Twas in another lifetime, one of toil and blood
When blackness was a virtue the road was full of mud
B Dylan, Shelter from the Storm

It is fifty years since the end of the 21 yearlong Vietnam War, the great war of my generation. Our friends Marianne Harris, partner of acclaimed photographer the late Tim Page and photo-journalist Ben Bohane have been in Cambodia and Vietnam along with many photographers and journalists who covered the conflict on all sides of the lines.

In reality, the conflict in Indochina began in 1946 when British forces handed the former French colony back to France, and the nationalist Viet Minh forced the French to surrender and withdraw in 1954. The Americans call it the Vietnam War but to the Vietnamese, it is The American War because it was the USA that came, saw and failed to conquer. No one really knows how many people perished. Civilian deaths range from 1.3 to 4.5 million, of which over 80% were Vietnamese and 7% Cambodian. American soldiers dead numbered 58,220 and wounded,153,303. The number of Vietnamese and Cambodian wounded is inestimable. An account of the war from Tim Page’s War – a photographer’s Vietnam journey is republished after the following poem.

On this anniversary, one which has been almost ignored in mainstream media, we remember all those lives lost, and the devastation inflicted on countries that were once “faraway places with strange sounding names”, as the old song goes.

A silent wall shouting for peace

The anniversary reminded me of an almost forgotten book that was published in the US back in mid ‘eighties as one of an excellent series entitled “A Day In The Life of … “ which chronicled in pictures the lives of ordinary people in major cities around the world. Uniquely, one of these was dedicated exclusively a monument, The Wall, the Vietnam Veterans’ Memorial in Washington DC – two black granite walls completed in 1982 engraved with the names of American service members who died or remain missing as a result of their service in Vietnam and Southeast Asia during the war. The book is poignant gallery of images and messages left at the memorial by loved ones and comrades, the emotional debris of that almost forgotten war that although long gone, reaches out through history with an admonishing finger: “Shadows in search of a name for victims we’ve left far behind”.

One of many anonymous notes left on the memorial pierced my heart and inspired the following poem and song:

“I shut my eyes and wouldn’t listen when they came with morning and told me that you had slipped away. I closed my mind against my thoughts, not wanting t believe you’d gone. Not dragged off, captured in the bright day’s savage madness, not overwhelmed by the dark blind angers of night, but here within the sight and sound and smell of the sea, and salty spray on gentle winds so near”.

When I read it, I thought immediately of the 19th century English poet Matthew Arnold’s On Dover Beach: “We are here as on a darkling plain, swept with confused alarms of struggle and flight, where ignorant armies clash by night”.

Shadows in Search of a Name

Echoes of honour and shame,
Phantoms of glory and fame,
Shadows in search of a name
For victims we’ve left far behind.

And all is not quite as it seems
In the dark corridors of his dreams,
In the silence of his senses,
The violence of his mind.

Storms that thunder and rain,
Lights that waver and wane,
Winds that howl out in pain,
Visions from a great height.

Time for the turmoil to cease,
A silent wall shouting for peace –
From the bright day’s savage madness,
Blind angers of night

You are the ice in my veins,
You are the age in my bones.
You are the flames in my heart
Raging out of control.

You are the blood on my hands,
You are the lies on my tongue.
You are the cries in my ears
And the eyes of my soul.

Echoes of honour and shame,
Phantoms of glory and fame.
Shadows in search of a name
For victims we’ve left far behind.

• The Ballad of Denton Crocker – a Vietnam elegy 
• Tim Page’s War – a photographer’s Vietnam journey 
• Journey’s end – photographer Tim Page’s wild ride 
• Things fall apart, the centre cannot hold – 1968 revisited
• Apocalypse Now Redux – the ride of the psychotic Valkyries

The following is an extract from Tim Page’s War – a photographer’s Vietnam journey 

Chaos without a compass

A ship is waiting for us at the dock
America has trouble to be stopped
We must stop Communism in that land
Or freedom will start slipping through our hands.
I hope and pray someday the world will learn
That fires we don’t put out, will bigger burn
We must save freedom now, at any cost
Or someday, our own freedom will be lost.
Johnny Wright, Hello Vietnam

The Twentieth Century’s “Thirty Years War” was waged in South East Asia initially by the colonialist France, and then by neo-imperialist America. France’s war ended in defeat and ignominy for French arms and prestige, and a partition that was but a prelude to America’s Vietnam quagmire.

in his masterful documentary, The Vietnam War, acclaimed filmmaker Ken Burns narrator intoned: “America’s involvement in Vietnam began in secrecy. It ended, thirty years later, in failure, witnessed by the entire world. It was begun in good faith, by decent people, out of fateful misunderstandings, American overconfidence, and Cold War miscalculation. And it was prolonged because it seemed easier to muddle through than admit that it had been caused by tragic decisions, made by five American Presidents, belonging to both political parties”.

America’s War has since been defined as chaos without compass. It was inevitable that acclaimed historian Barbara Tuchman would chose it as one of her vignettes in The March of Folly, her celebrated study of débacles through the ages characterised by what would appear to be a single-minded determination amounting to tunnel vision that is akin to stupidity.

As Tuchman saw it, exceptionalism and manifest destiny are historically proven folly. Self-belief in American power and righteousness has historically created delusions of grandeur, obstinate attachment to unserviceable goals, stubbornness, and an inability to learn from past mistakes or even admitting error – a wooden-headedness that often sees the US persisting on erroneous paths that lead to loss of blood, treasure, reputation and moral standing.

Why did the US’ experience of backing the wrong horse in China in the forties not provide an analogy and warning in Vietnam in the fifties? Why did the experience in Vietnam not inform the it with respect to Iran right up to the fall of the Shah in 1978? And why hadn’t it learned anything when it stumbled into Salvador in the eighties? And then, of course, we arrive in the 21st century with no-exit, never-ending wars in Afghanistan and Middle East that end in retreat and betrayal with the ‘freedom-loving’ USA still backing the wrong horses by supporting autocrats and tyrants against their own people.

But, back to Vietnam …

As historian Per Yule noted in The Long Shadow: Australia’s Vietnam Veterans Since The War, the Vietnam War was based on an assortment of unproven assumptions and half truths. It wrongly identified a dictatorship as a democracy a civil war as an international conflict. Our armed forces were sent to fight in support of a corrupt military regime which received solid support only from the catholic minority and the small landowning class. Few willingly fought for the regime.

Many in the US military reckoned that if given a free hand by the administration of President Johnson, they could have prevailed against North Vietnam – by destroying it utterly with overwhelming firepower. But the US had backed the wrong side and no amount of support could make the South Vietnamese fight and die hard enough for their corrupt, incompetent, puppet government. We hear a similar rationale with regard to the the Afghan army’s rapid collapse and the US’ shambolic withdrawal from Afghanistan

The US wanted to convince the North Vietnamese that they couldn’t win on the battlefield. The North Vietnamese wanted to convince the American people that the cost in blood and treasure was too high. Both sides continued to believe that they could improve their positions through escalation and both continued to focus on military rather than political means to end the conflict. And so we were left with an almost certainly unwinnable strategy of bombing the enemy to the negotiating table when that enemy shows no willingness to negotiate under duress. The bombing campaign, code name Rolling Thunder, was described by a commentator in Ken Burns’ documentary The Vietnam War as “the dumbest campaign ever designed by a human being”.

The many names for a war lost before it began

All we need is a little determination;
Men, follow me, I’ll lead on.
We’re waist deep in the big muddy
And the big fool says to push on.
Pete Seeger, Waist Deep in the Big Muddy

Vietnam has been called the pointless war and the needless war. In a scene in Apocalypse Now Redux, Francis Ford Coppola’s recut of his seventies epic, Having denounced his country’s folly in being surrounded and defeated in the battle of Dien Bien Phu in 1954, which precipitated the end of French colonial rule and the beginning of US involvement in Indochina,  expatriate patriarch Hubert de Marais declares to his American guests: “You are fighting for the biggest nothing in history”.

It was certainly a costly war. The butchers bill was horrendous. No one really knows how many people perished. Civilian deaths range from 1.3 to 4.5 million.of which over 80% were Vietnamese and 7% Cambodian. American soldiers dead numbered 58,220 and wounded,153,303. The number of Vietnamese and Cambodian wounded is inestimable.

As for the American forces, it most certainly “the poor man’s war” – most who were perished or were maimed were not rich folks, and a disproportionate number were black. Amd the more who died, the more were sent to replace them. And like here in Australia, thecdraft caught mainly the poor and unconnected. Even as soldiers started going home, actual or attempted murder by enlisted men of their superiors increased alarmingly.

As to the monetary cost: an estimated $1 trillion in today’s dollars. But that is doubtlessly an understatement – what about the rebuilding, the rehabilitation, the recompense? Vietnam was the most heavily bombed country in history. More than 6.1 million tons of bombs were dropped, compared to 2.1 million tons in WW2. U.S. planes dumped 20 million gallons of herbicides to defoliate VietCong hiding places. It decimated 5 million acres of frostbite and 500,000 acres of farmland.

It has been called “the helicopter war” because choppers were the primary mode of ground combat and transport, and also “the television war – it’s triumphs (few) and tragedies (many) were beamed Into American homes nightly, fuelling the public’s confusion and unease about this Asian war, and eventually, the anger that forced the US government to eventually withdraw over half a million soldiers, marines, airmen and sailors and abandoning South Vietnam’s puppet government, its demoralised and abandoned army, and its unfortunate, battered and bloodied people to the tender mercies of the hardline and heartless ideologues in Hanoi.

Vietnam was also, notoriously, a pharmaceutical war. In its final year’s, as raw and reluctant draftees made up an increasing proportion of the US forces, indiscipline and substance abuse transformed, in the words of one professional soldier, an officer, a fine army into a rotten one. Alcohol, marijuana, acid, coke, heroin, and a cornucopia of pills were freely available on base, on leave in Saigon, and often, in the field, and many soldiers actually made it a business. The press too were sucked into the machinery.

And, it was a promiscuous war. So far away from home and loved ones, like warriors in all wars since time immoral, US solders took comfort and solace where they could find it. Historians, memoirists, veterans of both the French and American wars in Indochina write and talk of the beauty of the Vietnamese women. Economic deprivation and social dislocation create a flesh market supplying lonely, frightened strangers in a strange land.

It was chemical warfare – not the mustard gas of older wars, and the Zyklon B of the Nazi death camps, nor the recent wars in the Middle East, in the first Gulf War, between Iraq and Iran, and in Syria – but the broad-acre use of chemical defoliants designed to deny the enemy of jungle and forest concealment that left behind a bitter harvest, a legacy of disease, deformity and death that ricochets to this day.

And, in the United States, it was a war that divided a nation. The protest movement emerged during 1965. It grew and grew, and by the Moratorium of October 1969, it became the largest outpouring of public dissent in American history. The moratorium movement was massive and unprecedented – and peaceful. Nationwide, hundreds and hundreds of thousands of people across the US were marching. The children of politicians and officials and soldiers were also marching. They were marching not about winning or losing the war but demanding an end to the war.

It was a journalists war too, and the photographers’ War. The military had a relaxed and tolerant attitude towards the press that would seem profligate and foolhardy in today’s tightly managed and manipulated combat media. Journalists and photographers would be permitted and indeed invited along on patrols and sweeps, carrier landings, on helicopter “dust offs” (a euphemism for evacuating the wounded and the dead), and the controversial “search and destroy” operations that destroyed so many fields, villages and lives. Needless to say, the coopted fourth estate were often in harm’s way. They were taught how to use weapons and often actually did use them in self defence and, sometimes in anger. And like the officers and men with whom they worked, many were wounded and slain. More than two hundred would die covering the fighting in South East Asia.

And English photojournalist Tim Page, who ran away from boring ‘sixties Britain to the exotic East at the age of seventeen, taking the ‘overland’ route that decades later would be called ‘the Hippie Trail’, washed up in the war of our generation, and left it critically injured and indeed clinically dead in a medivac chopper.

The Vietnam War’s echoes reverberate to this day. In the United States, it has taken more than 50 years for such a traumatic defeat to fade. The deepest scars, inevitably, belong to those who suffered most. Author and Vietnam veteran Philip Caputo in the preface to his memoir A Rumor of War  wrote:

“I came home from the war with the curious feeling that I had grown older than my father, who was then 51,” writes. “A man saw the heights and depths of human behaviour in Vietnam, all manner of violence and horrors so grotesque that they evoked more fascination than disgust. Once I had seen pigs eating napalm-charred corpses – a memorable sight, pigs eating roast people.”

The scars on Vietnam itself were much deeper and long lasting – on its politics, still a authoritarian communist regime; its people – millions died, were wounded or suffered long term psychological and genetic damage; and its environment – the effects of broad-acre defoliants and the damage and debris of war.

© Paul Hemphill 2021.  All rights reserved