100 years of Mein Kampf … the book that ravaged a continent

August 17, 2025August 17, 2025Paul Hemphill 1 Comment

Perfection, of a kind, was what he was after,
And the poetry he invented was easy to understand;
He knew human folly like the back of his hand,
And was greatly interested in armies and fleets;
When he laughed, respectable senators burst with laughter,
And when he cried the little children died in the streets.
W H Auden, Epitaph On A Tyrant (1939)

The English poet W. H. Auden spent some time in Berlin during the early 1930s – the last years of the Weimar Republic prior to the Nazi ascendency –Some commentators suggest that Auden actually wrote Epitaph on a Tyrant in Berlin. But It was published in 1939, the year that the Second World War broke out – and Auden had departed the city before the end of Weimar in 1933. But he was full aware of where the world was heading – during the mid-thirties, he’d briefly journeyed to Republican Spain in the midst of the Civil War and to Kuomintang China during its war with Japan – see In That Howling Infinite’s Journey to a war – Wystan and Christopher’s excellent adventure.

The poem has been interpreted as a very brief study in tyranny, but few could doubt whom Auden had in mind. In this very short poem, Auden turns a familiar phrase from the New Testament in upon itself evoking and then evicting ‘But Jesus said, Suffer little children, and forbid them not, to come unto me: for of such is the kingdom of heaven’ (Matthew 19:14). There is nothing Christlike about this tyrant: he will not suffer the little children to come unto him. The little children, instead, will be the ones to suffer. he also inverts a specific phrase by the nineteenth-century writer John Lothrop Motley, in The Rise of the Dutch Republic (1859), citing a report of 1584 about the death of the Dutch ruler William the Silent: ‘As long as he lived, he was the guiding star of a whole brave nation, and when he died the little children cried in the streets.’

I recalled the poem, one of the very first of Auden’s poems I encountered nearly sixty years ago, as I was reading the essay republished below written by the most erudite economist and academic Henry Ergas on the occasion of the centenary of the publication on 16 August 1925, of Mein Kampf (lit. ‘My Struggle‘), Nazi Party founder and leader Adolf Hitler‘s combined autobiographical reflections and political manifesto, encompassing an uncompromising ideological programme of antisemitism, racial supremacy, and expansionist ambitions.

A century later, the impact of Mein Kampf on the world remains both undeniable and deeply troubling. Initially dismissed by some as the ramblings of a failed revolutionary, the book became the ideological blueprint for the Nazi regime, legitimising policies that culminated in the Holocaust and a world war that claimed tens of millions of lives. Beyond the destruction of the mid-twentieth century, Mein Kampf has endured as a symbol of hate literature, resurfacing periodically in extremist movements, political propaganda, and debates over free speech and censorship. Its centenary compels reflection not only on the book’s historical role in shaping one of the darkest chapters of human history, but also on the persistence of the prejudices and authoritarian impulses it so virulently expressed.

Mein Kampf‘s bitter harvest

The Second World War began on 2nd September 1939 with Germany’s sudden and unprovoked invasion of Poland on 2nd September, and Britain and France’s declaration of war on Germany the day after. On 17 September, the Soviet Union invaded the country from the east in accordance with the Treaty of Non-aggression between Germany and the Union of Soviet Socialist Republics, ,forever known as the Molotov-Ribbentrop Pact. a neutrality pact between Nazi Germany and the Soviet Union signed in Moscow on August 23, 1939, by foreign ministers Joachim von Ribbentrop and Vyacheslav Molotov, respectively.

Japan formally entered the war on September 22, 1940 with the invasion of French Indochina, having been at war with China since 1931, and officially formed an alliance with Germany and Italy five days later. The United Kingdom declared war on the Empire of Japan on 8 December 1941, following the Japanese attacks on British Malaya, Singapore and Hong Kong on the previous day, as well as in response to the bombing of the American fleet at Pearl Harbour on December 7. The United States to enter World War II the following day.

World War II ended in Europe on May 8, 1945, with Germany’s unconditional surrender, known as Victory in Europe Day (V-E Day). The war in the Asia Pacific concluded on September 2, 1945, with Japan’s formal surrender aboard the USS Missouri, designated Victory over Japan Day (V-J Day). This followed the atomic bombings of Hiroshima and Nagasaki and the Soviet Union’s declaration of war on Japan

The Nazis, with a little help from their allies and collaborators, murdered (there is no other word) an estimated six million Jews and 11 million others In camps and jails, reprisals and roundups, on the streets of cities, towns and villages, in fields and in forests, and in prison cells and torture chambers. And in the fog of war, the dearth of accurate records, and the vagaries of historical memory, the actual number is doubtless higher – much higher.

The term ‘Holocaust’ generally refers to the systematic and industrialized mass murder of the Jewish people in German-occupied Europe – called the Shoah or ‘catastrophe’ by Jews. But the Nazis also murdered unimaginable numbers of non-Jewish people considered subhuman – Untermenschen (the Nazis had a way with words!) – or undesirable.

Non-Jewish victims of Nazism included Slavs who occupied the Reich’s ostensible lebensraum – living space, or more bluntly, land grab (Russians – some seven million – Poles, another two – Ukrainians, Serbs and others in Eastern Europe caught in the Wehrmacht mincer; Roma (gypsies); homosexuals; the mentally or physically disabled, and mentally ill; Soviet POWs who died in their tens of thousands; Roman Catholics, Protestants, and Orthodox Christians who defied the regime; Jehovah’s Witnesses and Freemasons; Muslims; Spanish Republicans who had fled to France after the civil war; people of colour, especially the Afro-German Mischlinge, called “Rhineland Bastards” by Hitler and the Nazi regime; leftists, including communists, trade unionists, social democrats, socialists, and anarchists; capitalists, even, who antagonized the regime; and indeed every minority or dissident not considered Aryan (‘herrenvolk’ or part of the “master race”); French, Belgians, Luxemburgers, Dutch, Danes, Norwegians, Albanians, Yugoslavs, Albanians, and, after 1943, Italians, men, women and young people alike, involved with the resistance movements or simply caught up in reprisals; and anyone else who opposed or disagreed with the Nazi regime. See below, Ina Friedman’s The Other Victims of the Nazis and also, Wikipedia’s Victims of the Holocaust

Worldwide, over seventy million souls perished during World War II. We’ll never know just how many …

Lest we forget …

From In That Howling Infinite’s 2nd September 1939 – the rape of Poland (1)

The immoral mathematics of World War II – Deaths by Country

COUNTRY	MILITARY DEATHS	TOTAL CIVILIAN AND MILITARY DEATHS
Albania	30,000	30,200
Australia	39,800	40,500
Austria	261,000	384,700
Belgium	12,100	86,100
Brazil	1,000	2,000
Bulgaria	22,000	25,000
Canada	45,400	45,400
China	3-4,000,000	20,000,000
Czechoslovakia	25,000	345,000
Denmark	2,100	3,200
Dutch East Indies	—	3-4,000,000
Estonia	—	51,000
Ethiopia	5,000	100,000
Finland	95,000	97,000
France	217,600	567,600
French Indochina	—	1-1,500,000
Germany	5,533,000	6,600,000-8,800,000
Greece	20,000-35,000	300,000-800,000
Hungary	300,000	580,000
India	87,000	1,500,000-2,500,000
Italy	301,400	457,000
Japan	2,120,000	2,600,000-3,100,000
Korea	—	378,000-473,000
Latvia	—	227,000
Lithuania	—	353,000
Luxembourg	—	2,000
Malaya	—	100,000
Netherlands	17,000	301,000
New Zealand	11,900	11,900
Norway	3,000	9,500
Papua New Guinea	—	15,000
Philippines	57,000	500,000-1,000,000
Poland	240,000	5,600,000
Rumania	300,000	833,000
Singapore	—	50,000
South Africa	11,900	11,900
Soviet Union	8,800,000-10,700,000	24,000,000
United Kingdom	383,600	450,700
United States	416,800	418,500
Yugoslavia	446,000	1,000,000

WORLDWIDE CASUALTIES*

Battle Deaths	15,000,000
Battle Wounded	25,000,000
Civilian Deaths	45,000,000

*Worldwide casualty estimates vary widely in several sources. The number of civilian deaths in China alone might well be more than 50,000,000.

Read also, in In That Howling Infinite: Righteous Among the Nations and Las Treces Rosas – Spain’s Unquiet Graves

Mein Kampf made depravity the highest form of morality: Hitler’s ‘Nazi bible’ a playbook for hate

Henry Ergas The Australian, 16 August 2025

A picture-illustration showing Adolf Hitler in Munich in 1932 and his book, Mein Kampf. During WWII Hitler wore a simple uniform rather than the elaborate costume of a supreme commander, highlighting his affinity with the ‘grunts’ on the line. Picture: Heinrich Hoffmann/Archive Photos/Getty Images

When Adolf Hitler’s Mein Kampf (My Struggle) was published exactly 100 years ago, the reviews were scathing. The reader, proclaimed the Frankfurter Zeitung, could draw from the book one conclusion and one conclusion only: that Hitler was finished. The influential Neue Zurcher Zeitung was no kinder, lambasting “the sterile rumination of an agitator who is incapable of rational thought and has lost his grip on reality”. As for Karl Kraus, the great Austrian essayist and critic, he famously dismissed it, quipping: “When I think of Hitler, nothing comes to mind.”

But while the book that would become known as “the Nazi bible” was hardly an immediate bestseller, it was far from being a dismal flop. By the end of 1925, nearly 10,000 copies had been sold, necessitating a second print run, and monthly sales seemed to be trending up. Even more consequentially, Mein Kampf, with its comprehensive elaboration of the Nazi world view, proved instrumental in consolidating Hitler’s until then tenuous position as the leader of the Nationalsozialistische Deutsche Arbeiterpartei (National Socialist German Workers’ Party) or NSDAP. Both Hitler and Max Amann, who ran the Nazis’ publishing house, had good reason to be pleased.

After all, the initial circumstances of the book’s production were scarcely promising. When Hitler arrived at Landsberg prison in November 1923, following the failure of a farcically mismanaged putsch, he was assessed by the staff psychologist as “hysterical” and suicidal. However, having determined to end it all by embarking on a hunger strike, he sat down to write his valedictory statement – and with the full support of the prison’s director, a Nazi sympathiser who was happy to accommodate his every need, the project soon expanded, until the writing came to consume Hitler’s days.

Once Emil Georg, a director of the powerful Deutsche Bank and generous funder of the NSDAP, provided the aspiring writer with a top-of-the-line Remington typewriter, a writing table and all the stationery he required, Hitler’s new career as an author – the profession he proudly declared on his 1925 tax return – was well and truly under way.

The difficulty, however, was that Hitler wrote very much as he spoke. Page after page required substantial editing, if not complete revision. Some of it was undertaken by Rudolf Hess, who had a university degree, and Ernst Hanfstaengl, a German-American Harvard graduate. But many of the most difficult sections were eventually worked over by the unlikely duo of a music critic, Josef Stolzing-Cerny, and Bernhard Stempfle, a priest.

The greatest tensions arose in settling the title. Hitler, with his habitual grandiloquence, had called it Four and a Half Years of Battling Lies, Stupidity and Betrayal. Convinced that title would doom it to failure, Amann adamantly insisted on, and seems to have devised, a shorter alternative. Thus was Mein Kampf, the name that would go down in history, born.

Mein Kampf’s singular lack of focus proved to
be a strength.

Viewed superficially, the text, despite its editors’ best efforts, seems inchoate, veering across a bewildering range of grievances, pseudo-historical accounts and exhortations. Yet its singular lack of focus proved to be a strength. It meant there was something in it for each of the social groups the Nazis were attempting to mobilise, with every one of those groups finding the real or imagined harms that afflicted it covered in its pages. And whenever they were discussed, each group’s darkest nightmares were portrayed in striking, often lurid terms.

Hitler himself explained his approach in the book’s discussion of propaganda.

“Most people,” Hitler said, “are neither professors nor university graduates. They find abstract ideas hard to understand. As a result, any successful propaganda must limit itself to a very few points and to stereotypical formulations that appeal to instincts and feelings, making those abstract ideas vividly comprehensible.”

That is exactly what Mein Kampf set out to do – and it did so by hammering three basic themes: that the Germans were victims; that the culprit for the wrongs they had suffered were the Jews; and that only a fight to the death against “world Jewry” could bring Germany’s redemption and return it to the pre-eminence that was its birthright and historic destiny.

What gave the book its resonance was that each of those themes was well and truly in the air. Nowhere was that clearer than in respect of victimhood.

Thus, the end of World War I had not been viewed in Germany as a military defeat. Rather, the widespread perception, vigorously propagated by General Erich Ludendorff, was that had the German army, which retained undisputed mastery over its home soil, not been “sabotaged” by liberals, freemasons, social democrats and communists, it would have held out, forcing the Allies to a settlement.

Key themes in Mein Kampf was that the Germans were victims and the culprit for the wrongs they had suffered were the Jews.

The capitulation was, in other words, the result of a “stab in the back” that treacherously delivered the nation to the harsh, grotesquely unjust, treatment eventually meted out at Versailles by the war’s victors.

Closely associated with the resulting sense of unfairness, and of an undeserved defeat, was the smouldering resentment felt by returning soldiers.

World War I had ushered in the glorification of the rank and file, expressed in countries such as France, Britain and Australia by the erection of national memorials for the Unknown Soldier. Here was a figure that represented both the individual and the mass: sanctified by the nation, the Unknown Soldier also stood for the multitudes sent out to die and too quickly forgotten.

That was the case almost everywhere – but not in the newly established Weimar Republic. Unlike its counterparts, the republic erected no national monument, created no worthy memorial: the ghosts of the dead were left unburied.

Moreover, unable to deal with the trauma of the war, the republic accorded veterans no special status: even when their wounds made them entirely disabled, they were entitled only to the paltry benefits accorded to others suffering from similar levels of disability.

With the country’s new leaders abandoning those who had borne so many risks and so much pain on Germany’s behalf, an unbridgeable cleavage opened up between “those who had been there” – with all of their rage and frustration, fury and disillusionment – and those who had not. It is therefore no accident that both for innumerable forgotten soldiers and for the families who had lost their sons and fathers, Hitler, who had lived through the carnage, came to symbolise the unknown soldier of World War I.

Nor is it an accident that during World War II he always donned a simple uniform rather than the elaborate costume of a supreme commander, thereby highlighting his unshakeable affinity with the “grunts” on the line.

Hitler, chancellor of Germany in 1933, is welcomed by supporters at Nuremberg. Picture: Hulton Archive/Getty Images

The last, but perhaps most broadly felt, source of the sense of victimhood was the devastation wreaked by the “great inflation”.

The immediate effect of the price hikes, which began in 1921, accelerated in late 1922 and became a hyperinflation (that is, one involving monthly price increases of more than 50 per cent) in 1923 was to obliterate the savings of skilled workers, pensioners and the middle class. No less important, however, it also shattered those groups’ social standing which, in a society still geared to honour and respectability, relied on the ability to conspicuously maintain a dignified lifestyle appropriate for one’s status. Instead, for the first time in their lives, previously comfortable professionals, foremen and highly trained workers were reduced to a struggle of all against all, as they vainly attempted to sell once prized, often hard-earned assets that had suddenly – and mysteriously – become utterly valueless.

And as well as leaving a legacy of trauma, that experience created an enduring sense of unpredictability, casting the new republic as incapable of maintaining intact even the elementary foundations of daily life.

Stefan Zweig was therefore not exaggerating when he wrote, in his The World of Yesterday, that “nothing ever embittered the German people so much, nothing made them so furious with hate as the inflation. For the war, murderous as it was, had yet yielded hours of jubilation, with ringing of bells and fanfares of victory. And, being an incurably militaristic nation, Germany felt lifted in her pride by her temporary victories. But the inflation served only to make it feel soiled, cheated, and humiliated. A whole, scarred, generation could never forget or forgive.”

But where there are victims there must be victimisers – and Hitler delivered those too. Towering among them were the Jews.

Mein Kampf’s obsession with Jews is readily demonstrated: including cognate terms, such as Jewry, the 466 references to Jews in the book outnumber those to every other substantive term, including race (mentioned 323 times), Germany (306), war (305) and Marxism, which gets a paltry 194 – still ahead of national socialism and national socialists which, taken together, are referenced only 65 times.

It is certainly true that there is, in those obsessive references, virtually nothing original. Hitler’s tirades largely reassemble the anti-Semitic tropes that had emerged in the late 19th century and that were widely disseminated in a notorious forgery, The Protocols of the Elders of Zion.

But Hitler’s formulation, while substantively irrational, was arguably more logical than most in the way it combined and superimposed elements from conventional anti-Semitism, pseudo-biology and social Darwinism.

Mein Kampf’s promise of redemption was crucial … from the midst of despair, a new notion of German glory and greatness began to emerge. Hitler with Nazi officials in Munich in the summer of 1939, just before the start of WWII.

Thus, relying on a loose biological metaphor, it defined Jews as a parasite – but as one that had deliberate agency and that consciously (and collectively) sought to infect its victims, notably the “purer”, more advanced “races”.

Second, it asserted that the resulting infection was not only fatal to its victims but ultimately to their entire “race”.

Third, it projected on to that account the image of a Darwinian struggle that had been fought across recorded history’s entire course, between Jews on the one hand and the superior races on the other: a struggle that could end only with the extinction of the Jews or their adversaries.

And finally, it argued that, unless anti-Semites learnt to display the same degree of ruthlessness, the same insistence on ethnic loyalty, the same stealth and the same forms of manipulation of media and the public sphere, the Jews stood every chance of triumphing because they entirely lacked ethical standards, were exceptionally cunning, ambitious, aggressive and vindictive and – last but not least – had a natural bond to each other, combined with a murderous hatred of others.

The resulting portrayal of Jews was as terrifying as it was bizarre. Jews, it seemed, were chameleons, who were both subhuman yet extraordinarily capable, both fanatical Bolsheviks and natural capitalists, both physically repulsive yet immensely able to seduce and “infect” innocent Aryan maidens.

Moreover, they could shift effortlessly and surreptitiously from any one of those myriad shapes into any another, choosing whatever form was most likely to succeed in destroying their opponent.

As the great German philosopher Ernst Cassirer later recalled, he and his other Jewish friends found those claims “so absurd, so ridiculous, and so crazy, that we had trouble taking them seriously”. But others did not have any difficulty in doing so.

Many forces were at work. Some resulted from the war years. For example, the terrible food shortages caused by the British blockade (which was lifted only two years after the war ended) had resulted in spiralling prices for basics on the black market – with the finger being readily, although entirely incorrectly, pointed at alleged hoarding by Jews.

And more indirectly, but no less potently, the horrific second wave of the 1919 influenza pandemic, in which 400,000 Germans died, had given enormous prominence to notions of infection and contagion. As careful statistical studies subsequently showed, that prominence had enduring effects, as the Nazis secured significantly greater electoral support in the worst affected areas than in those where the death toll was lower.

But by far the greatest factor was the profound disruption of the post-war years, when everything Germans had taken as solid melted into thin air, leaving a pervasive feeling of bewilderment.

For all of its myriad flaws, the Kaiserreich, as the German Empire was known, had exuded a stability that made the future predictable. Now, with one seemingly incomprehensible event piling up on top of another, the desperate search to make sense of the world triggered an equally desperate search for someone to blame.

That was precisely what Hitler’s vast Jewish conspiracy offered. Mein Kampf, Heinrich Himmler pithily noted, was “a book that explains everything”. If it was so effective, Hannah Arendt later reflected, it was because its playing on tropes and stereotypes that were relatively familiar could, at least superficially, “fulfil this longing for a completely consistent, comprehensible, and predictable world without seriously conflicting with common sense”. All of a sudden, things fell into place – with consequences for Europe’s Jews that would forever sully Germany’s name.

Sign erected by British forces at the entrance to the Bergen-Belsen camp. Picture: Imperial War Museum

Bodies being flung into a mass grave at Belsen. Picture from the book Children’s House of Belsen, by camp survivor Hetty Verolme

If those horrendous consequences eventuated, it was because Mein Kampf did not only identify an alleged disease; it also set out a path to national redemption. In that respect, too, its main points were entirely unoriginal.

However, what was relatively new, and especially important, was the unadulterated celebration of death and violence in which they were couched.

Whether Hitler called for Jews to be massacred is a matter of interpretation. What is beyond any doubt is that he came as close to it as one possibly could. The Jews, he claimed, would “accentuate the struggle to the point of the hated adversary’s bloody extermination”. As that happened, it would be absolutely impossible to defeat them “without spilling their blood”. And when it came to that, their opponents, locked “in a titanic struggle”, would have to “send to Lucifer” – that is, to hell – “those who had mounted an assault on the skies”: that is, the Jews.

There would be, in the process, countless victims; but the Aryans who perished would be martyrs, “acting in accordance with the will of the Almighty Creator”, and like Hitler himself “fighting for the work of the Lord”.

As with so much of Mein Kampf, the sheer violence of those calls, and of the text more generally, fell on fertile ground, again especially among veterans.

If those veterans had one thing in common it was the experience of “total war”, characterised by the ever-growing porousness of the boundaries between soldiers and civilians both as combatants and as targets of destruction.

Once they got to the front, it did not take long for ordinary soldiers to discard the fantasies of splendid bayonet charges across fields of flowers. Instead, burrowed underground in trenches filled with slime and excrement, rats and rotting body parts, what many learnt was that life was war, and war was life.

And at least for some, the sacrifice and devotion of their comrades also taught that violence brought out the best qualities in man.

Winifred Williams, a Welsh woman who became a friend and supporter, provided the paper on which Hitler wrote Mein Kampf while he was in jail.

Rendering that habituation to violence even more extreme was the experience of the 5 per cent or so of German soldiers who volunteered for Freikorps (Free Corps) units that fought, from 1918 to 1923, against the wave of revolutionary movements throughout central and eastern Europe.

Particularly in the Baltic states, those struggles were brutally uncompromising, with mass executions not only of adversaries but also of entire villages of helpless Jews. It was in those struggles that many ingredients of Nazism were forged – its symbols, like the death’s head and the swastika; its core staff, who later largely comprised the leading personnel first of the Nazi’s paramilitary units and then of the SS; and the unbridled anti-Semitic savagery of its killing squads. To all those who lived through those struggles, Mein Kampf seemed to perfectly capture their world view.

But Mein Kampf’s promise of redemption was crucial, too. Yes, Germany experienced the aftermath of World War I as an unmitigated disaster. Yet, from the midst of despair, a new notion of German glory and greatness began to emerge. When the war finally ended, the survivors could not but feel an urge to endow it with meaning – with the hope that the countless deaths would be redeemed by creating a better future, not only for themselves but also for the nation, a future shorn of the causes of everything that had gone wrong.

And no one, in the chaos and misery of post-World War I Germany, painted the path to that national salvation as starkly, and as effectively, as Hitler.

Death and destruction follow delirium as surely as dust and ashes follow fire. Two long decades, punctuated by Hitler’s accession to power in 1933, separated, almost precisely, the publication of Mein Kampf from the “Zero Hour”, as it became widely known, on May 7, 1945, when Germany, reduced to rubble, surrendered and officially ceased to exist. The vision – or hallucinations – Hitler had produced in Landsberg’s ja

Between those dates, the book’s fortunes closely tracked those of its author. After the crash of 1929, and the onset of the Depression, sales boomed; and once the Nazi regime was in place it became ubiquitous. A second volume had appeared in December 1926; it was added to the 400 pages of the first in 1930.

To cope with the length, the combined book was printed on extremely fine paper, exactly like a bible. Soon after that, an ever-wider range of formats – going from cheap paperback versions to extremely luxurious versions bound in leather – was offered to readers.

The regime recommended that municipalities give a good quality copy to newly married couples as they stepped out of the wedding ceremony; estimates vary but it seems two million couples benefited (if that is the right word). The book also became the standard prize in schools, workplaces and party organisations, bestowed on recipients with all the pomp the Fuhrer’s great work demanded. Altogether, by the “Zero Hour”, 12.5 million copies had found their way into the hands of potential readers – yielding Hitler copyright payments, partly deposited in a Swiss bank account, that made him an extremely wealthy man.

How many Germans actually read it is hard to say; the answers given to immediate post-war surveys were understandably evasive. What seems likely, however, is that its influence came less from the scrupulous consumption of the “Nazi bible” than from short excerpts, read out at meetings and over the radio or printed near the mastheads of major papers, as well as from the million or so copies of “reader’s digest”-like variants sold during the Reich’s golden years.

In the chaos and misery of post-WWI Germany, no one painted the path to that national salvation as starkly, and as effectively, as Hitler

But its greatest impact was almost certainly indirect. Regardless of what ordinary Germans may or may not have done, abundant evidence shows it was carefully studied and frequently consulted by the Nazi leadership. The regime’s core principle, the so-called Fuhrerprinzip, specified that “what the Fuhrer says is law”: but what the Fuhrer had actually said, and even more so, what he wanted, was almost always hopelessly unclear – yet entire careers depended on guessing it accurately.

As a result, the everyday life of the Nazi hierarchy’s upper echelons was consumed in a competition to “work towards the Fuhrer”, as Hitler’s great biographer, Ian Kershaw, called it: that is, in trying to anticipate the Fuhrer’s will and show that no one could be more ruthless or determined in putting it into effect. It was in that process that Mein Kampf was absolutely fundamental, invariably referred to and systematically used.

And it was through that process that Hitler’s words made depravity the highest form of morality, atrocity the surest sign of heroism, and genocide the key to redemption.

Outside Germany, very few grasped that those horrors would unfold. Winston Churchill, Franklin Delano Roosevelt, Charles de Gaulle and David Ben-Gurion were among those few, carefully annotating early versions and gasping at the book’s implications.

But their warnings were ignored because Mein Kampf was plainly the work of a madman. As the British Labour Party’s leading intellectual, Harold Laski, said, when he was asked why he dismissed it, rational men and women “could not bring themselves to contemplate such a world”, much less believe that “any child of the twentieth century” would regard it as a realistic possibility.

But the Nazi art of politics, as Joseph Goebbels concisely defined it, consisted precisely in making the impossible possible and the absolutely inconceivable a practical reality. That art did not disappear with Nazism’s demise, nor did the murderous anti-Semitism whose seeds Hitler sowed a century ago.

As we mark Mein Kampf’s grim anniversary, we must, this time, take them seriously.

The many lives of an unsung Anzac hero

July 27, 2024August 12, 2024Paul Hemphill Leave a comment

Once upon a war

Back in the last century, before ANZAC Day became the secular Christmas that it has become, before marketing people and populist politicians saw its commercial and political potential, before the fatal shore became a crowded place of annual pilgrimage, my Turkish friend, the late Naim Mehmet Turfan, gave me a grainy picture of a Turkish soldier at Gelibolu carrying a large howitzer shell on his back. Then there was this great film by Australian director Peter Weir, starring young Mel Gibson and Mark Lee. There were these images of small boats approaching a dark and alien shore, of Light Horsemen sadly farewelling their Walers as they embarked as infantry, and of the doomed Colonel Barton humming along to a gramophone recording of Bizet’s beautiful duet from The Pearl Fishers, ‘Au fond du temple saint’ before joining his men in the forlorn hope of The Nek …

At the heart of the Anzac Day remembrance is the Australian and New Zealand Army Corps’ role the Dardanelles campaign of 1915-16, Winston Churchill’s grandiose and ill-conceived plan to take the Ottoman Empire out of the war by seizing the strategic strait between the Black Sea and the Mediterranean, thereby threatening Istanbul, the Ottoman capital. It was a military failure. From the initial seaborne assault to the evacuation, it lasted eight months and cost 114,000 lives with 230,000 wounded.

In 1915, Australians greeted the landings at Gallipoli with unbridled enthusiasm as a nation-making event. But it wasn’t long before they were counting the dreadful cost. More than 8000 Australians died during the Gallipoli campaign. As a loyal member of the British Empire, Australia eventually sent 330,000 men overseas to fight for the King. Volunteers all, not all of them white men – despite the authorities’ policy of recruiting only Australians of Anglo-Celtic stock, their ranks included many indigenous, Chinese and others. By the time the war ended in 1918, 60,000 of them were dead. As the late historian Ken Inglis once pointed out: “If we count as family a person’s parents, children, siblings, aunts and uncles and cousins, then every second Australian family was bereaved by the war.

Gallipoli is cited as the crucible of Australian nationhood, but the Anzacs’ part in the doomed campaign was but a sideshow of the wider campaign. Although it is celebrated in Australian song and story, it was the Ottomans’ most significant victory in the war that was to destroy the seven-hundred-year-old Ottoman Empire secure the reputation of its most successful general Mustafa Kemal, who as Ataturk, became the founder of modern Turkey.

Some thirty-four thousand British soldiers died on the peninsula, including 3,400 Irishmen who are remembered In The Foggy Dew, one of the most lyrical and poignant of the Irish rebel songs: Right proudly high over Dublin town, they hung out the flag of war. ‘Twas better to die ‘neath that Irish sky than at Suvla or at Sud el Bar…Twas England bade our Wild Geese go that small nations might be free, But their lonely graves are by Suvla’s waves or the fringe of the grey North Sea.

Ten thousand Frenchmen perished too, many of these being “colonial” troops from West and North Africa. Australia lost near on ten thousand and New Zealand three. Some 1,400 Indian soldiers perished for the King Emperor. Fifty seven thousand allied soldiers died, and seventy five thousand were wounded. The Ottoman army lost fifty seven thousand men, and one hundred and seven thousand were wounded (although these figures are probably much higher). An overlooked fact is that some two thirds of the “Turkish” solders in Kemal’s division were actually Arabs from present day Syrian and Palestine. Gallipoli was indeed a multicultural microcosm of a world at war.

Whilst the flower of antipodean youth is said to have perished on Gallipoli’s fatal shore, this was just the overture. Anzac troops were dispatched to the Western Front, and between 1919 and 1918, 45,000 Aussies died there and 124,000 were wounded.

Once upon a war, the Dardanelles Campaign of 1915-16 was a sideshow to the bigger theatres of the Eastern and Western Fronts. To some, it was a reminder that they could not stomach Winston Churchill for this was said to be his greatest stuff up in a career replete with such (although they would admit that he more than exonerated himself his and Britain’s Finest Hour). For many Australians and New Zealanders, it was a national baptism of fire, of youthful sacrifice on the altar of Empire. And notwithstanding the military defeat and retreat, the folly and foolhardiness, in the harrowing adversity and heroism, lay the bones of a young country’s enduring creation myth.
Former soldier James Brown, Anzac’s Long Shadow

Official war historian Charles Bean went ashore at Anzac Cove on 25 April, more than 5 hours after the first troops. Here is his first dispatch (it was not published in Australia until 13th May):

It was eighteen minutes past four on the morning of Sunday, 25th April, when the first boat grounded. So far not a shot had been fired by the enemy. Colonel McLagan’s orders to his brigade were that shots, if possible, were not to be fired till daybreak, but the business was to be carried through with the bayonet. The men leapt into the water, and the first of them had just reached the beach when fire was opened on them from the trenches on the foothills which rise immediately from the beach. The landing place consists of a small bay about half-a-mile from point to point with two much larger bays north and south. The country rather resembles the Hawkesbury River country in New South Wales, the hills rising immediately from the sea to 600 feet [183m]. To the north these ridges cluster to a summit nearly 1,000 feet [305m] high. Further northward the ranges become even higher. The summit just mentioned sends out a series of long ridges running south-westward, with steep gullies between them, very much like the hills and gullies about the north of Sydney, covered with low scrub very similar to a dwarfed gum tree scrub. The chief difference is that there are no big trees, but many precipices and sheer slopes of gravel. One ridge comes down to the sea at the small bay above mentioned and ends in two knolls about 100 feet [30m] high, one at each point of the bay.

It was from these that fire was first opened on the troops as they landed. Bullets struck fireworks out of the stones along the beach. The men did not wait to be hit, but wherever they landed they simply rushed straight up the steep slopes. Other small boats which had cast off from the warships and steam launches which towed them, were digging for the beach with oars. These occupied the attention of the Turks in the trenches, and almost before the Turks had time to collect their senses, the first boatloads were well up towards the trenches. Few Turks awaited the bayonet. It is said that one huge Queenslander swung his rifle by the muzzle, and, after braining one Turk, caught another and flung him over his shoulder. I do not know if this story is true, but when we landed some hours later, there was said to have been a dead Turk on the beach with his head smashed in. It is impossible to say which battalion landed first, because several landed together. The Turks in the trenches facing the landing had run, but those on the other flank and on the ridges and gullies still kept up a fire upon the boats coming in shore, and that portion of the covering force which landed last came under a heavy fire before it reached the beach. The Turks had a machine gun in the valley on our left, and this seems to have been turned on to the boats containing part of the Twelfth Battalion. Three of these boats are still lying on the beach some way before they could be rescued. Two stretcher-bearers of the Second Battalion who went along the beach during the day to effect a rescue were both shot by the Turks. Finally, a party waited for dark, and crept along the beach, rescuing nine men who had been in the boats two days, afraid to move for fear of attracting fire. The work of the stretcher-bearers all through a week of hard fighting has been beyond all praise.

And this was just the beginning …

More on the Anzacs in In That Howling Infinite: Tel al Sabi – Tarkeeth’s ANZAC Story

On 27th July 2024, the Australian published extracts from a recently published biography of Henry Koba Freame, adventurer, soldier, orchardist and interpreter. It provides such a stirring account of the landing of Australian soldiers at what is now Anzac Cove on 25th April 2015 and the subsequent Gallipoli campaign that it was worth republishing below. But first, a brief summary of Freame’s eventful life.

The road to Gallipoli

Wykeham Henry Koba Freame is believed to have been born on 28 February 1885 at Osaka, Japan, though on his enlistment in the Australian Imperial Force he gave his birthplace as Kitscoty, Canada. He was the son of Henry Freame, sometime teacher of English at the Kai-sei Gakko in Japan, and a Japanese woman, Shizu, née Kitagawa. As he was fluent in Japanese and spoke English with an accent it is likely that he was brought up in Japan. In 1906 he was a merchant seaman and on 19 July of that year married Edith May Soppitt at St John’s Anglican Church, Middlesbrough, England.

Freame probably came to Australia in 1911 and on enlisting in the A.I.F. on 28 August 1914 described himself as a horse-breaker of Glen Innes, New South Wales. Posted to the 1st Battalion as a private, he embarked for Egypt on the troopship Afric on 18 October and was promoted lance corporal on 7 January 1915. On 25 April he landed at Anzac and after three days of heavy fighting was promoted sergeant. He was awarded one of the A.I.F.’s first Distinguished Conduct Medals for ‘displaying the utmost gallantry in taking water to the firing-line although twice hit by snipers’. He was mentioned in dispatches for his work at Monash Valley in June when Charles Bean described him as ‘probably the most trusted scout at Anzac’.

Having served in the Hottentot rising of 1904-06 in German East Africa and in the Mexican wars, Freame was an accomplished scout before joining the A.I.F. He had an uncanny sense of direction and would wriggle like an eel deep into no man’s land, and at night even into enemy trenches, to pick up information. His dark complexion and peculiar intonation of speech had led his companions to believe that he was Mexican—an impression which he reinforced at Anzac where, in cowboy fashion, he carried two revolvers in holsters on his belt, another in a holster under his armpit and a bowie knife in his boot pocket. On 15 August he was wounded during operations at Lone Pine and was evacuated to Australia. He was discharged as medically unfit on 20 November 1916.

Freame settled on the Kentucky estate in New England, New South Wales, when the estate was subdivided for a soldier settlement scheme, and was appointed government storekeeper. He eventually acquired a Kentucky block and was a successful orchardist. His wife died in 1939 and on 16 August 1940 he married Harriett Elizabeth Brainwood, nurse and divorced petitioner, at St John’s Anglican Church, Milson’s Point, Sydney. With the outbreak of World War II he offered his services to the Australian Military Forces and in December 1939 was planted among the Japanese community in Sydney as an agent by military intelligence. In September 1940 he was appointed as an interpreter on the staff of the first Australian legation to Tokyo.

Early in April 1941, however, Freame returned to Australia because of ill health and was admitted to North Sydney Hospital suffering from a severe throat condition which greatly impaired his speech. He died on 27 May and was buried in Northern Suburbs cemetery with Anglican rites. His death certificate records the cause of death as cancer though Freame himself and later his wife alleged that he had been the victim of a garrotting in Japan. He considered that the attack was the consequence of the injudicious wording of the announcement in the Australian press of his posting to Tokyo. He had been described as employed by the Defence Department at a time when he was telling his Japanese acquaintances another story. Extant evidence provides no definite clarification of the circumstances of his death, though the claim of garrotting was investigated, and rejected, at the time.

James W. Courtney, the Australian Dictionary of Biography, Volume 8,1981

How did we forget this Anzac hero?

Ryan Butta, The Australian, 26 July 2024

Harry Freame in 1915 before departing for Gallipoli

In the years after World War I, Harry Freame had a legitimate claim to be considered the most famous Anzac soldier to have landed at Gallipoli. Born in Japan and raised as a Samurai, he was the recipient of the first Distinguished Conduct Medal to be awarded to an Australian soldier for his efforts in those first bloody days of Gallipoli, and his name was legend among the Australian troops who had fought that tragic battle. As the landing turned into trench warfare, the troops knew Harry risked his neck each night to venture out into no-man’s land and map the Turkish defences.

Harry was on personal terms with the key Anzac commanders, and in the postwar years generals would visit him and reminisce about the war. Australia’s official war historian for World War I, Charles Bean, who first met Harry in June 1915, was fascinated by Harry his whole life. The Australian public came to know Harry through the newspapers of the day that splashed his wartime exploits of courage and daring across their pages.

What became of him?

The Bravest Scout at Gallipoli by Ryan Butta

Harry Freame’s boots hit the sands of Anzac Cove at around 7.40am on April 25, 1915. He was part of D Company, 1st Battalion. By the time they landed, Anzac Beach, as it came to be known, was already strewn with the broken and bloodied bodies of the men and pack animals that had come before them on that infamous morning.

It wasn’t Harry’s first sight of the region – he had sailed this way before – and it wasn’t his first taste of war.

There is a picture of Harry taken before the landing, most likely in Egypt. In it he is in full uniform, flat-brimmed hat, a bandana tied around his neck, wire clippers and binoculars attached to his belt. He holds his Lee–Enfield full wood .303 rifle by the barrel, the butt resting on the ground. He is looking slightly downwards at the camera. There is none of the naive merriment so often seen in the pictures of young Australian soldiers who had mistaken war for a great boys’ own adventure. But nor is there any fear in those eyes. Harry knew what he was in for, and he was ready for it.

As he waded through the waist-high water towards the sand, Harry carried in his pack three days’ rations and an extra 150 rounds of ammunition. He would have heeded the warning of Lieutenant General William Birdwood, the British officer in overall command of the ANZAC (Australian and New Zealand Army Corps) forces, who had advised the troops prior to landing to drink as much water as they could, as once ashore supply of food and water could not be guaranteed for at least three days.

The landing itself had been rehearsed as much as possible on the nearby Greek islands, under conditions nothing like what Harry and the rest of the Anzacs would soon face, but as the 1st Battalion’s official war diary records, “we knew very little of the actual plans for the attack – in fact, the whole thing seemed to be rather in the air, and so it proved”.

All that the officers of the 1st Battalion knew was that the 3rd Brigade was to land first and rush the enemy positions. When Harry and D Company landed on Anzac Beach, they had no idea what success, if any, the 3rd Brigade had had. Judging by the dead and dying who littered the beach, staining the Aegean waters red, and the enemy bullets and shells that whistled around their heads and whipped the waves to foam, it could be easily believed that none of the 3rd Brigade had survived that hellfire of a dawn.

Harry at age the age of 24

■ ■ ■

Harry’s battalion formed up just north of Anzac Beach, in the shadow of Ari Burnu, sheltered from the murderous fire being poured down upon the landing from the peaks of Gaba Tepe, and waited for orders. When the orders came, they “were very vague”, alluding to nothing more than the need for the battalion to reinforce the firing line. But to reinforce a firing line, you needed to first find the firing line, and when the men looked up towards the imposing ridges and valleys that confronted them, there was no firing line.

The ridges above the beaches were crawling with pockets of men, some engaged in isolated fights, hand-to-hand combat wherein they lived or died by the thrust of their bayonets or the quickness of their wits.

Recalling that bloody morning, poet John Masefield wrote:

“All over the broken hills there were isolated fights to the death, men falling into gullies and being bayoneted, sudden duels, point blank, where men crawling through the scrub met each other and life went to the quicker finger, heroic deaths, where some half section which had lost touch were caught by ten times their strength and charged and died.

“No man of our side knew that cracked and fissured jungle. Men broke through it on to machine guns, or showed up on a crest and were blown to pieces, or leaped down from it into some sap or trench, to catch the bombs flung at them and hurl them at the thrower.

“Going as they did, up cliffs, through scrub, over ground … they passed many hidden Turks, who were thus left to shoot them in the back or to fire down at the boats, from perhaps only fifty yards away.”

■ ■ ■

The firing line, a concept easily imagined in the safety of an officer’s headquarters, was non-existent on the actual field of battle. On that first morning there was just a mad rush for high ground, up the forbidding slopes and into the ridges and valleys that held not only Turkish and German and Syrian troops and gunners but also the hope of cover and survival.

A primeval need to push further and further inland gripped the soldiers, in the hope that there, beyond the next valley, the next ridge, lay safety.

By 10am, with clothes still heavy with sea water after the landing and many of their rifles jammed with sand, now useful only for bayonet thrusts and charges, Harry and what elements of D Company were able to be formed up left the beach and set off for the ridges. Coming upon officers from the 3rd Battalion, D Company was redirected to the hill known as Baby 700, where reinforcements were urgently needed.

Through dense, waist-high scrub of gorse-like bushes and along the dried-up water courses littered with boulders, the men forged ahead uphill, legs heavy but the words of the commanding officers to advance, advance, advance running through their heads. Many of the men of D Company who fought their way up towards Baby 700 that clear bright morning would etch their names into the history of the Anzacs and the 1st Battalion: Major FJ Kindon, second-in-command of 1st Battalion; Major Blair Swannell, commanding officer of D Company; Captain Harold Jacobs, second-in-command of D Company; Lieutenant Geoffrey Street; and Captain Alfred Shout, the man who would leave Gallipoli the most decorated soldier of all, though sadly not with his life. And beside Shout, as was so often the case in the blood-soaked months that followed, in lock step, there was Lance Corporal Harry Freame.

Strategically important, Baby 700 had been the focus of intense fighting all morning, with remnants of the Australian 9th, 11th and 12th battalions all joining the battle as the Turkish troops advanced and retreated in a series of intense skirmishes conducted under the continuous hail of shrapnel fire from unseen Turkish positions. The approaches to Baby 700 were complicated by folds of ridges and valleys, and in these the Australian men became detached from their companies and lost until they could connect up with other Australian soldiers, sometimes from their own company, sometimes not.

Freame at his final Anzac Day march, in 1940.

By 11am, Harry and D Company had reached The Nek, a thin strip of ridge that connected to Baby 700. The area was being held by Captain Lalor and men of the 12th Battalion. Lalor was the grandson of Peter Lalor, the man who had led the revolt at Eureka. With him on that morning on the approaches to Baby 700, Lalor carried a magnificent sword, said to be the one used by his grandfather at that famous stockade. Swords had been prohibited to be carried during the landing, but Lalor had disregarded the order.

Across The Nek on the slopes of Baby 700, Turkish troops were gathering. Joining up with Lalor’s group, the newly arrived men of D Company formed up and charged the Turkish troops, driving them back into a gully before advancing up Baby 700.

After reaching the summit, D Company started to dig into that hardscrabble ground. The Turkish troops they had driven before them had retreated, but only to a previously unseen trench, and from here they poured heavy fire on the entrenching D Company. It was here that D Company’s commander, Major Blair Swannell, was killed on that first morning, shot dead just as he had earlier predicted he would be to his mates aboard the Minnewaska in the predawn fog before the landing.

Against the fierce Turkish assault, the Australians had only their rifles (when they worked), bayonets and pistols. The naval guns offered no support, as those manning them were afraid of firing on their own troops in the complicated mess of invaders and invaded that swarmed the hills of the peninsula.

A few artillery guns had been brought ashore at midday but were then ordered to be sent back out to the boats. Other commanders had refused to allow their guns to be landed, such was the chaos on the beaches, and it wasn’t until dusk that the first artillery guns came into action in support of the Australian troops.

The Australian firing line on Baby 700 could not hold, and over the course of the morning the Australian troops moved over the summit only to be thrown back by vicious counterattacks no fewer than five times.

In the midst of the fighting, there was Harry Freame, moving from position to position, scouting the ground and enemy positions, running messages between commanding officers.

At one point Harry and a small group of men drove a contingent of Turkish troops from a trench. But having gained the trench they found they were then held in place by persistent enemy fire. The men hadn’t heeded the words of Lieutenant General Birdwood, and who could blame them, and they were out of water, exhausted and near death. Without water they felt that they would soon perish or be forced to surrender.

Harry called for volunteers to brave the bullets and shrapnel and go for water. None raised a hand or spoke a word, so over the side of the trench he went, collecting water bottles from those who would never thirst again, fallen soldiers whose twisted repose could never be mistaken for the sleeping, a last look, a last thought of home or their best girl held fast in a glassy eye like a butterfly trapped in amber.

When Harry returned, he brought not only precious water but food and pickaxes for the grateful men.

All day the fighting raged on Baby 700, with ground taken then lost, the attackers and counterattackers continually changing roles, the air perfumed with the smell of the wild thyme that had been lashed by the bullets and shrapnel bursts. And as the day stretched on, still the men had no idea where the firing line was, only supposing that it was somewhere ahead of them, always somewhere over the next ridge, and that they must get to it. And if they could not advance, then at all costs they tried to hold on to whatever patch of land they had come to stop on.

At around 4.30pm, as D Company, reinforced now with New Zealand troops, fought to hold the right side of the Baby 700 slope, a massive Turkish counterattack was launched that peeled the Australians off the slope. Alfred Shout, who had been with Lalor when he was killed, had earlier left Harry and fourteen men at The Nek with orders to hold it no matter what. The small group came under intense fire and before long only nine men were left, and by the time Shout returned, retreating from Baby 700, only Harry and one other man held the position. The rest lay dead or dying about them. Shout ordered them both to follow him in retreat towards the beach.

After regrouping on the beach, Shout and Harry then set about rounding up men from various battalions, a combination of the stragglers and shirkers, the lost and the shell-shocked. Harry collected around two hundred men and led them back up the slopes to reinforce the New Zealand troops who were holding Walker’s Ridge, a key position leading back to Baby 700, which was by now firmly in Turkish hands.

■ ■ ■

Recording the efforts of Lance Corporal Harry Freame on that chaotic first day at Anzac Cove, official war correspondent Charles Bean wrote:

“With such fighters as Lieutenant A.J. Shout, Lieutenant G.A. Street and Lieutenant Jacobs, all of his own battalion, he and others held vital positions in that constantly moving and changing fight but none was so ubiquitous as he, now holding a key position on The Nek leading to Baby 700, now finding for his commander the scattered parts of his battalion.”

As night fell on the evening of April 25, the fighting abated only somewhat; rifle fire and shrapnel bursts echoed through the night. At around midnight, Lieutenant General Birdwood sent an urgent message to his commander-in-chief, Sir Ian Hamilton, urging an immediate evacuation of the peninsula. Hamilton, from the comfort of the HMS Queen Elizabeth, was having none of it, advising Birdwood that he had “got through the difficult business and you have only to dig, dig, dig until you are safe”.

Freame with his stepsister in 1898.

The following morning, April 26, the hills of the peninsula rang with the sounds of shovels, digging, digging, digging. Those not digging or engaged in holding a position were out scouring the ravines and hillsides for the wounded and missing, and it was while thus engaged that Harry came across a detachment of men under the command of Captain Harold Jacobs sheltering in a trench at Quinn’s Post. The men had had no water to drink and were in a desperate state. Harry offered to go for water and without a second thought braved the enemy fire that came in from unseen snipers and dashed back down the valley from where he had just come. He soon returned with the promised water, allowing the position to be held.

Realising that Lieutenant-Colonel Leonard Dobbin, the company commander, would need information on Captain Jacobs’ position and situation, Harry was again up and over the side of the trench, making his way back down the valley to where Lieutenant-Colonel Dobbin was located. As Harry approached Dobbin’s trench, he was heard to yell out, ‘All right!’ Arriving, he delivered his message to Dobbin. Mission accomplished, it was only then that Harry revealed that on the descent he’d been struck twice by snipers’ bullets, once through the fingers of the left hand and once through the left arm.

For the duration of the fighting at Gallipoli, Quinn’s Post remained the Anzacs’ most advanced position and the key to their defensive positions. It would never have been held if not for the bravery of Harry Freame.

Charles Bean later noted that very few men received decorations for the deeds performed at the Anzac Cove landings. But when the recommendations came out, the name Harry Freame was first among them. His citation read: “Has displayed the utmost gallantry in taking water to the firing line, though twice hit by sniper fire.” Harry’s commanding officer further reported: “Since I have assumed command of the Brigade, Serjeant Freame has almost daily performed some action worthy of recognition in the shape of carrying out night reconnaissance, conveying messages through dangerous zones etc etc. He is a fine fearless soldier who I strongly recommend for recognition.”

■ ■ ■

The recommendation was heeded and Harry, for his work over those first days of Gallipoli, was awarded the Distinguished Conduct Medal. Writing both publicly and privately years after the war, Bean offered the view that Harry should have been awarded the Victoria Cross and that the only reason he wasn’t awarded the VC was because, “Australian commanders hesitated to set up for that hallowed decoration any standard short of the impossible. I think that it is safe to say but for that Harry would have been awarded the highest decoration”.

When I set out to write this book, I wanted to discover why we had forgotten Harry Freame. Why, when our schoolchildren learn of the history of the Anzacs, do they learn more about a donkey than a man who was known at the time as the Marvel of Gallipoli? And I wanted to know why the Australian government covered up their role in the death of Harry Freame, why the man Charles Bean described as probably the most trusted scout at Gallipoli was never believed when he said, “They got me”.

This is an extract from The Bravest Scout At Gallipoli by Ryan Butta (Affirm Press) out now.

Wystan and Christopher’s excellent adventure

June 25, 2024September 9, 2024Paul Hemphill 2 Comments

As evening fell the day’s oppression lifted
Far peaks came into focus, it had rained.
Across wide lawns and cultured flowers drifted
The conversation of the highly trained.
Two gardeners watched them pass and priced their shoes
A chauffeur waited, reading in the drive
For them to finish their exchange of views.
It seemed a picture of the private life.
Far off, no matter what good they intended
The armies waited for a verbal error
With all the instruments for causing pain
And on the issue of their charm depended
A land laid waste, its towns in terror
And all its young men slain.
Embassy, WH Auden, from Journey to a War

In 1938, English writers WH Auden and Christopher Isherwood were commissioned by their publishers to write a travel book about the East. Auden was already established as one of Britain’s foremost poets whilst his friend and onetime lover Isherwood was acclaimed as an author and dramatist. His Berlin Stories, two novels set in the last days of the Weimar Republic and today acclaimed as classics of modern fiction; the semi autobiographical Goodbye to Berlin (1939) inspired the remarkable musical Cabaret (1966).

By adventurous choice they went to China for six months, their journey coinciding with Imperial Japan’s brutal invasion. American poet and educator Mildred Boie, reviewing the book for Atlantic in November 1939, takes up the story:

“With the good fortune of famous and attractive young men they were helped and shown about by everybody from coolies to ambassadors, journalists to generals. They behaved, as they observed and wrote (to judge from the diary), with the engaging frankness and immaturity of English schoolboys, with the ingenious confidence and casual incompleteness of amateurs. But these qualities are inadequate for reporting war, for evaluating life and death in so desperate and disastrously complicated a country as China. The authors were not only amateurs as foreign correspondents, they were also dilettantes: they played at getting to the front, at taking notes on slums, at dashing from formal garden parties to meetings with intellectuals and busy military and diplomatic leaders. They suffered almost as much, certainly as consciously, from blisters, constipation, boredom, sleeplessness, and hangovers as from the shape of poverty, the taste of fear, the sight and smell of death. They were always safe, always outside.”

Collectively, perhaps, we most resemble a group of characters in one of Jules Verne’s stories about lunatic English explorers.

War is bombing an already disused arsenal, missing it and killing a few old women. War is lying in a stable with a gangrenous leg. War is drinking hot water in a barn and worrying about one’s wife. War is a handful of lost and terrified men in the mountains, shooting at something moving in the undergrowth. War is waiting for days with nothing to do; shouting down a dead telephone; going without sleep, or sex, or a wash. War is untidy, inefficient, obscure, and largely a matter of chance.

On their safe return, the pair put together Journey to a War, travel book in prose and verse that was published in 1939. The book is in three parts: a series of poems by Auden describing his and Isherwood’s journey to China in 1938; a “Travel-Diary” by Isherwood (including material first drafted by Auden) about their travels in China itself, and their observations of the Sino-Japanese War; and “In Time of War: A Sonnet Sequence with a Verse Commentary” by Auden, with reflections on the contemporary world and their experiences in China. The book also contains a selection of photographs by Auden.

I am never much good at defending the British Empire, even when drunk
Christopher Isherwood

I republish below an excellent article in the blog Books and Boots – Reflections on Books and Art. It provides a more detailed background to the genesis of the book, setting the geopolitical scene, describing Auden’s anticlimactic and, it would seem, personally disappointing visit to Spain during its civil war, and the poetry within.

See also in In That Howling Infinite, Better read than dead … books, poetry and reading

WH Auden and Christopher Isherwood

Journey To A War by W.H. Auden and Christopher Isherwood (1939)

When we awoke early next morning the train was crossing a wide valley of paddy fields. The rising sun struck its beams across the surfaces of innumerable miniature lakes; in the middle distance farmhouses seemed actually to be floating on water. Here and there a low mound rose a few feet above the level of the plain, with a weed-grown, ruinous pagoda, standing upon it, visible for miles around. Peasants with water-buffaloes were industriously ploughing their arable liquid into a thick, brown soup.
(Journey To A War, p.191)

Collectively, perhaps, we most resemble a group of characters in one of Jules Verne’s stories about lunatic English explorers. (p.104)

The Sino-Japanese War

In July 1937 – exactly a year after the start of the Spanish Civil War – Japan attacked China. It was hardly a surprise. In 1931 the so-called ‘Mukden Incident’ had helped spark the Japanese invasion of Manchuria (the large area to the north east of China, just above Beijing). The Chinese were defeated and Japan created a new puppet state, Manchukuo (setting up the last Qing emperor as its puppet ruler) through which to rule Manchuria.

Going further back, in 1894–1895 China, then still under the rule of the Qing dynasty, was defeated by Japan in what came to be called the First Sino-Japanese War. China had been forced to cede Taiwan to Japan and to recognise the independence of Korea which had, in classical times, been under Chinese domination.

In other words, for 40 years the rising power of militaristic, modernising Japan had been slowly nibbling away at rotten China, seizing Taiwan, Korea and Manchuria. Now the military junta in Tokyo decided the time was right to take another bite, engineered an ‘incident’ at the Marco Polo bridge on the trade route to Beijing, and used this as a pretext to attack Beijing in the north and Shanghai in the south.

Thus there was quite a lot of military and political history to get to grips with in order to understand the situation in China, but what made it even more confusing was the fact that China itself was a divided nation. First, the nominal government – the Chinese Nationalist Party or Kuomintang under its leader Chiang Kai-shek – had only with difficulty put down or paid off the powerful warlords who for decades had ruled local regions of China after the collapse of the Qing Dynasty in 1911.

But second, Chiang faced stiff competition from the Chinese Communist Party. The two parties had lived in uneasy alliance until Chiang staged a massacre of communists in Shanghai in 1927 which brought the tension between Chinese nationalists and communists into the open.

It was the three-way destabilisation of China during this period – warlords v. Nationalists v. Communists – which had helped Japan invade and take over Manchuria. Prompted by the 1937 Japanese attack the Nationalists and Communists formed an uneasy alliance.

Auden in Spain

Meanwhile, back in Europe, the great political issue of the age was the Spanish Civil War which began when General Franco led a military uprising against the democratically elected government in July 1936. Like many high-minded, middle class liberals, Auden and Isherwood both felt the time had come to put their money where their mouths were. Auden did actually travel to Spain in January 1937 and was there till March, apparently trying to volunteer to drive an ambulance in the medical service. Instead, red tape and the communists who were increasingly running the Republican forces apparently blocked him from getting a useful job. He tried to help out at the radio station but discovered its broadcasts were weak and there were no vacancies.

Frustrated and embarrassed, Auden was back in England by mid-March 1937. The long-term impact of the trip was his own surprise at how much it upset him to see the churches of Barcelona which had all been torched and gutted by a furious radical populace as symbols of oppression. Auden was shocked, and then shocked at his reaction. Wasn’t he meant to be a socialist, a communist even, like lots of other writers of his generation? The Spain trip was the start of the slow process of realisation which was to lead him back to overt Christian faith in the 1940s.

Also Auden saw at first hand the infighting on the Republican side between the communist party slavishly obeying Stalin’s orders, and the more radical Trotskyite and Anarchist parties who, later in 1937, it would crush. Later he paid credit to George Orwell’s book Homage To Catalonia for explaining the complex political manoeuvring far better than he could have. But watching the Republicans fight among themselves made him realise it was far from being a simple case of black and white, of Democracy against Fascism.

So by March 1938 Auden had returned to Britain, where he was uncharacteristically silent about his experiences, and got on with writing, editing new works for publication (not least an edition of his play The Ascent of F6 and Letters From Iceland).

Meanwhile, Christopher Isherwood was living in Paris managing his on-again, off-again relationship with his German boyfriend Heinz. And although he had accommodated Auden on an overnight stop in the French capital and waved him off on the train south to Spain, Isherwood hadn’t lifted a finger for the Great Cause.

Then, in June 1937, Auden’s American publisher, Bennet Cerf of Random House, had suggested that after the reasonable sales of his travel book about Iceland, maybe Auden would be interested in writing another travel book, this time travelling to the East. Isherwood was a good suggestion as collaborator because they had just worked closely on the stage play, The Ascent of F6 and had begun work on a successor, which was to end up becoming the pay On The Frontier. The pair were considering the travel idea when the Japanese attacked China, quickly took Beijing and besieged Shanghai.

At once they seized on this as the subject of the journey and the book. Neither had really engaged with the war in Spain; travelling east would be a way to make amends and to report on what many people considered to be the Eastern Front of what was developing into a worldwide war between Fascism (in this case Japan) and Democracy (in this case the Chinese Nationalists).

China also had the attraction that, unlike Spain, it wouldn’t be stuffed full of eminent literary figures falling over themselves to write poems and plays and novels and speeches. Spain had been a very competitive environment for a writer. Far fewer people knew or cared about China: it would be their own little war.

And so Auden and Isherwood left England in January 1938, boat from Dover then training it across France, then taking a boat from Marseilles to Hong Kong, via Egypt, Colombo and Singapore.

Journey to a War

Journey To A War is not as good as Letter From Iceland, it’s less high spirited and funny. There isn’t a big linking poem like Letter To Lord Byron to pull it together, and there isn’t the variety of all the different prose and verse forms Auden and MacNeice cooked up for the earlier book.

Instead it overwhelmingly consists of Isherwood’s very long prose diary of what happened to them and what they saw in their three months journey around unoccupied China.

The book opens with a series of sonnets and this was the form Auden chose to give the book poetic unity – sonnets, after all, lend themselves to sequences which develop themes and ideas, notably the Sonnets of Shakespeare, or his contemporaries Spencer and Sidney. There’s a collection of half a dozen of them right at the start, which give quick impressions of places they visited en route to China (Macau, Hong Kong). Then, 250 pages of Isherwood prose later, there’s the sonnet sequence titled In Time of War.

But instead of the bright and extrovert tone of Letters From Iceland, Auden’s sonnets are often obscure. They are clearly addressing some kind of important issues but it’s not always clear what. This is because they are very personal and inward-looking. Auden is clearly wrestling with his sense of liberal guilt. The results are rather gloomy. Spain had disillusioned him immensely. He went to Spain thinking the forces of Evil were objective and external. But his first-hand experience of the internecine bickering on the Republican side quickly showed him there is no Good Side, there are no Heroes. History is made by all of us and so – all of us are to blame for what happens. Travel as far as you want, you’re only running away from the truth. If we want to cure the world, it is we ourselves that we need to cure first.

Where does this journey look which the watcher upon the quay,
Standing under his evil star, so bitterly envies,
As the mountains swim away with slow calm strokes
And the gulls abandon their vow? Does it promise a juster life?

Alone with his heart at last, does the fortunate traveler find
In the vague touch of a breeze, the fickle flash of a wave,
Proofs that somewhere exists, really, the Good Place,
Convincing as those that children find in stones and holes?

No, he discovers nothing: he does not want to arrive.
His journey is false, his unreal excitement really an illness
On a false island where the heart cannot act and will not suffer:
He condones his fever; he is weaker than he thought; his weakness is real…

(from The Voyage by W.H. Auden)

‘An illness on a false island’ which is clearly England, a place ‘where the heart cannot act’. The traveller is trying to escape himself but cannot and glumly realises ‘he is weaker than he thought’. Or the thumping final couplet of the sonnet about Hong Kong:

We cannot postulate a General Will;
For what we are, we have ourselves to blame.

Isherwood’s diary

Luckily, the prose sections of the book are written by Isherwood and these are much more fun. He keeps up the giggling schoolboy persona of the novel he’d recently published, Mr Norris Changes Trains (1935), he notes the way the Chinese pronounce their names Au Dung and Y Hsaio Wu, he sounds wide-eyed and optimistic. He hadn’t seen what Auden had seen in Spain, wasn’t struggling with the same doubts.

On February 28 1938 they leave Hong Kong by steamer for Canton and Isherwood finds everyone and everything hilarious. Look a Japanese gunboat! Listen, the sound of bombs falling! He has same facility for the disarmingly blunt image which he deploys in the Berlin stories. The mayor of Canton (Mr Tsang Yan-fu) is always beaming, has a face like a melon with a slice cut out of it. After dinner the Chinese general entertains them by singing Chinese opera, showing how different characters are given different tones and registers (‘the romantic hero emits a sound like a midnight cat’).

He refers to the whole trip as a dream and as a landscape from Alice in Wonderland – they expected Chinese people to behave as in a Gilbert & Sullivan opera and had rehearsed elaborate compliments, and are disarmed when they’re much more down to earth. The train journey on through Hunan province is boring, the tea tastes of fish, they amuse themselves by reading out an Anthony Trollope novel or singing in mock operatic voices.

But this sense of unreality which dogs them is simply because both of them didn’t have a clue what was going on, what was at stake, the military situation, had never seen fighting or battle and weren’t proper journalists. They were privileged dilettantes, ‘mere trippers’, as Isherwood shamefacedly explains when they meet real war correspondents at a press conference (p.53).

In Hankow the Consul gives them Chiang, a middle-aged man with the manners of a perfect butler to be their guide. They attend the official war briefings alongside American and Australian journalists, they meet Mr Donald, Chiang Kai-shek’s military adviser, the German adviser General von Falkenhausen, Agnes Smedley, Madame Chiang Kai-shek herself, and with delight are reunited with Robert Capa, the soon-to-be legendary American war photographer who’d they’d met on the boat out. They attend traditional Chinese opera, which Isherwood observes with the eye of a professional playwright.

They catch the train to Cheng-chow which has been repeatedly bombed by the Japanese, capably looked after by their ‘boy’, Chiang. They are heading north on the train when they learn that Kwei-teh has fallen, nonetheless they decide to press on to Kai-feng. With them is an exuberant and seasoned American doctor, McClure, who takes them to watch some operations. They walk round the stinking foetid town. They go to the public baths which stink of urine. Then they catch a train to Sü-chow. And then onto Li Kwo Yi where they argue with Chinese commanding officers (General Chang Tschen) to allow them to go right up to the front line, a town divided by the Great Canal.

If you’ve no idea where any of these places are, join the club. I was reading an old edition but, even so, it had no map at all of any part of the journey. Which is ludicrous. The only map anywhere appears to have been on the front cover of the hardback edition, replaced (uselessly) by an anti-war cartoon on the paperback editions, and even this doesn’t show their actual route.

With no indication where any of these places are, unless you are prepared to read it with an atlas open at your side, Isherwood’s long prose text becomes a stream of clever observations largely divorced from their context. Even an atlas is not that useful given that Isherwood uses the old form of the placenames, all of which, along with most people’s names, have changed. Thus Sian, capital of Shen-si province, is now Xian, capital of Shaanxi Province, Sü-chow is now Suzhou, and so on.

We are intended to enjoy the surreal aspects of travelling in a deeply foreign land – the village restaurant which was papered entirely with pages of American tabloid magazines, and so covered with photos of gangsters and revelations about fashionable divorcees (p.126); or the expensive hotel in Sian whose menu included ‘Hat cake’ and ‘FF potatoes’ (p.141). Beheading is a common punishment because the Chinese believe a body needs to be complete to enter the afterlife. They meet lots of tough and brave American missionaries, mostly from the American south.

Finally, back in Hankow (Hankou) they become part of polite society again, are invited to a party of Chinese intellectuals, a party given by the British admiral and consul, where they meet the legendary travel writer Peter Fleming and his actress wife Celia Johnson, the British ambassador Archibald Kerr, the American communist-supporting journalist, Agnes Smedley (p.156). Fleming pops up a lot later at their hotel in Tunki, and is too suave, handsome and self-assured to possibly be real.

Militarily, Journey To A War confirms the opinions of the modern histories of the war I’ve read, namely that the Nationalist side was hampered by corruption, bad leadership and, above all, lack of arms & ammunition. When they retook cities which had been under communist influence the Chiang’s Nationalists realised they needed some kind of ideology which matched the communists’ emphasis on a pure life and so, in 1934, invented the New Life Movement i.e. stricter morals, which Madame Chiang politely explains.

Isherwood notices the large number of White Russian exiles, often running shops, come down in the world. This reminds me of the Russian nanny J.G. Ballard had during his boyhood in 1930s Shanghai, as described in his autobiography Miracles of Life.

From pages 100 to 150 or so our intrepid duo had hoped to approach the front line in the north and had crept up to it in a few places, but ultimately refused permission to go further, to visit the Eighth Route Army, and so have come by boat back down the Yangtze River to Hankou. Now they plan to travel south-east towards the other main front, where the Japanese have taken Shanghai and Nanjing.

On the Emperor of Japan’s birthday there is a particularly large air-raid on Hankow and they make themselves comfortable on the hotel lawn to watch it. The Arsenal across the river takes a pasting and they go to see the corpses. 500 were killed. Nice Emperor of Japan.

They take a river steamer to Kiukiang and stay at the extraordinary luxury hotel named Journey’s End and run by the wonderfully eccentric Mr Charleton. They catch the train from Kiukiang to Nanchang, stay there a few days, then the train on to Kin-hwa (modern Jinhua). Here they are horrified to discover their arrival has been anticipated and they are treated like minor royalty, including a trip to the best restaurant in town with 12 of the city’s top dignitaries.

Auden and I developed a private game: it was a point of honour to praise most warmly the dishes you liked least. ‘Delicious,’ Auden murmured, as he munched what was, apparently, a small sponge soaked in glue. I replied by devouring, with smiles of exquisite pleasure, an orange which taste of bitter aloes and contained, at its centre, a large weevil. (p.195)

They are taken by car to the town of Tunki. They try to get permission to push on to see the front near the Tai Lake, They have to cope with the officious newspaperman, A.W. Kao. This man gives a brisk confident explanation of what’s happening at the front. Neither Auden nor Isherwood believe it. Isherwood’s explanation describes scenes they’ve seen on their visit, but also hints at what Auden might have seen on his (mysterious) trip to civil war Spain. Auden is given a speech defining the nature of modern war:

War is bombing an already disused arsenal, missing it and killing a few old women. War is lying in a stable with a gangrenous leg. War is drinking hot water in a barn and worrying about one’s wife. War is a handful of lost and terrified men in the mountains, shooting at something moving in the undergrowth. War is waiting for days with nothing to do; shouting down a dead telephone; going without sleep, or sex, or a wash. War is untidy, inefficient, obscure, and largely a matter of chance. (p.202)

Peter Fleming turns up looking gorgeous, professional, highly motivated, speaking good Chinese. He attends briefings, manages the locals with perfect manners. They organise an outing towards the front, with sedan chairs, bearers, two or three local notables (T.Y. Liu, A.W. Kao, Mr Ching, Major Yang, Shien), Fleming is indefatigable. On they plod to Siaofeng, Ti-pu and Meiki. Here the atmosphere is very restless, the miltary authorities are visibly unhappy to see them, half their own Chinese want to get away. The spend a troubled night, with people coming and going at the military headquarters where they’ve bivouaced and, after breakfast, they give in to the Chinese badgering, turn about, and retrace their steps. Twelve hours later the town of Meiki fell to the Japanese. On they plod up a steep hillside, carried by coolies, and down the precipitous other side, down to Tien-mu-shan and then by car to Yu-tsien (p.229).

We stopped to get petrol near a restaurant where they were cooking bamboo in all its forms – including the strips used for making chairs. That, I thought, is so typical of this country. Nothing is specifically either eatable or uneatable. You could being munching a hat, or bite a mouthful out of a wall; equally, you could build a hut with the food provided at lunch. Everything is everything. (p.230)

Isherwood hates Chinese food and, eventually, Auden agrees. At Kin-hwa Fleming leaves them. It’s a shame they’ve ended up getting on famously. It’s interesting that both Auden and Isherwood initially were against him because he went to Eton. The narcissism of minor differences knows no limits.

They say goodbye to all the people they’ve met in Kin-hwa and set off by bus for Wenchow. They take a river steamer from Wenchow to Shanghai.

Arrival in Shanghai on 25 May signals the end of their adventures. They stay in the chaotic, colourful, corrupt city till 12 June. Fascinating to think that over in his house in the International Settlement, young James Graham Ballard was playing with his toy soldiers, dreaming about flying and laying the grounds for one of the most distinctive and bizarre voices in post-war fiction.

And Isherwood confirms the strange, deliriously surreal atmosphere of a Chinese city which had been invaded and conquered by the Japanese, who had destroyed a good deal of the Chinese city but left the International and the French Settlements intact. They attend receptions at the British Embassy, are the guest of a British businessman hosting high-level Japs.

There is no doubt Auden and Isherwood hate the Japanese, can’t see the flag hanging everywhere without thinking about all the times in the past four months when they’ve ducked into cover as Japanese bombers rumbled overhead and fighters swooped to strafe the roads.

This is the only section of this long book with real bite. Isherwood interviews a British factory inspector who describes the appalling conditions Chinese workers endure and notes that they’ll all be made much worse by the Japanese conquerors.

Schoolboys

It’s a truism to point out that the Auden Generation was deeply marked by its experience of English public schools, but it is still striking to see how often the first analogy they reach for is from their jolly public schools, endless comparisons with school speeches and prize days and headmasters.

Under the camera’s eye [Chiang kai-shek] stiffened visibly like a schoolboy who is warned to hold himself upright (p.68)
Mission-doctors [we were told] were obliged to smoke in secret, like schoolboys (p.88)
They scattered over the fields, shouting to each other, laughing, turning somersaults, like schoolboys arriving at the scene of a Sunday school picnic (p.142)
The admiral, with his great thrusting naked chin… and the Consul-General, looking like a white-haired schoolboy, receive their guests. (p.156)
[Mr A.O. Kao] has a smooth, adolescent face, whose natural charm is spoiled by a perpetual pout and by his fussy school-prefect’s air of authority (p.201)
Producing a pencil, postulating our interest as a matter of course, he drew highroads, shaded in towns, arrowed troop movements; lecturing us like the brilliant sixth-form boy who takes the juniors in history while the headmaster is away. (p.200)
The cling and huddle in the new disaster
Like children sent to school (p.278)
With those whose brains are empty as a school in August (p.291)

The photos

At the end of the huge slab of 250 pages of solid text, the book then had 31 pages of badly reproduced black and white photos taken by Auden. In fact there are 2 per page, so that’s 62 snaps in all.

I don’t think there’s any getting round the fact that they’re average to poor. Some are portraits of people they met, notably Chiang kai-shek and Madame Chiang, Chou en-lai of the communists, and celebrities such as Peter Fleming the dashing travel writer and Robert Capa the handsome war photographer. A dozen or more named people, Chinese, missionaries and so on. And then lots of anonymous soldiers and scenes, the dead from an air raid, the derailed steam train, coolies in poverty, a Japanese prisoner of war, a Japanese soldier keeping guard in Shanghai, Auden with soldiers in a trench and so on.

Remarkably, few if any of these seem to be online. I can’t imagine they’re particularly valuable and their only purpose would be to publicise the book and promote Auden and Isherwood’s writings generally, so I can’t imagine why the copyright holders have banned them. If I owned them, I’d create a proper annotated online gallery for students and fans to refer to.

In Time of War

The book then contains a sequence of 27 sonnets by Auden titled In Time of War. In later collections he retitled them Sonnets from China. They are, on the whole, tiresomely oracular, allegorical and obscure. The earlier ones seem to be retelling elements of the Bible, Genesis etc as if recapitulating the early history of mankind. These then somehow morph into the ills of modern society with its bombers.

But one of them stands out from the rest because it reports real details and rises to real angry eloquence.

Here war is simple like a monument:
A telephone is speaking to a man;
Flags on a map assert that troops were sent;
A boy brings milk in bowls. There is a plan

For living men in terror of their lives,
Who thirst at nine who were to thirst at noon,
And can be lost and are, and miss their wives,
And, unlike an idea, can die too soon.

But ideas can be true although men die,
And we can watch a thousand faces
Made active by one lie:

And maps can really point to places
Where life is evil now:
Nanking; Dachau.

(Sonnet XVI from In Time of War)

Those last lines have stayed with me all my life. Nanking. Dachau. The darkness at the heart of the twentieth century.

Commentary

The last thing in the book is a long poem in triplets, from pages 289 to 301 and titled simply Commentary.

It’s a sort of rewrite of Spain, again giving a hawk’s eye view of history and society, the world and human evolution. It starts off describing what they’ve seen in Auden’s characteristic sweeping style, leaping from one brightly described detail to another, before wandering off to give snapshots of great thinkers from Plato to Hegel.

But at quite a few points voices emerge to deliver speeches. Then, on the last page, the Commentary becomes extremely didactic, ending with a speech by the Voice of Man, no less, the kind of speech he turned out by the score for his plays and choruses and earlier 1930s poems.

But in this context it seems inadequate to the vast and catastrophic war in China which they have just glimpsed, and which was to last for another seven years (till Japan’s defeat in 1945) and was itself followed by the bitter civil war (1945-48) which was only ended by the triumph of Mao Zedong’s communist party early in 1949.

The Japanese invasion of 1937 turned out to be just the start of a decade of terror and atrocity, and Auden’s response is to have the ‘Voice of Man’ preach:

‘O teach me to outgrow my madness.

It’s better to be sane than mad, or liked than dreaded;
It’s better to sit down to nice meals than nasty;
It’s better to sleep two than single; it’s better to be happy.

Ruffle the perfect manners of the frozen heart,
And once again compel it to be awkward and alive,
To all it suffered once a silent witness.

Clear from the head the masses of impressive rubble;
Rally the lost and trembling forces of the will,
Gather them up and let them loose upon the earth,

Till they construct at last a human justice,
The contribution of our star, within a shadow
Of which uplifting, loving, and constraining power
All other reasons may rejoice and operate.‘

It yet another of his prayers, deliberately personal in scale, addressed mostly to chums from public school, fellow poets, friendly dons and reviewers. It is calling on people who are already well-fed, well-educated and mostly decent chaps to be a bit more decent, if that’s alright. But ‘ruffling up your perfect manners’ wasn’t going to stop Franco or the Japs, Hitler or Stalin.

It is ironic of Auden to ask people to remove from their heads ‘impressive rubble’, which I take to mean the luggage of an expensive education in the arts – as that is precisely what he was going to use to make a living out of for the next 35 years and which was to underpin and inform all his later works.

And there are numerous small but characteristic examples of learnèd wit it here, such as when they light a fire which is so smokey that it forces them out of the room and Auden wittily remarks, ‘Better to die like Zola than Captain Scott’ (i.e. of smoke asphyxiation rather than from freezing).

In this respect the Commentary is another grand speech which, like the grand speeches in the plays he’d just written with Isherwood, was, in the end, addressed to himself. Once again, as with Spain, Auden has used a huge historical event to conduct a lengthy self-analysis.

Auden’s contemporary readers were impressed, as ever, by his style and fluency but, as ever, critical of his strange inability to engage with anything outside himself and, specifically, to rise to the occasion of such a massive historical event.

Half way through the text Isherwood tells a story about Auden’s complete conviction that the train they’re on won’t be shot at by the Japanese, whose lines they are going to travel very close to. Sure enough the train emerges on to a stretch of line where it is clearly visible from the forward Japanese lines, which they know to contain heavy artillery, and so they pass a few minutes of terror, petrified that the Japanese might start shelling any second. In the event, there is no shelling, and the train veers away to safety. ‘See. I told you so,’ says Auden, and Isherwood reflects that there’s no arguing with ‘the complacency of a mystic’.

It’s a joke at his old mate’s expense and yet I thought, yes – complacency – in Auden’s case complacency means undeviating confidence in his own mind and art to hold off, inspect and analyse. He creates a rhetoric of concern but it is nothing more than that, a poet’s rhetoric, fine to admire but which changes nothing.

And he knew this, had realised it during the trip to Spain, and had lost heart in the political verse of the 1930s. The pair returned from China via America, where all mod cons were laid on by his American publishers and Auden realised that here was a much bigger, richer, more relaxed, open, friendly and less politically pressurised environment in which to think and write.

He returned to England just long enough to wind up his affairs, pack his bags, then in January 1939 he and Isherwood sailed back to the States which would become his home for the next 30 years, and set about rewriting or suppressing many of his most striking poems from the troubled Thirties, trying to rewrite and then censor what he came to think of as his own dishonesty, pursuing a quest for his own personal version of The Truth.

1930s reviews

Journey To A War by W.H. Auden and Christopher Isherwood (1939)

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In That Howling Infinite

Condemned to drift or else be kept from drifting

Japan

100 years of Mein Kampf … the book that ravaged a continent

Mein Kampf‘s bitter harvest

The immoral mathematics of World War II – Deaths by Country

WORLDWIDE CASUALTIES*

Mein Kampf made depravity the highest form of morality: Hitler’s ‘Nazi bible’ a playbook for hate

The many lives of an unsung Anzac hero

Once upon a war

The road to Gallipoli

How did we forget this Anzac hero?

Wystan and Christopher’s excellent adventure

Journey To A War by W.H. Auden and Christopher Isherwood (1939)

The Sino-Japanese War

Auden in Spain

Journey to a War

Isherwood’s diary

Schoolboys

The photos

In Time of War

Commentary

Related links

1930s reviews