and schools are too busy teaching “multi-modal” texts (more screens) while avoiding quality books lest they disadvantage non-readers. Meanwhile, the books that are read are short, plotish, weighed down with well-meaning but yawn-worthy attempts at solving the world’s problems. Despite schools’ mission to create readers, at the end of the day they leave more waiting for a bus that’ll never come. Apart from this, schools and universities are busy “de-colonising” bookshelves, removing Pip because (I suspect) the local gauleiter has never read Great Expectations. In short, there goes the Western canon. Anyway, chances are younger English teachers haven’t read much, or they’ve been co-opted from the geography department to make up the numbers.
And what about the writers? Bukowski: “I don’t ask for Dostoevsky, there’s no replacement for Feodor Mikhailovich. But these now, what are/ they: making their tiny splashes, what practiced ineptness, what boredom of language, what a/ crass bastardly trick against print against pages …”
The reasons are complex, but the outcomes clear: writers are no longer culturally important; big books are rarely produced by profit-driven publishers, therefore fewer are written, creating a self-fulfilling Coriolis effect of big books down little drains. But mostly, big books are hard to write. Think of Patrick White churning out an Eye of the Storm or Riders in the Chariot: a hundred thousand-plus handwritten words, typed up, corrected, typed again, “oxy-welded”, years and years of solid, thankless, grinding warfare with an Olivetti and the English language to produce a masterpiece that, even then, required a visionary publisher (Ben Huebsch) and well-read public to give it any chance at all.
And talking about the journey. Perhaps part of the problem is that we’ve lost interest in the journey on which writers can take us over our lives. From comics, to pre-franchised, pre-teen Tolkien, the discovery of Holden Caulfield, the oh-so-clever twenty-something Infinite Jest, then to something serious, Bolano, perhaps, and on and on it goes, the road less travelled that’s no longer travelled at all. And what have we lost? The unbroken chain of meaning from Homer to Dante, Chaucer to Shakespeare, to a 20th century profusion of styles that offered Joyce in the morning and Hesse in the afternoon.
For me, as a 12- or 13-year-old, it was Dickens. To think, someone had actually dreamed up Micawber and Betsey Trotwood! Without that narrative, that connection, how do we even know what we’re missing, or misunderstanding? Are we ready to give up the collective memory that, according to Italo Calvino, holds together “the imprint of the past and the plan for the future …”
Or is it simply that we no longer know how to be alone anymore? Bloom said it was all about finding a mind “more original than our own”. But now, we’re all creators, posting a hundred daily autobiographies on TikTok. Ironically, this seems to be leaving us more lonely than ever and, having withdrawn within ourselves, having discovered we’re bored with what’s being said and sung and tweeted, we can’t work out what’s next?
Maybe it’s time to commit. Maybe it’s time to (re-)rewire our brains to work in years, months, instead of fractions of seconds. Maybe it’s time to stop saying, “I’ll wait for the movie”. Maybe it’s time to admit we all have a little of Ahab’s obsession, Humbert’s lustings – maybe there’s a bit of Christian Stead’s controlling Sam Pollit in all us.
In short, maybe we are the book and the book is us. Let’s admit, as Stead did when writing The Man Who Loved Children, the best way to exorcise the past is to write (and read) about it. This, as it turns out, isn’t a desirable but a necessary thing. Shall we admit, in the end, the questions the big books pose no longer interest us because we no longer interest ourselves?
Stephen Orr is an award-winning novelist. He will be a guest at Adelaide Writers’ Week on Wednesday 5 March.
“America is in a mess. We need someone to clean it up. And his name is …”
So run the opening titles of Tim Robbin’s’ 1992 satire Bob Roberts. In a dark case of life imitating art, the story of a Wall Street millionaire who begins his political career as a reactionary folk singer foreshadows the rise of a uniquely American autocrat who channels the pain and anger of millions who feel that they’ve been left behind. The eponymous Bob Roberts is portrayed as a rightwing Bob Dylan, right down to a parody of the famous Subterranean Homesick Blues story boards to the iconoclastic song Times are a’changin’ … Back. Read a 2020 retrospective of this prescient film HERE. [From In That Howling Infinite‘s Deconstructing Donald – translating Trumpspeak]
Fast track to the present day as second coming began with a barnstorming inaugural address:
“ … the United States will once again consider itself a growing nation, one that increases our wealth, expands our territory, builds our cities, raises our expectations and carries our flag into new and beautiful horizons [and] will pursue our Manifest Destiny into the stars, launching American astronauts to plant the Stars and Stripes on the planet Mars”.
In a pugnacious declaration of American exceptionalism and, dare we say it, Magafest Destiny, he said: “Nothing will stand in our way because we are Americans, the future is ours, and our Golden Age has just begun.”
His first press conference followed shortly afterwards as he signed off on a plethora of executive orders and bantered with the assembled Fourth Estate. Apart from his customary vindictiveness, grievance-driven musings and hyperbole, he was clearly in good humour, folksy even. We were, against our better instincts, bemused, amused, entertained even.
Whatever comes next – and the hectic events of the last fortnight have provided many clues. Along with the name “Gulf of Mexico”, it’s out with the old and in with the new. Tech billionaire Elon Musk has moved into the White House as the new power behind the throne; the purge of public servants and the deportation of illegal migrants have begun; foreign aid is suspended; and “woke” programmes and pronouns are cactus. Panama and Greenland are on the president’s shopping list, and the trade wars are now on: “This will be the golden age of America,” Trump posted on his Truth Social account. “Will there be some pain? Yes, maybe (and maybe not!) But we will make America great again, and it will all be worth the price that must be paid.”
America made its choice – most, for quite understandable reasons that have little to do with populism, racism, fascism or in fact any of the other “isms’ that are tossed about like confetti at a wedding – and must live with it.
Meanwhile there’s predictable faux panic on the left, in Australia and elsewhere, as armchair and keyboard warriors whinge from the sidelines with the same old discussions, the same old articles, serviced by the same bias-confirming algorithms, denigrate and demean America and Americans, and endeavour to tar our own ostensibly “trumpian” conservatives with the same tired brush. Countless social media memes and comments about American stupidity illustrate how out of touch, self-righteous, arrogant and morally “superior” many of the so-called “left” have become. But while they may derive some vicarious satisfaction from their predictable put-downs, they are just pissing in the wind.
America made its choice – most, for quite understandable reasons that have little to do with populism, racism, fascism or in fact any of the other “isms’ that are tossed about like confetti at a wedding – and must live with it. The march to the “right side of history” has turned out just to be to the right. And there’s nothing we can about it. As a Facebook friend commented recently, ” … it’s like watching the Titanic sail away knowing it’s going to sink, but the details of where and when are unknown. But it keeps our old brains active”.
It’s not that people are unaware of Trump’s faults. They harbour no illusions that he will behave any better this time around. They know he will never change; he is erratic, unhinged and foments chaos; he is arrogant, has no sense of history, and is completely transactional. He never apologises, recants or retreats. He never expresses regret for his actions. When under attack for scandalous behaviour or abuse of power, Trump has one playbook: deny, denounce, discredit, defame.
Even dyed-in-the-wool conservatives acknowledge this. Former Australian attorney general George Brandis wrote in the Sydney Morning Herald on 18 November:
“… the sheer weirdness of Donald Trump himself: narcissistic, vulgar, bombastic, mendacious, idiosyncratic, outrageous; while at the same time flamboyant, mesmerising and on occasions very funny. He broke every rule, told every lie, did the unthinkable, said the unsayable and still came up … (you complete the pun). The epic unconventionality of Trump’s campaign dramatised a result that would probably have been the same had the Republican candidate been less unorthodox. For that reason, the outcome is fertile ground for over-interpretation and exaggeration”.
Commentators and author Troy Branston wrote in The Australian, on 9th November 2024: “It’ll be a wild four years with Trump back in power. He remains a despicable and disgusting man devoid of integrity and ethical values, is boorish, moronic, and unstable, and I fear, by a narrow margin, Americans have made the wrong decision. But it a decision that they must live with we must accept”.
We are on the threshold of a consequential four years. Like it or not, we are in interesting times.
From time to time, I republish articles by News Ltd commentators that I believe are worth sharing with those who cannot scale the News paywall – and those who, out of misguided principle, refuse to read articles by its more erudite and eloquent contributors. This, by The Australian’s Greg Sheridan, is one of those.
We published a similar piece exactly six years ago at the commencement of Trump’s first term:The Ricochet of Trump’s Counter-revolution. Back then, we were unsure what the next three years would bring. This time around, we probably have a good idea, and it’s likely to be a wild ride for America and also the world.
I find it hard to tell you, ’cause I find it hard to take
When people run in circles, it’s a very very mad world
Trump remakes America with a revolution in common sense
Greg Sheridan, The Australian 25 January 2025
Boom. Boom. Boom. The second presidency of Donald Trump burst like a clap of thunder across the whole American nation, across the whole world.
Here is the Donald in unimagined glory, the victor of all he surveys, not just embarking on the latest unbelievable chapter in a completely unbelievable American life, from reality TV to the White House, via porn star dalliances, assassin’s bullets and politicised felony convictions that voters rightly ignored, but promising the very reinvention, the historic renewal, of America itself.
It’s a scene with biblical resonance.
But is Trump a modern Moses leading his people into the promised land? Or is he the Apocalypse? It’s too early to tell, but the blizzard of activity in Trump’s first few days demonstrates he is changing America, probably fundamentally. As with all things Trump, there will be good and bad, courageous and cringeworthy, inspiring and implausible.
The dangers are manifold: that Trump goes too far; that his administration is ill-disciplined if not incoherent; that the opposition in the courts and Democrat-controlled states frustrates his program; that he ignores the law; that he confuses personal profit with public policy; that America’s adversaries, wise to Trump this time, less intimidated by his bluster, refuse him the deals he wants, the deals he needs; that the meanness inherent in parts of Trump’s program becomes exaggerated or dominant; that he encompasses some monumental blunder.
But the promise is also manifold: that Trump unleashes the entrepreneurial spirits of the American economy; that the US military streaks ahead of the rest, providing unassailable deterrence; that the US sets up a huge lead in artificial intelligence and other areas of hi-tech; that America leads the West out of the debilitating ideologies of self-hatred and identity politics that grip the Western academy; that race is delegitimised as a central feature of Western politics and culture; that inflation is slayed; that bureaucracy is tamed, government spending reduced; that deregulation liberates business and slashes costs.
The frisson of danger that always accompanies Trump is palpable. It’s tied up not only with Trump’s personality but with his essential modus operandi. Everything is psycho-drama. Everything is a deal. So everything is unpredictable. Positions that seem solid, change in a minute, sacrificed as leverage in a deal. Strategic unpredictability can be an asset in negotiation, but as former diplomat Peter Varghese has argued, strategic unpredictability can easily become strategic unreliability.
To take one relatively minor example, Trump’s Vice-President, JD Vance, a few days before the inauguration, said any of the January 6, 2021, rioters who had attacked police wouldn’t be pardoned. Then Trump pardoned them anyway, saying they’d been in jail long enough. Vance surely had spoken to Trump before he made his public comments. Trump presumably was undecided until the last minute, characteristically. He certainly wasn’t fussed about embarrassing Vance.
US Secretary of State Marco Rubio and his wife Jeanette AFP
Still, stepping back from the sheer volume and speed of action in the first days, you can see that Trump’s election, notwithstanding the new/old President’s many foibles, represents a characteristic American response to perceived decline and stagnation. The old left liberal orthodoxy that was strangling America, its economy and its society, just as it’s strangling Europe and even Australia, just wasn’t working. Everyone could see that except left-liberal ideologues. Crime. Homelessness. Skyrocketing energy prices. Uncontrolled illegal immigration. These things were a mess.
No nation suffers paradigm paralysis less willingly than the US. If things really aren’t working, its voters have a visceral reaction: throw the bums out! And if the next lot don’t work, throw them out too.
Often the US has looked permanently crippled by its internal difficulties – after the civil war in the 19th century, or the savage internal polarisation over Vietnam in the 1960s, or the stagflation of the ’70s. But every time, America comes roaring back.
Is it roaring back now? America certainly has profound social problems – drug abuse, especially fentanyl, gun violence, homelessness, inner-city crime, obesity. Ruinous inflation. But never forget the incredible American achievement.
Psychologist Jordan Peterson claimed recently that by the end of 2024, the poorest US state, Mississippi, was richer than the richest province of social democratic Canada, after a decade of enlightened left-liberal incompetence and ideological posturing from Prime Minister Justin Trudeau. The poorest American state enjoys a higher per capita income than Britain or France. The US is about $US30,000 ($47,700) richer per head than Canada, about twice as rich per capita as the EU. Even when America is doing poorly, it’s doing better than almost everybody else. Nonetheless, America has dangerously lost much of its manufacturing industry. In today’s militarily fraught environment, that’s dangerous.
A homeless encampment in San Francisco. Getty Images
But the modern world was still made in America – from Silicon Valley to Hollywood, from Pulitzer prizes to nation-shifting podcasts, from the internet to space travel. So while left-liberal formulas are failing, Trump inherits an America still possessed of profound strengths. Nonetheless, he’s going to change its direction and, if he can, its character. He’s attacking every issue with frightening energy.
His first week was political shock and awe: dozens of presidential executive orders; two states of emergency, energy and the southern border; two big international withdrawals, from the Paris climate accords and the World Health Organisation; a string of important appointments; a half-trillion-dollar AI investment announcement; the establishment of a new agency, the Department of Government Efficiency, to slash government spending; and the greatest repudiation of racial preferences by abolishing every program of the federal US government implementing or promoting diversity, equity and inclusion initiatives.
Trump gave us real actions in a dizzy range of policy areas. These include: the economy, including tariffs, energy policy, climate change, tax cuts, deregulation; foreign policy, including China, Russia, Israel and the Middle East; immigration, especially the southern border; and every aspect of identity politics, to promote “a colourblind society based on merit”.
It’s a cultural revolution, perhaps as Tesla boss and Trump bestie Elon Musk, head of DOGE, claimed, “a fork in the road of human civilisation”.
There will be plenty of resistance, even if Democrats rightly feel like idiots at the moment, demoralised at their loss, stunned at the people’s rejection, humiliated that the majority did not regard Trump in anything like the lurid light that Democrats had painted for eight years.
Nonetheless, although Trump’s victory was clear, it was relatively narrow. Trump got 77.3 million votes to Kamala Harris’s 75 million. That’s good but not landslide territory. He won 49.8 per cent of a relatively low turnout to Harris’s 48.3 per cent. Trump didn’t win a majority of the popular vote as George W. Bush did in 2004.
The result was, in the prescient phrase of former Trump campaign manager and adviser Kellyanne Conway, a “narrow landslide”.
Trump won all the battleground states, but narrowly. If Harris had won Pennsylvania, Michigan and Wisconsin, she would be president. She lost those states respectively by 120,000, 80,000 and 29,000. So if just 115,000 votes in three key states, out of a total of more than 155 million votes cast, had gone the other way, the Trump revolution would be just one of the ghostly ifs of history.
None of this diminishes Trump’s victory. Given everything thrown against him, it was a magnificent triumph. But America is still a 50-50 nation. Trump will need to score successes that affect people’s lives to cement his political revolution. Just as conservatives were energised by Joe Biden’s appalling presidency, radical activists will be motivated to oppose Trump. Though not just yet, perhaps.
What do Trump’s early actions tell us about how he’ll govern? Stylistically, they’re revealing. This will be a personalised presidency where all big policy issues are deals, supervised by the President.
Some specific policies are clear. Trump will secure US borders. The American people want that. He says he will deport people who are in the US illegally. That’s more than 12 million people. He can’t physically deport that many. But he can deport a lot if he wants to.
Barack Obama, liberal hero, deported hundreds of thousands of people every year. That’s what it means to enter the US illegally. You don’t have the right to be there. If Trump concentrates on illegal immigrants who have committed serious crimes, and the more than a million who have been ordered to be deported but have not actually been removed, that’s likely to maintain strong support.
US Customs and Border Protection officers. AFP
For the moment, Trump has stopped all refugee arrivals. That surely must be temporary. Attempting to end automatic citizenship for babies born in the US appears unconstitutional. The constitutional amendment was first introduced to allow slaves and ex-slaves to become citizens. That will be fought legally.
Energy policy is clear. Trump withdrew from the Paris Agreement, ended federal mandates for electric vehicles and reversed every one of Biden’s multitudinous executive orders restricting fossil fuel exploration and exploitation. During the election, Harris did not campaign on climate change at all. This issue could be gone for the left.
Most politicians try to sniff the breeze. Some politicians make the weather. Trump is doing this, perhaps literally and figuratively, on climate change and energy. His administration will promote the use of every source of energy – oil, gas, coal, nuclear, wind, solar – everything altogether all at once. There will be a lot of legal battles but the direction is clear. And the US taxpayer won’t contribute a dime to green energy funds.
There are only a couple of nations formally outside the Paris Agreement. But Trump’s action demolishes global climate plans as they exist and demonstrates the extreme folly of the Albanese government bankrupting our economy to pursue the fantasy chimera of net zero.
Most developed nations have substantially deindustrialised because of crazy net-zero targets and the consequent spiralling costs of energy. This week’s Spectator magazine contains a mournful essay outlining the process in Britain. A recently returned European diplomat observes to me that climate action and green energy policies have damaged German industry more than the Royal Air Force did in World War II.
Trump won’t let this happen in America. Further, the big greenhouse gas emitters, whose emissions are growing most strongly, are not developed economies but nations such as China, India, Indonesia and so on. These nations are part of the Paris accords but don’t face any serious burdens under them. They use every source of energy they can.
The US Mexico border at El Paso, Texas. AFP
With the US effectively joining them, it’s the failing economies of Europe, and not much better performing Australia, that look out of touch with reality and committed to self-destruction. Anthony Albanese and Peter Dutton are both right to say Australia can’t exit Paris like the US has done. This would be to become a target. It should instead do what so many do: stay notionally in Paris but maintain the economy anyway with traditional energy sources. And it should embrace nuclear.
Trump wants to cut taxes and attract foreign investment into the US. None of this foreign investment will hesitate for a nano-second because of ethical concerns about climate. Trump will face his greatest opposition in the courts, from some Democrat states such as California; and, if Republicans lose congress in two years, from congress as well.
On tariffs, Trump is still a mystery. He says punitive tariffs may begin against Canada and Mexico in a week or two. He’s unhappy that they let too many people, and too much fentanyl, cross into the US. Such tariffs would devastate Mexico and Canada. The slight delay seems to be an invitation to their governments to make him an offer he can’t refuse.
He has delayed the giant tariffs he was planning on China even further. Though Trump said he would impose such tariffs, it’s clear they were always essentially a bargaining ploy. He’s open to deals.
Trump offered actions and indications of direction on the Middle East, Russia and China. The actions are unified by Trump’s deal-making and by his America first predilections, but they can’t be connected by coherent policy otherwise.
On the Middle East, he forced a welcome ceasefire between Israel and Hamas in Gaza. If Hamas comes back to dominate Gaza, Trump will likely back Israel if it decides it must resume military action.
Trump and Russia’s President Vladimir Putin in 2018. AFP
On Russia, Trump wants a deal. However bad it is in principle, in that Ukraine should not have had to give up any territory, in reality the shape of the deal is obvious. Russia gets to keep the Ukrainian territory it has already conquered and Ukraine gets genuine security guarantees – if not NATO membership, perhaps the presence of British and French troops on its soil.
Trump began by hectoring Russia’s Vladimir Putin, saying he was destroying Russia and waging a ridiculous war. He threatened more sanctions if Putin didn’t make a deal. That seems a hollow threat but Trump’s deals typically begin with a lot of bluster. Trump wants this deal very badly.
On China, Trump has sent mixed and confusing signals. His decision to save TikTok is extremely perplexing. Congress passed legislation to force TikTok to sever its connection with its Chinese owner, ByteDance, or cease operations in the US. Trump has delayed enforcement of this law, and that in itself seems highly dubious legally. Trump also says he would accept a deal in which the US, whether government or private companies, owned 50 per cent of TikTok. But that would still be in breach of the law, which Trump himself called for way back in 2020, and would not stop China from harvesting all the user data from TikTok.
As a result of Trump’s stay of execution, TikTok has been lavishing praise on him. That’s pretty dubious from every point of view.
Trump has appointed genuine and profound China hawks such as new Secretary of State Marco Rubio and Elbridge Colby, the new Under Secretary of Defence for Policy at the Pentagon. But he also has appointed business-as-usual types to Treasury. Similarly, he has talked of wanting to visit China soon, which would seem unlikely if he’s levying punishing tariffs. The best you can say is that China policy is a movable feast, likely to harden over the course of Trump’s presidency, as it did during his first term.
Trump wants to renovate, modernise and expand American power. He’s greatly drawn to tariffs and economic sanctions as his “hard” power tools of choice. He’s pro-business, pro-hi tech, pro-patriotic and in alliance with many good forces in US society. And of course, he has his dark side and his share of very bad hangers-on.
History has often used much worse men than this to conduct necessary national renovations. Trump is planning to reinvent himself and reinvent America. The world awaits the reinvention.
So off and on you go The seconds tick the time out There’s so much left to know And I’m on the road to find out … the answer lies within So why not take a look now Kick out the devil’s sin Pick up, pick up a good book now Cat Stevens
Who among us hasn’t revisited a favourite book years after reading it, only to wonder why you read it and what you thought about in the first place.
I first read Robert M Pirsig’s iconic road novel Zen and the Art of Motorcycle Maintenance back in the 1976 – a barely fictional meditation on fatherhood, Zen, tools, and the idea that quality – the main conceptual preoccupation of Pirsig’s life – lay in the repetition of right actions.
I can’t remember why I bought it, and indeed, read it all – other than perhaps because reviewers were raving about it. I had no interest nor aptitude in matters mechanical – I couldn’t even drive in those days. I recall that I found it quite mesmerising in its meticulous “naming of parts”, to quote the WWII poem by Henry Reed juxtaposing the mechanical and natural worlds that encapsulated the urge we have to see significance in the ordinary, the routine, “the drill”.
The blurb on the front cover declared: “this book will change the way you think and feel about your life”. But it didn’t – not a jot. I didn’t say to myself “I want to read a book that will change my life”. At the time, I didn’t reckon I was particularly searching for meaning or enlightenment or anything like that. Life in London was relaxed, comfortable, and interesting. Considering that it was the political and economically unstable mid-seventies, things were moving along quite smoothly. The inevitable speed hump and reset with their disruptions and discontents and an abrupt and unexpected change of location and lifestyle, career and country were a couple of years down the track.
Today, I recall that reading it was a bit of a chore and that the narrative was like watching paint dry, a kind of biker’s Proust. I don’t remember very much of at all – although there’s one thing I relate to this this day – the narrator’s observation that the writing of technical instruction manuals was always delegated to the least productive and capable member of the the production line – which explains why so many are so difficult to follow. Most folk can certainly agree with that.
The book remained on my bookshelf through many moves, including to the other side of the world, and in the last relocation eight years ago, from an inner city terrace to a forest in northern New South Wales, for which I’d culled some two thirds of a library accumulated over half a century. This thumbed, battered and faded paperback hung in there in its creased and purple glory with the image of a wrench morphing into what looks to me like a lotus flower.
Perhaps it survived because I’d always unconsciously resolved to return to it one fine day when I’d reread it and discover a meaning of the universe. I’m nowhere near ready for that reunion. But the retrospective republished below prompted me to pick up the old book – if only because thought I might’ve written some comments on the insides of the cover as was my habit back in the day, and obtain an inkling of what was going on in my younger head I might back in the day. But there was nothing, nada, nix! I was quite disappointed.
My eyes were drawn, however, to the raves on the back cover: “The most exciting book I have read in years” declared a reviewer in Vogue. Newsweek called it “the most explosive detective story of high ideas in recent years”. And inside, before we get to the story, there are three pages of accolades, many in upper case – were this online today, we’d call that shouting! “A miracle that sparkles like an electric dream”. “Exhilarating, dramatic, classic”. “Brilliant and original”. “Profoundly important”. “It lodges in the mind as few recent novels have”. “An unforgettable trip”. The long gone Sydney Sun Herald called it a work of art.
The author of the Pirsig retrospective republished below appears to hold the same opinion. “I am not particularly self-aware” he writes, “nor do I have much memory for the person I was at the time. So I can’t really explain to you why “Zen and the Art of Motorcycle Maintenance” had such a hold on me”. What follows is a philosophical riff on Robert Lewis Stevenson’s well-worn adage that it’s better to travel hopefully than to arrive – even when getting there, like Bono, you still haven’t found what you’re looking for. I do like his last sentence: “If there’s one thing I would say to Pirsig, or even that younger self driving across Montana whose head was filled with a vain, almost-inhuman spirituality, is that everyone, in their way, is trying to find the thing you’re trying to find”. I guess in our own way, we are all seekers.
Earlier this year, I jettisoned half of what remained of what remained of my book collection – books that had followed me as moved from Birmingham to Reading to London, migrated to Australia, and moved from house to house in Sydney and finally settled in the midst of the forest. Out went books of all formats and genres. Mementos of former passions and fashions. Relics of past courses and careers. Old school textbooks, university texts, fiction, nonfiction, dictionaries, coffee table books. I’d worked for years in publishing so the complimentary copies alone were colossal.
My primary criteria was that if I hadn’t looked inside the covers of a book for twenty, thirty, fifty years, then I wasn’t likely to do so in the next five, ten, twenty years I have left on this planet.
And out went Zen and the Art of Motorcycle Maintenance.
Every writer I know has memories they return to in their work over and over again. There is rarely much logic to the choices, nor do such memories tend to align with the sorts of significant events that traditionally make up the timeline of one’s life. My point of fixation, one that’s appeared a few times in my writing, occurred during a solo cross-country road trip I took at the age of nineteen. I was driving to Seattle, where I knew nobody, and was planning to stop for the night in Billings, Montana. It was already late, and I had been keeping myself awake with a non-stop chain of cigarettes and vending-machine coffee I’d dutifully bought at every rest stop along the way. I had a pile of books on tape on the passenger’s seat. About an hour outside of Billings, I put in “Zen and the Art of Motorcycle Maintenance,” which, coincidentally, starts out on a road trip to Montana. The first line—“I can see by my watch, without taking my hand from the left grip of the cycle, that it is eight-thirty in the morning”—had a hypnotic effect on me. I blew through Billings that night, and for the next six hours I listened to Robert M. Pirsig’s barely fictional meditation on fatherhood, Chautauquas, Zen, tools, and the idea that quality—the main conceptual preoccupation of Pirsig’s life—lay in the repetition of right actions.
I am not particularly self-aware, nor do I have much memory for the person I was at the time. So I can’t really explain to you why “Zen and the Art of Motorcycle Maintenance” had such a hold on me. Even back then, I knew that the book was considered a bit gauche—a manual for the type of seekers who plumb out all the parts of Eastern religions that justify their own selfish behavior, who spend their days walking the earth in a fog of patchouli oil and immense self-regard. But I was also captivated by the idea that dharma demanded a sense of conscientious and careful action, whether maintaining a 1966 Honda Super Hawk, shooting free throws, or writing. I was, and I suppose still am, deeply suspicious of the life of the mind, and wanted to believe that enlightenment existed elsewhere.
Over time, I distilled my particular reading of Pirsig down to a line from “I am I be,” a song by De La Soul in which Posdnuos raps, “If I was a rug cleaner / Bet you Pos’d have the cleanest rugs.” The point, as far as I could tell at that young age, wasn’t the competition for the cleanest rugs but, rather, that the dedication to expertly cleaning a rug would yield moments in which the body would fall away from the mind, and you could touch the outer edges of enlightenment.
“On Quality,” a collectionof Pirsig’s speeches, fiction, letters, and musings that was posthumously published last month, might not satisfy the reader seeking a nostalgic return to the road or the mechanic’s shop. The text, instead, reads like a notebook from a life spent pondering: What does “quality” mean? Why are some things better than others? What is it about humans that causes us to recognize the difference? His answer is that quality “is a characteristic of thought and statement that is recognized by a non-thinking or intuitive process.” He continues, “Because definitions are a product of rigid reasoning, quality can never be rigidly defined. But everyone knows what it is.”
As in “Zen and the Art of Motorcycle Maintenance,” Pirsig mostly defines “quality” by what it is not. That book starts with a dichotomy: on one side is the narrator, who maintains his own motorcycle and understands its every function; on the other is his riding partner John, who owns a high-priced BMW and can’t even be bothered to learn how to fix it. The narrator doesn’t understand John’s relationship to his machine and realizes that, whereas the narrator can see the Buddha in the gears of an engine, John believes that technology or man-made things are anathema to the spiritual reasons why he rides his bike. Who, then, is correct—the logician or the romantic? Who is closer to quality? The answer, according to Pirsig, is neither, but also everything:
Quality is the Buddha. Quality is scientific reality. Quality is the goal of Art. It remains to work these concepts into a practical, down-to-earth context, and for this there is nothing more practical or down-to-earth than what I have been talking about all along—the repair of an old motorcycle.
There’s a very good chance that unless you spent a decent portion of your life thinking about dharma, reading the Upanishads, or discussing the works of Shunryu Suzuki, there will be very little in “On Quality” that will be of interest to you. The collection almost reads like a scientific proof that tries to identify the exact location of quality while also arguing, somewhat more convincingly, that such a task is impossible. What the reader is left with, then, are a series of word puzzles and contradictions that can be frustrating, but which reveal a lifelong search for what moves Pirsig in a way he cannot explain. In the book’s preface, Wendy Pirsig tells the story of what happened when her late husband joined the army and was stationed in Korea:
Stepping off the train in South Korea when the troops first arrived, he saw a dusting of snow over the nearby mountains that was so beautiful and strange and reflected such a different culture that he became almost ecstatic. “I walked around. It was like Shangri La,” he recalled years later. “I think I was crying. I just stared at the roofs wondering what kind of culture could have built roofs like that,” he said.
In the lineage of Eastern philosophy in American letters—see the works of Pirsig, J. D. Salinger, Kenneth Rexroth, Gary Snyder, or Jack Kerouac—you’ll often find a desire to negate the innate hunger of life. The authors try to find something better in the image of, say, a red wheelbarrow glazed with rain water next to white chickens. This country, they say, is dull and greedy and always misses the point. The possibility of a new type of ecstatic vision and a life filled with meaningful tasks, I imagine, is what drew me and so many other readers to “Zen and the Art of Motorcycle Maintenance.” We believed Pirsig could see the Buddha in a well-maintained carburetor. We wanted to see it, too, and we wanted to work as he did, perhaps in large part because we saw very little future for ourselves in the striving world.
But, as I read all this back today, I was mostly struck by a central contradiction that appears not only in Pirsig’s writing but also in the work of so many of his fellow literary Zen seekers. On the one hand, Pirsig believes that the universality of quality means that everyone can access it. But he also seems to have very little faith that the people around him—whether John, his motorcycling buddy, or even his readers—can actually see quality in the wild. At times Pirsig treats the task of explaining it like his burden to bear. Yet the idea that something is just good and true for ineffable reasons that defy both logical explanation and romantic self-projection should be familiar to anyone who has listened to Nina Simone sing “I Wish I Knew How It Would Feel to Be Free.” As Pirsig himself acknowledges: we all know.
Sometimes, while scrolling through TikTok late at night, I’ll come across a genre of video in which vocal coaches analyze viral clips of performances by young, effusive singing machines who have been through years of training. Nothing could be more annoying or besides the point than the coaches’ gushings over the control of the upper registers, or the clean transitions in the runs. Pirsig would probably say that these sorts of categorizations are purely an intellectual, and ultimately futile, exercise: he argues—correctly—that only pedants feel the need to contextualize every quality moment into a narrative that tries to discern its truth. But it’s perhaps even more pedantic to process so much of this idea through lengthy, philosophical treatises that try to obscure and make unknowable something we feel nearly every day.
Quality, Pirsig says, surrounds us. It is in a rug cleaned with care, a well-maintained garden, and the order of words in a sentence. I do not know if there is a way to trick oneself into noticing more of these instances of quality, nor do I know if enlightenment rests on the accumulation of little ecstasies, nor do I believe—at least anymore—that those of us who have sought the path through books, meditation, or study have any more access to “quality” than those who have not. If there’s one thing I would say to Pirsig, or even that younger self driving across Montana whose head was filled with a vain, almost-inhuman spirituality, is that everyone, in their way, is trying to find the thing you’re trying to find.
You offspring of serpents who warned you of the wrath to come. Matthew 3:7
There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind. Prelude to the film of Gone with The Wind (1939)
… by the time you can no longer avoid thinking about your history, it has become so complex and confusing that you can no longer think about it clearly, and your morality is what is gone with the wind.
Sarah Churchwell, The Wrath to Come (2023)
American cultural historian Sarah Churchwell’s book The Wrath to Come – Gone With the Wind and the Myth of the Lost Cause or its alternative title, the Lies America Tells (tells itself” is more accurate) is a harrowing read about slavery, America’s original sin; about the civil war fought to end it; the brief Reconstruction years that followed; the lingering stain of white supremacism and racial violence; and of how discriminatory and oppressive Jim Crow laws of the late nineteenth century survived well into the twentieth with lynch law, segregation, vote suppression and the civil rights struggles of the sixties.
The Wrath to Come is also about how historiography – how historians analyze and interpret history, and how “we, the people” recall and retell history.
She quotes author and civil rights advocate James Baldwin’s essay The White Man’s Guilt:
“White man, Hear me! History, as nearly no one seems to know, is not merely something to be read. And it does not refer merely, or even principally, to the past. On the contrary, the great force of history comes from the fact that we carry it within us, are unconsciously controlled by it in many ways, and history is literally present in all we do”.
Churchwell notes how in 1935, Black writer WEB Du Bois warned “against writing history for our pleasure and amusement, for inflating our national ego”, or “using a version of historic fact, in order to influence and educate the new generation along the way we wish”. Such propaganda history is merely “lies agreed upon”, and had enabled a toxic mixture of libel, innuendo and silence to poison the well of American historiography”.
The Wrath to Come is also very much about today. Running right through the narrative are the currents and crises that culminated in the great American unraveling that led to the storming of the Capitol on January 6, 2021 – and as we know well, are yet to be fully played out in November 2024, and, as is most likely, beyond it. January 6th was, in her opinion the actualization of what Baldwin called “the wrath to come”, the moral derangement – spinning the nation off its axis. “Beyond the bars of our foolish little cages”, she writes, “a reckoning looms, at a scale we can’t assimilate”.
As an article in the New Yorker wrote recently, the pertinent issue now is not what caused the Civil War but what we should have learned from it. “January 6, 2021, is not an equivalent date in our history to April 12, 1861, but the radical Republican leaders who lived through the Civil War understood a principle that has been lost on their successors: that, if entrusted with power, leaders who commit assaults on the national government once may well attempt to do so again”. Many commentators remind Americans of the time when Benjamin Franklin, one of the original framers of the US Constitution, was walking out of Independence Hall after the Constitutional Convention in 1787, when someone shouted out, “Doctor, what have we got? A republic or a monarchy?” To which Franklin supposedly responded, with a rejoinder at once witty and ominous: “A republic, if you can keep it.”
“The past is not a prediction” Churchwell writes, “but it is a precedent, creating the possibilities for what the future will tolerate. The American future would, it turns out, tolerate a great deal”.
Gone with the myth
Gone with the Wind shows what white America has believed – and wanted to believe – about its own history; it’ curates and cultivates America’s great white myths about itself.
Churchwell anchors her history around one of the most well known and loved stories of the twentieth centuries – the novel and the film of Atlanta author Margaret Mitchell’s epical Gone With the Wind. But while she may be deconstructing the iconic motion picture, it is very evident that the real target of her thesis is number forty-seven, whom she sees as America’s chaos personified. Whilst describing the brief and ineffective Reconstruction years that followed the American Civil War, with its “scallywags and carpetbaggers”, she gaslights “the greatest grifter the Republic has ever seen”. Like slavers, abortion and Vietnam, Trump is an issue that divides Americans, splitting families, straining the mystic chords of memory.
Within six months of its release in June 1936, Mitchell’s tale of tangled love set against the northern invasion and fall of the Old South, sold one million copies, making it the biggest-selling American novel to that date. It won a Pulitzer Prize and National Book Award, and has sold more than 30 million copies internationally.
The 1939 film adaptation starring Vivien Leigh as willful anti-heroine Scarlett O’Hara and Clark Gable as her rakish third husband Rhett Butler, won eight Academy Awards, including best picture, best actress for Leigh and best supporting actress for African-American actress Hattie McDaniel. McDaniel portrayed Scarlett’s outspoken chief house slave, Mammy, and made film history as the first black woman to take home an Oscar (although she was colour-barred from attending the Atlanta world premier).
Churchwell mounts an excoriating critique of the novel-turned-film for its denialism of the horrors of slavery and “shameless” historical distortions about the civil war and its aftermath. Such denialism, she contends, continues to divide America today.
Churchwell’s book adds a contemporary, political twist to such criticism: she argues America’s “most famous epic romance … provides a kind of skeleton key, unlocking America’s illusions about itself” and she links its sanitized treatment of slavery and promotion of white nationalism to Trumpism and the January 6, 2021, attack on Washington’s Capitol.
“When we understand the dark truths of American experience that have been veiled by one of the nation’s favourite fantasies, we can see how the country travelled from the start of the Civil War in 1861 to parading the flag of the side that lost that war (the Confederate flag) through the US Capitol in 2021.’’
Gone with the Wind advances a misleading version of American history known as the Lost Cause. This is the notion that “the Confederacy fought the Civil War (1861–65) as a principled defense of a noble civilization (the Old South) and its democratic rights, rather than as an unprincipled defense of the white supremacist system of chattel slavery … The specific rights in question were individual states’ rights to keep and trade enslaved people, but the Lost Cause skipped that part.’’
Extending this mythology, the film’s opening title cards briefly mention slavery but also refer to the Old South – which was home to four million slaves – as “a land of Cavaliers and Cotton fields,” and a “pretty world where Gallantry took its last bow.”
Similarly, she writes that Gone with the Wind “marks a cultural breakdown, the point where mythology triumphed over history’’. Therefore, “urging the erasure of Gone with the Wind would simply reinforce that … “
“… when a nation’s myths, no longer make sense of its reality, violence erupts. That is one of the many things that has happened to America. Mythmaking and misinformation have been spinning wildly through American political discourse, so they can be hard to catcher as they float, disembodied across our conversations … Like a carnival magician, myth-making points at something with its right hand while picking our pockets, with its left stop. If we stop looking where it’s pointing, we might just manage to protect our valuables – in this case a republic, if we can keep it … It turns out that the heart of the myth, as well as its mind, and its nervous system, most of its arguments and beliefs, it’s loves and hates, it’s lies and confusions and defense mechanisms, and wish fulfilments, are all captured) for the most part in inadvertently) in America’s most famous epic romance: Gone with the Wind.
… and when a country, become so lost in dreams, that it can no longer see reality, it loses its moral sanity … This book follows American history back down into the myth, to excavate what’s been buried – not just the fact that historians have carefully been long, bringing to light … but also suppressed psycho political realities. The lies, the distortions, justifications, the half-truths, the rampant projections, the cognitive dissonances, the negations, the flat denials all the stinging truths Americans don’t want to admit about ourselves that Gone with the Wind caught like flypaper …
It has often been said that America had to imagine itself to existence. Less often remarked is the corollary, that America is, in a very real sense, mainly a story the nation tells itself. That makes the US singularly subject to the meanings of stories and myths – all nations tell stories about themselves, but America has little to hold it together beyond those stories (which is one of the reasons it fetishes its founding documents). If Gone with the Wind is one of the most popular stories America has ever told about itself, then it matters that it is a profoundly antidemocratic, and a moral horror Show … judgment has been remarkably absent from the stories we tell about ourselves.
While Churchwell hopes that Donald Trump loses the November election, she is hardly optimistic about the republic’s future. She sees the events of the last eight years, and indeed those preceding as “portents of a much deeper dislocation in American society. For over two decades now, Americans have been battered by non-stop crises at home and abroad – from the long War on Terror to Covid and the George Floyd protests – leading to what feels like national exhaustion and a deep pessimism about the future of democracy”.
The old revolution and The Lost Cause
Gone with the Wind took a series of historical forces, and made them seem only natural
Maybe we were on the losing side. Not quite sure it was the wrong one.
Captain Mal Reynolds, Firefly (episode 3)
From the beginning of Donald Trump‘s campaign to the turbulent end of his presidency, debates raged about whether his supporters were motivated by economic anxiety or racial animus. But in America the two are intertwined in a system of racial capitalism.
Gone with the Wind doesn’t just romanticize that system – it eroticizes it. The Lost Cause provided a genesis for modern America’s racialized economics and paramilitary white nationalism, in which racial segregation was the supposedly logical outcome of a fight over states’ rights. But the most vicious fights over these supposedly principled stances on states’ rights have always consistently been over racial power. In fact, states’ rights are almost never invoked in a context that is distinct from race. States’ rights created a fig leaf, an alibi from which white America benefits so deeply that the denials continue to this day.
Slavery was America’s Original Sin, a stain running through its technicolor grain. Over the period of the Atlantic Slave Trade, from approximately 1526 to 1867, some 12.5 million men, women, and children were taken in captivity from Africa; 10.7 million were taken aboard ship to the New World and placed in bondage in the Americas – possibly the costliest in human life of all long-distance global migrations. Four hundred years of slavery ended in civil war and a wasteland.
America’s road to the Civil War took decades. It is beyond the scope of this article. but within a month of Lincoln’s victory in the presidential election of 1861, South Carolina took the fatal step, followed over the next few months by the secession of most of the Lower South. A month after his inauguration, the Civil War erupted with the bombardment of Fort Sumter in Charleston harbour. As Churchwell recounts it, “…. once a people decides that it cannot live together or when a citizenry divides into clearly opposed blocs, it is impossible to predict just how conflict may erupt. But to say that it cannot happen is to ignore history. Even Lincoln downplayed the threat of southern secession during the 1860 campaign, not believing until it was too late that the South ever would take such a final step”.
The American Civil War claimed more than seven hundred thousand American lives, tore a young nation apart, and its echoes reverberate still one hundred and sixty years later, reflecting unresolved political fault lines that go back two centuries. years. Though the war ended slavery, there was still another hundred years of toiling towards true freedom. As Martin Luther King said, “Lord, we ain’t what we want to be; we ain’t what we ought to be; we ain’t what were gonna be, but thank God, we ain’t where we was”.
“The white South grabbed the moral high ground and clung on for dear life – while the white North met it more than halfway. By the turn of the century the south was winning the war of ideas, its big lie accepted across the United States”.
It used to be said that the South would rise again. It did, and indeed, some reckon, the South finally won the war.
Dixie rising
Predictably, the ghosts of the American civil war have been haunting the ongoing presidential campaign and have forced their way back into popular consciousness.
Statues depicting figures from the war – and even of founding fathers or older presidents – and even the names of the schools, military bases and streets, have increasingly become a flashpoints for a real political and cultural struggle. A low-intensity war on the past is now being waged across many states, with the effect of hardening hearts and solidifying the battle lines being drawn in the sand.
In May 2024, it was reported that the Shenandoah County School Board in Virginia would restore the names of Confederate generals Thomas “Stonewall” Jackson, Robert E. Lee and Turner Ashby to two local schools. The controversial reversal comes nearly four years after the names were changed.
“Residents speaking in favour of reverting to the Confederate names included Stuart Didawick, who noted that his family’s roots run deep in the community, where his ancestors received land grants in the decades before the American Revolution. “When you vote on the name restorations”, he asked board members, “will you listen to the opinions of woke outsiders who have for the most part no ties to the land, the history, or the culture of this county? Or will you listen to the voices of the people who elected you to represent them, the people whose families built and have sustained this county for generations?” To which a student and athlete responded: “I would have to represent a man that fought for my ancestors to be slaves,” adding that she would feel as if she’s being disrespectful both to her ancestors and her family’s values.
Another pervasive ghost of the Civil War, the battle flag of Dixie, has never gone away. It was long a favoured accessory above government buildings and at right wing rallies in The South, those former secessionists states that lay south of the Mason-Dixon Line. It played a cameo role in popular culture, flying in The Dukes of Hazzard, True Blood, and even The Walking Dead. The right to flaunt “the Stars and Bars”, an enduring symbol of the lost Confederate cause, and a rallying point for those who still believe the rebel cause to be just, those who take solace from an heroic defeat, and those who believed that “the South will rise again”, and indeed those who KNOW that the South has indeed risen again. For have not the white, right wing, God fearing, Clinton-baiting, and Obama-hating ‘Red’ states of the South conquered and colonized the American political system?
Failed Republican presidential hopeful Nikki Haley was governor of South Carolina, the first state to secede in 1861, in 2015, when in 2015, Dylann Roof, a young white supremacist who had draped himself in the Confederate flag, massacred nine African American parishioners at a Black church in Charleston, the state capital. Haley called for the removal of the Confederate flag from the grounds of the State House, where it had been hoisted in the early 1960s as a rebuke to the civil rights movement. When the flag came down, a ceremony that felt like the final surrender of the Civil War, little did we know that what we were actually witnessing that summer was the beginning of the white nationalist counter-offensive headed by Trump. In a strange quirk of history, he launched his presidential bid the very day before the Charleston massacre.
During the run up to the Republican primaries, POTUS aspirant and Florida Governor Ron DeSantis defended part of his state’s African American history curriculum standards that claimed some enslaved people developed skills that “could be applied for their personal benefit.” Flag-remover Nikki Haley omitted any mention of slavery when she was asked to explain the cause of the Civil War at a town hall event. It wasn’t until the next day that Haley acknowledged the war was “about slavery”. Both now failed candidates reflected unresolved political fault lines that go back nearly 200 years.
In !955, Ella Fitzgerald was jailed for singing to an integrated audience in Texas
Author’s note
Last year, my favorite podcast The Rest is Historybroadcast a long but informative interview with Churchwell herself. The link is below. I also republish a review of the book and its content that first appeared in The Australian in April 2023, and the unique story an escaped slave who found his way to Australia and lived to tell his tale in print – an 18,000-word essay about slavery, titled The United States Governed by Six Hundred Thousand Despots.
Such was my enthusiasm for Churchwell’s book, I transcribed many of what I considered to be memorable and cogent quotes. They are categorized and listed immediately after the following videos.
Like my father before me I will work the land And like my brother above me Who took a rebel stand He was just 18, proud and brave But a Yankee laid him in his grave I swear by the mud below my feet You can’t raise a Kane back up When he’s in defeat
Robbie Robertson, The Band
Churchwell quotes …
The Dixie Dreamtime
The story is cloaked in self-delusion far worse than Scarlet’s, and the film – which recognizes the novel’s flaws more clearly perpetuated these solutions out of commercial interests. This modern myth affirmed all the nation’s favorite illusions about itself, up to and including its faith in its own innocence – and then sold that bill of goods to all and sundry, making a fortune in the process. Scarlett’s blinkers are typical too – the willful ignorance in which American popular memory likes to trade. What she couldn’t or wouldn’t see is the subject of the rest of this book …
… the savage viciousness of Jim Crow produced the consoling legend of a noble land of Cavaliers, and ladies, who presided over loyal servants, with gentle benevolence, which would become America’s favourite story for decades to come. Listen closely to what a culture keeps telling itself, and you’ll know not only what’s on its mind, but what it needs to hear. Gone with the Wind told Americans that they could survive anything, especially if ignored it … the denialism of American culture (is) its refusal to face facts, to recognize that what it tells itself simply isn’t true …
Even as white Americans were sharply censoring the rise of Fascism in Europe, traveling to Spain to volunteer against Franco’s army, they were also longing for the good old days when the United States have enslaved millions of non-white Americans …
Good stock
Slavery was abolished by the war, but white supremacism was not. The problem was that white Americans could abhor slavery, and fight a war to end it, and also abhor Black people. They could believe that slavery was a moral abomination, and also believe in eugenicist racial science that claimed non-white people were biologically inferior to white people, and that racism was the natural order of things, even if slavery was not …
Gone with the Wind appeared a mere decade after the Scopes Monkey Trial took Darwinism to court to try to deny that humans will be related to apes. The immense anxiety sparked by this idea was bound up in older racist tropes which held the Black people were apes and white people were human. Proof that white people were also descended from apes challenged the racial hierarchy …
Once white people were forced to concede that they might’ve come out of jungles two, scientific gracious, and sort through that they had emerged much earlier, and how much farther and Black people
Playing along with lesser folks, taking from them what you can, and then, kicking them to the curb, is also the secret of social Darwinism, which is inextricable from the novels racism. Both preach survival of the fittest, defining fitness through biological determinism, as heritable traits that mean survivalism is a question of innate character rather than environmental good fortune These ideas are fundamentally eugenicist, claiming not only that some humans “stock” is biologically superior to others, but that such groups come racially and ethnically presorted. Presumptions of lesser and greater beings, the right of merit to rule, was at the heart of the argument: an aristocratic entitlement to title that claimed privilege was founded on inherited superiority, rather than brute force or the dumb luck of circumstance … the notion of “good stock” and “breeding” that underpinned scientific racism …
In the wake of first first world war and the Russian revolution, the “red scare” enabled the second Klan to maintained its white supremacism but expanded its list of enemies to include most foreigners, especially Catholics, Jews, eastern and southern Europeans, as well as communist, socialist and labor organizations, all of whom it generally equated. This broad, stroke nativism was strongly eugenicist, promising to protect the “pure stock” of white American Protestantism from the racial “pollution” of mixing with inferior breeds …
Heirs to the white supremacist cause, the replacement theorists, Tucker Carlson, Kyle Rittenhouse. Fox host Tucker Carlson professed to be “shocked” that “seventeen year olds with rifles decided they had to maintain order when no one else would”. This is precisely the alibi that was always offered for white supremacist violence, straight out of Gone with the Wind and the newspaper lynching reports that that accompanied it. Scapegoating makes violence redemptive, as savagery is projected onto its victims, who deserve what they’re getting. The Klan was a group shaped around projection and scapegoating. Apologists of white supremacist from Thomas Dixon and Margaret Mitchell to Tucker, Carlson and Ann Coulter to the hyper partisan mob that stormed the Capitol all insisted that they were defending “extralegal justice”, as if extralegal were not just another word for illegal …
History is endlessly revised, even when it’s been chiseled in stone. Newly discovered facts can improve our understanding of the past, and sometimes people even ask new questions about the same old facts.
… Black Americans are left arguing that they are the ones owed by a nation which is yet to redeem the promises it made to the makes to them. That is the entire import of Dr. King’s 1963 “I have a dream” speech, a metaphor of redemption that he makes explicit, and explicitly economic: “we’ve come to our national capital to cash a check”, King said, on the “promissory note” signed by the architects of our republic, a promise of “unalienable rights” to “life, liberty and the pursuit of happiness”. But America has “defaulted on this promissory note” King charged. “America has given the Negro people a bad check, a check which has come back marked “insufficient funds” .
… the seed of white grievance, a nostalgic, resentment that perceives only loss of individual power, refusing to consider the question of collective equality. Grievance is the politics of narcissism, the refusal to shift your ground, nursing your grudges, building spite into politics, while telling your enemies to move on in the interest of unity, a unity in which you do not believe, and which you have no intention of compromising.
Women’s rights and suffrage
Mitchell was outraged that Blacks could vote and women could not … Real estate was also entangled with women’s rights, as women gradually bou property and paid tax, but still could not vote. Her mother argued the women’s suffrage, and is very terms woman paid taxes, but we’re not allowed to vote drunken bums on the sidewalk because they were men that they haven’t paid a dime when titled to vote, and we are not …
White wealth through property ownership is what Gone with the Wind wants to exult – while trying, less than successfully, to ignore the role of slavery and it’s aftermath in the creation of that wealth.
Gone with the Wind Shows how the mythology of American success stories, including those of immigrants, were also inculpated in the bloody history of institutionalized slavery. The triumphalism of the end of the immigrant success story has worked to school the question of complicity, the suppose and dog in this town, making good does so at the expense, And More, senses of one, of an entire Other, racially marked, underclass.
Fascism and the kloning of the Klan
My summary: Fascism as represented by the KKK and the plethora of “clothes line” political groups distinguished by a colourful array of shirts was characterized by an American nativism, xenophobic, and white supremacist, conspiratorially anti-Semitic and anti-communist paramilitary groups, leveraging existing bigotries on behalf of state violence, consolidating power for one small group, while dehumanizing, persecuting, and annihilating – the eugenicist exultation of certain “bloodlines” of over others, white grievance displaced onto racialized enemies within.
Fascism as represented by the KKK and the plethora of “clothes line” political groups distinguished by a colourful array of shirts was characterized by an American nativism, xenophobic, and white supremacist, conspiratorially anti-Semitic and anti-communist paramilitary groups, leveraging existing bigotries on behalf of state violence, consolidating power for one small group, while dehumanizing, persecuting, and annihilating – the eugenicist exultation of certain “bloodlines” of over others, white grievance displaced onto racialized enemies within.
The affinities between the second Klan and European fascism had only grown clearer since they are simultaneous start in the early 20s, with their shared cults of paramilitary violence, legal apartheids, eugenicist, ideologies, and paranoid cultures … a mast native about the sacredness of the course, the purity of the nation, and the exultation of violence to defend against the enemy within.
… there is a strong case for the fascism of the Klan with its paramilitary violence, it’s extra-legal assertions of power, it’s uniforms and rituals, it’s love of esoterica, its nostalgic racial fantasies, its conspiracy theories, and its existential rejection of the legitimacy of any government that opposes it, as historians of fascism pointed out … It was ennobled by myths of national purity, performed by masculinist cults of the leader, and sold as the will of the people.
Robert O Paxton, in the five stages of fascism, characterized it as a politics, “marked by obsessive preoccupation with community decline, humiliation, or victimhood, and by compensatory cults of unity, energy, and purity, in which a mass based party of committed nationalist militants, working in un easy, but effective collaboration with traditional elites, abandons democratic liberties and pursues, with redemptive violence, and without ethical or legal restraints, goals of internal cleansing and external expansion“.
The Black and brown shirts of European fascism were met by America’s own clothesline politics, all declaring sympathy with European fascism and espousing the rights of the white Christian American herrenvolk to dominate their nation too. The American right wing “haberdashery brigade” includes silver shirts, white shirts, dress shirts, and gray shirts. They were joined by the black Legion, the order of ‘76 and as well as Cristo-fascist groups, including defenders of the Christian faith and the Christian Front, whose members called themselves the brown shirts. The Friends of the Hitler movement, the official Nazi Association in America, was established in 1933, eventually becoming the German American Bund.
Denialism it had nothing to do with European Fascism ….
Racial bigotry in America, the times insisted, was just unthinking in the good, old, thickheaded, prejudiced, irrational human fashion. Whether unthinking racism is preferable to thinking racism is probably immaterial to its victims, as if lynching would be less objectionable if it weren’t defended on the grounds of rationality … i.e. white supremacism was just good old thickheaded American prejudice.
If Gone with the Wind is broadly fascistic in its outlook, the lost cause is even more so, in its glorification of the confederate causus belli, the cults of its leaders of its dead, its propaganda, it’s wars for territorial expansion, and the insistence on the sacred rebirth of the nation in the ashes reconstruction, the new order founded on the ongoing defiance of the federalist government of the United States, and a fundamental rejection of pluralist democracy.
A collection of material at Ferris State’s Jim Crow Museum of Racist Memorabilia, Grand Rapids, Michigan, 2004. Jim Prichard/AP
The Grapes of Wrath
Eight months before the film premiered in Atlanta, John Steinbeck published the grapes of broth, which would become the most popular novel of 1939. Widely hailed as a testament to human endurance, the novel took its title from the battle hymn of the Republic, Julia Ward Howe’s mighty Civil War anthem …Howe’s Bible steeped language comes from the book of revelation, in invoking divine Justice, when God’s truth will force the wine of freedom from the grapes of wrath. It is an image of anger, accumulated, even cultivated, long march of times.
What defined fascist propaganda was never its lies, wrote Hannah Arendt in 1945, for all propaganda is based on lies. What distinguishes fascist lies is that they are intended to negate reality, making “that true, which, until then could only be stated as a lie”. Fascists don’t lie to deceive; they lie to change reality. Lies about the Lost Cause did just that, using fiction to displace reality until the fiction has become a reality. Soon that fiction spread beyond the cult of true believers, normalizing itself in the body, politic for the best part of the century, a cancer legitimating unreason that metastasized long ago Mythology replaced history as the arbiter of American truth.
Line is not only the Hitlerian big lie of propaganda, but a culture of perversive, lying, what a Arendt called “lying as a way of life” and “lying on principle”. It is a systematic dishonesty that destroys the collective space of historical-factual reality.
The Birth of a Nation
In February 1915, upon viewing The Birth of a Nation at a special White House screening, President Woodrow Wilson reportedly remarked, “It’s like writing history with lightning. My only regret is that it is all so terribly true. This line has appeared in numerous books and articles over the past seventy years. But it was appended twenty years after the event to add a spurious authority- from a former president no less – to the mythical account of reconstruction told in the birth of a nation that gone with the wind recycled, creating a very efficient closed circle of mythmaking.
The Birth of a Nation, by all accounts the first American blockbuster, the first historical epic, the first Hollywood film to resemble what movies are like today, premiered in Los Angeles exactly 100 years ago on Sunday. But the centennial won’t be celebratory. It will likely be awkward, sobering even — because in director D.W. Griffith’s 12-reel Civil War saga, the Ku Klux Klan members are the glorious heroes.
Since its premiere on Feb. 8, 1915, the film has been at once wildly popular and widely condemned. It inspired the revival of the KKK but also galvanized what was then a nascent NAACP into action. It helped define what cinema means for American audiences. It was the first film ever shown inside the White House.
After 100 years, it has left a complicated, powerful legacy, but a legacy of what, exactly?
“Excuses are sometimes made by scholars of film for the content, but I don’t think that for the last ten to 15 years there has been any doubt that this is an unequivocally, viciously racist film,” says Paul McEwan, Associate Professor of Media and Communications at Muhlenberg College. McEwan has been studying and writing about the history of Birth of a Nation for 12 years. “I mean, this film makes Gone With the Wind look very progressive.”
Griffith claimed to be filming history, but Birth of a Nation, based on the novel The Clansman by Thomas Dixon, features a stunning revision of Reconstruction. White actors in blackface portray members of a barbaric, sex-crazed militia of freedmen that terrorizes and disenfranchises cowering whites. Black men overtake South Carolina’s judicial system and legislature, swigging whiskey and eating fried chicken on the floor of the State House. After the blackface character Gus attempts to rape a white woman, the protagonists don their hoods and apprehend him, lynching him after their version of a fair trial. The film is ostensibly about white national reconciliation at the expense of emancipated black Americans. A title card punctuates the action toward the end of the silent film to declare, “The former enemies of North and South are united again in defense of their Aryan birthright.” Despite its objectionable content, the film remains an essential part of the discussion about American cinema because of Griffith’s pioneering technical innovations. Things that today are completely taken for granted — like close-ups, fade-outs and even varying camera angles — originated with The Birth of a Nation‘s director and crew.
From the poverty shacks, he looks from the cracks to the tracks And the hoofbeats pound in his brain And he’s taught how to walk in a pack Shoot in the back With his fist in a clinch To hang and to lynch To hide ‘neath the hood To kill with no pain Like a dog on a chain He ain’t got no name But it ain’t him to blame He’s only a pawn in their game
Bob Dylan
In the courtroom of honor, the judge pounded his gavel To show that all’s equal and that the courts are on the level And that the strings in the books ain’t pulled and persuaded And that even the nobles get properly handled Once that the cops have chased after and caught ’em And that the ladder of law has no top and no bottom Stared at the person who killed for no reason Who just happened to be feelin’ that way without warnin’ And he spoke through his cloak, most deep and distinguished And handed out strongly for penalty and repentance William Zanzinger with a six-month sentence
Bob Dylan, The Lonesome Death of Hattie Carroll
In !955, Ella Fitzgerald was jailed for singing to an integrated audience in Houston, Texas
Goosestepping back to political relevance
Artist Barry Blitt’s “Back to the Future.” In another year of political chaos, he “looks forward to depicting the pageantry, solemnity, and awe of the upcoming Presidential election”.
A slave writes to a Sydney paper
I’m trying to imagine what it might have been like to be the editor of a little Sydney newspaper called The Empire in the 1850s when a “fugitive slave” – owned from birth by the invalid daughter of an innkeeper in North Carolina – walked through the door, asking for a copy of the US Constitution.
He wanted to write about the slavery endured by whole branches of his family, and he needed the Constitution for reference.
It seems that this actually happened in Sydney in 1855. The New York Times had a story about it on the weekend. And you’re not going to believe how that story ends.
The slave in question was John Swanson Jacobs, described by the editors of The Empire (they are sadly not named) as “a man of colour, with bright intelligent eyes, a gentle firm voice, and a style of speech decidedly American.”
Jacobs had escaped bondage and made his way to Australia where he was desperate to find somebody willing to tell the story of slavery. By chance, the editors had “the last edition of the United States’ Constitution authorised by Congress” in their offices, and they agreed to lend it to Jacobs, who returned it after a fortnight, with an 18,000 word essay about slavery, titled The United States Governed by Six Hundred Thousand Despots.
The editors of The Empire agreed to publish it, and “scarcely altered a word”.
A first-hand account of slavery by an escaped slave has been found in an Australian newspaper archive.
“The writer is in Sydney; we understand he has been among the successful gold-diggers,” they said. “We shall be much mistaken if his narrative is not read with a lively interest.”
More than 160 years later, you are being offered the opportunity to read that essay, because it has rather amazingly been re-discovered, and published in book form, and oh, it’s so harrowing.
It begins: “I was born in Edenton, North Carolina, one of the oldest States in the Union, and had five different owners in 18 years.
“My first owner was Miss Penelope Hannablue, the invalid daughter of an innkeeper. After her death I became the property of her mother.”
He describes the slavery endured by his father: “To be a man, and not to be. A father without authority – a husband and no protector … Such is the condition of every slave throughout the United States; he owns nothing – he can claim nothing. His wife is not his – his children are not his; they can be taken from him, and sold at any minute, as far as the fleshmonger may see fit to carry them.
“Slaves are recognised as property by the law and can own nothing except at the consent of their masters.
“A slave’s wife or daughter may be insulted before his eyes with impunity; he himself may be called on to torture them, and dare not refuse. To raise his hand in their defence, is death by the law. He must bear all things and resist nothing. If he leaves his master’s premises at any time without a written permit, he is liable to be flogged; yet they say we are happy and contented.”
He describes the death of Mrs Hannablue, and the sale of her slaves: “Here they are, old and young, male and female, married and single, to be sold to the highest bidder … They began to sell off the old slaves first, as rubbish; one very old man sold for one dollar; the old cook sold for 17 dollars; from that to 1,600 dollars, which was the price of a young man who was a carpenter.
“Dr Norcom, whose daughter owned my sister, bought me for a shop boy. It would be in vain for me to attempt to give a description of my feelings while standing under the auctioneer’s hammer.”
Jacobs escaped, and spent years on a whaling ship before landing in Australia. His essay was discovered just a few years ago, by an American literary scholar, Jonathan D.S. Schroeder, who came across it while digging through the Australian online newspaper database, Trove.
It is being published by the University of Chicago Press, who says accounts of slavery by the slaves themselves are exceedingly rare, and precious. They believe that Jacob was the brother of Harriet Jacobs, whose 1861 autobiography, Incidents in the Life of a Slave Girl is revered in the US as one of the first, first-hand published accounts of slavery, and therefore a treasure, as this essay also so very clearly is. You may read the whole thing on Trove or buy the book here.
The 20th century’s most famous fictional lovers had ‘profoundly fascistic worldviews’, according to an author who has mounted an excoriating critique of the novel-turned-film for its denialism of the horrors of slavery.
Clark Gable and Vivien Leigh in Gone with the Wind
American author Margaret Mitchell expected her first and only novel, Gone With The Wind, to sell about 5000 copies. Yet from the day it was published on June 30 1936, Mitchell’s 1037-page fable about the American Civil War and the pampered, manipulative daughter of a Georgia plantation owner, was not merely a bestseller: it evolved into an enduring – and polarising – cultural phenomenon.
Within six months of its release, Mitchell’s tale of tangled love set against the northern invasion and fall of the Old South, sold one million copies, making it the biggest-selling American novel to that date. It won a Pulitzer Prize and National Book Award and has sold more than 30 million copies internationally.
The 1939 film adaptation starring Vivien Leigh as willful anti-heroine Scarlett O’Hara and Clark Gable as her rakish third husband Rhett Butler, won eight Academy Awards, including best picture, best actress for Leigh and best supporting actress for African American actress Hattie McDaniel. McDaniel portrayed Scarlett’s outspoken chief house slave, Mammy, and made film history as the first black woman to take home an Oscar.
The film’s melodramatic love story — Scarlett spends years pining for a man she cannot have — along with its elegant balls, burnt orange skies, hooped gowns and epic scenes of dead and injured Confederate troops, proved a hit with moviegoers around the world. When adjusted for inflation, Gone with the Wind, which tracks Scarlett’s journey through civil war, near-starvation, three marriages and the loss of her only child, remains the highest-grossing film of all time, ahead of Avatar and Titanic.
American author Sarah Churchwell recounts these milestones in her provocative book, The Wrath to Come: Gone with the Wind and the Lies America Tells — and goes on to mount an excoriating critique of the novel-turned-film for its denialism of the horrors of slavery and “shameless” historical distortions about the civil war and its aftermath. Such denialism, she contends, continues to divide America today.
In fact, Churchwell — one of the headline speakers at next month’s Melbourne Writers Festival — argues that society belle-turned-wily survivor, Scarlett O’Hara, and gambler turned doting father, Rhett Butler, are “homicidal white supremacists with profoundly fascistic worldviews’’. Not the kind of academic who pulls her punches, she adds that Mitchell’s novel is “about enslavers busily pretending that slavery doesn’t matter — which is pretty much the story of American history’’.
The novel and film’s depiction of loyal, happy enslaved people — neither Scarlett’s family nor their wealthy plantation neighbours mistreat their slaves — has long been criticised. “Gone with the Wind does such violence to American history that it practically lynches it,’’ black journalist Ben Davis Jr wrote in 1940.
Scarlett (Vivien Leigh) being laced into a corset by Mammy (Hattie McDaniel)
Churchwell’s book adds a contemporary, political twist to such criticism: she argues America’s “most famous epic romance … provides a kind of skeleton key, unlocking America’s illusions about itself” and she links its sanitised treatment of slavery and promotion of white nationalism to Trumpism and the January 6, 2021 attack on Washington’s Capitol. Significantly, just months before this attack, Donald Trump invoked Gone with the Wind at a rally while complaining about the South Korean film, Parasite, winning the Best Picture Oscar. Trump said he wished America would “bring back” films like the 1939 classic: “Can we get, like, Gone with the Wind back please?’’
As an American who lives in London and writes about US culture and history, Churchwell is often asked, “What has happened to America?”, since the 2016 election of Trump as US president “dumbfounded most of the watching world’’. She writes: “When we understand the dark truths of American experience that have been veiled by one of the nation’s favourite fantasies (Gone With The Wind), we can see how the country travelled from the start of the Civil War in 1861 to parading the flag of the side that lost that war (the Confederate flag) through the US Capitol in 2021.’’
In a Zoom interview, Review asks Churchwell whether she has faced pushback over her claims Scarlett and Rhett are homicidal white supremacists. A professor of American Literature at the University of London, she grins and says: “People have noticed it.’’
She says the book hasn’t come out in the US yet – it will be published there in June – “so we’ll see what they think’’ of her revisionist history of this popular American classic.
With her curtain of long blonde hair, Churchwell cuts a glamorous figure as she delivers her rapid-fire answers, which, like her writing, are mercifully free of academic jargon. She says of her denunciation of Scarlett and Rhett: “It is a statement of fact because they both espouse white supremacism over and over and over again. So it’s not an interpretation. It is a simple description of the things that they do and the things that they say.’’
The Wrath to Come – which British critics have described as “extraordinary” and as prising opening “often jaw-dropping history’’ – documents how, when under pressure, Scarlett uses the n-word in the novel. This racial slur appears in Mitchell’s book more than 100 times but was removed from the film’s script after black cast members and activists lobbied the blockbuster’s powerful producer, David O. Selznick.
In Mitchell’s novel, during one wartime crisis, Scarlett threatens to sell a young, flighty slave, Prissy, “down the river’’ and also threatens her with: “You’ll never see your mother again or anybody you know’’. Later, when Scarlett and her Tara household are facing starvation following the siege of Atlanta, she again loses her temper with Prissy, uses the n-word against her for the first time and threatens to “wear this whip out on you’’.
During Reconstruction, Scarlett refers in disparaging terms to “damned n—-r lovers” and when she starts a timber mill business, she is troubled by “free nxxxxrs’” who won’t work for her (because ex-slaves now have the right to resign). All of these racial insults are omitted or softened in the film.
As for those homicidal claims, Scarlett shoots a white Yankee deserter who invades her family’s plantation house, in self-defence, takes his money and hides the body. In the novel, she is initially shocked at her violence, but Churchwell notes how she later mused she “could have … taken sweet pleasure in the feel of his warm blood on her bare feet’’. Rhett Butler, a self-interested gambler who eventually joins the Confederacy, admits in the book he killed a Yankee soldier in a bar-room argument, and murdered a black man because “he was uppity to a lady, and what else could a Southern gentleman do?’’
Then there is the racist language of Mitchell’s novel, which is “far more extreme”, says Churchwell, “than those who haven’t read it probably imagine’’. She argues: “Gone with the Wind never once refers to Black people as people or human beings – not a single time. They are only dehumanised and generic racial categories. Black people are either (various) animals, especially all sorts of apes; or they are savages, just out of the jungle; or they are ‘slaves’, ‘blacks’, ‘darkies’, ‘pickaninnies’, ‘negroes’, ‘mulattos’, or ‘nxxxxrs’.
“ … Tara’s field hands have ‘huge black paws’ and ‘caper with delight’ at encountering Scarlett, while freed slaves run wild ‘like monkeys or small children’ after emancipation, ‘as creatures of small intelligence might naturally be expected to do’.’’
The film uses the now-objectionable term “darkies” and as mentioned above, dropped the n-word. This toning down of the book’s racism “had the perverse outcome of reinforcing the Lost Cause myth that white Southerners treated Black people courteously,’’ Churchwell argues.
For the academic and author, the novel’s racial prejudice goes beyond its extensive use of offensive words: “It’s unreflective in its racism. It thinks there’s such a thing as a willing slave without stopping to think about the fact that those two words literally mean the opposite.’’ Although slavery ended because of the Civil War, she also contends that Gone with the Wind presents America’s post-war reconstruction and new era of rights for freed slaves as a tragedy – for Scarlett, and her slave-owning plantation class.
Churchwell, who has also written cultural histories of other American icons Marilyn Monroe and The Great Gatsby, says Gone with the Wind advances a misleading version of American history known as the Lost Cause. This is the notion that “the Confederacy fought the Civil War (1861–65) as a principled defence of a noble civilisation (the Old South) and its democratic rights, rather than as an unprincipled defence of the white supremacist system of chattel slavery … The specific rights in question were individual states’ rights to keep and trade enslaved people, but the Lost Cause skipped that part.’’
Extending this mythology, the film’s opening title cards briefly mention slavery but also refer to the Old South – which was home to four million slaves – as “a land of Cavaliers and Cotton fields,” and a “pretty world where Gallantry took its last bow.”
Churchwell, who has a PhD in English and American literature from Princeton University, is not the only cultural expert to question Gone with the Wind’s use of racist terms and extreme euphemism. This month, British journalists revealed that Pan Macmillan, publisher of Mitchell’s epic, had added a detailed trigger warning to the 2022 edition, pointing out the novel “includes problematic elements including the romanticisation of a shocking era in our history and the horrors of slavery’’.
In 2020, HBO Max temporarily pulled the film in the wake of George Floyd’s murder. It has since been restored to the streaming service with accompanying videos that denounce its racial representations and examine the film’s historical context.
The African-American rapper Queen Latifah has said the film should have been permanently banned by HBO Max. “Let Gone with the Wind be gone with the wind,’’ she said. Actress and TV host Whoopi Goldberg – the second black woman to win an acting Oscar after McDaniel – disagreed. She favoured educating viewers on the film’s context, adding: “If you start pulling every film, you’re going to have to pull … a very long list of films.’’
Churchwell’s inspiration for her book, which took her five years to write, were the American and UK statue wars. “I initially envisioned it as a much shorter, faster book,’’ she says. “ … At the same time, history kept galloping forward and Gone With the Wind kept coming into the news and Donald Trump kept pushing things forward. And so it was like it had more and more to say to our moment.’’
Sarah Churchwell
She does not advocate cancelling Gone with the Wind or destroying statues. She argues it is better to place key statues of controversial historical figures in museums, with accurate contextual information. Similarly, she writes that Gone with the Wind “marks a cultural breakdown, the point where mythology triumphed over history’’. Therefore, “urging the erasure of Gone with the Wind would simply reinforce that failure’’.
Mitchell disliked nostalgic characterisations of the Old South as a land of “magnolias and moonlight’’. She describes Rhett – the embodiment of masculine virility – as “dark of face, swarthy as a pirate”, and conceived of Scarlett as a not especially beautiful anti-heroine: she was perplexed when her self-centred protagonist became a national heroine. An ex-journalist from Atlanta, Mitchell saw the adoration of Scarlett as “bad for the mental and moral attitude of a nation” and once complained: “The mythical Old South has too strong a hold on their (the public’s) imaginations to be altered by the mere reading of a 1037-page book.’’
The Wrath to Come acknowledges all this but notes that while Mitchell condemns Scarlett’s failings such as her greed and lack of self-awareness, she doesn’t challenge her racism. “Her white supremacism isn’t part of what makes her not admirable for Mitchell,’’ Churchwell tells Review.
Mitchell maintained that her black characters, including Tara’s slaves Mammy, Pork and Big Sam – the latter saves Scarlett’s life when she is attacked – behaved in a more noble manner than their white mistress. “It’s true most of the black characters in the novel are admirable in the sense they’re not evil,’’ responds Churchwell. However, she says that after the Civil War, as slaves were freed, Mitchell’s text often falsely characterised them as “a danger to civilised society’’.
Published in 27 languages, the novel has often been praised as a powerful account of the effects of war on innocent civilians, especially women, and Scarlett has been seen as a proto-feminist — a selfish but determined young woman who endures the chaos of war and flouts the stifling gender conventions of her time by going into business for herself. Former Democrat first lady Eleanor Roosevelt was a fan of the book, writing that it made the lingering enmity of the south “easy to understand … even to those who haven’t understood it before”. As a result, she sympathised, she said, with southern women whose “bitterness persisted so long” against the “northern invaders”.
Churchwell writes scornfully of this: “Even a white liberal like Eleanor Roosevelt sympathised after reading the novel not with enslaved people but with the women fighting to keep them in chains. This is what it means to naturalise a value system.’’ In our interview, Churchwell says Roosevelt’s sympathetic take “was obviously very representative of the ways that Americans read the book at that time’’.
The university professor concedes Scarlett has some winning qualities: “Vivien Leigh’s portrayal of Scarlett is one of the things that makes the film quite indelible. I think it’s an incredible performance. And she takes this character who is unlikable in all kinds of ways — is kind of stupid — and makes her a lot more interesting, charming and sympathetic.’’
McDaniel’s parents had been enslaved and she famously retorted to critics of her devoted house-slave role that she had chosen between $7 a week to be a maid, or $700 a week to play a maid. Even so, on the night she made Oscars history, McDaniel was forced to sit apart from white cast members during the awards ceremony in Los Angeles. Says Churchwell: “A lot of people now have the idea of a Jim Crow segregation in the US as being something that only happened in the south, but …. a kind of an apartheid line ran all the way across the US.’’
What about the notion Mitchell was a product of the early 20th century era, and that adult readers of her saga would understand this? “It’s true up to a point,” replies Churchwell. She says Mitchell’s contemporaries, Hemingway and Fitzgerald, also reflected the casual racism of their era, but “considerably less viciously” than she did. Unlike Mitchell, who defended her right to use the n-word, “they both evolved”.
Although Leigh’s Scarlett and Gable’s Rhett were arguably 20th century film’s most recognisable lovers, Churchwell maintains that Gone with the Wind’s historical distortions are still “vastly underestimated.’’.
“The book has always been recognised as racist,’’ she says. “I certainly didn’t write the book to be like, ‘Hey, I’ve got a revelation, ‘Gone With the Wind is racist – we never knew’.
“But the more that you go into it, the more you realise that there are ways in which we still haven’t reckoned with some of the truths about their (Scarlett and Rhett’s) positions. And (this is) despite the fact that they are both homicidal white supremacists — they just are.’’
“America is in a mess. We need someone to clean it up. And his name is …”
So run the opening titles of Tim Robbin’s’ 1992 satire Bob Roberts. In a dark case of life imitating art, the story of a Wall Street millionaire who begins his political career as a reactionary folk singer foreshadows the rise of a uniquely American autocrat who channels the pain and anger of millions who feel that they’ve been left behind. The eponymous Bob Roberts is portrayed as a rightwing Bob Dylan, right down to a parody of the famous Subterranean Homesick Blues story boards to the iconoclastic song Times are a’changin’ … Back. Read a 2020 retrospective of this prescient film HERE
False prophets and siren songs
The only path to a subversion of the republican system of the Country is, by flattering the prejudices of the people, and exciting their jealousies and apprehensions, to throw affairs into confusion, and bring on civil commotion,”When a man unprincipled in private life[,] desperate in his fortune, bold in his temper … is seen to mount the hobby horse of popularity … It may justly be suspected that his object is to throw things into confusion that he may ‘ride the storm and direct the whirlwind. Alexander Hamilton to George Washington in 1792.
One cannot and ought not underestimate the power and sheer durability of populism – a political style offering unworkably simple solutions to complex problems, an ebullient rejection of elite expertise in defense of homespun obscurantism. It is a particularly attractive to the many who cleave to populism, nativism, tribalism and atavism, and equate these with nationalism and patriotism – and feel that, nay believe that they’ve been ignored by the powers that be and left behind in life’s rat-race. Trust is in short supply, and indeed, people’s faith in democratic traditions and processes is shaking as populism and a taste for autocracy spreads throughout the ostensibly democratic world. And as the old epigram runs, “cometh the hour, cometh the man” …
We live, it feels, in a time of false prophets. A generation of different and dangerous populists now moves to centre stage. Some like Trump, are undisguised in their racial, sexist and selfish pitches. Trump knows the key to being a successful fraud is to be a grand fraud. He pledges “to make America great again” and wins wide applause. This is because he is an anti-politician, shaking the system, abusing the established politicians, trashing their ideas. He thrives on shock and extravagance in a culture drunk with mindless celebrity. He stands for economic nationalism, trade protectionism, xenophobic hostility, towards Muslims particularly and a US strategic withdrawal from the world and much of its alliance system. As a wannabe autocrat, he admires actual autocrats, whom, he believes get things done because they break the rules and brook no dissent or contradiction. Nor Americans too averse to the prospect of an American strongman. For decades, polls have suggested that many Americans prefer the smack of strong leadership, even at the cost of jettisoning democratic norms. Back in the mid-1990s, for example, one in 16 Americans thought that a military dictatorship would be a “good” or “very good” thing. By 2014, two years before Trump’s shock victory over Hillary Clinton, that figure had leapt to one in six.
Trump is the vessel through which vast numbers of angry Americans can channel their rage with the establishment. Back in March 2023, he told a Texas rally: “For those who have been wronged and betrayed … I am your retribution!” His ascent reflects not so much his political brilliance but the absolute contempt an increasing share of Americans have for the nation’s institutions. Hugh Hewitt, in an opinion piece in The Washington Post, wrote recently: “Trump’s fervent supporters continue to believe he is a noble Jean Valjean of American politics being pursued by a mob of Javerts”. Columnist Maureen Dowd is more blunt: “His hallucinatory worshippers admire him as a strongman, even when he’s shown to be liable for sexual assault and an aggrandising con man whose real estate empire was a Potemkin village”.
Irish writer Fintan O’Toole wrote in the New York Review of Book on January 19th how Trump “… exudes a dark energy. His is perhaps the most radical mainstream presidential candidacy in US history. He offers a program of organized revenge, telling his fans that “I am your warrior. I am your justice. And for those who have been wronged and betrayed, I am your retribution.” He promises a transformation of democracy into authoritarianism. He envisages a war on all the “vermin” who have thwarted him. He plans, as The New York Times has reported, “to scour the country for unauthorized immigrants and deport people by the millions per year.” He wants to build giant camps to house those awaiting deportation and to vet would-be travelers to the US for political (and presumably also religious) purity: “US consular officials abroad will be directed to expand ideological screening of visa applicants to block people the Trump administration considers to have undesirable attitudes.” The relentlessness of this determination to reshape the US into an autocracy may be horrifying, but it has the vigor of grand ambition”.
Small wonder the US was recently named a “backsliding democracy” by a Swedish based think-tank, an assessment based on the attempted Capitol coup and restrictions on voting rights in Red states.
Trump could well win, against Biden or against another candidate. The issues he’s running on – illegal immigration, the cost of living, lawlessness and crime – are huge and real. Trump may defeat himself if he campaigns about the injustices done to him. If he campaigns on issues as the champion of ordinary Americans, he’s got a big chance. He is is both instinctively talented as a campaigner but also capable of grievous self harm through wildly undisciplined statements – as with NATO – and narcissistic self-absorption. Driven by grievance and will to power, and behaving, some say, like a mafia boss, he is in so many ways lawless and dangerous.
So dangerous indeed, that many pundits believe that individually, many of his positions and actions, actual and promised, pose existential threats to the United States and its institutions that are far more threatening than any concerns raised by Biden’s age. Some rush to remind Americans of the time when Benjamin Franklin, one of the original framers of the US Constitution, was walking out of Independence Hall after the Constitutional Convention in 1787, and someone shouted out, “Doctor, what have we got? A republic or a monarchy?” To which Franklin supposedly responded, with a rejoinder at once witty and ominous: “A republic, if you can keep it.”
If once elected, and at a second or third election outvoted by one or two votes, he will pretend false votes, foul play, hold possession of the reins of government, be supported by the States voting for him. Thomas Jefferson to James Madison in 1787
British writer and columnist Gerard Baker does not agree with these latter day Cassandras. I republish below an entertaining and informative article written by this self-ordained translator of Trumpspeak, who describes himself as a “right-wing curmudgeon, writer and media critic. Actually, he is quite Right, a Eurosceptic and according to some, a closet Trumpista. But his piece is quite perceptive.
“Parsing Donald Trump is a uniquely difficult linguistic task …There are multiple layers of challenge. First, you can never have more than 50 per cent confidence that what he is saying is true. Second, much of what he says is intended to entertain, rather than inform or inspire. Third, and most confoundingly, the meaning of what he says is often quite different from the actual content.
In what must be the only feature of Trump’s ministry on earth that is like that of Jesus Christ’s, the former president speaks in parables. Unlike Christ’s, Trump’s stories are primarily designed to showcase his own greatness but, crucially, like the Son of Man’s, they also convey an important larger message … in focusing just on the words – and frequently distorting them – to paint a picture of a deranged despot, they [his critics] miss the meaning, the meta-story, if you like. That is a problem because it means they miss a critical part of understanding what is happening in America.
The truth about Trump and his enduring appeal to so many Americans is that, beyond the unsettling mix of Borscht-belt schtick and Munich-beerhall menace, beyond the verbal minefields of untruths, half-truths and narcissistic bombast, is a serious message channeling the reasonable fears and doubts of at least half the country … Trump understands better than anyone the dissatisfaction of Americans, their weariness with burdens …Trump’s greatest political asset has always been an almost animal-like ability to sniff out public sentiment, and then, in hyperbolic manner, to articulate it; sentiments on immigration, crime or American self-identity that are unsayable, willfully ignored by the established political class”.
Trump flogging joggers at Sneaker Con, February 2024
Trumpspeak crazy but attuned to Americans’ dissatisfaction with their burdens
The Republican presidential hopeful at an event in Iowa in January. AFP
Parsing Donald Trump is a uniquely difficult linguistic task. There are multiple layers of challenge. First, you can never have more than 50 per cent confidence that what he is saying is true. Second, much of what he says is intended to entertain, rather than inform or inspire. Third, and most confoundingly, the meaning of what he says is often quite different from the actual content.
In what must be the only feature of Trump’s ministry on earth that is like that of Jesus Christ’s, the former president speaks in parables. Unlike Christ’s, Trump’s stories are primarily designed to showcase his own greatness but, crucially, like the Son of Man’s, they also convey an important larger message. The task of parsing this is so complicated that much of the media doesn’t even try. As with Pavlov’s dog, Trump rings their bell and away they go, barking like mad about some terrifying new thing the man is threatening.
“It is impacting the flow of support,” the NATO Secretary General said on Wednesday afternoon after a two-day meeting of defence ministers in Brussels. “To some extent, this can be compensated by increased support from… other allies. And European allies and Canada are stepping up, are doing more.
It’s understandable but in focusing just on the words – and frequently distorting them – to paint a picture of a deranged despot, they miss the meaning, the meta-story, if you like. That is a problem because it means they miss a critical part of understanding what is happening in America.
The truth about Trump and his enduring appeal to so many Americans is that, beyond the unsettling mix of Borscht-belt schtick and Munich-beerhall menace, beyond the verbal minefields of untruths, half-truths and narcissistic bombast, is a serious message channeling the reasonable fears and doubts of at least half the country.
So when the permanently unfinished Rubik’s cube of Trump’s mind last weekend produced another multisided Technicolor shocker of an outburst – this time on the subject of the US and NATO – the media as usual gave us the version they wanted us to hear: “Trump says he would encourage Russia to invade NATO countries who do not pay their bills,” says the headline on a story that is still on the BBC website. “I want Russia to invade Europe” in other words.
The first thing to point out is that Trump didn’t say this. He was instead recounting a story from his presidency – telling a campaign audience that when he was pressing European governments to spend more on their own defence, he was asked by a NATO country leader if the US would still protect them from Russian invasion if they didn’t pay up.
“No, I would not. In fact I would encourage them to do whatever they hell they wanted,” he said.
As your reliable translator of Trumpspeak, I’ll say there are three key takeaways from this. First, it didn’t happen. Don’t you think we might have heard about this some time in the past five years if it did?
Second, the point of the story is primarily to emphasise Trump’s own negotiating prowess. This has always been central to his bloated self-image. From casino construction to global security, it’s always about his unique ability to get the deal done. The irony is that the point of Trump’s story was precisely the opposite of what’s been said about it – instead of representing the end of NATO, it is about how (in his own mind) Trump saved the alliance with an act of bravado that forced Europeans to action.
But the most important truth in this fictional story is that Trump understands better than anyone the dissatisfaction of Americans, their weariness with burdens.
Trump’s greatest political asset has always been an almost animal-like ability to sniff out public sentiment, and then, in hyperbolic manner, to articulate it; sentiments on immigration, crime or American self-identity that are unsayable, wilfully ignored by the established political class.
One of these is the idea that the world Americans inhabit is dramatically changed. It is 75 years since the founding of NATO, more than 30 years since the end of the Cold War. It is remarkable how little the foreign policy establishment in the US, or America’s allies, understand the world as it appears to Americans themselves.
This is obviously true of the conspectus of global threats. In this century, first Islamist terrorism and then the rise of China have imposed themselves on the American consciousness. It’s true that NATO allies were reliable contributors to the war in Afghanistan. But that ended in disarray and disillusion – hardly an advertisement for the power of the alliance.
But more important than all that is Americans’ own, very new, sense of their own precariousness. This is not just about the changing global threats but their confidence in the success of their own country.
For more than two decades, with very brief exceptions, the vast majority of Americans have told pollsters they think their country is on the wrong track. For the first time in history most Americans think their children will be worse off than they are.
In these circumstances NATO is increasingly seen not as a critical part of America’s own security but as a costly obligation to others. The statistics – a US that contributes well beyond its economic resources – tell only half the story.
With a few exceptions, most European nations would be unable and even unwilling to stand up to an aggressor. Americans watch as Europeans have grown prosperous but dependent on US security and they resent the obligation, particularly from Europeans who seem to go out of their way to express disdain for America.
This isn’t 1930s isolationism, which reaped its own whirlwind in the 1940s. America then was an emerging superpower reluctant to get into another world war.
Today Americans see themselves as a nation in decline, under siege from global forces – uncontrolled immigration streaming across their southern border, terrorists pledging to murder them at home and abroad, a rising nuclear-armed superpower across the Pacific. And they don’t see where NATO fits in.
Trump’s words are typically extreme. Don’t let the crazy blind you to the deeper message.
In That Howling Infinite 
Gregory Peck as Captain Ahab