For two years the chant was rehearsed, circulated, aestheticised: “globalise the intifada!”. A resistance moment. A noble liberation struggle, cleansed of consequence. Now that it has arrived not as metaphor but as blood, the same people who normalised the rhetoric – progressive activists, influencers, podcasters, the Greens, the Labor left – present themselves as mourners. Today it is condolences, unity, and prayers.
But you do not get to globalise the intifada and then feign surprise when it turns up.
This did not erupt spontaneously. It was built – patiently, rhetorically – until violence no longer felt aberrant but earned. Shock, at this point, is not innocence; it is evasion.
The Prime Minister calls for unity and convenes the National Security Committee of Cabinet. Necessary, yes – but no longer enough. The problem he faces is credibility. For two years the response to antisemitism has been managerial rather than moral: statements instead of lines, calibration instead of resolve.
The record is plain. Within hours of the October 7 Hamas massacre, and before Israel inflicted its biblical rage upon Gaza, Jews were openly abused outside the Sydney Opera House. Synagogues and childcare centres were firebombed and homes and vehicles vandalised. Hate preachers operated freely. Week after week, marches moved through our cities celebrating “resistance”, praising terrorism, calling for Israel’s elimination, and chanting explicitly for the globalisation of the intifada: violence against Jews, everywhere – for what else could that word mean? Jewish students and academics were harassed on campus. Jewish artists were doxed and frozen out of cultural life. Antisemitism was rhetorically dissolved by equating it with Islamophobia, converting a specific hatred into a moral blur.
Step by step, it was normalised.
The year ends with an Islamist terrorist attack at Bondi Beach – an ordinary, intimate place, place many of us walk, eat, linger. We were in Sydney last weekend, and had we stayed another night, we would very likely have been there ourselves, walking the promenade and then taking refreshment, as is our custom, at the North Bondi RSL, just across the road from the park where the atrocity occurred. Authorities had warned such an incident was probable. They were not speculating; they were reading the climate.
Antisemitism in Australia has risen to levels unseen in living memory – even in small country towns like the one we live near and in Byron Bay, meccas of alternative lifestyles and long-styled as havens of inclusion and wellness. Alongside this rise sits another failure: the government’s inability to confront antisemitism with clarity and force, preferring symbolic gestures and offshore moral posturing while hatred hardened at home.
Now, suddenly, our leaders discover grief. Social media is more revealing. Facebook fills with empathetic words and memes from politicians, public figures and keyboard activists who spent the past two years condemning Israel in ways that blurred – and often erased – the distinction between Israeli policy and Jewish existence, creating at best, indifference to Jewish fear and, at worst, a permissive climate of hostility toward Jews as such. Today it is all tolerance, inclusivity and unity – and an air of regret and reverence that reeks of guilt.
But not all. Social media has fractured along familiar lines. At one extreme are conspiracy theories — false flags, invented victims, claims the attackers were Israeli soldiers. At the other is denial: what antisemitism? Between them sits a more revealing response. There is genuine shock and horror, even remorse — but also a careful foregrounding of the Syrian-Australian man who intervened, coupled with a quiet erasure of the victims’ Jewishness; a reflexive turn to whataboutism; and a refusal, even now, to relinquish the slogans and moral habits of the past two years. If antisemitism is acknowledged at all, it is ultimately laid at the feet of Benjamin Netanyahu.
So the question must be asked plainly: can many on the left side of politics, no matter how well-intentioned (and ill-formed) can honestly say that nothing they have posted over the past two years contributed, even indirectly, to prejudice against Jewish people? Nothing that helped turn anxiety and empathy into hostility, criticism into contempt?
Australian Jews warned that today’s chant would become tomorrow’s attack. They were told they were exaggerating, weaponising history, crying wolf. Yet despite inquiries, legislation, and repeated arson and vandalism, the ecosystem of hate was allowed to deepen. Two years of weekly protests chanting “From the river to the sea”, “Globalise the intifada” and “Death to the IDF” – calling for the eradication of a nation state and its people – were treated as politics, not incitement.
In July 2024 the government appointed Jillian Segal, a lawyer and businesswoman, as Australia’s first Special Envoy to Combat Antisemitism (followed soon afterwards by the appointment of Aftab Malik as Special Envoy to Combat Islamophobia). Her report, released a year later, was unambiguous: antisemitism had become “ingrained and normalised” across universities, schools, media and cultural institutions. She called for curriculum reform, university accountability, migration screening, and a serious national effort to explain what antisemitism is and why it corrodes societies.
Five months on, the government is still considering it. It has been under heavy pressure from many quarters to hasten slowly, including from within its own ranks: there were calls from the Labor left, including motions from branches and petitions, for Segal to be sacked and her report shredded.
Mere days after Bondi, the pushback has already begun. Pro-Palestinian platforms – and even some Labor branches and members – have denounced Jillian Segal, her report, and Prime Minister Albanese’s intention to implement its recommendations as an assault on democratic institutions and civil liberties. So, argue that that the Australian government is using the atrocity as a pretext to accelerate its repression of the Palestine movement, and, even, to protect and defend Australia’s complicity in what is viewed as the Gaza genocide. What this framing conspicuously avoids is any reckoning with the antisemitism the report documents- or with the immediate, practical questions now facing authorities. Among these are the potential for copycat attacks, and what duty of care is owed to the Syrian-Australian man who intervened to stop the attack? Hamas and sections of Middle Eastern media have already branded him a traitor. In this moral economy, even heroism is conditional – and quickly becomes a liability.
The partisan responses have been opportunistically predictable. The Murdoch media accused the government of weakness. The Liberal Party, led by Opposition Leader Sussan Ley, accused Labor of neglect. Pauline Hanson followed, reliably. None of it alters the central fact identified by historian Simon Sebag Montefiore: the taboo on antisemitism has collapsed. Perhaps because Jewish identity is lazily collapsed into Israel. Perhaps because the world’s oldest hatred never disappears; it waits for permission. That permission was granted – gradually, rhetorically, respectably. And antisemitism does not arrive announcing itself. It seeps. It jokes. It chants. It flatters those who believe they are on the right side of history, until history arrives and asks what they tolerated in its name.
This did not come out of nowhere. It arrived exactly as advertised, and this is what it looks like.
There are moments in the Middle East when history suddenly shift gears and takes us all by surprise. Lenin knew the cadence: there are decades, he wrote, where nothing happens; and then, weeks in which decades happen. A year ago, Syria – trapped in the vortex of its civil war for almost fourteen years and virtually ignored by the rest of the world since October 7 2023 – suddenly leapt into one of those crazy weeks, leaving allies, enemies, and analysts alike blinking in the dust. Even now, a year after the astonishing fall of Damascus, the country sits like Kipling’s Tomlinson at the gates of judgement: not quite damned, not fully redeemed, suspended between heaven and hell.
Sleepers awake …
For years, as The Independent’s Bel Trew observed last December (see Syria. Illusion, delusion and the fall of tyrants) the world forgot about Syria – notwithstanding the courageous efforts of western and Syrian reporters and humanitarian workers who strove in perilous circumstances to bear witness. The civil war had become the background hum of the region, a grim drone many had learned to tune out as Ukraine and Gaza dominated the world stage. The regime of Hafez al Assad, brutal and immovable, bolstered by Russia, Iran and Hezbollah, looked set to endure indefinitely. The jihadi rebel enclave in Idlib, though supported by Türkiye, was dismissed as a besieged hold-out. Even those who professed expertise couldn’t reliably tell you whether the war was still ongoing, who was fighting whom, or what stage the conflict had reached. It was as if the wheels of war had stopped spinning.
Then, over the space of days – eleven, to be precise – the wheels spun again. Hay’at Tahrir al-Sham’s fighters burst from their confined redoubt with a momentum no one expected (including, it seems, themselves), sweeping through Aleppo and racing down the highway to the capital. Analysts reached instinctively for historical parallels: Havana 1959, Saigon 1975, Kabul 2021. Analyst David Kilcullen pointed instead to Timur Kuran’s theory of the “preference cascade”: the sudden collapse of a regime that had mistaken silence for loyalty and compliance for consent. Assad’s security apparatus – omnipresent, omniscient, yet somehow oblivious – realised too late that its soldiers had no stomach left for the fight. The all-powerful giant had feet of clay.
It didn’t help that Iran, Assad’s indispensable patron, had stumbled into the most grievous strategic miscalculation of its post-1979 history. Flush with revolutionary zeal, Tehran had kicked the hornet’s nest in Lebanon, prompting Israel to pivot from Gaza to Hezbollah with stunning force. Suddenly Iran’s expeditionary assets were exhausted, its proxies over-extended, and its clerical leadership exposed as both ageing and isolated. Even the Ayatollah’s conspiratorial refrain – that the fall of Damascus was all a plot by the Great Satan, the Little Satan, and the Sultan in Ankara – couldn’t mask the fact that this was less Zionist cunning than simple imperial overreach. When the rebels came, neither Iran nor Hezbollah, nor Russia, entangled in its Ukrainian quagmire, could ride to the rescue.
But the rebels, too, were surprised. Their mandate from Ankara was modest – expand the borders of their statelet a little, test the regime’s nerve. Instead, they found themselves virtually unopposed on the road to Damascus. In an Informative article in E-zine Unherd republished below, British writer and investigative journalist Tam Hussein writes how many of the fighters interpreted the victory as divine intervention – not jihadi zealotry, but a sincere theological attempt to explain the inexplicable. The suddenness of Damascus’s collapse felt, to them, like an echo of Muhammad’s bloodless conquest of Mecca. And in a land where the eschatological imagination has always saturated politics, it didn’t take long before social media brimmed with end-times speculation. Ahmed al Shara’a – formerly Abu Mohammad al-Jolani, with a $10 million American bounty on his head – was seen by some as “the one”, and the precursor of the Mahdi and the foretold end of days.
Yet as Hussein rightly notes, miracles make poor policy. The survival of the new Syrian administration will depend not on prophecy but on governance, and on whether Shara’a, interim president and ex-jihadi turned statesman, can transform a miraculous seizure into a sustainable state.
To his credit, he has avoided the catastrophic purges that helped destroy post-invasion Iraq. He has kept the civil service intact, flirted audaciously with Western diplomacy, and allowed at least the theatrical semblance of elections. He has restored the embassy in London, opened channels to Washington, even visiting the White House and played the charm-game with Gulf capitals that only recently readmitted Assad into their fold. As Hussein writes, he has shown political finesse: keeping the constitution, appointing seventy parliamentarians himself, and balancing piety with pragmatism.
But the tightrope is frayed. Sectarian wounds – Druze, Alawite, Sunni, Christian – remain raw and unstitched, with the Latakia massacres now entering their fraught judicial phase, and Israel stirring the Druze pot. Kurdish anxieties simmer: the old “Arab-first” chauvinism must be abandoned if Syria’s patchwork is ever to become a tapestry again. Foreign fighters, once lionised, now loiter between hero and hazard, implicated in sectarian atrocities. Kurds clash with Syrian forces; Turkish troops press deeper into Rojava; Israel remains the unpredictable neighbour bestride the Golan; and Iran, though weakened, is never entirely out of the game. It is not inconceivable that the forces that helped topple Assad could yet turn their sights toward Jerusalem in the belief that prophecy demands it.
And there are darker portents too – those flickering shadows that hint the wind of freedom may be blowing from the wrong quarter. The new government’s early gestures toward Islamisation – the hair-covering admonition, the curriculum purge, the dismissal of women from key posts, the torching of a Christmas tree in Hama – suggest that pro-Russia and anti-western platforms like RT and Mint may have a point when they warn that the leopard has not fully changed its theological spots. Shara’a’s declaration that elections may be four years away, the dissolution of the old constitution, and the folding of all rebel factions into state structures recall less a liberal transition than a consolidation of revolutionary power.
Meanwhile, the country remains a mosaic of mini-wars. In the north, Turkish proxies grind against Kurdish forces in Rojava. In the south, local militias continue to resist HTS’s claim to national authority. In the west, Alawite formations cling to their shrinking redoubts. To the east, Islamic State survivors eye the chaos, waiting for the prison gates to break. And overhead, as ever, the Americans and Israelis fly their competing deterrents, ensuring the war never quite ends.
So: Syria stands at the crossroads. Will Syria’s future be heaven, hell, or merely another circle of the inferno?
Optimism is possible – cautiously so. If the West can avoid its habitual fatalism, if, when sanctions are lifted, investment flows, if Turkey and Israel can be coaxed into tolerable coexistence, if Kurdish autonomy is honoured, if sectarian grievances are handled with equity and not vengeance — then Syria could, in time, become a conservatively stable hub. Shara’a’s Idlib experiment shows he can build an economy under duress.
But the inverse is equally imaginable: a Lebanon-style implosion, a Yugoslav-style partition, or a Gaza-style fortress of permanent mobilisation. As Isreali commentator and contributor to Haaretz Zvi Bar’el wrote a year ago, writes, the warm international “envelope” around Damascus is generous but tentative. Nobody quite knows where Shara’a is heading. They simply assume anyone is better than Assad – the same mistake Syrians once made about the old Ba’athi patriarch Hafez al-Assad himself.
Right now, the future’s not ours to see. Something’s happening, but we don’t know what it is, and anyone with a deep knowledge of the Middle East knows that one must expected the unexpected. The old regional wars – Gaza, Lebanon, the Red Sea, Iran’s Axis of Resistance – though seemingly on hold, have not paused to let Syria breathe. The war in Ukraine grinds into winter, the bizarre Gaza peace plan shuffles on, and there are constant political shifts in Washington. Each of these could rewrite the geopolitical chess board yet again.
Still, as Robert Fisk wrote in the final line of the final book he never lived to promote: all wars come to an end, and that’s where history restarts. Syria is restarting now – painfully, precariously, imprecisely – but restarting nonetheless.
Whether Syria walks toward heaven or hell remains to be seen. The choice – as ever in the Levant – will not be its alone.
Syria Today: Walking Through the Wreckage
A year after the Assads fell, Syria still moves through its own ruins – startled by its freedom, and half-afraid of it. The dynasty’s collapse ended the nightmare but did not usher in a dream; it simply exposed, in unforgiving daylight, the damage done over half a century of dictatorship and more than a decade of war. The smashed cities are visible to any passer-by; the deeper wreckage – the traumas, resentments, and debts of blood – is harder to map and harder still to mend.
Sednaya prison’s opened gates remain the sharpest indictment. The men who stumbled out were not just survivors but witnesses, their bodies forcing the nation to acknowledge what many had whispered and few had dared investigate. Yet even this reckoning has not united the country. Sectarian reprisals and atrocities on the coast, more atrocity and calls for Druze autonomy demands in Sweida, tribal restlessness in the south and northwest, Kurdish self-rule in the north, and Alawite fear of collective punishment keep the national psyche taut and divided. Bitterness circulates like a second economy.
The economy, meanwhile, balances on a fraying tightrope. Western aid and investment have brought cranes, reopened highways, and a flicker of commerce, but also inflation that is hollowing out households. Reconstruction glimmers like a desert mirage: real enough to chase, never close enough to touch. Corruption accompanying nepotism and patronage has survived the revolution, and many returnees discover that rebuilding a home now costs more than earning one.
Politically, the country sits in an improvised equilibrium. Al Shara’a rules as both liberator and question mark – trusted by some, tolerated by others, watched by all. His pivot toward Washington, his quiet coordination with US forces, and his break with former comrades offer a new direction, but also a gamble. Around him, sovereignty is nibbled at the edges: Israel digs deeper into Quneitra province; Türkiye tightens its grip in the Kurdish north. Liberation has shifted the map without fully restoring control over it.
So Syria stands on the threshold, like Tomlinson, neither damned nor redeemed, simply called to account. The war is over, but its aftershocks and tremors linger in regional loyalties, local vendettas and regional manoeuvres. The people are free, yet unsure of that freedom’s limits and what it asks of them. And the vast machinery of the state still creaks with old habits and temptation.
And yet – a small, highly qualified yet – Syrians are imagining a future again. Not the predetermined script of dictatorship, nor the fatalism of war, but something open, negotiable, theirs’. For a people long told that nothing changes, the mere possibility of change is its own quiet revolution. Hope is not guaranteed; neither is stability. But the impossible has already happened once, and that alone shifts the horizon.
Postscript: the strange, messianic weather of revolutions
Among the HTS fighters Tam Hussein describes, the astonishingly swift and almost bloodless collapse of Damascus could never be reduced to battlefield arithmetic. After over a decade of stalemate and slaughter, the conquest of Damascus and the fall of Assad felt too abrupt, too neat, too historically implausible to be merely human. And so they reached, perhaps instinctively, for the vocabulary of prophecy that has long circulated in the Levant: the old stories of tyrants toppled in the final days, of a just ruler rising at history’s eleventh hour, of a brief season of peace before a climactic confrontation with “the Romans,” a term that in popular imagination now stretches elastically to include Israel, America, or the West at large.
In this folk-level cosmology – not the carefully parsed doctrine of scholars, but the lived, emotional scripture of men who have lived too long fear, death and loss loss – the victory in Damascus reads like a prophetic epic ballad. When a fighter told Hussein that Syria would enjoy “ten years of peace before the war with Israel,” he was drawing from a hazy amalgam of hadith traditions and battlefield folklore to make sense if the improbable: the idea of a lull before the storm, a breathing space before the world tilts into its final reckoning. It is vernacular eschatology, shaped as much by trauma and longing as by text.
Within that register, the murmurs that Shara’a/Jolani might be “the one” carry an unmistakable Mahdist echo. No fatwas or proclamations like when Da’ish leader Abu Bakr al-Baghdadi famously declared the caliphate from the minbar of Mosul’s al-Nuri Mosque in 2014; but the emotional charge behind the phrase is unmistakabl: an intuitive reach for a Mahdi-shaped idea of the righteous restorer, the unifier, the man who appears when everything has fallen apart. It’s not that anyone literally thinks Jolani is the Mahdi; it’s that the mood of the moment makes such thoughts feel briefly within arm’s length. A silhouette on the horizon, nothing more.
And here, Syria is not unique. Revolutionary periods everywhere – the Protestant Reformation, the French Revolution, the Russian Revolution and Civil War, the Arab Spring even, have their magical phase — those jittery days when people begin to speak as if the world has cracked open, meaning is pouring through the seams, and events blur into myth. When a regime that seemed immovable collapses in a fortnight, people fall back on stories larger than themselves. Sudden upheaval, long suffering, and the ascent of a charismatic figure combine to crack open the ordinary world. Prophecy offers a narrative frame when history seems to be behaving like fable.
So the eschatological edge in these fighters’ conversations tells us less about doctrine and more about psychology. It’s a very human response: a form of magical thinking that arises when reality becomes too strange to process, a way of giving shape to chaos, of telling themselves that their suffering fits into a larger story. A coping mechanism, if you like – a mythic vocabulary for a moment when Damascus fell, and the ordinary rules stopped making sense and the earth seemed briefly to tilt on its axis.
A few months ago in Damascus, I discovered a medieval hospital. The door had been left slightly ajar, and I wandered in with my companion Hassan Idlibi — a rebel fighter and old friend. He hadn’t been in the Old City since the fall of Syria’s capital, exactly a year ago today. “When Damascus fell,” he told me, “we were at our lowest ebb. Even the attack on Aleppo was our last gasp. We wanted to break the stalemate. And then we just pushed and pushed, and we ended up sleeping inside the Umayyad Mosque. It was a miracle.”Idlibi, like many Syrians, did not interpret the taking of Damascus through geopolitics — but as divine intervention. This wasn’t because he was a mindless zealot. Far from it. He is one of the most well-read men I know. But, to his mind, the fall of Damascus was so sudden, so unexpected, that only the miraculous could explain it. The victory, he noted, had been achieved by those who had been motivated by Islam. Help had come from foreign fighters, the mujahideen, who travelled from across the globe to aid their co-religionists. And the campaign had been led by a former jihadi, Ahmed al-Sharaa, now the interim president of Syria. At the time, the old al-Qaeda operative, then known by his nom de guerre, Abu Mohammad al-Jolani, had a $10 million American bounty on his head.
After more than a decade of slaughter, no one had expected the capital to collapse. Assad, then president, had seemed like a stubborn wart: unpleasant but immovable. Jolani’s rebel enclave in the northern city of Idlib looked too small, too besieged, to pose a serious threat — though in fact it was performing better economically than inflation-ravaged Damascus, helped along by a reliable flow of Turkish hard currency. I myself expected the rebels to negotiate. What leverage did they have? Yet this rebel government, roughly the size of Croydon, took over the instruments of state, and since then has avoided stumbling into a new civil war.
The unexpected and largely peaceful victory was attributed to piety, prophecy, steadfastness. Some have even compared the final conquest of Damascus to Muhammad’s bloodless conquest of Mecca in 630. The idea of a “miracle”, here, is not mere rhetoric — it shapes political expectations. Some Syrians, at least based on my social media, think all this makes Sharaa “the one”, with my Facebook messages and WhatsApp chats awash with prophetic readings of the present. One believed Syria would now enjoy 10 years of peace before the war with Israel begins. Perhaps, he suggested, this was the prelude to the end of times. After all, so-called “Greater Syria” — encompassing much of the Levant — plays an important role in the Syrian and indeed Muslim sacral imagination. It is where prophets walked and is the place where many of the end of times narratives will play themselves out.
Yet if the fall of Damascus seemed miraculous to many Syrians, the survival of the new administration will depend less on providence than on governance. Despite his past, Sharaa has so far demonstrated an unexpected level of political finesse. He has kept the constitution, held elections — albeit with 70 seats appointed by himself — and all the while has acted the statesman. He is savvy enough to not mind having President Trump spray his latest fragrance on him in the Oval Office, or Syrian Jewish rabbis blessing him.
Sharaa has made some promising early decisions. By keeping the civil service intact, he has avoided the catastrophic purge that helped destroy post-invasion Iraq. He should continue recruiting highly-educated young Syrians from the diaspora — people familiar with Western administrations and political norms. Even so, the administration still has a tendency to fear scrutiny and behaves as if under siege. It should welcome a regulated free press, which would expose blind spots, not undermine authority. The British press has reported that Jonathan Powell’s Inter Mediate is working with the new government. This should be welcomed rather than criticised — not only for reasons of conflict resolution and soft power, but for its value in statecraft and building institutional capacity.
Sharaa’s priorities for the coming year are clear. The country remains immensely fragile, caught in a regional tug-of-war between Israel and its neighbours, and divided along ethnic and sectarian lines. The situation could easily drift into a reprise of Lebanon’s civil war. Sharaa’s first task is therefore to mend Syria’s sectarian and ethnic fractures with a sense of equity. The trials that began this month over the coastal massacres in Latakia will be an important test of how the country intends to move forward. The Druze and Alawite communities — already bruised by conflict and mistrust — require justice delivered without the language of sectarianism.
Meanwhile, Kurdish anxieties must be addressed by ending the Arab-first ideology of the old regime. Syria has never been a purely Arab country: even its favourite son, Saladin, the builder of that hospital I visited and whose grave in Damascus still draws multitudes, was a Kurd. Last year’s tentative permission for Kurdish new year celebrations (Newroz) suggests that a more pluralist future is possible. Yet it remains unclear how far Kurdish cultural expression will be allowed to develop. Already this month, exchanges of fire between Syrian government forces and Syrian Democratic Forces (SDF) units under Kurdish command show how fragile the situation is.
Perhaps the most difficult balancing act involves the foreign fighters who fought on Sharaa’s side. They carry immense symbolic weight in Syrian society — and are the cause of immense fear in the West. Many are ready to resume normal life, but others still see themselves as Islam’s warriors. Recent clashes in the Idlib countryside involving French foreign fighters reflect anxieties that any rapprochement with the West might see them handed over to their home governments. The image of Sharaa standing beside Trump, receiving a symbolic “anointing” of his new fragrance, alarms them even if such engagement is politically necessary.
Granting these fighters legal status, regularising their papers, integrating some into the national army or demobilising them with stipends and educational opportunities — not unlike the GI Bill for US veterans — could go a long way toward neutralising one of Syria’s most volatile pressures.
Then there is the conundrum of Israel. On this, Sharaa has cultivated deliberate ambiguity. At the United Nations, Syria has repeatedly noted its restraint regarding Israel’s illegal strikes on Syrian territory, yet Sharaa has resisted pressure to join Trump’s flagship Abraham Accords. Signing them now would be political suicide. But ambiguity buys him room to manoeuvre — and time to consolidate the state. The question is how long this can last.
For its part, the West has worked to prevent Syria from sliding into another civil war — one that would inevitably spill over into Europe, potentially replaying the exodus of 2015. With regional partners like Saudi Arabia and Turkey, Western governments have effectively restrained Israeli escalation, aware that renewed instability would eventually reach Jerusalem’s door. It’s not impossible to imagine rebels, having overthrown a “pro-Western stooge” like Sharaa and aided by foreign fighters, actually marching toward Israel, convinced that “the infidels” will never allow them to determine their own future. As they did in Damascus, so too — in their imagination — must they do in Jerusalem.
Thus far Sharaa has governed with surprising openness. He has welcomed Britain’s foreign secretary David Lammy, met American diplomats and General David Petraeus, played basketball with US soldiers, and cooperated in counter-terrorism operations. He has also restored relations with London, with foreign minister Asaad al-Shaibani reopening the Syrian embassy.
If Western governments refuse to work with him because of his Islamist roots, they will share responsibility should Syria fracture again. Sharaa’s past is not erased; he may remain an uncomfortable partner. But what is the alternative? That he be excluded from political life and drift into a Castro- or Maduro-like role on the sidelines? If the Saudi Crown Prince can be brought in from the cold after the Khashoggi murder, then almost anything is possible.
Here I recall a meeting with former Saudi spy chief Turki al-Faisal in his South Kensington apartment after the release of his memoir. Faisal lamented how his advice went unheeded after the Afghan-Soviet war. He had urged the international community to launch something akin to a Marshall Plan — an investment programme to stabilise Afghanistan. Had that happened, the region might not have unravelled. Instead, the country collapsed into years of civil war.
Likewise, fully lifting sanctions on Syria and providing a major investment programme, coupled with training and cultural exchange, could restrain the country’s more radical elements. Reining in Israeli escalation, de-escalating the Druze conflict, and mediating between the SDF and Damascus would all help prevent new wars. On this, the West could also spare itself a future security headache by helping Damascus regularise or demobilise foreign fighters rather than leaving them to drift. This would all help to displace messianism.
What, then, would such investment bring the West, beyond avoiding another gaping wound on its eastern flank? For sure, it will not turn Damascus into another Beirut, a place for foreign journalists to party, nor into a Deano-friendly Dubai. Syria will likely remain socially conservative, more like Muscat in Oman. Given time, however, it could become a commercial hub with a distinct cultural life, just as it has been for much of its epic history. This isn’t mere optimism: Sharaa turned Idlib, once a distant town, into a magnet for Damascenes seeking commercial opportunity. Investment now would bring the West a friendly partner, business prospects and political influence. The choice is stark. With support, Syria could become a kind of West Germany: rebuilt, integrated, and stable. Without it, the country risks becoming a new Jerusalem — a battleground charged with fire and prophecy.
Tam Hussein is an award winning investigative journalist and writer. His work has been recognised by the Royal Television Society Awards.
A king sate on the rocky brow Which looks o’er sea-born Salamis; And ships, by thousands, lay below, And men in nations—all were his! He counted them at break of day – And when the sun set, where were they?
Lord Byron, Don Juan
Christopher Allen, The Australian’s art critic, writes of how Greece’s antiquity presses in on the present. It is a lightweight piece, surveying as it does three millennia of history, from the days of the Greeks, Alexander, the Great and the Romans to those of the Ottomans and their successor states – but it is elucidating nonetheless.
It is a brief reminder of the veracity of the phrase “history is always with us”, and of how the past continues to shape the present through its influence on culture, human nature, and ongoing events – a constant guide, providing both cautionary tales and inspiration for the future, as we carry our history with us in our identities, cultures, societies and recurring patterns of behaviour. As author and activist James Baldwin is attributed to have said, “History is not the past. It is the present. We carry our history with us. We are our history”.
Greece has always lived a double life. To the casual visitor, it is a sun-splashed idyll of sea and sky, but its history tells a darker story – a long, hard ledger of heroes and horrors, and the stubborn will to survive wedged between warring empires. The last two and a half millennia have been less a tranquil Mediterranean tableau than a parade of conquerors, liberators, and the occasional poet-adventurer.
Over time, Greece has drawn to its shores soldiers and adventurers, poets and dreamers – and naive youths like myself. I hitch-hiked down from what was then Yugoslav in the summer of 1970, a young man with a second-hand rucksack and followed the looping Adriatic highway from Thessaloniki and Athens. I knew enough history to feel the charge of passing near Thermopylae, where Spartans once made their famous last stand against the might of Xerxes. But I wasn’t to learn until over half a century later that an army of ANZACs battled overwhelming odds just a valley away.
The past, in Greece, as in the Middle East, always stands just offstage, awaiting its cue and refusing to stay politely within its own century. It is not merely one of the world’s most benevolent postcards; it is a crossroads of empires, a battleground of ambitions, a cavalcade of famous names and places, where East and West have met, mingled, clashed, and sometimes embraced in the long swirl of history, where the mythic and the modern travel together.
One particular reference also reminds me of how history sends out roots, twigs and branches throughout the settled and hence recorded world.
Tempe, on Sydney’s Cooks River, wears its classical inheritance more openly than most Sydney suburbs. When Alexander Brodie Spark built Tempe House in the 1830s, he christened the estate after the Vale of Tempe in northern Greece – a narrow, ten-kilometre gorge carved by the Pineiós River as it threads between Olympus and Ossa. The poets imagined Poseidon’s trident had cleft the mountains to make it; Apollo and the Muses strolled beneath its laurels; sacred branches were cut there for Delphi. Spark, standing between his own modest “Mount Olympus” and the river, saw a faint echo of the Greek idyll and gave the place its name.
But the Vale of Tempe was never entirely pastoral. Armies have squeezed through that narrow defile for millennia. The Persians marched through it on their way south – Tempe lies just north of the iconic pass of Thermopylae, part of the same chain of passes that determined so much of Greek military history. And in the twentieth century it would again become a stage for outsiders in uniform.
In April 1941 Australian and New Zealand troops, together with British units, were thrown into Greece as Lustre Force – outnumbered, outgunned, and facing a German army with air superiority and modern communications. One of the hardest-fought delaying actions took place – inevitably, given the geography – at Tempe Gorge on 18 April (the featured image of this post, from the collection of the Australian War Museum). The Australian brigade was commanded by Brigadier A.S. Allen, who had formed the first battalion of the new AIF. His “Anzac Force” (apparently the last operational use of that designation) held the gorge long enough to impede the German advance and allow wider Allied withdrawals. The serene valley Spark had sentimentalised became, for a few violent hours, an Anzac bottleneck: those same narrow walls that once sheltered shrines now channelling rifle fire and Stuka attacks. Many of those men would soon find themselves on Crete, resisting the first large-scale parachute assault in military history.
And then – because Australia never resists a touch of Mediterranean whimsy—the Hellenic (and Hellenistic) echoes continue in our own neighbourhood on the Midnorth Coast. Halfway along the road from Bellingen to Coffs Harbour lies the township of Toormina, home to our closest shopping centre and to the Toormi pub. Its name began its life on the slopes of Mount Tauro in Sicily, in the ancient town of Taormina, the site of a famous amphitheater. In the 1980s local Italian residents of who were clients of developer Patrick Hargraves (the late father of a good friend of ours) suggested the name “Taormina” for the new subdivision. He liked the idea but clipped the opening “a” to make it more easily pronounceable- and Toormina entered the Gregory’s and thelocal vernacular.
So in our small corner of New South Wales, Greek myth, Persian marches, Anzac rearguards, and Sicilian nostalgia all whisper from the signposts. Tempe and Toormina: unlikely twins, proof that even the quietest suburb can carry the long shadows of the ancient world.
Uncovering a forgotten Anzac story in Greece’s bloody history
From ancient battles to World War II, a visit to Athens’ War Museum exposes the dramatic military history that shaped modern Greece. Christopher Allen’s deeply personal connection unravelled in the process.
Christopher Allen, The Australian, 21 November 2025
James Stuart, View of the Erechtheion, Athens, October 1787. Royal Academy of Arts, London. Photographer. Prudence Cuming Associates Limited.
A little over 200 years ago, the Greeks began their war of independence from the Ottoman Empire, which had conquered most of the Byzantine world in the 15th century; the renaissance in Western Europe thus coincided with the beginning of a new dark age for the Greeks under Turkish oppression. Some islands held out for longer: Rhodes, home of the Knights of St John, was taken in 1522, forcing them to withdraw to Malta; Cyprus, ruled by the French Lusignan dynasty from the time of the Crusades and then by Venice, was brutally conquered in 1571, and Crete, held by Venice since 1205, finally fell after a generation-long siege in 1669.
The Ottoman Empire reached the apogee of its power in the early 18th century, but then began a slow decline, one of whose incidental effects was to make the Greek world more accessible to Western travellers: James Stuart and Nicholas Revett spent time in Athens from 1751 and published their Antiquities of Athens in several volumes in 1762. By the early 19th century, Greece had become part of the itinerary of the Grand Tour; by 1816, the Parthenon Frieze was in the British Museum and profoundly transformed modern understanding of Ancient Greek art.
Meanwhile the Greek War of Independence began with revolts in the Peloponnese in 1821 and a Declaration of Independence in 1822, eliciting a savage response from the Turks and sympathy from intellectuals and the educated public in Western European countries. The slaughter of the population of the island of Chios in 1822 led Eugène Delacroix to paint his famous Massacre at Chios, exhibited in the Salon of 1824 and purchased in the same year for the national collection; it is today in the Louvre. In 1823, the most famous poet of his day, Lord Byron, who had already demonstrated his sympathy for Armenian culture and independence from the Ottomans, went to Greece to help in the fight, both personally and financially.
This 1813 portrait by Phillips depicts Lord Byron in traditional Albanian attire. Alamy
Byron’s death in 1824 at Missolonghi only attracted more attention and sympathy to the cause of Greek freedom, and the great powers – Britain, France and Russia – warned the Turks about further repression, even though they were also committed, for different reasons, to maintaining the integrity of the crumbling Ottoman Empire. In 1827, at the Battle of Navarino, an international fleet led by the British and commanded by Sir Edward Codrington destroyed the Turkish and Egyptian navies. After further interventions on land by Russian and French forces, the Ottoman Empire was compelled, by the Treaty of Constantinople in 1832, to accept the independence of mainland Greece, although initially only as far north as the so-called Arta-Volos Line. The north, including Thessaly, Macedonia and Thrace, remained in Ottoman hands and Mustafa Kemal Ataturk was born in the former Byzantine city of Salonika in 1881.
Instability in the Balkan provinces of the Ottoman Empire in the 1870s gave the new Greek nation the opportunity to annex the central region of Thessaly in 1881 (while Britain incidentally acquired Cyprus in 1878). Further important gains were made during the two Balkan Wars (1912-13): much of Epirus in the northwest as well as Salonika and most of southern Macedonia, most of the Aegean Islands and Crete; the British had already ceded the Ionian Islands in 1863 and the Italians would relinquish the Dodecanese after World War II in 1947. Meanwhile, in the aftermath of World War I, Greece had briefly seized eastern Thrace and territories in Anatolia, soon to be retaken by the Turks with immense loss of life in the Great Fire of Smyrna in 1922.
Model of Byzantine warship from the War Museum
This is of course a very much simplified version of the extraordinarily complicated story of Balkan politics from the mid-19th century, which forms such an important part of the lead-up to World War I. All of these events were accompanied not only by terrible military casualties on all sides, but by massive disruption to the population of lands where people of different ethnicities and faiths had lived side-by-side for centuries as part of a multiethnic empire, including war crimes and atrocities against civilians and non-combatants. And Greeks who had previously enjoyed political and economic prominence throughout the Ottoman world, including the Phanariots of Constantinople, were first stripped of their privileges, then persecuted and finally expelled in the tragic population exchange of 1923.
All of these events and many more are covered in the exhibits at the Athens War Museum, which I had never visited until a few weeks ago, but which gives a vivid idea of the almost continuous warfare that has been carried on over the past couple of centuries in a land most tourists imagine as a paradise of sea, sun and waterside taverns. The events of the war of liberation, especially as we pass through so many bicentenaries in the current decade, are naturally well represented: there is, for example, a new and interactive display devoted to the sea battle of Navarino and events surrounding this decisive moment in the war.
There are portraits of the many famous leaders of the independence movement in their picturesque costumes, as well as dramatic reimaginings of heroic battles, and of course weapons and equipment of the time. The resonance of the Greek struggle in Western Europe is recalled in a copy of Delacroix’s Massacre at Chios, as well as a version of Thomas Phillips’s portrait of Lord Byron in exotic Albanian costume (1813), of which the original hangs in the British embassy at Athens; another replica by the artist himself, but only of the head and shoulders, is in the National Portrait Gallery in London.
Eugène Delacroix, The Massacre at Chios
But there is much more about the history of Greece in Antiquity, and the chronological arrangement of the displays makes this an effective way to follow the sequence of events, especially the main episodes of the Persian Wars – with the great battles of Marathon in 490BC and Salamis in 480 – as well as the subsequent conflict between Athens and her quasi-subject states on one side and Sparta and her Peloponnesian allies on the other, known as the Peloponnesian War.
This disastrous war (431-404 BC) was followed in the second half of the fourth century by the rise of Philip of Macedon to hegemony, for the first time, over almost all of mainland Greece. After his assassination in 336, his young son, who became Alexander the Great, embarked on a spectacular campaign that led to the conquest of the whole of the vast Persian empire, from Egypt to what are now Afghanistan and Pakistan. Alexander’s conquests led to the extension of Greek language and civilisation deep into Asia, creating the international culture of the Hellenistic period, characterised among other things by a rich and complex exchange of ideas and forms between East and West.
He left an indelible impression on all the lands he conquered and is, for example, the first historical figure in the Persian national epic, the Shahname. By the time of Ferdowsi, who composed this masterpiece a millennium ago, the Persians had forgotten about the Achaemenid dynasty that first created the Persian empire in the sixth century BC; even the great site of Persepolis was and still is called Takht-e Jamshid, the throne of Jamshid, one of the mythical rulers from the great epic.
Each of Alexander’s battles – he is one of the handful of great generals never to have been defeated – is illustrated in clear diagrams, but they are also recalled in later images, in this case particularly in a series of 17th-century engravings whose story is probably unknown to almost all visitors to the museum. These are reproductions of gigantic paintings made as cartoons for tapestries commissioned by the young Louis XIV in the 1660s from Charles Le Brun, who was to become his court painter and who was later responsible for the decorations at Versailles, including the Hall of Mirrors. The series illustrates the valour but also the magnanimity of Alexander, as is clear from the moralising inscriptions attached in the engraved versions. For a long time, the huge canvases were not displayed at the Louvre, but for the last few decades have had their own room upstairs in the Sully wing.
Following the chronological sequence from antiquity we eventually get back to the war of independence and its sequels already mentioned above; but the story continues, after what the Greeks call the Asia Minor Catastrophe of the early 1920s, with a new calamity two decades later. For Mussolini invaded Greece in October 1940 expecting, like Putin in Ukraine, to achieve an easy victory and utterly underestimating the strength and resolve of the Greek army. By the following spring, it was clear that he was getting nowhere, and Hitler decided to come to his rescue by invading Greece in April 1941.
A. Bormans, engraving after Charles Le Brun Alexander and King Porus
An Allied army, mostly consisting of Australian and New Zealand troops as well as some British units, was hastily put together and sent from Egypt to Greece as Lustre Force. It was heavily outnumbered by the Germans, who were also massively better equipped and had the benefit of air cover and wireless radio communication. Nonetheless, the Allied army put up a determined resistance in a series of battles including one notable action on April 18, 1941 at Tempe Gorge commanded by my grandfather, then Brigadier AS Allen, who had formed the first battalion of the new AIF and taken our first troops to World War II. The brigade he commanded at Tempe was known as “Anzac Force”, apparently the last use of the term, after the designation Anzac Corps for the whole Australian and NZ component of Lustre Force.
After the evacuation of mainland Greece, my grandfather was sent to fight the Vichy French in Syria, but many of our troops were taken to Crete, where in May 1941 they were faced with the first and only large-scale parachute assault in military history, in which the Germans suffered appalling casualties but ultimately prevailed. Next year will be the 85th anniversary of these dramatic events in Greece and Crete, and among other things will be commemorated by an exhibition of Australian and NZ artists whom I accompanied on a two-week tour of these battlefields in the second half of October.
It was a moving experience to visit what are today the peaceful sites of such desperate battles almost three generations ago, aware at the same time of the long history of warfare in the same lands: the Persians marched through Tempe, which is just north of Thermopylae; Caesar defeated Pompey at Pharsalus (now Farasala), which you pass on the train from Athens to Salonika (now Thessaloniki), and; Cassius and Brutus died at Philippi in Macedonia, defeated by the Caesarian forces of Octavian and Mark Antony.
Christopher Allen is the national art critic for Culture and has been writing in The Australian since 2008. He is an art historian and educator, teaching classical Greek and Latin. He has written an edited several books including Art in Australia and believes that the history of art in this country is often underestimated.
And I guess that’s why they call it the blues Time on my hands could be time spent with you
Elton John
My sweetheart is a soldier as handsome as can be But suddenly they sent him away across the sea So patiently I waited until his leave was due Then wrote and said, my darling, I’ll tell you what to do: Come to the station, jump from the train March at the double down lover’s lane Then in the glen where the roses entwine Lay down your arms And surrender to mine
Geoff Downes, John Payne and Gregory Hart
“Right-wingers … have a disreputable history of picking on that particular cohort. The young, and not just those of Muslim persuasion, are more likely to question the conventional mores of the time than the middle-aged, which is why they make a lot of conservatives uneasy. Maybe national service will get them to shape up. This is really quite a smart idea from a Tory standpoint, since many of the values which young people in Britain are wary of are military in origin … they are cultural traits rather than basic moral values. Loyalty, team-spirit, toughness, honour, character, valour, austerity, self-discipline, leadership, physical prowess: the nation divides between those like the present monarch who consider these values utterly vital, and those who think they have their origin in a tiny, unrepresentative sector of society (the officer class, public schools, Boy Scouts and so on), and stem ultimately from Britain’s repressive colonial history”.
Sunak’s call triggered some sympathetic martial bugles here DownUnder. There were letters to the editor aplenty in Australian newspapers, including our own Coffs Harbour News of the Area (an actual printed newspaper too). I couldn’t resist writing a response – and it was actually published:
“There’s been a couple of letters recently suggesting that national service would be a suitable panacea for the problems of delinquent youth, and another by Bellingen’s Warren Tindall (an old pal of mine, by the bye) on the “perils of national service”, reminding us that whingeing about the younger generation is timeless and generational. The notion appears to appeal to folk of a certain age who lament the lack of respect, discipline and Australian values (whatever that means) amongst Australian youth – the “knock some sense into them” law and order types who would like disorderly young folk to be “out of sight and out of mind”, and effectively, someone else’s problem. They naively believe that the induction of potentially underage and recalcitrant youths would somehow contribute to our defense manpower shortfalls and bolster our military preparedness. On the contrary, the conscription of unwilling and probably unfit recruits, and the time, effort and money needed to render them of use in any military capacity is are the last things a proficient defense force needs.
In countries culturally and politically unaccustomed to national service, conscription has historically been considered a burden on the forces. In western countries with national service – most notably the Scandinavian and Baltics, and Israel – young people grow up with the expectation of service and the national duty that implies, and are culturally and temperamentally prepared for it by the time they come of age. It is not a military trainer’s job or even skill set to “instil a sense of purpose”, teach “physical and mental coping skills” or “positive career paths” or “train responsible human beings”, whilst “reducing our prison population” seems like something like Vladimir Putin would do”.
All this brings me to British author Richard Vinen’s enthralling book National Service in Britain 1945-1963. It charts the institution’s origins, administration, and social consequences, painting a vivid picture of postwar Britain negotiating the uneasy transition from empire to welfare state, revealing how conscription shaped not only military efficiency but the habits, ambitions, and identities of an entire generation – a cultural imprint whose echoes still surface in debates about civic duty, and national identity.
Reading it a while back, I recalled the promotional video for the Elton John song quoted above with its nostalgic visual narrative of young lovers separated by a call to duty, including footage of young army conscripts and of the early British rock ‘n roll era. I also recalled the BBC serial Lipstick on Your Collar – a particular favourite of mine; A romantic pop song Lay down your arms featured in its finale. [More on Potter’s story below] Both dramatise a decade and more of British social history that few recall today when over two million young men were conscripted to serve in the armed forces for up to two years, and sometimes more, at a critical time in their social, intellectual and emotional development.
We republish below a comprehensive overview by Davenport-Hines But first, here are a some of my own recollections, and themes explored by Vinen that are not covered therein.
A grave new world
After the Second World War (1939-45), the young men of Britain were called upon to meet new challenges facing the country in a rapidly changing world – the Cold War between the USA and its European allies, and the Soviet Union.
The post-war world was a tenuous time for the old empires. Whilst old King Canute demonstrated his inability to control the tides, when Britain faced emergent and powerful nationalist movements, it sought to reassert its control in de facto colonies as far-flung as Egypt and Palestine, Cyprus and Kenya; and together with France and the Netherlands, actually fought to reclaim and hold on to their “possessions” (a term that reflected a mindset as much as political reality) that had fallen to the Japanese. Portugal, Spain and Belgium likewise fought to prevent their subject peoples breaking loose. Few outposts of empire endure today.
The decision to repurpose wartime conscription in 1947 was a response to these challenges and also to the threats presented by the Soviet Union and a multitude of communist-inspired and Soviet-nourished national liberation movements. And yet, only a very small proportion of conscripts served overseas – and most who did were stationed in what was then West Germany and isolated and divided Berlin.
To meet the military manpower needs of this grave new world, the National Service, a standardised form of peacetime conscription, was introduced in 1947 for all able-bodied men between the ages of 18 and 21. Nowadays, when all sorts of evasion, dodges, and exceptions are common in society at large, it is hard to imagine a nationwide system in which all were actually deemed eligible, lord or landless, toff or tough, brains or bozo, had to serve. endured and was endured for over a decade; its abolition was announced in 1957 but continued until 1960, and the last conscripts were not demobbed until 1963. Every fortnight some 6,000 youths were conscripted, with a total of 2,301,000 called up over the sixteen years.
And then it was over, not with a bang but with a series of whimpers, stuttering indecisively to a close, leaving few traces on the cultural topography of late twentieth century Britain. Whilst many soon to be famous authors, playwrights, producers and musicians served, only a few wrote of their experiences. Nor did many other conscripts, although Woodfield Publishing carries a range of memoirs by ordinary men who resolved to record their experiences for posterity. The most important films and television programs about National service were comedies. Carry on Sergeant, which appeared in 1958 was the first and the most innocent of the long “carry on“ series. It was filmed at a real army camp.
There was no tangible ‘outcome’ to National service. There was no single conflict that ended in victory or defeat. There were none of the collective events – bonfires, parties, mutinies – that marked the end of the two world wars. It was ‘ending’ almost soon as it began because individual men were demobilized every two weeks. They went back to work – in the tight labor market of 1950s some of them started jobs on the Monday after they were demobilized – and to marriage and families in the dour but brightening fifties. It was not until they retired in the 1990s that most of the former servicemen had much time to reflect on their youth – which is why national service was so little discussed in the three decades after it ended.
Setting a date for the end of conscription was awkward. No one wanted to be the last conscript. There was a danger that the whole system might come to an end in “a most ragged and unsatisfactory manner” if men knew the precise day on which was ceased to operate, especially since as officials recognized, they would not have the resources to track down and prosecute evaders once the machinery of National service had been put into mothballs.
Though the last years of national service were uncomfortable for many conscripts, in someways, they were even worse for regulars particular, particularly for regular officers in the army. The tone of civil-military relations changed. when the first peace time conscripts had been called up, the army still had some of the prestige that went with victory in the second world war and with the military traditions of the Empire …
Those who regarded themselves as defenders of the interest of the army, had implied that peace time. conscription was a burden for the forces and look forward to the day when a well trained well paid and dedicated professionals were combined comprise a lean flexible and hard, hitting army. At least, in the short term this did not happen, and the end of conscription went with an undignified period when middle-aged officers scrambled to hold onto their jobs.
In one sense conscription was just one aspect of a British illusion of great power status, an illusion few people outside Britain, and perhaps a few people outside the British governing classes, believed or cared about
As Vinen reminds us in his enthralling story, the public’s historical memory of the institution imperceptibly faded from the national consciousness once it had ended, once parents no longer fretted about their sons being called up and once young men no longer needed to be anxious about interrupting or postponing careers and higher education. High rates of employment, rising incomes and standards of living during the fifties and early sixties, the attractions of consumerism and new forms of mass entertainment, and the lowering of Cold War tensions with the death of Josef Stalin, gave rise to fresh and less war-like circumstances and expectations.
The end of national service coincided with the beginning of the cultural era now known as the sixties (which actually lasted from about 1963 until about 1973). Changes in British society in the 1960s would have made it increasingly difficult to call men up even if the government wished to do so. It was a time remembered for self-consciously irreverent attitudes towards the British establishment, the class system, the almost casual racism of the past, and indeed history itself. It manifested the in theatrical reviews of the early sixties like Beyond the Fringe and the scatological and iconoclastic Private Eye magazine, and also the so-called youth culture which revolved about fashion and pop music.
In 1964, a year after National Service finally ended, a British band called the Barron Knights recorded an awful parody medley called Call Up The Groups which imagined many popular British groups being conscripted. It was hammy and cringeworthy then and it has not aged well, but when listened to sixty years on, it seems like an irreverent dated relic of Britain’s stuttering “farewell to arms”.
The very last line of Vinen’s book says it all: the culture in which national service existed belongs to a different age. To repurpose LP Hartley’s well used line, the past was another country where people thought and did things differently.
Descent from Glory
As noted in our introduction, present day advocates of conscription – or “national service”, which soothes the sting of compulsion – argue that it would encourage young people to “shape up”, to inculcate in them those treasured values that many of a certain age believe have been lost in the tide of modernity – to reiterate, like patriotism, loyalty, respect, honour, character, valour, leadership, toughness, self-discipline and physical prowess. And yet, the society that existed in those postwar years, and the values it espoused and revered, are long gone. The historical, political, social and cultural conditions that rendered national service universally acceptable no longer exist.
The British Empire had created a political culture that took greatness for granted and victory in the Second World War had reinforced this, even as it eroded the resources with which great power might be supported. The leaders of both political parties shared this culture as did most of the officials who advised them; and during the early years of National Service, most people of all classes accepted the shared obligation to serve, and with the memory of the war years still fresh and the Soviet and communist “threat” manifest, the populace as a whole were onboard with what could be described as official patriotism.
Most national servicemen had grown up in a period when there were no great ideological divisions in Britain. At least they were mostly young and the forces provided them with little in the way of political education. Of the small number who were actually posted overseas, many went without having much idea of what they were being sent to defend, and rarely understood what they were doing. In farflung outposts like Cyprus and Palestine, Kenya and the Far East, they were fighting people with whom they were not at war and often, as in Korea and later, in Egypt, countries that were not British possessions. The army didn’t get down to the politics what it was all about, and some national servicemen appear to have thought about the political significance of their actions at Suez, or in Malaya only years after the event.
Regular Army officers introducing themselves to conscripts would advise to tell them that the British preferred the term national service to conscription, because, to quote Vinen, “that is what it is “a service to the nation, each national serviceman contributes towards giving the nation, strong and efficient army”. Judged on an international perspective, however, the most striking thing about national service is, that was not actually very national
And yet, the military authorities never tried to instill patriotism.
Often, particularly in new states many ethnicities and religious affiliations and little social cohesion, military service is regarded as a “school of nation” inculcating presumptive national loyalty, values, interests. This was not the intent of the designers of national service. It was not intended to inculcate patriotic feelings. Nor was it really designed to foster manly martial virtues. Service for most conscripts was monotonous and seemingly pointless, whilst stories of bullying and mistreatment were common. One serviceman, Peter Burns, noted in a memoir years later: “In the old phrase, I went in a boy and came out a man, but not a very nice man”. He did not elaborate further.
It was manpower first and foremost, “boots on the ground” and potentially, on the battlefield – though technological innovation was rendering “serried ranks” redundant. Military authorities, determined to make things easier for themselves, were reluctant to call up, as a War Office report put it “a social group that is poorly integrated in the nation. For example, barrow boys, gypsies, the racing community, Liverpool Irish, foreign communities in London, the Glasgow community from which the gangs are recruited, etcetera … “. Indeed, the forces were probably glad to be rid of some of their potential and actual delinquent conscripts.
Conscription was never applied in the part of the United Kingdom where the largest number of people was likely not to feel themselves British: Northern Ireland. In Scotland and Wales, there was a small amount of overtly nationalist opposition to fighting for a ‘foreign’ government. more important was the general sense that conscription did not fit with the social structure of either Wales or Scotland. The Welsh dislike of the armed forces, rooted in chapel going respectability, was very different from the antipathy to army discipline that was associated with some working-class Scotsman. Sometimes the single word that aroused most terror in the war office was Glasgow”.
National service did not create a more homogenous and disciplined society – on the contrary, it worked partly because Britain, mainland Britain at least, was already homogenous and disciplined.
But there were the outliers. As Vinen writes: “Would that substantial group of men of Irish origin living in mainland Britain have been called up during the northern Irish troubles? What would the forces have done about non-white immigrants? Black Britons were not excluded from national service, but given how rare such men were, it is significant that they were quite common amongst those that officers regarded as ‘difficult’. The British army recruited 2000 West Indians in 1960, partly to make the shortfall that sprang from the imminent end of national service. However, the authorities decided that coloured soldiers should not make up more than 2% of the strength of any corps”.
Lipstick on your collar … national service through Potter’s prism
Lipstick on Your Collar is a 1993 British TV serial written by the late socialist playwright Dennis Potter, acclaimed for his television dramas The Singing Detective, Karaoke and Cold Lazarus. He also wrote the brilliant screenplay for the film adaption of Martin Cruz-Smith’s most excellent novel Gorky Park, itself, in my opinion, one of the best ever film adaptations of a novel.
Potter was a national service conscript along with many soon to be well-known British politicians, sportsmen, authors, poets, playwrights and performing artists – including Rolling Stones bass player, former RAF private, Bill Wyman, iconic actor and national treasure Michael Caine, late actors Sean Connery and Michael Gambon, onetime Conservative Party firebrand Michael Heseltine, and the ‘Angry Young Men’ of letters Allan Sillitoe, John Braine, Arnold Wesker and Joe Orton.
The story is for the most part set in a British Military Intelligence Office in Whitehall during 1956. A small group of foreign affairs analysts find their quiet existence is disrupted by the Suez Crisis. A young conscript is completing his national service as a translator of Russian documents, but bored with his job, he passes time in fantasy daydreams in which his very straight colleagues break into contemporary hit songs. The character is portrayed by a young Ewan McGregor went on to movie fame in Star Wars and other major films. His fellow language clerk is a clumsy Welsh intellectual and admirer Russian poets and playwrights – Pushkin and Chekov in particular- whose academic career has been interrupted by his call up. collar.
The subtext is the conflict between the old order, as represented by the middle-aged and-patriotic regular army officers, the conscripted ‘other ranks’ as portrayed by the two privates, and the new ‘rock ‘n roll’ generation, illustrated her by dance halls, coffee bars, and ‘fifties American popular music.
Denis Potter studied at Ministry of Defence’s Russian Language School. Apparently, those few conscripts who graduated as interpreters and translators were regarded as the crême de la crême of conscripts. Often, trainees would put on concerts of Russian songs and plays for their own amusement. A natural linguist, he’d learned Russian whilst undergoing compulsory national service in the fifties. One such graduate was Tom Springfield, the elder brother of diva Dusty Springfield. He borrowed the melody of The Seeker’s timeless song The Carnival is Over from Stenka Razin a traditional Russian folk tune that told the tale of a drunken seventeenth century Cossack rebel who threw his Persian bride of one night over the side of his boat into the Volga River when his men accused him of going soft. Tom changed the story entirely though he retained a nautical riff and cast the star-crossed lovers as the theatre characters Pierrot and Columbine rather than casting them overboard. See “High above the dawn is waiting” … the unlikely origin of a pop song
“And what a year that was! With peacetime restored, the British electorate immediately voted out its esteemed and beloved war leader, Winston Churchill, and bought Labour’s promise of a democratic socialism. In his excellent documentary The Spirit of ‘45, film maker Ken Loach describes the nationalisation of public services and industries and their subsequent privatization three decades later. His interviewees provide poignant anecdotes about the poverty of the 1930s, the dangerous and exploitative working conditions, poor housing, and abysmal health care, and the renewed sense of purpose and optimism a the end of the war and Labour’s landslide victory. He recounts the subsequent expansion of the welfare state, with its free to all medical service and the nationalization of significant parts of the British economy, most notably, electricity, the railways, and the mines. The Attlee government was elected due to a general belief that nothing would or could be as it had been before. Britain had pulled together to win the war; now, it would transform the peace.
But for ordinary folk, life in the immediate postwar years wasn’t that rosy. Britain emerged from the war victorious and though brave, physically battered and financially broke, its towns and factories in disrepair, and it’s people coming to terms with a not so brave new world of disappointed expectations and ongoing privation. Rationing, introduced early in the war on most foodstuffs and consumer items, remained in place and was only gradually lifted until its end in 1954.”
If we’re born in forties and early fifties, and look back, to our childhoods or to contemporary photographs and films, there is a patina of austerity and drabness. It was mirrored in how people dressed and in the fashions of the time. During the conflict and long after, clothing and colour were rationed due to the shortage of fabrics and of dyes as industry and manufacturing were directed to “essential industries” contributing to the war effort. This is why images of the time look so monochrome, or when colourized all blacks, browns and greys. Until the technicolor explosion that is now synonymous with the “swinging sixties”, enabled by the invention of new, often synthetic fabrics and an insurrectionist generation of designers, artists, and entrepreneurs.
I was born at the right time in the right place. I missed the Second World War, and arrived to be blessed with the benefits of the National Health Service – launched by Labour health minister Aneurin Bevan on 5th July 1948 – which had had at its heart three core principles: that it met the needs of everyone, that it be free at the point of delivery, and that it be based on clinical need, not ability to pay – and The Education Act , or ‘Butler Act’, of 1944 which promised and then delivered ‘secondary education for all’. I was too young to do National Service in the fifties, and caught the wondrous wave of the sixties in all its freewheeling, rumbustious glory, whilst Harold Wilson kept us potentially eligible conscripts out of America’s Asian war in Vietnam.
When I was a nipper, the Second World War was tangible. I born less than four years after the fighting finished. It was nearer than Vietnam, Iraq, Afghanistan, and even Northern Ireland are today. We just called it “The War”. We had family, friends and relations who had lived through it, fought in it, and died in it, as had many of the schoolmasters who taught us. Many wore scars and infirmities from the war, and some bore invisible wounds.
We played war-games on bombed-out “wasteland”. Rationing continued into the fifties, so it constrained our lifestyles. War stories were ubiquitous, on the screen and in print; James Bond had served in the war, as had George Smiley. In the boys’ comics, gallant British Tommies invariably overcame superior numbers of Germans, who were portrayed as mindless automatons and referred to contemptuously as ‘Krauts’ or ‘Jerries’. In the sixties, we built Airfix warplanes, battleships and fighting vehicles.
Conscription was reintroduced in 1948 to maintain what remained of Britain’s imperial dream; young men in uniform were always around whilst older cousins and friends’ big brothers had to do their national service. Little wonder that the war’s echoes reverberated through our imaginations, pastimes and preoccupations.
My own memories of National Service are are just fleeting images of young relatives in army uniforms and of school pals mentioning that their brothers or uncles were doing their bit. To us children, it was relatively unobtrusive and taken for granted. I commenced grammar school in September 1960 at a time when many grammar schools imitated the practise of public schools with a military training outfit called the CCF or Combined Cadet Force. Once a week, toy soldiers would strut about school in khaki attire. Prefects, another practise borrowed from public schools (along with the term “fags” for first and second formers – though none the servile duties immortalised in that fabulous movie If) were naturally officer-cadets. And they would march up and down the square with real guns! No ammo, but. I was already a Boy Scout by then and that was enough of matters martial and patriotic for me. And my Irish folks said “No!”
Whether by design or coincidence, by 1963, conscription and our school CCF were no more. And I did not notice the passing of either.
We were taught and accepted the narrative that wartime prime minister Winston Churchill had promulgated: that the period after the fall of France, when Britain had stood alone against the Axis powers, had been our finest hour and that the eventual defeat of Nazi Germany made all the sacrifices worthwhile. We also accepted His word for his pivotal role in it. “History will be kind to me”, he famously wrote, “for I shall write it”. And we were inculcated with the values that he fostered and indeed, personified: courage, duty, obedience, self-denial, reticence, restraint – the qualities that had won the war, or at least had enabled Britons to survive it. This is what being a man meant, then.
The are not values that resonate today. By the beginning of the sixties, “the times were a’changin’”, slowly but surely. Changes in British society in the 1960s would have made it increasingly difficult to call men up even if the government wished to do so. Rising levels of education, and also, of affluence wrought changes in attitudes and ambitions. The fifties gave rise to the phenomenon of “the teenager”, an American concept that took off in drab Britain as rationing came gradually to an end and as life in general took on more colour and excitement – young people were less accepting of authority, discipline, and ageing and anachronistic concepts of Queen and Country – and as the songs at the head if this post illustrate, love was always in the air …
Rather than keeping a stiff upper lip, we are encouraged to show our emotions; rather than keeping it in, we are supposed to let it all out. Like most of us today, I share these modern, peacetime values; yet I retain a respect for the men of my father’s generation. Without them, our lives would have been very different.
The world was much smaller then
In those days, young people did not travel too much, and accordingly, did not move far from their economic and social circles. Vinen notes that schools and later, universities, were for many, the most important gatehouses on the social frontiers. Until then, few folk got close enough to see the middle class or conversely, the working class closeup. The eleven plus was the border crossing where children who’d come through primary school together were filtered off onto different paths.
My recollections concur totally regional differences were less pronounced in primary school where children were drawn from a particular locality, where even Scottish, Welsh and Irish accents were to a degree diluted and normalized by schoolmates. My Roman Catholic primary school in Yardley Wood in south Birmingham was located between middle- and working-class neighbourhoods, the former on the eastern side of Trittiford Road, the latter on the west and south, so we were a socially mixed bunch. But Catholics all. Of Irish parentage, went through primary school without mixing socially with non-Catholics. Secondary schools drawing on a wider yet still local catchment saw more familiarization with differences accents, often of a social character. But it was in tertiary education that young people came into continued contact with contemporaries and teachers from all over the country and even from abroad.
Conscription in the Anglosphere post 1945
The following is a brief overview of postwar conscription in Australia and the United Sates, particularly with reference to its introduction in the light of these countries’ controversial involvement in the Vietnam War. Britain sat this one out – to the great relief of myself and my peers, who were all of conscription age and had no inclination to take part in America’s Asian war – although US President Lyndon B Johnson endeavoured unsuccessfully to strongarm and indeed blackmail British Prime Minister Harold Wilson into committing British troops to the conflict. A more comprehensive overview of conscription in the Eastern and Western blocs during and after the Cold War is provided in an addendum at the end of this post.
Britain had done away with military service in 1963; Belgium did so in 1992. France in 1997 and Germany 2011, between 2004 and 2011, a vast swathe of Europe did away with national service. Only Denmark, Estonia, Finland, Cyprus, Greece, Austria and Switzerland have never abandoned conscription.
In Australia, I’d meet veterans who’d been conscripted for the Vietnam War through the notorious, discriminatory birthday ballot – a method actually rejected by the British government as inequitable, unfair, and contrary to the notion of universal obligation.
It was introduced in April 1964 primarily to meet the challenges if of the Indonesian “confrontasi” and the emerging threats from communism in Asia and Australia’s overseas commitment to Cold War allies. Tensions were increasing between North and South Vietnam by May 1965, and as an ally of the US, Australia agreed to allow national servicemen to be sent overseas to Vietnam.
Australia sent over 60,000 military personnel to Indochina between 1962 and 1972, including large combat units and conscripts under the National Service Scheme. Most 20-year-old Australian men had to register for national service between 1965 and 1972, and 15,300 ‘nashos’ as they were called were conscripted into. More than 200 died and at least 1,200 were wounded on active duty.
Conscription was generally supported by Australians. Polls showed widespread support for the policy. Parents saw it as a way of instilling discipline in their sons, as well as teaching valuable life skills. At the time, the Australian media portrayed conscription in a positive way. Army life and national service were generally praised. The army was not so enthusiastic. Instead, it argued the need for skilled tradesmen and officers and not what it considered a ragtag selection of semi trained men. Public support waned after the first conscripts were killed, stirring the anti-war movement. Australia’s last combat troops came home from Vietnam in March 1972, and the national service scheme ended that December after the election of the Whitlam Labor government.
Like Britain, Canada did not enter the Vietnam War. New Zealand, the last of the ”Five Eyes” allies did, for similar geopolitical reasons to Australia’s.There was domestic opposition, but never on the scale or intensity of Australia’s anti-Vietnam movement.New Zealand’s total deployment was around 3,500 personnel over the whole war, but all of them were volunteers. There was no conscription in NZ and therefore not the same resentment about people being forced into service – major driver of Australian protests. The protest narrative focused on the morality and legitimacy of the war, not the injustice of conscription.
While in both countries, the conservative governments framed Vietnam as part of the Cold War “forward defence” strategy and alliance obligations (SEATO, ANZUS). the scale and visibility of the commitment in NZ were smaller, and the government carefully emphasised the limited nature of the force.
Early in the war, like in Australia, public opinion was more favourable toward involvement, partly due to alliance loyalties and the perception of a communist threat in Asia. Opposition grew in the late 1960s and early 1970s, particularly among students, churches, and parts of the Labour Party – but large street protests only became common toward the end, especially around 1970–72. There was no equivalent of the huge moratorium marches across the Tasman. NZ began winding down combat deployments earlier than Australia; the infantry company was withdrawn in late 1971, with only a small training team remaining until 1972. The Labour government elected in 1972 (Norman Kirk) quickly ended remaining involvement. It never became the same national political crisis that it did in Australia, but it did, help cement a more independent foreign policy during the 1970s–80s, culminating in the nuclear-free policy and tensions with the US.
America’s Vietnam conscription experience was combustible and cathartic. Between 1964 and 1973, the U.S. military drafted 2.2 million American men out of an eligible pool of 27 million. All men of draft age (born January 1, 1944, to December 31, 1950) who shared a birthday would be called to serve at once.
Although only 25 percent of the military force in the combat zones were draftees, the system of conscription caused many young American men to volunteer for the armed forces in order to have more of a choice of which division in the military they would serve. While many soldiers did support the war, at least initially, to others the draft seemed like a death sentence: being sent to a war and fight for a cause that they did not believe in. Some sought refuge in college or parental deferments; others intentionally failed aptitude tests or otherwise evaded; thousands fled to Canada; the politically connected sought refuge in the National Guard; and a growing number engaged in direct resistance. Antiwar activists viewed the draft as immoral and the only means for the government to continue the war with fresh soldiers. Ironically, as the draft continued to fuel the war effort, it also intensified the antiwar cause. Although the Selective Service’s deferment system meant that men of lower socioeconomic standing were most likely to be sent to the front lines, no one was completely safe from the draft. Almost every American was either eligible to go to war or knew someone who was.
Global areas of operation for National Servicemen, 1947-63
National Service: Conscription in Britain 1945-1963
The forgotten history of Britain’s peacetime conscription
Fifty years ago, at the dawn of the cultural revolution of the 60s, there had never been so many ex-soldiers and ex-sailors in British history. Mods and peaceniks were reacting against generations that had been mobilised during two world wars. Yet the militarisation of British society was not just the outcome of war. Under the National Service Act, introduced in 1947, healthy males aged 18 or over were obliged to serve in the armed forces for 18 months. After the outbreak of the Korean war in 1950, the length of service was raised to two years – more onerous than elsewhere in Europe. In practice national service was a catch-all for men born between 1927 and 1939 whose childhoods had already been overcast by economic depression, wartime bombing and evacuation. Although its abolition was announced in 1957, it continued until 1960, and the last conscripts were not demobbed until 1963.
Every fortnight some 6,000 youths were conscripted, with a total of 2,301,000 called up over this period. The army took 1,132,872 and the RAF much of the rest, leaving relatively few sailors. After discharge, conscripts remained on the reserve force for another four years, and were liable to recall in the event of an emergency. Many drilled men became conformist and respectful of authority, but others reacted to their experiences with a lifetime of insubordination and resentment. National service did not cause the upheaval or leave the distressed aftermath of the US draft in the Vietnam war, but the significance of the forgotten militarisation of mid-20th century Britain is enduring.
National Servicemen relax in the NAAFI canteen at Weybourne Camp, April 1954
In an era when it was hard to recruit enough regular soldiers to meet Britain’s commitments in Europe, the Middle East, Africa and Asia, conscripts trained to police regions occupied by the British after the war, to provide a reserve of troops who could be called up in any future major conflict, and they were available for immediate deployment, notably in the decolonisation wars in Malaya, Kenya and Cyprus. Most of them were not yet old enough to vote (voting age was only lowered from 21 to 18 in 1970) and felt disempowered. They had scant pay, and provided a cut-price way for Britain to maintain its illusory great power status. But withdrawing this number of fit youngsters from the economy at a time of labour shortage harmed British post-war reconstruction.
Vinen admits that he could write a whole chapter on a Conservative MP’s claim that he was offered a commission because an officer spotted that he was circumcised and concluded that he must be a public school boy. In turn, a reviewer could write a monograph on Vinen’s book, which is chock-a-block with important themes, provocative ideas, arresting stories, heartbreak and good jokes.
Nowadays we commemorate the launch of the National Health Service as promoting a historically unprecedented mentality whereby a benign state provided its citizens with social benefits rather than treating them as subjects serving the needs of the nation. The National Service Act was the negative counterpart of the NHS, whereby civilians were dragooned into compliance with the demands of the state. Its chief proponent was Field Marshal Montgomery, the posturing bully who was in a permanent panic of denial about his repressed homosexuality, and hoped to use military service to mould national character towards chaste combative virility. For many conscripts their sense of the state was not the benign NHS but the bullying of national service square-bashing.
Generally, though, national service was not intended as an instrument of social discipline. It was disliked not only by antimilitarists and left-wingers, but by middle-of-the-road people because it disrupted the lives of their sons in a period when there was full employment for the working classes. Welsh chapel-going traditions were hostile to conscription. Working-class Scotsmen fought army discipline. As Vinen writes, “Sometimes the single word that aroused most terror in the War Office was ‘Glasgow’.” Regular army officers resented national service, especially during its early years, because the need to train a constantly renewed stream of conscripts was dull, repetitive and diminished “real soldiering”.
The Church of England, unlike the nonconformists and the Catholics, encouraged its clergy to undertake national service. Anglicanism and “manly morality” were promoted together by the military authorities. An army guide of 1947 declared, “the sexual appetite was implanted in man for the lawful use in Wedlock”. Yet Christian morality had minimal influence on the sex lives of conscripts. Rather, says Vinen, national servicemen, as opposed to regular soldiers, believed in “that greatest of all postwar virtues: deferred gratification”. His findings support Claire Langhamer’s wonderful study The English in Love(2013) in showing how strongly young men of the 1950s were romantics who believed in love at first sight, idealised virginity and had sweet dreams of domestic bliss within the institution of marriage. The discomfort and violence of military life, the lack of privacy and the mindless rules imposed without consent produced a generation that cherished intimacy and non-confrontation. Most conscripts came from families where defiance of the law was inconceivable. Yet the armed forces gave innumerable opportunities for non-commissioned officers and clerks to exploit conscripts, pilfer stores and make dodgy deals. Many conscripts learned how to duck and dive, to break rules and subvert authority. One RAF clerk issued instructions that officers must count the number of flies stuck to flypapers at all bases. Such experiences chipped away at the law-abiding, respectful traditions of Britain before peacetime conscription.
Vinen depicts “the hellish chaos of basic training”: its violence, verbal savagery, the dumb misery of military drills, the horrors of bayonet practice. Several young men killed themselves during training – usually by hanging from a lavatory cistern, because “the shithouse” was the only place that gave a moment’s privacy – but suicide statistics seem to have been doctored by officials. Sergeants with booming voices and curling moustaches were fabled figures, but it was corporals who gave the orders in training – many were malevolent, sadistic figures. Vinen gives numerous instances of cruelty, both in training and in combat. These include the massacre in 1948 by a Scots Guards patrol – mainly national servicemen – of 24 Chinese labourers on a Malaysian rubber plantation, killings and mutilations in Kenya and a rampage by troops in Cyprus after two British servicemen’s wives were shot. A serviceman described: “wholesale rape and looting and murder”, including “a 13 year old girl raped and killed in a cage”.
Royal Engineers homeward bound from Suez on the SS ‘Dilwara’, 1954
National Service may prove to be the most original social history book of 2014. It is written with cool, elegant lucidity and there are neither ideological tricks nor obscure jargon. The book is bigger than its ostensible subject, embracing class, masculinity, sexuality, compliance, rebellion, combat atrocities, petty crime, notions of national identity, group solidarity, the fallibility of memory and what it means to be a man.
How National Service introduced in 1949 saw more than two million young men take up military roles
Males aged between 17 and 21 were conscripted between 1949 and 1960
Initially recruits had to serve for 18 months, but this was extended to two years
Did YOU do National Service? Email harry.s.howard@mailonline.co.uk
Harry Howard, History Correspondent, Daily Mail, 31st August 2023
For those who did not enjoy the experience, it must have felt like the Second World War had not truly ended.
Between 1949 and 1960, more than two million men aged between 17 and 21 were conscripted into the armed forces as part of National Service.
The proposals – mooted by think-tank Onward – would not be compulsory, but youths would have to opt out if they did not want to join. As many as 600,000 youngsters could be involved.
Triplets Allan, Brian and Dennis Kirkby (front, left to right) reporting with other recruits at North Frith Barracks, Hampshire, in 1953
Michael Caine (back row, fourth from left) was among the men who were called up. He served in the Royal Fusiliers from from April 1952 and ended up fighting in the Korean War
National Service was deemed necessary in part because of Britain’s military commitments abroad.
The British Empire – although diminishing – still existed and both Germany and Japan were still occupied following the end of the Second World War.
Ministers also wanted to re-establish British influence in the world, including in the Middle East.
Further manpower demands were imposed by the Cold War with the Soviet Union, whilst Indian independence in 1947 meant Britain no longer had the huge Indian Army to call upon.
Those who were conscripted as part of National Service would have to sleep 20 to a room in ramshackle barracks, with little heating, primitive toilets and poor washing facilities.
They would be woken at 5.30am and spent hours marching on the parade ground, with afternoons taken up by field or rifle training, ten-mile runs and obstacle courses.
Recruits spent their evenings cleaning the barracks, their kit and their rifles in a routine that was known as ‘the bull’.
Former boxing champion Sir Henry Cooper (pictured left with his twin brother George), who died in 2011, spent two years in the Army after representing Great Britain at the 1952 Olympic Games
Sir Henry Cooper (left) is seen on a training jog with other recruits during his National Service
Former Conservative minister Michael Heseltine, was called up but served for just nine months before obtaining leave to stand as a Tory candidate in the 1959 election: (middle row, fifth from right) with fellow conscripts at Caterham Guards Depot in 1959
Conscripts are seen at a depot in Kingston upon Thames in 1953
National Servicemen at a depot in Kingston upon Thames enjoy a smoke as a comrade examines his rifle in 1953
National Servicemen are seen marching at a depot in Kingston upon Thames
National Servicemen training with the Royal Air Force at RAF Booker in Buckinghamshire in 1951
Punishments for any slip in standards included being confined to barracks, washing latrines or peeling potatoes.
Recruits also had little chance to see their families. They were given just 14 days’ leave for every eight months of service.
Basic pay in 1949 was 28 shillings (£1.40) a week, much less than the average weekly wage of around £8.
But the men still had to buy all their own razor blades, shaving soap, boot polish, haircuts, dusters and Brasso for polishing any buckles and badges.
If any kit was lost, recruits would have to pay for it twice. Once to replace it and once as a fine.
After finishing basic training, conscripts were posted to regiments both at home and abroad. Overseas postings included Germany, Cyprus and the Middle East.
Other National Servicemen who went on to become household names include Oliver Reed, Tony Hancock, and Bill Wyman of the Rolling Stones
Around 125,000 National Servicemen were deployed to war zones such as the conflict in Korea and 395 lost their lives in combat.
Others saw action in Malaya and during the Suez Crisis in 1956.
Although for some the experience of serving was a negative one, many National Service veterans look back fondly on the period.
They often formed bonds that have stayed with them ever since.
During his stint in the Royal Fusiliers, which began in 1952, Sir Michael, now 90, served in the Korean War.
He recalled his experiences in an interview with the Daily Mail in 1987.
Commenting on the tactics employed by the enemy, he told of ‘attack after attack, you would find their bodies in groups of four’.
‘We heard them talking and we knew they had sussed us…Our officer shouted run and by chance we ran towards the Chinese. Which is what saved us; in the dark we lost each other,’ he added.
Lord Heseltine, 90, served for just nine months before obtaining leave to stand as a Tory candidate in the 1959 election and then getting his solicitor to persuade the War Office that he did not need to return to the barracks.
Sir Bobby, 85, combined his football career at Manchester United with a stint in the Army in the mid 1950s.
He served with the Royal Army Ordnance Corps in Shrewsbury, meaning he could still play football at the weekend.
Former boxing champion Sir Henry Cooper, who died in 2011, spent two years in the Army after representing Great Britain at the 1952 Olympic Games in Helsinki.
Eighteen-year-old conscripts on parade at the Royal West Kent Depot , November 1955
Teenagers line up at the Royal West Kent Depot in Maidstone forinoculations in November 1954
Major General Sir Reginald Laurence Scoones of the British Army takes the salute at the passing-out parade of 32 National Service and regular recruits from the depot of the Royal Fusiliers (City of London Regiment) at the Tower of London, October 17, 1958
National Service recruits lined up in 1952
He joined up with his twin brother George. Recalling his first day, Sir Henry previously said: ‘Well, it’s all a bit nerve-wracking because we didn’t know what to expect.
‘We went to Blackdown where we did our basic training.
‘We had to have medicals, strip off in front of doctors, put our arms up and they stuck a needle, one in our shoulder, one in our arm, and we wondered what was going on.’
He added: ‘They were hard on you in those days. Thank God we were a little bit better than a lot of the ordinary guys.
‘We were very fit because we’d been training as amateur boxers so the physical fitness side didn’t bother us at all.’
Sir Henry was crowned Army Boxing Association champion two years’ running and went on to win the Imperial Services Boxing Association title.
In the late 1950s it was decided to bring National Service to an end, in part because of the burden it placed on the Army and the fact that workers were being drained from the economy.
Rifleman E Akid showing National Service recruits a captured Korean flag at the Royal Ulster Rifles Depot in Ballymena, County Antrim, Northern Ireland
Yorkshiremen a posing for a group photo before they entered the armed forces 1955
A group of national servicemen in the canteen at their barracks, November 1954
Swansea Town and Wales international footballer Cliff Jones serving his National Service at with the Kings Troop Royal Horse Artillery regiment of the British Army. Here he is having his rifle inspected at the St John’s Wood barracks, October 14, 1957
Recruits taking part in an assault course in 1955
The last recruits entered the armed forces in November 1960, with their service coming to an end in 1963.
The last man to be discharged was Second Lieutenant Richard Vaughan of the Royal Army Pay Corps, who departed on June 14, 1963.
Ms Mordaunt enthusiastically endorsed the blueprint for the new National Service-style scheme yesterday in an article for the Telegraph, saying it would foster the ‘goodwill and community spirit, energy and imagination’ of teens.
She also insisted it could promote ‘good mental health and resilience’ after the upheaval of the Covid crisis.
Addendum – Around the World
Britain 1945–1962
Name: National Service (post‑WWII call‑up)
Period: Men born from 1927–1939 were called; effective peacetime service formally ran 1947 to 1960 for new call‑ups, with final discharges in 1963 (legal end often cited as 1960–62 depending on measure). (Double‑check exact administrative end dates for your footnote.)
Age at call‑up: typically around 18–20 (varied).
Length of service: initially 18 months (later raised to 2 years during Korean War era, then cut back to 18 months by the 1950s).
Exemptions/deferrals: students, those in reserved occupations, medical unfitness, and conscientious objectors (who faced tribunals and could receive civilian or non‑combatant service).
Context: early Cold War, Korean War, decolonisation operations; political consensus for a peacetime force to meet global commitments. Abolished as Britain moved to a smaller professional army and as political pressure mounted against peacetime conscription.
Comparative snapshot: selected Western & allied countries (1945 → present)
Note: “Present” means status as of mid‑2024 unless otherwise noted. Please ask if you want this converted into a formal table with citations.
France
Post‑1945 pattern: Mandatory service re‑established after WWII; heavily used during the Indochina and Algerian wars.
Length: historically 18–28 months at various times.
End/suspension: Standing conscription ended in 1996 (President Chirac suspended the appel). France shifted to a professional army; short mandatory civic training (Journée Défense et Citoyenneté) remains.
Notes: Algeria and decolonisation had big effects on French policy and public debate.
Federal Republic of Germany (West Germany) / GDR (East Germany)
West Germany (FRG): Introduced conscription in 1956 (Bundeswehr). Length and rules changed over decades. Suspended in 2011 (modern Bundeswehr since then volunteer‑based; conscription remains in law but de facto suspended). Alternative civilian service existed.
East Germany (GDR): Conscription existed until German reunification in 1990.
Notes: Reunification led to integration and later suspension in unified Germany.
Italy
Post‑1945: Universal conscription throughout Cold War.
End/suspension: 2005 (Italy moved to an all‑volunteer force).
Notes: Length and structure varied; alternative civilian service for conscientious objectors established in the 1970s.
Spain
Post‑Franco transition: Conscription continued during Francoist era and into the transition.
End/suspension: Abolished in the early 2000s (commonly cited as 2001), moving to a professional force.
Netherlands
Post‑1945: Conscription kept for Cold War.
Status: Compulsory service suspended in 1996 (military became professional; registration obligations remain in law).
Notes: Like many NATO states, transitioned in the 1990s.
Sweden
Post‑1945: Long tradition of universal conscription.
Suspension and reintroduction: Suspended in 2010, reintroduced in 2017 (partial, gender‑neutral selective conscription) in response to regional security concerns.
Notes: Good example of 21st‑century reintroduction.
Norway
Status: Conscription continued after WWII and remains active; Norway extended recruitment to women (practical gender‑neutral service).
Notes: Nordic model with broad reserve obligations.
Finland
Status: Conscription has been continuous since WWII and remains active; long service and comprehensive reserves are central to defence doctrine.
Notes: Key example of a small state with universal conscription for territorial defence.
Switzerland
Status: Active conscription for men with militia model; long tradition dating well before 1945 and continuing to present.
Notes: Extensive reserve system; alternative service exists.
Greece
Status: Conscription has persisted; length and requirements have varied but it remains active (security focus with Turkey as contextual factor).
Notes: Frequently among the longer service lengths in Europe.
Turkey
Status: Mandatory military service continues; important political and social role.
Notes: One of the larger countries with longstanding conscription.
Israel
Status: Conscription active and central to society (included here though not in “Western Europe”).
Notes: Universal for men and women; unique labour/defence mix.
United States
Post‑1945: Draft (Selective Service) used during Korea and Vietnam (peacetime draft active through early 1970s).
End/suspension: All‑volunteer force established in 1973; Selective Service registration remains mandatory for men (no draft since 1973).
Notes: US is important precedent for transition to volunteerism.
Canada
Post‑1945: Canada did not maintain peacetime conscription after WWII (it had conscription in WWII and limited measures in WWI). No peacetime universal conscription for most of the Cold War.
Notes: Canada used volunteers and reserves; National Service not used after WWII.
Australia
Pattern: Australia used selective/periodic national service schemes post‑1945: e.g. conscription for Korean War era? (there were early 1950s programmes) and notably 1964–1972 conscription for the Vietnam War (National Service Scheme) — abolished in 1972.
Status today: All‑volunteer force.
Notes: Australia shows intermittent use tied to specific conflicts and governments.
New Zealand
New Zealand’s post-1945 conscription story is short and quite different from Britain’s or Australia’s. Compulsory military training (CMT) existed during the war; at the end of WWII, conscription was wound down but not entirely abandoned.
In 1949, New Zealand reintroduced Compulsory Military Training for men aged 18–26. This wasn’t the same as Britain’s two-year full-time National Service — instead, recruits did a few months’ full-time training (initially 14 weeks), followed by years in the reserves with annual camps. New Zealand’s 1949–1958 scheme was short-term training + reserves rather than Britain
Korean War period: CMT supplied trained reservists but no direct mass call-up for the Korean front; active service was still voluntary.
Abolition: The peacetime CMT scheme was abolished in 1958 by the Labour government (Walter Nash PM), in part due to cost and a belief that a small professional army plus reserves would suffice.
Later conscription: No peacetime conscription after 1958. During the Vietnam War, New Zealand’s forces were all-volunteer (unlike Australia’s mixed volunteer/conscription model).
Current status: No conscription; military is all-volunteer.
Cross‑cutting themes & political context
Cold War & immediate post‑war security environment — NATO, Warsaw Pact, and decolonisation shaped demand for mass armies in 1940s–1960s.
Colonial wars and conscription politics — France (Indochina/Algeria) and Britain (Malayan Emergency, Suez, later emergencies) faced public controversy and political consequences.
Economic costs vs. professionalisation — By the 1990s many democracies shifted to volunteer forces to improve quality, reduce political resistance, and cut costs; the end of the Cold War accelerated this.
Social effects & demographics — Education deferments, social class effects, and the experience of the working class vs. middle class; conscription often politicised by student movements (e.g., US/Vietnam).
Conscientious objection & alternatives — Growth of legal alternatives, tribunals, civilian service provisions from the 1950s–1980s onward.
Reserves, mobilization policy & territorial defence — Nordic and Swiss models retained conscription because of territorial defence doctrines; small states with perceived existential threats (Finland, Israel, Greece, Turkey) kept universal systems.
Gender & conscription — Mostly male‑only until the 21st century; some states (e.g., Norway) expanded to gender‑neutral service in recent years.
Legal suspension vs. abolition — Some countries (Netherlands, Germany) suspended conscription or kept the law on the books; others formally abolished it.
The USSR and the Warsaw Bloc (1945–1991)
The Soviet bloc had a very different conscription story to that of Western democracies, both in duration and in the political role of the draft. Here’s a condensed but detailed overview for the USSR, post-Soviet Russia, and Eastern Europe from 1945 to present:
Status: Universal male conscription was a central feature of Soviet defence. It had existed since before WWII and continued uninterrupted until the USSR dissolved in 1991.
Length:
Immediately after WWII: usually 3 years in the army, longer in the navy.
Reduced slightly in the late 1950s–60s (Khrushchev era) to about 2 years army / 3 years navy, which remained the basic Cold War standard.
Scope: All able-bodied men aged roughly 18–27; women could be drafted in wartime but were not subject to peacetime call-up.
Exemptions: Health grounds, some students (especially in priority fields), certain ethnic minority exemptions in early post-war years.
Role:
Central to the USSR’s massive standing force, supporting Warsaw Pact commitments.
Ideological as well as military — military service was seen as a key Soviet citizenship duty.
Notes: Discipline was often harsh, with hazing (dedovshchina) a chronic problem; conscripts served both in domestic garrisons and abroad (e.g., Eastern Europe, Afghanistan).
Post-Soviet Russia (1991–present)
1990s: Conscription continued under the Russian Federation; legal term reduced in the 2000s from 2 years to 1 year (army) under reforms completed around 2008.
Exemptions/avoidance: Student deferments remain; draft evasion became common in the 1990s/2000s due to unpopular wars (Chechnya).
Current status: Conscription still active (as of 2024); men aged 18–30 serve 1 year. In wartime (e.g., Ukraine 2022–), the Kremlin has also mobilised reservists and in some cases extended service.
Differences from USSR: Smaller total force, more reliance on contract soldiers (kontraktniki), but conscription is still a key manpower source.
Eastern Europe – Warsaw Pact members (1945–1991)
General pattern: Every Warsaw Pact state maintained conscription for men during the Cold War; service length typically 18–36 months.
Common features:
Universal or near-universal male service, with medical and limited educational exemptions.
Conscripts formed the backbone of armed forces aligned with the USSR.
Political indoctrination part of military training.
Examples:
Poland: 2–3 years service until 1980s; some reductions late in the Cold War.
East Germany (GDR): Introduced conscription in 1962 (before that it was nominally voluntary); 18 months army service; alternative service existed from 1964 (construction units for conscientious objectors).
Czechoslovakia: 2 years for most of the Cold War; universal male service.
Bulgaria, Hungary, Romania: 18–24 months typical; service deeply integrated into socialist “citizen duty” ideology.
Post-1991 – Eastern Europe after communism
Ended or suspended conscription (most NATO-aligned former Warsaw Pact states)
Ukraine: Maintained conscription post-1991; partially suspended in 2013, reinstated in 2014 after Crimea; now fully mobilised for war.
Key contrasts with Western Europe/Britain
Longevity: USSR and its satellites kept conscription far longer, with no 1960s/70s abolition wave seen in Western Europe.
Purpose: In the East, conscription was linked not just to military manpower but to political indoctrination and socialist identity.
Transition after 1991: Most former Warsaw Pact states that joined NATO abolished conscription by the late 2000s, while Russia and some post-Soviet states retained it.
Resurgence: Some Eastern states (Baltics, Ukraine) have reintroduced or strengthened conscription due to perceived Russian threat — a trend not mirrored in Western Europe except in Sweden.
Key comparative themes
Duration & timing: Britain’s National Service was a comparatively short post‑war peacetime draft (roughly late‑1940s → early‑1960s) vs. the Soviet bloc’s continuous Cold War conscription and the patchwork Western transition to volunteerism from the 1970s–2000s.
Purpose & doctrine: Western shifts towards professional forces were driven by expeditionary/NATO interoperability, cost/quality debates and changing public opinion; Eastern conscription prioritized territorial mass, political control and bloc commitments.
Colonial/operational effects: Colonial wars (France, Britain) made conscription politically salient; in contrast, Moscow used conscripts for garrisoning client states.
Political contestation & social impact: Student movements, anti‑war activism (Vietnam, Algeria, late‑1960s), and changing labour/economic expectations shaped abolitionist pressure in the West; in the East, conscription was harder to contest publicly under single‑party regimes.
Resurgence & selective reintroduction: Recent security shocks (Russia’s actions 2014–present) have prompted reintroduction or reinforcement of conscription in parts of Eastern Europe; Sweden’s 2017 reintroduction demonstrates the flexible, security‑driven character of modern conscription policy.
Legal suspension vs formal abolition: Some countries suspended conscription (kept the law on the books) while others formally abolished it — an important distinction when discussing future reintroduction.
US President Donald Trump’s twenty-point comprehensive peace plan for Gaza, published in full below, is a fascinating document – part fever dream of a “deal of the century,” part boardroom restructuring plan, part realpolitik ceasefire blueprint. And for Trump, yes – the dangling Nobel, the glittering carrot at the end of the labyrinth.
On paper it sounds almost seductively tidy: IDF withdrawal, Hamas stand-down, aid flowing, hostages returned in return for prisoners released, multinational security force, guns decommissioned, technocrats taking over, reformed PA, while a “Board of Peace” chaired by Trump (and perhaps Tony Blair in a cameo) ushers in a gleaming new Gaza.
In That Howling Infinite reserves its opinion in these early days. It’s the only show in town right now and it is generating interest and potential commitment by all those parties who would have to make it happen. There’ll be dissenting voices on all sides, but at the end of the day, they have little to offer except more war and vitriol. You don’t use gasoline to put out a fire. To borrow from J Lennon, all we are saying is give peace a chance”.
But, nevertheless, the gap between the paper and the ground is immense.
Here are some early observations:
Ambition vs. feasibility. The plan imagines simultaneous hostage exchanges, mass prisoner releases, Hamas disarmament, and international deployment – all within days or weeks. Each step is individually fraught; stacked together, the sequencing is almost fantastical.
Actors and trust. It assumes that Hamas will voluntarily surrender weapons and that Israel will trust an international stabilization force enough to withdraw, all while regional guarantors enforce compliance. None of these actors currently exhibit the trust or cohesion needed.
Power dynamics. The “Board of Peace” with Trump as chair feels less like neutral governance and more like a branding exercise. Palestinians, already wary of external control, would likely see it as another foreign trusteeship.
Statehood dangling. The plan holds out a “credible pathway” to Palestinian self-determination but keeps it conditional on reforms and compliance – carrot and stick politics that might prolong, rather than resolve, the status question.
Optics of ownership. The redevelopment language (special economic zones, “miracle cities”) reads like a Gulf mega-project transplanted onto a traumatised strip of land, risking the perception of Gaza as a real-estate venture rather than a society with its own political agency.
So, on paper, it is clever and comprehensive, giving something to everybody, and promising an imminent end to the destruction and carnage of the past two years. But in reality, it is almost impossible to realise without a fundamental shift in regional politics and in the balance of trust. It reads less as a near-term peace plan than as a campaign manifesto – designed to signal vision and dominance, to offer every constituency a glimmer of what they want, and to position Trump as indispensable even if none of it materialises.
What will the warring parties and outsiders take the plan?
This will depend less on the fine print than on who authored it, and on the political imaginaries each camp carries into the debate. A few likely responses:
1. Israel & Netanyahu
Netanyahu, ever the tactician, would welcome the optics: Trump is both his old ally and a political shield. “Deradicalised Gaza,” hostages back, no forced concessions on West Bank settlements—what’s not to like?
The Israeli right could live with it, because it leaves the question of Palestinian statehood indefinitely conditional.
Centrists and security hawks might applaud the ISF mechanism and U.S. guarantees, though the idea of foreign troops patrolling Gaza would make many nervous.
2. Palestinians in Gaza and the West Bank
Gaza:
Immediate Relief vs. Distrust. Ordinary Gazans, exhausted by war and blockade, might welcome the promise of aid, reconstruction, and an end to bombardment. Rubble removed, water flowing, bakeries open—that is tangible.
But many will see it as conditional relief: they must surrender political agency, accept foreign trusteeship (“Trump’s Board of Peace”), and live under an imposed technocracy. To them, this may feel like a wardship, not a liberation.
Trauma & Pragmatism. After such devastation, some Gazans might pragmatically say, “we’ll take the deal, anything is better than this,” but the resentment toward outside control will simmer.
West Bank:
Deep Cynicism. Palestinians in the West Bank already regard the PA as corrupt and ineffectual, and many see U.S.-brokered plans as cover for Israeli expansion. The plan doesn’t address settlements, land seizures, checkpoints, or settler violence—all daily realities.
Result: West Bank Palestinians are likely to dismiss it as another charade – aid and optics in Gaza while the core occupation issue festers on their side of the Green Line.
3. Hamas and Its Supporters/Enablers
Hamas in Gaza:
Existential Threat. The plan effectively demands Hamas disarm, disband, or exile itself. For Hamas leadership, this is unconditional defeat in all but name.
Pragmatists vs. Hardliners. Some Hamas figures might toy with amnesty or safe passage, but for the movement’s core (military wing, ideological diehards), surrendering weapons = suicide.
Hamas Supporters in the West Bank:
They will frame the plan as capitulation and collaboration with occupiers. It hands Hamas a propaganda card: “see, the Americans and Israelis want to erase us.”
This could deepen West Bank radicalisation and further delegitimize the PA if it tries to administer such a deal.
Iran & Hezbollah: Will reject outright – it neuters their “Axis of Resistance”. They will continue funding and arming whatever underground or splinter groups emerge.
Qatar & Turkey: May hedge. They might support parts of the plan if it relieves humanitarian disaster, but not if it sidelines Hamas entirely.
Diaspora Palestinians & Pro-Hamas Sympathisers:
Many in exile view Hamas (however critically) as a symbol of armed resistance. For them, a Trump-blessed disarmament deal is betrayal dressed as peace.
Expect mass rejection from diaspora activists, especially in Europe and the Americas, where “Free Palestine” remains the rallying cry.
Net Effect
For Gazans: temporary relief but long-term discontent.
For West Bank Palestinians: scorn and dismissal.
For Hamas: existential rejection.
For Hamas’s backers: rejection, with potential escalation elsewhere (Lebanon, Syria, Red Sea) to keep the “resistance flame” alive.
In short, the plan may stop the bombs, but it does not resolve the politics. Gazans might sigh with relief; West Bankers will sneer; Hamas will fight on; its allies will sabotage; and the diaspora will rage.
3. Arab League & Regional States
Publicly, Arab governments (Egypt, Jordan, Saudi Arabia, UAE) would almost certainly bless the plan, because it ends the bloodletting, brings in money, and doesn’t force them to grapple with Hamas. Privately, they’d be wary: nobody relishes underwriting Gaza’s reconstruction while taking the blame for failed implementation. But in a rules-based, donor-heavy framework, they could sell it as Arab pragmatism.
4. Western Powers
Washington under Trump (and perhaps a Republican-leaning Congress) would present this as a masterstroke—“the deal no one else could deliver.” Europe would likely sigh in relief: anything that halts the war is better than nothing, and the technocratic language about governance and reform plays to EU ears. But the suspicion will linger: is this peace-building, or is it Trump building another gilded tower on scorched earth?
5. UN & International Institutions
UN agencies would leap at guaranteed humanitarian access, even under Trump’s “Board of Peace.” The problem: the UN is accustomed to being scapegoated, and here it would once again be implementing someone else’s design, while absorbing the failures if and when they come.
6. Progressives & Global Pro-Palestinian Activists
For many, this is a non-starter. It doesn’t dismantle the occupation, doesn’t guarantee sovereignty, doesn’t address the Nakba legacy – it freezes the conflict in a Trump-branded frame. They will dismiss it as paternalism dressed as pragmatism: Gazans are told to behave, hand over weapons, accept foreign trusteeship, and maybe, one day, statehood might be considered. For many progressives, and their Arab collaborators, the plan will probably not be enough. Though they’ve clamoured all along for a ceasefire, it’s not the one they wanted – a Free Palestine, and for some a Juden Frei Palestine “from the river to the sea”. Add the Trump factor: for progressives, he is the antithesis of credibility, and they abhor all he stands for. Even if the plan included a sovereign Palestinian state tomorrow, they’d likely distrust it as a Trojan horse.
7. The Subtext
The stark divide is this:
For state actors (Israel, Arab governments, Western powers), this looks like a workable ceasefire mechanism dressed up as reconstruction.
For non-state voices (Palestinian street, global solidarity movements), it looks like an elaborate cage, perhaps cleaner and better lit, but still a cage.
Netanyahu and the Arab League could sell it; the UN and EU could implement it; the U.S. could campaign on it; but progressives and much of Palestinian civil society will continue to shout: it’s not liberation, it’s management. And “management,” in the political imagination of the dispossessed, is simply another word for betrayal.
How will Donald Trump “sell” his “deal of the century “?
Trump’s political “genius” (and danger) is that he doesn’t need buy-in from the ground; he needs headlines at home and optics abroad. Here’s how the calculus lines up:
1. In the U.S. Domestic Arena
“The Deal Nobody Else Could Do.” Trump frames himself as the only leader who could stop the war, get hostages released, and bring aid trucks rolling in. The fact that Gazans or the diaspora are furious is immaterial – he’s selling to voters in Michigan, not in Khan Younis.
Optics of Strength. He casts the plan as disciplining Hamas (“they lay down arms or leave”) while also delivering humanitarian relief. That duality – tough but generous – is powerful on the campaign trail.
Nobel Peace Prize Theater. He doesn’t need to win it; he just needs to say he deserves it. The claim itself becomes part of his narrative of grievance and triumph.
2. Internationally
Israel: Netanyahu nods, Israeli centrists sigh in relief – Trump can present himself as Israel’s indispensable friend who also delivers quiet.
Arab League: Even tepid Arab League approval lets Trump boast: “I got the Arabs and Israelis on the same page.” That plays huge in diplomatic theater.
Europe: Brussels won’t love him, but the EU will be glad the bombs stopped. That’s enough for Trump to say, “they all lined up behind me.”
3. Against His Rivals
Against Biden/Democrats: He can taunt: “Biden let it burn, I brought peace.” Never mind the plan’s contradictions; soundbites are what matter.
Against Progressives: Their rejection of his plan – because it’s not liberation, because it has his name on it – becomes his foil. He’ll say: “They wanted chaos, I delivered peace, and they’re still angry.” That reframes them as radical spoilers.
4. The Spin Strategy
Even if Gazans accept aid but curse Trump, West Bank Palestinians reject it outright, Hamas refuses and Iran sneers, Trump still wins in the court of perception. He’ll point to convoys of aid, hostages walking free, and international press conferences flanked by Arab and Israeli leaders
For Trump, that’s success: not solving the conflict, but owning the narrative. He thrives on appearances of deal-making mastery, regardless of whether the underlying conflict is frozen, festering, or flaring again.
In other words: he doesn’t need the plan to work on the ground; he needs it to look like it worked just long enough. If later it unravels—well, that just proves others failed to sustain his deal.
A New Gaza governed by a New Palestinian Authority?
Trump’s plan waves vaguely toward a “reformed” Palestinian Authority (PA) as the eventual sovereign custodian of Gaza, but the devil lives in the details. The PA’s own house is famously messy.
Mahmoud Abbas and the Palestinian Authority (PA) are deeply unpopular among Palestinians because they are seen as stale, corrupt, and complicit. Abbas has overstayed his democratic mandate – his presidential term expired in 2009, yet he still rules by decree. Elections have been repeatedly postponed, hollowing out legitimacy. The PA is plagued by corruption, nepotism, and inefficiency, with patronage networks benefiting a small elite while everyday life in the West Bank deteriorates under occupation.
Worse, many Palestinians view the PA’s security coordination with Israel as collaboration – protecting Israel from attacks but delivering little political gain in return. Add to that the lack of progress toward statehood, the failure to heal the Fatah–Hamas split, and an aging leadership out of touch with a restless younger generation. The result: a widespread sense that the PA is more interested in preserving its own survival than advancing Palestinian freedom.
So what are the prospects for cleaning out these Augean Stables?
Every credible roadmap to Palestinian self-rule (whether in US “peace plans”, Arab League proposals, or European policy papers) circles back to roughly the same cluster of reforms:
Governance & Legitimacy
Elections: The PA has not held national elections since 2006. Regular, transparent presidential and legislative elections – monitored by international observers – are the baseline for legitimacy.
Leadership Renewal: President Mahmoud Abbas is in his late eighties and is highly unpopular. A clear succession process and generational turnover are essential to avoid a post-Abbas vacuum.
Rule of Law: Independent judiciary, due process in security courts, and an end to arbitrary detentions.
Security Sector Reform
Professionalisation of Forces: Unifying and depoliticising security services, with recruitment based on merit rather than factional loyalty.
Accountability Mechanisms: Civilian oversight, parliamentary scrutiny, and credible disciplinary systems to curb corruption and abuses.
Monopoly of Force: Ending the proliferation of armed factions and militias under semi-official umbrellas.
Anti-Corruption & Financial Transparency
Audit & Oversight: Strengthening the Palestinian Anti-Corruption Commission and ensuring regular public audits of ministries and security budgets.
Revenue Management: Transparent tax collection and spending, including reforms to the “clearance revenue” system Israel currently controls.
Private-Sector Safeguards: Modern procurement laws and independent regulators to reduce crony capitalism.
Institutional Consolidation
West Bank–Gaza Integration: Building unified administrative structures so that a future Gaza administration is not a parallel mini-state.
Service Delivery: Reliable health, education, and municipal services that reduce dependence on patronage networks.
Civil Society Engagement: Empowering NGOs and trade unions to act as watchdogs.
How Could This Be Realised?
External Leverage
Conditional Aid: The EU, U.S., and Gulf donors can tie financial support to measurable governance benchmarks (audits, election timelines, security milestones).
Arab Sponsorship: Egypt, Jordan, Saudi Arabia, and the UAE can provide both funding and political cover, helping broker intra-Palestinian reconciliation and mediating with Israel.
Internal Dynamics
Generational Change: A younger cohort of Fatah leaders and technocrats—already impatient with the old guard—must be empowered through credible elections.
Reconciliation with Hamas: Without some power-sharing or security arrangement, reform in the West Bank alone will not translate into legitimate rule in Gaza.
Israeli Role
Movement & Access: Reforms are impossible if Israel continues to restrict travel, tax revenue, and trade. Donors will demand at least tacit Israeli cooperation.
Security Coordination: A reformed PA security force must convince Israel that it can prevent attacks without being perceived domestically as a subcontractor for occupation.
Sustainability
Economic Viability: Reforms will collapse without a functioning economy—investment, trade corridors, and reliable tax revenue are oxygen.
Public Buy-In: Palestinians must see tangible improvements (jobs, mobility, basic freedoms) or reforms will be dismissed as foreign diktats.
Political Horizon: Even the best technocracy cannot survive perpetual occupation. A credible path to sovereignty—however distant—must accompany reforms to give them meaning.
In short, the PA must become a transparent, accountable proto-state while operating under occupation and facing a rival government in Gaza. It is a Sisyphean task, but not impossible if external actors (Israel included) provide real incentives, if donors enforce conditionality with patience, and if a younger Palestinian leadership can seize the moment. Without those three legs – international pressure, internal renewal, and a political horizon – the reform talk remains another Nobel-baiting paragraph in a White House press release.
[The above commentary and hypothetical is a the outcome of a conversation and collaboration between In That Howling Infinite and ChatGPT. The following list is the real deal]
Screenshot
Trump’s 20-point plan to end the war in Gaza:
Deradicalisation & Security – Gaza will be a deradicalised, terror-free zone that does not pose a threat to its neighbours.
Redevelopment for Gazans – Gaza will be redeveloped for the benefit of the people of Gaza, who have suffered more than enough.
Immediate Ceasefire & Withdrawal – If both sides agree to this proposal, the war will immediately end. Israeli forces will withdraw to the agreed-upon line to prepare for a hostage release. During this time, all military operations, including aerial and artillery bombardment, will be suspended, and battle lines will remain frozen until conditions are met for the complete staged withdrawal.
Hostage Return – Within 72 hours of Israel publicly accepting this agreement, all hostages, alive and deceased, will be returned.
Prisoner Exchange – Once all hostages are released, Israel will release 250 life-sentence prisoners plus 1,700 Gazans detained after October 7th, 2023 (including all women and children detained in that context). For every Israeli hostage whose remains are released, Israel will release the remains of 15 deceased Gazans.
Hamas Amnesty & Exit – Once all hostages are returned, Hamas members who commit to peaceful co-existence and to decommissioning their weapons will be given amnesty. Members of Hamas who wish to leave Gaza will be provided safe passage to receiving countries.
Immediate Humanitarian Aid – Upon acceptance of this agreement, full aid will be immediately sent into the Gaza Strip, at minimum matching the quantities specified in the January 19, 2025 agreement, including infrastructure rehabilitation (water, electricity, sewage), hospital and bakery repairs, and equipment to remove rubble and open roads.
Uninterrupted Aid Channels – Entry and distribution of aid in Gaza will proceed without interference from either party through the United Nations, the Red Crescent, and other neutral international institutions. Opening the Rafah crossing in both directions will follow the same mechanism as in the January 19, 2025 agreement.
Transitional Governance – Gaza will be governed by a temporary technocratic, apolitical Palestinian committee responsible for daily public services, supervised by a new international transitional body, the Board of Peace, chaired by President Donald J. Trump with other members and heads of state (including former UK Prime Minister Tony Blair) to be announced. This body will manage funding and redevelopment until the Palestinian Authority completes its reform program and can securely take control.
Trump Economic Development Plan – A Trump-led economic development plan will convene experts who have helped build thriving Middle Eastern cities, synthesizing security and governance frameworks to attract investment and create jobs, opportunity, and hope in Gaza.
Special Economic Zone – A special economic zone will be established with preferred tariff and access rates to be negotiated with participating countries.
Freedom of Movement – No one will be forced to leave Gaza. Those who wish to leave will be free to do so and free to return. People will be encouraged to stay and build a better Gaza.
Demilitarization & Monitoring – Hamas and other factions will have no role in Gaza’s governance. All military, terror, and offensive infrastructure—including tunnels and weapons production—will be destroyed and not rebuilt. An independent, internationally funded buy-back and reintegration program will oversee the permanent decommissioning of weapons, verified by independent monitors.
Regional Security Guarantee – Regional partners will provide guarantees to ensure that Hamas and other factions comply with their obligations and that “New Gaza” poses no threat to its neighbors or its own people.
International Stabilization Force (ISF) – The United States will work with Arab and international partners to develop a temporary ISF to immediately deploy in Gaza. The ISF will train and support vetted Palestinian police, consult with Jordan and Egypt, help secure border areas, prevent munitions smuggling, and facilitate the rapid and secure flow of goods to rebuild Gaza. A deconfliction mechanism will be agreed upon.
Israeli Withdrawal – Israel will not occupy or annex Gaza. As the ISF establishes control and stability, the Israeli military will withdraw based on standards, milestones, and timeframes linked to demilitarization, progressively handing over Gaza to the ISF and transitional authority until complete withdrawal (except for a temporary security perimeter).
Partial Implementation if Hamas Refuses – If Hamas delays or rejects the proposal, the plan—including scaled-up aid—will proceed in the terror-free areas handed over from the Israeli military to the ISF.
Interfaith Dialogue – An interfaith dialogue process will be established to promote tolerance and peaceful coexistence, aiming to change mindsets and narratives among Palestinians and Israelis by highlighting the benefits of peace.
Path to Palestinian Statehood – While Gaza’s redevelopment advances and Palestinian Authority reforms are implemented, conditions may emerge for a credible pathway to Palestinian self-determination and statehood, recognized as the aspiration of the Palestinian people.
U.S.-Brokered Political Horizon – The United States will establish a dialogue between Israel and the Palestinians to agree on a political horizon for peaceful and prosperous coexistence.
“All wars come to an end and that’s where history restarts”
“History stretches out into the future as well as the past”
“All wars may end in negotiations, but not all negotiations end wars”
The indefatigable British journalist, author, and longtime Beirut resident Robert Fisk Robert Fisk died of a stroke in St Vincent’s Hospital, Dublin, on October 30, 2020. He was 75. Fearless and inquisitive, often iconoclastic and controversial, “Mister Robert,” as he was known from Algeria to Afghanistan, was one of the finest journalists of his generation—the greatest reporter on the modern Middle East. There is probably no better body of work for understanding the region. Respected and reviled in equal measure by left and right alike, Fisk spoke truth to power for more than half a century.
He was obsessive, he was angry, and – having read many of his books – I believe he suffered from undiagnosed PTSD throughout his career in the Middle East. His lifelong obsessions were the arrogance and misuse of power, the lies and impunity of the rulers: presidents and prime ministers, kings and emirs, dictators and theocrats, torturers and murderers. And always the countless innocents who endured and suffered, dying in their tens – and tens – of thousands on the altar of power and greed.
The Night of Power
His last book, The Night of Power: The Betrayal of the Middle East, published posthumously in 2023, takes up where his monumental The Great War for Civilisation (2005) ended—with the contrived U.S.-British-Australian invasion of Iraq. The Great War for Civilisation was a tombstone of a book, literally and figuratively, as was its predecessor Pity the Nation (1990), his definitive history of the Lebanese civil war.
The Night of Power is no less harrowing, covering the occupation of Iraq, the 2006 Israel–Lebanon war, the Arab Spring, the rise of Egypt’s new pharaoh Abdel Fattah al-Sisi, the lonely death of Mohammed Morsi, Israel’s occupation of the West Bank and seize of Gaza, and the Syrian civil war. It ranges widely – but its coherence lies in Fisk’s unrelenting theme: the cycle of war, the corruption of power, and the persistence of memory. To read it is to feel Fisk’s own cynicism, sadness and anger.
The title is deeply symbolic. In Islamic tradition, Laylat al-Qadr, the Night of Power, is the night the Qur’an was first revealed to the Prophet Muhammad: “The Night of Power is better than a thousand months … Peace it is, until the rising of the dawn” (Qur’an 97). It is a night of blessing beyond measure, greater than a lifetime of devotion. The title is bitterly ironic: the “night of power” he recounts is one of betrayal, cruelty, and endless war.
It is both a summation of his life’s work and a testament to his method. Over four decades, Fisk was a witness to almost every major conflict in the Middle East — Lebanon, Iran, Iraq, Palestine, Algeria, Afghanistan, Syria, Egypt — and the wars of the Yugoslav succession. His dispatches carried both forensic detail and moral outrage. This last work, published in the year of his death, is less a memoir than a vast chronicle of empire, war, betrayal, and resistance.
Fisk had long insisted that reporters must “be on the side of those who suffer.” He was no neutral stenographer of official sources. He distrusted governments – Western and Arab alike – and prized first hand testimony, walking the ruins, speaking to survivors, writing down the words of the powerless. The Night of Power continues in this vein, but with a sharpened sense of history. Fisk threads together centuries of conquest and resistance, showing how imperial arrogance, local despotism, and religious zealotry have conspired to devastate the region.
The last two paragraphs Robert Fisk wrote before his death, closing The Night of Power, cut like a blade through the pieties of Western journalism:
“Failure to distinguish between absolute evil, semi-evil, corruption, cynicism and hubris produced strange mirages. Regimes which we favoured always possessed ‘crack’ army divisions, ‘elite’ security units, and were sustained by fatherly and much revered ruling families. Regimes we wished to destroy were equipped with third-rate troops, mutineers, defectors, corrupt cops, and blinded by ruling families. Egypt with its political prisoners, its police torture and fake elections, was a tourist paradise. Syria with its political prisoners, police torture and fake elections, would like to be. Iran, with its political prisoners, police torture and fake elections was not — and did not wish to — be a tourist paradise.” (p. 533)
In the end, according to those closest to him, including his wife Nelofer Pazira-Fisk, an award-winning Afghan-Canadian author, journalist and filmmaker, who edited the book and wrote its final chapter, Fisk despaired. He feared that nothing he had written over four decades had made any difference – that things had, in fact, grown worse. As Kent says to the blinded King Lear, “All is cheerless, dark, and deadly”.
And yet the worst was arguably still to come: the chaotic retreat of America and its allies from Afghanistan and the Taliban’s reimposition of rule, including the literal silencing of women’s voices; Russia’s invasion of Ukraine and its murderous war of attrition that has now passed its thousandth day; Hamas’s atrocity of October 7, 2023, Israel’s biblical-scale revenge, and the utter destruction of Gaza; and the latest Israel–Lebanon war that saw the decapitation and emasculation of Hezbollah.
The Legacy of a Fearless Reporter
The Night of Power stands as a testament to Robert Fisk’s fearless journalism and his relentless moral compass. Across decades of war reporting, Fisk bore witness to suffering few dared to confront. He was unflinching in exposing the hypocrisies of Western powers, the brutality of dictators, and the costs of occupation, war, and empire. Yet he also captured the human dimension: the courage, endurance, and resilience of those who suffered, whether in Iraq, Gaza, Egypt, or Syria.
This final work synthesizes Fisk’s signature qualities: exhaustive research, direct engagement with the people whose lives were upended, and an ethical rigor that held both oppressors and complicit outsiders accountable. The Night of Power is not merely a chronicle of events; it is a meditation on power, betrayal, and history itself.
Fisk’s prose, vivid and often lyrical, reminds readers that journalism can be a form of witness — bearing truth against overwhelming odds. Even in despair, he recognized the persistence of human agency, the cycles of history, and the moral imperative to see, to name, and to remember. His death in 2020 marked the end of a career unparalleled in courage and conscience, but his work, particularly this last book, endures as both a warning and a guide for understanding the Middle East and the forces that shape our world.
In reading The Night of Power, one cannot avoid Fisk’s central lesson: history may restart at the end of every war, but the witness to injustice is what shapes the moral memory of humanity. The quotations at the head of this review, indeed, the final words of the book, weary yet resolute, are a fitting epitaph. Fisk saw the world as it was, not as we wished it to be: corrupt, cruel, but always turning, always restarting.
All wars come to an end and that’s where history restarts
Robert Fisk, The Night of Power
Postscript
The final chapter of The Night of Power was written by Fisk’s wife Nelofer Pazira-Fisk, She was based in Beirut for fifteen years working alongside her late husband and reported from Iraq, Afghanistan, Turkey, Egypt and Syria. The following podcast by American war correspondent Chris Hedges, with Fisk’s first wife Lara Marlowe is a worthy tribute .
The following briefly summarizes the main themes of The Night of Power drawing largely upon his own words
Robert Fisk’s Catalogue of Carnage
Hear the cry in the tropic night, should be the cry of love but it’s a cry of fright Some people never see the light till it shines through bullet holes
Bruce Cockburn, Tropic Moon
Iraq: Catastrophe Foretold
Fisk argued that Iraq’s occupation was fraudulent from the start, brutal in execution, and ferocious in its response to insurgency. The Americans tolerated the inhuman behaviour of their own soldiers, relied on mercenaries and “greedy adventurers,” and mixed Christian religious extremism with an absurd political goal of “remaking the Middle East.” It was “tangled up in a web of political naivety and Christian muscularity”.It was bound, he wrote, to end in catastrophe.
“We were pulling at the threads of the society with no sense of responsibility as occupiers just as we had no serious plans for state reconstruction. Washington never wanted Iraq’s land. Of course the countries resources were a different matter, but its tactics did fit neatly into the prairies of the old West. The tribes could be divided and occupiers would pay less in blood. as long as they chose to stay. One set of tribes were bought off with guns and firewater the other with guns and dollar bills. Serious resistance, however, would invoke “the flaming imperial anger” of all occupation armies.
The rhetoric echoed the 19th century missionary zeal of empire. Western fascination with the Biblical lands was used to justify conquest: as Lieutenant General Stanley Maude told the people of Baghdad in 1917, the Allies wished them to “prosper even as in the past when your ancestors gave to the world Literature, Science, and Art, and when Baghdad city was one of the wonders of the world” (p. 92).
The modern occupation, Fisk observed, was nothing but “the rape of Iraq”. Oil wealth was divided up in a scandal of corruption involving US contractors and Iraqi officials. “The costs were inevitably as dishonest as the lies that created the war … I knew corruption was the cancer of the Arab world but I did not conceive of how occupying Power supposedly delivering Iraqi their long sort freedom could into a mafia and at such breathtaking speed”.
Security became a malignant industry; by 2006 mercenaries accounted for half of Western forces, sucking money out of the country. The food system, 10,000 years old, was destroyed by Paul Bremer’s infamous Order 81, which forbade farmers from saving their own seed. Iraq became a “giant live laboratory for GMO wheat,” its people “the human guinea pigs of the experiment”.
And through it all, a campaign of suicide bombings – unprecedented in scale – turned Iraq into the crucible of modern terror. Editors never tried to count them. The figures, Fisk noted, were historically unparalleled.
The trial of Saddam Hussein
The US ambassador to Iraq once claimed she had been “unable to convince Saddam that we would carry through what we warned we would.” Fisk dismissed this as absurd. Saddam, he argued, was well aware of Western threats, but the framing of his trial was designed to obscure deeper truths.
If Saddam had been charged with the chemical massacre at Halabja, defence lawyers could have pointed out that every US administration from 1980 to 1992 was complicit in his crimes. Instead, he was tried for the judicial murder of 148 men from Dujail — heinous, but “trifling in comparison” (p. 92). The great crimes of the Baathist regime — the 1980 invasion of Iran, the suppression of Shia and Kurdish revolts in 1991 — were deemed unworthy of the court’s attention.
Pakistan: Fragile State, Useful Pawn
Fisk’s lens widened to Pakistan, where he recorded with scorn the ISI’s admission that the reality of the state was defined not by American might but by “corrupt and low-grade governance”. A US intelligence officer boasted: “You’re so cheap … we can buy you with a visa, with a visit to the US, even with a dinner.”
This, Fisk suggested, was not just Pakistan but almost every Arab or Muslim state in thrall to Washington: Egypt, Jordan, Syria, the Gulf states under their dictators and kings, even Turkey. He wrote that Osama Bin Laden’s choice to hide in Pakistan embodied a weird symmetry: the man who dreamed of a frontierless caliphate sought refuge in the very sort of corrupt, Western-backed dictatorship he despised.
Rendition: Complicity in Torture
The “war on terror” extended beyond borders. CIA, MI5 and MI6 operatives were deeply involved in rendition. Prisoners were knowingly dispatched to states where torture was inevitable, even fatal. Fisk insisted on repeating this uncomfortable truth: Western democracies had integrated torture into their security architecture.
Israel and Palestine: The Last Colonial War
Fisk was unsparing in his treatment of Israel’s expansion. He rejected any obfuscation: Israel seized the opportunity to consolidate its control with a land grab for the most prominent hilltops and the most fertile property in the West Bank for settlements constructed on land legally owned for generations by Arabs, destroying any chance the Palestinian Arabs could have a viable state let alone a secure one.”). These settlements, he wrote, “would become the focus of the world’s last colonial war.”
He surmised: “Will the Jews of what was Palestine annex the West Bank and turn its inhabitants into voteless guest workers and all of mandate Palestine into an apartheid state? There was a mantra all repeat that only other way to resolve Israeli rule in the West Bank would be a transfer of the Palestinians across the Jordan into the Hashemite kingdom on the other side of the river. In other words, expulsion”
The Wall
Fisk’s Fisk’s description of the Separation Wall is dramatic and unforgettable: an “immense fortress wall” which snakes “firstly around Jerusalem but then north and south of the city as far as 12 miles deep into Palestine territory, cutting and escarping its way over the landscape to embrace most of the Jewish colonies … It did deter suicide bombers, but it was also gobbled up more Arab land. In places it is 26 feet or twice the height of the Berlin wall. Ditches, barbed wire, patrol roads and reinforced concrete watchtowers completed this grim travesty of peace. But as the wall grew to 440 miles in length, journalists clung to the language of ‘normalcy’ a ‘barrier’ after all surely is just a pole across the road, at most a police checkpoint, while a ‘fence’ something we might find between gardens or neighbouring fields. So why would we be surprised when Italian Prime Minister Silvio Berlisconi, traveling through the massive obstruction outside Bethlehem in February 2010 said that he did not notice it. But visitors to Jerusalem are struck by the wall’s surpassing gray ugliness. Its immensity dwarfed the landscape of low hills and Palestinian villages and crudely humiliated beauty of the original Ottoman walls Churches mosques and synagogues .. Ultimately the wall was found to have put nearly 15% of West Bank land on the Israeli side and disrupted the lives of a third of the Palestine population. It would, the UN discovered, entrap 274,000 Palestinians in enclaves and cut off another 400,000 from their fields, jobs, schools and hospitals. The UN concluded that many would “choose to move out.” Was that the true purpose?“.
Leftwing Israeli journalist Amira Haas, who lives in the West Bank, takes Fisk on a tour of the wall: “Towering 26 feet above us, stern, monstrous in its determination, coiling and snaking between the apartment blocks and skulking in wadis and turning back on itself until you have two walls, one after the other. You shake your head a moment – when suddenly through some miscalculation surely – there is no wall at all but a shopping street or a bare hillside of scrub and rock. And then the splash of red, sloping rooves and pools and trees of the colonies and yes, more walks and barbed wire fences and yet bigger walls. And then, once more the beast itself, guardian of Israel’s colonies: the Wall”.
Although Oslo’s creators fantasied that it would become part of the Palestinian state, Gaza’s destiny was isolation. It has been a junkyard of history variously ruled by Christians and Muslims, ruined and rebuilt under the Ottomans, and fought for by the British and Turks in the First World War, and now reduced to a prison state.,
Egypt: A Revolution Betrayed
Mohammed Morsi embodied both hope and tragedy. “An intelligent, honourable, obtuse, arrogant and naïve man”. No visionary, he was “was shambolic, inspiring, occasionally brutal and very arrogant”. He set off down the road to Egyptian democracy with no constitution no parliament and no right to command his own countries army …set off down the road to democracy “with no constitution, no parliament and no right to command his own country’s army”. And when the end came, as come it must, he could not smell trouble; he did not see what was coming.
In a coup that was not a coup, which former British prime minister Tony Blair called “an awesome manifestation of power”, “the democratically elected president was suspended, the constitution annulled, tekevion stations closed, the usual suspects arrested … Yet President Obama could not bring himself to admit this. He asked the Egyptian military “to return full authority back to a democratically elected civilian government… Through an inclusive and transparent process” without explaining which particular elected civil civilian government he had in mind”.
This was just the beginning. In the six years that followed, Egypt’s executioners and jailers were kept busy. “They hung 179 men, many of them tortured before confessing to murder, bomb attacks or other acts of terrorism”. It was claimed that Al Sisi had returned the country to a Mubarak style dictatorship in the seven years of his own war against the brotherhood between 1990 and 1997. Mubarak’s hangman had executed only 68 Islamists and locked up 15,000. By 2019 Al Sisi had 60,000 political prisoners
To Fisk, this was a sign of fear as much as it was evidence of determination to stamp out terror. Al Sisi had three separate conflict on his hands: his suppression of the brotherhood on the ground that they were themselves violent terrorists, the campaign by Islam extreme groups against Egypt’s minority Christian cops, and most frightening of all the very real al Qaeda and ISIS war against Al Sisi’s own regime. “The prisons of the Middle East, Fisk concluded, were “universities for future jihadi”.
The misogyny if the counterrevolution was stark. Fisk wrote: “… if the senior officers wished to prune the branches of the revolution the participation of women was something that could not be tolerated. Why did there suddenly occur without apparent reason a spate of sexual attacks by soldiers that were clearly intended to frighten young women off the street, revealing a side to the Egyptian military that none of us had recognised. The misogynistic and shocking display of brutality towards women that could not have been the work of a few indisciplined units”. With sexual assaults on women protesters, virginity tests and public humiliation, “heroes of the 1973 war had become molesters”.
The lonesome death of Muhammad Morsi
Morsi would struggle on for years before a series of mass trials would entrap him and his brotherhood colleagues and quite literally exhaust him to death. Morsi’s slow death in solitary confinement was, Fisk insisted, “utterly predictable, truly outrageous and arguably a case of murder”. He was denied treatment, denied family visits, denied a funeral. “To die in a dictator’s prison, or at the hands of a dictator’s security services”, Fisk wrote, “is to be murdered.”
It did not matter, he continued “if it was the solitary confinement, the lack of medical treatment or the isolation, or if Morsi had been broken by the lack of human contact for those whom he loved. “The evidence suggested that Morsi’s death must’ve been much sought after by his jailers, his judges, and the one man in Egypt who could not be contradicted. You don’t have to be tortured with electricity to be murdered”.
Fisk’s description of Morsi’s death is a sad one. “Symbolism becomes all”, he wrote. “The first and last elected president of a country dies in front of his own judges and is denied even a public funeral. The 67-year-old diabetic was speaking to the judges, on trial this time for espionage, when he fainted to the floor. Imagine the response of the judges when he collapsed. To be prepared to sentence a man to the gallows and to witness him meeting his maker earlier than planned must’ve provoked a unique concentration of judicial minds. could they have been surprised groups had complained of Morsi’s treatment for the world media and the world had largely ignored the denunciations. What might have been surprising to his judges was that he managed to talk for five minutes before he departed the jurisdiction forever?”
Regarding Russia’s critical intervention in the Syrian civil war, Fisk wrote:
“We Westerners have a habit of always looking at the Middle East through our own pious cartography, but tip the map 90° and you appreciate how close Syria is to Russia and its Chechen Muslim irredentists. No wonder Moscow watched the rebellion in Syria with the gravest of concern. Quoting Napoleon, who said “if everyone wants to understand the behaviour of a country, one has to look at a map”, my Israeli friend (the late) Uri Avnery wrote that “geography is more important than ideology, however fanatical. Ideology changed with time”.
The Soviet Union, he continued was most ideological country in the 20th century. “It abhorred it predecessor, Tsarist Russia. It would have abhorred its successor, Putin‘s Russia. But Lo and behold – the Tsars, Stalin and Putin conduct more or less the same foreign policy. I wrote that Russia is back in the Middle East. Iran is securing its political semicircle of Tehran, Baghdad Damascus, and Beirut. And if the Arabs – or the Americans – want to involve themselves, they can chat to Putin”.
Yarmouk camp, Damascus. Once the thriving home of Syria’s Palestinian refugees, September 2025
Author’s note
Laylatu al Qadri
لَْيلَُةاْلَقْدِر َخْيٌر ِّمْنأَْل ِف َشْھٍر. َسَلاٌم ِھَي َحَّتى َمْطلَِعاْلَفْجِر
Laylatu alqadri khayrun min alfi shahriin.Salamun hiya hatta matla’i alfajrii
The night of power is better than one thousand months.
(That night is) Peace until the rising of the dawn.
Al Qur’an al Karīm, Surat Al Qadr 97
I first learned about the Quran and The Night of Power in Cairo when I was staying at the home of Haji Abd al Sami al Mahrous a devout Muslim doctor who had cared for me when I had fallen ill. There was a particular beauty and magic about the idea of a night that surpassed all other nights in sacredness. The fascination stayed with me, and when I returned to London and was learning Arabic and studying Middle East politic at SOAS, it inspired a song.
Shape without form, a voice without sound,
He moves in an unseen way;
A night of power, eternal hour,
Peace until the break of day;
The doubter’s dart, the traveller’s chart,
An arrow piercing even to the coldest heart,
A hand surpassing every earthly art,
And shows everyone his own way
Paul Hemphill, Embryo
When Freedom Comes, She Crawls on Broken Glass
In an earlier post in In That Howling Infinite, I wrote:
My song When Freedom Comesis a tribute to Robert Fisk (1946-2020), indomitable, veteran British journalist and longtime resident of Beirut, who could say without exaggeration “I walk among the conquered, I walk among the dead” in “the battlegrounds and graveyards” of “long forgotten armies and long forgotten wars”. It’s all there, in his grim tombstone of a book, The Great War for Civilization (a book I would highly recommend to anyone wanting to know more about the history of the Middle East in the twentieth century – but it takes stamina – at near in 1,300 pages – and a strong stomach – its stories are harrowing).
The theme, alas, is timeless, and the lyrics, applicable to any of what Rudyard called the “savage wars of peace” being waged all across our planet, yesterday, today and tomorrow – and indeed any life-or-death battle in the name of the illusive phantom of liberty and against those intent on either denying it to us or depriving us of it. “When freedom runs through dogs and guns, and broken glass” could describe Paris and Chicago in 1968 or Kristallnacht in 1938. If it is about any struggle in particular, it is about the Palestinians and their endless, a fruitless yearning for their lost land. Ironically, should this ever be realized, freedom is probably the last thing they will enjoy. They like others before them will be helpless in the face of vested interest, corruption, and brute force, at the mercy of the ‘powers that be’ and the dead hand of history.
The mercenaries and the robber bands, the warlords and the big men, az zu’ama’, are the ones who successfully “storm the palace, seize the crown”. To the victors go the spoils – the people are but pawns in their game.
In 2005, on the occasion of the publication of his book, Fisk addressed a packed auditorium in Sydney’s Macquarie University. Answering a question from the audience regarding the prospects for democracy in the Middle East, he replied:
Theregoes the freedom fighter,
There blows the dragon’s breath.
There stands the sole survivor;
The time-worn shibboleth.
The zealots’ creed, the bold shahid,
Give me my daily bread
I walk amongst the conquered
I walk amongst the dead
Paul Hemphill, When Freedom Comes
I reference this melancholy state of affairs in man of my songs:
High stand the stars and moon, And meanwhile, down below, Towers fall and tyrants fade Like footprints in the snow. The bane of bad geography, The burden of topography. The lines where they’re not meant to be Are letters carved in stone. They’re hollowed of all empathy, And petrified through history, A medieval atrophy Defends a feeble throne. So order goes, and chaos flows Across the borderlines, For nature hates a vacuum, And in these shifting tides, Bombs and babies, girls and guns, Dollars, drugs, and more besides, Wash like waves on strangers’ shores, Damnation takes no sides.
Paul Hemphill, E Lucevan Le Stelle
Perfection, of a kind, was what he was after, And the poetry he invented was easy to understand; He knew human folly like the back of his hand, And was greatly interested in armies and fleets; When he laughed, respectable senators burst with laughter, And when he cried the little children died in the streets.
W H Auden, Epitaph On A Tyrant (1939)
The English poet W. H. Auden spent some time in Berlin during the early 1930s – the last years of the Weimar Republic prior to the Nazi ascendency –Some commentators suggest that Auden actually wrote Epitaph on a Tyrant in Berlin. But It was published in 1939, the year that the Second World War broke out – and Auden had departed the city before the end of Weimar in 1933. But he was full aware of where the world was heading – during the mid-thirties, he’d briefly journeyed to Republican Spain in the midst of the Civil War and to Kuomintang China during its war with Japan – see In That Howling Infinite’s Journey to a war – Wystan and Christopher’s excellent adventure.
The poem has been interpreted as a very brief study in tyranny, but few could doubt whom Auden had in mind. In this very short poem, Auden turns a familiar phrase from the New Testament in upon itself evoking and then evicting ‘But Jesus said, Suffer little children, and forbid them not, to come unto me: for of such is the kingdom of heaven’ (Matthew 19:14). There is nothing Christlike about this tyrant: he will not suffer the little children to come unto him. The little children, instead, will be the ones to suffer. he also inverts a specific phrase by the nineteenth-century writer John Lothrop Motley, in The Rise of the Dutch Republic (1859), citing a report of 1584 about the death of the Dutch ruler William the Silent: ‘As long as he lived, he was the guiding star of a whole brave nation, and when he died the little children cried in the streets.’
I recalled the poem, one of the very first of Auden’s poems I encountered nearly sixty years ago, as I was reading the essay republished below written by the most erudite economist and academic Henry Ergas on the occasion of the centenary of the publication on 16 August 1925, of Mein Kampf (lit. ‘My Struggle‘), Nazi Party founder and leader Adolf Hitler‘s combined autobiographical reflections and political manifesto, encompassing an uncompromising ideological programme of antisemitism, racial supremacy, and expansionist ambitions.
A century later, the impact of Mein Kampf on the world remains both undeniable and deeply troubling. Initially dismissed by some as the ramblings of a failed revolutionary, the book became the ideological blueprint for the Nazi regime, legitimising policies that culminated in the Holocaust and a world war that claimed tens of millions of lives. Beyond the destruction of the mid-twentieth century, Mein Kampf has endured as a symbol of hate literature, resurfacing periodically in extremist movements, political propaganda, and debates over free speech and censorship. Its centenary compels reflection not only on the book’s historical role in shaping one of the darkest chapters of human history, but also on the persistence of the prejudices and authoritarian impulses it so virulently expressed.
Mein Kampf‘s bitter harvest
The Second World War began on 2nd September 1939 with Germany’s sudden and unprovoked invasion of Poland on 2nd September, and Britain and France’s declaration of war on Germany the day after. On 17 September, the Soviet Union invaded the country from the east in accordance with the Treaty of Non-aggression between Germany and the Union of Soviet Socialist Republics, ,forever known as the Molotov-Ribbentrop Pact.a neutrality pact between Nazi Germany and the Soviet Union signed in Moscow on August 23, 1939, by foreign ministers Joachim von Ribbentrop and Vyacheslav Molotov, respectively.
Japan formally entered the war on September 22, 1940 with the invasion of French Indochina, having been at war with China since 1931, and officially formed an alliance with Germany and Italy five days later. The United Kingdom declared war on the Empire of Japan on 8 December 1941, following the Japanese attacks on British Malaya, Singapore and Hong Kong on the previous day, as well as in response to the bombing of the American fleet at Pearl Harbour on December 7. The United States to enter World War II the following day.
World War II ended in Europe on May 8, 1945, with Germany’s unconditional surrender, known as Victory in Europe Day (V-E Day). The war in the Asia Pacific concluded on September 2, 1945, with Japan’s formal surrender aboard the USS Missouri, designated Victory over Japan Day (V-J Day). This followed the atomic bombings of Hiroshima and Nagasaki and the Soviet Union’s declaration of war on Japan
The Nazis, with a little help from their allies and collaborators, murdered (there is no other word) an estimated six million Jews and 11 million others In camps and jails, reprisals and roundups, on the streets of cities, towns and villages, in fields and in forests, and in prison cells and torture chambers. And in the fog of war, the dearth of accurate records, and the vagaries of historical memory, the actual number is doubtless higher – much higher.
The term ‘Holocaust’ generally refers to the systematic and industrialized mass murder of the Jewish people in German-occupied Europe – called the Shoah or ‘catastrophe’ by Jews. But the Nazis also murdered unimaginable numbers of non-Jewish people considered subhuman – Untermenschen (the Nazis had a way with words!) – or undesirable.
Non-Jewish victims of Nazism included Slavs who occupied the Reich’s ostensible lebensraum – living space, or more bluntly, land grab (Russians – some seven million – Poles, another two – Ukrainians, Serbs and others in Eastern Europe caught in the Wehrmacht mincer; Roma (gypsies); homosexuals; the mentally or physically disabled, and mentally ill; Soviet POWs who died in their tens of thousands; Roman Catholics, Protestants, and Orthodox Christians who defied the regime; Jehovah’s Witnesses and Freemasons; Muslims; Spanish Republicans who had fled to France after the civil war; people of colour, especially the Afro-German Mischlinge, called “Rhineland Bastards” by Hitler and the Nazi regime; leftists, including communists, trade unionists, social democrats, socialists, and anarchists; capitalists, even, who antagonized the regime; and indeed every minority or dissident not considered Aryan (‘herrenvolk’ or part of the “master race”); French, Belgians, Luxemburgers, Dutch, Danes, Norwegians, Albanians, Yugoslavs, Albanians, and, after 1943, Italians, men, women and young people alike, involved with the resistance movements or simply caught up in reprisals; and anyone else who opposed or disagreed with the Nazi regime. See below, Ina Friedman’s The Other Victims of the Nazis and also, Wikipedia’s Victims of the Holocaust
Worldwide, over seventy million souls perished during World War II. We’ll never know just how many …
A picture-illustration showing Adolf Hitler in Munich in 1932 and his book, Mein Kampf. During WWII Hitler wore a simple uniform rather than the elaborate costume of a supreme commander, highlighting his affinity with the ‘grunts’ on the line. Picture: Heinrich Hoffmann/Archive Photos/Getty Images
When Adolf Hitler’s Mein Kampf (My Struggle) was published exactly 100 years ago, the reviews were scathing. The reader, proclaimed the Frankfurter Zeitung, could draw from the book one conclusion and one conclusion only: that Hitler was finished. The influential Neue Zurcher Zeitung was no kinder, lambasting “the sterile rumination of an agitator who is incapable of rational thought and has lost his grip on reality”. As for Karl Kraus, the great Austrian essayist and critic, he famously dismissed it, quipping: “When I think of Hitler, nothing comes to mind.”
But while the book that would become known as “the Nazi bible” was hardly an immediate bestseller, it was far from being a dismal flop. By the end of 1925, nearly 10,000 copies had been sold, necessitating a second print run, and monthly sales seemed to be trending up. Even more consequentially, Mein Kampf, with its comprehensive elaboration of the Nazi world view, proved instrumental in consolidating Hitler’s until then tenuous position as the leader of the Nationalsozialistische Deutsche Arbeiterpartei (National Socialist German Workers’ Party) or NSDAP. Both Hitler and Max Amann, who ran the Nazis’ publishing house, had good reason to be pleased.
After all, the initial circumstances of the book’s production were scarcely promising. When Hitler arrived at Landsberg prison in November 1923, following the failure of a farcically mismanaged putsch, he was assessed by the staff psychologist as “hysterical” and suicidal. However, having determined to end it all by embarking on a hunger strike, he sat down to write his valedictory statement – and with the full support of the prison’s director, a Nazi sympathiser who was happy to accommodate his every need, the project soon expanded, until the writing came to consume Hitler’s days.
Once Emil Georg, a director of the powerful Deutsche Bank and generous funder of the NSDAP, provided the aspiring writer with a top-of-the-line Remington typewriter, a writing table and all the stationery he required, Hitler’s new career as an author – the profession he proudly declared on his 1925 tax return – was well and truly under way.
The difficulty, however, was that Hitler wrote very much as he spoke. Page after page required substantial editing, if not complete revision. Some of it was undertaken by Rudolf Hess, who had a university degree, and Ernst Hanfstaengl, a German-American Harvard graduate. But many of the most difficult sections were eventually worked over by the unlikely duo of a music critic, Josef Stolzing-Cerny, and Bernhard Stempfle, a priest.
The greatest tensions arose in settling the title. Hitler, with his habitual grandiloquence, had called it Four and a Half Years of Battling Lies, Stupidity and Betrayal. Convinced that title would doom it to failure, Amann adamantly insisted on, and seems to have devised, a shorter alternative. Thus was Mein Kampf, the name that would go down in history, born.
Mein Kampf’s singular lack of focus proved to
be a strength.
Viewed superficially, the text, despite its editors’ best efforts, seems inchoate, veering across a bewildering range of grievances, pseudo-historical accounts and exhortations. Yet its singular lack of focus proved to be a strength. It meant there was something in it for each of the social groups the Nazis were attempting to mobilise, with every one of those groups finding the real or imagined harms that afflicted it covered in its pages. And whenever they were discussed, each group’s darkest nightmares were portrayed in striking, often lurid terms.
Hitler himself explained his approach in the book’s discussion of propaganda.
“Most people,” Hitler said, “are neither professors nor university graduates. They find abstract ideas hard to understand. As a result, any successful propaganda must limit itself to a very few points and to stereotypical formulations that appeal to instincts and feelings, making those abstract ideas vividly comprehensible.”
That is exactly what Mein Kampf set out to do – and it did so by hammering three basic themes: that the Germans were victims; that the culprit for the wrongs they had suffered were the Jews; and that only a fight to the death against “world Jewry” could bring Germany’s redemption and return it to the pre-eminence that was its birthright and historic destiny.
What gave the book its resonance was that each of those themes was well and truly in the air. Nowhere was that clearer than in respect of victimhood.
Thus, the end of World War I had not been viewed in Germany as a military defeat. Rather, the widespread perception, vigorously propagated by General Erich Ludendorff, was that had the German army, which retained undisputed mastery over its home soil, not been “sabotaged” by liberals, freemasons, social democrats and communists, it would have held out, forcing the Allies to a settlement.
Key themes in Mein Kampf was that the Germans were victims and the culprit for the wrongs they had suffered were the Jews.
The capitulation was, in other words, the result of a “stab in the back” that treacherously delivered the nation to the harsh, grotesquely unjust, treatment eventually meted out at Versailles by the war’s victors.
Closely associated with the resulting sense of unfairness, and of an undeserved defeat, was the smouldering resentment felt by returning soldiers.
World War I had ushered in the glorification of the rank and file, expressed in countries such as France, Britain and Australia by the erection of national memorials for the Unknown Soldier. Here was a figure that represented both the individual and the mass: sanctified by the nation, the Unknown Soldier also stood for the multitudes sent out to die and too quickly forgotten.
That was the case almost everywhere – but not in the newly established Weimar Republic. Unlike its counterparts, the republic erected no national monument, created no worthy memorial: the ghosts of the dead were left unburied.
Moreover, unable to deal with the trauma of the war, the republic accorded veterans no special status: even when their wounds made them entirely disabled, they were entitled only to the paltry benefits accorded to others suffering from similar levels of disability.
With the country’s new leaders abandoning those who had borne so many risks and so much pain on Germany’s behalf, an unbridgeable cleavage opened up between “those who had been there” – with all of their rage and frustration, fury and disillusionment – and those who had not. It is therefore no accident that both for innumerable forgotten soldiers and for the families who had lost their sons and fathers, Hitler, who had lived through the carnage, came to symbolise the unknown soldier of World War I.
Nor is it an accident that during World War II he always donned a simple uniform rather than the elaborate costume of a supreme commander, thereby highlighting his unshakeable affinity with the “grunts” on the line.
Hitler, chancellor of Germany in 1933, is welcomed by supporters at Nuremberg. Picture: Hulton Archive/Getty Images
The last, but perhaps most broadly felt, source of the sense of victimhood was the devastation wreaked by the “great inflation”.
The immediate effect of the price hikes, which began in 1921, accelerated in late 1922 and became a hyperinflation (that is, one involving monthly price increases of more than 50 per cent) in 1923 was to obliterate the savings of skilled workers, pensioners and the middle class. No less important, however, it also shattered those groups’ social standing which, in a society still geared to honour and respectability, relied on the ability to conspicuously maintain a dignified lifestyle appropriate for one’s status. Instead, for the first time in their lives, previously comfortable professionals, foremen and highly trained workers were reduced to a struggle of all against all, as they vainly attempted to sell once prized, often hard-earned assets that had suddenly – and mysteriously – become utterly valueless.
And as well as leaving a legacy of trauma, that experience created an enduring sense of unpredictability, casting the new republic as incapable of maintaining intact even the elementary foundations of daily life.
Stefan Zweig was therefore not exaggerating when he wrote, in his The World of Yesterday, that “nothing ever embittered the German people so much, nothing made them so furious with hate as the inflation. For the war, murderous as it was, had yet yielded hours of jubilation, with ringing of bells and fanfares of victory. And, being an incurably militaristic nation, Germany felt lifted in her pride by her temporary victories. But the inflation served only to make it feel soiled, cheated, and humiliated. A whole, scarred, generation could never forget or forgive.”
But where there are victims there must be victimisers – and Hitler delivered those too. Towering among them were the Jews.
Mein Kampf’s obsession with Jews is readily demonstrated: including cognate terms, such as Jewry, the 466 references to Jews in the book outnumber those to every other substantive term, including race (mentioned 323 times), Germany (306), war (305) and Marxism, which gets a paltry 194 – still ahead of national socialism and national socialists which, taken together, are referenced only 65 times.
It is certainly true that there is, in those obsessive references, virtually nothing original. Hitler’s tirades largely reassemble the anti-Semitic tropes that had emerged in the late 19th century and that were widely disseminated in a notorious forgery, The Protocols of the Elders of Zion.
But Hitler’s formulation, while substantively irrational, was arguably more logical than most in the way it combined and superimposed elements from conventional anti-Semitism, pseudo-biology and social Darwinism.
Mein Kampf’s promise of redemption was crucial … from the midst of despair, a new notion of German glory and greatness began to emerge. Hitler with Nazi officials in Munich in the summer of 1939, just before the start of WWII.
Thus, relying on a loose biological metaphor, it defined Jews as a parasite – but as one that had deliberate agency and that consciously (and collectively) sought to infect its victims, notably the “purer”, more advanced “races”.
Second, it asserted that the resulting infection was not only fatal to its victims but ultimately to their entire “race”.
Third, it projected on to that account the image of a Darwinian struggle that had been fought across recorded history’s entire course, between Jews on the one hand and the superior races on the other: a struggle that could end only with the extinction of the Jews or their adversaries.
And finally, it argued that, unless anti-Semites learnt to display the same degree of ruthlessness, the same insistence on ethnic loyalty, the same stealth and the same forms of manipulation of media and the public sphere, the Jews stood every chance of triumphing because they entirely lacked ethical standards, were exceptionally cunning, ambitious, aggressive and vindictive and – last but not least – had a natural bond to each other, combined with a murderous hatred of others.
The resulting portrayal of Jews was as terrifying as it was bizarre. Jews, it seemed, were chameleons, who were both subhuman yet extraordinarily capable, both fanatical Bolsheviks and natural capitalists, both physically repulsive yet immensely able to seduce and “infect” innocent Aryan maidens.
Moreover, they could shift effortlessly and surreptitiously from any one of those myriad shapes into any another, choosing whatever form was most likely to succeed in destroying their opponent.
As the great German philosopher Ernst Cassirer later recalled, he and his other Jewish friends found those claims “so absurd, so ridiculous, and so crazy, that we had trouble taking them seriously”. But others did not have any difficulty in doing so.
Many forces were at work. Some resulted from the war years. For example, the terrible food shortages caused by the British blockade (which was lifted only two years after the war ended) had resulted in spiralling prices for basics on the black market – with the finger being readily, although entirely incorrectly, pointed at alleged hoarding by Jews.
And more indirectly, but no less potently, the horrific second wave of the 1919 influenza pandemic, in which 400,000 Germans died, had given enormous prominence to notions of infection and contagion. As careful statistical studies subsequently showed, that prominence had enduring effects, as the Nazis secured significantly greater electoral support in the worst affected areas than in those where the death toll was lower.
But by far the greatest factor was the profound disruption of the post-war years, when everything Germans had taken as solid melted into thin air, leaving a pervasive feeling of bewilderment.
For all of its myriad flaws, the Kaiserreich, as the German Empire was known, had exuded a stability that made the future predictable. Now, with one seemingly incomprehensible event piling up on top of another, the desperate search to make sense of the world triggered an equally desperate search for someone to blame.
That was precisely what Hitler’s vast Jewish conspiracy offered. Mein Kampf, Heinrich Himmler pithily noted, was “a book that explains everything”. If it was so effective, Hannah Arendt later reflected, it was because its playing on tropes and stereotypes that were relatively familiar could, at least superficially, “fulfil this longing for a completely consistent, comprehensible, and predictable world without seriously conflicting with common sense”. All of a sudden, things fell into place – with consequences for Europe’s Jews that would forever sully Germany’s name.
Sign erected by British forces at the entrance to the Bergen-Belsen camp. Picture: Imperial War Museum
Bodies being flung into a mass grave at Belsen. Picture from the book Children’s House of Belsen, by camp survivor Hetty Verolme
If those horrendous consequences eventuated, it was because Mein Kampf did not only identify an alleged disease; it also set out a path to national redemption. In that respect, too, its main points were entirely unoriginal.
However, what was relatively new, and especially important, was the unadulterated celebration of death and violence in which they were couched.
Whether Hitler called for Jews to be massacred is a matter of interpretation. What is beyond any doubt is that he came as close to it as one possibly could. The Jews, he claimed, would “accentuate the struggle to the point of the hated adversary’s bloody extermination”. As that happened, it would be absolutely impossible to defeat them “without spilling their blood”. And when it came to that, their opponents, locked “in a titanic struggle”, would have to “send to Lucifer” – that is, to hell – “those who had mounted an assault on the skies”: that is, the Jews.
There would be, in the process, countless victims; but the Aryans who perished would be martyrs, “acting in accordance with the will of the Almighty Creator”, and like Hitler himself “fighting for the work of the Lord”.
As with so much of Mein Kampf, the sheer violence of those calls, and of the text more generally, fell on fertile ground, again especially among veterans.
If those veterans had one thing in common it was the experience of “total war”, characterised by the ever-growing porousness of the boundaries between soldiers and civilians both as combatants and as targets of destruction.
Once they got to the front, it did not take long for ordinary soldiers to discard the fantasies of splendid bayonet charges across fields of flowers. Instead, burrowed underground in trenches filled with slime and excrement, rats and rotting body parts, what many learnt was that life was war, and war was life.
And at least for some, the sacrifice and devotion of their comrades also taught that violence brought out the best qualities in man.
Winifred Williams, a Welsh woman who became a friend and supporter, provided the paper on which Hitler wrote Mein Kampf while he was in jail.
Rendering that habituation to violence even more extreme was the experience of the 5 per cent or so of German soldiers who volunteered for Freikorps (Free Corps) units that fought, from 1918 to 1923, against the wave of revolutionary movements throughout central and eastern Europe.
Particularly in the Baltic states, those struggles were brutally uncompromising, with mass executions not only of adversaries but also of entire villages of helpless Jews. It was in those struggles that many ingredients of Nazism were forged – its symbols, like the death’s head and the swastika; its core staff, who later largely comprised the leading personnel first of the Nazi’s paramilitary units and then of the SS; and the unbridled anti-Semitic savagery of its killing squads. To all those who lived through those struggles, Mein Kampf seemed to perfectly capture their world view.
But Mein Kampf’s promise of redemption was crucial, too. Yes, Germany experienced the aftermath of World War I as an unmitigated disaster. Yet, from the midst of despair, a new notion of German glory and greatness began to emerge. When the war finally ended, the survivors could not but feel an urge to endow it with meaning – with the hope that the countless deaths would be redeemed by creating a better future, not only for themselves but also for the nation, a future shorn of the causes of everything that had gone wrong.
And no one, in the chaos and misery of post-World War I Germany, painted the path to that national salvation as starkly, and as effectively, as Hitler.
Death and destruction follow delirium as surely as dust and ashes follow fire. Two long decades, punctuated by Hitler’s accession to power in 1933, separated, almost precisely, the publication of Mein Kampf from the “Zero Hour”, as it became widely known, on May 7, 1945, when Germany, reduced to rubble, surrendered and officially ceased to exist. The vision – or hallucinations – Hitler had produced in Landsberg’s ja
Death and destruction follow delirium as surely as dust and ashes follow fire. Two long decades, punctuated by Hitler’s accession to power in 1933, separated, almost precisely, the publication of Mein Kampf from the “Zero Hour”, as it became widely known, on May 7, 1945, when Germany, reduced to rubble, surrendered and officially ceased to exist. The vision – or hallucinations – Hitler had produced in Landsberg’s jail ensured that the 20th century’s fields of glory would be sown with the corpses of innocent victims and the distorted fragments of shattered ideals.
Between those dates, the book’s fortunes closely tracked those of its author. After the crash of 1929, and the onset of the Depression, sales boomed; and once the Nazi regime was in place it became ubiquitous. A second volume had appeared in December 1926; it was added to the 400 pages of the first in 1930.
To cope with the length, the combined book was printed on extremely fine paper, exactly like a bible. Soon after that, an ever-wider range of formats – going from cheap paperback versions to extremely luxurious versions bound in leather – was offered to readers.
The regime recommended that municipalities give a good quality copy to newly married couples as they stepped out of the wedding ceremony; estimates vary but it seems two million couples benefited (if that is the right word). The book also became the standard prize in schools, workplaces and party organisations, bestowed on recipients with all the pomp the Fuhrer’s great work demanded. Altogether, by the “Zero Hour”, 12.5 million copies had found their way into the hands of potential readers – yielding Hitler copyright payments, partly deposited in a Swiss bank account, that made him an extremely wealthy man.
How many Germans actually read it is hard to say; the answers given to immediate post-war surveys were understandably evasive. What seems likely, however, is that its influence came less from the scrupulous consumption of the “Nazi bible” than from short excerpts, read out at meetings and over the radio or printed near the mastheads of major papers, as well as from the million or so copies of “reader’s digest”-like variants sold during the Reich’s golden years.
In the chaos and misery of post-WWI Germany, no one painted the path to that national salvation as starkly, and as effectively, as Hitler
But its greatest impact was almost certainly indirect. Regardless of what ordinary Germans may or may not have done, abundant evidence shows it was carefully studied and frequently consulted by the Nazi leadership. The regime’s core principle, the so-called Fuhrerprinzip, specified that “what the Fuhrer says is law”: but what the Fuhrer had actually said, and even more so, what he wanted, was almost always hopelessly unclear – yet entire careers depended on guessing it accurately.
As a result, the everyday life of the Nazi hierarchy’s upper echelons was consumed in a competition to “work towards the Fuhrer”, as Hitler’s great biographer, Ian Kershaw, called it: that is, in trying to anticipate the Fuhrer’s will and show that no one could be more ruthless or determined in putting it into effect. It was in that process that Mein Kampf was absolutely fundamental, invariably referred to and systematically used.
And it was through that process that Hitler’s words made depravity the highest form of morality, atrocity the surest sign of heroism, and genocide the key to redemption.
Outside Germany, very few grasped that those horrors would unfold. Winston Churchill, Franklin Delano Roosevelt, Charles de Gaulle and David Ben-Gurion were among those few, carefully annotating early versions and gasping at the book’s implications.
But their warnings were ignored because Mein Kampf was plainly the work of a madman. As the British Labour Party’s leading intellectual, Harold Laski, said, when he was asked why he dismissed it, rational men and women “could not bring themselves to contemplate such a world”, much less believe that “any child of the twentieth century” would regard it as a realistic possibility.
But the Nazi art of politics, as Joseph Goebbels concisely defined it, consisted precisely in making the impossible possible and the absolutely inconceivable a practical reality. That art did not disappear with Nazism’s demise, nor did the murderous anti-Semitism whose seeds Hitler sowed a century ago.
As we mark Mein Kampf’s grim anniversary, we must, this time, take them seriously.
It is three years since Australian songstress Judith Durham took the Morningtown Ride.Dusty Springfield’s brother Tom followed soon afterwards.
Judith might not have been my teenage crush – that was Dusty – but The Seekerswere a significant part of my adolescent soundtrack. Aussies were an exotic species back then in Britain, and to me, more associated with now-disgraced Rolf Harris with Tie Me Kangaroo Down Sport and Sun Arise, but there was also Frank Ifield and Patsy Ann Noble. More Aussies followed them to Britain – the Easybeats and Bee Gees entering the pop charts soon afterwards, while soon to be famous actors, artists, authors and activists had already steamed back to Old England’s Shores and were busy making names for themselves.
The Seekers were “discovered” by Tom Springfield and were marketed as the new Springfields, the natural heirs to that wholesome folksey trio (he had written their greatest hits or adapted them from folk standards). When the Seekers folded in 1969, group member Keith Potger gave us the New Seekers, a bunch of pretty blonde Brits who most people now believe wanted to buy the world a coke! For trivia fans, that song was (spoiler alert!) the happy hippie finale of that fabulous series Madmen.
The Seekers released their smash hit, the allegorical song of farewell The Carnival Is Over in 1965. Tom based it on a traditional Russian song about a brutal Cossack rebel [read all about him below]. A natural linguist, he’d learned Russian whilst undergoing compulsory national service in the fifties. Apparently, those few conscripts who graduated from the Ministry of Defence’s Russian Language School as interpreters and translators were regarded as the crême de la crême of conscripts. Often, trainees would put on concerts of Russian songs and plays for their own amusement.
Tom Springfield borrowed the melody of The Carnival is Over from Stenka Razin a traditional folk tune set to music in the 19th Century by Dimitry Sadovnikov. It told the tale of a drunken seventeenth century Cossack rebel who threw his Persian bride of one night over the side of his boat into the Volga River when his men accused him of going soft. Tom changed the story entirely though he retained a nautical riff and cast the star-crossed lovers as the theatre characters Pierrot and Columbinerather than casting them overboard.
Stepan Razin on the Volga (by Boris Kustodiev, (1918) State Russian Museum, St Petersburg.
Tom’s song was an ironic mid twentieth century reimagining in which a tragic, violent and mythic saga of patriotism, loyalty, and patriarchal authority illustrative of national an revolutionary folklore was reinvented into wistful pop as a saccharine song of romance, emotion, loss, and a meditation on the impermanence – how the joys of love are fleeting. No such maudlin melancholy on the part of the preening old riverboat pirate. Over the side she goes!
The lyrics and the sentiment couldn’t have been more different:
From beyond the wooded island To the riverbank he came, On his breast he held a maiden, And his comrades called her name. Then he flung her to the waters, Crying, ‘Thus I make my vow, I will have no foreign woman As a wife to me now.’
Say goodbye, my own true lover As we sing a lovers’ song How it breaks my heart to leave you Now the carnival is gone High above the dawn is waiting And my tears are falling rain For the carnival is over We may never meet again
Pierrot and Columbine
The shift from revolutionary folklore to wistful pop is emblematic of the 20th-century repurposing of folk traditions – filtering political anthems through modern, personal, and emotional frameworks. The lyrics and the sentiment couldn’t have been more different:
If you watch the hoary old Hammer horror film Rasputin, about the sinister Svengali who enchanted the last Czarina of Russia – portrayed herein by that eminent old frightener Christopher Lee – you will recognise the tune as a recurring leitmotif.
There is a clunky film reenactment of the story, sung by the famous Red Army Choir immediately below the Seekers‘ song.
Say goodbye, my own true lover
As we sing a lovers’ song
How it breaks my heart to leave you
Now the carnival is gone
High above the dawn is waiting
And my tears are falling rain
For the carnival is over
We may never meet again
Like a drum, my heart was beating
And your kiss was sweet as wine
But the joys of love are fleeting
For Pierrot and Columbine
Now the harbour light is calling
This will be our last goodbye
Though the carnival is over
I will love you ’til I die
Like a drum, my heart was beating
And your kiss was sweet as wine
But the joys of love are fleeting
For Pierrot and Columbine
Now the harbour light is calling
This will be our last goodbye
Though the carnival is over
I will love you ’til I die
Though the carnival is over
I will love you ’til I die
Stenka Razin
From beyond the wooded island
To the river wide and free
Proudly sailed the arrow-breasted
Ships of Cossack yeomanry.
On the first is Stenka Razin
With his princess by his side
Drunken holds in marriage revels
With his beauteous young bride.
From behind there comes a murmur
“He has left his sword to woo;
One short night and Stenka Razin
Has become a woman, too.”
Stenka Razin hears the murmur
Of his discontented band
And his lovely Persian princess
He has circled with his hand.
His dark brows are drawn together
As the waves of anger rise;
And the blood comes rushing swiftly
To his piercing jet black eyes.
“I will give you all you ask for
Head and heart and life and hand.”
And his voice rolls out like thunder
Out across the distant land.
Volga, Volga, Mother Volga
Wide and deep beneath the sun,
You have never such a present
From the Cossacks of the Don.
So that peace may reign forever
In this band so free and brave
Volga, Volga, Mother Volga
Make this lovely girl a grave.
Now, with one swift mighty motion
He has raised his bride on high
And has cast her where the waters
Of the Volga roll and sigh.
Now a silence like the grave
Sinks to all who stand and see
And the battle-hardened Cossacks
Sink to weep on bended knee.
“Dance, you fools, and let’s be merry
What is this that’s in your eyes?
Let us thunder out a chantey
To the place where beauty lies.”
From beyond the wooded island
To the river wide and free
Proudly sailed the arrow-breasted
Ships of Cossack yeomanry.
… Robeson’s extraordinary career intersects with some of modernity’s worst traumas: slavery, colonialism, the Cold War, Fascism. Stalinism. These are wounds covered over and forgotten, but never fully healed. Not surprisingly, the paths Robeson walked remain full of ghosts, whose whispers we can hear if we stop to listen. They talk to the past, but they also speak to the future.
Jeff Sparrow, No Way But This. In Search of Paul Robeson (2017)
I read Jeff Sparrow’s excellent biography of the celebrated American singer and political activist Paul Robeson several years ago. I was reminded of it very recently with the publication of a book about Robeson’s visit to Australia in November 1960, a twenty-concert tour in nine cities. I have republished a review below, together with an article by Sparrow about his book, and a review of the book by commentator and literary critic Peter Craven. the featured picture is of Robeson singing for the workers constructing the Sydney Opera House.
I have always loved Paul Robeson’s songs and admired his courage and resilience in the face of prejudice and adversity. Duriung his colourful and controversial career (see the articles below), he travelled the world, including Australia and New Zealand and also, Britain. He visited England many times – it was there that my mother met him. She was working in a maternity hospital in Birmingham when he visited and sang for the doctors, nurses, helpers and patients. My mother was pregnant at the time – and, such was his charisma, that is why my name is Paul.
Paul Robeson was a 20th-century icon. He was the most famous African American of his time, and in his time, was called the most famous American in the world. His is a story of political ardour, heritage, and trauma.
The son of a former slave, he found worldwide fame as a singer and an actor, travelling from Hollywood in the USA to the West End of London, to Europe and also Communist Russia. In the sixties, he visited Australia and is long remembered for the occasion he sang the song Old Man River for the workers building the famous Sydney Opera House.
He became famous both for his cultural accomplishments and for his political activism as an educated and articulate black man in a white man’s racist world.
Educated at Rutgers College and Columbia University, he was a star athlete in his youth. His political activities began with his involvement with unemployed workers and anti-imperialist students whom he met in Britain and continued with support for the Republican cause in the Spanish Civil War and his opposition to fascism.
A respected performer, he was also a champion of social justice and equality. But he would go on to lose everything for the sake of his principles.
In the United States he became active in the civil rights movement and other social justice campaigns. His sympathies for the Soviet Union and for communism, and his criticism of the United States government and its foreign policies, caused him to be blacklisted as a communist during the McCarthy era when American politics were dominated by a wave of hatred, suspicion and racism that was very much like we see today,
Paul Robeson, the son of a slave, was a gifted linguist. He studied and spoke six languages, and sang songs from all over the world in their original language.
But his most famous song was from an American musical show from 1927 – Show Boat, by Jerome Kern and Oscar Hammerstein – called Old Man River. The song contrasted the struggles and hardships of African Americans during and after the years of slavery, with the endless, uncaring flow of the Mississippi River. It is sung the point of view of a black stevedore on a showboat, and is the most famous song from the show.
It is a paradox that a song written by Jewish Americans from the Jewish villages of Eastern Europe, the targets of prejudice and pogrom, should voice the cries of America’s down-trodden people.
When the song was first heard, America was a divided country and people of colour were segregated, abused and murdered. The plot of the musical was indeed about race, although it pulled its punches with the romantic message that love is colour-blind
It reflected America’s split personality – the land of the free, but the home of the heartless. Robeson sung the words as they were written, but later in his career, as he became more and more famous, he changed them to suit his own opinions, feelings, sentiments, and politics. So, when he sang to the workers in Sydney, Australia, his song was not one of slavery but one of resistance.
The Big Voice of the Left … Paul Robeson Resounds to this Day
Mahir Ali The Australian November 9, 2010
FIFTY years ago today, more than a decade before it was officially inaugurated, the Sydney Opera House hosted its first performance by an internationally renowned entertainer when Paul Robeson, in the midst of what turned out to be his final concert tour, sang to the construction workers during their lunch break.
Alfred Rankin, who was at the construction site on November 9, 1960, recalls this “giant of a man” enthralling the workers with his a cappella renditions of two of his signature songs, Ol’ Man River and Joe Hill.
“After he finished singing, the men climbed down from the scaffolding, gathered around him and presented him with a hard hat bearing his name,” Paul Robeson Jr writes in his biography of his father, The Undiscovered Robeson. “One of the men took off a work glove and asked Paul to sign it. The idea caught on and the men lined up. Paul stayed until he had signed a glove for each one of them.”
Workers had the best seats when Robeson sang at the Sydney Opera House, 9 November 1960
The visit, Rankin tells The Australian, was organised by the Building Workers Industrial Union of Australia and the Australian Peace Council’s Bill Morrow, a former Labor senator from Tasmania.
In a chapter on Robeson’s visit in the book Passionate Histories: Myth, Memory and Indigenous Australia, which will be launched in Sydney tomorrow, Ann Curthoys quotes the performer as saying on the day after his visit to the Opera House site: “I could see, you know, we had some differences here and there. But we hummed some songs together, and they all came up afterwards and just wanted to shake my hand and they had me sign gloves. These were tough guys and it was a very moving experience.”
In 1998, on the centenary of Robeson’s birth, former NSW minister John Aquilina told state parliament his father had been working as a carpenter at the Opera House site on November 9, 1960: “Dad told us that all the workers – carpenters, concreters and labourers – sang along and that the huge, burly men on the working site were reduced to tears by his presence and his inspiration.”
Curthoys, the Manning Clark professor of history at the Australian National University, who plans to write a book about the Robeson visit, also cites a contemporary report in The Daily Telegraph as saying that the American performer “talked to more than 250 workmen in their lunch hour, telling them they were working on a project they would be proud of one day”. [Curthoy’s book, The Last Tour: Paul and Eslanda Robeson’s visit to Australia and New Zealand, was published at last in 2025]
According to biographer Martin Duberman, Robeson wasn’t particularly enthusiastic about the offer of a tour of Australia and New Zealand from music entrepreneur D. D. O’Connor, but the idea of earning $US100,000 for a series of 20 concerts, plus extra fees for television appearances and the like, proved irresistible.
Robeson had once been one of the highest paid entertainers in the world, but from 1950 onwards he effectively had been deprived of the opportunity of earning a living. A combination of pressure from the US government and right-wing extremists meant American concert halls were closed to him, and the US State Department’s refusal to renew his passport meant he was unable to accept invitations for engagements in Europe and elsewhere. Robeson never stopped singing but was able to do so only at African-American churches and other relatively small venues. His annual income dwindled from more than $US100,000 to about $US6000.
At the time, Robeson was arguably one of the world’s best known African Americans. As a scholar at Rutgers University, he had endured all manner of taunts and physical intimidation to excel academically and as a formidable presence on the football field: alone among his Rutgers contemporaries, he was selected twice for the All-American side.
Alongside his athletic prowess, which was also displayed on the baseball field and the basketball court, he was beginning to find his voice as a bass baritone. When a degree in law from Columbia University failed to help him make much headway in the legal profession, he decided to opt for the world of entertainment, and made his mark on the stage and screen as a singer and actor.
An extended sojourn in London offered relief from the racism in his homeland and established his reputation as an entertainer, not least through leading roles in the musical Show Boat and in Othello opposite Peggy Ashcroft’s Desdemona.
(He reprised the role in a record Broadway run for a Shakespearean role in 1943 and again at Stratford-upon-Avon in 1959)
Robeson returned to the US as a star in 1939 and endeared himself to his compatriots with a cantata titled Ballad for Americans.
In the interim, he had been thoroughly politicised, not least through encounters in London with leaders of colonial liberation movements such as Kenya’s Jomo Kenyatta, Ghana’s Kwame Nkrumah and India’s Jawaharlal Nehru.
He had sung for republicans in Spain and visited the Soviet Union at the invitation of filmmaker Sergei Eisenstein.
Robeson’s refusal to reconsider his political affiliations once World War II gave way to the Cold War made him persona non grata in his homeland: his infatuation with the Soviet Union did not perceptibly pale in the face of horrific revelations about Stalinist excesses, partly because he looked on Jim Crow as his pre-eminent foe. It is therefore hardly surprising that exposure in Australia to Aboriginal woes stirred his passion.
On the day after his appearance at the Opera House site, at the initiative of Aboriginal activist and Robeson fan Faith Bandler he watched a documentary about Aborigines in the Warburton Ranges during which his sorrow turned to anger, and he vowed to return to Australia in the near future to fight for their rights. He made similar promises to the Māori in New Zealand.
But the years of persecution had taken their toll physically and psychologically: Robeson’s health broke down in 1961 and, on returning to the US in 1963, he lived the remainder of his life as a virtual recluse. He died in 1976, long after many of his once radical aspirations for African Americans had been co-opted into the civil rights mainstream. His political views remained unchanged.
It’s no wonder that, as writer and broadcaster Phillip Adams recalls, Robeson’s tour was like “a second coming” to “aspiring young lefties” in Australia.
Duberman cites Aboriginal activist Lloyd L. Davies’s poignant recollection of Robeson’s arrival in Perth on the last leg of his tour, when he made a beeline for “a group of local Aborigines shyly hanging back”.
“When he reached them, he literally gathered the nearest half dozen in his great arms.”
Davies heard one of the little girls say, almost in wonder, “Mum, he likes us.”
She would have been less surprised had she been aware of the Robeson statement that serves as his epitaph: “The artist must take sides. He must elect to fight for freedom or slavery. I have made my choice. I had no alternative.”
Left for Good – Peter Craven on Paul Robeson
The Weekend Australian. March 11 2017
What on earth impelled Jeff Sparrow, the Melbourne-based former editor of Overland and left-wing intellectual, to write a book about Paul Robeson, the great African American singer and actor?
Well, he tells us: as a young man he was transporting the libraries of a lot of old communists to a bookshop and was intrigued by how many of the books were by or about Robeson.
All of which provokes apprehension, because politics is a funny place to start with
Robeson, even if it is where you end or nearly end. Robeson was one of the greatest singers of the 20th century. When I was a little boy in the 1950s, my father used to play that velvet bottomlessly deep voice singing not only Ol’ Man River — though that was Robeson’s signature tune and his early recording of it is one of the greatest vocal performances of all time — but all manner of traditional songs. Not just the great negro spirituals (as they were known to a bygone age; Sparrow calls them slave songs) such as Go Down, Moses, but Shenandoah, No, John, No and Passing By, as well as the racketing lazy I Still Suits Me.
My mother, who was known as Sylvie and loathed her full name, which was Sylvia, said the only time she could stand it was when Robeson sang it (“Sylvia’s hair is like the night … such a face as drifts through dreams, such is Sylvia to the sight”). He had the diction of a god and the English language in his mouth sounded like a princely birthright no one could deny.
It was that which made theatre critic Kenneth Tynan say the noise Robeson made when he opened his mouth was too close to perfect for an actor. It did not stop him from doing Eugene O’Neill’s All God’s Chillun’ Got Wings or The Emperor Jones, nor an Othello in London in 1930 with Peggy Ashcroft as his Desdemona and with Sybil Thorndike as Emilia.
Robeson later did Othello in the 1940s in America with Jose Ferrer as Iago and with Uta Hagen (who created Martha in Who’s Afraid of Virginia Woolf?) as his Desdemona. He toured the country; he toured the south, which was almost inconceivable. When he was told someone had said the play had nothing to do with racial prejudice, Robeson said, “Let him play it in Memphis.”
Southern white audiences were docile until Robeson’s Othello kissed Hagen’s Desdemona: then they rioted. Robeson also made a point, at his concerts and stage shows, of insisting the audience not be segregated. James Earl Jones. who would play Robeson on the New York stage, says in his short book about Othello, “I believe Paul Robeson’s Othello is the landmark performance of the 20th century.”
Robeson would play the Moor again in 1959 at Stratford-upon-Avon. By that time, though, he had fallen foul of 1950s America. He had been called before the McCarthyist House Un-American Activities Committee. You can hear a dramatisation of his testimony with Earl Jones as Robeson, which includes an immemorial reverberation of his famous words when senator Francis E. Walter asked him why he didn’t just quit the US and live in Russia.
“Because my father was a slave and my people died to build this country, and I am going to stay here and have a part of it just like you. And no fascist-minded people will drive me from it. Is that clear?”
It’s funny how it was the real communists such as Bertolt Brecht and Robeson who handled the committee best. Still, in an extraordinary act of illiberalism, they took away his US passport and it took two years for the Supreme Court to declare in 1958 in a 5-4 decision that the secretary of state was not empowered to withdraw the passport of any American citizen on the basis of political belief.
When Paul Robeson sang at the Sydney Opera House
It was this that allowed Robeson to do his Othello in Peter Hall’s great centenary Stratford celebration along with Charles Laughton’s Lear and Laurence Olivier’s Coriolanus. It also allowed him to come to Australia. Very early on Sparrow tells the story of watching the clip of Robeson singing Ol’ Man River to construction workers in Sydney with the Opera House still a dream in the process of meeting impediments. The version Robeson sings is his own bolshie rewrite (“I must keep fightin’/ Until I’m dyin’ ”).
Well, fight he did and bolshie he was. I remember when I was a child my father telling me Robeson was a brilliant man, that he had won a sporting scholarship for American football (to Rutgers, in fact), that he’d gone on to receive a law degree (from Columbia, no less) and that he was so smart he had taught himself Russian.
But the sad bit was, according to my father, that he’d become a communist. Understandably so, my father thought, because of how the Americans treated the blacks. My father’s own radical impulses as a schoolboy had been encouraged, as Robeson’s were on a grander scale, by World War II where Uncle Joe Stalin was our ally in the war against Hitler’s fascism.
But this was the Cold War now, and a lot of people thought, with good reason, that it was behind the Iron Curtain that today’s fascists were to be found. Even if others such as the great German novelist Thomas Mann and Robeson thought they were encroaching on Capitol Hill.
Sparrow’s book No Way But This is circumscribed at every point by his primary interest in Robeson as a political figure of the Left rather than as a performer and artist.
It’s an understandable trap to fall into because Robeson was an eloquent, intelligent man of the Left and his status was also for a while there — as Sparrow rightly says — as the most famous black American on Earth. So his radicalism is both pointed and poignant.
His father, who became a Methodist minister, was born a slave and was later cruelly brought down in the world. But, unlike the old Wobblies whose bookcases he transported, Sparrow is not inward with what made Robeson famous in the first place and it shows.
No Way But This is a great title (“no way but this / killing myself, to die upon a kiss” is what Othello says when he’s dying over the body of Desdemona, whom he has killed) but Sparrow’s search for Robeson is not a great book.
As the subtitle suggests, it is a quest book but Sparrow is a bit like the Maeterlinck character cited in Joyce’s Ulysses who ends up meeting himself (whether in his Socrates or his Judas aspect) on his own doorstep. Sparrow goes to somewhere in the US associated with Robeson and meets a black-deaths-in-custody activist full of radical fervour. She introduces him to an old African-American who was in Attica jail for years. There is much reflection on the thousands of black people who were slaves on the plantations and the disproportionate number of them now in US prisons.
Yes, the figures are disquieting. No, they are not aspects of the same phenomenon even though ultimately there will be historical connections of a kind.
And so it goes. But this is a quest book that turns into a kind of travelogue in which Sparrow goes around the world meeting people who might illuminate Robeson for him but don’t do much for the reader except confirm the suspicion that the author’s range of acquaintance ought to be broader or that he should listen to people for a bit more rather than seek confirmation of his own predilections.
There are also mistakes. Sparrow seems to know nothing about the people with whom Robeson did Othello. There’s no mention of Thorndike, and when Ashcroft comes up as someone he had an affair with, Sparrow refers to the greatest actress of the Olivier generation as “a beautiful glamorous star”. Never mind that she was an actress of such stature, Judi Dench said when she played Cleopatra she could only follow Ashcroft’s phrasing by way of homage.
Sparrow also says “American actor Edmund Kean started using paler make-up for the role, a shift that corresponded with the legitimisation of plantation slavery”. Kean, who was the greatest actor of the later romantic period, was English, not American. His Othello would, I think, be more or less contemporary with William Wilberforce lobbying to have slavery made illegal. Sparrow seems to be confusing Kean with Edwin Booth, the mid-century Othello who happens to have been the brother of John Wilkes Booth, the assassin of Abraham Lincoln. But it’s still hard to see where the plantations fit in.
A few pages later — and it’s not important though it’s indicative — we hear of the rumour that Robeson was “romancing Edwina Mountbatten, Countess Mountbatten of Burma”. Well, whatever she was called in the early 1930s, it wasn’t Countess Mountbatten of Burma because her husband, Louis Mountbatten, the supreme allied commander in Southeast Asia during World War II, didn’t get the title until after the Japanese surrendered to him — guess where?
Such slips are worth belabouring only because they make you doubt Sparrow’s reliability generally. It’s worth adding, however, that his chapter about the prison house that the Soviet Union turned itself into is his most impressive. And the story of the last few years of Robeson’s life, afflicted with depression, subject to a lot of shock treatment, with recurrent suicide attempts, is deeply sad.
He felt towards the end that he had failed his people. He just didn’t know what to do. It was the melancholy talking as melancholy will.
It’s better to remember the Robeson who snapped back at someone who asked if he would join the civil rights movement: “I’ve been a part of the civil rights movement all my life.”
It’s to Sparrow’s credit that he’s fallen in love with the ghost of Robeson even if it’s only the spectral outline of that power and that glory he gives us.
Peter Craven is a cultural and literary critic
The Last Tour: Paul and Eslanda Robeson’s visit to Australia and NZ
Australians of a certain age know all about Paul Robeson’s magnificent voice. They know, too, that on a warm November day more than 60 years ago, the bass-baritone sang to 250 construction workers on the Sydney Opera House building site as the workers sat on scaffolding and stacks of timber and ate their lunch. Fewer know of Robeson’s Pro-Communist and pro-Soviet views and of how those beliefs damaged his career at home and abroad. And that’s not so surprising – as historian Ann Curthoys points out, the Cold War suppression of Robeson’s career and memory has been very effective.
Recovering the story of a man who was once the most famous African-American in the world and his equally impressive wife, Eslanda, is the task Curthoys, who grew up in an Australian communist family in the 1950s and 60s, sets herself in a new book, The Last Tour: Paul and Eslanda Robeson’s visit to Australia and New Zealand.
It follows the couple’s tour – a mix of his concerts and their public talks and media interviews – to Australia and New Zealand over October, November and December 1960. Curthoys goes further, using the seven-week tour by this celebrated singer to explore the social and political changes just beginning in post-War Australia. Her interest is “the slow transition from the Cold War era of the late 1940s and 50s, to the 60s era of the New Left, new social movements and the demand for Aboriginal rights”.
Curthoys is 79 now, but when Robeson toured she was 15 and living in Newcastle, a city the singer did not visit. Her mother, Barbara Curthoys, a well-known activist and feminist, was a fan of the singer but the trip passed the teenager by.
It was only decades later, as she researched her 2002 book on the 1965 Aboriginal Freedom Ride through regional NSW, that Curthoys connected with the story. As a university student she had taken part in the ride and moved from communism to the New Left. When she approached the subject as a historian, she realised that for some riders, their attendance at Robeson’s concerts five years earlier had been a defining moment in their “understanding of racial discrimination and Aboriginal rights”.
Curthoys has had a long career in research and teaching at the Australian National University and the University of Technology, Sydney. She’s part of a remarkable family, and not just parents Barbara and Geoffrey, who was a lecturer in chemistry at Newcastle University. Her sister Jean is a leading feminist philosopher and her husband, John Docker, has written several books on cultural history, popular culture and the history of ideas.
Curthoys began researching The Last Tour in 2007, but put it aside for another project on Indigenous Australians before resuming work on it during the Covid-19 lockdowns. Post-Robeson, she has worked with two scholars on a forthcoming book on the history of domestic violence in Australia.
The tour, she says, was really several tours rolled into one with the Robesons covering many bases – from music to Cold War politics to feminism to Aboriginal rights. It was a conservative era: Robert Menzies’ Liberals ruled federally and five of the six Australian states had conservative governments. Robeson’s presence went unremarked by governments but for fans of his music – and his ideals – the tour was a significant event that was well covered by the press, even those opposed to his views on the Soviet Union.
For some fans, it was a music tour – 20 concerts in nine cities in Australia and New Zealand, at which Robeson sang his show-stoppers, including Deep River, Go Down, Moses; We Are Climbing Jacob’s Ladder, and the song with which he is always identified, Ol’ Man River. The 62-year-old with the extraordinary voice also delivered “recitations” – a monologue from Shakespeare’s Othello, an anti-segregationist poem Freedom Train, and William Blake’s anthem, Jerusalem.
What a thrill for Australian audiences, some of whom had followed the handsome, 1.9m singer and actor since the 1920s. Even in an age of limited communications, Robeson was well-known here through films; records and radio. Curthoys notes that one indicator of his fame was the way promising Aboriginal singers in the 1930s were dubbed “Australia’s Paul Robeson”.
He was famous – and controversial. Unlike many other supporters of communist ideas, Robeson refused to break from the Soviets after the invasion of Hungary in 1958 and continued to defend Moscow. The “anti-communist repression and hysteria” that gripped the US in the McCarthy era had a profound effect on his life and career, Curthoys writes. He was cited in 1947 by the House Committee on Un-American Activities as “supporting the Communist Party and its front organisations”.
A 1949 US tour was destroyed “after mass cancelling of bookings by venue managers either vehemently opposed to his politics or afraid in such a hostile climate of being classed as communist sympathisers themselves”. Then in 1950, he lost his passport. Over the years, he would “become for communists an emblem of defiance in the face of adversity, and one of the communist world’s most prominent speakers for peace,” Curthoys writes.
Unable to travel until his passport was restored in 1958, Robeson was steadfast in his support for communist ideals. That commitment was evident in Australia when the “peace tour” – built around a series of public meetings – was as important to the singer as the popular concerts where he reached a different audience. Curthoys details a related strand – the “workers’ tour”, which involved seven informal concert performances to groups of railway workers, waterside workers and those at work on the Opera House on that November day.
She says the events revealed much about the “the nature of class in Australia and New Zealand” at a time when “strong and confident trade unions” were interested in “broad cultural concerns”. Over several weeks Robeson attracted people who loved his music alongside those who loved his politics. Far from being shunned for his pro-Soviet views, Curthoys suggests, there was support from two different audiences – music people and “left-wing people who were either pro-Soviet or not”.
Even so, the Cold War anxieties over the Soviets meant a positive reception was not necessarily assured when Paul and Eslanda flew into Sydney at midday on October 12, 1960. They were greeted by several hundred fans carrying peace banners but they faced pointed questions about the Soviet Union at the 20-minute press conference at the airport.
Robeson refused to condemn the suppression of the Hungarian uprising and media reports suggested a torrid exchange. Curthoys reviewed a tape of the press conference and says while the questioning was “a little aggressive”, the event was not as bad as reported in the media. Indeed it was “fairly friendly” albeit for a “bad patch” when Robeson refused to budge on Hungary.
That tape and others, along with newspapers and Trades Hall documentation, yielded rich material but so too did the ASIO files on the couple. At the Palace Hotel in Perth on December 2 an ASIO operative appeared to be among those at a reception organised by the communist-influenced Peace Council. Among guests were the writer (and well-known communist) Katharine Susannah Prichard and “two women by the name of Durack, who were writers and/or artists”.
Curthoys sees Robeson as a “very courageous, very intelligent, intellectual person, very thoughtful about music, about folk music, about people”, but says his commitment to the Soviet Union was a costly mistake. He had embraced Moscow when he and Eslanda visited in 1934 at the invitation of Soviet film director Sergei Eisenstein. Later, Robeson, a fluent Russian speaker, would say it was in the Soviet Union that he felt for the first time he was treated “not through the prism of race but simply as a human being”. Curthoys writes: “The excitement and validation he received during this visit would create a loyalty that later events would not dislodge and the public expression of which would damage him politically, commercially and professionally.”
The couple made several trips to the Soviet Union and accepted its political system completely. Curthoys notes: “They made no public comments about Stalin’s forced collectivisation policies that were in place during the 1930s and led to famine and the loss of millions of lives.” In Sydney Robeson was careful, but on November 5 he celebrated the forthcoming anniversary of the Russian Revolution at the Waterside Workers Federation in Sussex Street. Two days later, during his first public concert in the city, he paid tribute to the Soviet Union as “a new society”.
The Soviet Union had been a great influence but so too was the Spanish Civil War, which Curthoys says helped define his view of the political responsibilities of the artist.
“Increasingly famous as a public speaker, on 24 June, 1937, he made a huge impression at a mass rally at the Albert Hall in London sponsored by prominent figures such as WH Auden, EM Forster, Sean O’Casey, HG Wells and Virginia Woolf, held to raise financial aid for Basque child refugees from the war. In what became his most well-known and influential speech, he stressed how important it was for artists and scientists and others to take a political stand: ‘Every artist, every scientist, every writer must decide NOW where he stands. He has no alternative. There is no standing above the conflict on Olympian heights.’”
After World War II, Robeson was deeply involved in radical and anti-racism politics in the US but in 1947, as the Cold War worsened, he had had enough. He announced he intended to abandon the theatre and concert stage for two years to speak out against race hatred and prejudice. In fact he stopped stage acting for 12 years but continued to perform as a singer, often in support of political causes.
It was another 13 years before Australian audiences heard that glorious voice “live”. Australians, it seemed were primed for Paul. The tour may have been ignored by governments but during her research, Curthoys was “overwhelmed” by people “ready to assist, donating old programs, photographs, pamphlets, records, cassette tapes, invitations and other documents”.
Today, much of the Robeson image is defined by his Opera House performance on November 9 – high culture delivered, without condescension, to a building crew by a champion of the workers. Robeson, in a heavy coat, despite the warm weather, sang “from a rough concrete stage”. A PR expert could not have dreamt up a a better way to “democratise” an opera house than having the “first concert” delivered in its half- built shell. Curthoys shows how the event, no matter how memorialised now, was a small part of a tour that proved a financial and political success for the Robesons, who left Australia on December 4.
A few months later, depressed and exhausted, Robeson tried to commit suicide in Moscow. Over the next three years he was treated but could no longer perform or engage in public speaking. Curthoys notes that though his affairs with other women had strained their marriage, he and Eslanda had a common political vision and were together until her death in 1965. Robeson died on January 23, 1976 at the age of 77.
Helen Trinca’s latest book is Looking for Elizabeth: The Life of
Elizabeth Harrower (Black Inc.)
British archaeologist, academic and historian David Breeze has argued that “the study of history best proceeds through controversy”, suggesting that scholarly debate and differing interpretations of historical events are vital for a deeper understanding of the past, that that confronting alternative perspectives, reinterpreting evidence, and engaging in critical analysis can lead to more nuanced and accurate historical narrative.
This is particularly relevant with regard to the study of the historical and contemporary relationship between Australia and its indigenous minority.
I’ve written often about the indigenous history of our country. The following passage from my piece on Australia’s The Frontier Warsencapsulates my perspective:
”There is a darkness at the heart of democracy in the new world “settler colonial” countries like Australia and New Zealand, America and Canada that we struggle to come to terms with. For almost all of our history, we’ve confronted the gulf between the ideal of political equality and the reality of indigenous dispossession and exclusion. To a greater or lesser extent, with greater or lesser success, we’ve laboured to close the gap. It’s a slow train coming, and in Australia in these divisive days, it doesn’t take much to reignite our “history wars” as we negotiate competing narratives and debate the “black armband” and “white blindfold” versions of our national story”.
The historical truth, elusive and subjective, lies in the wide no man’s land between them – a view subscribed to by economist and commentator Henry Ergas in an informative tribute to the role of the recently deceased historian Keneth Wind
shuttle in The Australian. Ergas maps the topography of the history wars, marking out the battle lines between the so-called “revisionist” historians who are said to see no good in our history as it related to indigenous Australians and those, often on the conservative side of Australian politics, who ostensibly see no evil.
He begins by citing the nineteenth century German historian Leopold von Ranke who held that the historian’s highest calling was to write about the past “wie es eigentlich gewesen” – “as it had really been”. To achieve that task, Ranke had observed, three qualities were indispensable – common sense, courage and honesty: the first, to grasp things at all; the second, to not become frightened at what one sees; the third, to avoid the temptations of self-deception. Most of all, however, the historian needed to recognise that “Every epoch is equally close to God”, equally infused by grandeur and equally scarred by tragedy. It is not “the office of judging the past, or of instructing the present for the benefit of future ages” that has been assigned to historians; it is that of carefully reconstructing, rationally analysing and dispassionately presenting the past in all of its remoteness and complexity.
Reading Ergas’s tribute, I was reminded of what George MacDonald Fraser, creator of the infamously funny Flashman diaries, wrote in his wartime memoir Quartered Safe Out Here:
“You cannot, you must not, judge the past by the present; you must try to see it in its own terms and values, if you are to have any inkling of it. You may not like what you see, but do not on that account fall into the error of trying to adjust it to suit your own vision of what it ought to have been.”
Below are pieces published in In That Howling Infinite in regard to Australian history as it these relate to Indigenous Australians:
Keith Windschuttle and the continuing battle for history
Henry Ergas, The Australian, 18 April 2025
Historian Keith Windschuttle in Perth, 2004.Ross Swanborough
With the death last week of Keith Windschuttle Australia lost a scholar driven by the duty Leopold von Ranke famously defined as the historian’s highest calling: to write about the past “wie es eigentlich gewesen” – “as it had really been”.
To achieve that task, Ranke observed, three qualities were indispensable – common sense, courage and honesty: the first, to grasp things at all; the second, to not become frightened at what one sees; the third, to avoid the temptations of self-deception.
Most of all, however, the historian needed to recognise that “Every epoch is equally close to God”, equally infused by grandeur and equally scarred by tragedy. It is not “the office of judging the past, or of instructing the present for the benefit of future ages” that has been assigned to historians; it is that of carefully reconstructing, rationally analysing and dispassionately presenting the past in all of its remoteness and complexity.
Never was that task harder than in this country’s “history wars”. Triggered, in the self-congratulatory words of the ANU’s Tom Griffiths, by a “concerted scholarly quest to dismantle the Great Australian Silence” – a silence that had “hardened into denialism … denial of bloody warfare on Australian soil” – the revisionist historians’ portrayal of Australia’s history as a never-ending tale of murderous dispossession, cultural decimation and environmental destruction inevitably took its toll on accuracy and objectivity.
There was, in the revisionists’ onslaught, little room for the Rankean virtues, first and foremost that of meticulous attention to the documentary records. It was therefore unsurprising that The Fabrication of Aboriginal History’s relentless focus on those records thrust Windschuttle into the firing line.
Historians Keith Windschuttle and Henry Reynolds.
Nor was it surprising that he paid a high price for his audacity. As Tim Rowse, one of Australia’s most distinguished scholars of Aboriginal history, noted, “at least one speaker” at a 2001 National Museum of Australia conference on Windschuttle’s work “was patronising towards Windschuttle to a degree that exceeded anything I’ve experienced in academic life”; instead of addressing his arguments, the focus was on comparing Windschuttle to David Irving, thereby placing him “outside the conversations of humanists”.
Yet it would be wrong to suggest Windschuttle’s colossal efforts were ignored. As Rowse, who could hardly be accused of being a reactionary, admitted, Windschuttle’s review of the NSW archival evidence on the Stolen Generations was “compelling”, raising real questions about an episode that has become emblematic of “the heavy-handed and insensitive management of Indigenous Australians”.
Moreover, even the attempts to debunk the Fabrication’s contentions yielded tangible benefits. Windschuttle’s Quadrant articles were “widely derided as politically mischievous”, writes Mark Finnane, a legal historian whose work on the interactions between Indigenous Australians and the law has reshaped the field; but their longer-term impact “has been to accelerate research in local and regional studies”, providing a sounder factual base for broader analyses.
At least partly as a result, there are some outstanding works, including by historians broadly on the left, that are far removed both from the revisionists’ overwhelming Manicheanism and from the flights of fancy of the post-modernists Windschuttle had so effectively denounced in The Killing of History (1994).
For example, Rowse’s White Flour, White Power (1998) – with its conclusion that “‘assimilation’ was in some respects a constructive policy era, not only a destructive onslaught on Indigenous ways of life” – remains an exceptionally fine book, and several of his more recent essays, such as the one on the “protection” policy’s role in reversing the decline in the Indigenous population, directly challenge the revisionists’ core assumptions.
Equally, Finnane’s Indigenous Crime and Settler Law (2012), co-authored with Heather Douglas, provides a balanced account of the repeated efforts the colonial authorities made – albeit with only mixed success – to deal sensitively and humanely with the gap between tribal custom and English law.
Noting that putting “the colonial encounter in polarised terms” as a clash between black and white “is an abstraction from a complex and constantly shifting reality”, Finnane and Douglas highlight the need to recognise that “settlers were divided – convicts, free immigrants, military, governors”, as were “Indigenous peoples – jealous of their own country, accustomed in many places to constant warring, seeking advantage of alliances with settlers to advance or protect their own interests”.
And Andrew Fitzmaurice’s Sovereignty, Property and Empire, 1500–2000 (2014) is a deeply researched corrective to simple-minded claims (including, unfortunately, by the High Court) about the relevance of “terra nullius” to Britain’s assertion of sovereignty.
But despite those efforts, the sloppiness continues, as even a cursory glance at the ever-expanding literature on the Native Mounted Police shows.
For example, the military historian Peter Stanley – who has been influential in the Australian War Memorial’s portrayal of the “frontier wars” – has recently claimed that “the Native Police were Australia’s own Einsatzgruppen”, the Nazi murderers who machine-gunned hundreds of thousands of Jews that they had herded on to the edge of pits, stripped naked and beaten to within an inch of their lives. That Stanley’s claim is abhorrent for minimising the horrors of the Holocaust should not need to be said; that it is grotesque for its obvious historical inaccuracy ought to be apparent to even the least informed reader.
Striking too are the contentions of Queensland historian Raymond Evans. The mounted police, Evans claimed in 2010, were responsible for 24,000 deaths. But since then, Evans, in work with Robert Orsted-Jensen, has nearly doubled that estimate to 41,040, allegedly on the basis of a methodology that is “conservative” and “cautious”.
Peter Stanley
Keith Windschuttle
In an attempt to justify relying on highly selective samples and superficial extrapolations, Orsted-Jensen has claimed that there was a “a very systematic, deliberate and comprehensive destruction of virtually all sensitive flies stored in Queensland’s Police Department” – an accusation that has become one of the revisionist historians most widely repeated tropes.
However, a devastating review of Evans and Orsted-Jensen’s work by Finnane and Jonathan Richards not only points to the wealth of documentary material on which Evans and Orsted-Jensen could have drawn; it also concludes that any gaps in the records are more likely “an accumulated outcome of administrative culling, bureaucratic indifference, and misadventure” than of systematic destruction.
In fact, “rather than a history of cover-up, the entire administration of the Native Police from as early as 1861 on illustrates the concern of governing elites with the risk of unwarranted killing”.
As for Evans and Orsted-Jensen’s estimates of casualties, Finnane and Richards show that they are “highly subjective … and correspondingly unreliable”, while “the picture (Evans and Orsted-Jensen) paint of massive governmental indifference to or complicity in the deaths of tens of thousands of Aboriginal deaths does not stand up to scrutiny”.
But if questionable assertions remain common in the professional literature, they absolutely pervade the public commentary. Predictably, the ABC publicised Evans and Orsted-Jensen’s estimates; no less predictably, it has done nothing to correct the record. And if the academic historians are willing to rebut inaccuracies in scholarly publications, they are far more reluctant to do so when that involves intervening in the public debate.
That was apparent in the wake of Keryn Walshe and Peter Sutton’s Farmers or Hunter Gatherers? (2021), which vividly exposed the flaws of fact and analysis in Bruce Pascoe’s Dark Emu. The reviews in scholarly journals, such as that by Peter Veth in Australian Archaeology (2021), did not mince their words about Pascoe’s egregious errors; but more often than not, the media commentary by academic historians was cautiously circumspect.
There were, for sure, attacks on Walshe and Sutton that merely reproduced the left’s deeply engrained orthodoxy. To take but one example, Heidi Norman from UTS accused Walshe and Sutton of “wanting to strip the debate of contemporary meaning” by deploying a neo-colonial framework in which “Western definitions and labels are supreme”.
However, the academics’ dominant tone was mealy-mouthed, conceding that Pascoe had made mistakes but arguing that those mistakes counted less than Dark Emu’s merits in advancing reconciliation.
Peter Sutton
James Boyce
Thus, reviewing Farmers or Hunter Gatherers? in The Guardian, Sydney University’s Mark McKenna carefully put the word ‘fact’ in scare quotes, as if there was some doubt as to its meaning; while “at face value, this is a dispute about ‘facts’”, he wrote, the dry-as-dust issues of evidence and verisimilitude are far less important than “Pascoe’s ability to capture and move audiences desperate to hear his stories of Aboriginal ‘achievement’”.
In exactly the same way, the Tasmanian historian James Boyce recognised shortcomings in Pascoe’s work but nonetheless hailed it as a “significant cultural achievement”, whose “lifegiving” story “speaks to people for whom Aboriginal Australia remains a foreign country but want this to change”.
And Henry Reynolds, writing in Meanjin, essentially pooh-poohed the criticisms, arguing that Pascoe’s faux pas was primarily one of terminology: had Pascoe “declared that the First Nations peoples were not ‘just’ hunters and gatherers but graziers rather than farmers”, the problems with his account would have been largely overcome.
The undertone, in those comments, was clear: that it would be unfair to disabuse Pascoe’s adoring white fans, whose intentions were as pure as their thoughts were confused. Keeping faith with those intentions might involve distorting the truth; but the lie, like those Plato advocates in The Republic, would be a noble one, which ruling elites tell “in order to benefit the polis” by convincing citizens that “it is not pious to quarrel”.
Bruce Pascoe
Ironically, in their effort not to discomfort the masses, the revisionists had enveloped themselves in a Great Australian Silence of their own.
Yet the harm those deliberate distortions of the historical record cause is not just to truthfulness; it is to our ability to live with the past, rather than to live in the past. For so long as we cannot accurately and dispassionately view this country’s history, we will lack the foundations needed to better shape its future.
And it is not much comfort to know that when intellectual constructs stray too far from careful readings of the world, as they so tragically have in everything to do with Indigenous history and policy, reality has a nasty habit of biting back.
In the end, Nietzsche was right: the basic question societies, no less than individuals, must face, is “How much truth can we endure? Error is not blindness; it is cowardice.” Exposing cowardice takes courage. Now, with Keith Windschuttle gone, that duty must fall to others.
In That Howling Infinite 