for we had love and each other and the moon for company
when I spent summer with Monica and Monica spent summer with me
June this year saw the fiftieth anniversary the publication of Roger McGough’s wistful verse-memoir “Summer With Monika”, and in October, we celebrate the publication in 1967 of that great anthology The Mersey Sound which showcased the poetry of Liverpudlians McGough, Brian Patten and Adrian Henry.
Named for the musical revolution that originated in the northern English port city of Liverpool, it became one of the best-selling poetry anthologies of all time, exerting an influence on British poetry well beyond the decade. I bought the slim volume as soon as it came out, and back in the day, guitar in hand, I would set many of its poems to music as it nurtured my nascent song-writing and poetry skills. I recall now Patten’s “Somewhere Between Heaven and Woolworths’, and “Delicate John’ and the tunes I set to them. I still sing McGough’s Great War country-and-western-noir ‘Square Dance’: “Swing your partners dos-y-doed, all around the shells explode”
The poems had an immediacy, a relevance to those breakout times when a young man’s hopes and fears seemed to centre of the availability or otherwise (mostly not) of casual sex with gorgeous dolly birds, the American quagmire in Vietnam, and the imminent threat of a nuclear Armageddon. They spoke in a familiar vernacular, everyday English that we understood and related to about ordinary events and workaday artifacts that acquired a totemic significance upon the printed page. Toasters, teapots and fish ‘n chips. Kardomah cafes and Star of India restaurants. Bus-conductors, postmen, and milk bottles on the doorstep. Schoolyards and superheroes. Miniskirts and monarchy. The northern English weather.
And all this against the soundtrack of some of the greatest popular music that ever was spilling out of radios and record players in the suburban bedrooms and inner city bedsits of teenagers across the land. There wasn’t a great lyrical leap from the songs of the Beatles with their particular Liverpudlian spirit of place to the words, worries and wonderings of our very own British ‘Beat Poets’.
I have visited those days often in these pages. In A Window on a Gone World I wrote:
“This was indeed a decade of change and ferment. Values changed, morals changed, habits changed, clothes changed, music changed (the best music ever). The way people looked at the world and thought about it. We often look back and remark that a supernova of creativity burst over the western world during those years, the likes of which was not seen before and has never been seen again. And nowhere more so than in decadent, decaying, depressing, old England, trapped in tradition, class, and prejudice”.
I browsed through the whole book the other day, and in a way, it was like a reunion party, a meeting and greeting of old friends, a pleasant, nostalgic journey to a gone time. As that well-worn saying goes, the past is indeed another country – we certainly did things different then. The places and the people, the perceptions and perspectives, the preoccupations and the passions. As I read, I’d recognize words, phrases, images, ideas that osmosised into my own verse, particularly poetry I penned in the late sixties and early seventies, and which are gathered up in my Tabula Rasa collection.
It was my habit in those days to scribble little notes in the margins. And there they were now, for me to ponder fifty years on, and to wonder how the world looked when I wore a young man’s skin, and thought with the mind of a raw, inquiring, idealistic youth who had yet to break loose of the ties that bound, of family, school, and town. But the adventure had obviously begun – if only in the imagination, as I read and rehearsed, pondered and prepared for the great escape. An upper sixth, adolescent eclecticism well-illustrated by the picture below of my additions to Adrian Henri’s stream of consciousness nomenklatura:
Like Adrian Henri’s name-dropping, my neatly-written notes list a host of folk living and dead, mostly white and mostly male. Actors, authors and autocrats. Poets, painters, and philosophers. Popstars, policians and television personalities. Most are, even today, remembered and commemorated. Some are long forgotten. There are few on my list that I failed to recognize after all these years. But praise be to Google! I soon rediscovered that Sean Lemass was Taoiseach of Ireland in 1967; that Frank Mitchell was a notorious ax-murderer killed that year on the orders of the infamous Kray twins; that Manny Shinwell was an MP and trade unionist, and Jack Dash, a communist trade union leader. Bartle Frere was governor of Cape Colony at the time of the Zulu wars, and Dudley Stamp, a celebrated geographer of the British landscape, both included, I believe, because I was doing A Levels in History and Geography at the time, and their names struck a chord of sorts. In the light of my later life DownUnder, one name was particularly prescient: Harold Holt’s short tenure as prime minister of Australia ended in 1967 with a ill-fated swim off the coast of Melbourne. There are now Harold Holt swimming clubs and annual swimathons all over the country.
I will conclude this personal retrospective with a some quotations, poems and recordings:
Brian Patten:
She walks across the room and opens the skylight
thinking, perhaps a bird will drop in
for and teach her to sing
The children who grow old
to who squabble and grow thin
who lick their lips at disaster .
and quietly whisper of sin
Adrian Henri:
I remember
walking in empty squares in winter rain
kissing in darkened hallways
walking in empty suburban streets
saying goodnight in deserted alleyways
in the midnight hour
The Independent recently published an affectionate tribute to Roger McGough on the occasion of this fiftieth anniversary. It includes Roger’s revisiting of one of his iconic poems:
Not for me a youngman’s death
Not a car crash, whiplash
One more for the road, kind of death.
Not a gun in hand, in a far off land
IED hidden in the sand death
Not a slow-fade, razor blade
bloodbath in the bath, death.
Jump under a train, Kurt Cobain
bullet in the brain, death
Not a horse-riding, paragliding
mountain climbing fall, death.
Motorcycle into an old stone wall
you know the kind of death, death
My nights are rarely unruly.
My days of all-night parties
are over, well and truly.
No mistresses no red sports cars
no shady deals no gangland bars
no drugs no fags no rock ‘n roll
Time alone has taken its toll
Let me die an old man’s death
Not a domestic brawl, blood in the hall
knife in the chest, death.
Not a drunken binge, dirty syringe
‘What a waste of a life’ death.
And here is one of my favourites from the Summer of Love:
Summer With Monika
They say the sun shone now and again
but it was generally cloudy
with far too much rain
they say babies were born
married couples made love,
often with each other
and people died
sometimes violently.
they say it was an average ordinary moderate
run-of-the-mill common or garden summer
but it wasn’t
for I locked a yellow door
and I threw away the key.
and I spent summer with Monica
and she spent summer with me
unlike everybody else we made friends with the weather
most days the sun called and sprawled all over the place
or the wind blew in as breezily as ever
and ran his fingers through our hair
but usually it was the moon that kept us company
some days we thought about the seaside
and built sand castles on the blankets
and paddled in the pillows
or swam in the sink and played with shoals of dishes
other days we went for long walks around the table
and picnicked on the banks of the settee
or just sunbathed lazily in front of the fire
until the shilling set on the horizon.
we danced a lot that summer
bossanovaed by the bookcase
or maddisoned instead,
hulligullied by the oven
or twisted round the bed
at first we kept birds in a transistor box
to sing for us but sadly they died
we being to embrace in each other to feed them.
but it didn’t really matter because
we made love songs with our bodies
I became the words
and she put me to music
they say it was just like any other summer
but it wasn’t
for we had love and each other
and the moon for company
when I spent summer with Monica
and Monica spent summer with me.
In That Howling Infinite 